New York Times Bestseller

Highly acclaimed debut author Etaf Rum tells the story of three generations of Palestinian-American women struggling to express their individual desires within the confines of their Arab culture in the wake of shocking intimate violence in their community.

“A dauntless exploration of the pathology of silence, an attempt to unsnarl the dark knot of history, culture, fear, and trauma that can render conservative Arab-American women so visibly invisible…. The triumph of Rum’s novel is that she refuses to measure her women against anything but their own hearts and histories…. Both a love letter to storytelling and a careful object lesson in its power.”—New York Times Book Review

“Where I come from, we keep these stories to ourselves. To tell them to the outside world is unheard of, dangerous, the ultimate shame.”

Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Her desires are irrelevant, however—over the course of a week, the naive and dreamy girl finds herself betrothed, then married, and soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law, Fareeda, and her strange new husband, Adam: a pressure that intensifies as she begins to have children—four daughters instead of the sons Isra is expected to bear.

Brooklyn, 2008. At her grandmother’s insistence, eighteen-year-old Deya must meet with potential husbands and prepare herself for marriage, though her only desire is to go to college. Her grandmother is firm on the matter, however: the only way to secure a worthy future for Deya is through marriage to the right man. But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths that will force her to question everything she thought she knew about her family, the past, and her own future.

Set in an America at once foreign to many and staggeringly close at hand, A Woman Is No Man is a story of culture and honor, secrets and betrayals, love and violence. It is an intimate glimpse into a controlling and closed cultural world, and a universal tale about family and the ways silence and shame can destroy those we have sworn to protect.

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From Printz honoree and National Book Award finalist Candice Iloh, a verse novel about Cerulean Gene, a nonbinary Black teenager searching for a new way to do more than survive in post-pandemic America.

Cerulean and their friends went into senior year—the first year of normal school after the pandemic—with a plan: keep their heads down in class, save money, and get the hell out of the Bronx once they graduate. If teachers are going to force them to read Huckleberry Finn, then they can't blame kids for "lighting out for the territory." Cerulean is convinced that there must be somewhere better than the Bronx and is focused on learning how to grow and make food so they can all be self-sufficient when they finally make their break.

Burned-out teachers and their father's badly timed workplace accident send Cerulean reeling off course, but Bronx babies are resiliant and resourceful, and Salt the Water is ultimately a radically hopeful vision of life beyond mere survival.

Brace for the storm of the earth-shaking finale to Tomi Adeyemi’s #1 New York Times-bestselling Legacy of Orïsha series.

New allies rise.
The Blood Moon nears.
Zélie faces her final enemy.
The king who hunts her heart.

When Zelie seized the royal palace that fateful night, she thought her battles had come to an end. The monarchy had finally fallen. The maji had risen again. Zélie never expected to find herself locked in a cage and trapped on a foreign ship. Now warriors with iron skulls traffic her and her people across the seas, far from their homeland.

Then everything changes when Zélie meets King Baldyr, her true captor, the ruler of the Skulls, and the man who has ravaged entire civilizations to find her. Baldyr’s quest to harness Zélie’s strength sends Zélie, Amari, and Tzain searching for allies in unknown lands.

But as Baldyr closes in, catastrophe charges Orïsha’s shores. It will take everything Zélie has to face her final enemy and save her people before the Skulls annihilate them for good.

The first in a thrilling new series from Emmy Award–winning journalist Tamron Hall, in which a reporter unravels the disturbing mystery around the deaths of two black girls, the work of a serial killer terrorizing Chicago.

When crime reporter Jordan Manning leaves her hometown in Texas to take a job at a television station in Chicago, she’s one step closer to her a dream: a coveted anchor chair on a national network.

Jordan is smart and aggressive, with unabashed star-power, and often the only woman of color in the newsroom. Her signature? Arriving first on the scene—in impractical designer stilettos. Armed with a master’s degree in forensic science and impeccable instincts, Jordan has thus far been able to balance her dueling motivations: breaking every big story—and giving voice to the voiceless.

From her time reporting in Texas, she’s sure she has covered the vilest of human behaviors, but nothing has prepared her for Chicago. You see, Jordan is that rare breed of journalist who can navigate a crime scene as well as she can a newsroom—often noticing what others tend to miss. Again and again, she is called to cover the murders of black females, many of them sexually assaulted, most brutalized, and all of them quickly forgotten.

