A sharply funny and incredibly moving YA debut about a queer Mexican American girl navigating Catholic school and familial expectations while falling in love and learning to celebrate her full, true self.  

Sixteen-year-old Yamilet Flores prefers to be known for her killer eyeliner, not for being one of the only Mexican kids at her new, mostly white, very rich Catholic school. But at least here no one knows she’s gay, and Yami intends to keep it that way. 

After being outed by her crush and ex-best friend before transferring to Slayton Catholic, Yami has new priorities: Keep her brother out of trouble, make her mom proud, and most importantly, don’t fall in love. Granted, she’s never been great at any of those things, but that’s a problem for Future Yami. 

The thing is, it’s hard to fake being straight when Bo, the only openly queer girl at school, is so annoyingly perfect. And smart. And talented. And cute. So cute. Either way, Yami isn’t going to make the same mistake again. If word got back to her mom, she could face a lot worse than rejection. So she’ll have to start asking, WWSGD: What would a straight girl do? 

Told in a captivating voice that is by turns hilarious, vulnerable, and searingly honest, The Lesbiana’s Guide to Catholic School explores the joys and heartaches of living your full truth out loud.

A powerful and expertly told novel in verse by an award-winning poet, about a 12-year-old Dominican American swimmer who is diagnosed with Juvenile Arthritis.

Aniana del Mar belongs in the water like a dolphin belongs to the sea. But she and Papi keep her swim practices and meets hidden from Mami, who has never recovered from losing someone she loves to the water years ago. That is, until the day Ani’s stiffness and swollen joints mean she can no longer get out of bed, and Ani is forced to reveal just how important swimming is to her. Mami forbids her from returning to the water but Ani and her doctor believe that swimming along with medication will help Ani manage her disease. What follows is the journey of a girl who must grieve who she once was in order to rise like the tide and become the young woman she is meant to be. Aniana Del Mar Jumps In is a poignant story about chronic illness and disability, the secrets between mothers and daughters, the harm we do to the ones we love the most—and all the triumphs, big and small, that keep us afloat.

Un lírico libro debut para niños por la poeta inaugural presidencial Amanda Gorman y el ilustrador #1 superventas del New York Times Loren Long.

"Escucho el zumbido del cambio.
Es una ruidosa y orgullosa canción.
No temo la llegada del cambio
y por eso canto con gran pasión."
 

En este emocionante y anticipado libro para niños por la poeta inaugural presidencial y activista, Amanda Gorman, todo es posible cuando nuestras voces se unen. Cuando una  niña guía a un elenco de personajes por un viaje musical, ellos aprenden que tienen el poder de hacer cambios - grandes o pequeños - en el mundo, en sus comunidades y sobre todo dentro de ellos mismos.
 
Ilustrado por el renombrado Loren Long, El cambio canta usa texto lírico e ilustraciones rítmicas que llegan a un crescendo deslumbrante, y es la llamada triunfal a la acción a todos para que usen sus habilidades para hacer una diferencia.  

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On a dreary, stuck-inside kind of day, a brother and sister heed their grandmother’s advice: “Use those beautiful and brilliant minds of yours. Lift your arms, close your eyes, take a deep breath, and believe in a thing. Somebody somewhere at some point was just as bored you are now.” And before they know it, their imaginations lift them up and out of their boredom. Then, on a day full of quarrels, it’s time for a trip outside their minds again, and they are able to leave their anger behind.

This precious skill, their grandmother tells them, harkens back to the days long before they were born, when their ancestors showed the world the strength and resilience of their beautiful and brilliant minds. Jacqueline Woodson’s lyrical text and Rafael Lopez’s dazzling art celebrate the extraordinary ability to lift ourselves up and imagine a better world.

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume.

Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.

An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize–winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.

More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them. 

In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

In Wild Tongues Can’t Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community.

