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Someone wants Morgan Shaw dead—or so the beautiful, brilliant, and hugely popular evening news anchor of top-rated Chicago TV station WLTV believes. Fearing for her safety, she turns to P. I. Ashe Cayne for protection. Though he sympathizes, Ashe turns her down—he’s not a bodyguard. But when Morgan’s car tires are slashed and she’s threatened again, Ashe agrees to help her.

Her mysterious assailant isn’t the only threat worrying Morgan. She’s nervous about the upcoming “sweeps”—the all-important overnight ratings period—which will determine Chicago’s highest-rated television newscast and the city’s number-one anchor. Morgan has long been Chicago’s news queen. Now, though her crown is in jeopardy. She refuses to lose to her crosstown rival, and will risk everything to stay on top—including an audacious investigation into the suspicious shooting of an unarmed African American man by a white cop. The explosive case and her discoveries boost her ratings—and create powerful enemies eager to protect their secrets.

To save his client and find the truth, Ashe must wade through the tangled layers of competitive local news and the deceptive schemes of its power players, and uncover the identities of those behind the murder of a seemingly innocent man.

Combining the raw honesty of Queenie and the warmth of a modern-day Bridget Jones’s Diary, this entertaining, transportive, and luminous debut novel from award-winning writer Breanne Mc Ivor follows a young Trinidadian woman finding her voice and reclaiming her name.

Bianca Bridge is at her wit’s end. Fired from her editorial job after scandalizing Trinidad’s tight, conservative society by having an affair with a married government official, she’s resorting to modeling for even the sleaziest of photographers to make ends meet. Her mother, were she still alive, would be stunned by whom her daughter has become. Her father—and his ample checkbook—is off somewhere with his second family. And the government official? It was his wife who got her fired.

With nothing left to lose, Bianca takes a job assisting the brilliant but aloof makeup artist Obadiah Cortland, a rising star in the Trinidadian beauty community. Yet Obadiah is not the elite tyrant he seems. Born in the poorest part of Trinidad, he’s clawed partway up society’s ladder and built his company around his meticulously crafted persona. And he’s not about to let anyone see past his façade.

As Bianca’s ex-lover continues to wield power over her and the colleagues she’s come to love, she, with Obadiah’s help, finally decides she’s ready to fight back like her mother taught her—and to reconsider, at last, the nature of what, and whom, might deserve to be called beautiful.

Alternating between Bianca’s irreverent yet poignant diary entries and Obadiah’s clear-eyed first-person narrative, The God of Good Looks portrays the everyday realities of modern Trinidad’s rigid class barriers and the fraught impact of beauty commodification in a patriarchal society. Amusing and entertaining, yet sharp-witted and full of meaty, universally relatable questions, Mc Ivor’s sparkling debut is an open-hearted, awakening tale about finding one’s voice. 

In a hidden enclave in Sag Harbor, affectionately known as SANS—Sag Harbor Hills, Azurest, and Nineveh—there’s a close-knit community of African American elites who escape the city and enjoy the beautiful warm weather and beaches at their vacation homes. Since the 1930s, very few have known about this part of the Hamptons on Long Island, and the residents like it that way.

That is, until real estate developers discover the hidden gem. And now, the residents must fight for the soul of SANS.

Against the odds, Olivia Jones has blazed her own enviable career path and built her name in the finance world. But hidden behind the veneer of her success, there is a gaping hole. Mourning both the loss and the betrayal of Omar, a surrogate father to her and her two godsisters, Olivia is driven to solve the mystery of what happened to her biological father, a police officer unjustly killed when she was a little girl.

Untethered from her life in New York City, Olivia moves to a summer home in Sag Harbor and begins forging a new community out in SANS. Friendships blossom with Kara, an ambitious art curator; and Whitney, the wife of an ex-basketball player and current president of the Sag Harbor Homeowners Association; and a sexy new neighbor and single father, Garrett, who makes her reconsider her engagement with Anderson. She also takes to a kind, older gentleman named Mr. Whittingham, but soon discovers he too is not without his own troubles.

As the summer stretches on, each relationship teaches her more about who she really is. Though not without cost, Olivia’s search for her authentic identity in the secret history of her family of origin and her fight to preserve her new Black utopia, will lead her to redefine the meaning of love, friendship, community, and family—and restore her faith in herself, her relationships, and her chosen path.

