In Remembered Rapture: The Writer at Work, award-winning author and renowned academic “bell hooks reveals the heart of her writing life and the process through which she has come to be known as a ‘visionary feminist’” (Essence).

Born and raised in the rural South, bell hooks learned early the power of the written word and the importance of speaking her mind. Her passion for words is the heartbeat of this collection of essays.

Remembered Rapture celebrates literacy, the joys of reading and writing, and the lasting power of the book. With grace and insight, these essays reveal bell hooks’s wide-ranging intellectual scope, untangling the complex personae of women writers, especially those whose work goes against the grain.

“For anyone who writes, or seeks to understand the writing process, or wants to know more about the erudite and passionate mind of bell hooks, this is the book to read.”―The Philadelphia Inquirer

Speaking to his generation which currently is gaining it's political identity and maturity, Stevens Orozco reaches out to the Black and Brown communities in order to share with them the identity of social justice politics that already exists within. Lifting up the women of color and LGBTQIA community members in the process, Orozco shares the experiences of the past couple of years leading up to the political firestorm that was 2016. With an incoming Trump administration taking the White House, this political memoir's aim is to inspire and motivate action from within all marginalized communities. Starting from Houston Texas, to the rest of the United States. Declaring that it is time to speak Truth to Power.

Publishing Date: January 21st 2017

From New York Times bestselling and award-winning author and American Ballet Theatre principal dancer Misty Copeland comes an illustrated nonfiction collection celebrating dancers of color who have influenced her on and off the stage.

As a young girl living in a motel with her mother and her five siblings, Misty Copeland didn’t have a lot of exposure to ballet or prominent dancers. She was sixteen when she saw a black ballerina on a magazine cover for the first time. The experience emboldened Misty and told her that she wasn’t alone—and her dream wasn’t impossible.

In the years since, Misty has only learned more about the trailblazing women who made her own success possible by pushing back against repression and racism with their talent and tenacity. Misty brings these women’s stories to a new generation of readers and gives them the recognition they deserve.

With an introduction from Misty about the legacy these women have had on dance and on her career itself, this book delves into the lives and careers of women of color who fundamentally changed the landscape of American ballet from the early 20th century to today.

“People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’”

Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir about a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.

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“I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I had been because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere. . . . I was trapped in my body, one I made but barely recognized or understood but of my own making. I was miserable, but I was safe.”

In this intimate and searing memoir, the New York Times bestselling author Roxane Gay addresses the experience of living in a body that she calls “wildly undisciplined.” She casts an insightful and critical eye over her childhood, teens, and twenties—including the devastating act of violence that was a turning point in her young life—and brings readers into the present and the realities, pains, and joys of her daily life.

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Vice President Kamala Harris’s commitment to speaking truth is informed by her upbringing. The daughter of immigrants, she was raised in an Oakland, California community that cared deeply about social justice; her parents—an esteemed economist from Jamaica and an admired cancer researcher from India—met as activists in the civil rights movement.

Growing up, Harris herself never hid her passion for justice, and when she became a deputy district attorney out of law school, she quickly established herself as one of the most innovative change agents in American law enforcement. She progressed rapidly to become the elected District Attorney for San Francisco, and then the chief law enforcement officer of California as a whole. Known for bringing a voice to the voiceless and championing the middle class, she took on the big banks during the foreclosure crisis and won a historic settlement for California’s working families. Her hallmarks were applying a holistic, data-driven approach to many of California’s thorniest issues; neither “tough” nor “soft” but smart on crime became her mantra.

Being smart means learning the truths that can make us better as a community, and supporting those truths with all our might. That has been the pole star that is guiding Harris now as a transformational United States Senator, grappling with an array of complex issues that affect her state, our country, and the world, from health care to immigration, national security, the opioid crisis, and accelerating inequality.

Reflecting on the presidency, he offers a unique and thoughtful exploration of both the awesome reach and the limits of presidential power, as well as singular insights into the dynamics of U.S. partisan politics and international diplomacy. Obama brings readers inside the Oval Office and the White House Situation Room, and to Moscow, Cairo, Beijing, and points beyond.

We are privy to his thoughts as he assembles his cabinet, wrestles with a global financial crisis, takes the measure of Vladimir Putin, overcomes seemingly insurmountable odds to secure passage of the Affordable Care Act, clashes with generals about U.S. strategy in Afghanistan, tackles Wall Street reform, responds to the devastating Deepwater Horizon blowout, and authorizes Operation Neptune’s Spear, which leads to the death of Osama bin Laden.

