A poignant and inspiring memoir from the former mayor of Atlanta about her modest, hardscrabble upbringing, and fully appreciating the selfless, loving, fierce, and altogether Southern-twinged lessons her family taught her.

Long before Keisha Lance Bottoms rose to prominence in politics, she was a daddy’s girl from the Westside of Atlanta—the baby of her family who did well in school, though she talked too much in class; an outgoing kid who dreamt of growing up to be elegant and charismatic like her parents, cool like her older siblings and big cousins, and the pride of her very large, Southern family.

After law school, Bottoms worked as an attorney, served as a judge, and was elected to City Council and the mayorship, where she garnered national attention for her leadership during the pandemic and George Floyd protests. Later, she was appointed senior advisor in President Joe Biden’s administration.

Yet Bottoms felt disquieted internally. She was in her early fifties and approaching the age her beloved father was when he died. She couldn’t shake the feeling that something in her life was missing, like she’d forgotten to bring an essential element of herself along for her ascension. Stepping away from the daily political grind, Bottoms realized how much she’d sanded down parts of herself in her path to professional success. She’d tucked away the fuller details about her dad’s drug abuse and prison stint for dealing; the sexual abuse she endured; the eating disorder she developed; the close-knit, utterly unpolished family who doted on her and gave her an incredible foundation of love and confidence but whose influence she’d pruned to a sleek, charming, campaign-ready sheen. She thought that was the price of upward mobility. Then she realized she was wrong.

The Rough Side of the Mountain is about this excavation. It’s Bottoms’s deeply affecting journey to rescue a version of herself that she thought she had to leave behind to succeed. An honor to the lessons from kinfolk plainly told, hers is a timely and heartfelt memoir about unmasking oneself, the joys of authenticity, embracing what you see, and spreading that powerful message.

A centennial celebration of the Schomburg Center for Research in Black Culture and its vital role in the development of Black Studies

In 1926, the Afro-Puerto Rican bibliophile Arturo Schomburg's collection of four thousand books, pamphlets, papers, and prints arrived at the 135th Street branch of the New York Public Library. The collection contained works in many languages and formats, offering an unparalleled look into the richness and global reach of Black history. One hundred years later, Schomburg's collection remains a central feature of the Schomburg Center for Research in Black Culture, now the world's premier archive for study of the African diaspora, housing more than 11 million items, and a vibrant site of Black intellectual life.

This volume not only contextualizes the life and work of Schomburg and chronicles the history of the institution that bears his name but also includes a list of books and pamphlets in Schomburg's initial "seed collection," the fruit of a multiyear research effort to reconstruct this early Black Studies archive. Framing this list are essays and reflections written by an interdisciplinary group of scholars on the development of the Black intellectual tradition, both in Schomburg's time and today.

"This is not another book telling you what to do with your body; it is an invitation to listen, to tend, and to reclaim your womb as a source of wisdom, resilience, and healing" --Pregnancy Magazine

A heart-centered, science-based guide for women navigating fertility, pregnancy, loss, and what might come between and after

Every reproductive journey has unexpected bumps along the way, small and sometimes big. Whether you’re preparing or trying to conceive, moving through pregnancy, processing loss or finding your footing afterward, or moving into menopause, caring for your reproductive health starts with connecting with your body. 

From her work as a physical therapist specializing in pelvic health as well as her own lived experience with pregnancy loss and secondary infertility, Dr. “Tia” Anietie Ukpe-Wallace understands intimately the dysfunction that arises when we’re disconnected from our wombs. And so Tia empowers  women to get personal with their anatomy, learn what’s “normal” for them, and to trust their body’s signals so they can move forward with clarity, agency, and care, and become confident self-advocates in a challenging and impersonal medical system. With a frank, compassionate overview of the female reproductive system and the ways in which fertility and pregnancies can go awry, she offers advice about how to tend to your womb and all its connected systems to support the best outcomes possible.  

Tia shares:

* Exercises to connect you with your genitals
* Self-massage techniques for the vulva and abdomen
* Steps to identify your reproductive health “baseline”
* The 5 S’s of fertility and womb health
* Advice for navigating the fog of grief
* Guidance for moving into menopause with vitality

Anietie (Tia) Ukpe-Wallace  is a Doctor of Physical Therapy specializing in pelvic health, who provides a continuum of care and support from pregnancy loss to postpartum. Her own chronic struggles surrounding her pelvic floor, including multiple miscarriages, have inspired her personal interest in the womb, a rarely discussed and often misunderstood body part. A wife and mother, Tia lives in Oakland, CA, where she offers telehealth and clinic-based physical therapy services through her practice, Self-Care Physio.

