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Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie’s beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure.

In Remembered Rapture: The Writer at Work, award-winning author and renowned academic “bell hooks reveals the heart of her writing life and the process through which she has come to be known as a ‘visionary feminist’” (Essence).

Born and raised in the rural South, bell hooks learned early the power of the written word and the importance of speaking her mind. Her passion for words is the heartbeat of this collection of essays.

Remembered Rapture celebrates literacy, the joys of reading and writing, and the lasting power of the book. With grace and insight, these essays reveal bell hooks’s wide-ranging intellectual scope, untangling the complex personae of women writers, especially those whose work goes against the grain.

“For anyone who writes, or seeks to understand the writing process, or wants to know more about the erudite and passionate mind of bell hooks, this is the book to read.”―The Philadelphia Inquirer

From New York Times bestselling and award-winning author and American Ballet Theatre principal dancer Misty Copeland comes an illustrated nonfiction collection celebrating dancers of color who have influenced her on and off the stage.

As a young girl living in a motel with her mother and her five siblings, Misty Copeland didn’t have a lot of exposure to ballet or prominent dancers. She was sixteen when she saw a black ballerina on a magazine cover for the first time. The experience emboldened Misty and told her that she wasn’t alone—and her dream wasn’t impossible.

In the years since, Misty has only learned more about the trailblazing women who made her own success possible by pushing back against repression and racism with their talent and tenacity. Misty brings these women’s stories to a new generation of readers and gives them the recognition they deserve.

With an introduction from Misty about the legacy these women have had on dance and on her career itself, this book delves into the lives and careers of women of color who fundamentally changed the landscape of American ballet from the early 20th century to today.

NEW YORK TIMES BESTSELLER • From the chef behind Momofuku and star of Netflix’s Ugly Delicious—an intimate account of the making of a chef, the story of the modern restaurant world that he helped shape, and how he discovered that success can be much harder to understand than failure.

ONE OF THE BEST BOOKS OF THE YEAR: NPR, Fortune, Parade, The New York Public Library, Garden & Gun

In 2004, Momofuku Noodle Bar opened in a tiny, stark space in Manhattan’s East Village. Its young chef-owner, David Chang, worked the line, serving ramen and pork buns to a mix of fellow restaurant cooks and confused diners whose idea of ramen was instant noodles in Styrofoam cups. It would have been impossible to know it at the time—and certainly Chang would have bet against himself—but he, who had failed at almost every endeavor in his life, was about to become one of the most influential chefs of his generation, driven by the question, “What if the underground could become the mainstream?”
 
Chang grew up the youngest son of a deeply religious Korean American family in Virginia. Graduating college aimless and depressed, he fled the States for Japan, hoping to find some sense of belonging. While teaching English in a backwater town, he experienced the highs of his first full-blown manic episode, and began to think that the cooking and sharing of food could give him both purpose and agency in his life.

Full of grace, candor, grit, and humor, Eat a Peach chronicles Chang’s switchback path. He lays bare his mistakes and wonders about his extraordinary luck as he recounts the improbable series of events that led him to the top of his profession. He wrestles with his lifelong feelings of otherness and inadequacy, explores the mental illness that almost killed him, and finds hope in the shared value of deliciousness. Along the way, Chang gives us a penetrating look at restaurant life, in which he balances his deep love for the kitchen with unflinching honesty about the industry’s history of brutishness and its uncertain future.

“Nuila’s storytelling gifts place him alongside colleagues like Atul Gawande.” —Los Angeles Times

This “compelling mixture of health care policy and gripping stories from the frontlines of medicine” (The Guardian) explores the question: where does an uninsured person go when turned away by hospitals, clinics, and doctors?

Here, we follow the lives of five uninsured Houstonians as their struggle for survival leads them to a hospital that prioritizes people over profit. First, we meet Stephen, the restaurant franchise manager who signed up for his company’s lowest priced plan, only to find himself facing insurmountable costs after a cancer diagnosis. Then Christian—a young college student and retail worker who can’t seem to get an accurate diagnosis, let alone treatment, for his debilitating knee pain. Geronimo, thirty-six years old, has liver failure, but his meager disability check disqualifies him for Medicaid—and puts a life-saving transplant just out of reach. Roxana, who’s lived in the community without a visa for more than two decades, suffers from complications related to her cancer treatment. And finally, there’s Ebonie, a young mother whose high-risk pregnancy endangers her life. Whether due to immigration status, income, or the vagaries of state Medicaid law, all five are denied access to care. For all five, this exclusion could prove life-threatening.