An epic meditation on loving oneself in the face of heartbreak, from the acclaimed author of Build Yourself a Boat, longlisted for the National Book Award

When Camonghne Felix goes through a monumental breakup, culminating in a hospital stay, everything—from her early childhood trauma and mental health to her relationship with mathematics—shows up in the tapestry of her healing. In this exquisite and raw reflection, Camonghne repossesses herself through the exploration of history she’d left behind, using her childhood “dyscalculia”—a disorder that makes it difficult to learn math—as a metaphor for the consequences of her miscalculations in love. Through reckoning with this breakup and other adult gambles in intimacy, Felix asks the question: Who gets to assert their right to pain?

Dyscalculia negotiates the misalignments of perception and reality, love and harm, and the politics of heartbreak, both romantic and familial.

“Carmen Maria Machado’s rise in the literary world has been nothing short of meteoric.” —The Week

Now available in paperback, Carmen Maria Machado’s In the Dream House is a searing account of a harrowing relationship with a charismatic but volatile woman. Each chapter in this wildly inventive memoir is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds her story up to the light, examining it from different angles. She considers her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.

Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

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In 2016, Stewart was a rising leader at the predominantly white evangelical church he and his family were attending in Augusta, Georgia. Like many young church leaders, Stewart was thrilled at the prospect of growing his voice and influence within the community, and excited to break barriers as the church’s first Black preacher. But when Trump began his campaign, so began the unearthing. Stewart began overhearing talk in the pews—comments ranging from microaggressions to outright disparaging rhetoric towards Black Americans. As this violence began to reveal itself en masse, Stewart quickly found himself and his family alone amid a people unraveled—their community of faith became the same place where they soon found themselves most alone. This set Stewart on a journey—first out of the white church, and into a liberating pursuit of faith, by looking to the wisdom of the saints before us, like James Cone, James Baldwin, and Toni Morrison, and by heeding the paradoxical humility of Jesus himself.

This sharply observed journey is an intimate meditation on coming of age in the time of terror. Stewart reveals the profound faith found even after experiencing the violence of the American church: a faith that loves Blackness, speaks truth to pain and trauma, and pursues a truer, realer kind of love than the kind we’re taught—a love that sets us free.

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From a highly lauded modern voice in feminism and racial justice comes a deeply personal and insightful approach to the power of reimagining to dismantle the frameworks and systems that no longer serve us while building liberating new ones.

There are breaking points in all our lives when we realize that the way things have been done before no longer serve us, be it the way we approach our relationships, our belief systems, our work, our education, even our rest. For activist, philanthropist, and CEO Rachel Cargle, reimagining—the act of creating in our minds that which does not exist but that we believe can and should—has been a lifelong process. Reimagining served as the most powerful catalyst for Cargle’s personal transformation from a small-town Christian wife to an incisive queer feminist voice of a generation.

In A Renaissance of Our Own, we witness the sometimes painful but always inspiring breaking points in Cargle’s life that fostered a truer identity. These defining moments offer a blueprint for how we must all use our imagination—the space that sees beyond limits—to live in alignment with our highest values and to craft a world independent of oppressive structures. Cargle now invites you to acknowledge the ways of being that stem from societal expectations instead of your truth, and to embark on a renaissance of your own. She provides the very tools and prompts that she used to unearth her truth, tools that opened her up to being a more authentic feminist, and purpose-driven matriarchal leader.

A Renaissance of Our Own gives us the courage to look at the world and say, “I want something different.” It serves as a reminder of the power and possibility of reimagining a life that feels right, all the way down to the marrow of your bones.

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At once incendiary and icy, mischievous and provocative, celebratory and elegiac—here is a deeply felt meditation on race, sex, and American culture through the prism of the author’s rarefied upbringing and education among a black elite concerned with distancing itself from whites and the black generality while tirelessly measuring itself against both.

Born in upper-crust black Chicago—her father was for years head of pediatrics at Provident, at the time the nation’s oldest black hospital; her mother was a socialite—Margo Jefferson has spent most of her life among (call them what you will) the colored aristocracy, the colored elite, the blue-vein society. Since the nineteenth century they have stood apart, these inhabitants of Negroland, “a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty.”

Reckoning with the strictures and demands of Negroland at crucial historical moments—the civil rights movement, the dawn of feminism, the fallacy of postracial America—Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions. Aware as it is of heart-wrenching despair and depression, this book is a triumphant paean to the grace of perseverance.

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Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school--in her sixties--to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit of art and the inevitable, sometimes painful demands of a life fully lived.

How are women and artists seen and judged by their age, looks, and race? What does it mean when someone says, “You will never be an artist”? Who defines what an artist is and all that goes with such an identity, and how are these ideas tied to our shared conceptions of beauty, value, and difference?