A gift-worthy hardcover edition reexamining Kahlo's most subversive yet heart-wrenching self-portrait

In 1940, in the wake of a divorce from her husband Diego Rivera, Frida Kahlo (1907–54) turned to self-portraiture to express her deepest emotional and psychological impulses, and completed a painting inscribed with the lyrics of a popular folk song, "La Pelona": "Look, if I loved you it was for your hair. Now that you're without it, I no longer love you." In Self-Portrait with Cropped Hair, Kahlo's usual lively and saturated palette is supplanted by neutral hues, her Tehuana dress by a man's suit and her plaited hair by shorn locks that appear to wriggle up from the floor and around her chair, strangely alive. Nevertheless, the painting remains unmistakably Kahlo's, intensely felt, dreamlike and displaying references that encompass both popular culture and details from the artist's private life. In this richly illustrated volume, which includes the artist's most celebrated self-portraits and other related images, art historian Jodi Roberts situates the painting in the context of the Mexican Revolution, the Surrealist tradition and Kahlo's own changing of her artistic identity. This expanded hardcover edition includes additional illustrations and photographs, and features a die-cut on the front cover.

Culinary journalist Naomi Sinclair is cooking up a maelstrom of trouble upon her return to the blue waters of her native Saint Thomas.

A new cozy mystery set in the US Virgin Islands, this charming amateur sleuth will enrapture readers of Joanne Fluke and Carrie Doyle.

Food journalist Naomi Sinclair doesn’t expect a side of murder with her passion fruit juice. But when her return to Saint Thomas heralds a series of troubling cases, ranging from petty theft to cold-blooded murder, that threaten her tight-knit community, that is exactly the kind of unsavory treat she must sink her teeth into.

Luckily for her neighbors, Naomi is as deft at solving puzzles as rolling johnnycake dough—a good thing, since her island community, though small, keeps serving up plenty of trouble. With the help of her friends and her crush, Mateo, Naomi must navigate the tumultuous turquoise waters of life in the Caribbean, all as her beloved father battles an illness that keeps tugging her back to her island amid her rising career stateside.

Rich with mouthwatering recipes, lush landscapes, and a hefty dose of fun under the sun, The Bush Tea Murder has all the ingredients to make up the perfect beach read.

A boundary-breaking astrophysicist reimagines the universe—and our place within it—in this audacious journey through the Nine Realms of the cosmos.

The universe gave rise to everything: stars and cells, minds and memories, purpose and pain. But it doesn’t care about us. It follows its own rules. And now, according to Dr. Hakeem Oluseyi, we finally understand enough about those rules to ask the big questions like we mean it: Why do we exist? Are we alone? How did we get here? What comes next? And—perhaps most urgently—is there reason to hope?

Heck yeah, there is!

Dr. Oluseyi is no ordinary scientist. A former street kid turned world-renowned cosmologist, he realized something bold: The story of existence can be told as a passage through nine interwoven realms—each revealing a new layer of cosmic truth.

There’s the Middle Realm, where we live; the Realm of Life, where organisms flourish across the vastness of space; the Cosmological Realm, where galaxies dance and collide; the Dark Realm, dominated by unseen energy and invisible forces; the Quantum Realm, where reality defies intuition; the Temporal Realm, where time begins, flows, and perhaps ends; the Multiverse Realm, where our universe may be one among many; the Realm Beyond Horizons, where observation breaks down; and the Realm of Imagination, where insight, curiosity, and creativity shape our understanding of it all.

In Why Do We Exist?, Dr. Oluseyi cracks open these realms with clarity, humor, and radical honesty, bridging cutting-edge physics, personal narrative, and philosophy. The result is a blueprint for understanding reality itself and a surprising case for human potential in an indifferent cosmos.

This isn’t just a science book. It’s a survival manual for the universally curious.

Television writer, producer, and bestselling author of the acclaimed The Broke Diaries and Mixed charts her unexpected role as her terminally ill mother's caretaker in this funny, moving, and unforgettable memoir.

Angela Nissel always wanted her mother’s approval. But two defining events created a barrier between them: renouncing Christianity and being admitted to a psychiatric ward— events that mirrored failed parenting to her mother. 

