When traditional remedies meet a new frontier of science — can long kept family secrets help the world, or doom us all to cosmic oblivion?

In a terrifying body horror reimagining of Madam CJ Walker’s life, Etta Knight must break a generational curse or succumb to the maw of madness!

At the turn of the 20th century, a young Black woman named Etta Knight picks up the tradition of her late mother for creating special medicines using natural ingredients and secrets passed down from generation to generation. Her mother has passed on a book of recipes and formulas, but it’s also full of strange symbols and dark musings that she doesn’t quite understand. Within her community, one of the problems she hopes to fix is counteracting the poisonous and abrasive solutions women of color are sold for straightening her hair.

So, when the Meridian Fellowship reaches out and offers her a spot at their institute in Savannah, GA, to use their facilities to do her research, Etta jumps at the chance. She packs up her mother’s book and heads to the school, but what she finds there is a secret society and a campus surrounded by natural wonders that may point the way to understanding the more mysterious parts of her mother’s work…if dark forces don’t claim her first.

Inspired by the life of Madame CJ Walker, this alternate history combines tradition with the supernatural for something truly modern and unique.

This volume collects issues 1-6 of Roots of Madness.

James Baldwin’s final novel is “the work of a born storyteller at the height of his powers” (The New York Times Book Review).

Arthur Montana, celebrated gospel singer, has been found collapsed in a London pub at the age of thirty-nine. His brother, Hall, is left to write the story of his life, his talent, and his great love. Retracing the past three decades of their history, Hall writes with tender passion about the central characters in Arthur’s life: Sister Julia, a “fire-baptized” child evangelist called to the ministry when she was nine, whose life seems considerably less “redeemed” out of the pulpit; and Julia’s brother Jimmy, Arthur’s most gifted accompanist, the catalyst of his success as a singer, and his devoted lover.

An unforgettable epic drama spanning the distance from the Apollo in Harlem to the Olympia in Paris, Just Above My Head is a magnificent tale of personal courage, commitment, and profound love filled with all the lyricism, violence, and compassion that comprise the human condition.

Tender, nostalgic, and deeply romantic, Love Me Down to Christmas is a heartfelt holiday romance about first love, family, healing, and the kind of love that never forgets its way home.

“Love Me Down to Christmas delivers everything we love about a cozy holiday romance—small-town charm, heartfelt moments, and just the right amount of spice. Aries Skye masterfully blends friends-to-lovers chemistry with unexpected twists that keep you turning the pages while still wrapping you in the warmth of a sweet hometown love story.” –ROBBI RENEE, bestselling author of Somebody’s Husband

Amariah Luke built a successful life far away from Skye Ridge, the small town filled with memories she’s spent years trying to outrun. But when her father falls ill just before Christmas, she returns home for the holidays and comes face-to-face with the one man she never truly forgot.

Jacob Gold never stopped loving Amariah. Not after the silence and not even after all those years apart. And now that she’s back in Skye Ridge for Christmas, he’s determined not to lose her a second time.

When Amariah’s father makes one heartfelt Christmas wish, Jacob sets out to win her back with a holiday countdown inspired by the memories, traditions, and quiet gestures that once made them inseparable. From snow-covered nights and spiked cocoa to long-buried confessions and second chances wrapped in twinkling lights, every day brings them closer to the love they left unsaid.

But as Christmas draws near, Amariah must decide whether the life she built away from home is truly where her heart belongs…or if the future she’s been searching for has been waiting for her in Skye Ridge all along.

Award-winning author Micaiah Johnson invites you to Abernathy House.

A house, itself, is nothing. It’s not a shelter until it is sheltering someone. A house is a housefire, waiting for its match. A house is a ghost story, waiting for its death.

At the end of the Civil War, a daughter of the Confederacy made what she thought was an innocent wish: to build a house where nothing bad could happen. But peace came at a price, and one hundred and seventy years later Shantell and her friends are about to discover where all that darkness ended up.

When Shantell’s best friend, Avery, tells her he has inherited a house big enough to make their dreams of a sanctuary come true, she’s too cautious to be optimistic. A lifetime of loss — her father to the Iraq war, her brother to police violence, and her mother to suicide — has taught her cynicism, and even though Avery swears the house has never experienced a tragedy, she goes along expecting everything from black mold to evil spirits.

But not only is the house in better shape than they’d expected, it makes them better too: Shantell’s anxiety stops flaring up; terminally shallow Avery is suddenly capable of deeper emotions; and Tobias, Avery’s older brother and the contractor for the job, even quits chain smoking.

