In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train.

Before fleeing the scene, the murderer shouted two words: bat eater.

So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head.

She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women.

As Cora will soon learn, you can’t just ignore hungry ghosts.

For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

Winner of the Lee Smith Novel Prize,Behind the Waterline takes readers to the home of a teenager and his grandmother in a New Orleans neighborhood on the eve of Katrina, where there are few resources and little warning of what is about to happen, in this novel that mixes magical realism with reality.

When Hurricane Katrina approaches New Orleans, teenaged Eric and his grandmother and many of their neighbors decide to ride out the storm. Kionna Walker LeMalle's masterful debut novel brings her readers, like the rising water, onto Eric's street in the Third Ward, where stranded dogs bark for a time, where neighbors are floating on doors, and where Eric and his grandmother must take refuge in his second floor bedroom. After days of heat, dwindling supplies, and relentless rising water, neighbors begin to disappear and Eric's grandmother, already known as an eccentric, begins to falter. It is then that Eric-in a dream, a hallucination, or something else-discovers a room beyond his closet wall, a place he has never seen. What he discovers inside will send him on a path to discover secrets to survival, bitter progress, and, ultimately, the history of his own people-those he sorely misses and those he never even knew.

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, this is the first in the She Who Knows trilogy

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

Fransisco ‘Faxx’ Wellington saw Crescent at Myth and knew she would become his obsession.
Their connection created a soul tie he wasn’t prepared for. But secrets and hidden agendas reveal themselves, leaving Faxx teetering on the edge of darkness that only Cresent can pull him from.

Crescent ‘Cent’ Johnson is questioning the authenticity of her connection with Fransisco. Deep-seated doubts and insecurities from her past plague her heart, casting a shadow over their vibrant connection. Forced into close proximity with him, it begins to get harder and harder to hide her sordid past. She doesn’t want the ghost of her past to show up on his doorstep, but it already looks like she’s too late.
Will they be able to deal with their individual demons and prove their connection can stand strong through it all?

Lakyn ‘Link’ Moore is determined to ensure he forgets all things Mala, but a chance encounter at Myth as the Black Wolf changes everything. Standing before a woman, lying with her hands tied above her head, waiting for him. When he heard the safe word was ‘Kite,’ that could be explained away, but when the woman lying before him moaned his name, he knew exactly who lay behind the mask. Payback was the sweetest revenge, and Link would ensure that payback included making Malikita remember the name “The Black Wolf.”

Malikita ‘Mala’ Samuels was living a lie she couldn’t escape.
Her heart beats only for Link, a man who had intensely captured her soul when they were teens. Their connection was undeniable, and while their love blossomed, promises were made, only to be broken. At eighteen, Mala found herself trapped in a web of obligations and deceit, torn between her desires and the damning evidence that her now fiancé, Charles, held against Link. Mala’s heartache grew with each passing day, torn between the love she craved and the fear of the consequences that would bury them.

Will Mala risk it all, defy Charles, and embrace a love that burned with an intensity that could never be extinguished? Or will she sacrifice her own happiness to keep the man she loves safe?

*** This book contains explicit language, graphic violence, and strong sexual content. It is intended for adults. ***

A short story collection in the vein of Danielle Evans and Bryan Washington, about community, home, betrayal, and forgiveness.

HOLLER, CHILD is a short story collection packed with extraordinary and unforgettable writing and scenes, that explores concerns and issues that press at the bruises of guilt, betrayal, and forgiveness.

Set in the same Black community in Texas as PERISH, LaToya's debut novel, each story focuses on unique characters that illuminate life in Texas; they offer briliant, heartbreaking, but ultimately hopeful perspectives from the women and men in the community, and touch on big themes like race, power, inequality, and more.

In one story, the appearance of a horse in a man's suburban backyard places a former horse breeder in trouble with the police, while in another, following the mass suicide of his entire congregation, the mother of a cult leader tries to honor him in a way she couldn't while he was alive.

Fresh and urgently told, HOLLER, CHILD is a wise follow-up to LaToya's debut novel.

A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising

The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means “nothing” in Tagalog, and Kitu is Swahili for “nothing.”) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he’ll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.

With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill’s desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, “Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it’s time we gave nothing back.”

Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn’t to say that it’s not about anything. In fact, it’s about villains. Bond villains. And that’s not nothing.

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A classic anthology of short stories by Black writers including James Baldwin, Zora Neale Hurston, and Richard Wright -- edited and with an introduction by Langston Hughes. 

