Paperback Release Date: May 26, 2026

Long-listed for the Booker Prize

A radiant, intimate novel of the longing that blooms between two boys over the course of one summer―about family, desire, and what we inherit.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once-flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought.

Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

Out in the fields, and on the streets into town, the charge between the boys intensifies. Inside the house, the other family members begin to confront their own secrets and regrets. Jack is a professor at a struggling local college whose failures might have begun when he married his student, Sui Ching. Sui Ching does her best to keep the family together, though she too wonders what her life could have been. And Fong, the manager, refuses to look at what is: at Chuan, at the land, at the global forces that threaten to render his whole life obsolete.

At once sweeping and compressed, Tash Aw’s The South is a family novel of change and desire―a story of what happens when public and private lives collide, told with uncommon grace and beauty.

The death of a Jamaican man’s father raises questions about the father’s political endeavors, and about the plight of 1980s Jamaica.

“Few other novels encapsulate Jamaica’s political upheavals so well. Protagonist Ferron Morgan agonizes over his father’s death, maybe from a doctor’s mistake, maybe from a radical rival’s hands. Meanwhile, he’s running from everything, including his own emotions about his fiancée―with sad results. Bivouac is not an easy or light book, but the immediacy Dawes creates is worth it.” ―Literary Hub, included in 5 Books You May Have Missed in April

“An examination of grief and politics in a deftly written novel set in 1980s Jamaica . . . Astonishing prose.” ―Kirkus Reviews

When Ferron Morgan’s father dies in suspicious circumstances, his trauma is exacerbated by the conflict within his family and among his father’s friends over whether the death was the result of medical negligence or if it was a political assassination. Ferron grew up in awe of his father’s radical political endeavors, but in later years he watched as the resurgence of the political right in the Caribbean in the 1980s robbed the man of his faith.

Ferron’s response to the death is further complicated by guilt, particularly over his failure to protect his fiancée from a brutal assault. He begins to investigate the direction of his life with great intensity, in particular his instinct to keep moving on and running from trouble.

This is a sharply focused portrayal of Jamaica at a tipping point in its recent past, in which the private grief and trauma condenses a whole society’s scarcely understood sense of temporariness and dislocation.

Camille has worked her way up from the Guadeluopean lakou where she was born and raised to the heights of Orlando, where she is a successful motivational speaker. Her assistant, Evelyn, is struggling as a single mother, especially since she has been keeping the existence of her son a secret from her family in Jamaica. As Camille relates the story of her life to Evelyn, she urges Evelyn to see her difficult life as one of great fortune—“My girl, a woman falls, but she never despairs”—and to fully share her joys and successes with her loved ones.

Camille’s Lakou tells the story of Camille, a young Caribbean girl living with her single‑parent mother in a 1960s urbanized zone at the edge of Pointe‑à‑Pitre, Guadeloupe, following her through her adult life as a Caribbean migrant in Florida. Author Marie Léticée explores neocolonial culture clash and identity conflict themes that will be familiar to readers of the Francophone Caribbean coming‑of‑age novel and its revisions by women writers such as Capécia, Lacrosil, Manicom, Schwarz‑Bart, Condé, Pineau, and others. Léticée makes it her own by fleshing out a time and place not well‑represented in Guadeloupean literature. While previous bildungsromane from the writers mentioned here typically focus on rural peasant or urban bourgeois settings, Camille’s Lakou shifts location to an impoverished urban environment. “Lakou” is translated as “courtyard” or, more colloquially, “yard.” The author explores the culture and politics of lakou society while raising the issue of how this social dynamic is transformed through the impact of globalization and dispersal into a diasporic experience outside the island milieu of Camille’s childhood.

In a collaborative translation effort between the author and Kevin Meehan, Camille’s Lakou will bring the realities and joys of Léticée’s Guadeloupe to an English audience for the first time.

The Grand Paloma Resort is a lush paradise in the Dominican Republic where guests enjoy incredible luxury, and the staff is always eager to please—that is, until they are pushed to the brink.

Laura is a manager at the Grand Paloma Resort, a Dominican woman who has risen this far through sheer hard work. Her idea to pair “platinum” guests with a resort employee to attend to their every need has been wildly successful. She’s mere weeks away from a promotion that will blaze a path off the resort, to a life of opportunity. If only her younger sister, Elena—who she’s looked after since the death of their mother – could get with the program.

