The inaugural winner of Simon & Schuster’s Books Like Us contest, Elba Iris Pérez’s lyrical, cross-cultural coming-of-age debut novel explores a young girl’s childhood between 1950s Puerto Rico and a small Massachusetts factory town.

Andrea Rodríguez is nine years old when her mother whisks her and her brother, Pablo, away from Woronoco, the tiny Massachusetts factory town that is the only home they’ve known. With no plan and no money, she leaves them with family in the mountainside villages of Puerto Rico and promises to return.

Months later, when Andrea and Pablo are brought back to Massachusetts, they find their hometown significantly changed. As they navigate the rifts between their family’s values and all-American culture and face the harsh realities of growing up, they must embrace both the triumphs and heartache that mark the journey to adulthood.

A heartfelt, evocative portrait of another side of life in 1950s America, The Things We Didn’t Know establishes Elba Iris Pérez as a sensational new literary voice.

A young lawyer wakes up the morning after a work gala with no memory of how she got home the previous night and must figure out what, exactly, happened—and how much she's willing to put up with to make her way to the top of the corporate ladder.

Jade isn’t even my real name. Jade began as my Starbucks name, because all children of immigrants have a Starbucks name.

Jade has become everything she ever wanted to be.

Successful lawyer.
Dutiful daughter.
Beloved girlfriend.
Loyal friend.

Until Jade wakes up the morning after a work event, naked and alone, with no idea how she got home. Caught between her parents who can’t understand, her boyfriend who feels betrayed, and her job that expects silence, the world Jade has constructed starts to crumble.

Jade thought she was everything she ever wanted to be. But now she feels like nothing at all.

For fans of Queenie and I May Destroy You, Jaded is a blistering—and sometimes darkly funny—account of consent, power, race, sexism, and identity in a broken society.

A dazzling magical realism western in the vein of Cormac McCarthy meets Gabriel García Márquez, The Bullet Swallower follows a Mexican bandido as he sets off for Texas to save his family, only to encounter a mysterious figure who has come, finally, to collect a cosmic debt generations in the making.

In 1895, Antonio Sonoro is the latest in a long line of ruthless men. He’s good with his gun and is drawn to trouble but he’s also out of money and out of options. A drought has ravaged the town of Dorado, Mexico, where he lives with his wife and children, and so when he hears about a train laden with gold and other treasures, he sets off for Houston to rob it—with his younger brother Hugo in tow. But when the heist goes awry and Hugo is killed by the Texas Rangers, Antonio finds himself launched into a quest for revenge that endangers not only his life and his family, but his eternal soul.

In 1964, Jaime Sonoro is Mexico’s most renowned actor and singer. But his comfortable life is disrupted when he discovers a book that purports to tell the entire history of his family beginning with Cain and Abel. In its ancient pages, Jaime learns about the multitude of horrific crimes committed by his ancestors. And when the same mysterious figure from Antonio’s timeline shows up in Mexico City, Jaime realizes that he may be the one who has to pay for his ancestors’ crimes, unless he can discover the true story of his grandfather Antonio, the legendary bandido El Tragabalas, The Bullet Swallower.

A family saga that’s epic in scope and magical in its blood, and based loosely on the author’s own great-grandfather, The Bullet Swallower tackles border politics, intergenerational trauma, and the legacies of racism and colonialism in a lush setting and stunning prose that asks who pays for the sins of our ancestors, and whether it is possible to be better than our forebears.

A poignant and powerful story of the American South in the 1960s and of one woman who risks her life for the people she loves from the Pulitzer Prize-winning author of The Color Purple, now available in a new edition featuring an introduction by Tayari Jones, author of An American Marriage.

“A classic novel of both feminism and the Civil Rights movement.”—Ms. Magazine

Meridian Hill, a dedicated and courageous young activist in the 1960s, works to create peace and understanding through her civil rights work, touching the lives of all those she meets even when her health begins to deteriorate. With the old rules of Southern society collapsing around her, her coworkers quitting and moving to comfortable homes and lives, and others turning to more violent means of achieving change, Meridian fights a lonely battle to reaffirm her own humanity—and that of all her people.

