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On the abstruse nature of machine learning, mathematics, and the deep incursion of racial hierarchy.

To impair the racial ordering of the world, The Black Technical Object introduces the history of statistical analysis and “scientific” racism into research on machine learning. Computer programming designed for taxonomic patterning, machine learning offers useful insights into racism and racist behavior, but its connection to the racial history of science and the Black lived experience has yet to be developed. In this book, Ramon Amaro explores how the history of data and statistical analysis informs the complex relationship between race and machine learning. He juxtaposes a practical analysis of this type of computerized learning with a theory of Black alienation in order to inspire alternative approaches to contemporary algorithmic practice. In doing so, Amaro contemplates the abstruse nature of programming and mathematics, as well as the deep incursion of racial hierarchies.

Series Overview: In the decades that followed the demise of decolonial struggles and the end of the USSR, a great deal of intellectual effort was devoted to conceptualizing political emancipation as freedom from the masses rather than freedom for the masses. Focusing on connectivity rather than on collectivity, these modalities of political action led to depoliticizing effects and to a certain counter-political ethos expressed in terms such as parapolitics, psychopolitics, or micropolitics, all which this series terms “antipolitical.” Rather than counter the arguments that each term puts forth, On the Antipolitical, edited by Ana Teixeira Pinto, suggests historizing this disposition, situating it within the neocolonial continuum that animates the digital frontier as the new locus of settler becoming.

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Feminism is a powerful new interpretation of British art from an intersectional feminist perspective, penned by one of Britain’s greatest writers

“Art museums have long drawn me into their spaces. The infinite possibilities of the language of art opens me up to methods of communication quite unlike my own. I am fascinated by the most interesting and adventurous artists, who are surely among the most innovative thinkers on the planet. I am in awe of their talent and endless inventiveness, and my imagination is nourished by theirs. I am challenged to think differently about how we might understand, recreate, reshape, reimagine life itself—animate, inanimate, spirit. My senses are stimulated, my emotions stirred, my brain whirs away in the background and I feel very much alive. When I was invited to write this book, my first time writing about art, I immediately knew that I would turn my attention on women and womxn (to include non-binary people) of color in British art because, similar to the story throughout the arts, either as creator or curator, we haven’t been very visible. This book is personal—about the art I’ve seen, and the art I’ve loved—and my interpretation of the art in the national collection and beyond, from an intersectional feminist perspective.”

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The first major case for cancel culture as a fundamental means of democratic expression throughout history, and timely necessity aimed at combating systems of oppression.

“___ is canceled.” Chances are, you’ve heard this a lot lately. What was once a niche digital term has been legitimized in the discourse of presidents, politicians, and lawmakers.

But what really is cancel culture? It’s time to raise the bar on our definition-- to think of cancel culture less as scandal or suppression, and more as an essential means of democratic expression and accountability.

The Case for Cancel Culture does just that. This cultural critique from award-winning journalist Ernest Owens offers a fresh progressive lens in favor of cancel culture as a tool for activism and change. It will help readers reflect on and learn the long history of canceling, how the left and right uniquely equip it as part of their political toolkits; how intersections of society wield it for justice; and ultimately how it levels the playing field for the everyday person’s voice to matter.

In a world where protest and free speech are being challenged by the most powerful institutions, those without power deserve to understand the nuance and importance of this democratic tool available to them.
Readers will walk away from this first-of-its-kind exploration not despising cancel culture but embracing it as a form of democratic expression that’s always been leading the charge in liberating us all.

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The first book to focus on Black women and depression, through the author’s “absorbing and inspirational” (Washington Post) personal journey.

When Nana-Ama Danquah, a twenty-two-year-old single mother, began to suffer from a variety of depressive symptoms after giving birth to her daughter, she thought she was going crazy. Determined to portray strength in a world that often undervalues Black women’s lives, she shrouded her debilitating despair in silence and denial. But when she befriends other Black women who suffer with depression, she finds the support she needs to confront the traumatic childhood events that lie beneath her grief. Twenty-five years after its initial publication, as best-selling author Andrew Solomon writes in an illuminating foreword, Willow Weep for Me “remains a brave book . . . but at the time of its writing it was humblingly audacious.” Also including an afterword from the author, this groundbreaking classic is a powerful meditation on courage and a litany for survival.

