In an inspiring follow-up to her critically acclaimed, #1 bestselling memoir Becoming, former First Lady Michelle Obama shares practical wisdom and powerful strategies for staying hopeful and balanced in today’s highly uncertain world.
 
There may be no tidy solutions or pithy answers to life’s big challenges, but Michelle Obama believes that we can all locate and lean on a set of tools to help us better navigate change and remain steady within flux. In The Light We Carry, she opens a frank and honest dialogue with readers, considering the questions many of us wrestle with: How do we build enduring and honest relationships? How can we discover strength and community inside our differences? What tools do we use to address feelings of self-doubt or helplessness? What do we do when it all starts to feel like too much?

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A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time

Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and black freedom.

Keeling reads selected works, such as Sun Ra’s 1972 film Space is the Place and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar “speculations” of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and black futures, and the previously unimagined spaces that they can conjure.

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One of our preeminent historians of race and democracy argues that the period since 2008 has marked nothing less than America’s Third Reconstruction

In The Third Reconstruction, distinguished historian Peniel E. Joseph offers a powerful and personal new interpretation of recent history. The racial reckoning that unfolded in 2020, he argues, marked the climax of a Third Reconstruction: a new struggle for citizenship and dignity for Black Americans, just as momentous as the movements that arose after the Civil War and during the civil rights era. Joseph draws revealing connections and insights across centuries as he traces this Third Reconstruction from the election of Barack Obama to the rise of Black Lives Matter to the failed assault on the Capitol.

America’s first and second Reconstructions fell tragically short of their grand aims. Our Third Reconstruction offers a new chance to achieve Black dignity and citizenship at last—an opportunity to choose hope over fear.

Surviving landmines of racism and sexism while moving from the South Bronx projects to the investment Pit, at 19-years old Cin Fabré, ran with the wolves of Wall Street.

Cin Fabré didn’t learn about the stock market growing up, but from her neighborhood and her immigrant parents, she learned how to hustle. She knew that her hustle was the only way she could help her mother; her only ticket out of poverty and away from her abusive father. Shortly after graduating from high school, she applied her energy to selling overpriced eyewear in an optical store making more in commissions than she’d ever seen until one day a woman came in and spent thousands on new glasses without batting an eye. Without hesitation, Cin asked the woman what she did for a living and when she responded “Oh, I’m a stockbroker,” Cin saw this as an omen and vowed that she would become one too. At only nineteen years old, she pushed herself into brokerage firm VTR Capital, which was run by brokers who'd worked at Stratton Oakmont, where Jordan Belfort had reigned. She was shocked to find an army of young, mostly Black and Brown workers like her sitting at phones. She was a witness to a little-known secret in the brokerage system: Latinx and Black employees were forced to do the drudge work of finding investment leads for white male brokers, with no real prospects for promotion.

Most of us are familiar with the excesses of 90s Wall street—the spending, the sex, and the drugs—but the drug coursing through Cin Fabré’s veins was the energy of the trading Pit. “It was palpable the second she walked into the building—the air itself was electrified with frenetic action and the thrill of making money.”

However, during her ascent from cold caller to stockbroker—the only Black woman to do so at the firm—Cin endured constant sexual harassment and racism. Being a broker offered financial gain but no protection as Fabré continued to face propositions from other brokers and clients who believed that their investment money was a down payment on her body.

In Wolf Hustle the author examines her years spent trading frantically—and hustling successfully—Fabré grapples with what is most meaningful in life, ultimately beating Wall Street at its own game.

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A paradigm-shifting investigation of Jim Crow–era violence, the legal apparatus that sustained it, and its enduring legacy, from a renowned legal scholar.

If the law cannot protect a person from a lynching, then isn’t lynching the law?

In By Hands Now Known, Margaret A. Burnham, director of Northeastern University’s Civil Rights and Restorative Justice Project, challenges our understanding of the Jim Crow era by exploring the relationship between formal law and background legal norms in a series of harrowing cases from 1920 to 1960. From rendition, the legal process by which states make claims to other states for the return of their citizens, to battles over state and federal jurisdiction and the outsize role of local sheriffs in enforcing racial hierarchy, Burnham maps the criminal legal system in the mid-twentieth-century South, and traces the unremitting line from slavery to the legal structures of this period?and through to today.

