Commemorative and contemporary style posters in honor of the original Black ABC's, issued in the 1970's in Chicago. Large format print poster on weighted paper. Posters measure 11" wide x 17" tall; no framing included. Matte, offset printing. Will ship flat in cardstock envelope. Please select preferred prints from the menu.

About the Black ABC's: The Black ABC’s was created by two Black women educators, June Sark Heinrich, and consultant Bernadette H. Triplett in Chicago, Illinois. Heinrich received her MA in English at the University of Chicago and was an author and editor of programs for early childhood education. Heinrich and Triplett teamed up to produce the Black ABCs in 1970 for the Society of Visual Education. The organization was started in Chicago in 1919 and by the early 1970s became a leading supplier of classroom learning materials. The original sets of twenty six poster-sized study prints feature a color photograph corresponding to the letter of the alphabet and educational keywords, biographies, and suggested activities on the reverse side - learning aides that centered the achievements, histories and popular sociopolitical affirmations of Black Americans during the Black Power era.

In an effort to deny the ongoing effect of colonialism and imperialism on contemporary political life, the death knell for a multicultural society has been sounded from all sides. That's the provocative argument Paul Gilroy makes in this unorthodox defense of the multiculture. Gilroy's searing analyses of race, politics, and culture have always remained attentive to the material conditions of black people and the ways in which blacks have defaced the "clean edifice of white supremacy." In Postcolonial Melancholia, he continues the conversation he began in the landmark study of race and nation 'There Ain't No Black in the Union Jack' by once again departing from conventional wisdom to examine―and defend―multiculturalism within the context of the post-9/11 "politics of security."

This book adapts the concept of melancholia from its Freudian origins and applies it not to individual grief but to the social pathology of neoimperialist politics. The melancholic reactions that have obstructed the process of working through the legacy of colonialism are implicated not only in hostility and violence directed at blacks, immigrants, and aliens but in an inability to value the ordinary, unruly multiculture that has evolved organically and unnoticed in urban centers. Drawing on the seminal discussions of race begun by Frantz Fanon, W. E. B. DuBois, and George Orwell, Gilroy crafts a nuanced argument with far-reaching implications. Ultimately, Postcolonial Melancholia goes beyond the idea of mere tolerance to propose that it is possible to celebrate the multiculture and live with otherness without becoming anxious, fearful, or violent.

Part history, part legend, this is the story of Sundiata Keita: the heroic figure who founded the empire of Mali. A thirteenth-century oral epic, Sundiata sees the full-length tale captured in print for the first time.

This is Sundiata, the epic tale of a man 'great among kings' who, through his legendary deeds and exploits, came to father an empire. For over 800 years, this story has been passed down to generations of listeners through spoken word.

D.T. Niane's novelisation captures all the mystery and majesty of medieval African kingship. This ambitious story ranks alongside the Ancient Greek and Roman classics as one of the world's great adventure stories.

The death of a Jamaican man’s father raises questions about the father’s political endeavors, and about the plight of 1980s Jamaica.

“Few other novels encapsulate Jamaica’s political upheavals so well. Protagonist Ferron Morgan agonizes over his father’s death, maybe from a doctor’s mistake, maybe from a radical rival’s hands. Meanwhile, he’s running from everything, including his own emotions about his fiancée―with sad results. Bivouac is not an easy or light book, but the immediacy Dawes creates is worth it.” ―Literary Hub, included in 5 Books You May Have Missed in April

“An examination of grief and politics in a deftly written novel set in 1980s Jamaica . . . Astonishing prose.” ―Kirkus Reviews

When Ferron Morgan’s father dies in suspicious circumstances, his trauma is exacerbated by the conflict within his family and among his father’s friends over whether the death was the result of medical negligence or if it was a political assassination. Ferron grew up in awe of his father’s radical political endeavors, but in later years he watched as the resurgence of the political right in the Caribbean in the 1980s robbed the man of his faith.

Ferron’s response to the death is further complicated by guilt, particularly over his failure to protect his fiancée from a brutal assault. He begins to investigate the direction of his life with great intensity, in particular his instinct to keep moving on and running from trouble.

