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The author of the Booker Prize finalist Real Life and the bestselling Filthy Animals returns with a deeply involving new novel of young men and women at a crossroads

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. At the group’s center are Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicates her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These three are buffeted by a cast of poets, artists, landlords, meat-packing workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of Iowa City, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.

A novel of intimacy and precarity, friendship and chosen family, The Late Americans is Brandon Taylor’s richest and most involving work of fiction to date, confirming his position as one of our most perceptive chroniclers of contemporary life. 

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From the bestselling, National Book Award–winning author Elizabeth Acevedo comes her first novel for adults, the story of one Dominican-American family told through the voices of its women as they await a gathering that will forever change their lives.

Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila.

But Flor isn’t the only person with secrets. Matilde has tried for decades to cover the extent of her husband’s infidelity, but she must now confront the true state of her marriage. Pastora is typically the most reserved sister, but Flor’s wake motivates this driven woman to solve her sibling’s problems. Camila is the youngest sibling, and often the forgotten one, but she’s decided she no longer wants to be taken for granted.

And the next generation, cousins Ona and Yadi, face tumult of their own: Yadi is reuniting with her first love, who was imprisoned when they were both still kids; Ona is married for years and attempting to conceive. Ona must decide whether it’s worth it to keep trying—to have a child, and the anthropology research that’s begun to feel lackluster.

Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo’s inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces—one family’s journey through their history, helping them better navigate all that is to come.

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A collection of raucous stories that offer a panoramic view of New Orleans from the author of the “stunning and audacious” (NPR) debut novel We Cast a Shadow.

Maurice Carlos Ruffin has an uncanny ability to reveal the hidden corners of a place we thought we knew. These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture.

In “Beg Borrow Steal,” a boy relishes time spent helping his father find work after just coming home from prison; in “Ghetto University,” a couple struggling financially turns to crime after hitting rock bottom; in “Before I Let You Go,” a woman who’s been in NOLA for generations fights to keep her home; in “Fast Hands, Fast Feet,” an Army vet and a runaway teen find companionship while sleeping under a bridge; in “Mercury Forges,” a flash fiction piece among several in the collection, a group of men hurriedly make their way to a home where an elderly gentleman lives, trying to reach him before the water from Hurricane Katrina does; and in the title story, a young man works the street corners of the French Quarter, trying to achieve a freedom not meant for him.

These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian.

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A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence.

Isaiah was Samuel’s and Samuel was Isaiah’s. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.

With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

In this taut Southern family drama, the sins of a favorite son rock a small Mississippi town.

Reverend Sabre Winfrey, shepherd of the Seven Seals Baptist Church, believes in God, his own privilege, and enterprise. Besides the barbershop and radio station he owns, he has an iron hand on every aspect of Dominion, Mississippi, society. He and his wife, Priscilla, have five boys; the youngest, Emanuel, is called Wonderboy―no one sings prettier, runs as fast, or turns as many heads. After a surprising encounter with a stranger, Wonderboy finds himself confronted by questions he’d never imagined, and his response will send shockwaves through the entire community. Told from the point of view of the women who love these two men, Dominion illustrates how we enable the everyday violence and casual sins of the patriarchy.

A Black Southern family drama that deals as much in tenderness and humor as it does in brutality, Addie E. Citchens’s Dominion reveals the many sinister ways in which we are shaped by fear and patriarchy.

NATIONAL BOOK AWARD FINALIST

A New York Times Notable Book • An Amazon Top 100 Editors' Pick of the Year

Named a Best Book of the Year by O, The Oprah Magazine • Entertainment Weekly • NPR • Essence • Men’s Journal • Buzzfeed • Bustle • Time Out • Denver Post • Publishers Weekly • Kirkus Reviews • BookPage • Literary Hub • Kobo • The Week • Detroit Free Press

Winner of the Paterson Fiction Prize and the Black Caucus of the ALA—1st Novelist Award

Nominated for the International Dublin Literary Award, the NAACP Image Award for Outstanding Literary Work – Debut Author, and the Hurston/Wright Legacy Award for Fiction

Finalist for the New York Public Library Young Lions Award, the VCU Cabell First Novelist Award, and the Indies Choice Award

Short-listed for the PEN/Robert W. Bingham Prize for Debut Fiction, the Center for Fiction First Novel Prize, the Ernest Gaines Award, The Morning News Tournament of Books, the Winter Lariat List, and the Medici Book Club Prize

Long-listed for the NBCC John Leonard Prize for A Debut Novel and the Chautauqua Prize

A powerful debut,The Turner House marks a major new contribution to the story of the American family.