Beating her depression, Angela moved to Los Angeles where she quickly achieved success as a television writer but soon after found herself dead broke and enduring a painful divorce. It was at this low point that she received heartbreaking news: her mother had cancer. Angela moves her mother to Los Angeles where she attempts to hide foreclosure notices and her live-in boyfriend while also trying to save her mother’s life with everything from crystals to celebrity doctors. Still, her mother succumbs to her cancer.

In this poignant and hilarious memoir, Angela chronicles her odyssey as she tries to remain “strong” like her mother in the face of grief. Delightfully self-deprecating, unsparing in its honesty, yet filled with wacky humor and joy, Good Grief, Pass the Bread, Mom is Dead, is an unforgettable portrait of love, yearning, loss, and resilience that reveals the indelible power of introspection to save our lives.

When a middle-aged widowed loses her job at the butcher shop, she’s at a loss as to how to provide for her family—until she’s offered a position that puts her carving skills to new uses in this darkly humorous bestselling Korean thriller.

Mrs. Shim needs money. She’s lost her husband and her job, and she's got three mouths to feed at her kitchen table. If she doesn't find work soon, she and her children are going to lose their home.

So when she answers a vague job ad for the Smile Detective Agency, Mrs. Shim expects the job will be some kind of cleaning position. But when they only ask her questions about her experience as a butcher and what she can do with a cleaver, she begins to realize they want her to do a very different kind of cleaning—they want her to be an assassin. Too scared not to take them up on their offer, she agrees to the position.

And Mrs. Shim soon finds that her new job isn’t so different from her old one in the butcher shop, quickly becoming the agency's best contract killer—but her rise to the top hasn’t gone unnoticed. Jealous of her talents, her agency’s competitors—and even her own colleagues-- begin pointing fingers (and knives) in her direction.

If she wants to keep her job, her family, and her reputation intact, Mrs. Shim is going to have to take out the secretive leader of a rival agency. But when she has the chance to strike, she's stunned to find a familiar face at the end of her blade.

As it turns out, this just may be one mess she can't cut her way out of . . .

A ticking bomb of teenage savagery that blows the hypocrisies and prejudice of society to smithereens.

Bullied at school with near-hellish doggedness by cold-hearted classmates and fattened at home with increasingly extravagant feasts by an overindulgent father, the voracious narrator of All Flesh trudges through her teen years certain that her heft is because she has absorbed her twin sister in utero and is now eating, and living, for two.

As those around her look down on her corpulence, she struggles to see who she might be beyond such narrow-mindedness. When a near-fatal incident unexpectedly brings a man and a heady experience of the body’s other pleasures into her life, she gets a decadent taste of a future she had never dared to imagine. But she is beset once more by sharp tongues and beady eyes until, finally, she devises a drastic way to turn the tables on her tormentors and the whole unjust world. But will her coup de grâce prove self-possessed, or self-destructive?

In All Flesh, Ananda Devi’s keenly lyrical prose presents a darkly humorous mirror that bitingly reflects and shatters the double standards around how we talk about bodies, women, beauty, and food, and how society consumes, obsesses over, and vilifies humanity’s excesses.

A gripping and incisive psychological gameshow drama from one of the biggest stars in Korean fiction, author of million-copy bestseller The Dallergut Dream Department Store.

Eight unsuspecting people receive an invitation to participate in a new reality show called Break Room. But what starts as an opportunity for fame is quickly revealed to be something far more unsettling when they learn how they were chosen--voted in by their respective coworkers as "the office villain."

Among them is an imposter--a mole planted by the show's producers. The only way to win the prize money is to uncover the saboteur before time runs out.

As alliances shift and paranoia festers, the contestants begin to realize that the true challenge isn't surviving the show--it's facing their own selves.

Welcome . . . Step into the world of the reality show, Break Room, where every smile hides suspicion, and every word could be a clue.

Evil spreads throughout the Kingdom, and the one woman who can save them may be the key to their survival ... or their destruction.  