This is a sharply focused portrayal of Jamaica at a tipping point in its recent past, in which the private grief and trauma condenses a whole society’s scarcely understood sense of temporariness and dislocation.

Camille has worked her way up from the Guadeluopean lakou where she was born and raised to the heights of Orlando, where she is a successful motivational speaker. Her assistant, Evelyn, is struggling as a single mother, especially since she has been keeping the existence of her son a secret from her family in Jamaica. As Camille relates the story of her life to Evelyn, she urges Evelyn to see her difficult life as one of great fortune—“My girl, a woman falls, but she never despairs”—and to fully share her joys and successes with her loved ones.

Camille’s Lakou tells the story of Camille, a young Caribbean girl living with her single‑parent mother in a 1960s urbanized zone at the edge of Pointe‑à‑Pitre, Guadeloupe, following her through her adult life as a Caribbean migrant in Florida. Author Marie Léticée explores neocolonial culture clash and identity conflict themes that will be familiar to readers of the Francophone Caribbean coming‑of‑age novel and its revisions by women writers such as Capécia, Lacrosil, Manicom, Schwarz‑Bart, Condé, Pineau, and others. Léticée makes it her own by fleshing out a time and place not well‑represented in Guadeloupean literature. While previous bildungsromane from the writers mentioned here typically focus on rural peasant or urban bourgeois settings, Camille’s Lakou shifts location to an impoverished urban environment. “Lakou” is translated as “courtyard” or, more colloquially, “yard.” The author explores the culture and politics of lakou society while raising the issue of how this social dynamic is transformed through the impact of globalization and dispersal into a diasporic experience outside the island milieu of Camille’s childhood.

In a collaborative translation effort between the author and Kevin Meehan, Camille’s Lakou will bring the realities and joys of Léticée’s Guadeloupe to an English audience for the first time.

A haunting, unforgettable novel of obsession, pride, and forgiveness, exploring the friendship and rivalry between two gifted boys in harrowing circumstances, from the acclaimed writer of The Removed

Milton Muleborn has envied Matthew Echota, a talented Cherokee artist, ever since they were locked up together in a dangerous juvenile detention center in the late 1980s. Until Matthew escaped, that is.

A novel within a novel, we read here Milton’s dark, sometimes comic, and possibly unreliable account of the story of their childhood even as, years later, he remains jealous of Matthew’s extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of incarceration and pride.

Filled with Brandon Hobson’s swirling yet visceral writing, and punctuated with original artwork, The Devil Is a Southpaw is an ambitious, elegant, and propulsive novel in the spirit of Vladimir Nabokov and Gabriel García Márquez.

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The iconic comic created by contemporary African American artist Kerry James Marshall.

Marshall, widely considered one of America’s greatest living painters and inspired chronicler of the African American experience, has sought to diversify the art historical canon. In the late 1990s, he began working on a series of comics in response to the absence of authentic black characters and authors in the mainstream.

Marshall’s comic offers an alternative reality focused on the main character, Rythm Mastr, and his young protégé, Farell, superheroes whose powers derive from the seven gods of the Yoruba pantheon. Marshall’s characters debate history, philosophy, and politics in vernacular black English using the graphic novel medium to create an empowering, utopian blend of science fiction and Afrofuturism.

Initially serialized in a daily newspaper and presented as a Carnegie International installation, it has appeared in various incarnations over the past two decades, including light boxes, paintings, graphic prints, and drawings. This volume is the most comprehensive look at the character, its genesis, and its evolution.

Perfect for kids aged 4-8 comes a stunning picture book about persistence, being creative in the garden, and adapting to a new place.

When Amina moves from the Caribbean to a new snowy home, she misses growing her favorite foods. There are no coconut trees to climb, no gardens full of sweet potatoes and callaloo—only ice and snow. As Amina looks out her frosted window, she sings a traditional children’s song from back home, adding her own twist: “There’s a brown girl in the snow, tra la la la la, where none of her plants will grow.”