“An important and moving memoir. [Danquah] describes beautifully her experiences with depression.” —Kay Redfield Jamison, author of An Unquiet Mind

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A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities.

From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories.

A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today.

For leaders and practitioners in design institutions and communities, Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.

A chorus of Black student voices that renders a new story of US education—one where racial barriers and violence are confronted by freedom dreaming and resistance

Black students were forced to live and learn on the Black side of the color line for centuries, through the time of slavery, Emancipation, and the Jim Crow era. And for just as long—even through to today—Black students have been seen as a problem and a seemingly troubled population in America’s public imagination.

Through over one hundred firsthand accounts from the nineteenth and twentieth centuries, Professor Jarvis Givens offers a powerful counter-narrative in School Clothes to challenge such dated and prejudiced storylines. He details the educational lives of writers such as Zora Neale Hurston and Ralph Ellison; political leaders like Mary McLeod Bethune, Malcolm X, and Angela Davis; and Black students whose names are largely unknown but who left their marks nonetheless. Givens blends this multitude of individual voices into a single narrative, a collective memoir, to reveal a through line shared across time and circumstance: a story of African American youth learning to battle the violent condemnation of Black life and imposed miseducation meant to quell their resistance.

School Clothes elevates a legacy in which Black students are more than the sum of their suffering. By peeling back the layers of history, Givens unveils in high relief a distinct student body: Black learners shaped not only by their shared vulnerability but also their triumphs, fortitude, and collective strivings.

America’s most popular sports media figure tells it like it is in this surprisingly personal book, not only dishing out his signature, uninhibited opinions but also revealing the challenges he overcame in childhood as well as at ESPN, and who he really is when the cameras are off.

Stephen A. Smith has never been handed anything, nor was he an overnight success. Growing up poor in Queens, the son of Caribbean immigrants and the youngest of six children, he was a sports-obsessed kid who faced a number of struggles, from undiagnosed dyslexia to getting enough cereal to fill his bowl. As a basketball player at Winston-Salem State University, he got a glimmer of his true calling when he wrote a newspaper column arguing for the retirement of his own Hall of Fame coach, Clarence Gaines.

Smith hustled and rose up from a high school reporter at Daily News (New York) to a general sports columnist at The Philadelphia Inquirer in the 1990s, before getting his own show at ESPN in 2005. After he was unceremoniously fired from the network in 2009, he became even more determined to fight for success. He got himself rehired two years later and, with his razor-sharp intelligence and fearless debate style, found his role on the show he was destined to star in: First Take, the network’s flagship morning program.

In Straight Shooter, Smith writes about the greatest highs and deepest lows of his life and career. He gives his thoughts on Skip Bayless, Ray Rice, Colin Kaepernick, the New York Knicks, the Dallas Cowboys, and former President Donald Trump. But he also pulls back the curtain and talks about life beyond the set, sharing authentic stories about his negligent father, his loving mother, being a father himself, his battle with life-threatening COVID-19, and what he really thinks about politics and social issues. He does it all with the same intelligence, humor, and charm that has made him a household name.

Provocative, moving, and eye-opening, this book is the perfect gift for lovers of sports, television, and anyone who likes their stories delivered straight to the heart.

A profound offering and call to action—collective stories, testimonials, and incantations for renewing political and spiritual liberation grounded in Black, Indigenous, People of Color, and Queer and Trans healing justice lineages

We reclaim the power, resilience, and innovation of our ancestors through this book. To embody their wisdom across centuries and generations is to continue their legacy of liberation and healing.