Urgent, propulsive, and deeply insightful, Homebodies is a thrilling debut novel about a young Black writer whose world is turned upside down when she loses her job in media and her searing manifesto about racism in the industry goes viral.

Mickey Hayward dreams of writing stories that matter. She has a flashy media job that makes her feel successful and a devoted girlfriend who takes care of her when she comes home exhausted and demoralized. It’s not all A-list media parties and steamy romance, but Mickey’s on her way, and it’s far from the messy life she left behind in Maryland. Despite being overlooked and mistreated at work, everything finally seems to be falling into place—until she finds out she’s being replaced.

Distraught and enraged, Mickey fires back with a detailed letter outlining the racism and sexism she’s endured as a Black woman in media, certain it will change the world for the better. But when her letter is met with overwhelming silence, Mickey is sent into a tailspin of self-doubt. Forced to reckon with just how fragile her life is—including the uncertainty of her relationship—she flees to the last place she ever dreamed she would run to, her hometown, desperate for a break from her troubles.

Back home, Mickey is seduced by the simplicity of her old life—and the flirtation of a former flame—but the life she left behind in New York refuses to be forgotten. When a media scandal catapults Mickey’s forgotten letter into the public zeitgeist, suddenly everyone wants to hear what Mickey has to say. It’s what she’s always wanted—isn’t it?

Insightful, funny, and deeply sexy, Homebodies is a testament to those trying to be heard and loved in a world that refuses to make space, and introduces a standout new writer.

A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising

The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means “nothing” in Tagalog, and Kitu is Swahili for “nothing.”) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he’ll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.

With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill’s desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, “Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it’s time we gave nothing back.”

Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn’t to say that it’s not about anything. In fact, it’s about villains. Bond villains. And that’s not nothing.

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A vibrant collection of love stories from a debut author, retelling myths, folktales, and histories from around the world.

A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen.

A young businesswoman attempts a great leap in her company, and an even greater one in her love life.

A powerful Ghanaian spokeswoman is forced to decide whether she should uphold her family’s politics or be true to her heart.

In her debut collection, internationally acclaimed writer Bolu Babalola retells the most beautiful love stories from history and mythology with incredible new detail and vivacity. Focusing on the magical folktales of West Africa, Babalola also reimagines Greek myths, ancient legends from the Middle East, and stories from long-erased places.

With an eye towards decolonizing tropes inherent in our favorite tales of love, Babalola has created captivating stories that traverse across perspectives, continents, and genres.

Love in Color is a celebration of romance in all its many splendid forms.

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Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.
 
This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.

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When Ikemefuna is put on a plane from Lagos, Nigeria to Sugar Land, Texas, she anticipates her newly arranged All-American life: a handsome husband, a beautiful red-brick mansion, pizza parlors, and dance classes.

Desperate to please, she'll happily cater to her family's needs. But Ikemefuna soon discovers what it actually means to live with her in-laws. Demands for a grandson grow urgent as her every move comes under scrutiny. As Ikemefuna finds there’s no way out, her new husband grapples with the influence of his parents against his own increasing affection for her.

As family secrets boil to the surface, Ikemefuna must decide how to scrape herself out of an impossibly sticky situation: a marriage succumbing to generational cycles of pain and silence. In the end, she may be carrying the greatest secret of all. 

An unforgettably delicious thriller, House Woman is about a woman trapped in a dangerous web of conflicting desires, melting in the Texas heat. 

Tasha Jenkins has tried—and failed—to leave her abusive husband. But a chance encounter with a white woman fleeing her own angry husband entangles the lives of two strangers from very different worlds.

Tasha and Madison want to help each other out of their marriages. But they have very different ideas of what that means . . .

The women are on a collision course that will end in the case files of the DC homicide unit. Unraveling the truth may be impossible . . . but what has the truth ever done for women like Tasha and Madison?