Elena has tried her best to live up to her sister’s expectations. To escape the drudgery of waiting on rich tourists, she’s become increasingly dependent on pills and partying. As a babysitter at the resort, she’s at the mercy of guests who travel to indulge their worst impulses and need someone else to watch their kids while they do so. Now, after an accident, a child in her charge is believed dead, and Elena knows she'll be held responsible.

At a local beachfront watering hole, Elena runs into the child’s father. He offers her an obscene amount of money to give him private time with two young local girls. Elena pockets the cash to fund her escape and prays she’s gotten the girls out of harm’s way.

Set over the course of seven days, The Grand Paloma Resort offers an unforgettable story of class, family, and community, building to an intense climax in which the true costs of luxury are laid bare, forcing Laura and Elena to reckon with long-held secrets and true acts of love.

A haunting, unforgettable novel of obsession, pride, and forgiveness, exploring the friendship and rivalry between two gifted boys in harrowing circumstances, from the acclaimed writer of The Removed

Milton Muleborn has envied Matthew Echota, a talented Cherokee artist, ever since they were locked up together in a dangerous juvenile detention center in the late 1980s. Until Matthew escaped, that is.

A novel within a novel, we read here Milton’s dark, sometimes comic, and possibly unreliable account of the story of their childhood even as, years later, he remains jealous of Matthew’s extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of incarceration and pride.

Filled with Brandon Hobson’s swirling yet visceral writing, and punctuated with original artwork, The Devil Is a Southpaw is an ambitious, elegant, and propulsive novel in the spirit of Vladimir Nabokov and Gabriel García Márquez.

Five female Afghan poets wield language to combat the loneliness, absurdity, and claustrophobia of life in a war-torn country and its diaspora. There are “hypnotic, long beards” tangled with mass extinctions; hateful men burning grapevines; black blindfolds; jinn in chadors; and condoms advertised every eight minutes on TV. Interspersing these are tender moments: one poet describes brushing her daughter’s hair, while another imagines a tree growing at the center of a room, undisturbed by the bombs outside. In the wake of the Taliban’s escalating war on Afghan women’s rights, Hair on Fire is a blazing tribute to a group of exceptional poetesses and a reminder of what we lose when voices are silenced.

Perfect for kids aged 4-8 comes a stunning picture book about persistence, being creative in the garden, and adapting to a new place.

When Amina moves from the Caribbean to a new snowy home, she misses growing her favorite foods. There are no coconut trees to climb, no gardens full of sweet potatoes and callaloo—only ice and snow. As Amina looks out her frosted window, she sings a traditional children’s song from back home, adding her own twist: “There’s a brown girl in the snow, tra la la la la, where none of her plants will grow.”

Determined to find a way to make her favorite plants grow in a new climate, she comes across a possible solution after discovering a library book about gardening and greenhouses. Perhaps there is a way to grow sweet potatoes, after all!

This stunning picture book written by a Guyanese-born author features:

* An introduction to gardening and greenhouses
* A note from the author about the inspiration behind the story

With gorgeous images by Marianne Ferrer, and moving text by Yolanda T. Marshall, Brown Girl in the Snow is inspired by a traditional Caribbean children’s song and captures a child’s unwavering persistence and passion, as she grows into her new home.

A brilliant and compelling debut, Ravishing shines a light on the dark enticements of the beauty industry and how it capitalizes on our desire to be someone we are not

A provocative, darkly surreal novel of two Indian American siblings caught in the clutches of a beauty tech company, Ravishing is a searing portrait of the beauty industry’s dangerous ability to change people’s relationship to their bodies and the cult-like grip it has on youth.

For teenage Kashmira, it’s painful to look in the mirror; she has her father’s face, and every feature is a reminder of his abandonment. When a friend introduces her to Evolvoir, a beauty product that changes users’ features, Kashmira is quickly hooked on how it allows her to erase the triggers of her grief. Meanwhile, at Evolvoir’s corporate offices, Kashmira’s estranged brother Nikhil first sees the product as an opportunity to make a difference and a name for himself, but is quickly mired in corporate complicity as reports surface of the product causing severe pain and persistent symptoms in some users. As chaos ensues, Kashmira is hospitalized and must negotiate the constraints of her new reality, while Nikhil uncovers a vicious truth that will force him to decide where his loyalties lie.