In this anthology, Black Queer Feminist editors Cara Page and Erica Woodland guide readers through the history, legacies, and liberatory practices of healing justice—a political strategy of collective care and safety that intervenes on generational trauma from systemic violence and oppression. They call forth the ancestral medicines and healing practices that have sustained communities who have survived genocide and oppression, while radically imagining what comes next.

Anti-capitalist, Black feminist, and abolitionist, Healing Justice Lineages is a profound and urgent call to embrace community and survivor-led care strategies as models that push beyond commodified self-care, the policing of the medical industrial complex, and the surveillance of the public health system. Centering disability, reproductive, environmental, and transformative justice and harm reduction, this collection elevates and archives an ongoing tradition of liberation and survival—one that has been largely left out of our history books, but continues to this day.

In the first section, “Past: Reckoning with Roots and Lineage,” Page and Woodland remember and reclaim generations-long healing justice and community care work, asking critical questions like: How did our ancestors transform trauma and violence in their liberation work? What were our ancestors reckoning with—and what did they imagine?

The next sections, “Origins of Healing Justice” and “Alchemy: Theory + Praxis,” explore regional stories of healing justice in response to the current political and cultural landscape. The last section, “Political + Spiritual Imperatives for the Future,” imagines a future rooted in lessons of the past; addresses the ways healing justice is being co-opted and commodified; and uplifts emergent work that’s building infrastructure for care, safety, healing, and political liberation.

The most influential work by “the father of Black history”, reflecting the long-standing tradition of antiracist teaching pioneered by Black educators

A Penguin Classic

   The Mis-education of the Negro (1933) is Woodson’s most popular classic work of Black social criticism, drawing on history, theory, and memoir. As both student and teacher, Woodson witnessed the distortions of Black life in the history and literature taught in schools and universities. He argued that there was a relationship between these distortions and the violence that circumscribed Black life in the material world, declaring, “There would be no lynching it if did not start in the schoolroom.” Woodson’s primary focus was the impact dominant modes of schooling had on Black youth. From Emancipation through the 1930s, white Americans continued to control the institutional and ideological development of Black schools, based on a system of knowledge that reinforced ideas of Black inferiority.
    Across the country, Black teachers organized to make their curricula more relevant for students, and they critiqued the studious omission of Black life in formal curricula, anticipating many of the ideas appearing in Mis-education two decades later. Woodson wrote that the overrepresentation of white people and narratives of white achievement in curricula presented an outsize image of whites and their importance in the history of human progress. These distortions had the power to motivate white students to achieve and aspire and demotivate students of races that suffered under the hand of white supremacy. They cultivated an aspiration to whiteness among Black people and/or led them to despise their own race for its supposed lack of achievement. This was a systematic process of mis-education, articulating an aspect of Black America’s experience that scholars before and after Woodson recognized and worked to challenge.
    Woodson argued that students, teachers, and leaders needed to be educated in a manner that was accountable to Black experiences and lived realities, both past and present. With current debates over teaching race in U.S. classrooms, the ideas associated with Mis-education continue to resonate today.

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The #1 New York Times bestseller that sparked international dialogue is now a book for young adults! Based on the adult bestseller by Ibram X. Kendi, and co-authored by bestselling author Nic Stone, How to be a (Young) Antiracist will serve as a guide for teens seeking a way forward in acknowledging, identifying, and dismantling racism and injustice.

The New York Times bestseller How to be an Antiracist by Ibram X. Kendi is shaping the way a generation thinks about race and racism. How to be a (Young) Antiracist is a dynamic reframing of the concepts shared in the adult book, with young adulthood front and center. Aimed at readers 12 and up, and co-authored by award-winning children's book author Nic Stone, How to be a (Young) Antiracist empowers teen readers to help create a more just society. Antiracism is a journey--and now young adults will have a map to carve their own path. Kendi and Stone have revised this work to provide anecdotes and data that speaks directly to the experiences and concerns of younger readers, encouraging them to think critically and build a more equitable world in doing so.