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In her first new book in seven years, Tananarive Due further cements her status as a leading innovator in Black horror and Afrofuturism

“Tananarive Due is the master of Black horror, even teaching a class where Jordan Peele guest-lectured. So her new collection, The Wishing Pool, out in mid-April, is a major treat, full of major scares. Due excels at twist endings but also brilliantly creates an atmosphere of creeping dread in which you know something terrible is coming. The Wishing Pool is helpfully divided into four sections, and each feels like a movement in a symphony. There are classic tales of horror, then a series of stories set in a Florida town where the swamp tends to swallow people up; the final two sections shift to science fiction about post-apocalyptic futures. (These last sections include pandemic stories, written before 2020, which hit harder now.) Due shows just how much territory she can cover in one short book and just how versatile terrifying tales can be.”
—Washington Post

American Book Award–winning author Tananarive Due’s second collection of stories includes offerings of horror, science fiction, and suspense—all genres she wields masterfully. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due’s stories all share a sense of dread and fear balanced with heart and hope.

In some of these stories, the monster is racism itself; others address the monster within, each set against the supernatural or surreal. All are written with Due’s trademark attention to detail and deeply drawn characters.

In addition to previously published work, this collection contains brand-new stories, including “Rumpus Room,” a supernatural horror novelette set in Florida about a woman’s struggle against both outer and inner demons.

For fans of Queenie and Such a Fun Age comes a deliciously gritty and strikingly bold debut novel about discovering love where it has always been.

Elsie is a sexy, funny, and fiercely independent woman in south London. But, at just 28, she is also tired. Though she spends her days writing tender poetry in her journal, her nights are spent working long hours for minimum wage at a neighborhood dive bar. Not even sleeping with her alluring coworker, Bea, can quell her existential dread. The difficulty of being estranged from her family, struggle of being continually rejected from jobs, and fear of never making money doing what she loves is too great. But Elsie is determined to keep the faith, for a little longer at least. Things will surely turn around. They have to.

But when Elsie is suddenly evicted from her social housing, her fragile foundations threaten to collapse entirely. With nowhere left to go, Elsie turns to her childhood friend, Juliet, for help.

Among Juliet’s mismatched cushions and shelves lined with trinkets, Elsie is able to breathe for the first time in years. But between their reruns of Drag Race and nights smoking on the balcony, something else soon begins to glimmer in Elsie’s heart . . . Sometimes what you’ve been searching for has been there all along. Can Elsie see it in time?

Featuring the incredible poetry of Kai-Isaiah Jamal, Rosewater is a story of intergenerational love, healing, and one woman’s journey home. A remarkable debut by an exciting new talent, readers are sure to be enchanted by Liv Little’s distinctive and captivating contemporary voice.

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Ethic has power, but love is evasive. After ordering the hit that mistakenly killed the love of his life, Ethic is haunted. Focused on being a better man, he is raising three children, one of which is a defiant teenaged girl, Morgan. When Morgan finds herself in a vulnerable position, Ethic is pulled back into the game where he was once king.

Her man demanded loyalty, but her body wouldn’t obey.

Have you ever rolled over in the middle of the night and realized you were doing things you swore you’d never do? Sexing brothers you vowed you’d never touch? Bending backwards and stooping lower than you ever thought you’d stoop? Well if you can feel me even a little bit, then let me hit you with a story that just might blow your mind. . . .

Nineteen-year-old Juicy Stanfield is the sexy young girlfriend of Granite “G” McKay, owner of Harlem’s notorious G-Spot Social Club. A drug dealer with a lethal streak, he runs Harlem with an iron fist. But even the cash and the bling can’t keep Juicy from getting restless, and while G fulfills her every material desire, she’s burning up with unrequited sexual energy. To cheat on him would mean a death sentence; so Juicy finds pleasure in secret ways: fantasizing on crowded subways or allowing her eyes to hungrily take in the male dancers on the club’s ladies night.

But as Juicy’s sexual cravings grow stronger, one thing becomes frighteningly clear: She’s a virtual prisoner in G’s dangerous world. As G begins to suspect her of playin’ him, he pulls the reins he keeps on her even tighter. If she’s ever to escape and get a life of her own she must find a way to start stashing away some of G’s cash. But doing that under G’s watchful eye is a challenge she might not live up to–especially when her appetite tempts her with the deadliest desire of all: G’s very own son. . . .

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This dark, suspenseful tale by New York Times bestseller JaQuavis Coleman is an urban love story with an unforgettable conclusion. 