Perfect for readers of Gold Diggers and You Too Can Have a Body Like Mine, Ravishing is a visceral, yet immensely tender, coming-of-age story of two Indian American siblings caught in the clutches of a predatory beauty tech company, providing an illuminating portrait of the complexities of growing up brown, chronic illness, and our relationship to ourselves.

At the center of this dazzling novel is Angela, a twenty-year-old beauty who leaves the stifling conformity of Oklahoma to search for fame during the rise of blaxploitation cinema in Los Angeles. But for her mother, Mildred, a strait-laced survivor of the 1921 Tulsa race riots, Angela's acting career is unforgivable, and the distance between them grows into a silence that lasts for years. It is only when Angela's daughter, Tamara, a filmmaker, sets out to close the rift between them that the women are forced to confront all that has been left unspoken in their lives.

Bold and beautifully written, Third Girl from the Left deftly explores the bonds of family and the inextricable pull of the movies.

Featuring a new original introduction by Opal Palmer Adisa

Avey Johnson--a Black, middle-aged, middle-class widow given to hats, gloves, and pearls--has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel--and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. Originally published in 1983, Praisesong for the Widow was a recipient of the Before Columbus Foundation American Book Award, and is presented here in a beautiful new hardcover edition as the second title in McSweeney's Of the Diaspora series.

"Astonishingly moving."
-Anne Tyler, The New York Times Book Review

About Of the Diaspora
McSweeney's Of the Diaspora is a series of previously published works in Black literature whose themes, settings, characterizations, and conflicts evoke an experience, language, imagery and power born of the Middle Passage and the particular aesthetic which connects African-derived peoples to a shared artistic and ancestral past. Wesley Brown's Tragic Magic, the first novel in the series, was originally published in 1978 and championed by Toni Morrison during her tenure as an editor at Random House. This Of the Diaspora edition features a new introduction written by Brown for the series. Tragic Magic will be followed by Paule Marshall's novel of a Harlem widow claiming new life. Praisesong for the Widow was originally published in 1983 and was a recipient of the Before Columbus Foundation American Book Award. The series is edited by writer Erica Vital-Lazare, a professor of creative writing and Marginalized Voices in literature at the College of Southern Nevada. Published in collectible hardcover editions with original cover art by Sunra Thompson, the first three works hail from Black American voices defined by what Amiri Baraka described as strong feeling "getting into new blues, from the old ones." Of the Diaspora-North America will be followed by series from the diasporic communities of Europe, the Caribbean and Brazil.

Afro Samurai meets The Boondocks in this anime-inspired novel

I've wanted nothing more than to become a Sistah Samurai. When I was expelled from the training academy for sneaking in my stupid ex-boyfriend, I still had hope that I could cry enough to convince them to take me back. Then, demons invaded the capital and decimated the clan, and there went my dreams of ever naming my own pair of pink swords.

Until I heard a rumor of one last Sistah Samurai. I packed my favorite outfits and my trusty teddy bear, and recruited my forever bestie to help me find her. If we could manage not to interrupt her lunch, maybe we could convince her to train us? We were ready to do whatever she asked, even if that meant confronting old flames and taking down the patriarchy.

As long as we looked good while doing it.

The sequel of Sistah Samurai is an Action Fantasy novella that is an homage to the anime, Afro Samurai. Both works feature a feudal Japan-inspired setting that is rife with anachronisms. In the words of Samuel L. Jackson, “Is that a motherf—ing RPG?”

PRE-ORDER: ON SALE DATE: February 10, 2025

This gorgeous debut follows a young transsexual’s feverish passage through the envies and dreams that lace her initiation into New York City’s underground nightlife as she attempts to reconcile its predatory yet deeply salvational euphorias.

She moves to New York for whatever reasons. Then she starts hormones and steps out at night. Everything else falls away. How had it never not been this?

Quickly, Io—freshly feminized and hardly clothed—is yanked into the glamor and vagaries of her times by her obsessive parasocial relationship with a fellow trans woman and renowned DJ. In nightlife she quickly discovers the stakes of living so close to cultural production—fashion, art, literature, it all flashes and dies as her bank account stays empty and her health waxes and wanes.