There’s an eeriness to the calm, and it’s almost a relief when they realize they do not walk alone in Abernathy House. If nothing bad has ever happened here, where are all these ghosts coming from? As they dig into the house’s history, Shantell, Avery, and Tobias discover that there’s only one thing worse than a house that’s haunted: a house that desperately wants to be.

One of Esquire's 22 Most Anticipated Books of 2026
One of Publishers Weekly's 10 Most Anticipated Literary Fiction titles for Spring/Summer 2026
One of Literary Hub's and BookPage's Most Anticipated Books of 2026

The dead are relentless gossips, or at least these dead are.

An impulsive and heartbroken woman inherits her father’s share of a Tennessee farm that is rich in family secrets and occupied with busybody ghosts in this sweeping family portrait.

At thirty-two, Aubrey Lamb is stumbling through adulthood. An underpaid gig worker in Washington, DC, she’s grieving the end of a serious relationship and the recent loss of her father. When Aubrey learns she has inherited his stake in a sizable Tennessee farm she sees an opportunity to get out of the city―and to erase a mounting pile of debt.

Watching her arrival with great interest are four ghosts―Aubrey’s ancestors, who’ve staked their own claims to the farm and who never hesitate to pass judgment on the mistakes made by the living, whether romantic, financial, or sartorial. As Aubrey reconnects with her living family, another story unfolds in parallel: the history of the land, beginning with its purchase by Thomas, Aubrey’s great-grandfather and one of the first Black landowners in his community. Though Thomas hopes to give his children a homestead on which they could flourish, the land proves to be a burdensome inheritance. Over the years, it turns the Lambs against one another, culminating in a catastrophic tragedy that splinters the family and echoes through the decades.

Now, as the clock ticks on a potential sale of the farm, the ghosts fear expulsion from the home they’ve made, and Aubrey must weigh the hopes and burdens of her forebears with the very real needs of her future.

An expansive family saga told with a wry and distinctly modern voice, The Great Wherever is at once grand and intimate; it explores the ways we learn to define ourselves through and against our families, how we carry on after loss, and how the past lives on in all of us.

“The most profound terror is rooted in love—the terror of losing love, of love betrayed, of love in peril. Justin C. Key’s work is a cold knife through a hot heart, a surgical blade unleashing gouts of searing fear.”—Cory Doctorow, author of Red Team Blues, Little Brother, and Radicalized

“An electrifying collection of stories that would make Octavia E. Butler smile.”—Ebony

Black Mirror meets Get Out in this gripping story collection reminiscent of the work of Octavia E. Butler, deftly blending science fiction, horror, and fantasy to examine issues of race, class, and prejudice—an electrifying, oftentimes heartbreaking debut from an extraordinary new voice—
now available as a limited Olive Edition from Harper Perennial.

In The World Wasn’t Ready for You, Justin C. Key builds on his lifelong obsession with monsters as he expands and subverts the horror genre to expertly explore issues of race, class, prejudice, love, exclusion, loneliness, and what it means to be a person in the world, while revealing the horrifying nature inherent in all of us.

In the opening story, “The Perfection of Theresa Watkins,” a sci-fi love story turned nightmare, a husband uses new technology to download the consciousness of his recently deceased Black wife into the body of a white woman. In “Spider King,” an inmate agrees to participate in an experimental medical study offered to Black prisoners in exchange for early release, only to find his body reacting with disturbing symptoms. And in the title story, a father tries to protect his son, teaching him how to navigate a racist world that does not understand him and sees him as a threat.

The World Wasn’t Ready for You is a gripping, provocative, and distinctly original collection that demonstrates Key’s remarkable literary gifts—a skill at crafting science fiction stories equaled by an ability to sculpt characters and narrative—as well as his utterly fresh take on how genre can be used to delight, awe, frighten, and ultimately challenge our perceptions. Wildly imaginative and powerfully resonant, it introduces an unforgettable new voice in fiction.

The full set of books in the 2026 Olive Editions series include:

* Guards! Guards! by Terry Pratchett
* Changing Planes by Ursula K. Le Guin
* Island by Aldous Huxley
* Alas, Babylon by Pat Frank
* The Princess Bride by William Goldman
* The Hidden Palace by Helene Wecker
* Highfire by Eoin Colfer
* The World Wasn’t Ready for You by Justin Key

It’s a game of palace intrigue, survival, and plotting as Khalil and Zikora continue to grow up under the thumb of a tyrannical family in this electrifying second book in the Birth of a Dynasty trilogy.

The kingdom of Ahkelbulin is on the brink of war. Following a shocking death, the royal court is a viper’s nest of ambition and betrayal. The princes, once united, now eye the throne with hungry gazes, forging dangerous alliances that could tear their dynasty apart.