The Evidence of Things Not Seen, award-winning author James Baldwin’s searing 1985 indictment of the nation’s racial stagnation, is contextualized anew by an introduction from New York Times bestselling author and political leader Stacey Abrams.

In this essential work, James Baldwin examines the Atlanta child murders that took place over twenty-two months in 1979 and 1980. Examining this incident with a reporter’s skill and an essayist’s insight, he notes the significance of Atlanta as the site of these brutal killings—a city that claimed to be “too busy to hate”—and the permeation of race throughout the case: the Black administration in Atlanta; the murdered Black children; and Wayne Williams, the Black man tried for the crimes. In Baldwin’s hands, this specific set of events has transcended its era and remains as relevant today as ever.

Rummaging through the ruins of American race relations, Baldwin addresses all the hard-to-face issues that have brought us to a moment in history when we are forced to reckon with some of the country’s most ingrained, foundational issues and when, too often, public officials fail to ask real questions about “justice for all.” In this, his last book, Baldwin also reveals his optimistic faith in America’s ability to move toward repair: “This is the only nation in the world that can hope to liberate—to begin to liberate—mankind from the strangling idea of the national identity and the tyranny of the territorial dispute. I know this sounds remote, now, and that I will not live to see anything resembling this hope come to pass. Yet, I know that I have seen it—in fire and blood and anguish, true, but I have seen it. I speak with the authority of the issue of the slave born in the country once believed to be: the last best hope of earth.”

New memoir from George M. Johnson, the New York Times bestselling author of All Boys Aren't Blue—a "deeply impactful" (Nic Stone), "striking and joyful" (Laurie Halse Anderson), and "stunning read" (Publishers Weekly, starred) that celebrates Black boyhood and brotherhood in all its glory. 

This is the vibrant story of George, Garrett, Rall, and Rasul -- four children raised by Nanny, their fiercely devoted grandmother. The boys hold one another close through early brushes with racism, memorable experiences at the family barbershop, and first loves and losses. And with Nanny at their center, they are never broken.

George M. Johnson captures the unique experience of growing up as a Black boy in America through rich family stories that explore themes of vulnerability, sacrifice, and culture.

Complete with touching letters from the grandchildren to their beloved matriarch and a full color photo insert, this heartwarming and heartbreaking memoir is destined to become a modern classic of emerging adulthood.

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From a leading prison abolitionist, a moving memoir about coming of age in Brooklyn and surviving incarceration—and a call to break free from all the cages that confine us.
 
Marlon Peterson grew up in 1980s Crown Heights, raised by Trinidadian immigrants. Amid the routine violence that shaped his neighborhood, Marlon became a high-achieving and devout child, the specter of the American dream opening up before him. But in the aftermath of immense trauma, he participated in a robbery that resulted in two murders. At nineteen, Peterson was charged and later convicted. He served ten long years in prison. While incarcerated, Peterson immersed himself in anti-violence activism, education, and prison abolition work.
 
In Bird Uncaged, Peterson challenges the typical “redemption” narrative and our assumptions about justice. With vulnerability and insight, he uncovers the many cages—from the daily violence and trauma of poverty, to policing, to enforced masculinity, and the brutality of incarceration—created and maintained by American society.

Bird Uncaged is a twenty-first-century abolitionist memoir, and a powerful debut that demands a shift from punishment to healing, an end to prisons, and a new vision of justice.

A poignant and ruthlessly honest journey through cultural expectations of size, race, and gender—and toward a brighter future—from National Book Award nominee Evette Dionne

My body has not betrayed me; it has continued rebounding against all odds. It is a body that others map their expectations on, but it has never let me down.

In this insightful, funny, and whip-smart book, acclaimed writer Evette Dionne explores the minefields fat Black woman are forced to navigate in the course of everyday life. From her early experiences of harassment to adolescent self-discovery in internet chatrooms to diagnosis with heart failure at age twenty-nine, Dionne tracks her relationships with friendship, sex, motherhood, agoraphobia, health, pop culture, and self-image.