The lines between transition and cultural capital begin to blur and the currency of femininity demands to sell or be sold. Io must decide how far she will go to attain the dreams of upward mobility free-wheeling through the cloaca of the City.

An exciting, eye-catching repackage of acclaimed author Walter Dean Myers' bestselling paperbacks!

With an Introduction by National Ambassador of Young People's Literature Jason Reynolds and bonus material by Coretta Scott King Award winner Christopher Myers.

A coming-of-age tale for young adults set in the trenches of the Vietnam War in the late 1960s, this is the story of Perry, a Harlem teenager who volunteers for the service when his dream of attending college falls through. Sent to the front lines, Perry and his platoon come face-to-face with the Vietcong and the real horror of warfare. But violence and death aren't the only hardships. As Perry struggles to find virtue in himself and his comrades, he questions why Black troops are given the most dangerous assignments, and why the US is even there at all.

"I found these stories both heartening. . . and terrifying as the expression of a racial hatred that has never ceased to grow and gets no chance to die." —Malcolm Cowley, The New Republic

Richard Wright's powerful collection of novellas set in the American Deep South

Each of the poignant and devastating stories in Uncle Tom's Children concerns an aspect of the lives of Black people in the post-slavery era, exploring their resistance to white racism and oppression. This extraordinary collection also includes a personal essay by Wright titled "The Ethics of Living Jim Crow."

Originally published in 1938, Uncle Tom's Children was the first book from Wright, who would go on to win international renown for his powerful and visceral depiction of the Black experience. The author of numerous works, most notably the acclaimed novel Native Son and his stunning autobiography, Black Boy, Wright stands today as one of the greatest American writers of the twentieth century.

“Grand, robust, a rich and big novel.”—Alice Walker, The New York Times Book Review

“In [Jane Pittman], Ernest Gaines has created a legendary figure. . . . Gaines’s novel brings to mind other great works: The Odyssey, for the way his heroine’s travels manage to summarize the American history of her race, and Huckleberry Finn, for the clarity of [Pittman’s] voice, for her rare capacity to sort through the mess of years and things to find the one true story of it all.”—Newsweek

Miss Jane Pittman. She is one of the most unforgettable heroines in American fiction, a woman whose life has come to symbolize the struggle for freedom, dignity, and justice. Ernest J. Gaines’s now-classic novel—written as an autobiography—spans one hundred years of Miss Jane’s remarkable life, from her childhood as a slave on a Louisiana plantation to the Civil Rights era of the 1960s. It is a story of courage and survival, history, bigotry, and hope—as seen through the eyes of a woman who lived through it all. 
 
A historical tour de force, a triumph of fiction, Miss Jane’s eloquent narrative brings to life an important story of race in America—and stands as a landmark work for our time.

A powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man--set on a Louisiana sugarcane plantation in the 1970s.

The Village Voice called A Gathering of Old Men "the best-written novel on Southern race relations in over a decade."

Toni Morrison, ganadora del Premio Nobel de Literatura 1993, parte de la realidad de una chiquilla desgraciada para tratar temas como el concepto de belleza impuesto, la voz femenina o la infancia truncada, y lo consigue con una historia dura y deliciosa al mismo tiempo.

Pecola es una niña pequeña que vive con sus padres y tiene una prima que se llama Claudia. Le gustan las muñecas y las caléndulas, que no le gustan a nadie excepto a ella. Pecola es negra y cree que es fea porque no se parece a Shirley Temple. Y tiene un truco para desaparecer cuando sus padres se pelean o su padre la molesta por las noches: piensa que tiene unos preciosos ojos azules, que todo el mundo admira su belleza y que las otras niñas la envidian. Pero ese sueño nunca se convertirá en realidad y Pecola seguirá atrapada en la triste vida que le ha tocado en suerte.

