A Harper Perennial Deluxe Modern Classic

The bold, funny, and poignant autobiography from one of American literature’s greats, now beautifully packaged as a Harper Perennial Deluxe Edition

“Warm, witty, imaginative. . . . This is a rich and winning book.”—The New Yorker

“I have been in Sorrow’s kitchen and licked out all the pots. Then I have stood on the peaky mountain wrapped in rainbows with a harp and a sword in my hands.”—Zora Neale Hurston

First published in 1942 at the crest of her popularity as a writer, this is Zora Neale Hurston’s imaginative and exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance.

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"With Nobody's Magic, Destiny Birdsong has given us a devastatingly beautiful, sexy, searing gift. These are stunning, irresistible stories of Southern Black womanhood that I will return to again and again."—Deesha Philyaw, National Book Award finalist for The Secret Lives of Church Ladies

In this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives.   

Suzette, a pampered twenty-year‑old, has been sheltered from the outside world since a dangerous childhood encounter. Now, a budding romance with a sweet mechanic allows Suzette to seek independence, which unleashes dark reactions in those closest to her. In discovering her autonomy, Suzette is forced to decide what she is willing to sacrifice in order to make her own way in the world.

Maple is reeling from the unsolved murder of her free‑spirited mother. She flees the media circus and her judgmental grandmother by shutting herself off from the world in a spare room of the motel where she works. One night, at a party, Maple connects with Chad, someone who may understand her pain more than she realizes, and she discovers that the key to her mother's death may be within her reach.

Agnes is far from home, working yet another mind‑numbing job. She attracts the interest of a lonely security guard and army veteran who’s looking for a traditional life for himself and his young son. He’s convinced that she wields a certain “magic,” but Agnes soon unleashes a power within herself that will shock them both and send her on a trip to confront not only her family and her past, but also herself.
 
This novel, told in three parts, is a searing meditation on grief, female strength, and self‑discovery set against a backdrop of complicated social and racial histories. Nobody's Magic is a testament to the power of family—the ones you're born in and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future.

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A novel by a critically acclaimed voice in contemporary fiction, praised by Ebony for its “unforgettable images, unique characters, and moving story that keeps the pages turning until the end.”

A young prostitute comes to Bigelow, Arkansas, to start over, far from her haunting past. Sugar moves next door to Pearl, who is still grieving for the daughter who was murdered fifteen years before. Over sweet-potato pie, an unlikely friendship begins, transforming both women's lives—and the life of an entire town.

Sugar brings a Southern African-American town vividly to life, with its flowering magnolia trees, lingering scents of jasmine and honeysuckle, and white picket fences that keep strangers out—but ignorance and superstition in. To read this novel is to take a journey through loss and suffering to a place of forgiveness, understanding, and grace.

Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager.

His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances.

When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.

In this taut Southern family drama, the sins of a favorite son rock a small Mississippi town.

Reverend Sabre Winfrey, shepherd of the Seven Seals Baptist Church, believes in God, his own privilege, and enterprise. Besides the barbershop and radio station he owns, he has an iron hand on every aspect of Dominion, Mississippi, society. He and his wife, Priscilla, have five boys; the youngest, Emanuel, is called Wonderboy―no one sings prettier, runs as fast, or turns as many heads. After a surprising encounter with a stranger, Wonderboy finds himself confronted by questions he’d never imagined, and his response will send shockwaves through the entire community. Told from the point of view of the women who love these two men, Dominion illustrates how we enable the everyday violence and casual sins of the patriarchy.

A Black Southern family drama that deals as much in tenderness and humor as it does in brutality, Addie E. Citchens’s Dominion reveals the many sinister ways in which we are shaped by fear and patriarchy.

The Pura Belpré Honor Award winning author of Aniana del Mar Jumps In makes her YA debut with a powerful novel-in-verse about a Texas teen who is battling racism in her theatre program and book banning efforts by her town’s school board.

Yulieta Lopez is angry. Angry at her racist drama teacher who refuses to cast Black students in lead roles. Angry at the school board threatening her favorite teacher for teaching works of literature that they deem “controversial.” Angry that she has to keep quiet until she can head to college and leave Texas forever.