The Turners have lived on Yarrow Street for over fifty years. Their house has seen thirteen children grown and gone—and some returned; it has seen the arrival of grandchildren, the fall of Detroit’s East Side, and the loss of a father. The house still stands despite abandoned lots, an embattled city, and the inevitable shift outward to the suburbs. But now, as ailing matriarch Viola finds herself forced to leave her home and move in with her eldest son, the family discovers that the house is worth just a tenth of its mortgage. The Turner children are called home to decide its fate and to reckon with how each of their pasts haunts—and shapes—their family’s future.

Praised by Ayana Mathis as “utterly moving” and “un-putdownable,” The Turner House brings us a colorful, complicated brood full of love and pride, sacrifice and unlikely inheritances. It’s a striking examination of the price we pay for our dreams and futures, and the ways in which our families bring us home.

“A gracefully told and sharply observed debut." -Kiley Reid, New York Times bestselling author of Such a Fun Age and Come and Get It

For readers of Americanah, a heart-rending debut novel about a Nigerian immigrant as she tries to find her place at home and in America-a powerful epic about love, grief, family, and belonging.

The Tiny Things are Heavier follows Sommy, a Nigerian woman who comes to the United States for graduate school two weeks after her brother, Mezie, attempts suicide. Plagued by the guilt of leaving Mezie behind, Sommy struggles to fit into her new life as a student and an immigrant. Lonely and homesick, Sommy soon enters a complicated relationship with her boisterous Nigerian roommate, Bayo, a relationship that plummets into deceit when Sommy falls for Bryan, a biracial American, whose estranged Nigerian father left the States immediately after his birth. Bonded by their feelings of unbelonging and a vague sense of kinship, Sommy and Bryan transcend the challenges of their new relationship.

After some time together, Sommy and Bryan visit the bustling city of Lagos, Nigeria for the summer break, where Sommy hopes to reconcile with Mezie and Bryan hopes to connect with his father. But when a shocking and unexpected event throws their lives into disarray, it exposes the cracks in Sommy's relationships and forces her to confront her notions of self and familial love.

A daring and ambitious novel rendered in stirring, tender prose, The Tiny Things Are Heavier is a captivating portrait that explores the hardships of migration, the subtleties of Nigeria's class system, and how far we'll go to protect those we love.

Discover the 20th Anniversary edition of Edwidge Danticat’s unforgettable National Book Award Finalist story collection—complete with a new story.

Arriving one year after the Haitian-American's first novel (Breath, Eyes, Memory) alerted critics to her compelling voice, these 10 stories, some of which have appeared in small literary journals, confirm Danticat's reputation as a remarkably gifted writer.

Examining the lives of ordinary Haitians, particularly those struggling to survive under the brutal Duvalier regime, Danticat illuminates the distance between people's desires and the stifling reality of their lives. A profound mix of Catholicism and voodoo spirituality informs the tales, bestowing a mythic importance on people described in the opening story, "Children of the Sea," as those "in this world whose names don't matter to anyone but themselves." The ceaseless grip of dictatorship often leads men to emotionally abandon their families, like the husband in "A Wall of Fire Rising," who dreams of escaping in a neighbor's hot-air balloon. The women exhibit more resilience, largely because of their insistence on finding meaning and solidarity through storytelling; but Danticat portrays these bonds with an honesty that shows that sisterhood, too, has its power plays. In the book's final piece, "Epilogue: Women Like Us," she writes: "Are there women who both cook and write? Kitchen poets, they call them. They slip phrases into their stew and wrap meaning around their pork before frying it. They make narrative dumplings and stuff their daughter's mouths so they say nothing more."