Along the way, she lifts back the curtain to reveal the subtle, insidious forms of surveillance and control levied at fat women: At the doctor’s office, where any health ailment is treated with a directive to lose weight. On dating sites, where larger bodies are rejected or fetishized. On TV, where fat characters are asexual comedic relief. But Dionne’s unflinching account of our deeply held prejudices is matched by her fierce belief in the power of self-love.

An unmissable portrait of a woman on a journey toward understanding our society and herself, Weightless holds up a mirror to the world we live in and asks us to imagine the future we deserve.

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This sweeping survey of Black history shows how Black humanity has been erased and how its recovery can save the humanity of us all.

Using history as a foundation, The Humanity Archive uses storytelling techniques to make history come alive and uncover the truth behind America's whitewashed history.

The Humanity Archive focuses on the overlooked narratives in the pages of the past.

Challenging dominant perspectives, author Jermaine Fowler goes outside the textbooks to find recognizably human stories. Connecting current issues with the heroic struggles of those who have come before us, Fowler brings hidden history to light.

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Tracey E. Hucks traces the history of the repression of Obeah practitioners in colonial Trinidad.

Obeah, Orisa, and Religious Identity in Trinidad is an expansive two-volume examination of social imaginaries concerning Obeah and Yoruba-Orisa from colonialism to the present. Analyzing their entangled histories and systems of devotion, Tracey E. Hucks and Dianne M. Stewart articulate how these religions were criminalized during slavery and colonialism yet still demonstrated autonomous modes of expression and self-defense. In Volume I, Obeah, Hucks traces the history of African religious repression in colonial Trinidad through the late nineteenth century. Drawing on sources ranging from colonial records, laws, and legal transcripts to travel diaries, literary fiction, and written correspondence, she documents the persecution and violent penalization of African religious practices encoded under the legal classification of “obeah.” A cult of antiblack fixation emerged as white settlers defined themselves in opposition to Obeah, which they imagined as terrifying African witchcraft. These preoccupations revealed the fears that bound whites to one another. At the same time, persons accused of obeah sought legal vindication and marshaled their own spiritual and medicinal technologies to fortify the cultural heritages, religious identities, and life systems of African-diasporic communities in Trinidad.

In this classic work—a blend of memoir social criticism, and political analysis that remains relevant today—the first Black Congresswoman to serve in American history, New York’s dynamic representative Shirley Chisholm, traces her extensive political struggle and examines the problems that have long plagued the American system of government.

“A tremendously impressive book.”—Washington Post

“Her motto and title of her autobiography—Unbossed and Unbought—illustrates her outspoken advocacy for women and minorities during her seven terms in the U.S. House of Representatives.”—National Women’s History Museum

“I want to be remembered as a woman . . . who dared to be a catalyst of change.”

Political pioneer Shirley Chisholm—activist, member of the House of Representatives and former presidential candidate—was a woman who consistently broke barriers and inspired generations of American women, and especially women of color. Unbossed and Unbought is her story, told in her own words—a thoughtful and informed look at her rise from the streets of Brooklyn to the halls of Congress. Chisholm speaks out on her life in politics while illuminating the events, personalities, and issues of her time, including the schism in the Democratic party in the 1960s and ’70s—all which speak to us today.

In this frank assessment, “Fighting Shirley” recalls how she took on an entrenched system, gave a public voice to millions, and embarked on a trailblazing bid to be the first woman and first African American President of the United States. By daring to be herself, Shirley Chisholm shows how one person forever changed the status quo.

The revered civil rights activist and pioneering member of Congress chronicles her groundbreaking 1972 run for President as the first woman and person of color—a work of immense historical importance that both captures and transcends its times, newly reissued to commemorate the fiftieth anniversary of her campaign.