Yuli is accustomed to playing various roles: the diligent daughter, the honorable hija, the good girl who serves everyone else before serving herself. But as the fire of Yuli's rage spreads and lights her up, she can no longer be silent. Determined to find a way to fight back, Yuli and her friends start a guerilla theatre club which stirs things up and gets people talking, and finally, Yuli steps into the role she was always meant to play.

From Laila Lalami—the Pulitzer Prize and National Book Award finalist and a “maestra of literary fiction” (NPR)—comes a riveting and utterly original novel about one woman’s fight for freedom, set in a near future where even dreams are under surveillance.

Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days.

The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes. With every deviation from the strict and ever-shifting rules of the facility, their stay is extended. Months pass and Sara seems no closer to release. Then one day, a new resident arrives, disrupting the order of the facility and leading Sara on a collision course with the very companies that have deprived her of her freedom.

Eerie, urgent, and ceaselessly clear-eyed, The Dream Hotel artfully explores the seductive nature of technology, which puts us in shackles even as it makes our lives easier. Lalami asks how much of ourselves must remain private if we are to remain free, and whether even the most invasive forms of surveillance can ever capture who we really are.

A young journalist, reeling from loss, investigates a mysterious cult in the California redwoods, only to be drawn in by its charismatic leader in this addictive novel that asks why people give up control and what it takes, ultimately, to find one’s place in the world.

Faruq Zaidi, a young journalist processing the recent death of his father, a devout Muslim, takes the opportunity to embed himself in a cult called “the nameless.” Based in the California redwoods and shepherded by an enigmatic Vietnam War veteran named Odo, the nameless adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.” Faruq, skeptical but committed to unraveling the mystery of the nameless, extends his stay over months, as he gets deeper into the cult’s inner workings and alluring teachings. But as he gets closer to Odo, Faruq himself begins to unravel, forced to come to terms with the memories he has been running from while trying to resist Odo’s spell. 

Told in three seamlessly interwoven threads―Faruq’s present-day investigation, Odo’s time as an infantryman during the Vietnam War alongside three other Black soldiers before the formation of the movement, and a documentary script that recounts the nameless’s clash with a Texas fundamentalist church―O Sinners! examines both longing and belonging. Ultimately the novel asks: What is it that we seek from the people we admire and, inevitably, from one another?

A hilarious and sexy romance about a woman who gets dropped on a strange planet only to fall for not one, but two, aliens, from the author of I Got Drunk and Yeeted a Love Potion at a Werewolf.

Dorothy Valentine is close to getting her PhD in wildlife biology when she’s attacked by a lion. On the bright side, she’s saved! On the not-so-bright side, it’s because they’re abducted by aliens. In her scramble to escape, Dory and the lion commandeer an escape pod and crash-land on an alien planet that has...dinosaurs?

Dory and her new lion bestie, Toto, are saved in the nick of time by a mysterious and sexy alien, Sol. On their new adventure, they team up with the equally hot, equally dangerous Lok, who may or may not be a war criminal. Whether it be trauma, fate, or intrigue, Dory can’t resist the attraction that’s developing in their trio....

As this ragtag group of misfits explore their new planet, Dory learns more about how and why they’ve all ended up together, battles more prehistoric creatures than she imagined (she imagined...zero), and questions if she even wants to go back home to Earth in this hilarious and steamy alien romance adventure comedy romp.

A prominent romance author has a slump in her love life and book sales, but a chance encounter with a hot firefighter helps her reignite her muse in this swoony holiday romance, perfect for book romantics.

Saira Wright is a prominent Black romance author who has been signed to the most prestigious publisher of African American works, Brownstone Literature. Her career has been successful for the past five years. However, she’s in a slump, and so are her sales and reviews. The romance she has been known for seems to be zapped out of her stories . . . and her love life.

Eager to get Saira back on top of the charts, her publisher has given her an ultimatum—write a chart-topping holiday romance or be dropped from the publishing house. There’s only one problem: Saira strongly opposes penning holiday books. To her, they are cliché and off-brand, but with her career on the line, she’s forced to give it a shot. To capture the spirit of the holidays, she books a vacation in the most “Christmassy” town she can find.