In the heart of the palace, Zikora navigates the treacherous political currents. Far from home and concealing a powerful secret, she is drawn into a high-stakes game where one wrong move could mean her end. Elsewhere, a new commander, Khalil, finds his loyalty tested as he is caught between warring factions, forced to choose between duty and morality.

As power shifts and loyalties are questioned, unlikely alliances will form and ancient powers will awaken. In a world where blood oaths hold immense power and the line between friend and foe is blurred, the struggle for the crown will demand unimaginable sacrifices. The very future of Ahkelbulin hangs in the balance, and not everyone will survive the call of crowns...

A dazzling literary debut that reimagines The Odyssey and asks what power do we have to control our own fate when destiny feels pre-determined and the systems of the world are broken?

Eurick Ulysse is irrevocably trapped: by poverty, by class, and by his immigrant parents’ expectations. Disillusioned by dead-end jobs, unaffordable college aspirations, and the doldrums of his South Florida hood, he resolves to piss his life away getting drunk with his friends on the beach. But the night Eurick drags a delirious and half-drowned Ana María Cortez out of the sea, everything changes.

Carefree, unconventional, and well-to-do, Ana comes from another world. She invites Eurick and his friends out on a wild joyride through the Miami streets, a night replete with casino runs, boat thefts, and strange surreal encounters. Soon, Eurick finds himself rebelling against every constraint that’s ever held him back. It isn’t long before he realizes just how trapped he is, growing more and more desperate to do whatever it takes to escape.

Will one night of freedom allow Eurick to see another kind of life for himself? Or will it show him a future that remains forever out of reach?

From the PEN/Faulkner finalist and National Book Award longlisted author of Welcome to Braggsville, comes this audacious and darkly funny literary crime masterpiece centered on a Black cop in an Atlanta precinct, whose façade of white alliance begins to crumble after a highly publicized murder

George Washington Jonson is determined to forge a new life. After growing up in one of Atlanta’s poorest housing projects, he enlists in the U.S. Army and finds some relief serving abroad. When events lead him back home, he joins the police force. It’s 1992, and Jonson is patrolling the streets he grew up on alongside his new partner, a shady legacy cop and self-described “redneck” who takes Jonson under his wing.

After a decade on the job, Jonson has fashioned a new life in an affluent suburb with his white wife and stepson, though he’s still policing his old neighborhood, and now tasked with training hot-headed rookie recruits. One night on patrol a split-second confrontation with a white teenager takes a violent turn. That single gunshot sets into motion a series of escalating lies.
When the white-washed veneer of Jonson’s life begins to crack, the story splits, presenting two contrasting versions of the American experience as he’s forced to confront the history that shaped him and the compromises required of a good man in a broken system.

Employing a bold, inventive structure and spanning two fraught decades, vividly evoking the complexities of the South, and written with his trademark virtuosic dissonance, The Occidental Book of the Dead is a propulsive, pyrotechnic exploration of corruption and conspiracy in a nation divided.

Their Eyes Were Watching God for a new generation craving a romantic finale—a sweeping historical tale that is a journey of the heart and of the times.

If it wasn’t for Zora Neale Hurston’s Their Eyes Were Watching God, Nola Denny didn’t know how she would have survived her father’s tragic death or her mother’s descent into mental illness. Inspired by Hurston’s main character, Janie Crawford, Nola sets out to find her own voice, silenced by the weight of being a caretaker and the pains of her past. On her journey to New York, Nola stops in Meridian—a detour that unexpectedly leads to a fresh start, a home, and her own Tea Cake, a Pullman Porter named Baldwin Carter.

Baldwin escaped a loveless childhood and found a caring stranger who invited him into her home and gave him a chance at a new life. A proud, hardworking Pullman Porter, Baldwin must endure bowing and scraping to passengers who barely see him as a man. When he encounters Nola, he instinctively knows he has met his anchor, a woman who makes every inch of him stand tall.

Experiencing loss, hardship, and months of separation, Nola and Baldwin must come to terms with their pasts to share a future together. The young couple know that time and distance cannot separate them, and that the sacrifices they must make are not only for themselves, but for all those who come after them, searching for a better life.

Set during the end of the Great Depression, and shaped by real-world events, crisscrossing the country from South to Midwest to North, Nola and Baldwin is an epic tale of a love powerful enough to overcome the dark forces of racism that threatens to tear it apart.

Book club favorite and acclaimed author of No Better Time and The Secret Women makes her first foray into the mythical fantasy genre with this epic tale of legacy, power, sacrifice, and family bonds that is a call to action wrapped in elemental magic.