Drawing on an extensive database, collected over more than a decade and exceeding 1,000 cases of racial violence, she reveals the true legal system of Jim Crow, and captures the memories of those whose stories have not yet been heard.

Winner of the Hurston/Wright Crossover Award

Prince Shakur’s debut memoir brilliantly mines his radicalization and self-realization through examinations of place, childhood, queer identity, and a history of uprisings.

After immigrating from Jamaica to the United States, Prince Shakur’s family is rocked by the murder of Prince’s biological father in 1995. Behind the murder is a sordid family truth, scripted in the lines of a diary by an outlawed uncle hell-bent on avenging the murder of Prince’s father. As Shakur begins to unravel his family’s secrets, he must navigate the strenuous terrain of coming to terms with one’s inner self while confronting the steeped complexities of the Afro-diaspora.

When They Tell You to Be Good charts Shakur’s political coming of age from closeted queer kid in a Jamaican family to radicalized adult traveler, writer, and anarchist in Obama and Trump’s America. Shakur journeys from France to the Philippines, South Korea, and elsewhere to discover the depths of the Black experience, and engages in deep political questions while participating in movements like Black Lives Matter and Standing Rock. By the end, Shakur reckons with his identity, his family’s immigration, and the intergenerational impacts of patriarchal and colonial violence.

Examining a tangled web of race, trauma, and memory, When They Tell You to Be Good shines a light on what we all must ask of ourselves—to be more than what America envisions for the oppressed—as Shakur compels readers to take a closer, deeper look at the political world of young, Black, queer, and radical millennials today.

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The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated.

Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded, with a new foreword, afterword, and illustrations—her singular talents and analytical framework are turned toward the “terrible spectacle” of slavery, illuminating the intertwining of violence, subjugation, and selfhood even in abolitionist depictions of enslavement. Through unmasking the hidden and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers.

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In this long-overdue celebration of Black women’s resilience and unheralded strength, the revered, trailblazing White House correspondent reflects on “The Year That Changed Everything”—2020—and African-American women’s unprecedented role in upholding democracy.

“I am keenly aware that everyone and everything has a story,” April D. Ryan acknowledges. “Also, I have always marveled at Black women and how we work to move mountains and are never really thanked or recognized.” In Black Women Will Save the World, she melds these two truths, creating an inspiring and heart-tugging portrait of one of the momentous years in America, 2020—when America elected its first Black woman Vice President—and celebrates the tenacity, power, and impact of Black women across America.

From the beginning of the nation to today, Black women have transformed their pain into progress and have been at the frontlines of the nation’s political, social, and economic struggles. These “Sheroes” as Ryan calls them, include current political leaders such as Maxine Waters, Valerie Jarrett, and Kamala Harris; Brittany Packnett Cunningham, LaTosha Brown, and other activists; and artists like Regina King. Combining profiles and in-depth interviews with these influential movers and shakers and many more, Ryan explores the challenges Black women endure, and how the lessons they’ve learned can help us shape our own stories. Ryan also chronicles her personal journey from working-class Baltimore to the elite echelons of journalism and speaks out about the hurdles she faced in becoming one of the most well-connected members of the Washington press corps—while raising two daughters as a single mother in the aftermath of a messy divorce.

It is time for everyone to acknowledge Black women’s unrivaled contributions to America. Yet our democracy remains in peril, and their work is far from done. Black Women Will Save the World presents a vital kaleidoscopic look at women of different ages and from diverse backgrounds who devote their lives to making the world a better place—even if that means stepping out of their “place.”

An intimate and electrifying collection of essays from the New York Times bestselling author of The Book of Delights  

In these gorgeously written and timely pieces, prize-winning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life’s inevitable hardships. Throughout Inciting Joy, he explores how we can practice recognizing that connection, and also, crucially, how we expand it.

In “We Kin” he thinks about the garden (especially around August, when the zucchini and tomatoes come on) as a laboratory of mutual aid; in “Share Your Bucket” he explores skateboarding’s reclamation of public space; he considers the costs of masculinity in “Grief Suite”; and in “Through My Tears I Saw,” he recognizes what was healed in caring for his father as he was dying.

In an era when divisive voices take up so much air space, Inciting Joy offers a vital alternative: What might be possible if we turn our attention to what brings us together, to what we love? Full of energy, curiosity, and compassion, Inciting Joy is essential reading from one of our most brilliant writers.

