In this, provocative, timely, and painstakingly researched book, the award-winning author of Think Black tells the story of how Black labor helped to create and sustain the wealth of the white one percent throughout American history.

Clyde W. Ford uses the lives of individual Black men and women as a lens to explore the role they have played in creating American institutions of power and wealth—in agriculture, politics, jurisprudence, law enforcement, culture, medicine, financial services, and many other fields—while not being allowed to fully participate or share in the rewards. Today, activists have taken the struggle for racial equity and justice to the streets. Of Blood and Sweat goes back through time to excavate the roots of this struggle, from pre-colonial Africa through post-Civil War America. As Ford reveals, in tracing the history of almost any major American institution of power and wealth you’ll find it was created by Black Americans, or created to control them.

Painstakingly researched and documented, Of Blood and Sweat is a compelling look at the past that holds broad implications for present-day calls for racial equity, racial justice, and the abolishment of systemic racism, and offers invaluable insight into our understanding of Black history and the story of America.

We all feel it, the teetering toward a place in America from which there is no return. The battle to remain hopeful in spite of injustice after injustice. In this powerful story of one lawyer’s fight for his community, both justice and hope are redeemed.

The Greenwood neighborhood of North Tulsa was once a promised land for African Americans, deemed “Black Wall Street.” But on May 31, 1921, the deadliest race massacre in U.S. history sent Greenwood up in flames. At the time, Lessie Randle was just a child running to safety as bullets ricocheted around her. Almost a century later, lawyer Damario Solomon-Simmons knocks on her door asking if she’d be willing to run toward justice this time.

In Redeem a Nation, we follow Solomon-Simmons’s fight for justice, from the courtrooms of Tulsa to our nation’s capital, representing three centenarians: the last survivors of the Tulsa Race Massacre. Documenting a race against the calendar and the courts, Redeem a Nation grapples with the truth about corruption and disenfranchisement in America through this historic legal case for reparations and the deeply moving stories of survivors and descendants of the Massacre.

Yet this isn’t just a story of Tulsa. The community is a microcosm of the continued harm America inflicts through racial violence and economic injustice. The damage of generational poverty and loss of opportunity isn’t some relic of the past. It is happening right now. Redeem a Nation offers a way forward for communities across the nation through systemic change and community love. The Time is now to resist, repair, and redeem a land once promised.

“You think we can win?” Randle asked that day. This story is Solomon-Simmons’s answer.

The author and director of the Martin Luther King, Jr. Library Publishing Project gives voice to long silent African Americans from the past, allowing them to tell their own stories that shed new light on critical moments in the Black Freedom Struggle, challenging what we think we know about Black history.

History is at its best when new findings and perspectives challenge old ideas and notions about the past, and even overturn common wisdom.

What if a former enslaved man in Galveston, Texas, witnessed the first Juneteenth and told a completely different story from what most of us know about that day? Why were slave ships most prone to rebellion, including those carrying the most African women? How has Islam found its way into R&B, soul, jazz, and other American popular music? Who was Benjamin Banneker, really?

In A High Price for Freedom, historian Clyde W. Ford addresses these and other questions, amplifying little-known voices from the African American past. In this wide-ranging, impeccably researched book, Ford begins with the 1656 court case of a woman named Elizabeth Key, who won a verdict for her freedom against her would-be enslaver—a victory that would forever change the nature, brutality, and course of American slavery.

Ford examines a range of topics, from the role of women in fomenting slave revolts to an in-depth look at how Selma was not really about voting rights or even Martin Luther King, Jr, but about a twenty-six-year-old Black man named Jimmie Lee Jackson who was killed by an Alabama state trooper. As he laying dying in the only hospital that would treat Black people in February 1965, Jimmie Lee whispered to his nurse, a Catholic nun, “Sister, isn’t this a high price for freedom?”

Eye-opening, enlightening, and often counterintuitive, this fascinating history includes compelling, heartrending, and factual accounts about people and events in the African American past that teach us things we never learned and challenge the stories we thought we knew.

The Responsibility of Intellectuals in the Age of Fascism and Genocide is Boston Review’s 50th anniversary issue. This milestone issue features many of our longtime contributors, including Robin D. G. Kelley, Vivian Gornick, and Elaine Scarry, and celebrates classics from our archive.  In this issue, historian and Boston Review contributing editor Robin D. G. Kelley revisits Noam Chomsky’s landmark 1967 essay, “The Responsibility of Intellectuals,” published near the height of the Vietnam War. The essay’s dissident injunction―that those in privileged positions have a duty to “speak the truth and expose lies”―remains a powerful call to conscience, Kelley argues, but the anti-fascist and anti-colonial struggles of even earlier decades reveal its limits, and they show how to refuse and resist complicity in our own age of fascism and genocide. Political philosopher Martin O’Neill, Palestinian human rights lawyer Jennifer Zacharia, and historian David Waldstreicher expand on what this moment requires―of intellectuals, of journalists, and of us all.