A searingly honest and resonant debut from a Nigerian writer and queer liberation activist, exploring what love and freedom cost in a society steeped in homophobia

The inaugural title from the most buzzed-about new imprint in years, And Then He Sang a Lullaby is a powerful, luminous debut that establishes its young author as a masterful talent.

August is a God-fearing track star who leaves Enugu City to attend university and escape his overbearing sisters. He carries the weight of their lofty expectations, the shame of facing himself, and the haunting memory of a mother he never knew. It’s his first semester and pressures aside, August is making friends and doing well in his classes. He even almost has a girlfriend. There’s only one problem: he can’t stop thinking about Segun, an openly gay student who works at a local cybercafé. Segun carries his own burdens and has been wounded in too many ways. When he meets August, their connection is undeniable, but Segun is reluctant to open himself up to August. He wants to love and be loved by a man who is comfortable in his own skin, who will see and hold and love Segun, exactly as he is.

Despite their differences, August and Segun forge a tender intimacy that defies the violence around them. But there is only so long Segun can stand being loved behind closed doors, while August lives a life beyond the world they’ve created together. 

And when a new, sweeping anti-gay law is passed, August and Segun must find a way for their love to survive in a Nigeria that was always determined to eradicate them. A tale of rare bravery and profound beauty, And Then He Sang a Lullaby is an extraordinary debut that marks Ani Kayode Somtochukwu as a voice to watch.

With beguiling wit and undeniable passion, Lush Lives is a deliciously queer and sexy novel about bold, brilliant women unafraid to take risks and fight for what they love

An unabashedly charged love story set in the evocative and high-stakes world of art and auction in New York City, Roxane Gay Books’ second title is a crowd-pleaser in the vein of Jasmine Guillory’s The Wedding Date and Helen Wan’s The Partner Track.

For Glory Hopkins, inheriting her Aunt Lucille’s Harlem brownstone feels more like a curse than a blessing. As a restless artist struggling to find gallery representation, Glory doesn’t have the money, time, or patience to look after the aging house of an aunt she barely knew. But when she stumbles into Parkie de Groot, a savvy, ambitious auction house appraiser on the verge of a coveted promotion, her unexpected inheritance begins to look more promising. Glory and Parkie form an unlikely alliance and work to unearth the origins of a rare manuscript hidden in the brownstone’s attic. In doing so, they uncover not only the well-kept secrets of Lucille’s life but also the complex relationships between Harlem and its distinguished residents.

Undeniable as their connection may be, complications arise that threaten to tear apart their newly forged relationship. Between Parkie’s struggle to overcome the heartache of past romances and professional problems that threaten to end her rising career, and Glory’s unbridled and all-consuming ambition, they begin to keep secrets from each other. The deeper they dig into the mysteries of the Harlem brownstone, the more fraught their relationship becomes.

Lush Lives is an unforgettable novel of queer love, ambition, and the forgotten histories that define us.

A Martyr Maker Novel 

30 years. 36 priests butchered. Can they stop him before he strikes again?

New York City. Fall 2011. A priest is found murdered in the most gruesome of crime scenes. The brutal slaying is the work of "The Martyr Maker," a serial killer that for the past 30 years has left behind a legacy of torture and fear around the U.S. Every ten years, he butchers 12 clergymen in twisted scenes reflecting the martyrdom of Jesus and his disciples. NYPD detectives Quincy Cavanaugh and Phee Freeman, along with FBI agent Janet Maclin, know that they have very little time to catch this monster before he completes his final cycle of killing and disappears forever. But the investigation is made even more difficult when they discover that the seemingly unrelated clergymen are anything but the symbols of godliness they would have their community believe.

There are those who fight the devil within them. And those who worship it.

When the butchered body of a cross-dresser is found in a dumpster, it’s up to Detective Phee Freeman to solve the crime. But this case is personal. The victim is Freeman’s brother.

At first, the slaying looks like the random act of a vicious killer, but Freeman, his partner Quincy Cavanaugh, and FBI agent Janet Maclin soon discover this is something much more sinister. Similar ritualistic murders are taking place across the city. They’re willing to do whatever it takes to stop the massacres—even if that means that have to join forces with The Dr. Daria Zibik, a brilliant but deranged cult leader. But what if the evil they are hunting and the sociopath they are trusting are one in the same?