Reseñas:
«Una exploración de la raza y el género de la ganadora del Nobel, todo un clásico estadounidense. Con su exploración de las dinámicas entre el racismo interiorizado y la autoestima, [...] Morrison reflexiona sobre cómo la sociedad ensalza todo lo relacionado con los blancos #asociados con la belleza, la pureza y la inocencia#, algo que puede hacer mella en la autoestima de una persona y llevarla por la senda de la destrucción.»
Freddie Braun, Vogue ("6 novelas fundamentales de autores negros que deberías añadir a tu lista de lecturas"

«Toni Morrison se ha convertido en la D. H. Lawrence de la psique negra, transformando individuos en fuerzas, idiosincrasias en inevitabilidad.»
New York Magazine

La obra maestra de la premio Nobel de Literatura Toni Morrison, «la mejor novela norteamericana de los últimos cincuenta años» según The New York Times, ganadora del Premio Pulitzer y del American Book Award

«No puedo imaginar la literatura norteamericana sin esta novela.»
John Leonard, Los Angeles Times

Para escribir esta magnífica historia, merecedora del Premio Pulitzer, Toni Morrison se inspiró en la vida real de una esclava afroamericana, Margaret Garner, que en 1856 escapó de una plantación en Kentucky y consiguió llegar al estado libre de Ohio. A punto de ser recapturada, Margaret tomó la trágica decisión de sacrificar a su hija para salvarla de una vida en cautiverio.

En estas páginas, Sethe es la esclava prófuga que vendió su cuerpo para grabar el nombre de su hija muerta en la lápida: diez minutos por «Beloved», veinte por «Querida Beloved». Muchos años después, Sethe vive en Ohio con Denver, su hija adolescente, y Paul D., un viejo amigo que también fue esclavo. Todos intentan prosperar y olvidar el pasado, hasta que un día aparece una joven que dice llamarse Beloved. Tiene la edad que tendría su hija si viviese y sabe ciertas cosas que sugieren que podría serlo.

Beloved se convirtió de inmediato en un clásico cuando se publicó en 1987. El crítico John Leonard escribió en Los Angeles Times: «No concibo la literatura norteamericana sin esta novela». Casi dos décadas después, The New York Times la eligió como la mejor novela norteamericana de los últimos cincuenta años.

Reseñas:
«Uno de los libros por lo que vale la pena volver a la biblioteca (aunque sea virtual). Obra esencial de la Premio Nobel de Literatura.»
Begoña Alonso, Elle

«Imbricando un realismo desabrido con una poderosa imaginación fantástica, [...] Beloved se convirtió de inmediato en un clásico».
Zenda

«Toni Morrison fue un gigante de su época y de la nuestra. Todo el mundo debería

leer Beloved.»
Margaret Atwood, The New York Times

«Beloved es la gran novela norteamericana no escrita del siglo XIX, trata de cosas sobre las que jamás se escribió y que laten sin embargo en el fondo de novelas sí escritas, por Melville, por Poe.»
A. S. Byatt

«Una maravillosa artesana a la que la gente tiende a pasar por alto. Es tan genial e innovadora como Faulkner, García Márquez y Woolf.»
The New York Times

«La mejor obra de Toni Morrison. [...] Muestra su prodigioso talento.»
Chicago Sun-Times

«Si hay una novela con la que empezar a leer a Toni Morrison, es Beloved. [...] Morrison es un tesoro norteamericano.»
Biblioteca Pública de Nueva York

«He terminado una segunda vuelta de Beloved, la misteriosa y tan fascinante novela de Toni Morrison, donde el mundo de los esclavos negros se vuelve un asunto íntimo y a la vez mágico. [...] Y las protagonistas son las mujeres, que todo lo desafían, y son ellas mismas la libertad.»
Sergio Ramírez, Babelia

«Su obra es un bello y significativo desafío a nuestras conciencias y nuestra imaginación moral.»
Barack Obama

«Beloved te hace sentir que todo lo que has escrito es aburrido y sin vida. El nivel de destreza, la perfección y la belleza de las oraciones, el alcance de la imaginación, el orden del lenguaje en torno al dolor indescriptible. Es buenísimo. Además, es nuestra historia de terror más estadounidense. [...] Sé que Morrison no escribía para mí, pero moldeó mi escritura y le estoy eternamente agradecida.»
Carmen María Machado

A collection from one of our most influential African American writers

An icon of nineteenth-century American fiction, Charles W. Chesnutt, an incisive storyteller of the aftermath of slavery in the South, is widely credited with almost single-handedly inaugurating the African American short story tradition and was the first African American novelist to achieve national critical acclaim. This major addition to Penguin Classics features an ideal sampling of his work: twelve short stories (including conjure tales and protest fiction), three essays, and the novel The Marrow of Tradition. Published here for the 150th anniversary of Chesnutt's birth, The Portable Charles W. Chesnutt will bring to a new audience the genius of a man whose legacy underlies key trends in modern Black fiction.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A beautiful hardcover edition of the Nobel Prize–winning author’s haunting masterpiece of postcolonial literature • "Brilliant." —The New York Times

Widely hailed as V. S. Naipaul’s greatest work, this novel takes us into the life of a young Indian man who moves to an isolated town at the bend of a great river in a newly independent African nation.