Anyi is the gem of the Countless Clans. Their Queens make lifeblood, a magical substance used for everything from medicine to weapons. Once, Anyi had so much lifeblood that they gave it away. Now their Queen is dying, none of her daughters, the Diviewe, can produce lifeblood and the gods that guide the clan have gone silent.In the Empire of Ka, Anyi native Aseye dreams of leaving her work at the imperial armory to strike out on her own. Kwame, a spy with a hidden heritage, is a charming distraction. A man of conflicting loyalties, he’s not to be trusted with Aseye’s heart – or her secret, buried so deep that even she doesn’t remember it. A secret that could end her life.As Anyi’s lifeblood dwindles, the Diviewe beg the Elders to unleash an ancient weapon to save the clan. The Elders refuse. The Diviewe take matters into their own hands. But the weapon is not what they thought it would be, and it’s not the only thing to wake…

Cheryl S. Ntumy is a Ghanaian writer of speculative fiction, young adult fiction, and romance. Her work has appeared in FIYAH Literary Magazine; Apex Magazine; World Literature Today; Best of World SF Vol. 3 and Year’s Best African Speculative Fiction 2022, among others. Her work has also been nominated for the Nommo Award for African Speculative Fiction, the British Science Fiction Association Award, the Commonwealth Writers Short Story Prize and the Miles Morland Foundation Scholarship. She is part of the Sauútiverse Collective, which created a shared universe for Afrocentric speculative fiction, and a member of Petlo Literary Arts, an organization that develops and promotes creative writing in Botswana. Her Sauútiverse novella Songs for the Shadows was released in 2024 by Atthis Arts and her short story collection Black Friday: Short Stories from Africa (Beyond and Within) was published in April 2025 by Flame Tree Press.

"Nothing is hotter and more fun than Danielle Allen’s writing."-- Ali Hazelwood

Because life’s too short, and mean girls ain’t sh…
Jazmyn Payne fled her hometown―and the fatphobes who made her life hell– the minute she graduated high school. Growing up, her haven was her Aunt Addison, and when her health takes a drastic turn, she insists that Jazz should spice up her life. Emphasis on spice.

But dating is the last thing Jazz had on her mind.

Until Lamar Anderson sits next to her at the local sports bar. He is sexy, fun, and refreshingly drama free. With him she's able to pretend that everything is alright. But as real life intrudes, Jazz has to decide if she can leave the past where it belongs… for a love that she deserves.

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters. This is part one of a trilogy.

Mallory

The first time I kissed Christopher Johnson, I knew he would be my biggest mistake. It didn't stop me from wanting him though, and when the ghosts from my past came barging into the present, it didn't stop me from agreeing to let him help.

It was supposed to be a simple business arrangement, a few months of playing a role that came far too easily to the both of us, but it wasn't long before it became more.

Love. Devotion. Heartbreak in its truest form.

Some people say life is for the living, but I say life is for the prepared. For the planners who know that controlling every piece on the board is the only way to get the result you want.

To avoid unfortunate complications like having your heart broken by a man past experiences taught you, you never should have trusted in the first place.

Christopher

There's nothing in this world I wouldn't do for Mallory Kent.

I think I knew it the first time I laid eyes on her, and it's remained one of my unspoken truths for the two years that I've known her. But I never thought I'd get the opportunity to do anything about it because Mallory is one of those people who doesn't need anyone.

She's strong, serious, and always in control of every situation around her, which is why the second I see her looking panicked and uncertain in the arms of a figure from her past, I don't think. I just act.

I had no idea that one small decision would lead to this. A fake relationship―designed to solve her problems and mine―turned real. An earth shattering love torn apart by the very forces that led to its conception. Forces that turned me into the source of our destruction.

There's nothing in this world I wouldn't do for Mallory Kent, including break her heart to save her soul.

From the buzzy, viral sensation Only For The Week, comes the next book in Natasha Bishop’s The Forever Falling series, featuring an intimate bucket list road trip, sexy banter, and a sweet and spicy second chance romance.

If you’re reading this, I’m dead.

Dani Jenkins is a boss. A model turned influencer, she doesn’t have time for taking a risk on romance. She prefers to keep things casual, but when her mentor Tanya dies, she is brought face-to-face with the man who broke her heart.

Dani and Micah had their chance at love...

Artist Micah Wright is a protector who loves fiercely. He’s known as the man everyone can count on, but he’s never forgiven himself for letting down the woman he loves. With Tanya’s dying wish forcing Dani and Micah back together to complete a scavenger hunt road trip, Micah sees a second chance for them to get things right.

Does time heal all wounds?

Tensions are high as their undeniable connection reignites, but Dani refuses to let her guard down. As they continue their journey, Micah is determined to prove to Dani that love is worth fighting for, but can she release her fears and relearn the art of loving?