Aeola St. James is no ordinary CEO. While navigating boardroom politics and the chaos of motherhood, she harbors a secret: she is Keeper of the Winds, an elemental being who can read the landscape and harness the wind. The planet is warming faster than it should and Aeola senses catastrophe.

To ward off disaster, Aeola must gather “Daughters of the Wind” from every epoch and corner of the globe, including her own daughters whom she has hidden for their protection: Buran, mammoth hunter in Ice Age North America, Burga, her Eurasian counterpart, a skilled falconer, Siree, midwife to the Kushite royal house, Zonda of the Cloud People, masters of the Andean peaks, and Mistral, mercurial and fierce, survivor of a medieval witch hunt.

As Aeola time-travels the globe, an enemy waits. Tech billionaire Wills Holloway has devised a plan to monetize climate correction by launching a missile into the stratosphere, seeding it with a cooling compound. His corporate intelligence reveals that Aeola’s company has a mechanism that will facilitate the dispersal of his creation and he initiates a hostile takeover. But Wills has no idea that the “mechanism” he seeks to acquire is Aeola herself.

As the climate clock ticks, Aeola uses her gifts to outsmart the uber-introverted Holloway and persuade him to partner with her and the Daughters to give the blue planet a fighting chance.

From the #1 New York Times bestselling author of Babel and Yellowface comes an all-new, fully illustrated, hardcover Deluxe Collector’s Edition of R. F. Kuang’s The Burning God, with a full-wrap illustrated jacket and black-and-white interior art by JungShan Chang throughout, plus embossed case, designed endpapers, and stenciled edges!

Considered one of Time Magazine’s 100 Best Fantasy Books of All Time, the third book in the beloved Poppy War Trilogy concludes Rin’s story in explosive, surprising fashion as she battles not just the Dragon Republic and Hesparians, but the gods themselves.

This edition also includes the short story "The Drowning Faith"!

After saving her nation of Nikan from foreign invaders and battling the evil Empress Su Daji in a brutal civil war, Fang Runin was betrayed by allies and left for dead.

Despite her losses, Rin hasn’t given up on those for whom she has sacrificed so much—the people of the southern provinces and especially Tikany, the village that is her home. Returning to her roots, Rin meets difficult challenges—and unexpected opportunities. While her new allies in the Southern Coalition leadership are sly and untrustworthy, Rin quickly realizes that the real power in Nikan lies with the millions of common people who thirst for vengeance and revere her as a goddess of salvation.

Backed by the masses and her Southern Army, Rin will use every weapon to defeat the Dragon Republic, the colonizing Hesperians, and all who threaten the shamanic arts and their practitioners. As her power and influence grows, though, will she be strong enough to resist the Phoenix’s intoxicating voice urging her to burn the world and everything in it?

Set in the cozy small town of Peach Blossom, a free-spirited mechanic and a fiercely independent artist make a pact to help each other rebuild, for fans of opposites attract romance and seasonal stories that celebrate autumn.

Welcome to Peach Blossom, an irresistibly charming small town where falling in love never goes quite as planned . . .

Aiden Flowers can fix anything. Cars, kitchens, houses—if something was broken, it could be rebuilt. Unless that something was his messy family. Especially his dad, who ruined Aiden’s credit. Or his sister, who Aiden hadn’t spoken to in years.

Janae Gunner is crafty, not handy. Give her a blank canvas, and she can make art. But she needed everything to be constructed before she could make it shine. That’s why she pretends her first marriage didn’t happen—pretty on the outside, with no foundation.

When an apartment fire leaves Aiden homeless and Janae living in a half-finished house, they agree to a practical fix up: Aiden will help Janae with repairs in exchange for a place to stay.

But neither of them planned on falling in love, especially not with their secrets threatening to surface. When the past catches up to them in the present, Aiden and Janae must weather the storm—or risk letting their spark burn out forever.

For lovers of . . .
• Forced proximity
• Opposites attract
• Meddling friends AND siblings
• Pumpkin patch "friend" dates
• Cozy fall vibes

Enter the Peach Blossom universe . . .
• The 7-10 Split
• The Relationship Mechanic
• The Secret Crush Book Club
• The Fall Fix Up

"Electrifying and smart, Who Knows You By Heart is part thriller, part prophecy, part gift and all the way live."--Junot Diaz

“Scintillates with light and warmth…And it’s hilariously funny. The view of Big Tech through Olivia the coder’s eyes is delicious. I absolutely loved this book.” —Alison Bechdel

Part social thriller, part modern love story, Who Knows You by Heart is a sly, witty, and endlessly discussable tale of Big Tech, new money, relationships, race, and discovering what’s real in an age of artificial intelligence.