A man’s quest to escape his past life is an uphill battle. After seeking a Cuban voodoo doctor to receive a spiritual advantage on his upcoming court case, Saint opens Pandora’s box. The Santeria voodoo seemed to work, but at what cost?
 
Saint’s dangerous visit to Cuba comes with much more than he anticipated as he enters an underground secret society of high stakes gambling. He gets tangled in a web of heinous crimes, money games, and backstabbing. Torn between a woman he meets in Cuba and his wife at home, Saint finds himself embroiled in an intricate plan, which threatens his freedom and everything that he has worked for. Lines are crossed, both internationally and morally.

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From #1 New York Times bestselling author Terry McMillan comes an honest look at a modern romance, from love at first sight to painful reality to working toward a happy ending....

Franklin Swift was a sometimes-employed construction worker and a not-quite-divorced dad of two. Zora Banks was a teacher, singer, and songwriter. They met in a Brooklyn brownstone, and there could be no walking away....

In this funny, gritty love story, Franklin and Zora join the ranks of fiction’s most compelling couples as they move from Scrabble to sex, from layoffs to the limits of faith and trust. Disappearing Acts is about the mystery of desire and the burdens of the past. It’s about respect—what it can and can’t survive. And it’s about the safe and secret places that only love can find.

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Before her Hollywood dreams were shattered, Pearle Monalise Brown was the tenacious aspiring actress from Compton's unforgiving, scarred streets. Never broken, Pearle switches gears to a fallback plan—resorting to her beauty and acting skills to swindle money and expensive jewels. When she's hired by the Colombian cartel to steal a priceless Basquiat from the debonair kingpin and art collector, Blaque, her talents might not be enough to keep her from falling into a trap she never saw coming. 

Blaque is sagacious and handsome—not to mention the legacy of two powerful organized crime families: the Laurent’s—known dons hailing from Kingston, Jamaica, and the Savage’s—a sophisticated syndicate with criminal enterprises across the U.S. As Blaque and Pearle become passionately entangled, Pearle falls prey to a darker underworld. Time is ticking. Lives are at stake. Will these love outlaws be able to outsmart their enemies, or will they wage an all-out war, leaving the bodies to fall wherever they may?

The 7 Deadly Sins series that inspired four Lifetime original movies continues with this unputdownable novel following mortgage broker Journee Alexander as she tries to escape the secrets of her past without losing all she has worked to build in the present.

Journee Alexander grew up believing that the only person she could depend on was herself. After being abandoned by her mother, burning bridges with friends, and narrowly escaping bad business dealings with her first mentor, her trust is hard to earn and harder to keep. But she has overcome all of that and now, as a successful mortgage broker at the top of her game in Houston’s booming real estate market, she has every reason to be proud of her accomplishments. She achieved this massive success on her own—there’s no need to put her trust in anyone else.

But when Journee starts receiving cryptic text messages from an unknown number threatening to destroy everything she has worked to build, she is out of her depth for the first time. Forced to consider accepting help from someone, Journee turns to the first man she loved, the one who got away. But old habits are hard to break and after trusting only her own instincts for so long, can she put her pride aside and accept advice from an old flame? Or should she put her trust in a brand-new love who is in sync with all that she wants to do?

Journee is forced to confront the secrets of her past, the old hurts that never seem to heal, and the fact that sometimes a meteoric rise is just the first step in a devastating fall that will change her life forever.

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The pioneering novel of physical disability, transatlantic travel, and black international politics. A vital document of black modernism and one of the earliest overtly queer fictions in the African American tradition. Published for the first time.

A Penguin Classic

Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic freighter, Lafala is discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses both of his lower legs, emerging from life-saving surgery as what he terms "an amputated man." Thanks to an improbably successful lawsuit against the shipping line, however, Lafala scores big in the litigious United States. Feeling flush after his legal payout, Lafala doubles back to Marseille and resumes his trans-African affair with Aslima, a Moroccan courtesan. With its scenes of black bodies fighting for pleasure and liberty even when stolen, shipped, and sold for parts, McKay's novel explores the heritage of slavery amid an unforgiving modern economy. This first-ever edition of Romance in Marseille includes an introduction by McKay scholars Gary Edward Holcomb and William J. Maxwell that places the novel within both the "stowaway era" of black cultural politics and McKay's challenging career as a star and skeptic of the Harlem Renaissance.