Marrying the memoir and essay forms while exploring desire, Prince, and racism, Hilton Als’s My Pinup expands and delivers love.

In this brilliant two-part memoir, the Pulitzer Prize–winning writer Hilton Als distills into one cocktail the deep and potent complexities of love and of loss, of Prince and of power, of desire and of race. It’s delicious and it’s got the kick of a mule, especially as Als swirls into his mix the downtown queer nightclub scene, the AIDS crisis, Prince’s ass in his tight little pants, an ill-fated peach pie, Dorothy Parker, and his desire for true love. Always surprising and stealthily—even painfully—moving, Als plumbs longing: “I inched closer to him as he danced to you, Prince. But already he was you, Prince, in my mind. He had the same coloring, and the same loneliness I wanted to fill with my admiration. I couldn’t love him enough. We were colored boys together. There is not enough of that in the world, Prince—but you know that. Still, when other people see that kind of fraternity they want to kill it. But we were so committed to each other, we never could work out what that violence meant. There was so much love between us. Why didn’t anyone want us to share it?”

Guided by leading Black herbalistKaren Rose, discover how to harness the magic of plants and diasporic ancestral practices in remedies and ritual.

Master Herbalist Karen Rose is a first-generation immigrant from Guyana with ancestors from Ghana, the Congo, China, and India who continues her grandmother’s legacy as a healer and herbalist. In The Art & Practice of Spiritual Herbalism, she shares her wisdom on how to partner plants and rituals to guide the process of self-healing. As you alleviate physical symptoms and heal emotional and spiritual imbalances, you will see how plants can help you stand in your power, strengthen your intuition, and provide protection.

This guide to harnessing the power of plants is a practical tool for working through the symptoms of body disease and the underlying emotional and spiritual issues. Organized by major body systems—circulatory, respiratory, digestive, liver, sexual, skin, nervous systems, and immune health—The Art & Practice of Spiritual Herbalism gives a brief overview of the physical mechanisms of the system, the spiritual correspondences associated with that system, and the plants, remedies, and rituals that can be used to bring oneself back to healing and balance.

Accompanied by beautiful color illustrations of the plants, the organs they affect, and their related spirits, or orishas, each plant profile includes:

• Botanical and pharmacological information
• Planetary correspondences
• Ethnobotanical and historical use
• Healing properties and indications
• Methods of preparation and dosage

Applying this herbal wisdom, the recipes include:

• 4th Chakra Heart Oil for healing a broken heart, also helpful for healing generational trauma
• Inspired Sleep and Dreams Tea to inspire dreams
• Breathe Easy Steam to improve respiratory health
• Immunity Chai Tea to fight off cold and flu viruses
• Laying Hands Stomach and Womb Oil for indigestion and menstrual discomfort
• A Castor Oil Pack for Liver Health to remove pain and swelling from sprains and bruises

Filled with stories, ancestral recipes, and accessible practices that anyone can use, The Art & Practice of Spiritual Herbalism shows you how to use the power of plants for spiritual and physical healing.

James Baldwin used to tell Nina Simone, "This is the world you have made for yourself, now you have to live in it." Simone has created for herself a world of magnificent peaks. Often compared to Billie Holiday and Edith Piaf, Simone is known as one of the greatest singers of her generation. She has recorded forty-three albums, ranging from blues to jazz to folk, and her hits like "I Loves You, Porgy," "My Baby Just Cares for Me," "I Put a Spell on You," and "Mississippi Goddam" have confirmed her as an enduring force in popular music. Her song "Young, Gifted, and Black" became the anthem for the Civil Rights Movement and thrust her beyond international stardom into the center of activism. But such worlds as Simone's are not without their grim valleys: disastrous marriages, arrest and the threat of imprisonment, mental breakdown, poverty, and attempted suicide. She has survived these trials and continues to perform throughout Europe and the United States. With undiminished passion and in her unconquerable voice, this is Nina Simone's powerful memoir of her tempestuous life.

From one of our top historians, a groundbreaking story of policing and “riots” that shatters our understanding of the post–civil rights era.

What began in spring 2020 as local protests in response to the killing of George Floyd by Minneapolis police quickly exploded into a massive nationwide movement. Millions of mostly young people defiantly flooded into the nation’s streets, demanding an end to police brutality and to the broader, systemic repression of Black people and other people of color. To many observers, the protests appeared to be without precedent in their scale and persistence. Yet, as the acclaimed historian Elizabeth Hinton demonstrates in America on Fire, the events of 2020 had clear precursors—and any attempt to understand our current crisis requires a reckoning with the recent past.