Frustrated by a day full of teachers and classmates mispronouncing her beautiful name, a little girl tells her mother she never wants to come back to school. In response, the girl's mother teaches her about the musicality of African, Asian, Black-American, Latinx, and Middle Eastern names on their lyrical walk home through the city. Empowered by this newfound understanding, the young girl is ready to return the next day to share her knowledge with her class. Your Name is a Song is a celebration to remind all of us about the beauty, history, and magic behind names.

Jasminne Mendez didn't speak English when she started kindergarten, and her young, white teacher thought the girl was deaf because in Louisiana, you were either black or white. She had no idea that a black girl could be a Spanish speaker.

In this memoir for teens about growing up Afro Latina in the Deep South, Jasminne writes about feeling torn between her Dominican, Spanish-speaking culture at home and the American, English-speaking one around her. She desperately wanted to fit in, to be seen as American, and she realized early on that language mattered. Learning to read and write English well was the road to acceptance.

Mendez shares typical childhood experiences such as having an imaginary friend, boys and puberty, but she also exposes the anti-black racism within her own family and the conflict created by her family's conservative traditions. She was not allowed to do things other girls could, like date boys, shave her legs or wear heels. "I wanted us to find some common ground," she writes about her parents, "but it seemed like we were from two different worlds, and our islands kept drifting farther and farther apart."

Despite her father's old-style approach to raising girls, he valued education and insisted his daughters do well in school and maintain their native language. He took his children to hear Maya Angelou speak, and hearing the poet read was a defining moment for the black Dominican girl who struggled to fit in. "I decided that if Maya Angelou could be the author of her own story and rewrite her destiny to become a phenomenal woman, then somehow, so could I." Teens-and adults too-will appreciate reading about Mendez's experiences coming of age in the United States as both black and Latina.

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A powerful novel in verse by award-winning and bestselling author Elizabeth Acevedo, about two sisters grieving the devastating loss of their father who learn about each other after his death and must grapple with what this bittersweet new bond means for them.

Camino Rios lives for the summers, when her father visits her in the Dominican Republic. But this year, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people…

In New York City, Yahaira Rios is called to the principal’s office, where her mother is waiting to tell her that her father, her hero, has died in a plane crash.

Separated by distance—and Papi’s secrets—the two girls are forced to face a new reality in which their father is dead and their lives are forever altered.

And then, when it seems like they’ve lost everything of their father, they learn of each other.

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With her daughter to care for and her abuela to help support, high school senior Emoni Santiago has to make the tough decisions and do what must be done. The one place she can let her responsibilities go is in the kitchen, where she adds a little something magical to everything she cooks, turning her food into straight-up goodness.

Still, she doesn’t have enough time for her school’s new culinary arts class, doesn’t have the money for their trip to Spain—and certainly can’t follow her dreams of working in a real kitchen someday.

But even with all the rules she has for her life—and all the rules everyone expects her to play by—once Emoni starts cooking, her only choice is to let her talent break free.

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The octopus Grandma is cooking has grown to titanic proportions. “¡Tenga cuidado!” Ramsey shouts. “Be careful!” But it’s too late. The octopus traps Grandma!

Ramsey uses both art and intellect to free his beloved abuela.

Then the story takes a surprising twist. And it can be read two ways. Open the fold-out pages to find Ramsey telling a story to his family. Keep the pages folded, and Ramsey’s octopus adventure is real.

This beautifully illustrated picture book, drawn from the author’s childhood memories, celebrates creativity, heroism, family, grandmothers, grandsons, Puerto Rican food, Latinx culture and more.

With an author’s note and the Velasquez family recipe for Octopus Stew!

A powerful novel about the construction of the Panama Canal, casting light on the unsung people who lived, loved, and labored there

It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection.

Ada Bunting is a bold sixteen-year-old from Barbados who arrives in Panama as a stowaway alongside thousands of other West Indians seeking work. Alone and with no resources, she is determined to find a job that will earn enough money for her ailing sister’s surgery. When she sees a young man—Omar—who has collapsed after a grueling shift, she is the only one who rushes to his aid.