All until Masey James—the story that Jordan just can’t shake, try as she might. A fifteen-year-old girl whose body was found in an abandoned lot, Masey has come to represent for Jordan all of the frustration that her job—with its required distance—often forces her to repress. Putting the rest of her workload and her (fraying) personal life aside, Jordan does everything she can to give the story the coverage it desperately requires, and that a missing black child would so rarely get. Three young boys are eventually charged with Masey’s murder, but Jordan remains unconvinced.

There’s a serial killer on the loose, Jordan believes, and he’s hiding in plain sight.

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In this “outstanding volume” (Boston Herald) that “ought to be at the top of everyone’s must-read list” (Essence), Black women and men evocatively explore what could make a smart woman ignore doctor’s orders; what could get a hardworking employee fired from her job; what could get a black woman in hot water with her white boyfriend? In a word: hair.

In a society where beauty standards can be difficult if not downright unobtainable for many Black women, the issue of hair is a major one. Now, in this evocative and fascinating collection of essays, poems, excerpts, and more, Tenderheaded speaks to the personal, political, and cultural meaning of Black hair.

From A’​Leila Perry Bundles, the great-granddaughter of hair care pioneer Madam C.J. Walker celebrating her ancestor’s legacy, to an art historian exploring the moving ways in which Black hair has been used to express Yoruba spirituality, to renowned activist Angela Davis questioning how her message of revolution got reduced to a hairstyle, Tenderheaded is as rich and diverse as the children of the African diaspora.

With works from authors including Toni Morrison, Alice Walker, bell hooks, Henry Louis Gates Jr., and more, this “remarkable array of writings and images” (Publishers Weekly) will stay with you long after you turn the final page.

Original stories of Black family life in Louisville, Kentucky, for readers of Dantiel Moniz (Milk Blood Heat) and Kai Harris (What the Fireflies Knew).

The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers’ drug addictions.

JayLynn heads to college intent on gaining distance from her depressed mother, only to learn that her mother’s illness has reached a terrifying peak. She fears the chaos and instability of her extended family will prove too much for her boyfriend, whose idyllic family feels worlds, not miles, apart from her own. When bats invade Zaria’s new home, she is forced to determine how much she is willing to sacrifice to be a good mother. Angel rebels on Derby night, risking her safety to connect with her absent mother and the wild ways that consumed her.

Mama Said separates from stereotypes of Black families, presenting instead the joy, humor, and love that coexist with the trauma of drug abuse within communities. Kristen Gentry’s stories showcase the wide-reaching repercussions of addiction and the ties that forever bind daughters to their mothers, flaws and all.

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“Powerful . . . full of impossible hope . . . Jackson’s prose has a spoken-word cadence, the language flying off the page with percussive energy.” —The New York Times Book Review

Finalist for the PEN/Hemingway Award for Debut Fiction

Finalist for the Flaherty-Dunnan First Novel Prize

Nominee for the Hurston/Wright Legacy Award

Honor Book for Fiction for the Black Caucus of the ALA

Mitchell S. Jackson grew up black in a neglected neighborhood in America's whitest city, Portland, Oregon. In the '90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding debut autobiographical novel, Mitchell writes what it was to come of age in that time and place, with a breakout voice that's nothing less than extraordinary.

The Residue Years switches between the perspectives of a young man, Champ, and his mother, Grace. Grace is just out of a drug treatment program, trying to stay clean and get her kids back. Champ is trying to do right by his mom and younger brothers, and dreams of reclaiming the only home he and his family have ever shared. But selling crack is the only sure way he knows to achieve his dream. In this world of few options and little opportunity, where love is your strength and your weakness, this family fights for family and against what tears one apart.

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A taut, edgy, deftly spun novel about four friends grappling with the dramatic twists and turns of life, love and what it means to "make it in America."

Ivy Donovan is a successful stylist, entrepreneur, and single mom who has been loyal to her sons’ father, Michael, who’s serving a lengthy prison sentence. But life has gotten lonely over the years, and Ivy wants more for herself. Michael, however, isn’t about to lose his family.

Coco Norris is successful, single, childless, and struggling with her unreciprocated allegiance to emotionally unavailable men. When she finds a man who seems like he can give her everything she has ever wanted, Coco soon discovers that she has taken on more than she can possibly handle.