Octavia Crenshaw, a Jamaican-American coder living in Manhattan, is broke, burned out, and haunted by her parents’ deaths. Desperate to pay off some debts, she ditches her nonprofit job for a high-paying gig at Eustachian Inc., a Big Tech company that specializes in audio entertainment. Language, communication, human connection—these are the markets Eustachian wants to revolutionize...and dominate.

Octavia finds herself swept up in the world of the Tech Titans, with its lure of instant riches and its seemingly limitless future. But as one of Eustachian’s very few Black employees, Octavia is uncomfortably aware of things that seem to escape her coworkers: unexplained tech glitches, cryptic remarks, a mysterious secret floor in the corporation’s gleaming headquarters.

But she sets her suspicions aside when she’s recruited by another Black coder—the infuriating but attractive Walcott—to collaborate on a secret project code-named Zion. Zion is a new kind of AI-powered storytelling, one that’s programmed to be free from the racist and sexist biases that plague other AI products. Zion could launch Eustachian into a bold new future and make its developers super rich while righting all kinds of injustices. Octavia and Walcott’s excitement over their creation sets off romantic sparks between the two of them, until they discover a toxic secret about their employer—something that they can’t unlearn, or overlook, but must overcome.

The very first story collection from the critically acclaimed, visionary author of the novels Lakewood, The Women Could Fly, and Meet Me at the Crossroads

Over three genre-busting novels, Megan Giddings has emerged as one of the most celebrated and inspiring authors at work today. She has been compared to such luminaries as Ursula K. LeGuin, Octavia Butler, and Jordan Peele, yet her voice is singular and distinctive.
Now, at long last, she presents us with a story collection that fully demonstrates the breadth and sophistication of her talent. Over the course of thirteen stories, we navigate complex family relationships, romances both troubled and charmed, and events that straddle the supernatural and the all-too-real. Among the disintegrating husbands, seductive ghosts, and artists communing with the supernatural to find their voices, Giddings establishes herself as a true investigator of modern yearning. Funny, poignant, exquisitely-rendered, and deeply moving, the stories in Black Arts further establish Megan Giddings as one of our most eagle-eyed and groundbreaking literary talents.

From R.F. Kuang, the acclaimed #1 New York Times bestselling author of Katabasis and Yellowface, comes a wryly humorous and profoundly moving coming-of-age novel that grapples with grief, language, and culture shock--all set against the backdrop of an unforgettable summer in Taipei.

College freshman Lily Chen is off to spend the summer in Taipei at an intensive language program like so many Chinese American students before her, hoping to connect with the culture she inherited but never fully understood. But a promising start quickly unravels. Her classes are grueling, her roommate is driving her insane, and a reckless trip to the hot springs with a guy she barely knows soon has her classmates viciously gossiping. She feels adrift, a foreigner in a country she thought would feel like home.

Then shocking news arrives: Lily's grandfather has passed away. The loss forces her to grapple with now-unanswerable questions about her family history. As Lily grieves, she's drawn into a journey of self-discovery--piecing together memories, stories, and silences over a series of hilarious and devastating attempts at connection.

Taipei Story asks: What if the diaspora fantasy of homecoming never comes true? What if learning a language can't bring you any closer to the people you're trying to reach? What if you search for your family's history, but your family doesn't want to share? What if you wait too long to ask the right questions? As Lily struggles for answers, her summer becomes a poignant search for understanding--of herself, her family, and the meaning of home.

From R.F. Kuang, the acclaimed #1 New York Times bestselling author of Katabasis and Yellowface, comes a wryly humorous and profoundly moving coming-of-age novel that grapples with grief, language, and culture shock—all set against the backdrop of an unforgettable summer in Taipei.

College freshman Lily Chen is off to spend the summer in Taipei at an intensive language program like so many Chinese American students before her, hoping to connect with the culture she inherited but never fully understood. But a promising start quickly unravels. Her classes are grueling, her roommate is driving her insane, and a reckless trip to the hot springs with a guy she barely knows soon has her classmates viciously gossiping. She feels adrift, a foreigner in a country she thought would feel like home.

Then shocking news arrives: Lily’s grandfather has passed away. The loss forces her to grapple with now-unanswerable questions about her family history. As Lily grieves, she’s drawn into a journey of self-discovery—piecing together memories, stories, and silences over a series of hilarious and devastating attempts at connection.

Taipei Story asks: What if the diaspora fantasy of homecoming never comes true? What if learning a language can’t bring you any closer to the people you’re trying to reach? What if you search for your family’s history, but your family doesn’t want to share? What if you wait too long to ask the right questions? As Lily struggles for answers, her summer becomes a poignant search for understanding—of herself, her family, and the meaning of home.