Each patient eventually lands at Ben Taub, the county hospital where Dr. Nuila has worked for over a decade. Nuila delves with empathy into the experiences of his patients, braiding their dramas into a singular narrative that contradicts the established idea that the only way to receive good health care is with good insurance. As readers follow the moving twists and turns in each patient’s story, it’s impossible to deny that our system is broken—and that Ben Taub’s innovative model, where patient care is more important than insurance payments, could help light the path forward.

From the fashion mogul and entrepreneur behind Babes, an empowering memoir about turning what makes you different into the foundation of your success

Ciera Rogers is known for being an “Outsider”—and she likes it that way. As the founder and CEO of a multi-million-dollar brand that caters to curvy women of all shades, worn by the likes of Kim Kardashian and championed by Beyoncé, Ciera has rallied the very women the fashion industry is designed to ignore around the radical idea that what makes you different is actually your superpower.

The Outsider Advantage is for Outsiders like her: the dreamers, doers, and go-getters that society continuously overlooks and underestimates, but who are uniquely equipped to achieve glass-shattering success.

In this bold and inspiring memoir, Ciera shares the moments in her life that left the biggest impact—being kidnapped at a young age by her estranged father, running hustles in strip clubs, living in her mom’s red Jeep, daring to post her first outfit for sale on Instagram, hitting seven-figures, and buying a home—and unearths the powerful lessons she has taken away from her past and her unorthodox rise, like how to harness what you already have and how to use your trauma as a motivator. She also speaks to feelings of millennial rage, as on her journey, she came to realize that the American Dream is a lie. But she didn’t allow that to stop her from outmaneuvering the system to finally live the life she wanted.

Arguing that what the world calls limitations—lack of connections, resources, fancy degrees, or even the “right” look—are actually our biggest competitive advantages, Ciera teaches anyone who has ever been overlooked, ignored or underestimated how to embrace their Outsider status to find unstoppable success.

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“People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’”

Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir about a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.

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Jay Ellis, star of HBO’s Insecure, tells the story of growing up with an imaginary best friend you will never forget—part Dwayne Wayne from A Different World, part Will Smith from The Fresh Prince of Bel-Air—in this hilarious, vulnerable memoir.

What to do when you’re the perpetual new kid, only child, and military brat hustling school to school each year and everyone’s looking to you for answers? Make some shit up, of course! And a young Jay Ellis does just that, with help from his imaginary friend, Mikey.

A testament to the importance of invention, trusting oneself, and making space for creativity, Did Everyone Have an Imaginary Friend (or Just Me)? is a memoir of a kid who confided in his imaginary sidekick to navigate parallel pop culture universes (like watching Fresh Prince alongside John Hughes movies or listening to Ja Rule and Dave Matthews) to a lifetime of birthday disappointment (being a Christmas-season Capricorn will do that to you) and hoop dreams gone bad. Mikey also guides Ellis through tragedies, like losing his teenage cousin in a mistaken-target drive-by and the shame and fear of being pulled over by cops almost a dozen times the year he got his driver’s license.

As his imaginary friend morphs into adult consciousness, Ellis charts an unforgettable story of looking inward to solve to some of life’s biggest (and smallest) challenges, told in the roast-you-with-love voice of your closest homey.

On February 17, 2022, Brittney Griner arrived in Moscow ready to spend the WNBA offseason playing for the Russian women’s basketball team where she had been the centerpiece of previous championship seasons. Instead, a security checkpoint became her gateway to hell when she was arrested for mistakenly carrying under one gram of medically prescribed hash oil. Brittney’s world was violently upended in a crisis she has never spoken in detail about publicly—until now.

In Coming Home, Brittney finally shares the harrowing details of her sudden arrest days before Russia invaded Ukraine; her bewilderment and isolation while navigating a foreign legal system amid her trial and sentencing; her emotional and physical anguish as the first American woman ever to endure a Russian penal colony while the #WeAreBG movement rallied for her release; the chilling prisoner swap with Russian arms dealer Viktor Bout; and her remarkable rise from hostage to global spokesperson on behalf of America’s forgotten. In haunting and vivid detail, Brittney takes readers inside the horrors of a geopolitical nightmare spanning ten months.  