Deja Maddox is a real estate agent who is married to a police sergeant with the NYPD. They have assimilated, looking down on anything that doesn’t fit their buttoned up, polished life. But Deja isn’t as satisfied as she would like everyone to believe. When Deja’s past returns with a vengeance, she’s forced to face herself and her “perfect” life begins to crumble.

Things come to a head when Ivy’s youngest son, Kingston, is caught up in a polarizing encounter with the NYPD. Everyone is forced to figure out where they stand, including the police sergeant who suddenly has to decide if his "blue life" matters more to him than his black life and the black lives of those he loves.

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents.

“After Yara is placed on probation at work for fighting with a racist coworker, her Palestinian mother claims the provocation and all that’s come after were the result of a family curse. While Yara doesn’t believe in old superstitions, she finds herself unpacking her strict, often volatile childhood growing up in Brooklyn, looking for clues as to why she feels so unfulfilled in a life her mother could only dream of. Etaf Rum’s follow-up to her debut, A Woman Is No Man, is a complicated mother-daughter drama that looks at the lasting effects of intergenerational trauma and what it takes to break the cycle of abuse” (Time magazine).

Foreword by Tayari Jones, author of An American Marriage

Edited with an introduction by Genevieve West, professor and chair of the English, Speech, and Foreign Languages department at Texas Woman’s University

A collection of remarkable stories of the Harlem Renaissance from “one of the greatest writers of our time” (Toni Morrison) Zora Neale Hurston.

In May 1925, Zora Neale Hurston—then a fledgling writer—was living in New York, “desperately striving for a toe-hold on the world.” For the next decade, she wrote short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories that flash with Hurston’s biting, satiric humor, as they share revelations about love and migration, gender and class, racism and sexism, that proudly reflect African American folk culture. Brought together for the first time, they include eight of Hurston’s “lost” Harlem gems, which were found in dusty periodicals and archives. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

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It's 1976 and Jamaica is on fire. The country is on the eve of important elections and the warring political parties have made the divisions between the poor and the wealthy even wider. And Irie and Jilly come from very different backgrounds: Irie is from the heart of Kingston, where fighting in the streets is common. Jilly is from the hills, where mansions nestled within lush gardens remain safe behind gates. But the two bond through a shared love of Reggae music, spending time together at Irie's father's record store, listening to so-called rebel music that opens Jilly's mind to a sound and a way of thinking she's never heard before.

As tensions build in the streets, so do tensions between the two girls. A budding romance between them complicates things further as the push and pull between their two lives becomes impossible to bear. For Irie, fighting—with her words and her voice—is her only option. Blood is shed on the streets in front of her every day. She has no choice. But Jilly can always choose to escape.

Can their bond survive this impossible divide?

Asha Bromfield has written a compelling, emotional and heart-rending story of a friendship during wartime and what it means to fight for your words, your life, and the love of your life.

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In her first middle-grade novel, award-winning author Amber McBride explores Black pain, trauma, and ultimately, healing through the story of what might happen if white supremacists ceded from the rest of the country.

In the future, a Black girl known only as Inmate Eleven is kept confined—to be used as a biological match for the president's son, should he fall ill. She is called a Blue—the color of sadness. She lives in a small-small room with her dog, who is going wolf more often—he’s pacing and imagining he’s free. Inmate Eleven wants to go wolf too—she wants to know why she feels so blue and what is beyond her small-small room.

In the present, Imogen lives outside of Washington DC. The pandemic has distanced her from everyone but her mother and her therapist. Imogen has intense phobias and nightmares of confinement. Her two older brothers used to help her

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Join New York Times bestselling author Denene Millner as she unravels three generations of women tied together by blood, love, and family secrets in this searing novel.

“In delicious, decadent prose, Denene Millner does what few authors can–compose a sprawling multigenerational tale that is necessary American reading. One Blood sings the song of the South in a voice that is heartbreaking, hopeful, and resilient. A masterpiece.”

–Tara M. Stringfellow, National Bestselling author of Memphis

Join New York Times bestselling author Denene Millner as she explores the lives of three generations of women tied together by love, hope, dreams, ambition...and family secrets in this epic novel.