Sharing the other side of her rented duplex is the owner, Dorian Black, a volunteer firefighter, and the town’s little league football coach. He’s also “Mr. December” in the firefighter’s annual fundraising calendar . . . and every woman’s dream. Years ago, Dorian was happily married to the love of his life until cancer took her away from him. Still coping with the loss, a romantic relationship is the furthest thing from his mind. However, when he encounters his new tenant for the holiday, sparks fly and a fire is ignited that not even he can extinguish.

As the two navigate through various encounters, holiday festivities, and a snowstorm, will the magic of Christmas help them rediscover a long-awaited connection?

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In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project’s drug dealer at point-blank range.

The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride’s funny, moving novel and his first since his National Book Award–winning The Good Lord Bird. In Deacon King Kong, McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local cops assigned to investigate, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood’s Italian mobsters, and Sportcoat himself.

As the story deepens, it becomes clear that the lives of the characters—caught in the tumultuous swirl of 1960s New York—overlap in unexpected ways. When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion.

Bringing to these pages both his masterly storytelling skills and his abiding faith in humanity, James McBride has written a novel every bit as involving as The Good Lord Bird and as emotionally honest as The Color of Water. Told with insight and wit, Deacon King Kong demonstrates that love and faith live in all of us.

A powerful work of Afro-magic realism that interrogates the legacy of slavery and roots of poverty, witnesses the beauty and power in survival, and asks whether belief, magic, and intention can forge new realities

Blue’s daughter, Tsitra, is dying a horrific death. Thousands of miles away, Blue feels time slowing and hears voices, followed by an 18-month stillness. More than a century before, Blue’s grandparents, Amanda and Palmer, attend a salon party in New Orleans. It’s a veritable array of who’s-who within pre–Civil War social circles. Conversations get heated quickly as Ismay, the hostess who hails from French royalty, antagonizes Palmer, a landowner whose parents had been sold into American slavery and who’s there to seek revenge, and Amanda, a shapeshifter and puzzlemaker who had been enslaved until this very gathering. At this party, Amanda learns of a plot that will doom a line of her—and Palmer’s—family to poverty. She devises her own counter-plot to undo the damage.

Meanwhile, Blue comes out of her stillness, broke and devoid of inspiration. In profound grief and consumed by guilt, Blue travels to The Ranch where the voices grow louder and she has visions of two women from the distant past. As time collapses and Blue and Amanda meet in the space of possibility, Blue feels the spark of a power and creative energy she has only glimpsed. A novel of invention but grounded in the real, The Blue Is Where God Lives is a dual-timeline, time-bending novel of undeniable beauty, magic, and possibility.

The Davenports delivers a totally escapist, swoon-worthy romance while offering a glimpse into a period of African American history often overlooked.

"A fresh, utterly enchanting read.” —Ayana Gray, New York Times bestselling author of the Beasts of Prey trilogy

The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to.

There is Olivia, the beautiful elder Davenport daughter, ready to do her duty by getting married . . . until she meets the charismatic civil rights leader Washington DeWight and sparks fly. The younger daughter, Helen, is more interested in fixing cars than falling in love—unless it’s with her sister’s suitor. Amy-Rose, the childhood friend turned maid to the Davenport sisters, dreams of opening her own business—and marrying the one man she could never be with, Olivia and Helen’s brother, John. But Olivia’s best friend, Ruby, also has her sights set on John Davenport, though she can’t seem to keep his interest . . . until family pressure has her scheming to win his heart, just as someone else wins hers.

Inspired by the real-life story of the Patterson family, The Davenports is the tale of four determined and passionate young Black women discovering the courage to steer their own path in life—and love.

Blue skies, empty land—and enough room to hide away a horrifying secret. Or is there? Discover a haunting new vision of the American West from the award-winning author of The Changeling.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk is opened, people around her start to disappear...

The year is 1914, and Adelaide is in trouble. Her secret sin killed her parents, and forced her to flee her hometown of Redondo, California, in a hellfire rush, ready to make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will be one of the "lone women" taking advantage of the government's offer of free land for those who can cultivate it—except that Adelaide isn't alone. And the secret she's tried so desperately to lock away might be the only thing keeping her alive.

Told in Victor LaValle's signature style, blending historical fiction, shimmering prose, and inventive horror, Lone Women is the gripping story of a woman desperate to bury her past—and a portrait of early twentieth-century America like you've never seen.