And yet Coming Home is more than Brittney’s journey from captivity to freedom. In an account as gripping as it is poignant, she shares how her deep love for Cherelle, her college sweetheart and wife of six years, anchored her during their greatest storm; how her family’s support pulled her back from the brink; and how hundreds of letters from friends and neighbors lent her resolve to keep fighting. Coming Home is both a story of survival and a testament to love—the bonds that brought Brittney home to her family, and at last, to herself.

From one of our generation’s most powerful artists and incisive storytellers comes a brilliantly crafted work about the art –and war – of becoming who we are.

upcycle verb
up·cy·cle ˈəp-ˌsī-kəl
: to recycle (something) in such a way that the resulting product is of a higher value than the original item 
: to create an object of greater value from (a discarded object of lesser value)

Today Tariq Trotter—better known as Black Thought—is the platinum-selling, Grammy-winning co-founder of The Roots, and one of the most exhilaratingly skillful and profound rappers the culture has ever produced. But his story begins with a tragedy: as a child, Trotter burned down his family’s home. The years that followed are the story of a life snatched from the flames, forged in fire.

In The Upcycled Self, Trotter doesn’t just narrate a riveting and moving portrait of the artist as a young man, but gives readers a courageous model of what it means to live an examined life. In vivid vignettes, he tells the dramatic stories of the four powerful relationships that shaped him—community, friends, art, and family—each a complex weave of love, discovery, trauma, and loss.

But beyond offering the compellingly poetic account of one artist’s creative and emotional origins, Trotter explores the vital questions we all have to confront about our formative years: How can we see the story of our young lives clearly? How do we use that story to understand who we’ve become? How do we forgive the people who loved and hurt us? How do we rediscover and honor our first dreams? And finally, what do we take forward, what do we pass on, what do we leave behind? This is the beautifully bluesy story of a boy genius’s coming of age that illuminates the redemptive power of the upcycle.

An epic meditation on loving oneself in the face of heartbreak, from the acclaimed author of Build Yourself a Boat, longlisted for the National Book Award

When Camonghne Felix goes through a monumental breakup, culminating in a hospital stay, everything—from her early childhood trauma and mental health to her relationship with mathematics—shows up in the tapestry of her healing. In this exquisite and raw reflection, Camonghne repossesses herself through the exploration of history she’d left behind, using her childhood “dyscalculia”—a disorder that makes it difficult to learn math—as a metaphor for the consequences of her miscalculations in love. Through reckoning with this breakup and other adult gambles in intimacy, Felix asks the question: Who gets to assert their right to pain?

Dyscalculia negotiates the misalignments of perception and reality, love and harm, and the politics of heartbreak, both romantic and familial.

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Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school--in her sixties--to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit of art and the inevitable, sometimes painful demands of a life fully lived.

How are women and artists seen and judged by their age, looks, and race? What does it mean when someone says, “You will never be an artist”? Who defines what an artist is and all that goes with such an identity, and how are these ideas tied to our shared conceptions of beauty, value, and difference?

Bringing to bear incisive insights from two careers, Painter weaves a frank, funny, and often surprising tale of her move from academia to art in this "glorious achievement--bighearted and critical, insightful and entertaining. This book is a cup of courage for everyone who wants to change their lives" (Tayari Jones, author of An American Marriage).

Vice President Kamala Harris’s commitment to speaking truth is informed by her upbringing. The daughter of immigrants, she was raised in an Oakland, California community that cared deeply about social justice; her parents—an esteemed economist from Jamaica and an admired cancer researcher from India—met as activists in the civil rights movement.

Growing up, Harris herself never hid her passion for justice, and when she became a deputy district attorney out of law school, she quickly established herself as one of the most innovative change agents in American law enforcement. She progressed rapidly to become the elected District Attorney for San Francisco, and then the chief law enforcement officer of California as a whole. Known for bringing a voice to the voiceless and championing the middle class, she took on the big banks during the foreclosure crisis and won a historic settlement for California’s working families. Her hallmarks were applying a holistic, data-driven approach to many of California’s thorniest issues; neither “tough” nor “soft” but smart on crime became her mantra.

Being smart means learning the truths that can make us better as a community, and supporting those truths with all our might. That has been the pole star that is guiding Harris now as a transformational United States Senator, grappling with an array of complex issues that affect her state, our country, and the world, from health care to immigration, national security, the opioid crisis, and accelerating inequality.