Meet Grace: raised by her beloved grandmother in tension-filled, post-segregation Virginia, Grace is barely a teenager when she loses her grandmother. Shellshocked, she is shipped up North to live with her formidably ambitious Aunt Hattie?a woman who firmly left behind her Southern roots in pursuit of upward mobility. Feeling like a fish out of water in the high society world filled with fancy teas and coveted debutante balls, Grace’s only place of comfort is with the smart, handsome son of one of the society’s grand dames.

Meet Delores: beautiful, intelligent and fierce, Delores a.k.a. Lolo has never had it easy. Once she makes it north, she puts aside her dream of being a model to do what she has to do to survive as a woman with little money and no mooring: get married and have a family of her own. When secrets start to spill out and she and her family slowly begin to unravel, Lolo is willing to do whatever it takes to keep her dream intact and those she loves together.

Meet Rae: when Lolo’s headstrong daughter, Rae discovers that she is adopted, it’s just one secret among others that her family is keeping. When Rae finds out that she’s about to become a mother herself, she knows that there is an important reckoning that must be faced about herself and her two mothers.

Potent, poetic, powerful, told with deep love, and spanning from the Great Migration to the civil unrest of the 1960s to the quest for women’s equality in early 2000s, Denene Millner’s beautifully wrought novel explores three women’s intimate, and often complicated, struggle with what it truly means to be to be family.

In this follow-up to Kayode's "action-packed and spirited debut" Philip Taiwo returns to solve a missing-persons case, and in so doing, uncovers dark secrets the church has worked tirelessly to hide (Oyinkan Braithwaite, author of My Sister, the Serial Killer).

A shadow has fallen over the megachurch in Ogun State, Nigeria: the beloved Bishop Dawodu has been arrested for the murder of his wife. Sade Dawodu has vanished without a trace and although no body has been found, the police have acted based on what they claim is damning evidence. Philip Taiwo, hot off the success of solving the Okriki Three case, is brought on to investigate. He quickly learns that Sade, young, impulsive, and outspoken, is no favorite of the congregants. She has also been known to disappear for long stretches of time. As Taiwo and his trusted associate, Chika plunge into the investigation, they unearth secrets that go beyond the missing persons case, ones that if leaked, threaten to shatter not only the Bishop, but the church itself. Taiwo quickly begins to feel like a hired gun, put up to the task with the express purpose to clear the bishop’s name rather than find the naked truth.

As Taiwo strives to crack the vast conspiracy he's up against, he’s tugged away by the demands of family life, and derailed by systemic challenges: in Nigeria, cash is king, there are no viable databases, and records are sparse. Through his eyes, we’re treated to religion’s cult-like grip, the ways in which the state is in bed with the church, and the difference between police corruption in Nigeria and America, where Philip has been living for over two decades. In turns high-octane, dark and political, but always emotionally stirring, this highly-anticipated follow-up to LIGHTSEEKERS has the bones of a classic mystery with a fresh, global tilt.

Secrets emerge and romance sparks in this irresistible romance from the USA Today bestselling author Kennedy Ryan.

Kerris Moreton should be the happiest woman in the world: She has a successful business and is about to start the family she's always wanted. But the man of her dreams--the one whose green eyes see straight into her soul and whose gentle hands make her body hum with pleasure--is not hers.

Each secret moment with Walsh Bennett serves to remind Kerris of what she's missing. And every stolen hour makes it harder to see her future without him. But being with Walsh would betray a sacred promise and upend her perfect life. When tragedy strikes, the razor's edge between love and loyalty grows sharper than ever. And Kerris must decide where her heart will fall . . .

Don't miss the beginning of Kerris and Walsh's story in When You Are Mine.

From the USA Today bestselling author of Before I Let Go comes a powerful, "achingly beautiful" (A.L. Jackson) novel of one woman on the brink of making a decision that will change her life forever. 

Kerris Moreton knows how to make things work. Bounced from foster home to foster home as a kid, she adapted; when opportunity arose, she thrived. Now, about to open her own business and accept a marriage proposal, Kerris is ready to build the life she's always wanted. The only thing missing? A passionate connection with her would-be fiance, Cam. Kerris wants to believe that sparks are overrated-until Walsh Bennett lights her up like the Fourth of July.