Even in the aftermath of Donald Trump, many Americans consider the decades since the civil rights movement in the mid-1960s as a story of progress toward greater inclusiveness and equality. Hinton’s sweeping narrative uncovers an altogether different history, taking us on a troubling journey from Detroit in 1967 and Miami in 1980 to Los Angeles in 1992 and beyond to chart the persistence of structural racism and one of its primary consequences, the so-called urban riot. Hinton offers a critical corrective: the word riot was nothing less than a racist trope applied to events that can only be properly understood as rebellions—explosions of collective resistance to an unequal and violent order. As she suggests, if rebellion and the conditions that precipitated it never disappeared, the optimistic story of a post–Jim Crow United States no longer holds.

Black rebellion, America on Fire powerfully illustrates, was born in response to poverty and exclusion, but most immediately in reaction to police violence. In 1968, President Lyndon Johnson launched the “War on Crime,” sending militarized police forces into impoverished Black neighborhoods. Facing increasing surveillance and brutality, residents threw rocks and Molotov cocktails at officers, plundered local businesses, and vandalized exploitative institutions. Hinton draws on exclusive sources to uncover a previously hidden geography of violence in smaller American cities, from York, Pennsylvania, to Cairo, Illinois, to Stockton, California.

The central lesson from these eruptions—that police violence invariably leads to community violence—continues to escape policymakers, who respond by further criminalizing entire groups instead of addressing underlying socioeconomic causes. The results are the hugely expanded policing and prison regimes that shape the lives of so many Americans today. Presenting a new framework for understanding our nation’s enduring strife, America on Fire is also a warning: rebellions will surely continue unless police are no longer called on to manage the consequences of dismal conditions beyond their control, and until an oppressive system is finally remade on the principles of justice and equality.

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From preeminent LGBTQ scholar and journalist Steven Thrasher comes an exploration of one of the most pressing issues of our times: the relationship between viruses and inequality.

In March 2020, the COVID pandemic plunged the world into fear and chaos. People around the globe locked themselves in their houses and stocked up on food, fearing unemployment, the loss of loved ones, and an uncertain future. But as the weeks went on, one devastating truth began to emerge more prominently than any other: we were not all impacted by this virus the same way. While wealthier people could keep themselves safe by working from home and using food delivery, the marginalized members of society were left much more vulnerable. They held risky jobs as “Essential Workers,”; they did not have health insurance; they lost employment and the ability to afford housing and food; they were old and viewed as disposable; they were undocumented and afraid to go to the hospital; they were at far greater risk because of living with a disability. It quickly became startlingly clear the vast inequalities in who was able to survive the virus.

And yet for prominent scholar Steven Thrasher, none of this was a surprise. Having spent his ground-breaking career studying the racialization, policing, and criminalization of HIV, Dr. Thrasher had seen first hand how viruses intersect with racism, capitalism, homophobia, and ableism. He knew that the ways in which viruses spread, kill, and take their toll are much more dependent on social structures than they are on biology. And he had a term for it: the viral underclass.

In THE VIRAL UNDERCLASS, Dr. Thrasher will present, for the first time, his unified theory of one of the most pressing social justice issues of our time: how viruses expose the fault lines of society. Told through the heart-rending stories of friends, activists, and teachers navigating COVID, HIV, and other viruses, Dr. Thrasher brings the reader with him as he develops his theory and lays bare its inner workings--all in an engaging, accessible, and personable voice. In the tradition of Isabel Wilkerson’s CASTE, Michelle Alexander’s THE NEW JIM CROW, and Naomi Klein’s THE SHOCK DOCTRINE, THE VIRAL UNDERCLASS helps us understand the world more deeply by showing the fraught relationship between privilege and survival.

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Marquis Bey meditates on the antagonistic relationship between blackness and cisgender, showing that as a category, cisgender cannot capture how people depart from gender alignment and its coding as white.