Determined to find a way to make her favorite plants grow in a new climate, she comes across a possible solution after discovering a library book about gardening and greenhouses. Perhaps there is a way to grow sweet potatoes, after all!

This stunning picture book written by a Guyanese-born author features:

* An introduction to gardening and greenhouses
* A note from the author about the inspiration behind the story

With gorgeous images by Marianne Ferrer, and moving text by Yolanda T. Marshall, Brown Girl in the Snow is inspired by a traditional Caribbean children’s song and captures a child’s unwavering persistence and passion, as she grows into her new home.

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Spanning 45 years of Jamel Shabazz’s photography in Prospect Park, this gorgeous and meditative volume captures the heart and soul of Brooklyn through one of its most cherished spaces.

Known for his iconic NYC street photography documenting the city’s African American community, Jamel Shabazz first gained widespread acclaim with his books Back in the Days and A Time Before Crack, renowned for their vivid portrayal of 1980s style and culture.

However, long before his fame as a photographer, Shabazz served in the military and as a corrections officer for twenty years. After long days at work, he often sought refuge in Brooklyn’s Prospect Park, describing it as a place to find inner peace—and, since 1980, he has continued capturing its vibrant spirit.

This collection features his signature portraits of locals, from Afro-Caribbean percussionists at Drummer’s Grove to multicultural families enjoying moments of quiet reflection. Complementing these human-centered images are lesser-seen landscapes revealing the serene beauty of the park.

Together, these photographs underscore its dual role as a bustling cultural hub and a tranquil refuge. Perfect for anyone who cherishes Brooklyn’s cultural history, this volume reveals a new and deeply personal side of Shabazz's work, offering a compelling portrait of community, resilience, and connection within an urban sanctuary.

A brilliant and compelling debut, Ravishing shines a light on the dark enticements of the beauty industry and how it capitalizes on our desire to be someone we are not

A provocative, darkly surreal novel of two Indian American siblings caught in the clutches of a beauty tech company, Ravishing is a searing portrait of the beauty industry’s dangerous ability to change people’s relationship to their bodies and the cult-like grip it has on youth.

For teenage Kashmira, it’s painful to look in the mirror; she has her father’s face, and every feature is a reminder of his abandonment. When a friend introduces her to Evolvoir, a beauty product that changes users’ features, Kashmira is quickly hooked on how it allows her to erase the triggers of her grief. Meanwhile, at Evolvoir’s corporate offices, Kashmira’s estranged brother Nikhil first sees the product as an opportunity to make a difference and a name for himself, but is quickly mired in corporate complicity as reports surface of the product causing severe pain and persistent symptoms in some users. As chaos ensues, Kashmira is hospitalized and must negotiate the constraints of her new reality, while Nikhil uncovers a vicious truth that will force him to decide where his loyalties lie.

Perfect for readers of Gold Diggers and You Too Can Have a Body Like Mine, Ravishing is a visceral, yet immensely tender, coming-of-age story of two Indian American siblings caught in the clutches of a predatory beauty tech company, providing an illuminating portrait of the complexities of growing up brown, chronic illness, and our relationship to ourselves.

At the center of this dazzling novel is Angela, a twenty-year-old beauty who leaves the stifling conformity of Oklahoma to search for fame during the rise of blaxploitation cinema in Los Angeles. But for her mother, Mildred, a strait-laced survivor of the 1921 Tulsa race riots, Angela's acting career is unforgivable, and the distance between them grows into a silence that lasts for years. It is only when Angela's daughter, Tamara, a filmmaker, sets out to close the rift between them that the women are forced to confront all that has been left unspoken in their lives.

Bold and beautifully written, Third Girl from the Left deftly explores the bonds of family and the inextricable pull of the movies.

Walter Rodney was a scholar, working class militant, and revolutionary from Guyana. Strongly influenced by Marxist ideas, he remains central to radical Pan-Africanist thought for large numbers of activists’ today. Rodney lived through the failed –though immensely hopeful -socialist experiments in the 1960s and 1970s, in Tanzania and elsewhere.