Originally published in 1967, The Best Short Stories by Black Writers offers a timeless and unforgettable portrait of the tragedy, comedy, triumph, and suffering that were part of African American life from 1899 to 1967. 

Jonah's Gourd Vine, Zora Neale Hurston's first novel, originally published in 1934, tells the story of John Buddy Pearson, "a living exultation" of a young man who loves too many women for his own good. Lucy, his long-suffering wife, is his true love, but there's also Mehaley and Big 'Oman, as well as the scheming Hattie, who conjures hoodoo spells to ensure his attentions. Even after becoming the popular pastor of Zion Hope, where his sermons and prayers for cleansing rouse the congregation's fervor, John has to confess that though he is a preacher on Sundays, he is a "natchel man" the rest of the week.

And so in this sympathetic portrait of a man and his community, Zora Neale Hurston shows that faith, tolerance, and good intentions cannot resolve the tension between the spiritual and the physical. That she makes this age-old dilemma come so alive is a tribute to her understanding of the vagaries of human nature.

This edition of Native Son reprints the original edition in which Wright omitted several passages which book club editors feared would prove offensive to readers in 1940 and which were restored to the book in later editions.

Set in Chicago in the 1930s, Wright’s powerful novel is just as meaningful today as when it was written, both in its unsparing reflection of the poverty and feelings of hopelessness experienced by people in inner cities across the country and in what it means to be black in America. An undisputed classic since it was first published, Native Son has sold close to three million copies.

This abridged edition—the original 1940 text—includes an afterword by John Reilly and contains an introduction, “How ‘Bigger’ was Born” by Richard Wright.

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Emmy Award winner, renowned lawyer and journalist, and The View cohost Sunny Hostin makes her literary debut with this dazzling novel about a life-changing summer along the beaches of Martha's Vineyard.

Welcome to Oak Bluffs, the most exclusive black beach community in the country. Known for its gingerbread Victorian-style houses and modern architectural marvels, this picturesque town hugging the sea is a mecca for the crème de la crème of black society—where Michelle and Barack Obama vacation and Meghan Markle has shopped for a house for her mom. Black people have lived in this pretty slip of the Vineyard since the 1600s and began buying property in the 1800s, making this posh town the embodiment of “old money.”

Every summer, Esperenza “Perry” Soto, a beautiful and talented Afro-Latina lawyer, escapes the fetid heat of New York City for the gorgeous weather, cool water, and stunning views Oak Bluffs offers. Sharing a cottage on the beach, owned by her “Ama”, with her husband and two god sisters, Perry is looking forward to trading meetings and clients for days of languor and fun.

When Memorial Day arrives and the season begins, some of the nation’s wealthiest, most powerful, and famous from the worlds of politics, art, and entertainment meet to swim, dance, party, and chill. While a few can’t leave work behind, others indulge in a different kind of business affair.

But this summer on the Bluffs is different. Ama is moving to the south of France to reunite with her college sweetheart. She is going to give the house to one of her goddaughters and she has invited all three of them to spend the summer with her the way they did when they were kids. Each of the women want the house desperately. Each is grappling with a secret that they fear will make them lose Ama’s approval and the house. . . .

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In Baxter’s Beach, Barbados, Lala’s grandmother Wilma tells the story of the one-armed sister. It’s a cautionary tale, about what happens to girls who disobey their mothers and go into the Baxter’s Tunnels. When she’s grown, Lala lives on the beach with her husband, Adan, a petty criminal with endless charisma whose thwarted burglary of one of the beach mansions sets off a chain of events with terrible consequences. A gunshot no one was meant to witness. A new mother whose baby is found lifeless on the beach. A woman torn between two worlds and incapacitated by grief. And two men driven into the Tunnels by desperation and greed who attempt a crime that will risk their freedom – and their lives.

How the One-Armed Sister Sweeps Her House is an intimate and visceral portrayal of interconnected lives, across race and class, in a rapidly changing resort town, told by an astonishing new author of literary fiction.

Who hasn’t wanted to murder an ex—figuratively, at least? In this explosive debut thriller, a woman’s seemingly perfect romantic life is on the verge of collapse as she uncovers a hidden history surfacing dark secrets that have deadly consequences.

Natalie has only ever wanted to find “the one.” The perfect man, the happy family she never had. But each time she thinks she is finally getting somewhere, she’s bitterly disappointed. Another red line through a list of exes. And that was before the night of the Big Fallout that left her even more alone.