Tropes: Friends to lovers / He falls first / Second chance romance / Black joy /Forced proximity / Right person, wrong time / Fling to forever

A vibrant new vision of food justice that celebrates Black food and recognizes the power of gathering to create sustainable, systemic change.

How can we create a world where everyone has enough? We can start by focusing less on lack and more on abundance.

In Gather, anthropologist Ashanté M. Reese argues for a new vision of food justice that centers the resilience of Black communities and argues that community nourishment deserves as much consideration as individual health. Highlighting four spaces of gathering―gardens, family reunions, repasts, and protests ―Reese offers rich, on–the–ground studies of the places and people who make up the food justice movement. From Black church networks and community farms to student protests, these studies illuminate ways we can challenge structures of power and nourish ourselves, body and soul. In a world of social isolation and unequal food systems, Gather offers a compelling argument for the beauty and political power of togetherness.

At the Gate gathers more than seventy previously unpublished poems by the iconic American poet Lucille Clifton written over the last two decades of her life. Discovered in digital archives by poet and scholar Kazim Ali, these poems span a prolific and reflective period in Clifton’s career as she shifted from typewriters to word processors and desktop computers. Many were originally drafted for publication, but set aside—until now.

Edited by Ali, this collection includes a contextual Foreword and detailed notes that illuminate Clifton’s late writing process and the editorial journey of these poems—deepening and expanding the themes that defined Clifton’s celebrated body of work. 

At the Gate is a profound and necessary addition to Clifton’s legacy—one that reaffirms her place as a poet of the body, the spirit, and the deep truths that we must endure—her voice as intimate, fearless, and luminous as ever.

A perfect book club read for those who love morally gray women

In a village in rural Pakistan, Tara is watching and waiting. The smell of dung and dust hangs over her world. She is desperate to leave her petty life in the village and escape the iron grip of her violent, unpredictable brother.

Marrying a middle-class accountant allows her to escape to the capital, but she soon finds that life as a respectable housewife is not enough. She wants what the rich mothers at her children’s school have. Her desire for wealth and freedom becomes an obsession—one for which she’ll push her marriage and herself to the brink. When her brother comes back into her life, dragging the specter of all she’s escaped, Tara must decide if there are any lines she won’t cross to live the life she deserves.

Set against a hypnotic, oppressive backdrop of political violence and natural disaster, A Splintering traces the class struggle of a woman stuck between province and metropolis, between motherhood and ambition. Disquieting and utterly gripping, it is an extraordinary achievement by Dur e Aziz Amna, an exploration of a complex and unforgettable character who will risk everything to carve out a life of her own.

One of the world’s greatest bassists lays down the heart of Black music, revealing how its rhythmic structures and the long history of the African diaspora made it the world’s most popular form. 
 
“An insightful, revelatory, and informative read.” —Meshell Ndegeocello, singer-songwriter and poet

Why do Bob Marley, John Coltrane, Aretha Franklin, and Nina Simone move us the way they do? What drives the worried notes of the Delta blues? What makes Beyoncé’s triumph Cowboy Carter inescapably great?    
 
As Melvin Gibbs shows in How Black Music Took Over the World, it is the musical inheritance of Africa. Beginning with two rhythmic building blocks he calls the cell and the frame, Gibbs shows how those tools can transport listeners to “a realm where sounds become vehicles for human movement.” Reforged in the African diaspora in the Americas, they are played today on church organs, electric guitars, computers, telephones, or a simple gourd. Kool & the Gang called Black musicians the “scientists of sound”—and Gibbs shows how they discovered the world’s music.     
 
Gibbs’s vantage is unique. A world-class musician fluent in many genres, Gibbs is as comfortable in an old-school Times Square record shop as he is breaking down mathematics and music theory with university professors. Imbued with his own journey and a sharp eye for the sins and triumphs of history, How Black Music Took Over the World is an unforgettable revelation of one of humanity’s greatest achievements.

“Chazaro transforms the ranfla, the hooptie, and the G-ride into a spaceship, a time machine. He points our gaze to the sky and we long to take flight while simultaneously holding onto our roots and what keeps our feet on the ground."—Joseph Rios, Fresno Poet Laureate and author of Shadowboxing: Poems & Impersonations

In These Spaceships Weren’t Built For Us, Alan Chazaro launches a speculative, lyrical odyssey through Latinx identity, diaspora, and memory, where the immigrant experience becomes a poetic voyage, rooted in resistance, love, and the enduring pull of home.