The book critically considers Rodney's contribution to Marxist theory and history, his relationship to dependency theory and the contemporary significance of his work in the context of movements and politics today. The first full-length study of Rodney’s life, this book is an essential introduction to Rodney's work.

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THE CURATORS OF CULTURE: Celebrate Black digital art in this essay collection revealing how Black artists have shaped everything from TikTok dances to viral memes

Steven Underwood digs into the current Black digital arts movement that has shaped popular culture for the last decade. He connects this current space to historical influences, speaking to a “legacy of audacity and daring that presented us with the opportunity to redirect the conversations on Blackness back on its center. Back to Black people.” Written as a collection of thought-provoking essays pulling in social commentary, interviews, popular culture, and deep research, Underwood taps into a topic that is incredibly relevant but often unknown.

The nature of the internet is so ephemeral that sometimes we forget when we do something worth celebrating. For Black people particularly, that’s unforgiveable. Digital Black art has become increasingly more outspoken, introspective, and genre-defining. But it’s also vulnerable. Original phrases, tweets, dances, songs, and other content are often taken from a Black artist and attributed to a white influencer. And Black creators are paid less for their work, though their engagement is often higher than that of their white peers. There is also the added risk of backlash and hate that comes with publicly existing online. As an award-winning writer with a popular online presence, Underwood is no stranger to the experiences of Black digital artists. Using his own personal stories, he highlights the beauty, vulnerability, and innovation of the Black digital arts movement.

Shining a light on the curators of our culture, Forever for the Culture narratively follows the construction of a new Black art movement and how creators have defined a community when that community does not have a physical space.

Fiery, funny, inviting and digressive, Sonny Simmons' memoir is a long overdue celebration of the famed New York free jazz pioneer

Though his years in the New York free-jazz scene of the sixties cemented his reputation as "one of the most forceful and convincing composers and soloists in his field," saxophonist Sonny Simmons (1933–2021) was nearly forgotten by the '80s, which found him broke, heavily dependent on drugs and alcohol, and separated from his wife and kids. "I played on the streets from 1980 to 1994, 365 days a year," Simmons tells jazz historian and biographer Marc Chaloin. "I would go to North Beach, and I'd sleep in the park. The word got around town that Sonny is a junkie, really strung out."
The resurrection of Simmons' career―upon the release of his critically acclaimed Ancient Ritual (Qwest Records) in 1994―has become a modern legend of the genre. In the last two decades of his musical career, Simmons broke through to a new echelon of recognition, joining the pantheon of great innovators and masters of the music. But to this day he remains an undersung figure. Here, in the first ever book dedicated to his life, Simmons recounts his childhood in the backwoods of Louisiana, his adolescence in the burgeoning Bay Area jazz scene and his star-studded life in New York playing alongside the greats.

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A bold call to rethink authenticity at work

Workplace dynamics in recent years have been a dizzying storm of broken promises. Companies that once encouraged employees to “come as you are” and bring your full, authentic self to work are now shutting down initiatives, part of an ongoing cycle of trading on our identities when it’s convenient and profitable.

Jodi-Ann Burey, writer and critic known for her TED talk “The Myth of Bringing Your Full, Authentic Self to Work,” delves into the dangers of disclosure in environments that aren’t built for our well-being. With insights from pop culture, academic research, and interviews with other professionals of color, Burey argues that we deserve better than shallow ploys for representation.

Our physical and emotional health are at risk, and too much is sacrificed―for ourselves and for collective progress―when our full potential is blocked by racism, sexism, homophobia, transphobia, and ableism. Authentic is a powerful reckoning―and now is the time to reclaim our agency. Even at work.

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If you knew the world was ending, who would you save? And would they let you?

Sixteen-year-old Winnie Bray is a liar. As the resident psychic at an oddities shop, Winnie truly can see the future. But her customers only want reassurance, and Winnie only wants their money. Favorable fortunes are a fast track to funding her way out of Buffalo, New York for good, after all.