Salim is doubly an outsider in his new home—an unnamed country that resembles the Congo—by virtue of his origins in a community of Indian merchants on the coast of East Africa. Uncertain of his future, he has come to take possession of a local trading post he has naively purchased sight unseen. But what Salim discovers on his arrival is a ghost town, reduced to ruins in the wake of the recently departed European colonizers and in the process of being reclaimed by the surrounding forest. Salim struggles to build his business against a backdrop of growing chaos, conflict, ignorance, and poverty.

His is a journey into the heart of Africa, into the same territory explored by Joseph Conrad’s Heart of Darkness nearly eighty years earlier—but witnessed this time from the other side of the tragedy of colonization. Salim discovers that the nation’s violent legacy persists, through the rise of a dictator who calls himself the people’s savior but whose regime is built on fear and lies. In A Bend in the River, short-listed for the Booker Prize in 1979, in Naipaul gives us a convincing and disturbing vision of a place caught between the dangerously alluring modern world and its own tenacious past.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

A feminist literary classic by one of Africa’s greatest women writers, re-issued with a new introduction by Stéphane Robolin.

First published in 1979, The Joys of Motherhood is the story of Nnu Ego, a Nigerian woman struggling in a patriarchal society. Unable to conceive in her first marriage, Nnu is banished to Lagos where she succeeds in becoming a mother. Then, against the backdrop of World War II, Nnu must fiercely protect herself and her children when she is abandoned by her husband and her people. Emecheta “writes with subtlety, power, and abundant compassion” (New York Times).

“Iceberg Slim breaks down some of the coldest, capitalist concepts I’ve ever heard in my life.” —Dave Chappelle, from his Netflix special The Bird Revelation

The most gritty and real illustration of the black ghetto ever told, from the only man capable of telling it, Iceberg Slim, bestselling author of Pimp. Iceberg Slim’s story is now depicted in a major motion picture distributed worldwide.

Mama Black Widow tells the tragic story of Otis Tilson, a stunning black drag queen trapped in a cruel queer ghetto underworld. In hopes of escaping the racial bigotry and economic injustice of the South, Otis’ family journeys north from their plantation to an urban promised land. Once in Chicago Otis and his brother and sisters become prisoners to a wasteland of violence, crime, prostitution and rape. This is the gut-wrenching tale of the destruction of a family and the truest portrayal of homosexuality in the ghetto ever told.

Named a Best Fantasy and Sci-Fi Book of The Year by Elle!

Nominated for the Locus Award for Best Science Fiction Novel!

Kinning, the sequel to Nisi Shawl’s acclaimed debut novel Everfair, continues the stunning alternate history where barkcloth airships soar through the sky, varied peoples build a new society together, and colonies claim their freedom from imperialist tyrants.

The Great War is over. Everfair has found peace within its borders. But our heroes’ stories are far from done.

Tink and his sister Bee-Lung are traveling the world via aircanoe, spreading the spores of a mysterious empathy-generating fungus. Through these spores, they seek to build bonds between people and help spread revolutionary sentiments of socialism and equality―the very ideals that led to Everfair’s founding.

Meanwhile, Everfair’s Princess Mwadi and Prince Ilunga return home from a sojourn in Egypt to vie for their country’s rule following the abdication of their father King Mwenda. But their mother, Queen Josina, manipulates them both from behind the scenes, while also pitting Europe’s influenza-weakened political powers against one another as these countries fight to regain control of their rebellious colonies.

Will Everfair continue to serve as a symbol of hope, freedom, and equality to anticolonial movements around the world, or will it fall to forces inside and out?

FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION

In the nine expansive, searching stories of A Lucky Man, fathers and sons attempt to salvage relationships with friends and family members and confront mistakes made in the past. An imaginative young boy from the Bronx goes swimming with his group from day camp at a backyard pool in the suburbs, and faces the effects of power and privilege in ways he can barely grasp. A teen intent on proving himself a man through the all-night revel of J’Ouvert can’t help but look out for his impressionable younger brother. A pair of college boys on the prowl follow two girls home from a party and have to own the uncomfortable truth of their desires. And at a capoeira conference, two brothers grapple with how to tell the story of their family, caught in the dance of their painful, fractured history.

Jamel Brinkley’s stories, in a debut that announces the arrival of a significant new voice, reflect the tenderness and vulnerability of black men and boys whose hopes sometimes betray them, especially in a world shaped by race, gender, and class―where luck may be the greatest fiction of all.

From one of Brazil’s most acclaimed new literary stars, a twenty-first-century epic set in Rio’s largest favela.

Life on the morro, the hill, is good. Five young people―the brothers Washington and Wesley and their friends Douglas, Murilo, and Biel―live close to Rocinha’s main avenue, Via Ápia, just a quick bus ride from the beaches of Rio de Janeiro.

But the rhythms of their lives stutter and scratch when Brazil’s militarized police storm Rocinha as part of “pacification” efforts ahead of the upcoming World Cup and an influx of international tourists. Via Ápia charts the expectant anxiousness before the police’s invasion, the chaos born from their occupation of the hill, and the aftermath of their silent withdrawal from the favela after one year.

Told in heated bursts and marked by the charged chronology of the protagonists’ lives, Geovani Martins’s prodigious debut novel knits together the dramas and dreams of the favela during a peak of turbulent unrest. Like the boom boom kat of Brazilian funk, the unbridled ambitions and resolute friendships of these characters blare throughout Via Ápia, delivering a resonant counternarrative to the notion that violent interventions are the state’s only remedy to the afflictions of crime and poverty. The favela retorts: life, life is the answer.

The spellbinding conclusion to the international bestseller Forged by Blood delves deeper into Nigerian mythology as the Oluso uprising comes to a head…and the young woman caught in between comes to her breaking point. Return to this highly atmospheric, complex world full of magic and romance and war, in which unity is the goal, blood is the sacrifice, and love is at stake.

The King is dead. The Oluso rebel. War is here.

With the end of Alistair Sorenson’s tyrannical reign, Dèmi has accepted Jonas’s proposal to rule as his Queen with hopes to finally free her people, the magical Oluso. Yet social prejudice, corrupt council members, and the continued distrust of the nonmagical Ajès throughout the kingdom prove seemingly implacable obstacles. To make matters worse, Dèmi struggles to control her newly awakened iron blood magic. As Ekwensi’s rebel army—led in part by Colin, her best friend and one-time lover—become more triumphant in their mission, war seems inevitable.

Before long, a new evil appears that hunts Oluso and Ajè alike, promising desolation on a larger level than ever before. When the failed assassination puts the life of Dèmi’s loved one in danger as well as the future of the Oluso into question, Dèmi embarks on a treacherous journey to find an ancestral spirit whose aid could tip the scales in her favor. Whether her new powers will destroy the kingdom or heal the blood-soaked rifts that have pulled it apart, she does not know.

Beyond the battles of swords and magic, there is the battle for Dèmi’s heart. Jonas—the former enemy prince—has divided loyalties despite his love for Dèmi. And Ekwensi and Colin have every intention of winning her to their side, while a past pledge hangs over Dèmi’s head. Dèmi is caught between the kingdom, her people, and the spirits, and must decide what sacrifices she is willing to make for peace, and whether she can outrun the greatest danger that constantly puts her in peril—her own heart. Only one thing is for certain…

There will be blood.

From the award-winning and bestselling author of Black Buck: A speculative novel about a young woman—invisible by birth and relegated to second-class citizenship—who sets off on a mission to find her older brother, whom she had presumed dead but who is now the primary suspect in a high-profile political murder.

Despite the odds, Sweetmint, a young invisible woman, has done everything right her entire life—school, university, and now a highly sought-after apprenticeship with the Northwestern Hemisphere’s premier inventor, a non-invisible man belonging to the Dominant Population who is as eccentric as he is enigmatic. But the world she has fought so hard to build after the disappearance of her older brother comes crashing down when authorities claim that not only is he well and alive, he’s also the main suspect in the murder of the Chief Executive of the Northwestern Hemisphere. 