“Majestic.”—Eduardo C. Corral

“Radiant and deeply moving.”—Christopher Castellani

Set between the United States and México, Andrés N. Ordorica’s debut novel is a tender and lyrical exploration of belonging, grief, and first love—a love story for those so often written off the page.

When Daniel de La Luna arrives as a scholarship student at an elite East Coast university, he bears the weight of his family’s hopes and dreams, and the burden of sharing his late uncle’s name. Daniel flounders at first—but then Sam, his roommate, changes everything. As their relationship evolves from brotherly banter to something more intimate, Daniel soon finds himself in love with a man who helps him see himself in a new light. But just as their relationship takes flight, Daniel is pulled away, first by Sam’s hesitation and then by a brutal turn of events that changes Daniel’s life forever.

As he grapples with profound loss, Daniel finds himself in his family’s ancestral homeland in México for the summer, finding joy in this setting even as he struggles to come to terms with what’s happened and faces a host of new questions: How does the person he is connect with this place his family comes from? How is his own story connected to his late uncle’s? And how might he reconcile the many parts of himself as he learns to move forward?

Equal parts tender and triumphant, Andrés N. Ordorica’s How We Named the Stars is a debut novel of love, heartache, redemption, and learning to honor the dead; a story of finding the strength to figure out who you are—and who you could be—if only the world would let you.

A stunning portrait of an African princess raised in Queen Victoria’s court and adapting to life in Victorian England—based on the real-life story of a recently rediscovered historical figure, Sarah Forbes Bonetta.

With a brilliant mind and a fierce will to survive, Sarah Forbes Bonetta, a kidnapped African princess, is rescued from enslavement at seven years old and presented to Queen Victoria as a “gift.” To the Queen, the girl is an exotic trophy to be trotted out for the entertainment of the royal court and to showcase Victoria’s magnanimity. Sarah charms most of the people she meets, even those who would cast her aside. Her keen intelligence and her aptitude for languages and musical composition helps Sarah navigate the Victorian era as an outsider given insider privileges.

But embedded in Sarah’s past is her destiny. Haunted by visions of destruction and decapitations, she desperately seeks a place, a home she will never run from, never fear, a refuge from nightmares and memories of death.

From West Africa to Windsor Castle to Sierra Leone, to St. James's Palace, and the Lagos Colony, Sarah juggles the power and pitfalls of a royal upbringing as she battles racism and systematic oppression on her way to living a life worthy of a Yoruba princess.

Based on the real life of Queen Victoria’s Black goddaughter, Sarah Forbes Bonetta’s story is a sweeping saga of an African princess in Victorian England and West Africa, as she searches for a home, family, love, and identity.

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“Powerful . . . full of impossible hope . . . Jackson’s prose has a spoken-word cadence, the language flying off the page with percussive energy.” —The New York Times Book Review

Finalist for the PEN/Hemingway Award for Debut Fiction

Finalist for the Flaherty-Dunnan First Novel Prize

Nominee for the Hurston/Wright Legacy Award

Honor Book for Fiction for the Black Caucus of the ALA

Mitchell S. Jackson grew up black in a neglected neighborhood in America's whitest city, Portland, Oregon. In the '90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding debut autobiographical novel, Mitchell writes what it was to come of age in that time and place, with a breakout voice that's nothing less than extraordinary.

The Residue Years switches between the perspectives of a young man, Champ, and his mother, Grace. Grace is just out of a drug treatment program, trying to stay clean and get her kids back. Champ is trying to do right by his mom and younger brothers, and dreams of reclaiming the only home he and his family have ever shared. But selling crack is the only sure way he knows to achieve his dream. In this world of few options and little opportunity, where love is your strength and your weakness, this family fights for family and against what tears one apart.

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A taut, edgy, deftly spun novel about four friends grappling with the dramatic twists and turns of life, love and what it means to "make it in America."

Ivy Donovan is a successful stylist, entrepreneur, and single mom who has been loyal to her sons’ father, Michael, who’s serving a lengthy prison sentence. But life has gotten lonely over the years, and Ivy wants more for herself. Michael, however, isn’t about to lose his family.

Coco Norris is successful, single, childless, and struggling with her unreciprocated allegiance to emotionally unavailable men. When she finds a man who seems like he can give her everything she has ever wanted, Coco soon discovers that she has taken on more than she can possibly handle.