But all of that changes when a vision sends her stalking in the remains of her family home that burned down in a fire 10 years ago. Among the ash and rubble, Winnie finds a box made of bone, untouched by flames and…whispering. At the touch of her finger, the box shows her a vision of death, chaos, and apocalypse, with her and rich kids Apollo and Cyrus Rathbun at the center.

Apollo knows their cousin is up to no good, and with the Rathbun family scattered to the wind, they know Cyrus is aiming to present himself as the new patriarch. Despite an initial attraction, Apollo is reluctant to believe Winnie. But soon it becomes clear that their family histories are intertwined, with the whispering, hungry box at the very center, and more than their lives are on the line. Together, they must discover the origins of the box and stop unforeseen forces from fulfilling the apocalyptic prophecy, or die trying.

From the author of I Feed Her to the Beast and the Beast is Me comes a speculative thriller about the ties that bind us to places and people, perfect for fans of Andrew Joseph White and Tochi Onyebuchi.

In the tradition of books by Albert Woodfox and Angela Davis comes the gripping memoir of a wrongful conviction and life on death row in Angola prison, showing how incarcerated people care for, protect, mentor, and teach each other.

In 1975, seventeen-year-old Gary Tyler was sent to Angola prison to die. A year earlier, he had been wrongfully charged with the killing of a white teenager and found guilty by an all-white jury, making Gary the youngest prisoner on death row in the country.

Following his conviction, Amnesty International and investigative reporters documented the brutal treatment, fabricated evidence, recanted testimony, and repeated injustices that led to his sentencing. Three times Gary was recommended for a pardon; three times Louisiana governors refused to accept the political risk. After more than four decades in prison, Tyler was released in 2016—but he was never exonerated.

This is not a story of mistaken identity or circumstantial evidence, but one of systemic injustice from an institution hard-wired into a legacy of slavery—in effect, this was a legal lynching. It is precisely this harsh reality that makes this memoir a remarkable celebration of life and justice, a story of pride, forgiveness, community, and triumph. With insight and heart, Gary shows how he learned to reject bitterness and survive with the help and mentorship from activists such Albert Woodfox and Herman Wallace on the inside, and the relentless support from people on the outside. Stitching Freedom is the page-turning chance for Gary to reclaim his power and exonerate himself at last.

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Gucci Mane, one of hip-hop’s most iconic figures and a trailblazer in Atlanta’s rap culture, reveals his struggles with mental health and drug addiction that will provide fans and readers with insights into his career and life.

As one of hip-hop’s legendary figures and an indispensable fixture in Atlanta’s vibrant rap culture, Gucci was on an upswing in his career when he sold his debut memoir, The Autobiography of Gucci Mane in 2016. He had just been released from prison, sporting a slimmer physique and health-conscious diet; he announced his ninth album, the platinum-selling Everybody Looking; and became the face of a global campaign with the luxury Italian designer that inspired his name and persona. But underneath all that, he was hiding some of his darkest struggles from the world. Now he is ready to tell his full story.

In Episodes, Gucci revisits his life and shares what was really going on for the first time. The mental anguish, the pitfalls, the triggers no one speaks about. Each episode is Gucci experiencing something—something you may remember from the news or even heard in his music—and giving you the background of where he was mentally. He reveals how his fascination with money got the worst of him, why he committed certain crimes, the story behind his ice cream cone tattoo, and how his wife felt watching him overdose. Along the way, he interviews medical professionals and mental health experts to provide insight into mental health awareness.

Episodes is Gucci’s way of reaching beyond the “each one, teach one” approach of discussing mental illness behind closed doors, opting instead to cultivate a discourse amongst a culture that, while steadily improving how it regards mental health, still stigmatizes public discussions around the topic. This compelling memoir sheds light on both his inner struggles and his triumphs, offering an unflinching account of a man who defied the odds to leave a lasting legacy on music, culture, and conversations around mental health.

In this endearing picture book by superstar chef and beloved TV host Carla Hall, Carla’s grandmother helps her turn things around when a game of dress-up leads to a fancy tea party gone wrong.