In his newest poetry collection, These Spaceships Weren’t Built For Us, Alan Chazaro reconsiders the possibilities of space travel as the son of Mexican immigrants while navigating daily life across rapidly shifting social spaces. From barren gas stations in Central California during the height of the pandemic to faraway jungle planets governed by paleteros, Chazaro imagines the present and future in ways that are simultaneously bleak and dire, hopeful and beautiful, and seemingly, impossibly unrealized.

They killed her father for speaking out

For decades, the oil-rich Niger Delta—an important wetland and farming region—has seen its environment devastated by oil extraction that has brought little economic benefit to its people. After a nonviolent campaign for environmental and human rights, Ken Saro-Wiwa and eight colleagues were executed by the military dictatorship in 1995. Their deaths sparked an armed insurgency marked by sabotage and oil theft in a bid for “resource control.”

Thirty years after Ken Saro-Wiwa’s death, his daughter Noo traces the rise of this insurgency and how it became entangled with politics, further damaging the environment and upending social hierarchies. In The Burning Ground, she travels across the delta to examine its aftermath, speaking with former militants, highlighting the undervalued role of women, and meeting individuals working toward sustainable development. Along the way, her sharp, humane reporting brings to life a region where environmental damage, political conflict, human-rights pressures, and accelerating climate threats converge in ways the world cannot ignore.

Saylor Ford and Heaven Goo-Campbell could not be more different. Saylor is bubbly, popular, athletic, and always coupled up. Meanwhile, Heaven is grumpy and artistic, prefers her skateboard to people, and is perpetually single. So obviously, sparks fly when they must spend the entire summer together.

When Saylor, distracted by her mom’s viral video about Saylor’s coming out, breaks her arm at basketball camp, she becomes determined not to spend the summer stuck at home with the social media star. Her best escape is the girl she’s pretty sure can’t stand her but whom she finds absolutely irresistible, Heaven. Thankfully, Heaven is willing to let Saylor in on her summer plans, but for a price. Saylor has to help Heaven establish her social media presence, showcasing her art for her future career as a tattoo artist.

They didn’t anticipate the intimacy of spending each day together and the deepening feelings that followed. And their bingo scavenger hunt is now less a shared project and more a skate ramp to romance. But do the girls have a future together if Saylor is wary of bringing a relationship out into the open—too afraid that her mom’s influencer status will attract more attention than Saylor and timid Heaven can handle?

What if what you drew came to life? Destiny Ink uses her imagination and love of drawing to overcome her worries in this first book of a highly illustrated series for newly emerging readers.

Destiny can't wait to go on her first ever sleepover, it's going to be INK-TASTIC!

But she can't help feeling a little nervous. She and her best friend, Olivia, are going to camp outside-in the backyard in the dark! Destiny uses her sketchbook to doodle her ideas and work through her worries. She builds a blanket tent in her bedroom to practice, and that night a monster shows up. He's come for a sleepover, but he's not sure he's ready. Can Destiny help him?

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters. This is part one of a trilogy.

Mallory

The first time I kissed Christopher Johnson, I knew he would be my biggest mistake. It didn't stop me from wanting him though, and when the ghosts from my past came barging into the present, it didn't stop me from agreeing to let him help.

It was supposed to be a simple business arrangement, a few months of playing a role that came far too easily to the both of us, but it wasn't long before it became more.

Love. Devotion. Heartbreak in its truest form.

Some people say life is for the living, but I say life is for the prepared. For the planners who know that controlling every piece on the board is the only way to get the result you want.

To avoid unfortunate complications like having your heart broken by a man past experiences taught you, you never should have trusted in the first place.

Christopher

There's nothing in this world I wouldn't do for Mallory Kent.

I think I knew it the first time I laid eyes on her, and it's remained one of my unspoken truths for the two years that I've known her. But I never thought I'd get the opportunity to do anything about it because Mallory is one of those people who doesn't need anyone.

She's strong, serious, and always in control of every situation around her, which is why the second I see her looking panicked and uncertain in the arms of a figure from her past, I don't think. I just act.

I had no idea that one small decision would lead to this. A fake relationship―designed to solve her problems and mine―turned real. An earth shattering love torn apart by the very forces that led to its conception. Forces that turned me into the source of our destruction.