These stories inform and enrich one another, as the female characters reveal a common ancestry and ties to the fictional Ville Rose. In addition to the power of Danticat's themes, the book is enhanced by an element of suspense—we're never certain, for example, if a rickety boat packed with refugees introduced in the first tale will reach the Florida coast. Spare, elegant and moving, these stories cohere into a superb collection.

From the acclaimed author of Vagabonds!: an audacious and eye-opening exploration of cross-generational queer life in Nigeria.

What makes a family? How is it defined and by whom? Is freedom for everyone?

In Necessary Fiction, Eloghosa Osunde poses these provocative questions and many more while exploring the paths and dreams, hopes and fears of more than two dozen characters who are staking out lives for themselves in contemporary Nigeria. 

Across Lagos, one of Africa's largest urban areas and one of the world's most dynamic cities, Osunde’s characters seek out love for self and their chosen partners, even as they risk ruining relationships with parents, spouses, family, and friends. As the novel unfolds, a rolling cast emerges: vibrantly active, stubbornly alive, brazenly flawed. These characters grapple with desire, fear, time, death, and God, forming and breaking unexpected connections; in the process unveiling how they know each other, have loved each other, and had their hearts broken in that pursuit. 

As they work to establish themselves in the city's lively worlds of art, music, entertainment, and creative commerce, we meet their collective and individual attempts to reckon with the necessary fiction they carry for survival.

Set in the blockbuster and award-winning universe of League of Legends: Arcane and written by award-winning author C. L. Clark, discover a thrilling epic fantasy novel where Ambessa Medarda truly learns what it means to be a Chosen of the Wolf.

Medarda over all.

Ambessa Medarda: Warrior, general, mother. She is a woman to be feared, and the Medardas are unrivaled in their pursuit of glory. She has led conquests and armies. She has slain legendary beasts. She has made grave sacrifices in her ascent up the ranks. And for this she was rewarded: She entered the realm of death and was granted a vision of herself upon the throne of the vast Noxian empire.

But before she can lead her empire, she must become head of her own clan. Yet the title is contested by her cousin and former confidante, Ta’Fik. He knows the bloody sins of Ambessa’s past. And he knows he cannot allow her to rise.

They will fight a war for the very soul of the Medardas.

But the war won’t be fought on battlefields alone. Ambessa’s daughter, Mel, can deftly break through the walls around anyone’s heart, and she’ll put her talents to use for her mother. Yet despite Mel’s strength, Ambessa sees only a child who lacks her killer instincts. Mel knows she can be the leader Ambessa wants her to be, if only she gives her time.

With her family betraying her, enemies closing in on all sides, and unseen forces moving in the shadows, every day proves more dangerous than the last. But Ambessa will not bow. She will burn the world down to claim her place in it.

Winner of the Lee Smith Novel Prize,Behind the Waterline takes readers to the home of a teenager and his grandmother in a New Orleans neighborhood on the eve of Katrina, where there are few resources and little warning of what is about to happen, in this novel that mixes magical realism with reality.

When Hurricane Katrina approaches New Orleans, teenaged Eric and his grandmother and many of their neighbors decide to ride out the storm. Kionna Walker LeMalle's masterful debut novel brings her readers, like the rising water, onto Eric's street in the Third Ward, where stranded dogs bark for a time, where neighbors are floating on doors, and where Eric and his grandmother must take refuge in his second floor bedroom. After days of heat, dwindling supplies, and relentless rising water, neighbors begin to disappear and Eric's grandmother, already known as an eccentric, begins to falter. It is then that Eric-in a dream, a hallucination, or something else-discovers a room beyond his closet wall, a place he has never seen. What he discovers inside will send him on a path to discover secrets to survival, bitter progress, and, ultimately, the history of his own people-those he sorely misses and those he never even knew.

Winner of the 2016 Man Booker Prize

Winner of the 2015 National Book Critics Circle Award in Fiction

Named one of the best books of 2015 by The New York Times Book Review and the Wall Street Journal

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality―the black Chinese restaurant.