Reflecting on the presidency, he offers a unique and thoughtful exploration of both the awesome reach and the limits of presidential power, as well as singular insights into the dynamics of U.S. partisan politics and international diplomacy. Obama brings readers inside the Oval Office and the White House Situation Room, and to Moscow, Cairo, Beijing, and points beyond.

We are privy to his thoughts as he assembles his cabinet, wrestles with a global financial crisis, takes the measure of Vladimir Putin, overcomes seemingly insurmountable odds to secure passage of the Affordable Care Act, clashes with generals about U.S. strategy in Afghanistan, tackles Wall Street reform, responds to the devastating Deepwater Horizon blowout, and authorizes Operation Neptune’s Spear, which leads to the death of Osama bin Laden.

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From a highly lauded modern voice in feminism and racial justice comes a deeply personal and insightful approach to the power of reimagining to dismantle the frameworks and systems that no longer serve us while building liberating new ones.

There are breaking points in all our lives when we realize that the way things have been done before no longer serve us, be it the way we approach our relationships, our belief systems, our work, our education, even our rest. For activist, philanthropist, and CEO Rachel Cargle, reimagining—the act of creating in our minds that which does not exist but that we believe can and should—has been a lifelong process. Reimagining served as the most powerful catalyst for Cargle’s personal transformation from a small-town Christian wife to an incisive queer feminist voice of a generation.

In A Renaissance of Our Own, we witness the sometimes painful but always inspiring breaking points in Cargle’s life that fostered a truer identity. These defining moments offer a blueprint for how we must all use our imagination—the space that sees beyond limits—to live in alignment with our highest values and to craft a world independent of oppressive structures. Cargle now invites you to acknowledge the ways of being that stem from societal expectations instead of your truth, and to embark on a renaissance of your own. She provides the very tools and prompts that she used to unearth her truth, tools that opened her up to being a more authentic feminist, and purpose-driven matriarchal leader.

A Renaissance of Our Own gives us the courage to look at the world and say, “I want something different.” It serves as a reminder of the power and possibility of reimagining a life that feels right, all the way down to the marrow of your bones.

In this exciting collection infused with her sharp humor and buoyant spirit.

Jenifer Lewis, the author of the hugely successful The Mother of Black Hollywood and costar of ABC’s hit sitcom Black-ish, shares the way she found the strength and courage to walk in her joy despite personal and universal hardships. 

In this entertaining essay collection, the inimitable Jenifer Lewis looks back on some of her memorable adventures and experiences, using them as a mirror to reflect modern life and what is happening today. Her stories will have you laughing out loud, while her insightful messages will touch your soul.

This self-described “traveling fool and nature freak” takes us on her incredible journeys around the world, from Cape Town to Dubrovnik, the White House to the Serengeti, Mongolia to St. Petersburg, Argentina to Antarctica. Surprising and entertaining, her wildly diverse experiences reveal, that no matter where she is or what she faces, Jenifer walks in her joy, confident in herself and her purpose—whether it’s an unforgettable confrontation with a Trump supporter on a slow boat to Singapore; an alien visitation; enduring Covid-19 and a friend’s suicide attempt; taking down a conman; meeting a handsome Masai warrior and being chased by a cape buffalo. Jenifer also offers deep personal reflections on the repercussions of sexual violation; the murder of George Floyd and the racial reckoning in its wake.

Jenifer shares the importance of fully living to our greatest ambitions and taking time to admire the universe’s natural gifts along the way; to be present in the moment, and reject being a victim of circumstance. She offers advice on self-love and how to protect ourselves from those determined to steal our joy. In this collection, Jenifer urges us to feel it all, live it out loud, and keep it moving. Basically, do your best and leave the rest. 

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“A stunning picture of a black woman’s coming of age in America. Put it on the shelf beside The Autobiography of Malcolm X.” —Kirkus Reviews

Elaine Brown assumed her role as the first and only female leader of the Black Panther Party with these words: “I have all the guns and all the money. I can withstand challenge from without and from within. Am I right, Comrade?” It was August 1974. From a small Oakland-based cell, the Panthers had grown to become a revolutionary national organization, mobilizing black communities and white supporters across the country—but relentlessly targeted by the police and the FBI, and increasingly riven by violence and strife within. How Brown came to a position of power over this paramilitary, male-dominated organization, and what she did with that power, is a riveting, unsparing account of self-discovery.