Bringing to bear incisive insights from two careers, Painter weaves a frank, funny, and often surprising tale of her move from academia to art in this "glorious achievement--bighearted and critical, insightful and entertaining. This book is a cup of courage for everyone who wants to change their lives" (Tayari Jones, author of An American Marriage).

A moving, unflinching memoir of hard-won success, struggles with addiction, and a lifelong mission to give back—from the late, iconic actor beloved for his roles in The Wire, Boardwalk Empire, and Lovecraft Country

When Michael K. Williams died on September 6, 2021, he left behind a career as one of the most electrifying actors of his generation. From his star turn as Omar Little in The Wire to Chalky White in Boardwalk Empire to Emmy-nominated roles in HBO’s The Night Of and Lovecraft County, Williams created a slew of indelible characters that he portrayed with a rawness and vulnerability that leapt off the screen. Beyond the nominations and acclaim, Williams played characters who connected, whose humanity couldn’t be denied, whose stories were too often left out of the main narrative.
 
At the time of his death, Williams had nearly finished a memoir that told the story of his past while looking to the future, a book that merged his life and his life’s work. Mike, as his friends knew him, was so much more than an actor. In Scenes from My Life, he traces his life in whole, from his childhood in East Flatbush, his battles with addiction, and his early years as a dancer to the bar fight that left his face with his distinguishing scar. He was a committed Brooklyn resident and activist who dedicated his life to working with community and social justice organizations, especially at-risk youth, to find their voice and carve out their future. Williams worked to keep the spotlight on those he fought for and with, whom he believed in and committed to with his whole heart.
 
With poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did—in his own voice, in his own words, as only he could.

In this exciting collection infused with her sharp humor and buoyant spirit.

Jenifer Lewis, the author of the hugely successful The Mother of Black Hollywood and costar of ABC’s hit sitcom Black-ish, shares the way she found the strength and courage to walk in her joy despite personal and universal hardships. 

In this entertaining essay collection, the inimitable Jenifer Lewis looks back on some of her memorable adventures and experiences, using them as a mirror to reflect modern life and what is happening today. Her stories will have you laughing out loud, while her insightful messages will touch your soul.

This self-described “traveling fool and nature freak” takes us on her incredible journeys around the world, from Cape Town to Dubrovnik, the White House to the Serengeti, Mongolia to St. Petersburg, Argentina to Antarctica. Surprising and entertaining, her wildly diverse experiences reveal, that no matter where she is or what she faces, Jenifer walks in her joy, confident in herself and her purpose—whether it’s an unforgettable confrontation with a Trump supporter on a slow boat to Singapore; an alien visitation; enduring Covid-19 and a friend’s suicide attempt; taking down a conman; meeting a handsome Masai warrior and being chased by a cape buffalo. Jenifer also offers deep personal reflections on the repercussions of sexual violation; the murder of George Floyd and the racial reckoning in its wake.

Jenifer shares the importance of fully living to our greatest ambitions and taking time to admire the universe’s natural gifts along the way; to be present in the moment, and reject being a victim of circumstance. She offers advice on self-love and how to protect ourselves from those determined to steal our joy. In this collection, Jenifer urges us to feel it all, live it out loud, and keep it moving. Basically, do your best and leave the rest. 

From pasties to postpartum and everything in between.

No one said motherhood would be easy. For Adiba Nelson, the journey to parenthood started with a big bang and continues with a breakdown (or two) and several “why?” questions for God.  

Witty and bold, Afro-Latina Adiba grew up in survival mode. Her sometimes complicated relationship with her strong-willed, vibrant, religious mother marked her views of mothering and love. When a chance encounter with a tall-ish, brown-skinned brotha at Ruby Tuesday’s right before closing time collided with a Jill Scott song and the right time of the month, Adiba found herself unexpectedly pregnant. She also found herself unexpectedly falling into the same relationship patterns of the matriarchs before her—the ones she swore she’d never end up in. 

Mom to a new baby with high medical needs and with a slew of hardships that just won’t quit, she set out on a reckoning that was just as generational as it was personal. Along the way, Adiba never loses her heart or her humor. This is a true love story, but the kind about a woman loving herself enough to change the course of her life for herself, her child, and the women after her as well as before.

Ain’t That A Mother is not your average motherhood memoir—and Adiba is not your average mother. The in-between moments and the self-revelations are where this bold and brilliant story of love, family secrets, and lots of “what the…?” really shines. Just like parenting, the story is messy, but the reward is incredibly satisfying. 