Carla and her sister Kim love visiting their grandparents’ home, where they can always count on having something fun to get into, like Granny’s old chest full of treasures! Dressed up in mounds of beautiful dresses, sparkling jewels, and fancy gloves, Carla decides the day wouldn’t be complete without a tea party for the girls’ special guests, Granny and Doc.

But when Carla accidentally ruins her grandmother’s favorite quilt and famous pound cake, she fears that all the fun is spoiled. How can Carla and her family have a proper tea party without an elegant set up and delicious food? Then Carla’s grandmother steps in, sharing her recipe for a special cake. Will the secret ingredient help Carla save the day?

Khaled and Jamila is a sweeping, multigenerational novel by Palestinian-American writer Anan Ameri that explores the enduring power of love and family across continents and cultures, asking what, in a divided world, truly lasts.

What in the world is beautiful forever? When disconnection rocks a family, the mistakes of one generation become the heartaches of the next …

1959, the West Bank, Palestine. Khaled’s bossy, hot-tempered father insists that his son go to college in the States so he can learn to help him run his business. Khaled, Arabic for forever, is reluctant to leave his secret, hometown crush. But he’s bullied into taking off for Ann Arbor. There he falls for a blue-collar American girl. One thing leads to another, including a daughter named Jamila, Arabic for beautiful. Family mayhem erupts on all sides.

Fast forward to 1984. Jamila has come of age growing up in Ann Arbor during the turbulent sixties and seventies. There she falls for her brother’s best friend, Ali, who she’s known for years. But even though he’s practically a member of the family, Ali is Black. Interracial marriages in the US are still few and far between. Mayhem breaks out again, tearing close ties apart.

And so, what might Sitti, the grandmother conciliator, have to say?

The names and heartaches of Khaled and Jamila ask, what in this mad world is beautiful forever? In Anan Ameri’s noisy, impatient, vibrant novel, enduring beauty is the kind of love that family can teach us. And it’s the larger, ever-expanding family of connections that love can show us when we learn to let it.

The Souls of Black Folk is Du Bois’s outstanding contribution to modern political theory. It is his still influential answer to the question, “What kind of politics should African Americans conduct to counter white supremacy?” Here, in a major addition to American studies and the first book-length philosophical treatment of Du Bois’s thought, Robert Gooding-Williams examines the conceptual foundations of Du Bois’s interpretation of black politics.

For Du Bois, writing in a segregated America, a politics capable of countering Jim Crow had to uplift the black masses while heeding the ethos of the black folk: it had to be a politics of modernizing “self-realization” that expressed a collective spiritual identity. Highlighting Du Bois’s adaptations of Gustav Schmoller’s social thought, the German debate over the Geisteswissenschaften, and William Wordsworth’s poetry, Gooding-Williams reconstructs Souls’ defense of this “politics of expressive self-realization,” and then examines it critically, bringing it into dialogue with the picture of African American politics that Frederick Douglass sketches in My Bondage and My Freedom. Through a novel reading of Douglass, Gooding-Williams characterizes the limitations of Du Bois’s thought and questions the authority it still exerts in ongoing debates about black leadership, black identity, and the black underclass. Coming to Bondage and then to these debates by looking backward and then forward from Souls, Gooding-Williams lets Souls serve him as a productive hermeneutical lens for exploring Afro-Modern political thought in America.

A celebration of South Asian flavors by Pooja Bavishi, the founder of acclaimed Malai ice cream.

Learn to create frozen desserts at home with this first-of-its-kind South Asian-inspired ice cream cookbook.

Bavishi shares the secrets behind Malai’s beloved flavors, including Rose with Cinnamon Roasted Almonds, Mango & Cream, and Coffee Cardamom. Discover how to make their famous Orange Fennel French Toast and Parle-G Masala Chai Ice Cream Sandwiches.

From ice cream bars and cones to pies, cakes, and cookies, this storied collection of 100 recipes will transform your at-home desserts with sweet, spiced, and flavorful frozen treats.

INSPIRED STORY: A delicious exploration where personal stories and cherished flavor memories are woven into every recipe.

ACCESSIBLE RECIPES & EXPERTISE: The recipes are simple to follow, making it easy to create high-quality ice creams and frozen desserts at home, with tips on essential tools and ingredients for consistently delicious results.