Born in the "agrarian ghetto" of Dickens―on the southern outskirts of Los Angeles―the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident―the last surviving Little Rascal, Hominy Jenkins―he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

In the vein of Get Out and Razorblade Tears, a feast of noir fiction and probing social commentary that asks us to consider what would happen if reparations were finally charged and exacted. Nate Evers, a young black political activist, struggles with rage as his people are still being killed in the streets 62 years after Emmett Till. When his little cousin is murdered, Nate shuns the graffiti murals, candlelight vigils, and Twitter hashtags that are commonplace after these senseless deaths. Instead, he leads 3 grief-stricken friends on a mission of retribution, kidnapping the descendants of long-ago perpetrators of hate crimes, confronting the targets with their racist lineages, and forcing them to pay reparations to a community fund. For 3 of the group members, the results mean justice; for Nate – pure revenge. Not all targets go quietly into the night, though, and Nate and his friends' world spirals out of control when they confront the wrong man. Now the leader of a white supremacist group is hot on their tail as is a jaded lawman with some disturbingly racist views of his own. As the 4 vigilantes fight to thwart their ruthless pursuers, they’re forced to accept an age-old truth: "Before you embark on a journey of revenge, dig two graves." Smoke Kings is a powerful and propulsive novel with a diverse and unforgettable cast of characters. Like Steph Cha’s Your House Will Pay it explores decades of racial tensions through a fictional landscape where the line between justice and revenge is blurred.

Aria is no stranger to tragedy -- as a young girl, she and her older sister and mother survived a car crash that took the lives of their father and beloved baby sister. And although relations with her remaining family are strained, she's done her best to establish a solid, normal life for herself, living in Atlanta and teaching literacy to girls who have fallen on hard times.

But now she has a secret that she's not yet ready to share with Dwayne, her devoted boyfriend, or Rochelle, her roommate and best friend: Aria is pregnant. Or so she thinks. The truth is about to make her question her every assumption and reevaluate the life she has worked so hard to build for herself...as it sends her reeling in a direction she had no idea she was destined to go.

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Two young girls. Two disparate stories. One unlikely friendship....

Dani comes from the richest, most famous Black family in Texas and seems to have everything a girl could want. So why does she keep using and engaging in other self-destructive behavior?

Camila’s Colombian-American family doesn’t have much, but she knows exactly what she wants out of life and works her ass off to get it. So why does she keep failing, and why does she self-harm every time she does?

When Dani and Camila find themselves rooming together at Peach Tree Hills, a treatment facility in beautiful rural Georgia, they initially think they’ll never get along—and they’ll never get better. But then they find a mysterious music box filled with letters from a former resident of PTH, and together they set out to solve the mystery of who this girl was . . . and who she’s become. The investigation will bring them together, and what they find at the end might just bring them hope.

From award-winning author Stephanie Kuehn comes a breathtaking tale of friendship and healing. Both poignant and timely, We Weren’t Looking to Be Found is complex, hopeful, and heartbreaking all at once.

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Now in paperback, from New York Times bestselling author Eric Jerome Dickey—named one of USA Today’s 100 Black Novelists and Fiction Authors You Should Read—comes his final work: an unflinchingly timely novel about history, hearts, and family.

It’s the summer of 2019, and Professor Pi Suleman is a Black man from Memphis with a lot to endure—not only as a Black man in Trump’s America but in his hard-earned career as an adjunct professor. Pi is constantly forced to bite his tongue in the face of one of his tenured colleague’s prejudices and microaggressions. At the same time, he’s being blackmailed by a powerful professor who threatens to claim he has assaulted her, when in fact the truth is just the opposite, trapping him in a he-said-she-said with a white woman that, in this society, Pi knows he will never win.

When he meets Gemma Buckingham, a sophisticated entrepreneur who has just moved to Memphis from London to escape a deep heartbreak, things begin to look up. Though Gemma and Pi hail from separate cultures, their differences fuel a fiery and passionate connection that just may consume them both.

In this poignant retelling of The Great Gatsby, set amongst L.A.’s Black elite, a young veteran finds his way post-war, pulled into a new world of tantalizing possibilities—and explosive tensions.