Deja Maddox is a real estate agent who is married to a police sergeant with the NYPD. They have assimilated, looking down on anything that doesn’t fit their buttoned up, polished life. But Deja isn’t as satisfied as she would like everyone to believe. When Deja’s past returns with a vengeance, she’s forced to face herself and her “perfect” life begins to crumble.

Things come to a head when Ivy’s youngest son, Kingston, is caught up in a polarizing encounter with the NYPD. Everyone is forced to figure out where they stand, including the police sergeant who suddenly has to decide if his "blue life" matters more to him than his black life and the black lives of those he loves.

Foreword by Tayari Jones, author of An American Marriage

Edited with an introduction by Genevieve West, professor and chair of the English, Speech, and Foreign Languages department at Texas Woman’s University

A collection of remarkable stories of the Harlem Renaissance from “one of the greatest writers of our time” (Toni Morrison) Zora Neale Hurston.

In May 1925, Zora Neale Hurston—then a fledgling writer—was living in New York, “desperately striving for a toe-hold on the world.” For the next decade, she wrote short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories that flash with Hurston’s biting, satiric humor, as they share revelations about love and migration, gender and class, racism and sexism, that proudly reflect African American folk culture. Brought together for the first time, they include eight of Hurston’s “lost” Harlem gems, which were found in dusty periodicals and archives. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

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A heartstring-tugging, uplifting, modern spin on Party of Five -- a love letter to family, hope, and finding strength in unexpected places.

Even though she has six siblings, sixteen-year-old Novah still knows what it's like to feel lonely. Her friends never remember to invite her anywhere because they assume Novah will be too busy overseeing dinner, baths, and homework -- tasks that fall to her when her parents are at work. She wouldn't mind it so much if her "perfect" older sister, Ariana, wasn’t always excused from helping out. She's the star of the volleyball team, and their parents don't want anything to jeopardize the scholarships she'll need to become the first member of their family to attend college.

Needless to say, Novah feels like she's been given a raw deal, especially when she's forced to cancel a maybe-date with her crush, Hailee.

Then one terrible night, their parents don't make it back home. A car accident takes their lives and leaves seven heartbroken kids on their own. The Wilkinson siblings have no grandparents, no aunts or uncles. Since Ariana has just turned eighteen, she manages to convince the judge to give her temporary custody. If she can keep her family running smoothly, they'll get to stay in their home. If not, they'll be placed into foster care.

Novah will do whatever it takes to keep her family together but finds herself in a constant power struggle when Ariana refuses to take her advice, even once it becomes clear that they are all in way over their heads. Will Novah find her voice and summon the strength to do the impossible? Or will she be forced to say the hardest goodbyes of all?

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In her first middle-grade novel, award-winning author Amber McBride explores Black pain, trauma, and ultimately, healing through the story of what might happen if white supremacists ceded from the rest of the country.

In the future, a Black girl known only as Inmate Eleven is kept confined—to be used as a biological match for the president's son, should he fall ill. She is called a Blue—the color of sadness. She lives in a small-small room with her dog, who is going wolf more often—he’s pacing and imagining he’s free. Inmate Eleven wants to go wolf too—she wants to know why she feels so blue and what is beyond her small-small room.

In the present, Imogen lives outside of Washington DC. The pandemic has distanced her from everyone but her mother and her therapist. Imogen has intense phobias and nightmares of confinement. Her two older brothers used to help her

Winner of the 2021 PEN/Bellwether Prize for Socially Engaged Fiction, a thought-provoking and enchanting debut about a Black woman doing whatever it takes to protect all she loves at the beginning of the civil rights movement in Alabama.
 
It’s 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. Instead, they seek to maintain, and fortify, the community they cherish on their “side of the woods.” In this place, Alice falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup’s longstanding status quo and could lead to the young couple’s expulsion—or worse—from the home they both hold dear. But as Raymond continues to push alternatives for enhancing New Jessup’s political power, Alice must find a way to balance her undying support for his underground work with her desire to protect New Jessup from the rising pressure of upheaval from inside, and outside, their side of town.