Then along comes James—wonderful, handsome James—and Natalie thinks her luck has finally turned. Maybe he’s the one for her. Maybe he’s the one she’s been waiting for all along. Maybe he won’t wind up dead.

But the harder Natalie tries to be a “normal” wife, the more world-upending truths are brought to her door, leaving her unsure of who she really is, and much less what she’ll do . . . leaving her to question whether there is a monster within her or whether there is a villain toying with her from the outside.

What’s the secret story behind Natalie’s dead exes? Will she and James survive their marriage? And do either of them deserve to?

An exhilarating and expansive new novel about fathers and sons, faith and friendship from National Book Foundation 5 Under 35 honoree and Costa First Novel Award winning author Caleb Azumah Nelson

One of the most acclaimed and internationally bestselling "unforgettable" (New York Times) debuts of the 2021, Caleb Azumah Nelson's London-set love story Open Water took the US by storm and introduced the world to a salient and insightful new voice in fiction. Now, with his second novel Small Worlds, the prodigious Azumah Nelson brings another set of enduring characters to brilliant life in his signature rhythmic, melodic prose.

Set over the course of three summers, Small Worlds follows Stephen, a first-generation Londoner born to Ghanian immigrant parents, brother to Ray, and best friend to Adeline. On the cusp of big life changes, Stephen feels pressured to follow a certain path--a university degree, a move out of home--but when he decides instead to follow his first love, music, his world and family fractures in ways he didn't foresee. Now Stephen must find a path and peace for himself: a space he can feel beautiful, a space he can feel free.

Moving from London, England to Accra, Ghana and back again, Small Worlds is an exquisite and intimate new novel about the people and places we hold close, from one of the most "elegant, poetic" (CNN) and important voices of a generation.

Get grooving, moving, and learning with Gracie’s Corner!

Gracie and friends say good morning and get ready for the day! Inspired by the megapopular “Good Morning Song,” kids will love following along with Gracie as she brushes her teeth, fluffs her hair, and starts her day with a BIIIG smile on her face! The perfect get-ready anthem for any—and every—day.

Features a helpful Good Morning guide in the back to break morning routines down into easy-to-follow steps!

* Upbeat and inspirational, this is the perfect picture book to get kids excited for their mornings and to start their days on a positive note!
* First of its kind Gracie’s Corner picture book adaptation is perfect to read (or sing!) along with your child’s favorite Gracie’s Corner YouTube video!  
* Turn everyday routines—like teeth brushing, hair combing, and more!—into fun for kids with this bright and colorful picture book.
* Created by family team Graceyn, Javoris, and Arlene Hollingsworth,Gracie’s Corner focuses on centering children of color in the edutainment industry and making learning a fun, positive experience.

Retired nurse, avid gardener, and renowned cake maker Miss Hortense has lived in Bigglesweigh, a quiet suburb of Birmingham, England, since she emigrated from Jamaica in 1960. She takes great pride in her home, starching her lace curtains bright white, and she can tell if she’s being shortchanged on turmeric before she’s taken her first bite of a beef patty. A career in nursing has also left her afraid of nobody, whether an interfering priest or a local drug dealer, and she’s an expert in deciphering other people’s secrets with just a glance.

Miss Hortense once used her skills to benefit the Pardner network—a local group of Black investors that she helped found. Until, that is, she was unceremoniously ousted from its ranks, severing her ties to the majority of her friends and community. That was thirty years ago. Now, as a new millennium dawns, an unidentified man has been found dead in the home of one of the Pardner members, a Bible quote written on a note beside his body. Suddenly, Miss Hortense finds her long-buried past rushing back, bringing memories of the worst moment of her life—and secrets behind an unsolved crime that has haunted her for decades.

It is finally time for Miss Hortense to solve a mystery that will see her and the com-munity she loves pushed to their limits. The first novel from a bold, brilliant new voice, A Murder for Miss Hortense introduces a fear-less sleuth whom readers will never forget.

Troubled, Beset by problems or conflict. Kylo Lewis. A boss. A menace. Directly beside his name in the dictionary, you’ll find the word unhinged. Under the layers is a sweet little boy that longs for healing. Kylo craves what he never had, Joy.

Innocent, not guilty of a crime or offense; not responsible for or directly involved in an event yet suffering its consequences. Innocent Doucet is everything but her name. She, too, is a boss that faces both mental and physical adversity. Behind closed doors, she craves security and peace.