John Oswald has dedicated his life to scientific research and has journeyed to Panama in single-minded pursuit of one goal: eliminating malaria. But now, his wife, Marian, has fallen ill herself, and when he witnesses Ada’s bravery and compassion, he hires her on the spot as a caregiver. This fateful decision sets in motion a sweeping tale of ambition, loyalty, and sacrifice. 

Searing and empathetic,The Great Divide explores the intersecting lives of activists, fishmongers, laborers, journalists, neighbors, doctors, and soothsayers—those rarely acknowledged by history even as they carved out its course.

The colors of Hispaniola burst into life in this striking, evocative debut picture book that celebrates the joy of being Dominican.

If Dominican were a color, it would be the sunset in the sky, blazing red and burning bright.
If Dominican were a color, it’d be the roar of the ocean in the deep of the night,
With the moon beaming down rays of sheer delight.

The palette of the Dominican Republic is exuberant and unlimited. Maiz comes up amarillo, the blue-black of dreams washes over sandy shores, and people’s skin can be the shade of cinnamon in cocoa or of mahogany. This exuberantly colorful, softly rhyming picture book is a gentle reminder that a nation’s range of hues is as wide as nature’s itself.

Surviving landmines of racism and sexism while moving from the South Bronx projects to the investment Pit, at 19-years old Cin Fabré, ran with the wolves of Wall Street.

Cin Fabré didn’t learn about the stock market growing up, but from her neighborhood and her immigrant parents, she learned how to hustle. She knew that her hustle was the only way she could help her mother; her only ticket out of poverty and away from her abusive father. Shortly after graduating from high school, she applied her energy to selling overpriced eyewear in an optical store making more in commissions than she’d ever seen until one day a woman came in and spent thousands on new glasses without batting an eye. Without hesitation, Cin asked the woman what she did for a living and when she responded “Oh, I’m a stockbroker,” Cin saw this as an omen and vowed that she would become one too. At only nineteen years old, she pushed herself into brokerage firm VTR Capital, which was run by brokers who'd worked at Stratton Oakmont, where Jordan Belfort had reigned. She was shocked to find an army of young, mostly Black and Brown workers like her sitting at phones. She was a witness to a little-known secret in the brokerage system: Latinx and Black employees were forced to do the drudge work of finding investment leads for white male brokers, with no real prospects for promotion.

Most of us are familiar with the excesses of 90s Wall street—the spending, the sex, and the drugs—but the drug coursing through Cin Fabré’s veins was the energy of the trading Pit. “It was palpable the second she walked into the building—the air itself was electrified with frenetic action and the thrill of making money.”

However, during her ascent from cold caller to stockbroker—the only Black woman to do so at the firm—Cin endured constant sexual harassment and racism. Being a broker offered financial gain but no protection as Fabré continued to face propositions from other brokers and clients who believed that their investment money was a down payment on her body.

In Wolf Hustle the author examines her years spent trading frantically—and hustling successfully—Fabré grapples with what is most meaningful in life, ultimately beating Wall Street at its own game.

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Juliet Milagros Palante is a self-proclaimed closeted Puerto Rican baby dyke from the Bronx. Only, she’s not so closeted anymore. Not after coming out to her family the night before flying to Portland, Oregon, to intern with her favorite feminist writer—what’s sure to be a life-changing experience. And when Juliet’s coming out crashes and burns, she’s not sure her mom will ever speak to her again.

A dazzling debut collection spanning a century of Black American and Afro-Latino life in Puerto Rico, Pittsburgh, Louisiana, Miami, and beyond—and an evocative meditation on belonging, the meaning of home, and how we secure freedom on our own terms

Profoundly moving and powerful, the stories in When Trying to Return Home dig deeply into the question of belonging. A young woman is torn between overwhelming love for her mother and the need to break free from her damaging influence during a desperate and disastrous attempt to rescue her brother from foster care. A man, his wife, and his mistress each confront the borders separating love and hate, obligation and longing, on the eve of a flight to San Juan. A college student grapples with the space between chivalry and machismo in a tense encounter involving a nun. And in 1930s Louisiana, a woman attempting to find a place to call her own chances upon an old friend at a bar and must reckon with her troubled past.