Jamila Minnicks’s debut novel is both a celebration of Black joy and a timely examination of the opposing viewpoints that attended desegregation in America. Readers of Brit Bennett’s The Vanishing Half and Robert Jones, Jr.’s The Prophets will love Moonrise Over New Jessup.

Named a most anticipated book of the year by Literary Hub, Electric Literature and The Millions

A Best Book of Fall 2023 by Bustle.

Pushing intimacy to its limits in prose of unearthly beauty, Vauhini Vara explores the nature of being a child, parent, friend, sibling, neighbor, or lover, and the relationships between self and others. A young girl reads the encyclopedia to her elderly neighbor, who is descending into dementia. A pair of teenagers seek intimacy as phone-sex operators. A competitive sibling tries to rise above the drunken mess of her own life to become a loving aunt. One sister consumes the ashes of another. And, in the title story, an experimental artist takes on his most ambitious project yet: constructing a life-size ark according to the Bible’s specifications. In a world defined by estrangement, where is communion to be found? The characters in This Is Salvaged, unmoored in turbulence, are searching fervently for meaning, through one another.

How does witnessing a crime change a person? This powerful collection of stories by a star-studded roster of contributors examines this very question, with proceeds benefitting the Alliance for Safe Traffic Stops.

Inspired by recent true events, the all-original stories in Witnesses for the Dead are set in motion by the act of witnessing. The characters who populate these pages are not themselves the perpetrators of the crimes they see, but as they grapple with what to do—take action or retreat into the shadows—their lives are indelibly changed.

In “Envy” by Christopher Chambers, a sweet, shy wallflower looks on as something horrific happens in his neighborhood—revealing something horrific about himself. Agatha Award–winner Richie Narvaez’s “The Gardener of Roses” sees a Puertorriqueña college student on the run from the FBI for her accidental involvement in a “terrorist” plot. Anthony Award–winner Gary Phillips confronts police corruption in “Spiders and Fly.” And the protagonist of “A Family Matter” by IPPY Award–winner Sarah M. Chen investigates the murder of a stranger, leading her to question the political structure of Taiwan entirely. Other stories feature a brothel, the film industry, immigrant detention centers at the Mexico-US border, World War II–torn France, and the COVID-19 pandemic. The stories are incisive, unflinching, wry, dark, and, in some cases, terrifying. You’ll ask yourself: If I saw what they saw, what would I do?

With contributions from: Scott Alderberg, Cara Black, Christopher Chambers, Sarah M. Chen, Aaron Philip Clark, Teresa Dovalpage, Tod Goldberg, Gar Anthony Haywood, Darrell James, Richie Narvaez, Gary Phillips, SJ Rozan, Alex Segura, and Pamela Samuels Young.

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Lincoln Agrippa Daily, known on the 1920s Marseilles waterfront as "Banjo," prowls the rough waterfront bistros with his drifter friends, drinking, looking for women, playing music, fighting, loving, and talking--about their homes in Africa, the West Indies, or the American South and about being Black.

A Jamaican girl, Bita Plant, who was adopted and sent to be educated in England by white missionary benefactors, returns to her native village of Banana Bottom and finds her black heritage at war with her newly acquired culture.

Claude McKay (1889–1948), born Festus Claudius McKay, is widely regarded as one of the most important literary and political writers of the interwar period and the Harlem Renaissance. Born in Jamaica, he moved to the U.S. in 1912 to study at the Tuskegee Institute. In 1928, he published his most famous novel, Home to Harlem, which won the Harmon Gold Award for Literature. He also published two other novels, Banjo and Banana Bottom, as well as a collection of short stories, Gingertown, two autobiographical books, A Long Way from Home and My Green Hills of Jamaica, and a work of nonfiction, Harlem: Negro Metropolis. His Selected Poems was published posthumously, and in 1977 he was named the national poet of Jamaica.

Award-winning author, screenwriter, and editor Gary Phillips gathers his most-thrilling, outlandish, and madcap pulp fiction in an 18-story collections that straddles the line between bizarro, science fiction, noir, and superhero classics.

Award-winning author, screenwriter, and editor Gary Phillips gathers his most thrilling, outlandish, and madcap pulp fiction in an 17-story collection that straddles the line between bizarro, science fiction, noir, and superhero classics.