In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air – in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums.

But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.

Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans.

A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia.

Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience.

The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker’s epic carries readers on a spirit-affirming journey towards redemption and love.

One weekend.

The elite underbelly of a Nigerian city.

A party that goes awry.

A tangled web of sex and lies and corruption that leaves no one unscathed.

Aima and Kalu are a longtime couple who have just split. When Kalu, reeling from the breakup, visits an exclusive sex party hosted by his best friend, Ahmed, he makes a decision that will plunge them all into chaos, brutally and suddenly upending their lives. Ola and Souraya, two Nigerian sex workers visiting from Kuala Lumpur, collide into the scene just as everything goes to hell. Sucked into the city’s corrupt and glittering underworld, they’re all looking for a way out, fueled by a desperate need to escape the dangerous threat that looms over them.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

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A sharp and scintillating summer novel that will make readers laugh out loud and cry happy tears from the New York Times bestselling author of Yours Truly.

Justin has a curse, and thanks to a Reddit thread, it's now all over the internet. Every woman he dates goes on to find their soul mate the second they break up. When a woman slides into his DMs with the same problem, they come up with a plan: They'll date each other and break up. Their curses will cancel each other’s out, and they’ll both go on to find the love of their lives. It’s a bonkers idea… and it just might work. 

Emma hadn't planned that her next assignment as a traveling nurse would be in Minnesota, but she and her best friend agree that dating Justin is too good of an opportunity to pass up, especially when they get to rent an adorable cottage on a private island on Lake Minnetonka.

It's supposed to be a quick fling, just for the summer. But when Emma's toxic mother shows up and Justin has to assume guardianship of his three siblings, they're suddenly navigating a lot more than they expected--including catching real feelings for each other. What if this time Fate has actually brought the perfect pair together?

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When Ikemefuna is put on a plane from Lagos, Nigeria to Sugar Land, Texas, she anticipates her newly arranged All-American life: a handsome husband, a beautiful red-brick mansion, pizza parlors, and dance classes.

Desperate to please, she'll happily cater to her family's needs. But Ikemefuna soon discovers what it actually means to live with her in-laws. Demands for a grandson grow urgent as her every move comes under scrutiny. As Ikemefuna finds there’s no way out, her new husband grapples with the influence of his parents against his own increasing affection for her.

As family secrets boil to the surface, Ikemefuna must decide how to scrape herself out of an impossibly sticky situation: a marriage succumbing to generational cycles of pain and silence. In the end, she may be carrying the greatest secret of all. 

An unforgettably delicious thriller, House Woman is about a woman trapped in a dangerous web of conflicting desires, melting in the Texas heat. 

A poignant debut for readers of Jesmyn Ward and Jamel Brinkley, We Are a Haunting follows three generations of a working class family and their inherited ghosts: a story of hope and transformation. 

In 1980’s Brooklyn, Key is enchanted with her world, glowing with her dreams. A charming and tender doula serving the Black women of her East New York neighborhood, she lives, like her mother, among the departed and learns to speak to and for them. Her untimely death leaves behind her mother Audrey, who is on the verge of losing the public housing apartment they once shared. Colly, Key’s grieving son, soon learns that he too has inherited this sacred gift and begins to slip into the liminal space between the living and the dead on his journey to self-realization.

In the present, an expulsion from school forces Colly across town where, feeling increasingly detached and disenchanted with the condition of his community, he begins to realize that he must, ultimately, be accountable to the place he is from. After college, having forged an understanding of friendship, kinship, community, and how to foster love in places where it seems impossible, Colly returns to East New York to work toward addressing structural neglect and the crumbling blocks of New York City public housing he was born to; discovering a collective path forward from the wreckages of the past. A supernatural family saga, a searing social critique, and a lyrical and potent account of displaced lives, We Are a Haunting unravels the threads connecting the past, present, and future, and depicts the palpable, breathing essence of the neglected corridors of a pulsing city with pathos and poise.

Exquisitely compassionate and witty, Big Girl traces the intergenerational hungers and desires of Black womanhood, as told through the unforgettable voice of Malaya Clondon.

In her highly anticipated debut novel, Mecca Jamilah Sullivan explores the perils—and undeniable beauty—of insatiable longing.