In Cistem Failure Marquis Bey meditates on the antagonistic relationship between blackness and cisgender. Bey asks, What does it mean to have a gender that “matches” one’s sex---that is, to be cisgender---when decades of feminist theory have destroyed the belief that there is some natural way to be a sex? Moving from the The Powerpuff Girls to the greeting “How ya mama’n’em?” to their own gender identity, Bey finds that cisgender is too flat as a category to hold the myriad ways that people who may or may not have undergone gender-affirmative interventions depart from gender alignment. At the same time, blackness, they contend, strikes at the heart of cisgender’s invariable coding as white: just as transness names a non-cis space, blackness implies a non-cis space. By showing how blackness opens up a way to subvert the hegemonic power of the gender binary, Bey makes a case for an antiracist gender abolition project that rejects cisgender as a regulatory apparatus.

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A revolutionary new educational model that encourages educators to provide spaces for students to display their academic brilliance without sacrificing their identities

Building on the ideas introduced in his New York Times best-selling book, For White Folks Who Teach in the Hood, Christopher Emdin introduces an alternative educational model that will help students (and teachers) celebrate ratchet identity in the classroom. Ratchetdemic advocates for a new kind of student identity—one that bridges the seemingly disparate worlds of the ivory tower and the urban classroom.

Because modern schooling often centers whiteness, Emdin argues, it dismisses ratchet identity (the embodying of “negative” characteristics associated with lowbrow culture, often thought to be possessed by people of a particular ethnic, racial, or socioeconomic status) as anti-intellectual and punishes young people for straying from these alleged “academic norms,” leaving young people in classrooms frustrated and uninspired. These deviations, Emdin explains, include so-called “disruptive behavior” and a celebration of hip-hop music and culture.

Emdin argues that being “ratchetdemic,” or both ratchet and academic (like having rap battles about science, for example), can empower students to embrace themselves, their backgrounds, and their education as parts of a whole, not disparate identities. This means celebrating protest, disrupting the status quo, and reclaiming the genius of youth in the classroom.

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From author and Instagram personality Chrissy King, an exciting, genre-redefining narrative mix of memoir, inspiration, and specific exercises and prompts, with timely messages about social and racial justice, and how the world needs to move beyond body positivity to something even more exciting and revolutionary—body liberation.

Simply said, diet culture is rooted in white supremacy. The notion that those who fall outside of Eurocentric standards of beauty (think Black, fat, trans, etc.) are less attractive is a message that is transmitted daily from multiple external forces or social institutions (e.g., church, government, business industries, media, and family/peer groups). Body image and beauty standards can only be truly understood within a framework of interlocking systems of “isms” – (e.g., racism, sexism, classism, heterosexism).

While it’s challenging for everyone, it’s even more complicated for those living in marginalized bodies. That being said, the solution isn’t body acceptance or even body positivity. Those may be an important part of the journey, but the answer is . . . body liberation, with the recognition that none of us are free unless all of us are free.

The Body Liberation Project is about just that. It’s about finding actual freedom in our bodies, through finding strength and the aspects of fitness that work for YOU. It’s about understanding that the goal is not to look at our bodies and love everything that we see. It’s to understand that at our essence we are so much more than our bodies. But it’s also about recognizing the harsh realities that prohibit some people from being able to do that.

From the bestselling author of Set Boundaries, Find Peace, a road map for understanding and moving past family struggles—and living your life, your way.

    Every family has a story. For some of us, our family of origin is a solid foundation that feeds our confidence and helps us navigate life’s challenges. For others, it’s a source of pain, hurt, and conflict that can feel like a lifelong burden. In this empowering guide, licensed therapist and bestselling relationship expert Nedra Glover Tawwab offers clear advice for identifying dysfunctional family patterns and choosing the best path to breaking the cycle and moving forward.
    Covering topics ranging from the trauma of emotional neglect, to the legacy of addicted or absent parents, to mental health struggles in siblings and other relatives, and more, this clear and compassionate guide will help you take control of your own life—and honor the person you truly are.

A radical approach to setting boundaries and protecting your energy, rich with tools for self-healing.

“With calm and compassionate power, Yasmine is helping us to find our way back home—back to our own selves.” —Layla Saad, New York Times bestselling author of Me & White Supremacy

“Yasmine’s work is monumental, and I am in much better holistic alignment because of her dedicated and helpful offerings to the world.”—Alex Elle, author of After the Rain

Imagine a glass jar filled with sugar on a kitchen counter. You are the jar, and the sugar is your energy. If the jar has no lid, people can come in and take as much sugar as they want. Sometimes, they spill that sugar all over. You may try to refill your jar—replenish your energy—through self-care, but because there is no a lid—no protective boundary—you cannot control how much of your vital life force is being drained.