“A stunning picture of a black woman’s coming of age in America. Put it on the shelf beside The Autobiography of Malcolm X.” —Kirkus Reviews

Elaine Brown assumed her role as the first and only female leader of the Black Panther Party with these words: “I have all the guns and all the money. I can withstand challenge from without and from within. Am I right, Comrade?” It was August 1974. From a small Oakland-based cell, the Panthers had grown to become a revolutionary national organization, mobilizing black communities and white supporters across the country—but relentlessly targeted by the police and the FBI, and increasingly riven by violence and strife within. How Brown came to a position of power over this paramilitary, male-dominated organization, and what she did with that power, is a riveting, unsparing account of self-discovery.

Brown’s story begins with growing up in an impoverished neighborhood in Philadelphia and attending a predominantly white school, where she first sensed what it meant to be black, female, and poor in America. She describes her political awakening during the bohemian years of her adolescence, and her time as a foot soldier for the Panthers, who seemed to hold the promise of redemption. And she tells of her ascent into the upper echelons of Panther leadership: her tumultuous relationship with the charismatic Huey Newton, who would become her lover and her nemesis; her experience with the male power rituals that would sow the seeds of the party's demise; and the scars that she both suffered and inflicted in that era’s paradigm-shifting clashes of sex and power. Stunning, lyrical, and acute, this is the indelible testimony of a black woman’s battle to define herself.

“A glowing achievement.” —Los Angeles Times
 
“Honest, funny, subjective, unsparing, and passionate. . . A Taste of Power weaves autobiography and political history into a story that fascinates and illuminates.” —The Washington Post

An unforgettable memoir by an award-winning poet about being kidnapped from his Black father and raised by his white supremacist grandparents.

When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage—all the while believing they were doing what was best for him.

For their own safety and to ensure the kidnapping remained a success, Shane’s grandparents had to make sure that he never knew the full story, so he was raised to participate in his own disappearance. But despite elaborate fabrications and unreliable memories, Shane begins to reconstruct his own story and to forge his own identity. Gradually, the truth unveils itself, and with the truth, comes a path to reuniting with his father and finding his own place in the world.

A revelatory account of a singularly American childhood that hauntingly echoes the larger story of race in our country, Pulling the Chariot of the Sun is written with the virtuosity and heart of one of the finest poets writing today. And it is also a powerful reflection on what is broken in America—but also what might heal and make it whole again.

In this classic work—a blend of memoir social criticism, and political analysis that remains relevant today—the first Black Congresswoman to serve in American history, New York’s dynamic representative Shirley Chisholm, traces her extensive political struggle and examines the problems that have long plagued the American system of government.

“A tremendously impressive book.”—Washington Post

“Her motto and title of her autobiography—Unbossed and Unbought—illustrates her outspoken advocacy for women and minorities during her seven terms in the U.S. House of Representatives.”—National Women’s History Museum

“I want to be remembered as a woman . . . who dared to be a catalyst of change.”

Political pioneer Shirley Chisholm—activist, member of the House of Representatives and former presidential candidate—was a woman who consistently broke barriers and inspired generations of American women, and especially women of color. Unbossed and Unbought is her story, told in her own words—a thoughtful and informed look at her rise from the streets of Brooklyn to the halls of Congress. Chisholm speaks out on her life in politics while illuminating the events, personalities, and issues of her time, including the schism in the Democratic party in the 1960s and ’70s—all which speak to us today.

In this frank assessment, “Fighting Shirley” recalls how she took on an entrenched system, gave a public voice to millions, and embarked on a trailblazing bid to be the first woman and first African American President of the United States. By daring to be herself, Shirley Chisholm shows how one person forever changed the status quo.

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Longlisted • National Book Award (Nonfiction)

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery—in all its political, intellectual, and cultural forms—continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.

Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, “at every scale of abstraction, violence saturates Black life.”

And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson’s seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters—whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.

Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.

Grammy-nominated hip hop icon and New York Times bestselling author Rick Ross' captivating and inspiring guide to building an untouchable empire from mud to marble, no matter what obstacles stand in the way

*NEW YORK TIMES BESTSELLER*

A captivating and inspiring guide to building an untouchable empire from mud to marble, no matter what obstacles stand in the way

Rick Ross is a hip-hop icon and a towering figure in the business world, but his path to success was not always easy. Despite adversity and setbacks, Ross held tight to his vision and never settled for anything less than greatness. Now, for the first time, he shares his secrets to success, offering his own life as a road map to readers looking to build their own empire. Along the way he reveals: 
 

• How to turn your ambition into action 
• Tips for managing and investing your money 
• Inside stories from his business and music ventures 
• Why failure is central to success 
• Secrets to handling stressful situations 
• How to build the perfect team