As one of the East Coast's most eligible bachelors, Walsh enjoys financial independence, fulfilling work with his family's nonprofit, and plenty of female attention. But lately he's been distracted by the one woman he can't have. Lovely to look at and even sweeter to know, Kerris is the soul mate Walsh never thought he would find. The problem is, his best friend found her first. 

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The National Book Award-winning author of Felix Ever After delivers a beautifully tender story of two grumpy/sunshine, fake-dating actors navigating their love story both on and offscreen—perfect for fans of Casey McQuiston and Alexis Hall.

Logan Gray is Hollywood's bad boy—a talented but troubled actor who the public loves to hate. Mattie Cole is an up‑and‑coming golden boy, adored by all but plagued by insecurities.

When Logan and Mattie are cast as leads in a new romantic film, Logan claims that Matt has “zero talent,” sending the film’s publicity into a nosedive. To create positive buzz, the two are persuaded into a fake‑dating scheme—but as the two actors get to know their new characters, real feelings start to develop. 

As public scrutiny intensifies and old wounds resurface, the two must fight for their relationship and their love.
 

Pushing intimacy to its limits in prose of unearthly beauty, Vauhini Vara explores the nature of being a child, parent, friend, sibling, neighbor, or lover, and the relationships between self and others. A young girl reads the encyclopedia to her elderly neighbor, who is descending into dementia. A pair of teenagers seek intimacy as phone-sex operators. A competitive sibling tries to rise above the drunken mess of her own life to become a loving aunt. One sister consumes the ashes of another. And, in the title story, an experimental artist takes on his most ambitious project yet: constructing a life-size ark according to the Bible’s specifications. In a world defined by estrangement, where is communion to be found? The characters in This Is Salvaged, unmoored in turbulence, are searching fervently for meaning, through one another.

How does witnessing a crime change a person? This powerful collection of stories by a star-studded roster of contributors examines this very question, with proceeds benefitting the Alliance for Safe Traffic Stops.

Inspired by recent true events, the all-original stories in Witnesses for the Dead are set in motion by the act of witnessing. The characters who populate these pages are not themselves the perpetrators of the crimes they see, but as they grapple with what to do—take action or retreat into the shadows—their lives are indelibly changed.

In “Envy” by Christopher Chambers, a sweet, shy wallflower looks on as something horrific happens in his neighborhood—revealing something horrific about himself. Agatha Award–winner Richie Narvaez’s “The Gardener of Roses” sees a Puertorriqueña college student on the run from the FBI for her accidental involvement in a “terrorist” plot. Anthony Award–winner Gary Phillips confronts police corruption in “Spiders and Fly.” And the protagonist of “A Family Matter” by IPPY Award–winner Sarah M. Chen investigates the murder of a stranger, leading her to question the political structure of Taiwan entirely. Other stories feature a brothel, the film industry, immigrant detention centers at the Mexico-US border, World War II–torn France, and the COVID-19 pandemic. The stories are incisive, unflinching, wry, dark, and, in some cases, terrifying. You’ll ask yourself: If I saw what they saw, what would I do?

With contributions from: Scott Alderberg, Cara Black, Christopher Chambers, Sarah M. Chen, Aaron Philip Clark, Teresa Dovalpage, Tod Goldberg, Gar Anthony Haywood, Darrell James, Richie Narvaez, Gary Phillips, SJ Rozan, Alex Segura, and Pamela Samuels Young.

From the visionary author of Sudden Death, a hallucinatory, revelatory, colonial revenge story.

One morning in 1519, conquistador Hernán Cortés entered the city of Tenochtitlan – today's Mexico City. Later that day, he would meet the emperor Moctezuma in a collision of two worlds, two empires, two languages, two possible futures.

Cortés was accompanied by his nine captains, his troops, and his two translators: Friar Aguilar, a taciturn, former slave, and Malinalli, a strategic, former princess. Greeted at a ceremonial welcome meal by the steely princess Atotoxli, sister and wife of Moctezuma, the Spanish nearly bungle their entrance to the city. As they await their meeting with Moctezuma – who is at a political, spiritual, and physical crossroads, and relies on hallucinogens to get himself through the day and in quest for any kind of answer from the gods – the Spanish are ensconced in the labyrinthine palace. Soon, one of Cortés’s captains, Jazmín Caldera, overwhelmed by the grandeur of the city, begins to question the ease with which they were welcomed into the city, and wonders at the risks of getting out alive, much less conquering the empire.