The Sugar Jar metaphor is a powerful teaching tool that wellness advocate and coach Yasmine Cheyenne has successfully used with her clients. Now, in her debut book, she makes it available to everyone. Combining stories, exercises, and prompts, The Sugar Jar lets you see just how much energy you have and how much is being used by others. It helps you identify what depletes you, what restores you, and how to recognize destructive patterns. It empowers you to free yourself from performing for and serving others, teaching you to set boundaries to help you heal and recharge. The Sugar Jar frees you from the excess stress and exhaustion that wears you down. It allows you to unleash your authentic self, choose joy, and find lasting balance.

A compassionate teacher, Cheyenne offers a unique and much needed perspective. A former member of the Air Force working with victims of domestic violence, she has specifically designed her approach and questions about boundaries, self-care, and self-healing for readers of all backgrounds, and especially readers of color, whose stressors and life challenges have too often been excluded and overlooked. Cheyenne herself has felt unwelcome as a Black woman in predominantly white wellness groups and retreats. Her inclusive message speaks to the needs of BIPOC readers, and accepts them where they are.

Warm and honest, featuring a beautiful and inviting two-color design, The Sugar Jar shows you how to make small adjustments that can lead to big changes in your life.

A wise and beautifully designed collection of poetry, essays, and meditations meant to guide the reader into reflecting on the periods of unfolding in their own lives.

In order to let something in,

you have to let some things go

In order to heal, you must hurt,

In order to grow, you will experience discomfort

and all of this is to make more room for hope

less room for perfectionism and more room for simply being.

Less room for answers,

more room for questions with integrity

for mystery and wonder that leads you somewhere new

not right or wrong, good or bad

This is the Unfolding

The Unfolding is a gateway to change that gives you permission to breathe, change, and grow. Arielle Estoria shares the story of her own transformation in poems that were birthed from seasons of hurt and discomfort—from single to engaged, from Baptist pastor’s kid to student and explorer of the wonder and unanswered aspects of faith, from broken to restored—as she became the person she was meant to be.

The process of unfolding happens over and over again, helping you to grow, to expand, to peel away the layers of who you’ve been, mesh them with who you will be, and step into the fullness and wholeness of who you are.

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A Washington Post culture writer chronicles the challenges she faces as a Black mother in a mostly white mommy group in a time of gentrification, racial reckoning, and a global pandemic.

“Can white moms and Black moms ever truly be friends, not just mom friends, like really real friends?”
 
Helena Andrews-Dyer lives in the Bloomingdale neighborhood of Washington, D.C., a picturesque collection of rowhouses near the center of the city that has become increasingly gentrified in the last decade. After having her first child a few years ago, she joined the local motherhood support group—“the Mamas”—and was surprised to find she was one of the only Black mothers. The racial, cultural, and socio-economic differences were made clear almost immediately. Then George Floyd happened. A man was murdered. A man who called out for his mama. And suddenly, the Mamas felt even more different. Though they were alike in some ways—they want their kids to be safe, they think their husbands are lazy, they work too much and they feel guilty about it—Helena realized she had an entirely different set of problems her neighborhood mom friends could never truly understand.
 
In The Mamas, Helena chronicles the particular challenges she faces in a group where a reading list is the first step to solving systemic racism and where she, a Black, professional, Ivy League-educated mom, is overcompensating with every move. And Helena grapples with her own inner tensions like, “Why do I never leave the house with the baby and without my wedding ring?” and “Why did every name we considered for our kids have to pass the résumé test?” Throw in a pandemic and a nationwide movement for social justice and follow Helena as she ultimately tries to find out if moms from different backgrounds can truly understand one another.
 
With sharp wit and refreshing honesty, The Mamas explores the contradictions and community of motherhood—white and Black and everything—against the backdrop of the rapidly changing world.

A moving, unflinching memoir of hard-won success, struggles with addiction, and a lifelong mission to give back—from the late, iconic actor beloved for his roles in The Wire, Boardwalk Empire, and Lovecraft Country

When Michael K. Williams died on September 6, 2021, he left behind a career as one of the most electrifying actors of his generation. From his star turn as Omar Little in The Wire to Chalky White in Boardwalk Empire to Emmy-nominated roles in HBO’s The Night Of and Lovecraft County, Williams created a slew of indelible characters that he portrayed with a rawness and vulnerability that leapt off the screen. Beyond the nominations and acclaim, Williams played characters who connected, whose humanity couldn’t be denied, whose stories were too often left out of the main narrative.
 