UNIQUE FLAVOR COMBOS: Each recipe features the vibrant flavors and ingredients of South Asian cuisine, showcasing Malai’s signature repertoire—cardamom, rose, almond, pepper, mango, chai, orange, lychee, fennel, and saffron.

SWEETS FOR ANY OCCASION: From dairy and dairy-free ice creams to frozen treats, cakes, baked goods, toppings, and sauces, this robust collection of 100 recipes has something for every craving.

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“Twitty makes the case that Blackness and Judaism coexist in beautiful harmony, and this is manifested in the foods and traditions from both cultures that Black Jews incorporate into their daily lives…Twitty wishes to start a conversation where people celebrate their differences and embrace commonalities. By drawing on personal narratives, his own and others’, and exploring different cultures, Twitty’s book offers important insight into the journeys of Black Jews.”—Library Journal

“A fascinating, cross-cultural smorgasbord grounded in the deep emotional role food plays in two influential American communities.”—Booklist

The James Beard award-winning author of the acclaimed The Cooking Gene explores the cultural crossroads of Jewish and African diaspora cuisine and issues of memory, identity, and food.

In Koshersoul, Michael W. Twitty considers the marriage of two of the most distinctive culinary cultures in the world today: the foods and traditions of the African Atlantic and the global Jewish diaspora. To Twitty, the creation of African-Jewish cooking is a conversation of migrations and a dialogue of diasporas offering a rich background for inventive recipes and the people who create them. 

The question that most intrigues him is not just who makes the food, but how the food makes the people. Jews of Color are not outliers, Twitty contends, but significant and meaningful cultural creators in both Black and Jewish civilizations. Koshersoul also explores how food has shaped the journeys of numerous cooks, including Twitty’s own passage to and within Judaism.

As intimate, thought-provoking, and profound as The Cooking Gene, this remarkable book teases the senses as it offers sustenance for the soul.

Koshersoul includes 48-50 recipes.

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The work of one of the most formidable figures in American intellectual life."

-- Washington Post Book World

The seventeen essays collected in this volume prove that Ralph Ellison was not only one of America's most dazzlingly innovative novelists but perhaps also our most perceptive and iconoclastic commentator on matters of literature, culture, and race. In Going to the Territory, Ellison provides us with dramatically fresh readings of William Faulkner and Richard Wright, along with new perspectives on the music of Duke Ellington and the art of Romare Bearden. He analyzes the subversive quality of black laughter, the mythic underpinnings of his masterpiece Invisible Man, and the extent to which America's national identity rests on the contributions of African Americans. Erudite, humane, and resounding with humor and common sense, the result is essential Ellison.

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With the same intellectual incisiveness and supple, stylish prose he brought to his classic novel Invisible Man, Ralph Ellison examines his antecedents and in so doing illuminates the literature, music, and culture of both black and white America. His range is virtuosic, encompassing Mark Twain and Richard Wright, Mahalia Jackson and Charlie Parker, The Birth of a Nation and the Dante-esque landscape of Harlem—“the scene and symbol of the Negro’s perpetual alienation in the land of his birth.” Throughout, he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.

On every page, Ellison reveals his idiosyncratic and often contrarian brilliance, his insistence on refuting both black and white stereotypes of what an African American writer should say or be. The result is a book that continues to instruct, delight, and occasionally outrage readers.

Ralph Ellison is justly celebrated for his epochal novel Invisible Man, which won the National Book Award in 1953 and has become a classic of American literature. But Ellison’s strange inability to finish a second novel, despite his dogged efforts and soaring prestige, made him a supremely enigmatic figure. Arnold Rampersad skillfully tells the story of a writer whose thunderous novel and astute, courageous essays on race, literature, and culture assure him of a permanent place in our literary heritage. Starting with Ellison’s hardscrabble childhood in Oklahoma and his ordeal as a student in Alabama, Rampersad documents his improbable, painstaking rise in New York to a commanding place on the literary scene. With scorching honesty but also fair and compassionate, Rampersad lays bare his subject’s troubled psychology and its impact on his art and on the people about him.This book is both the definitive biography of Ellison and a stellar model of literary biography.