You Dreamed of Empires brings to life Tenochtitlan at its height, and reimagines its destiny. The incomparably original Alvaro Enrigue sets afire the moment of conquest and turns it into a moment of revolution, a restitutive, fantastical counter-attack, in a novel so electric and so unique that it feels like a dream.

At once cinematic yet intimate, Broughtupsy is an enthralling debut novel about a young Jamaican woman grappling with grief as she discovers her family, her home, is always just out of reach.

Tired of not having a place to land, twenty-year-old Akúa flies from Canada to her native Jamaica to reconnect with her estranged sister Tamika. Their younger brother Bryson has recently passed from sickle cell anemia—the same disease that took their mother ten years prior—and Akúa carries his remains in a small wooden box with the hope of reassembling her family.

Over the span of two fateful weeks, Akúa and Tamika visit significant places from their childhood, but time spent with her sister only clarifies how different they are, and how years of living abroad have distanced Akúa from her home culture. "Am I Jamaican?" she asks herself again and again. Beneath these haunting doubts lie anger and resentment at being abandoned by her own blood. "Why didn’t you stay with me?" she wants to ask Tamika.

Wandering through Kingston with her brother's ashes in tow, Akúa meets Jayda, a brash stripper who shows her a different side of the city. As the two grow closer, Akúa confronts the difficult reality of being gay in a deeply religious family, and what being a gay woman in Jamaica actually means.

By turns diasporic family saga, bildungsroman, and terse sexual awakening, Broughtupsy is a profoundly moving debut novel that asks: what do we truly owe our family, and what are we willing to do to savor the feeling of home?

Starr Lewis returns home for the holidays, jobless and single, to attend her sister's wedding to Starr's ex-boyfriend. But when her brother's best friend offers to go with her to the wedding activities and she gives his struggling Christmas shop a makeover, she wonders if the holidays could bring her a love to keep all year long.

It's the most wonderful time of the year--for everyone except Starr Lewis.

As if going home for the holidays jobless and single wasn't bad enough, she's dragged into a holiday season full of activities leading up to her sister's uber-romantic Christmas Eve wedding--to Starr's ex-boyfriend. But when her brother's best friend, Waylon Emmerson, attends their family Thanksgiving, she starts to wonder if maybe coming home for Christmas isn't so bad after all.

As Starr finds the perfect distraction in helping Waylon make over his late mother's Christmas shop, the most wonderful time of the year works its magic and the spark between them grows. But with the holidays fast approaching, Starr must decide what she wants out of life after the gifts are unwrapped and the ornaments are put away--to go back to New York City or to open her heart to a love that will last beyond Christmas Day?

Growing up in dive bars up and down the East Coast, Toni Bennette's guitar was her only companion...until she met Sebastian Quick. Seb was a little older, a lot wiser, and before long he was Toni's way out, promising they'd escape their stifling small town together. Then Seb turned eighteen and split without looking back.

Now, Toni's all grown up and making a name for herself in Philadelphia's indie scene. When a friend suggests she try out for a hot new up-and-coming band, Toni decides to take a chance. Strong, feminist, and fierce as fire, Toni B. and the Lillys are the perfect match…except Seb's now moonlighting as their manager. Whatever. Toni can handle it. No problem. Or it wouldn't be if Seb didn't still hold a piece of her heart…not to mention the key to her future.

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Lincoln Agrippa Daily, known on the 1920s Marseilles waterfront as "Banjo," prowls the rough waterfront bistros with his drifter friends, drinking, looking for women, playing music, fighting, loving, and talking--about their homes in Africa, the West Indies, or the American South and about being Black.

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Award-winning author, screenwriter, and editor Gary Phillips gathers his most thrilling, outlandish, and madcap pulp fiction in an 17-story collection that straddles the line between bizarro, science fiction, noir, and superhero classics.

Aztec vampires, astral projecting killers, oxygen stealing bombs, undercover space rangers, aliens occupying Los Angeles, right wing specters haunting the ’hood, masked vigilantes, and mad scientists in their underground lairs plotting world domination populate the stories in this rip-snorting collection. In these pages grindhouse melds with blaxploitation along with strong doses of B movie hardcore drive-in fare.