Forming a web of desires and consequences that span generations, McCauley’s Black American and Afro–Puerto Rican characters remind us that these voices have always been here, occupying the very center of American life—even if we haven’t always been willing to listen.

This compilation of 110 recipes from a Hell's Kitchen winner and award-winning chef takes a healthier approach to cuisines that are often underrepresented in cookbooks.

Chef Ariel Fox introduces you to both classic recipes as well as innovative new dishes in Spice Kitchen: Healthy Latin and Caribbean Cuisine in a way that works for all lifestyles. This book has something for everyone, including information on how to maximize your pantry, simple recipes, and useful suggestions for adapting the dishes to any diet. 

Ariel made the decision to change her lifestyle, learn about nutrition, and get in the greatest shape of her life while still maintaining a connection to the foods she grew up eating. Now she's here to share her decades of experience and knowledge with you.

This cookbook will be a fantastic addition to your kitchen, whether you are looking for healthier alternatives to the nostalgic flavors of your childhood or are new to Latin and Caribbean foods.

A sweeping yet personal overview of the Latino population of America, drawn from hundreds of interviews and prodigious research that emphasizes the diversity and little-known history of our largest and fastest-growing minority.

LatinoLand is an exceptional, all-encompassing overview of Hispanic America based on personal interviews, deep research, and Marie Arana’s life experience as a Latina. At present, Latinos comprise 20 percent of the US population, a number that is growing. By 2050, census reports project that one in every three Americans will claim Latino heritage.

But Latinos are not a monolith. They do not represent a single group. The largest numbers are Mexicans, Puerto Ricans, Dominicans, Salvadorans, and Cubans. Each has a different cultural and political background. Puerto Ricans, for example, are US citizens, whereas some Mexican Americans never immigrated because the US-Mexico border shifted after the US invasion of 1848, incorporating what is now the entire southwest of the United States. Cubans came in two great waves: those escaping communism in the early years of Castro, many of whom were professionals and wealthy, and those permitted to leave in the Mariel boat lift twenty years later, representing some of the poorest Cubans, including prisoners.

As LatinoLand shows, Latinos were some of the earliest immigrants to what is now the US—some of them arriving in the 1500s. They are racially diverse—a random fusion of White, Black, Indigenous, and Asian. Once overwhelmingly Catholic, they are becoming increasingly Protestant and Evangelical. They range from domestic workers and day laborers to successful artists, corporate CEOs, and US senators. Formerly solidly Democratic, they now vote Republican in growing numbers. They are as varied culturally as any immigrants from Europe or Asia.

Marie Arana draws on her own experience as the daughter of an American mother and Peruvian father who came to the US at age nine, straddling two worlds, as many Latinos do. LatinoLand unabashedly celebrates Latino resilience and character and shows us why we must understand the fastest-growing minority in America.

An updated introduction to the religions developed in the Caribbean region

Creole Religions of the Caribbean offers a comprehensive introduction to the overlapping religions that have developed as a result of the creolization process. Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. From Vodou, Santería, Regla de Palo, the Abakuá Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historical–cultural origins of the major Creole religions, as well as the newer traditions such as Rastafari.

This third edition updates the scholarship by featuring new critical approaches that have been brought to bear on the study of religion, such as queer studies, environmental studies, and diasporic studies. The third edition also expands the regional considerations of the diaspora to the US Latinx communities that are influenced by Creole spiritual practices, taking into account the increased significance of material culture?art, music, literature, and healing practices influenced by Creole religions.

A father, a friend, and a favorite book help a teen boy understand love and loss in this moving and vivid YA novel in verse.

Have you ever encountered a book that KO’d you, Iron Mike Tyson style? One that hit you square in the face and heart like some abracadabra casting a hex from an unknown planet?