In 1945, Charlie Trammell steps off a cross-country train into the vibrant tapestry of Los Angeles. Lured by his cousin Marguerite’s invitation to the esteemed West Adams Heights, Charlie is immediately captivated by the Black opulence of L.A.’s newly rechristened “Sugar Hill.”

Settling in at a local actress’s energetic boarding house, Charlie discovers a different way of life—one brimming with opportunity—from a promising career at a Black-owned insurance firm, the absence of Jim Crow, to the potential of an unforgettable romance. But nothing dazzles quite like James “Reaper” Mann.
 
Reaper’s extravagant parties, attended by luminaries like Lena Horne and Hattie McDaniel, draw Charlie in, bringing the milieu of wealth and excess within his reach. But as Charlie’s unusual bond with Reaper deepens, so does the tension in the neighborhood as white neighbors, frustrated by their own dwindling fortunes, ignite a landmark court case that threatens the community’s well-being with promises of retribution.

Told from the unique perspective of a young man who has just returned from a grueling, segregated war, The Great Mann weaves a compelling narrative of wealth and class, illuminating the complexities of Black identity and education in post-war America.

A mesmerizing spin through the high-rolling high times of 1970s New York and Detroit, Nettie Jones’s Fish Tales is a lost classic taking its rightful place in the spotlight.

Lewis Jones is a party girl for the ages. Confident and cavalier, she seeks freedom and a good time, leaving mayhem in her wake. Strutting between the bohemian demimonde of New York City and the affluent Black community of Detroit, she is supported in her adventures by her husband, Woody, and accompanied by her friend Kitty-Kat, a gay hustler with impeccable style and a knack for finding all the best spots. She guzzles champagne, snorts piles of cocaine, wakes up on silk sheets with a variety of lovers. And then she is upended by the handsome, erudite, often cruel Brook―a man who has his own bevy of admirers. Soon, Lewis and Brook are ensnared in a struggle for dominance that launches them into a shock of violence.

A bold exploration of the blurred line between love and control, pleasure and addiction, Fish Tales offers a glittering, devastating portrait of a woman’s pursuit of her own kind of freedom. It is a striking deluge of longing, anxiety, ego, identity, and love. As provocative as it is moving, as profane as it is artful, Nettie Jones’s Fish Tales illuminates the warring forces of power, desire, intimacy, and fear, and exposes the raw nerve of our yearning to be loved on our own terms.

Trinidad Velasquez plays by the rules. Now she has one chance—one sizzlin’ Carnival weekend—to leave it all behind.

Go on, get spicy…

For the last sixteen years, Trinidad Velasquez has done everything right. Raised her twin sons on her own, worked her butt off and created a stable life. But Trinidad is done waiting for a happy ending to show up at her door, and when her current boyfriend proposes, she can’t help but wonder if, at her age, love should be practical, not butterflies and heart-racing chemistry.

But then her teenage sons trick her into a Caribbean Carnival vacation. And she finds herself staying with the one guy who’s always revved her engine…even if he’s a decade south of her dating range.

Orlando Wiggins has never been able to take his eyes off Ms. V. He’s mentored her boys for two years, and she’s never suggested there could be more. But at Carnival, between the sensual dancing, heated looks and electric touches, whatever he’s been feeling for her is definitely reciprocated.

Now Trinidad is having the time of her life. Every cell in her body is charged, alive. But will this new version of who she’s become stick around for the return to real life?

From showing up to glowing up, the characters in Afterglow Books are on the path to leading their best lives and finding sizzling romance along the way. Don’t miss any of these other fun titles…

Out of Office by A.H. Cunningham

The Summer of Perfect Mistakes by Cynthia St. Aubin

Church Girl by Naima Simone

In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train.

Before fleeing the scene, the murderer shouted two words: bat eater.

So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head.

She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women.

As Cora will soon learn, you can’t just ignore hungry ghosts.

For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

A never before published novel from beloved author Zora Neale Hurston, revealing the historical Herod the Great—not the villain the Bible makes him out to be but a religious and philosophical man who lived a life of valor and vision.