Aztec vampires, astral projecting killers, oxygen stealing bombs, undercover space rangers, aliens occupying Los Angeles, right wing specters haunting the ’hood, masked vigilantes, and mad scientists in their underground lairs plotting world domination populate the stories in this rip-snorting collection. In these pages grindhouse melds with blaxploitation along with strong doses of B movie hardcore drive-in fare.

Phillips, editor of the Anthony Award-winning The Obama Inheritance: Fifteen Stories of Conspiracy Noir, and author of One-Shot Harry and Matthew Henson and the Ice Temple of Harlem, said this about pulp. “The most common definition of pulp is it’s fast-paced, a story containing out there characters and a wild plot. There is that. But certainly, as we’ve now arrived at the era of retro-pulp, these stories have elements of characterization: not just action, but a glimpse behind the steely eyes of these doers of incredible deeds.” As an added bonus, Phillips resurrects Phantasmo, a Golden Age comics character created by Black artist-writer E.C. Stoner in an all-new outing of ethereal doings (includes 4 original illustrations by cover artist Adam Shaw).

The highly influential masterpiece of Latin American literature, now published in a new, authoritative translation, and featuring a foreword by Gabriel García Márquez

A masterpiece of the surreal that influenced a generation of writers in Latin America, Pedro Páramo is the otherworldly tale of one man’s quest for his lost father. That man swears to his dying mother that he will find the father he has never met—Pedro Páramo—but when he reaches the town of Comala, he finds it haunted by memories and hallucinations. There emerges the tragic tale of Páramo himself, and the town whose every corner holds the taint of his rotten soul. Although initially published to a quiet reception, Pedro Páramo was soon recognized as a major novel that has served as a touchstone text for writers including Mario Vargas Llosa and José Donoso. Now published in a new translation from the definitive Spanish edition by celebrated Rulfo scholar Douglas J. Weatherford, and featuring a foreword by Gabriel García Márquez, this new edition of the novel cements its place as one of the seminal literary texts of the twentieth century.

David, the narrator of Simeon Marsalis’s singular first novel, is a freshman at the University of Vermont who is struggling to define himself against the white backdrop of his school. He is also mourning the loss of his New York girlfriend, whose grandfather’s alma mater he has chosen to attend. When David met Melody, he lied to her about who he was and where he lived, creating a more intriguing story than his own. This lie haunts and almost unhinges him as he attempts to find his true voice and identity.

On campus in Vermont, David imagines encounters with a student from the past who might represent either Melody’s grandfather or Jean Toomer, the author of the acclaimed Harlem Renaissance novel Cane (1923). He becomes obsessed with the varieties of American architecture “upon land that was stolen,” and with the university’s past and attitudes as recorded in its newspaper, The Cynic. And he is frustrated with the way the Internet and libraries are curated, making it difficult to find the information he needs to make connections between the university’s history, African American history, and his own life.

In New York, the previous year, Melody confides a shocking secret about her grandfather’s student days at the University of Vermont. When she and her father collude with the intent to meet David’s mother in Harlem—craving what they consider an authentic experience of the black world—their plan ends explosively. The title of this impressive and emotionally powerful novel is inspired by Paul Laurence Dunbar’s poem “We Wear the Mask” (1896): “We wear the mask that grins and lies . . .”

Two rival candidates for a homeowner’s association presidency are about to find out how dirty suburbanites fight in this steamy new romantic comedy from Alexa Martin.

After years of hustling, Collins Carter has finally made it...back to her parents’ house. Between tending to the compost with her newly retired dad and running into her high school nemesis at the only decent coffee shop in town, Collins realizes this subdivision from hell she swore she’d never return to is her rock bottom.

Then the homeowner’s association complaint arrived.

Nathaniel Adams always dreamed of a nice, quiet life in his suburban hometown. Or at least that’s what he thought until Collins moved back and sent his quaint, organized life into a tailspin. He thought Collins was infuriating ten years ago, but when she announces she’s running against him for HOA president, all bets are off.

From secret board meetings to vicious smear campaigns whispered over backyard fences, Collins and Nate sink to levels their sleepy suburb has never seen before. But as hate turns into lust, these two enemies are forced to reckon with the feelings they’ve ignored for years. If only there were bylaws for real life.

