Over the course of these poems, the Black, queer protagonist begins to erase violent structures and fill the white spaces with her hard-won wisdom and love. I am the Most Dangerous Thing doesn't just use poetry to comment on life and history. The book is a comment on writing itself. What have words done? When does writing become a form of disengagement, or worse, violence?

The book is an exercise in paring the state down to its true logic of violence and imagining what can happen next. There are many contradictions—Although the protagonist teaches the same science that was used to justify enslavement and a racial caste system, she knows she will die at the hands of science and denies the state the last word by penning her own death certificate. As an educator and knowledge worker, she is an overseer of the same racist, misogynistic, and homophobic systems that terrorize her. Yet, she musters the courage to kill Kurtz, a primordial vision of white terror. She is Black and queer and fat and angry and chill and witty and joyful and depressed and lovely and flawed and an (im)perfect dagger to the heart of white supremacist capitalism.