Brown’s story begins with growing up in an impoverished neighborhood in Philadelphia and attending a predominantly white school, where she first sensed what it meant to be black, female, and poor in America. She describes her political awakening during the bohemian years of her adolescence, and her time as a foot soldier for the Panthers, who seemed to hold the promise of redemption. And she tells of her ascent into the upper echelons of Panther leadership: her tumultuous relationship with the charismatic Huey Newton, who would become her lover and her nemesis; her experience with the male power rituals that would sow the seeds of the party's demise; and the scars that she both suffered and inflicted in that era’s paradigm-shifting clashes of sex and power. Stunning, lyrical, and acute, this is the indelible testimony of a black woman’s battle to define herself.

“A glowing achievement.” —Los Angeles Times
 
“Honest, funny, subjective, unsparing, and passionate. . . A Taste of Power weaves autobiography and political history into a story that fascinates and illuminates.” —The Washington Post

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“Carmen Maria Machado’s rise in the literary world has been nothing short of meteoric.” —The Week

Now available in paperback, Carmen Maria Machado’s In the Dream House is a searing account of a harrowing relationship with a charismatic but volatile woman. Each chapter in this wildly inventive memoir is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds her story up to the light, examining it from different angles. She considers her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.

Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

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In 2016, Stewart was a rising leader at the predominantly white evangelical church he and his family were attending in Augusta, Georgia. Like many young church leaders, Stewart was thrilled at the prospect of growing his voice and influence within the community, and excited to break barriers as the church’s first Black preacher. But when Trump began his campaign, so began the unearthing. Stewart began overhearing talk in the pews—comments ranging from microaggressions to outright disparaging rhetoric towards Black Americans. As this violence began to reveal itself en masse, Stewart quickly found himself and his family alone amid a people unraveled—their community of faith became the same place where they soon found themselves most alone. This set Stewart on a journey—first out of the white church, and into a liberating pursuit of faith, by looking to the wisdom of the saints before us, like James Cone, James Baldwin, and Toni Morrison, and by heeding the paradoxical humility of Jesus himself.

This sharply observed journey is an intimate meditation on coming of age in the time of terror. Stewart reveals the profound faith found even after experiencing the violence of the American church: a faith that loves Blackness, speaks truth to pain and trauma, and pursues a truer, realer kind of love than the kind we’re taught—a love that sets us free.

“Legacy is an illuminating and stirring journey of a book.” —Ibram X. Kendi, #1 New York Times-bestselling author of How to Be an Antiracist

The rousing, captivating story of a Black physician, her career in medicine, and the deep inequities that still exist in the U.S. healthcare system

Growing up in Brooklyn, New York, it never occurred to Uché Blackstock and her twin sister, Oni, that they would be anything but physicians. In the 1980s, their mother headed an organization of Black women physicians, and for years the girls watched these fiercely intelligent women in white coats tend to their patients and neighbors, host community health fairs, cure ills, and save lives.

What Dr. Uché Blackstock did not understand as a child—or learn about at Harvard Medical School, where she and her sister had followed in their mother’s footsteps, making them the first Black mother-daughter legacies from the school—were the profound and long-standing systemic inequities that mean just 2 percent of all U.S. physicians today are Black women; the racist practices and policies that ensure Black Americans have far worse health outcomes than any other group in the country; and the flawed system that endangers the well-being of communities like theirs. As an ER physician, and later as a professor in academic medicine, Dr. Blackstock became profoundly aware of the systemic barriers that Black patients and physicians continue to face.

Legacy is a journey through the critical intersection of racism and healthcare. At once a searing indictment of our healthcare system, a generational family memoir, and a call to action, Legacy is Dr. Blackstock’s odyssey from child to medical student to practicing physician—to finally seizing her own power as a health equity advocate against the backdrop of the pandemic and the Black Lives Matter movement.

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At once incendiary and icy, mischievous and provocative, celebratory and elegiac—here is a deeply felt meditation on race, sex, and American culture through the prism of the author’s rarefied upbringing and education among a black elite concerned with distancing itself from whites and the black generality while tirelessly measuring itself against both.

Born in upper-crust black Chicago—her father was for years head of pediatrics at Provident, at the time the nation’s oldest black hospital; her mother was a socialite—Margo Jefferson has spent most of her life among (call them what you will) the colored aristocracy, the colored elite, the blue-vein society. Since the nineteenth century they have stood apart, these inhabitants of Negroland, “a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty.”