There's nothing in this world I wouldn't do for Mallory Kent, including break her heart to save her soul.

Friendship is the love story you can count on.

Remy is lucky. Her debut novel, based on her three best friends, became an instant bestseller when it was released, and her agent and publisher are clamoring for a follow-up. But just as Remy’s creative inspiration seems to leave her, so too do her friends: one moves to New York, one gets pregnant, and one gets back together with her (awful) boyfriend. After an ill-advised one-night stand complicates matters further, Remy is left deeply alone―and unable to find her next book idea.

Simone is successful. A Kindergarten teacher with a passion for kids, and a well-paying side hustle that affords her all the material comforts she desires, Simone doesn't have time for a robust social life. All she needs is her close-knit family―but after the true nature of her work is revealed, they cut her off, and she realizes for the first time just how isolated she is.

When Simone and Remy bump into each other (literally) in a bookstore, it isn’t exactly soulmates at first sight. Simone is guarded and prickly, Remy is insecure and heartbroken, and each woman is harboring a secret. And yet they might just be the missing piece the other has been searching for―if only they can let each other in.

Can Simone help Remy make one of the most important decisions of her life―and can Remy help Simone recover all that she’s lost? In Jessica George’s heartwarming, funny, and soulful second novel, she explores the restorative nature of female friendship and the life-changing power of platonic love.

In this YA fantasy novel perfect for fans of Heartless Hunter, a girl who has always served others decides to take power for herself.

Her magic feeds on lies.
His magic could destroy her.

Mira Kyler runs the court of Virdei from the shadows. Ever since she helped her half-brother Luc cheat his way into the role of Virdei's leader, she's used her lie-powered magic to collect secrets from members of court, then used them as blackmail to keep her brother in power.

But when newcomer Kaidren Vale shows up and challenges Luc's leadership, he threatens the stability Mira has worked so hard for. Kaidren also has magic-magic that can detect the precise nature of someone else's power with a single touch. If Kaidren so much as brushes against her, everyone will discover that Mira is the one who's been manipulating the court for years.

As Kaidren and Luc compete in three deadly challenges called The Trials, Mira realizes that no matter who wins, she'll be stuck serving a mediocre man who doesn't deserve to be in charge. She's done hiding in the shadows. She wants power of her own.

To get it, she'll have to betray both her own brother and Kaidren-but the fiercer the competition gets, the more Mira realizes that the one boy who could destroy everything is the one boy she might not be able to resist.

A fresh, charming, socially conscious tour of the mysteries of space-time, from the award-winning author of The Disordered Cosmos

In her highly acclaimed debut, distinguished cosmologist and particle physicist Dr. Chanda Prescod-Weinstein shared with her audience an abiding sense of wonder at the cosmos, while imagining a world without the entrenched injustice that plagues her field. Now, in The Edge of Space-Time, she embraces that cosmic wonder, taking readers on a mind-altering journey to the boundaries of the universe, inviting us to spend time at the edge of what we know about space-time and about ourselves.

Guided by her conviction that for humanity to go forward we must know our cosmic past, Prescod-Weinstein renders accessible some of the most abstract concepts of theoretical physics and draws on poetry and popular culture—from Queen Latifah to Lewis Carroll to Big K.R.I.T. to Sun Ra and Star Trek— to tell fascinating stories about the fundamental quantum nature of space-time and everything inside of it. Here we meet the quantum cat that is both dead and alive, learn the difference between dark matter and dark energy, explore the inner workings of black holes, investigate the possibility of a unified theory of quantum gravity, and map out the meeting place of the unimaginably vast with the confoundingly small, following our guide out to the far reaches of the particle horizon and down to the tiniest (and queerest) neutrino. Prescod-Weinstein shows us how spending time with the cosmos is a vital human activity that enriches all our lives. Along the way, she calls on us to resist colonial approaches to space exploration and instead imagine a better path forward in our pursuit of humanity’s undeniable connection with the stars.

Through Prescod-Weinstein’s clear-eyed and unique perspective, and informed by her deep knowledge of post-colonial history and Black feminist thought, The Edge of Space-Time argues that physics is an essential way for everyone to look at the universe and presents a compelling case that “the edge” is a powerful vantage point from which to see the big picture.