Growing up in a rapidly changing Harlem, eight-year-old Malaya hates when her mother drags her to Weight Watchers meetings; she’d rather paint alone in her bedroom or enjoy forbidden street foods with her father. For Malaya, the pressures of her predominantly white Upper East Side prep school are relentless, as are the expectations passed down from her painfully proper mother and sharp-tongued grandmother. As she comes of age in the 1990s, she finds solace in the music of Biggie Smalls and Aaliyah, but her weight continues to climb—until a family tragedy forces her to face the source of her hunger, ultimately shattering her inherited stigmas surrounding women’s bodies, and embracing her own desire. Written with vibrant lyricism shot through with tenderness, Big Girl announces Sullivan as an urgent and vital voice in contemporary fiction.

I came busting into the world during one of New York's worst snowstorms, so my mother named me Winter. Ghetto-born, Winter is the young, wealthy daughter of a prominent Brooklyn drug-dealing family. Quick-witted, sexy, and business-minded, she knows and loves the streets like the curves of her own body. But when a cold Winter wind blows her life in a direction she doesn't want to go, her street smarts and seductive skills are put to the test of a lifetime. Unwilling to lose, this ghetto girl will do anything to stay on top.

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In the future, nuclear war has destroyed nearly all humankind. An alien race intervenes, saving the small group of survivors from certain death. But their salvation comes at a cost.

The Oankali are able to read and mutate genetic code, and they use these skills for their own survival, interbreeding with new species to constantly adapt and evolve. They value the intelligence they see in humankind but also know that the species -- rigidly bound to destructive social hierarchies -- is destined for failure. They are determined that the only way forward is for the two races to produce a new hybrid species -- and they will not tolerate rebellion.

Akin looks like an ordinary human child. But as the first true human-alien hybrid, he is born understanding language, then starts to form sentences at two months old. He can see at a molecular level and kill with a touch. More powerful than any human or Oankali, he will be the architect of both races' future. But before he can carry this new species into the stars, Akin must reconcile with his own heritage in a world already torn in two.

“In these kaleidoscopic stories of Jamaica and its diaspora we hear many voices at once: some cultivated, some simple, some wickedly funny, some deeply melancholic. All of them shine.”—Zadie Smith

Tenderness and cruelty, loyalty and betrayal, ambition and regret—Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life.

Hurricane Harvey is about to hit Houston. Meanwhile, single mom Jia Shah is already having a rough week: her twelve-year-old son, Ishaan, has just been suspended from school for getting in a fight. Still reeling from the fallout of her divorce-their move to Houston, her family's disapproval, the struggle to make ends meet on her own-now Jia is worried about Ishaan's future, too. Will her solo parenting be enough? Doesn't a boy need a father? And now their apartment complex is under a mandatory evacuation order. Jia's sister, Seema, has invited them to hunker down in her fancy house in Sugar Land, and despite Jia's misgivings-Seema's husband Vipul has been just a little too friendly with her lately-Jia concedes it's probably the best place to keep Ishaan safe during the hurricane. With Jia's philandering ex scrutinizing her every move, all too eager to snatch back custody of Ishaan, she can't afford to make a mistake. When Vipul's brother and his wife show up at Seema's doorstep, too, it's a recipe for disaster. Grandma, the family matriarch, has never been shy about playing favorites among her sons and their wives. As the storm escalates, tensions rise quickly, and soon, someone's dead. Was it a horrible accident or is there a murderer in their midst? With no help available until the floodwaters recede in the morning, Jia must protect her son and identify the culprit before she goes down for a crime she didn't commit-or becomes the next victim. . .

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From the beloved author of The Thing About Home comes a dual timeline tale of family, grief, secrets, and the sweet redemption that lies within the bonds of sisterhood.

-The Present-

When summoned to Georgetown, South Carolina, sisters Mariah Clark and Sabrina Holland both assume their ailing grandfather's health has gotten worse. Neither expects their grandmother's undeniable request--save the family restaurant.

Mariah is at a crossroad in her life. After being dumped by her husband and forced to walk away from their diner that she helped rescue from bankruptcy, bitter feelings consume her. Even though the restaurant has been in the family for eighty-six years, giving her all to another struggling business isn't something she wants to do.