Reckoning with the strictures and demands of Negroland at crucial historical moments—the civil rights movement, the dawn of feminism, the fallacy of postracial America—Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions. Aware as it is of heart-wrenching despair and depression, this book is a triumphant paean to the grace of perseverance.

A Handful of Earth, A Handful of Sky: The World of Octavia E. Butler offers a blueprint for a creative life from the perspective of award-winning science-fiction writer and “MacArthur Genius” Octavia E. Butler. It is a collection of ideas about how to look, listen, breathe—how to be in the world.

This book is about the creative process, but not on the page; its canvas is much larger. Author Lynell George not only engages the world that shaped Octavia E. Butler, she also explores the very specific processes through which Butler shaped herself—her unique process of self-making. It’s about creating a life with what little you have—hand-me-down books, repurposed diaries, journals, stealing time to write in the middle of the night, making a small check stretch—bit by bit by bit.

Highly visual and packed with photographs of Butler’s ephemera, A Handful of Earth, A Handful of Sky draws the reader into Butler’s world, creating a sense of unmatched intimacy with the deeply private writer.

Baldwin’s life and legacy as remembered by a pantheon of artists and writers: from Jamaica Kincaid and Barry Jenkins to Richard Avedon and Alice Neel

When author James Baldwin died in 1987, he left behind an extraordinary body of work: novels, poems, film scripts and, perhaps most indelibly, essays. A friend and supporter of Martin Luther King Jr., Malcolm X and Medgar Evers, Baldwin was a critical voice in the civil rights movement. After reaching acclaim in his early career as a writer, he struggled to retain the author’s “I,” while taking on the “we” of the people.
Edited by Pulitzer Prize–winning author Hilton Als and growing out of his landmark exhibition at David Zwirner in 2019, God Made My Face brings together an impressive assembly of contributors, ranging from Baldwin biographer David Leeming to novelist Jamaica Kincaid and Moonlight director Barry Jenkins, to create a memorial mosaic: one that not only mirrors Baldwin’s various tones but also closely examines his singular contributions to cinema, theater, the essay and Black American critical studies. These essays are illustrated by artwork from modern and contemporary artists who were either personal contemporaries of Baldwin or directly inspired by his work. In each piece assembled here, the authors speak from a personal, informed perspective, illuminating Baldwin’s deeply anguished and enlightened voice and his belief that, ultimately—because we are human—we share the potential to love, connect and live together in all our glory.
Artists include: Diane Arbus, Eugène Atget, Richard Avedon, Don Bachardy, Alvin Baltrop, Anthony Barboza, Njideka Akunyili Crosby, Beauford Delaney, Marlene Dumas, Glenn Ligon, George McCalman, Alice Neel, Elle Pérez, Cameron Rowland, Kara Walker, James Welling, Larry Wolhandler.
Authors include:Stephen Best, Daphne A. Brooks, Teju Cole, Marianne Jean-Baptiste, Barry Jenkins, Jamaica Kincaid, David Leeming, Darryl Pinckney.

A moving, unflinching memoir of hard-won success, struggles with addiction, and a lifelong mission to give back—from the late, iconic actor beloved for his roles in The Wire, Boardwalk Empire, and Lovecraft Country

When Michael K. Williams died on September 6, 2021, he left behind a career as one of the most electrifying actors of his generation. From his star turn as Omar Little in The Wire to Chalky White in Boardwalk Empire to Emmy-nominated roles in HBO’s The Night Of and Lovecraft County, Williams created a slew of indelible characters that he portrayed with a rawness and vulnerability that leapt off the screen. Beyond the nominations and acclaim, Williams played characters who connected, whose humanity couldn’t be denied, whose stories were too often left out of the main narrative.
 
At the time of his death, Williams had nearly finished a memoir that told the story of his past while looking to the future, a book that merged his life and his life’s work. Mike, as his friends knew him, was so much more than an actor. In Scenes from My Life, he traces his life in whole, from his childhood in East Flatbush, his battles with addiction, and his early years as a dancer to the bar fight that left his face with his distinguishing scar. He was a committed Brooklyn resident and activist who dedicated his life to working with community and social justice organizations, especially at-risk youth, to find their voice and carve out their future. Williams worked to keep the spotlight on those he fought for and with, whom he believed in and committed to with his whole heart.
 
With poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did—in his own voice, in his own words, as only he could.