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"James Baldwin was born for truth. It called upon him to tell it on the mountains, to preach it in Harlem, to sing it on the Left Bank in Paris. . . . He was a giant." — Maya Angelou

This collectible edition celebrates James Baldwin’s 100th-year anniversary, delving into his years in France and Switzerland

Originally published in Notes of a Native Son, the essays, "Encounter on the Seine: Black Meets Brown," "A Question of Identity," "Equal in Paris," and "Stranger in the Village" will appeal to readers interested in Baldwin's observations as a Black man overseas.

During his transformative time in Europe, Baldwin uncovers what it means to be American, immersing the reader in his life as a foreigner, his troubling encounter with a Parisian prison, and his unprecedented arrival to a tiny Swiss village.

This final collection in the Baldwin centennial anniversary series raises issues of identity, belonging, nationhood, and race within a global context. Encounter on the Seine: Essays showcases Baldwin’s strengths as a storyteller, revealing how his years in Paris transformed his understanding of American identity.

A Geisel Honor–winning series! Ty uses his imagination and super powers to help others in this Ty's Travels My First I Can Read Series.

Ty loves superheroes. He watches them on TV and reads books about them.

When he puts on a cape and a mask, he becomes Super Ty! Super Ty helps Momma and others. But even his super skills can’t solve all problems by himself. That’s what Ty’s super friend is for—his brother!

Join Ty on his imaginative adventures in Ty's Travels: Super Ty, a My First I Can Read book by acclaimed author and illustrator team Kelly Starling Lyons and Niña Mata. Imagination, helpfulness, and play are highlighted, making this perfect for sharing with children three to six.

A close friendship is one of the most influential and important relationships a human life can contain. Anyone will tell you that! But for all the rosy sentiments surrounding friendship, most people don’t talk much about what it really takes to stay close for the long haul.

Now two friends, Aminatou Sow and Ann Friedman, tell the story of their equally messy and life-affirming Big Friendship in this honest and hilarious book that chronicles their first decade in one another’s lives. As the hosts of the hit podcast Call Your Girlfriend, they’ve become known for frank and intimate conversations. In this book, they bring that energy to their own friendship—its joys and its pitfalls.

Aminatou and Ann define Big Friendship as a strong, significant bond that transcends life phases, geographical locations, and emotional shifts. And they should know: the two have had moments of charmed bliss and deep frustration, of profound connection and gut-wrenching alienation. They have weathered life-threatening health scares, getting fired from their dream jobs, and one unfortunate Thanksgiving dinner eaten in a car in a parking lot in Rancho Cucamonga. Through interviews with friends and experts, they have come to understand that their struggles are not unique. And that the most important part of a Big Friendship is making the decision to invest in one another again and again.

An inspiring and entertaining testament to the power of society’s most underappreciated relationship, Big Friendship will invite you to think about how your own bonds are formed, challenged, and preserved. It is a call to value your friendships in all of their complexity. Actively choose them. And, sometimes, fight for them.

Cuban American Camila Núñez has always been afraid of the future. She’s been working hard to keep her anxieties in check, but with so many new experiences―her first queer love, trouble with her dog walking job, her mother’s judgments about her body, learning to drive, her father being too busy with work―there’s just so much to worry about.

So when Camila’s best friend gives her a tarot card reading for her sixteenth birthday, she believes it when the cards predict terrible things to come. As the year unfolds, the cards seem to be spot-on―is her papi having an affair? Will her best friend’s love life ruin their friendship? Are all her relationships doomed to fail?

Whether she’s ready or not, Camila will have to reckon with all the ways her fear about the future is ruining her life and learn to find peace amidst it all.

My Bondage and My Freedom is the second of three published autobiographies from one of the most brilliant and eloquent abolitionists and human rights activists in American history. The Narrative of the Life of Frederick Douglass, an American Slave was published ten years before in 1845, while The Life and Times of Frederick Douglass was published twenty-five years later.