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Florida kitsch swirls together with magical realism in this glittering debut novel about a young Black and Indigenous woman who learns to change the color of her skin

Gabrielle has always had a complicated relationship with her mother Tallulah, one marked by intimacy and resilience in the face of a volatile patriarch. Everything in their home has been bleached a cold white—from the cupboards filled with sheets and crockery to the food and spices Tallulah cooks with. Even Gabrielle, who inherited the ability to change the color of her skin from her mother, is told to pass into white if she doesn’t want to upset her father.

But this vital mother-daughter bond implodes when Tallulah is hospitalized for a mental health crisis. Separated from her mother for the first time in her life, Gabrielle must learn to control the temperamental shifts in her color on her own.

Meanwhile, Gabrielle is spending a year after high school focusing on her piano lessons, an extracurricular her father is sure will make her a more appealing candidate for pre med programs. Her instructor, a queer, dark-skinned woman named Dominique, seems to encapsulate everything Gabrielle is missing in her life—creativity, confidence, and perhaps most importantly, a nurturing sense of love.

Following a young woman looking for a world beyond her family’s carefully -coded existence, Notes on Her Color is a lushly written and haunting tale that shows how love, in its best sense, can be a liberating force from destructive origins.

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A wildly original, incendiary story about race, redemption, the dangerous imbalances that continue to destabilize society, and speaking out for what’s right.

One could argue the story begins the night Allegra Douglass is awarded Distinguished Chair in Philosophy at her top-tier university in New York—the same night her grandmother dies—or before that: the day Allie left Birmingham and never looked back. Or even before that: the day her mother disappeared. But for our purposes Allie’s story begins at the end, when she is finally ready to tell her version of what happened with a white supremacist named Matthew Strong.
        From the beginning, Allie had the clues: in a spate of possibly connected disappearances of other young Black women; in a series of recently restored plantation homes; in letters outlining an uprising; in maps of slave trade routes and old estates; in hidden caves and buried tunnels; and finally, in a confessional that should never have existed. They just have to make a case strong enough for the FBI and police to listen. This is when Allie herself disappears.
        Allie is a survivor. She survived the newly post-Jim Crow south, she survived cancer, and she will survive being stalked and kidnapped by Matthew Strong, who seeks to ignite a revolution. The surprise in this doesn’t lie in the question of will she be taken; it lies in how she and her community outsmart a tactical madman.

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Nine days after getting married, Noenka leaves her abusive husband, shocking her family and community. As a queer Black woman striking out on her own, her path to freedom is constricted by the unwritten laws of tropical Suriname—and lined with hidden beasts and delicate flowers.

A classic of queer literature that’s as electrifying today as it was when it originally appeared in 1982, On a Woman’s Madness tells the story of Noenka, a courageous Black woman trying to live a life of her choosing. When her abusive husband of just nine days refuses her request for divorce, Noenka flees her hometown in Suriname, on South America's tropical northeastern coast, for the capital city of Paramaribo. Unsettled and unsupported, her life in this new place is illuminated by the passionate romances of the present but haunted by society’s expectations and her ancestral past.

Translated into sensuous English for the first time by Lucy Scott, Astrid Roemer’s intimate novel—with its tales of plantation-dwelling snakes, rare orchids, and star-crossed lovers—is a blistering meditation on the cruelties we inflict on those who disobey. Roemer, the first Surinamese winner of the prestigious Dutch Literature Prize, carves out postcolonial Suriname in barbed, resonant fragments. Who is Noenka? Roemer asks us. “I’m Noenka,” she responds resolutely, “which means Never Again.”

From the bestselling, award-winning author of Memorial and Lot, an irresistible, intimate novel about two young men, once best friends, whose lives collide again after a loss.

Cam is living in Los Angeles and falling apart after the love of his life has died. Kai's ghost won't leave Cam alone; his spectral visits wild, tender, and unexpected. When Cam returns to his hometown of Houston, he crashes back into the orbit of his former best friend, TJ, and TJ's family bakery. TJ's not sure how to navigate this changed Cam, impenetrably cool and self-destructing, or their charged estrangement. Can they find a way past all that has been said - and left unsaid - to save each other? Could they find a way back to being okay again, or maybe for the first time?