For sixteen-year-old poet and b-baller Marcos Cadena, that book is the beat-up copy of One Hundred Years of Solitude he finds among his late father’s possessions after Papi is killed in an accident.

Marcos’ papi has always loomed large in his eyes. So, when Marcos travels to his parents’ childhood home of Cartagena, Colombia to spread Papi’s ashes, he brings his father’s book with him, convinced that Gabriel García Márquez’s masterpiece holds the key to understanding Papi’s life and accepting his death.

In Cartagena, Marcos befriends eighteen-year-old Camilo, a taxi driver and fellow García Márquez fan who appoints himself Marcos’ unofficial tour guide. Together, the two boys explore the landscape of Cartagena, from the picturesque streets of Old Town to the poor neighborhood where Camilo grew up. But when Camilo reveals a troubling secret from his past, Marcos must ask himself whether everyone deserves a second chance.

Woven through with themes of friendship, family, and forgiveness, this poignant novel in verse is also a love letter to Colombia and to the books of Gabriel García Márquez.

Breathtaking in every form, The Opposite of Breathing is Cement is an ode to healing by exposing long-held wounds to the light in hopes that something fruitful is created. Icess Fernandez Rojas' debut collection dribbles between political arches, cultural identity, love, and mental illness where in dark corners of the mind exists a brave flicker from a candle. That light is more than hope, it's the start of something new. "We yell our whispers and /save subtlety for our art" in "Forgetting Cuba;" in "My Mothers," Rojas asks to "Recall baptism in clear waters, salted by Earth and divine prayers / slapped awake by rolling waves." She plays with form in duplexes and letters, which provides a brevity to the otherwise intense pacing of this collection. Yearn for a change that "comes in pixels and presence / in proclamations and the pounding of feet on cement." Through these poems, bruises, lacerations, and grief are laid bare in unapologetic language. However, from these words also comes joy from the most surprising places, happiness among the ruins of despair, and images of something better always promised around the next corner.

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A first-generation Cuban son comes of age in the debut––and most autobiographical––novel by the Pulitzer Prize-winning author of The Mambo Kings Play Songs of Love.

Winner of the Ingram Merrill Foundation Award and the Rome Prize

Hector Santinio is the younger son of Alejo and Mercedes, who moved to New York from Cuba in the mid-1940s. The family of four shares their modest apartment with extended relatives in Harlem, where homesickness and nostalgia are dispelled by nights of dancing and raucous parties. But life’s realities are nevertheless harsh in the Santinio family’s adoptive land.

When Mercedes takes Hector and his brother to visit Cuba, to better know her culture, Hector contracts a serious illness that leads to a terrifying period of hospitalization back in the United States where, isolated from his family, he loses much of his ability to speak Spanish. And it is this fracturing that sparks a lifelong quest to not only reconcile his Cuban identity with his American one, but to also understand his parents’ ambitions and anxieties within the country at large.

In this profoundly moving account of immigrant life, Oscar Hijuelos displays, once again, his mastery over both character and language—and sets readers on an unforgettable journey of hope, longing, and self-discovery.

Includes a Reading Group Guide.

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For fans of Jason Reynolds and Jacqueline Woodson, here is a middle-grade story in verse about a white autistic boy and an Afro-Latinx kid as they become friends for a season in 1980s Brooklyn.

Punk rock–loving JJ Pankowski can't seem to fit in at his new school in Greenpoint, Brooklyn, as one of the only white kids. Pie Velez, a math and history geek by day and graffiti artist by night is eager to follow in his idol Jean-Michel Basquiat's footsteps. The boys stumble into an unlikely friendship, swapping notes on their love of music and art, which sees them through a difficult semester at school and at home. But a run-in with the cops threatens to unravel it all.

Moonwalking is a stunning exploration of class, cross-racial friendships, and two boys' search for belonging in a city as tumultuous and beautiful as their hearts.