An inventive and stylish debut written by a Black educator, Wings of Red is a  clear-eyed, funny, imperfect, and observant work of autofiction that grapples with the absurdity of the New York City educational system as a substitute teacher—that, in the end, reads as an ode to the city itself

June Papers is a twenty-eight-year-old MFA grad with a felony record, “the classic young, Black and gifted American misfit.” He’s also a substitute teacher. He’s also homeless. With dreams of becoming a writer, June endures a host of trials and dilemmas as he reluctantly realizes mentoring and teaching might actually be a path forward for him. 

Wings of Red is driven by June’s unique narrative style, a propulsive voice that intimately and vulnerably guides readers through the condemned external reality of a Black educator’s personal and professional world falling apart, and coming together again. 

Populated by a host of true-to-life characters who are attempting to realize their dreams despite precarious professional and financial realities, Wings of Red elucidates the fallacy of the American dream while serving as a reminder of how powerful and necessary autofiction can be. Directed at students and educators but written for any audience, Wings of Red is an inspiring and poetic tour de force and an unexpectedly necessary ode to New York City that features a texture, velocity, and immediacy that speaks to the author's authentic and lived perspective.

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The final book to the legendary Ethic series by Ashley Antoinette concludes the heart wrenching story of Ezra Okafor. Will he find forever with his one true love? Will Alani ever truly forgive Ethic, or are they destined to say goodbye? Will Morgan and Messiah repair their love before it's too late? Step into Ethic Land once more as Antoinette pens the greatest love story of this generation. An instant classic ends here. The question is, will it end happily ever after or in destruction?

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Life has never been easy for Ethic. Since he was a young boy he has battled loss after loss while struggling to navigate through a treacherous world. When he met Alani Lenika Hill he knew that he had met the woman who would love him back to life. They have weathered a storm together and their love is so fated that neither want to let it go, but it seems their bubble of happiness is an illusion because life around them is falling apart. 

When Morgan Atkins attempts suicide, their bliss is shattered. So much is on the line. So many things hang in the balance as Morgan fights for her life. Her broken heart has led her to this, but if she dies, the soul of Ethic's family will be buried with her. 

In this heart pounding series fans have been written into a world of love, lust, anger, sadness, joy, gate and most of all growth. Hold on tight for another installment of this epic love story told in such a poignant way that it's hard to distinguish the real world from the one in your head. Welcome back to the Ethic Effect

Michigan bookshop owner Samantha Washington’s tour for the launch of her new mystery novel is a whirlwind success… until life – or rather murder – begins to imitate fiction on the last stop at Michigan’s most prestigious literary festival!

While Sam wraps up her first whirlwind book tour, Nana Jo has kept Market Street Mysteries running smoothly. The last stop is a prestigious book festival in Sam’s hometown of North Harbor, Michigan. But not everyone thinks the guest of honor, bestselling author Judith Hunter, deserves stellar reviews. Sam witnesses nasty arguments between Judith and two different authors—who accuse her of plagiarism and sabotage . . .

When a publicist is poisoned during a cocktail reception, Sam wonders if the killer missed the intended target. It’s a twist that echoes the plot of Sam’s mystery, Murder at Wickfield Lodge. But fact can be stranger—and deadlier—than fiction. How much collateral damage is the killer willing to risk? With feisty Nana Jo and the girls from Shady Acres Retirement Village lending a hand, Sam tries to solve the case before the festival delivers another fatality . . .

In the second book in the Detective Harriet Foster thriller series, author Tracy Clark weaves a twisted journey into the underbelly of Chicago as Harriet and her team work to unmask a serial killer stalking the city’s aldermen.

The Chicago PD is on high alert when two city aldermen are found dead: one by apparent suicide, one brutally stabbed in his office, and both with thirty dimes left on their bodies—a betrayer’s payment. With no other clues, the question is, Who else has a debt to pay?

Detective Harriet Foster is on the case before the killer can strike again. But even with the help of her partner, Detective Vera Li, and the rest of their team, Harriet has little to go on and a lot at risk. There’s no telling who the killer’s next target is or how many will come next.

To stop another murder, Harriet and her officers will have to examine what the victims had going on behind the scenes to determine who could be tangled up in this web of betrayal…and who could be out for revenge.