A manhunt ensues, and Sweetmint, armed with courage, intellect, and unwavering love for her brother, sets off on a mission to find him before it’s too late. With five days until the hemisphere’s big election, Sweetmint must dodge a relentless law officer who’s determined to maintain order and an ambitious politician with sights set on becoming the next Chief Executive by any means necessary.

With the captivating worldbuilding of N. K. Jemisin’s novels and blazing defiance of Naomi Alderman’s work, This Great Hemisphere is a novel that brilliantly illustrates the degree to which reality can be shaped by non-truths and vicious manipulations, while shining a light on our ability to surprise ourselves when we stop giving in to the narratives others have written for us.

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Her life. Her rules. Finally.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart.

Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms. But it’s not going so great. She can barely walk down the street without someone recognizing her, and the fraught relationship with her father has fallen apart. Then there’s her PhD application (still unfinished) and her drinking problem (still going strong). When every detail of her childhood was so intensely scrutinized, how can she tell what she really wants?

Still, Ophelia is never far away and has made it clear she won’t go down without a fight. With Noelle, Anuri’s five-year-old half sister now being forced down the same path, Anuri discovers she has a new mission in life…

To take back control of the family narrative.

Through biting wit and heartfelt introspection, this darkly humorous story dives deep into the deceptive allure of a picture-perfect existence, the overexposure of children in social media and the excitement of self-discovery.

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From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age

Jamaica Kincaid's The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.

Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Kincaid takes us from Xuela's childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela's is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her deep sympathy for those who share her history, her fear of her father, her desperate loneliness. But underlying all is "the black room of the world" that is Xuela's barrenness and motherlessness.

“You can be beautiful, even more beautiful than before.” This is the seductive promise of Dr. Nzinga’s clinic, where anyone can get their lips thinned, their skin bleached, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a black body—if you can afford it.

In this near-future Southern city plagued by fenced-in ghettos and police violence, more and more residents are turning to this experimental medical procedure. Like any father, our narrator just wants the best for his son, Nigel, a biracial boy whose black birthmark is getting bigger by the day. The darker Nigel becomes, the more frightened his father feels. But how far will he go to protect his son? And will he destroy his family in the process?

This electrifying, hallucinatory novel is at once a keen satire of surviving racism in America and a profoundly moving family story. At its center is a father who just wants his son to thrive in a broken world. Maurice Carlos Ruffin’s work evokes the clear vision of Ralph Ellison, the dizzying menace of Franz Kafka, and the crackling prose of Vladimir Nabokov. We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love.

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The “revelatory” (The New York Review of Books) story of an ordinary man, his century, and his home.

Jamaica Kincaid’s first obsession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate chauffeur who makes his living along the wide, open roads that pass the only towns he has ever seen. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air.

As Mr. Potter’s narrative unfolds in linked vignettes, his story becomes the story of a vital, damaged community. Amid his surroundings, he struggles to live at ease: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters―one of whom will return to Antigua after he dies and tell his story with equal measures of distance and sympathy.

In Mr. Potter, Kincaid breathes life into a figure unlike any other in contemporary fiction, an individual consciousness emerging gloriously out of an unexamined life.

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In this bold hybrid collection of poetry, flash fiction, and Afrofuturism sci-fi, the award-winning interdisciplinary writer and author of Side Notes from the Archivist explores what happens when god is a Black woman in a town. What happens when there are multiple universes in the middle of nowhere?

And what if in each universe there reigned other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god were placed here on earth?

These are just a few of the questions Anastacia-Reneé asks in this daring and mind-bending hybrid collection. Hers is a universe of striking variety—monsters, nontraditional saints, witches, zombies, the couple in the apartment next door, the wise elders from down the block, and gods watching over us all—as well as community and connectedness.

With a prose storyline and characters that connect through family, time, and place, Anastacia-Reneé paints world(s) rich with wonder and the paranormal as she peers into the lives of everyday people and spectacular creatures inhabiting not just our neighborhoods, but other dimensions. Here in the (Middle) of Nowhere is about interstellar ancestry, community and spirituality. It is about the things we invoke, conjure, and rely on to maintain joy as we keep it moving through difficult eras. Anastacia-Reneé’s power imbues her spellbinding storytelling with lovingly rendered characters brought to life in lyrical poetry. She builds worlds within worlds and dares us to fully see and love ourselves in all our complexity.