In the 1950s, as a continuation of Moses, Man of the Mountain, Zora Neale Hurston penned a historical novel about one of the most infamous figures in the Bible, Herod the Great. In Hurston’s retelling, Herod is not the wicked ruler of the New Testament who is charged with the “slaughter of the innocents,” but a forerunner of Christ—a beloved king who enriched Jewish culture and brought prosperity and peace to Judea.

From the peaks of triumph to the depths of human misery, the historical Herod “appears to have been singled out and especially endowed to attract the lightning of fate,” Hurston writes. An intimate of both Marc Antony and Julius Caesar, the Judean king lived during the first century BCE, in a time of war and imperial expansion that was rife with political assassinations and bribery, as the old world gave way to the new.

Portraying Herod within this vivid and dynamic world of antiquity, little known to modern readers, Hurston’s unfinished manuscript brings this complex, compelling, and misunderstood leader fully into focus. Hurston shared her findings about Herod’s rise, his reign, and his waning days in letters to friends and associates. Text from three of these letters concludes the manuscript in an intimate way. Scholar-Editor Deborah Plant’s "Commentary: A Story Finally Told" assesses Hurston’s pioneering work and underscores Hurston’s perspective that the first century BCE has much to teach us and that the lens through which to view this dramatic and stirring era is the life and times of Herod the Great.

Devils Kill Devils is perfect for fans of Silvia Moreno-Garcia's Certain Dark Things and Southern gothic horror. Johnny Compton brings his trademark terror and dread that readers fell in love with in The Spite House to a new roster of monsters―angels, devils, vampires―and a heart-pounding race to save the world.

When all hell breaks loose, you need a devil on your side

Sarita has been watched over by a guardian angel her entire life. She calls him Angelo, and keeps him a secret. But secrets can’t stay buried forever…

When Angelo murders someone she loves, Sarita begins to see what's really been lurking in the shadows surrounding her. And she will have to embrace the evil within if she hopes to make it out alive.

Johnny Compton, critically acclaimed author of The Spite House and master of dread, takes you on a terrifying race of one woman against the hordes of hell.

Also by Johnny Compton:
The Spite House

A year in the life of the unforgettable Catalina Ituralde, a wickedly wry and heartbreakingly vulnerable student at an elite college, forced to navigate an opaque past, an uncertain future, tragedies on two continents, and the tantalizing possibilities of love and freedom

When Catalina is admitted to Harvard, it feels like the fulfillment of destiny: a miracle child escapes death in Latin America, moves to Queens to be raised by her undocumented grandparents, and becomes one of the chosen. But nothing is simple for Catalina, least of all her own complicated, contradictory, ruthlessly probing mind. Now a senior, she faces graduation to a world that has no place for the undocumented; her sense of doom intensifies her curiosities and desires. She infiltrates the school’s elite subcultures—internships and literary journals, posh parties and secret societies—which she observes with the eye of an anthropologist and an interloper’s skepticism: she is both fascinated and repulsed. Craving a great romance, Catalina finds herself drawn to a fellow student, an actual budding anthropologist eager to teach her about the Latin American world she was born into but never knew, even as her life back in Queens begins to unravel. And every day, the clock ticks closer to the abyss of life after graduation. Can she save her family? Can she save herself? What does it mean to be saved?

Brash and daring, part campus novel, part hagiography, part pop song, Catalina is unlike any coming-of-age novel you’ve ever read—and Catalina, bright and tragic, circled by a nimbus of chaotic energy, driven by a wild heart, is a character you will never forget.

When life rewrites the story, only friendship will see them through.

After years of hard work, four best friends—Celeste, Yasmeen, Toni and Leslie—are finally on the verge of opening the bookstore of their dreams. A place where their community can find solace with an intriguing new read, a comforting beverage and book-loving friends.

But before they can cut the ribbon, their worlds are upended.

Toni receives devastating news just months before her wedding, while Celeste’s struggling marriage threatens to collapse completely. Leslie learns a shocking secret about her family, and a lotto ticket changes Yasmeen’s life—but not for the better.

As the bookstore’s grand opening fast approaches, the four women must lean on each other now more than ever to navigate their grief and uncertainty. And together, they’ll learn that sometimes, even life’s most unexpected plot twists can lead to beautiful new beginnings.