Before Kamala Harris, before Hillary Rodham Clinton there was Shirley Chisholm. In 1972, the Congresswoman from New York—the first Black woman elected to Congress—made history again when she announced her candidacy for President of the United States. Though she understood victory was a longshot, Chisholm chose to run “because someone had to do it first. . . . I ran because most people think the country is not ready for a black candidate, not ready for a woman candidate.” 

In this invaluable political memoir, Chisholm reflects on her unique campaign and a nation at the crossroads of change. With the striking candor and straightforward style for which she was famous, Chisholm reveals the essential wheeling and dealing inherent to campaigning, castigates the innate conservatism and piety of the Black majority of the period, decries identity politics that lead to destructive power struggles within a fractious Democratic Party, and offers prescient advice on the direction of Black politics. From the whirlwind of the primaries to the final dramatic maneuvering at the tumultuous 1972 Democratic National Convention, The Good Fight is an invaluable portrait of twentieth-century politics and a Democratic Party in flux.

Most importantly, The Good Fight is the portrait of a reformer who dedicated her life to making politics work for all Americans. Chisholm saw her campaign as an extension of her political commitment; she ran as an idealist grounded in reality who used her opportunity and position to give voice to all the forgotten. This book bears the stamp of her remarkable personality and her commitment to speaking truth no matter the consequences.

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In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

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Racial identity, pop culture, and delusions of perfection collide in an eye-opening and refreshingly frank memoir by fashion and beauty insider Danielle Prescod.

Danielle Prescod grew up Black in an elite and overwhelmingly white community, her identity made more invisible by the whitewashed movies, television, magazines, and books she and her classmates voraciously consumed. Danielle took her cue from the world around her and aspired to shrink her identity into that box, setting increasingly poisonous goals. She started painful and damaging chemical hair treatments in elementary school, began depriving herself of food when puberty hit, and tried to control her image through the most unimpeachable, impeccable fashion choices.

Those obsessions led her to relentlessly pursue a career in beauty and fashion—the eye of the racist and sexist beauty standard storm. Assimilating was hard, but she was practiced. And she was an asset. Their “Token Black Girl.” Toxic, sure. But Danielle was striving to achieve social cache and working her way up the ladder of coveted media jobs, and she looked great, right? So what if she had to endure executives’ questions like “What was it like to drive to school from the ghetto?” Or coworkers’ eager curiosity to know if her parents were on welfare. But after decades of burying her emotions, resentment, and true self, Danielle turned a critical eye inward and confronted the factors that motivated her self-destructive behaviors.

Sharp witted and bracingly candid, Token Black Girl unpacks the adverse effects of insidious white supremacy in the media—both unconscious and strategic—to tell a personal story about recovery from damaging concepts of perfection, celebrating identity, and demolishing social conditioning.

An exquisite combination of beautiful photography and compelling stories, this book from Outdoor Afro founder, Rue Mapp, celebrates Black joy in nature.

Filled with breathtaking photography, inspiring stories, profiles, and spotlights from Outdoor Afro group members, prominent Black leaders in outdoor spaces, and other organizations, this book inspires Black communities to reclaim their place in the natural world. Interspersed throughout are essays from Mapp on the rich history of Black involvement in the outdoors, activism, and conservation, as well as resources for readers who want to deepen their own connection with the elements. A perfect blend of gorgeous photographs, awe-inspiring stories, and Black history, this collection is the perfect gift for anyone looking to heal in these sacred natural spaces.

INCREDIBLE ORGANIZATION: Outdoor Afro is a leading organization in the promotion of Black involvement and interaction with the outdoors. Their powerful work is leaving positive, lasting effects on the Black community and broader conservation community.

ACCOMPLISHED AUTHOR: Rue Mapp's rich involvement in the outdoors and her connections with like-minded individuals and organizations offer a unique approach to educating, motivating, and encouraging Black connection with nature.

INSPIRATIONAL AND UNIQUE: This book showcases Black joy and strength in spaces from which they have either historically been excluded, or less represented, and makes for an inventive and uplifting celebration of Black joy in nature.