Enough, is what Kylo and Innocent have to be. Being written off at a young age is a matter these two can relate to. Certain lines were never meant to be crossed, but sometimes red flags resemble rollercoasters. The “terrible twos” phase has nothing on the trouble this duo is bound to create. Their similarities could be their strength or ultimately lead them toward their downfall. Can troubled souls really tie? Will their bond cause the most beautiful train wreck? What happens when twin flames conjoin? 

Love. The Streets. Identity.

INSTANT NATIONAL BESTSELLER

NAMED A MOST ANTICIPATED BOOK OF THE YEAR BY VOGUE, ELLE, OPRAH DAILY, THE WASHINGTON POST, BUZZFEED AND VULTURE

“Erudite, intimate, hilarious, poignant . . . A gorgeously written novel of youth’s promise, of the quest to find one’s tribe and one’s calling.” —Leigh Haber, Oprah Daily

The Booker Prize finalist and widely acclaimed author of Real Life and Filthy Animals returns with a deeply involving new novel of young men and women at a crossroads

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. Among them are Seamus, a frustrated young poet; Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicate her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These four are buffeted by a cast of artists, landlords, meatpacking workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of the city, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.

A novel of friendship and chosen family, The Late Americans asks fresh questions about love and sex, ambition and precarity, and about how human beings can bruise one another while trying to find themselves. It is Brandon Taylor’s richest and most involving work of fiction to date, confirming his position as one of our most perceptive chroniclers of contemporary life.

From the bestselling author of We the Animals, Blackouts mines lost histories—personal and collective.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book—Sex Variants: A Study of Homosexual Patterns—and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling—its legacies, dangers, delights, and potential for change—and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made—a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

The first in a thrilling new series from Emmy Award–winning journalist Tamron Hall, in which a reporter unravels the disturbing mystery around the deaths of two black girls, the work of a serial killer terrorizing Chicago.

When crime reporter Jordan Manning leaves her hometown in Texas to take a job at a television station in Chicago, she’s one step closer to her a dream: a coveted anchor chair on a national network.

Jordan is smart and aggressive, with unabashed star-power, and often the only woman of color in the newsroom. Her signature? Arriving first on the scene—in impractical designer stilettos. Armed with a master’s degree in forensic science and impeccable instincts, Jordan has thus far been able to balance her dueling motivations: breaking every big story—and giving voice to the voiceless.

From her time reporting in Texas, she’s sure she has covered the vilest of human behaviors, but nothing has prepared her for Chicago. You see, Jordan is that rare breed of journalist who can navigate a crime scene as well as she can a newsroom—often noticing what others tend to miss. Again and again, she is called to cover the murders of black females, many of them sexually assaulted, most brutalized, and all of them quickly forgotten.

All until Masey James—the story that Jordan just can’t shake, try as she might. A fifteen-year-old girl whose body was found in an abandoned lot, Masey has come to represent for Jordan all of the frustration that her job—with its required distance—often forces her to repress. Putting the rest of her workload and her (fraying) personal life aside, Jordan does everything she can to give the story the coverage it desperately requires, and that a missing black child would so rarely get. Three young boys are eventually charged with Masey’s murder, but Jordan remains unconvinced.

There’s a serial killer on the loose, Jordan believes, and he’s hiding in plain sight.

Secrets emerge and romance sparks in this irresistible romance from the USA Today bestselling author Kennedy Ryan.

Kerris Moreton should be the happiest woman in the world: She has a successful business and is about to start the family she's always wanted. But the man of her dreams--the one whose green eyes see straight into her soul and whose gentle hands make her body hum with pleasure--is not hers.

Each secret moment with Walsh Bennett serves to remind Kerris of what she's missing. And every stolen hour makes it harder to see her future without him. But being with Walsh would betray a sacred promise and upend her perfect life. When tragedy strikes, the razor's edge between love and loyalty grows sharper than ever. And Kerris must decide where her heart will fall . . .

Don't miss the beginning of Kerris and Walsh's story in When You Are Mine.

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The two-time Pulitzer Prize winner and bestselling author of Harlem Shuffle continues his Harlem saga in a powerful and hugely-entertaining novel that summons 1970s New York in all its seedy glory.

It’s 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It’s strictly the straight-and-narrow for him — until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire.  But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated – and deadly.

1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney’s endearingly violent partner in crime.  It’s getting harder to put together a reliable crew for hijackings, heists, and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem.  He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters, and hit men. These adversaries underestimate the seasoned crook – to their regret.