When secrets and wounds become so insurmountable that they devour us from within, hope and sustenance and friendship can come from the most unlikely source. Spanning Los Angeles, Houston, and Osaka, Family Meal is a story about how the people who know us the longest can hurt us the most, but how they also set the standard for love. With his signature generosity and eye for food, sex, love, and the moments that make us the most human, Bryan Washington returns with a brilliant new novel.

An Indie bookstore owner finds herself in a love triangle when she meets the author she's had a crush on for years...and his best friend.

Zora has committed every inch of her life to establishing her thriving DC bookstore, making it into a pillar of the community, and she just hasn’t had time for romance. But when a mystery author she’s been crushing on for years agrees to have an event at her store, she starts to rethink her priorities. Lawrence is every bit as charming as she imagined, even if his understanding of his own books seems just a bit shallow. When he asks her out after his reading, she’s almost elated enough to forget about the grumpy guy who sat next to her making snide comments all evening. Apparently the grouch is Lawrence’s best friend, Reid, but she can’t imagine what kind of friendship that must be. They couldn’t be more different.

But as she starts seeing Lawrence, and spending more and more time with Reid, Zora finds first impressions can be deceiving. Reid is smart and thoughtful. And interested. After years of avoiding dating, she suddenly has two handsome men competing for her affection. But even as she struggles to choose between them, she can’t shake the feeling that they’re both hiding something. A mystery she’s determined to solve before she can find her HEA.

A poignant debut for readers of Jesmyn Ward and Jamel Brinkley, We Are a Haunting follows three generations of a working class family and their inherited ghosts: a story of hope and transformation. 

In 1980’s Brooklyn, Key is enchanted with her world, glowing with her dreams. A charming and tender doula serving the Black women of her East New York neighborhood, she lives, like her mother, among the departed and learns to speak to and for them. Her untimely death leaves behind her mother Audrey, who is on the verge of losing the public housing apartment they once shared. Colly, Key’s grieving son, soon learns that he too has inherited this sacred gift and begins to slip into the liminal space between the living and the dead on his journey to self-realization.

In the present, an expulsion from school forces Colly across town where, feeling increasingly detached and disenchanted with the condition of his community, he begins to realize that he must, ultimately, be accountable to the place he is from. After college, having forged an understanding of friendship, kinship, community, and how to foster love in places where it seems impossible, Colly returns to East New York to work toward addressing structural neglect and the crumbling blocks of New York City public housing he was born to; discovering a collective path forward from the wreckages of the past. A supernatural family saga, a searing social critique, and a lyrical and potent account of displaced lives, We Are a Haunting unravels the threads connecting the past, present, and future, and depicts the palpable, breathing essence of the neglected corridors of a pulsing city with pathos and poise.

A Contemporary Classics hardcover omnibus of the complete fiction of one of the most gifted writers of the Harlem Renaissance, including her most famous novel, Passing

Throughout her short but brilliant literary career, Nella Larsen wrote piercing dramas about the Black middle class that featured sensitive, spirited heroines struggling to find a place where they belonged. Passing, Larsen’s best-known work, is a disturbing story about the unraveling lives of two childhood friends, one of whom turns her back on her past and marries a white racist. Just as disquieting is the portrait in Quicksand of biracial Helga Crane, who is unable to escape her loneliness no matter where and with whom she lives. Race and marriage offer few securities here or in the other stories in this compulsively readable collection, rich in psychological complexity and imbued with a vibrant sense of place.

Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

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A gripping page-turner from the celebrated author of book club favorite The Violin Conspiracy: Music professor Bern Hendricks discovers a shocking secret about the most famous American composer of all time—his music may have been stolen from a Black Jazz Age prodigy named Josephine Reed. Determined to uncover the truth that a powerful organization wants to keep hidden, Bern will stop at nothing to right history's wrongs and give Josephine the recognition she deserves.

Bern Hendricks has just received the call of a lifetime. As one of the world’s preeminent experts on the famed twentieth-century composer Frederick Delaney, Bern knows everything there is to know about the man behind the music. When Mallory Roberts, a board member of the distinguished Delaney Foundation and direct descendant of the man himself, asks for Bern’s help authenticating a newly discovered piece, which may be his famous lost opera, RED, he jumps at the chance. With the help of his tech-savvy acquaintance Eboni, Bern soon discovers that the truth is far more complicated than history would have them believe.