“Okparanta is a truth-teller and soothsayer.” —Tayari Jones

From the acclaimed author of Under the Udala Trees, a profoundly moving, unforgettable new epic following the aftermath of one catastrophic moment in the lives of two siblings.

Eleven-year-old Alohan and his four-year-old sister Ivie are the children of a rainmaker, who performs elaborate rituals to bring or hold back the rain. One day, the rainmaker's luck runs out: it pours on the wrong person’s wedding, and the repercussions for him and for his wife who accompanies him to the wedding are deadly.

Orphaned and alone, Alohan is quickly forced into an early adulthood, charged with providing for and protecting Ivie. The two siblings become each other’s entire worlds, bound by loss and loyalty. But just as they begin to build a life for themselves, a lapse of judgment leaves them entangled with a wealthy couple’s nefarious scheme. The two are set on drastically different paths, constricted by the ruthlessness of those who hold great power and privilege, and those who are underfoot – who must, and will, do anything merely to survive. What unfolds is an incredible journey of crime and betrayal, misunderstanding and misfortune, spanning continents and decades: from Nigeria to the United States to Italy, and from the homes of the wealthy elites, to those of the destitute—crossing paths, at each turn, with those who steal, con, and traffic in lives.

At the novel’s heart is the love between Alohan and Ivie. Told with captivating force, insight, and compassion, This Impossible Life is a gripping saga of two siblings’ survival, and of whether the love that binds them will be enough to overcome the most unforgiving of fates.

Poetry. African & African American Studies. California Interest. Curated by Tureeda Mikell. Cover art by John Sims. The PATRICE LUMUMBA anthology collects the liberatory words of 24 authors, many of whom call Oakland, California, home. Herein are explorations of contemporary colonization, the racial/physical/mental/physic abuses of power, locations of home, alternative modes of work, the health profession, and the healing powers of history. These poems are a call to action for collective change— now. Contributors include Dee Allen, Sarai Bordeaux, James Cagney, Dajuan Carter-Woodard, Meilani Clay, Jeneé Darden, Sarah Dudzic Iyer, Tongo Eisen-Martin, Lynsie Falco, QR Hand Jr., Alie Jones, Melissa Jones, Joan Tarika Lewis, Brandon Logans, Tureeda Mikell, Ayodele Nzinga, Adrienne Oliver, Halima Olufemi, Joy Priest, Tolbert Small, Landon Smith, and Mimi Tempestt.

Phillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.

Esteban Rodríguez's At the River asks what it means to live on the border, and how one can come to terms with the symbolic weight of crossing between two worlds.

Combining sharp prose, poetic insight, and a series of incisive black-and-white photographs, At the River journeys to the U.S.-Mexican border in deep south Texas, where our narrator, under his grandmother’s watchful eye, contemplates the geography, people, and cultural characteristics that define the region. Over the course of an afternoon, as we cross from one country to the next, we come face to face with fatigued security guards, desperate children, eager vendors, ominous receptionists, and a whole range of characters that mimic that indifference and uncertainty that defines this corner of the earth. In Rodríguez’s tender and often humorous style, questions arise about identity, economic privilege, race, the nature of language and silence, and the ways in which belonging becomes more than just the name you were born with. At the River asks not only what it means to live on the border, but how one can come to terms with the symbolic weight of crossing between two worlds.

In Black Madness :: Mad Blackness Therí Alyce Pickens rethinks the relationship between Blackness and disability, unsettling the common theorization that they are mutually constitutive. Pickens shows how Black speculative and science fiction authors such as Octavia Butler, Nalo Hopkinson, and Tananarive Due craft new worlds that reimagine the intersection of Blackness and madness. These creative writer-theorists formulate new parameters for thinking through Blackness and madness. Pickens considers Butler's Fledgling as an archive of Black madness that demonstrates how race and ability shape subjectivity while constructing the building blocks for antiracist and anti-ableist futures. She examines how Hopkinson's Midnight Robber theorizes mad Blackness and how Due's African Immortals series contests dominant definitions of the human. The theorizations of race and disability that emerge from these works, Pickens demonstrates, challenge the paradigms of subjectivity that white supremacy and ableism enforce, thereby pointing to the potential for new forms of radical politics.

“Our Gen is warm and smart, accessible yet meaningful, a beach read with strong writing and emotional heft.”—BookPage

Residents of an active-living retirement community revert to lives of youthful indulgence, even as time-bomb secrets of their pasts tick toward explosion. 

The Gen—short for Sexagenarian—is an upscale fifty-five-plus community located in the bucolic suburbs of Philadelphia. Main character Cynthia befriends the Gen’s two other Black residents, Bloc and Tish, as well as Lavia, who everyone assumes is from India. They regularly convene to smoke weed, line dance, and debate politics and philosophy as the wine goes down like silk. Their camaraderie is exhilarating. 