A GREAT GIFT: Perfect for the outdoorsy person in your life, this book will make for an excellent boost of inspiration and encouragement all year round.

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

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With race and policing once more burning issues, this classic work from one of America’s giants of black radicalism has lost none of its prescience or power

One of America’s most historic political trials is undoubtedly that of Angela Davis. Opening with a letter from James Baldwin to Davis, and including contributions from numerous radicals such as Black Panthers George Jackson, Huey P. Newton, Bobby Seale and Erica Huggins, this book is not only an account of Davis’s incarceration and the struggles surrounding it, but also perhaps the most comprehensive and thorough analysis of the prison system of the United States.

Since the book was written, the carceral system in the U.S. has seen unprecedented growth, with more of America’s black population behind bars than ever before. The scathing analysis of the role of prison and the policing of black populations offered by Davis and her comrades in this astonishing volume remains as pertinent today as the day it was first published.

Featuring contributions from George Jackson, Bettina Aptheker, Bobby Seale, James Baldwin, Ruchell Magee, Julian Bond, Huey P. Newton, Erika Huggins, Fleeta Drumgo, John Clutchette, and others.

After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.

Informed by queer theory and Black feminist scholarship, Royster’s book elucidates the roots of the current moment found in records like Tina Turner’s first solo album, Tina Turns the Country On! She reckons with Black “bros” Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X’s “Old Town Road.” A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like—and who gets to love it.

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A tour-de-force collection of stories about the Black experience, by award-winning, bestselling, and emerging African American YA authors.

Black is... two sisters navigating their relationship at summer camp in Portland, Oregon as written by Renée Watson.

Black is… Jason Reynolds writing about three guys walking back from the community pool talking about nothing and everything.

Black is… Nic Stone’s bougie debutante dating a boy her momma would never approve of.

Black is …two girls kissing in Justina Ireland’s story set in Maryland.

Black is urban and rural, wealthy and poor, mixed race, immigrants, and more—because there are countless ways to be Black enough.

Edited by National Book Award finalist Ibi Zoboi, this is an essential collection of captivating stories about what it’s like to be young and Black in America.

Contributors:

Justina Ireland

Varian Johnson

Rita Williams-Garcia

Dhonielle Clayton

Kekla Magoon

Leah Henderson

Tochi Onyebuchi

Jason Reynolds

Nic Stone

Liara Tamani

Renée Watson

Tracey Baptiste

Coe Booth

Brandy Colbert

Jay Coles

Ibi Zoboi

Lamar Giles

Life is hard. But it gets a whole lot easier when you start to talk it out. In How Am I Doing?, you're invited into a series of conversations with yourself to discover your purpose, honor your story, and explore who you want to be.

Dr. Corey Yeager, psychotherapist for the NBA’s Detroit Pistons and most recently featured on Oprah and Prince Harry's The Me You Can't See on Apple TV+, offers you 40 questions to help you raise awareness of your thoughts and emotions and reconnect with who you want to be.

Over the course of these 40 conversations with yourself, you're invited to:

• Build trust with yourself
• Consider how past traumas affect your life today
• Grow a practice of positive self-talk
• Let go of guilt and regret from your past
• Develop mental health strategies for what to for moments when you're depressed or anxious
• Increase your confidence and embrace your emotions

 Each of the 40 questions is paired with a short, thoughtful reflection from Dr. Yeager, along with prompts and self-care strategies to help you look at yourself in the mirror and come into alignment with who you want to be.

So join the conversation; nothing is off-limits here. Come check in with yourself and take these small, simple steps to journey toward a more honest and harmonious way of living.

*ships in 7 - 10 business days*

Award-winning viral curator and poet Natasha Marin follows up her acclaimed Black Imagination with a brilliant new collection of sharply rendered, breathtaking reflections from more than one hundred Black voices.

When do you feel most indigenous?
What does it sound like when you claim yourself?
When do you feel most powerful?

Black Powerful explores the monumental resilience, joy, and triumph of Black People everywhere.