In 1920s Manhattan, Josephine Reed is living on the streets and frequenting jazz clubs when she meets the struggling musician Fred Delaney. But where young Delaney struggles, Josephine soars. She’s a natural prodigy who hears beautiful music in the sounds of the world around her. With Josephine as his silent partner, Delaney’s career takes off—but who is the real genius here?

In the present day, Bern and Eboni begin to uncover more clues that indicate Delaney may have had help in composing his most successful work. Armed with more questions than answers and caught in the crosshairs of a powerful organization who will stop at nothing to keep their secret hidden, Bern and Eboni will move heaven and earth in their dogged quest to right history’s wrongs.

 *All pre-orders are signed/personalized and come with exclusive art and bookmarks.*

 From Joya Goffney, author of Excuse Me While I Ugly Cry, comes her third stunning YA novel, a stirring coming-of-age, best friends-to-lovers romance about a girl named Nikki who plans to run away from small-town Texas but ultimately finds that her oldest friend, Mal, just might be the one who’s been there for her all along. Filled with Joya’s signature heart and humor, this book captures complex family dynamics, friendship, and love. For fans of I Wanna Be Where You Are by Kristina Forest and Counting Down with You by Tashie Bhuiyan.

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Crackling with energy and intelligence, this debut is the "smart, subversive, funny, heartbreaking" (Kamila Shamsie) story of an exceptional teenager coming of age in the shadow of colonialism and communal violence in Nigeria.

Andrew Aziza is an unusually smart fifteen-year-old in Kontagora, Nigeria. He lives with his fiercely protective mother, Gloria, and fantasizes obsessively about white girls-especially blondes. When he's not in church, at school, or hanging about town with his droogs wishing to become one of “Africa's first superheroes,” he's contemplating the larger questions with his teacher Zahrah and his equally brilliant friend Fatima, a Hausa-Fulani girl who has feelings for him. Together they discuss mathematical theorems, Black power, and what Andy has deemed the Curse of Africa.

Sure enough, the reluctantly nicknamed Andy Africa soon falls hopelessly and inappropriately in love with the first white girl he lays eyes on: Eileen. But at the church party held to celebrate her arrival, multiple crises loom. An unfamiliar man there claims, despite his mother's denials, to be Andy's father, and an anti-Christian mob has gathered, headed for the church. In the ensuing havoc and its aftermath, Andy is forced to reckon with his identity and desires and determine how to live on the so-called Cursed Continent.

The Five Sorrowful Mysteries of Andy Africa announces a dazzlingly unique literary voice. Crackling with energy, this tragicomic novel provides a stunning lens into contemporary African life, the complicity of the West, and the impossible challenges of growing up in a turbulent world.

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In this final installment in the acclaimed Black Girls Must Die Exhausted trilogy, Tabitha is juggling work, relationships, and a newborn baby—but will she find the happy ending she’s always wanted?

After a whirlwind year, Tabitha Walker’s carefully organized plan to achieve the life she wanted—perfect job, dream husband, and stylish home—has gone off the rails. Her checklist now consists of diapers changed (infinite), showers taken (zero), tears cried (buckets), and hours of sleep (what’s that?).

Don't get her wrong, Tabby loves her new bundle of joy and motherhood is perhaps the only thing that's consistent for her these days. When the news station announces that they will be hiring outside competitors for the new anchor position, Tabby throws herself into her work. But it’s not just maintaining her position as the station’s weekend anchor that has her worried. All of her relationships seem to be shifting out of their regular orbits. Best friend Alexis can’t manage to strike the right balance in her “refurbished” marriage with Rob, and Laila’s gone from being a consistent ride-or-die to a newly minted entrepreneur trying to raise capital for her growing business. And when Marc presents her with an ultimatum about their relationship, coupled with an extended “visit” from his mother, Tabby is forced to take stock of her life and make a new plan for the future.

Consumed by work, motherhood, and love, Tabby finds herself isolated from her friends and family just when she needs them most. But help is always there when you ask for it, and Tabby’s village will once again rally around her as she comes to terms with her new life and faces her biggest challenge yet—choosing herself.