But beneath the fun and froth, storms gather. With its walls of windows gushing light and air, the Gen becomes the catalyst for secrets to be exposed. 

Shifting the narrative between the characters’ pasts and the present day, Diane McKinney-Whetstone deftly builds suspense as she captures with insight, poignancy, and humor, the scars, tenderness, and swagger of those not yet old, but no longer young, coming to the mean acceptance that life is finite after all, who knew.

Toi Derricotte’s story is a hero’s journey―a poet earning her way home, to her own commanding powers. “I”: New and Selected Poems shows the reader both the closeness of the enemy and the poet’s inherent courage, inventiveness, and joy.It is a record of one woman’s response to the repressive and fracturing forces around the subjects of race, class, color, gender, and sexuality. Each poem is an act of victory as the author finds her way through repressive forces to speak with beauty and truth.

This collection features more than thirty new poems as well as selections from five previous collections.

WANTED - Bloodmaid of exceptional taste. Must have a keen proclivity for life’s finer pleasures. Girls of weak will need not apply.

A young woman is drawn into the upper echelons of a society where blood is power in this dark and enthralling Gothic novel from the author of The Year of the Witching.

Marion Shaw has been raised in the slums, where want and deprivation are all she know. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid.

Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery. At the center of it all is Countess Lisavet.

The countess, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when she discovers that the ancient walls of the House of Hunger hide even older secrets, Marion is thrust into a vicious game of cat and mouse. She’ll need to learn the rules of her new home—and fast—or its halls will soon become her grave.

BRAM STOKER AWARD FINALIST • A diabolical collection of stories featuring achingly human characters whose lives intertwine with ghosts, goblins, and the macabre, by “Buenos Aires’s sorceress of horror” (Samanta Schweblin, The New York Times)

“Entertaining, political and exquisitely gruesome, these stories summon terror against the backdrop of everyday horrors. . . . A queen of horror delivers more delightfully twisted stories.”—Los Angeles Times

“As vivid and essential as Kafka’s tales.”—Minneapolis Star-Tribune

LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION • A BEST BOOK OF THE YEAR: TIME, THE NEW YORK PUBLIC LIBRARY, PUBLISHERS WEEKLY, CHICAGO PUBLIC LIBRARY, THE TELEGRAPH, ELECTRIC LIT, PASTE, LATINA MEDIA

On the shores of this river, all the birds that fly, drink, perch on branches, and disturb siestas with the demonic squawking of the possessed—all those birds were once women.

Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural. A neighborhood nuisanced by ghosts, a family whose faces melt away, a faded hotel haunted by a girl who dissolved in the water tank on the roof, a riverbank populated by birds that used to be women—these and other tales illuminate the shadows of contemporary life, where the line between good and evil no longer exists.

Lyrical and hypnotic, heart-stopping and deeply moving, Enriquez’s stories never fail to enthrall, entertain, and leave us shaken. Translated by the award-winning Megan McDowell, A Sunny Place for Shady People showcases Enriquez’s unique blend of the literary and the horrific, and underscores why Kazuo Ishiguro, winner of the Nobel Prize for Literature, calls her “the most exciting discovery I’ve made in fiction for some time.”

Amazon Editors' Pick - August 2024
Gizmodo's New Sci-Fi, Fantasy, and Horror Books Releasing in August
Screenrant #1 Most Anticipated Book in Sci-fi Coming Out in August

⭐ "Readers will devour this." —Publishers Weekly (starred review)
⭐ "While this book may be short, its impact is anything but small." —Kirkus (starred review)

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, this is the first in the She Who Knows trilogy

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

A dramatic and thought-provoking novel of one family's triumph in the face of the hardships and challenges of the post-Civil War South, from the award-winning author of Family

"Rendered with compassion and beautiful simplicity."--The Washington Post Book World

"[A] provocative and at times painful family portrait . . . It should be required reading."--Detroit Free Press

Opening in Texas during the waning years of the Civil War, The Wake of the Wind tells the epic story of a remarkable heroine, Lifee, and her husband, Mor. When news of Emancipation finally comes to Texas, Mor, Lifee, and their family set out in search of hope and a piece of land they can work and call their own. Miraculously, they manage not only to survive but to succeed--their crops grow, their children thrive, they educate themselves and others. But the South during Reconstruction is not a place that takes kindly to the achievements of former slaves, and as lynchings and injustices become a plague across the region, time and time again they must make the anguished decision to leave their land in search of a safer place.