Phillips, editor of the Anthony Award-winning The Obama Inheritance: Fifteen Stories of Conspiracy Noir, and author of One-Shot Harry and Matthew Henson and the Ice Temple of Harlem, said this about pulp. “The most common definition of pulp is it’s fast-paced, a story containing out there characters and a wild plot. There is that. But certainly, as we’ve now arrived at the era of retro-pulp, these stories have elements of characterization: not just action, but a glimpse behind the steely eyes of these doers of incredible deeds.” As an added bonus, Phillips resurrects Phantasmo, a Golden Age comics character created by Black artist-writer E.C. Stoner in an all-new outing of ethereal doings (includes 4 original illustrations by cover artist Adam Shaw).

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“A significant new voice in fiction, Norris has written what may be one of the defining novels of the era at the intersection between Black Lives Matter and COVID-19.” —BuzzFeed

One of Publishers Weekly's Best Novels of the Summer ∙ One of The Millions' Most Anticipated Books of June ∙ One of ALTA's Recommended Reads for June ∙ One of BuzzFeed's Amazing Small Press Books To Add To Your Summer Reading List

Copeland Cane V, the child who fell outta Colored People Time and into America, is a fugitive…
He is also just a regular teenager coming up in a terrifying world. A slightly eccentric, flip-phone loving kid with analog tendencies and a sideline hustling sneakers, the boundaries of Copeland’s life are demarcated from the jump by urban toxicity, an educational apparatus with confounding intentions, and a police state that has merged with media conglomerates—the highly-rated Insurgency Alert Desk that surveils and harasses his neighborhood in the name of anti-terrorism.

Recruited by the nearby private school even as he and his folks face eviction, Copeland is doing his damnedest to do right by himself, for himself. And yet the forces at play entrap him in a reality that chews up his past and obscures his future. Copeland’s wry awareness of the absurd keeps life passable, as do his friends and their surprising array of survival skills. And yet in the aftermath of a protest rally against police violence, everything changes, and Copeland finds himself caught in the flood of history.

Set in East Oakland, California in a very near future, The Confession of Copeland Cane introduces us to a prescient and contemporary voice, one whose take on coming of age in America becomes a startling reflection of our present moment.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

From a National Book Award finalist, Witness is an elegant, insistent narrative of actions taken and not taken.

What does it mean to take action? To bear witness? What does it cost?

In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters—from children to grandmothers to ghosts—live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect, to remember, to stand up for, and to really see each other, they often fall short, and the structures they build around these ambitions and failures shape not only their own futures but the legacies and prospects of their families and their city.

In its portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, the meaning of home, Witness enacts its own testimony. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust—doctors, employers, siblings—too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon.

With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.

 *ships in 7-10 business days* 

A multigenerational novel and an epic debut that explores the origins of a south Georgia family’s tradition and how its modern-day sons and daughters struggle the legacies of America’s Civil Rights Movement and the far-reaching impacts of the 1800s slave trade from Senegal to Charleston, S.C.

On a routine day, Fletcher Dukes drives his older sister, Olga, who is losing her sight, to do weekly grocery shopping at the Piggly Wiggly. On the liquor aisle, they pass a tall woman, head bowed reading a wine label. Fletcher smells her perfume first, then sees a strawberry birthmark on the nape of a woman’s neck and knows at once that this is his lost love, Altovise Benson. Fletcher and Altovise risked their lives together in sit-ins and marches, but their plan to marry was interrupted when the police turned a peaceful protest violent. The two were jailed in different towns leading to a separation that would ultimately span 52 years. Before Altovise’s departure, Fletcher carves her a peach seed monkey with diamond eyes. As we learn via harrowing flashbacks to 1800’s Senegal, an undiscovered Dukes ancestor who was sold into slavery carved the first monkey—the Peach Seed Monkey that forms the talismanic tradition, the rite of passage, that each generation of Dukes man gifts to his son on his 13th birthday—along with the tools and knowledge to carve them himself. By giving one to Altovise Fletcher initiates a physical and spiritual break in a tradition that like the Civil Rights Movement irrevocably shapes the lives of future generations including a Fletcher’s daughters, his grandson, Bo-D and a constellation of Dukes in the present.