Living out of her van and striving for a fresh start, Sabrina yearns for stability for herself and her daughter and a chance to turn her baking hustle into a bona-fide business. The family restaurant may be just the blessing she needs--but as old tensions and angry disagreements resurface, Sabrina wonders if her sister will let her have a say.

-The Past-

After falling victim to a love she thought would last a lifetime, Tabitha Cooper finds herself away from home and struggling to survive in Charleston in the early twentieth century. She is determined to turn corn into cornbread and to take care of her children the best way she knows how--by serving food that's good for the soul--and along the way forges a path that leaves a legacy of success for generations to come.

Through letters that reveal Tabitha's complicated past, the sisters discover truths that just might be the right recipe to mend their hearts--if they can find a way to savor the blessing of today and leave the bitter aftertaste of old memories behind them.

Celebrate Texas author, Michelle Stimpson and her newesr book, Sisters with a Side of Greens! 

EVENT DEETS

When: Saturday, March 9 at 2 PM CST

Where: Kindred Stories' Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve you seat or RSVP WITH BOOK to support the author and our programming. No refunds.

ABOUT THE BOOK

From award-winning author Michelle Stimpson: a Southern story of sisterhood and second chances

Many years ago, Rose Tillman gave her sister, Marvina Dewberry, forty dollars to register a business where they would piggyback on their mother’s amazing spice mixture to make their fortune in fried chicken and other Southern comfort foods. Marvina used that forty dollars for a different reason and the business never got off the ground. It was just forty dollars, but that decision set the course of their lives. Now Rose has retired from a career at the post office and realizes she wants a second shot at her dreams, but she’ll have to go through her sister to get that chance...

ABOUT THE AUTHOR

MICHELLE STIMPSON has had a distinguished traditional publishing career writing Christian and Inspirational contemporary romance fiction. She has won an Emma Award, two Christian Literary Awards, Best Feature Film at CapCity Black Film Festival and was a finalist for the 2021 Vivian Award. She lives in Dallas, TX.

ABOUT THE CONVERSATION PARTNER

Norma L. Jarrett, is an award-winning, published writer and creative talent who loves to inspire, entertain and encourage others through impactful storytelling.

In the vein of Octavia E. Butler and Margaret Atwood, a harrowing novel set in an alternate United States—a world of injustice and bondage in which a young Black woman becomes the concubine of a powerful white government official and must face the dangerous consequences.

Solenne Bonet lives in Texas where choice no longer exists. An algorithm determines a Black woman’s occupation, spouse, and residence. Solenne finds solace in penning the biography of Henriette, an ancestor who’d been an enslaved concubine to a wealthy planter in 1800s Louisiana. But history repeats itself when Solenne, lonely and naïve, finds herself entangled with Bastien Martin, a high-ranking government official. Solenne finds the psychological bond unbearable, so she considers alternatives. With Henriette as her guide, she must decide whether and how to leave behind all she knows.  

Inspired by the lives of enslaved concubines to U.S. politicians and planters, The Blueprint unfolds over dual timelines to explore bodily autonomy, hypocrisy, and power imbalances through the lens of the nation’s most unprotected: a Black girl.

SIMONE’S FATHER MURDERED HER MOTHER…OR DID HE?

Simone’s mother was murdered when she was thirteen. When her father was convicted, everything changed. Overnight, Simone went from living in an idyllic cul-de-sac to scraping by in a crime-ridden borough.

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The Babadook meets A Headful of Ghosts in Texas Hill Country.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money--it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

When he comes across the strange ad for the Masson House in Degener, Texas, Eric thinks they may have finally caught a lucky break. The Masson property, notorious for being one of the most haunted places in Texas, needs a caretaker of sorts. The owner is looking for proof of paranormal activity. All they need to do is stay in the house and keep a detailed record of everything that happens there. Provided the house’s horrors don’t drive them all mad, like the caretakers before them.

The job calls to Eric, not just because there's a huge payout if they can make it through, but because he wants to explore the secrets of the spite house. If it is indeed haunted, maybe it'll help him understand the uncanny power that clings to his family, driving them from town to town, making them afraid to stop running. A terrifying Gothic thriller about grief and death and the depths of a father's love, Johnny Compton's The Spite House is a stunning debut by a horror master in the making.