Land, however, is the least of their worldly possessions. Lifee and Mor are the descendants of a long and vital line. Having used their intelligence, strength, and ingenuity to make their place in the new post-Civil War world, they in turn pass those talents along to their children--the next generation to surge forward, accomplishing more than their parents could ever dream.

At once tragic and triumphant, The Wake of the Wind is a penetrating look at the challenges that generations of African Americans have had to overcome in order to carve out a home and a future for themselves and their families.

John Murillo’s second book is a reflective look at the legacy of institutional, accepted violence against Blacks and Latinos and the personal and societal wreckage wrought by long histories of subjugation. A sparrow trapped in a car window evokes a mother battered by a father’s fists; a workout at an iron gym recalls a long-ago mentor who pushed the speaker “to become something unbreakable.” The presence of these and poetic forbears—Gil Scott-Heron, Yusef Komunyakaa—provide a context for strength in the face of danger and anger. At the heart of the book is a sonnet crown triggered by the shooting deaths of three Brooklyn men that becomes an extended meditation on the history of racial injustice and the notion of payback as a form of justice.

Finalist for the NAACP Image Award for Outstanding Literary Work

Ama Codjoe’s highly anticipated debut collection brings generous light to the inner dialogues of women as they bathe, create art, make and lose love. Each poem rises with the urgency of a fully awakened sensual life.

Codjoe’s poems explore how the archetype of the artist complicates the typical expectations of women: be gazed upon, be silent, be selfless, reproduce. Dialoguing with and through art, Bluest Nude considers alternative ways of holding and constructing the self. From Lorna Simpson to Gwendolyn Brooks to Lynette Yiadom-Boakye, contemporary and ancestral artists populate Bluest Nude in a choreography of Codjoe’s making. Precise and halting, this finely wrought, riveting collection is marked by an acute rendering of highly charged emotional spaces.

Purposefully shifting between the role of artist and subject, seer and seen, Codjoe’s poems ask what the act of looking does to a person—public looking, private looking, and that most intimate, singular spectacle of looking at one’s self. What does it mean to see while being seen? In poems that illuminate the tension between the possibilities of openness and and its impediments, Bluest Nude offers vulnerability as a medium to be immersed in and, ultimately, shared as a kind of power: “There are as many walls inside me / as there are bones at the bottom of the sea,” Codjoe writes in the masterful titular poem. “I want to be seen clearly or not at all.”

“The end of the world has ended,” Codjoe’s speaker announces, “and desire is still / all I crave.”

Startling and seductive in equal measure, this formally ambitious collection represents a powerful, luminous beginning.

Through invention and remembrance, a little bump in the earth creates a black town on a hill—its land, its losses, its living and ancestral dead.

Tyree Daye's a little bump in the earth is an act of invention and remembrance. Through sprawling poems, the town of Youngsville, North Carolina, where Daye's family has lived for the last 200 years, is reclaimed as “Ritual House." Here, “every cousin aunt uncle ghost" is welcome. Daye invokes real and imagined people, the ancestral dead, land, snakes, and chickens, to create a black town on a hill. Including dreams, letters, revised rental agreements, and “a little museum in the here & after," where collaged images appear besides documents from Daye's ancestors—census records, marriage licenses, and WWII Draft Registration cards—the collection asks if the past can be a portal to the future, the present a catalyst for the past. a little bump in the earth explores what it means to love someone, someplace, even as it changes, dies right in front of your eyes. Poem by poem, Daye is honoring the people of Youngsville and “bringing back the dead."

Award-winning author Suyi Davies Okungbowa returns in the final installment of the Nameless Republic trilogy with a tale of villains, allies, and a world on the brink of destruction, perfect for fans of Tasha Suri, Evan Winter, and James Islington.
 
The old world has fallen. Now is the time of serpents.
 
The continent is split. The islands have sunk. The empire of Bassa is no more. With the resistant Nameless Republic and the conquering Kangalaland on the brink of war, all must choose a side: ally, or fall. Oon’s heroes and villains must rise from their ashes and meet a Third Great War.

Peace won’t come easy. Long-lost family will fight to reach Danso before war erases him forever. Lilong has survived the island catastrophe but lost her power, and will do anything to get it back. And fate will find Esheme where it left her—will the dead queen rise again?

For Oon, the first season of the five states is a season of serpents. After the storms pass and winds blow, what will remain? And who will survive?

Praise for The Nameless Republic:

"A thrilling, fantastical adventure that introduces a beguiling new world . . . and then rips apart everything you think you know."—S. A. Chakraborty

"An original and fascinating epic fantasy full of bold characters, bloody action, and brutal politics.”―James Islington

The Nameless Republic
Son of the Storm
Warrior of the Wind
Season of the Serpent