At the time of his death, Williams had nearly finished a memoir that told the story of his past while looking to the future, a book that merged his life and his life’s work. Mike, as his friends knew him, was so much more than an actor. In Scenes from My Life, he traces his life in whole, from his childhood in East Flatbush, his battles with addiction, and his early years as a dancer to the bar fight that left his face with his distinguishing scar. He was a committed Brooklyn resident and activist who dedicated his life to working with community and social justice organizations, especially at-risk youth, to find their voice and carve out their future. Williams worked to keep the spotlight on those he fought for and with, whom he believed in and committed to with his whole heart.
 
With poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did—in his own voice, in his own words, as only he could.

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The 20th-anniversary edition of Kelley’s influential history of 20th-century Black radicalism, with new reflections on current movements and their impact on the author, and a foreword by poet Aja Monet

First published in 2002, Freedom Dreams is a staple in the study of the Black radical tradition. Unearthing the thrilling history of grassroots movements and renegade intellectuals and artists, Kelley recovers the dreams of the future worlds Black radicals struggled to achieve.

Focusing on the insights of activists, from the Revolutionary Action Movement to the insurgent poetics of Aimé and Suzanne Césaire, Kelley chronicles the quest for a homeland, the hope that communism offered, the politics of surrealism, the transformative potential of Black feminism, and the long dream of reparations for slavery and Jim Crow.

In this edition, Kelley includes a new introduction reflecting on how movements of the past 20 years have expanded his own vision of freedom to include mutual care, disability justice, abolition, and decolonization, and a new epilogue exploring the visionary organizing of today’s freedom dreamers.

This classic history of the power of the Black radical imagination is as timely as when it was first published.

“A breakthrough... this force of nature is becoming one of our fiercest voices in the new generation of African-American thinkers.” -- Essence

Bestselling author Brittney Cooper is a leading Black feminist voice of our times. From her New York Times bestseller Eloquent Rage, selected by Emma Watson as an "Our Shared Shelf Book," to her frequent guest appearances on MSNBC, to her regular features on Cosmopolitan.com and Salon.com, and her TED Talk with over 800K views, there's no question Brittney Cooper is one of the most preeminent Black influencers of today. Now, this author, professor, activist, and cultural critic brings her immense talents to the children's space with a seven-title publishing deal at Scholastic, spanning from picture books to middle grade, and launching with this momentous picture book debut: Stand Up!

Stand Up! tells the story of ten historic female figures who changed the world by standing up for what's right, including legendary Civil Rights activists like Ruby Bridges and Rosa Parks and spanning to contemporary role models like Bree Newsome, who removed the confederate flag from the South Carolina state house grounds, and Mari Copeny, a youth activist who fought for clean water in Flint, Michigan. This inspirational biographical collection will live side by side with bestselling classics like Little Leaders and She Persisted yet offers a wholly original, powerful new voice and approach that make this story so singular, personal, and groundbreaking. Cooper's enlightening text depicts both famous and unsung Black women who took a stand and made the world a better place for future generations. Each heroic figure is interconnected by a united quest for equity, and offers young readers a stirring, inspirational call to action, reminding them that they are mighty too, and can be forces for change when they stand up!

An updated introduction to the religions developed in the Caribbean region

Creole Religions of the Caribbean offers a comprehensive introduction to the overlapping religions that have developed as a result of the creolization process. Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. From Vodou, Santería, Regla de Palo, the Abakuá Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historical–cultural origins of the major Creole religions, as well as the newer traditions such as Rastafari.

This third edition updates the scholarship by featuring new critical approaches that have been brought to bear on the study of religion, such as queer studies, environmental studies, and diasporic studies. The third edition also expands the regional considerations of the diaspora to the US Latinx communities that are influenced by Creole spiritual practices, taking into account the increased significance of material culture?art, music, literature, and healing practices influenced by Creole religions.

PRE-ORDER:  On Sale Date: September 1, 2022

Where racism and sexism meet—an understanding of anti-Black misogyny

When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms.

At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs.

Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.