1976.  Harlem is burning, block by block, while the whole country is gearing up for Bicentennial celebrations.  Carney is trying to come up with a July 4th ad he can live with. ("Two Hundred Years of Getting Away with It!"), while his wife Elizabeth is campaigning for her childhood friend, the former assistant D.A and rising politician Alexander Oakes.  When a fire severely injures one of Carney’s tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent, and the utterly corrupted.

CROOK MANIFESTO is a darkly funny tale of a city under siege, but also a sneakily searching portrait of the meaning of family.  Colson Whitehead’s kaleidoscopic portrait of Harlem is sure to stand as one of the all-time great evocations of a place and a time.

From Ibi Zoboi, bestselling, award-winning author of American Street and co-author of Punching the Air, comes a bold new YA coming-of-age story, which explores race, feminism, and complicated family dynamics. The ideal next read for fans of Roxane Gay, Jacqueline Woodson, and Elizabeth Acevedo.

Warrior Princess. That’s what Nigeria Jones’s father calls her. He has raised her as part of the Movement, a Black separatist group based in Philadelphia. Nigeria is homeschooled and vegan and participates in traditional rituals to connect her and other kids from the group to their ancestors. But when her mother—the perfect matriarch of their Movement—disappears, Nigeria’s world is upended. She finds herself taking care of her baby brother and stepping into a role she doesn’t want.

Nigeria’s mother had secrets. She wished for a different life for her children, which includes sending her daughter to a private Quaker school outside of their strict group. Despite her father’s disapproval, Nigeria attends the school with her cousin, Kamau, and Sage, who used to be a friend. ­There, she begins to flourish and expand her universe.

As Nigeria searches for her mother, she starts to uncover a shocking truth. One that will lead her to question everything she thought she knew about her life and her family.

From award-winning author Ibi Zoboi comes a powerful story about discovering who you are in the world—and fighting for that person—by having the courage to be your own revolution.

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A stunning, contemporary Black southern gothic novel about what it means to be a poor woman in the God fearing south in the age of OnlyFans, by a breakout new Affrilachian writer, perfect for readers of The Other Black Girl and Luster

Magnolia Brown is nineteen years old, broke, and effectively an orphan. She feels stuck and haunted: by her overdrawn bank account, her predatory landlord, and the ghost of her late grandmother Mama Brown.

One night, while working at her dead-end gas station job, a mysterious, slick stranger named Cotton walks in and offers to turn Magnolia’s luck around with a lucrative “modeling” job at his family’s funeral home. She accepts. But despite things looking up, Magnolia’s problems fatten along with her wallet. When Cotton’s requests become increasingly weird, Magnolia discovers there’s a lot more at stake than just her rent.

Sharp as a belted knife, this sly social commentary cuts straight to the bone. House of Cotton will keep you mesmerized until the very last page.

When the body of reality TV star Desiree Pierce is found on a playground in the Bronx the morning after her twenty-fifth birthday party, the police and the media are quick to declare her death an overdose. A tragedy, certainly, but not a crime.

Yet Columbia grad student Lena—principled, headstrong, and allergic to the spotlight—knows that can’t be the case. Despite the bitter truth that the two hadn’t spoken in two years, they were half-sisters. Lena knew Desiree. And Desiree would never travel above 125th Street. Something is very wrong with the facts. So why is no one listening?

While the two sisters had been torn apart by Desiree’s partying and by their difficult father, Lena becomes determined to find justice for Desiree. Even if that means untangling her family’s darkest secrets—or ending up dead herself.

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In the first Spice Isle Bakery Mystery, investigating a murder was never supposed to be on the menu. . .

Little Caribbean, Brooklyn, New York: Lyndsay Murray is opening Spice Isle Bakery with her family, and it’s everything she’s ever wanted. The West Indian bakery is her way to give back to the community she loves, stay connected to her Grenadian roots, and work side-by-side with her family. The only thing getting a rise out of Lyndsay is Claudio Fabrizi, a disgruntled fellow bakery owner who does not want any competition. On opening day, he comes into the bakery threatening to shut them down. Fed up, Lyndsay takes him to task in front of what seems to be the whole neighborhood. So when Claudio turns up dead a day later—murdered—Lyndsay is unfortunately the prime suspect. To get the scent of suspicion off her and her bakery, Lyndsay has to prove she’s innocent—under the watchful eyes of her overprotective brother, anxious parents, and meddlesome extended family—what could go wrong?