 Lucie comes from a long line of witches, with powers passed down from mother to daughter. Many of them have hidden or repressed their gifts to appease disgusted or fearful men. But against the wishes of her controlling husband, Lucie initiates her twins into their family’s peculiar womanhood when they reach the age of twelve. In a few short months, Maud and Lise are crying rich crimson tears, their powers quickly becoming more potent than their mother’s, opening them to liberation and euphoria beyond what Lucie and her foremothers ever considered.

Equal parts dreamlike and disquieting, The Witch tells a tale as old as time, with a dark twist: Without looking back, children fly the nest, laying bare the tenuous threads of family that have long threatened to snap. With simmering tension and increasing panic, NDiaye’s latest novel in English captures the terror and precarity of motherhood and marriage, and the uncertainty of slowly realizing that your progeny are more dangerous—to the world and to your heart—and freer than you ever could have dreamed. ?

Mix great drinks with this mini bar in a box that gives you fifty recipe cards for boozy cocktails, refreshing aperitifs, and delicious mocktails, curated by the cocktail experts at New York Times Cooking.

Whether you're a seasoned bartender or a casual sipper, the New York Times Cooking Cocktail Deck offers 50 new and quintessential recipes. Pop a few cards in your bag, use them as a shopping list, and then set them on the bar top or counter while you stir or shake.

Unwind at home with Robert Simonson's ultimate Martini or Old-Fashioned. Mix things up with Ali Slagle's Negroni Sbagliato or her spritzy Root Beer Rickey. And welcome guests with Rebekah Peppler's easy-drinking Bicicletta or one of several low-alcohol and nonalcoholic options, like Naz Deravian's Agua Fresca.

Each laminated card features a stunning photograph on the front with recipe instructions on the back. With an essential guide to the necessary glasses, garnishes, tools, and techniques, this recipe deck elevates any at-home bar and is sure to be the star of your next gathering.

Set in what may be the future, and centered on six women sharing a space in some sort of crumbling apartment tower, Ruins, Child is remarkable for its irresistible sweep, wit, and prickly splintered truth. Like a precious old mirror that's been dropped, it's a book that is looking up at you, flashing light and bits of the undeniable. With the pulsating sway of its liquid mosaic narrative, the novel may recall Virginia Woolf's The Waves, but is entirely its own animal: kaleidoscopic, pointedly disorienting in its looseness, and powered along by snatches of speech from its compelling ensemble cast, often vernacular, often overheard: "The woman is old, I hear children saying nearby, not in the way we consider all adults to be old, but really old, ancient, she is endless." It's a book seemingly drawn from deep wells of Black American reality: her female protagonists push back against authority in the very vivacity of their telling, setting afoot a freeing-up and a mysterious inversion of marginalization. "Looseness, that is the thing people fear in a person (in women) and in objects." A surreal musing, Ruins, Child uses the lens of urban infrastructure, botany, social commentary, folklore, choreography, and collective listening to create an ethnography of place and an ode to communal ruins.

The story of how one boy's positive energy and sunny outlook can turn everything around.

Now available in board book!

It's a new day and Ayaan has woken up on the wrong side of the bed, where nothing feels quite right. What if he doesn't know the answer at school? What if he messes up? But as he sets out that morning, all it takes are a few pointers from his mom and some friends in the neighborhood to remind him that a new day is a good day, because...
HE IS SMART,
HE IS BLESSED,
AND HE CAN DO ANYTHING!

A deeply moving photographic and narrative history of a southern waterway that the enslaved were forced to build for mercantile shipping—but which they used to escape slavery.

With gorgeously rich tritone photographs and a hard-bound cover with tip-in, perfect for fine art or history lovers.

Some of the earliest canals in colonial America, referred to as the Inner Passage, were constructed by enslaved people living in the Lowcountry of South Carolina in the early 1700s. In a paradox of history, for over a hundred years enslaved Black people used these canals, constructed for white plantation owners, to travel southward to freedom in Spanish Florida.

In this book, Virginia McGee Richards documents the lost narrative of the Inner Passage through 60 extraordinary photographs of landscapes altered by slavery and portraits of Lowcountry descendants, along with an essay describing her discovery of this untold history. In an accompanying essay, Imani Perry writes about her own journey on the Inner Passage, putting Black resistance to enslavement and Southern history into an immediate context. James Estrin brings decades of insight about photography and the power of visual storytelling to his affecting foreword. Together, these words and images offer a powerful living map of history.