Also in the issue, Vivian Gornick reviews Shulamith Firestone’s Airless Spaces, Elaine Scarry challenges the wisdom that Plato banished the poets, Brandon M. Terry interviews political scientist Cathy Cohen about social movements and the future of Black politics, Joelle M. Abi-Rached exposes the contradictions of the liberal international order over Gaza, Samuel Hayim Brody reviews three memoirs on the Arab Jewish world destroyed by colonialism, David Austin Walsh explains what Zohran Mamdani’s triumph means for the future of the Democratic Party, and Sandeep Vaheesan looks to the New Deal to assess the “abundance” agenda.

Plus, seven writers reflect on notable essays from our archive in a special anniversary feature:

* Susan Faludi on Vivian Gornick and anti-feminism
* Naomi Klein on William Callison + Quinn Slobodian and the global right
* Jay Caspian Kang on Olúfẹ́mi O. Táíwò and identity politics
* Ryu Spaeth on Merve Emre and the personal essay
* Lea Ypi on Joseph Carens and amnesty
* Nathan J. Robinson on Noam Chomsky and U.S. foreign policy
* Rick Perlstein on Elaine Scarry and democracy after 9/11

Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature

Finalist, 2025 PEN Open Book Award, PEN America

An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.

In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He reenvisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.

Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves.

Explores how Black women have continually used sound to convey stories and forge community across generations.

From Blues to Beyoncé amplifies Black women's ongoing public assertions of resistance, agency, and hope across different media from the nineteenth century to today. By examining recordings, music videos, autobiographical writings, and speeches, Alexis McGee explores how figures such as Ida B. Wells, Billie Holiday, Ruth Brown, Queen Latifah, Aretha Franklin, Nina Simone, Janelle Monáe, and more mobilize sound to challenge antiBlack discourses and extend social justice pedagogies. Building on contemporary Black feminist interventions in sound studies and sonic rhetorics, From Blues to Beyoncé reveals how Black women's sonic acts transmit meaning and knowledge within, between, and across generations.

Offering a compelling call to arms while challenging the pervasive grip of colonialism on the Black psyche, this manifesto charts a course toward a future defined by autonomy, dignity, and radical liberation. 

Delving into the historical currents of resistance—from Negritude to Black nationalism to pan-Africanism—this manifesto unapologetically confronts the insidious nature of modern colonialism. In a world where the very presence of the Black body incites fear and insecurity among white supremacists, Afro-Decolonial Manifesto exposes the fallacy of equating Black existence with reverse colonialism. It challenges the prevailing narratives of gratitude and guilt, asserting the right of the Black diaspora to reclaim its autonomy and dignity, and also examines the effectiveness of movements like Black Lives Matter, advocating for a renewed Black internationalism rooted in Africa’s unity and autonomy.  

In a stirring call to arms, Afro-Decolonial Manifesto heralds a new era of resistance, where reparation becomes not just a demand for restitution, but a catalyst for radical change. This volume emboldens Black people to reclaim their narrative, their agency, and their future. It is a testament to the enduring spirit of liberation and the indomitable resilience of Black lives.

The Racial Contract puts classic Western social contract theory, deadpan, to extraordinary radical use. With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence. The Racial Contract argues that the society we live in is a continuing white supremacist state.

As this 25th anniversary edition—featuring a foreword by Tommy Shelbie and a new preface by the author—makes clear, the still-urgent The Racial Contract continues to inspire, provoke, and influence thinking about the intersection of the racist underpinnings of political philosophy.

An essential exploration of the overlooked impact of disordered eating among Black women—and a prescriptive road map to returning to peace and wholeness within our bodies, from the clinical therapist who founded Black and Embodied Counseling and Consulting PLLC

Food has always been a political tool for the oppressor. And the body, especially the Black body, has always been one of its many battlegrounds.

Licensed mental health therapist, somatic healer, and eating disorder specialist Alishia McCullough understands that for far too many Black women, the myriad effects of racial trauma have disrupted their most essential relationship: the one they have with their bodies—and by extension, with their food. African Americans are disproportionately impacted by disordered eating behaviors, yet their experiences are frequently overlooked by doctors and mental health experts. As a result, entire communities—our most vulnerable communities—are forced to navigate systems that are already primed to dismiss their needs, leaving them without proper care, or often even the language they need to identify what’s wrong.

McCullough’s groundbreaking work radically validates the lived experiences and generational traumas of BIPOC communities. As part of a steadily growing movement among clinicians to “decolonize therapy,” McCullough rejects the patriarchal, white supremacist mindset that has dominated the field, and instead embraces a more integrated approach that seeks to understand disordered eating patterns by examining the psychological wounds left by centuries of racism.

Weaving together crucial history, compelling client stories, guided practice, and McCullough’s own experiences with disordered eating behaviors, Reclaiming the Black Body is a revealing, potentially life-saving book that illuminates the way home, back to the safety and comfort found within our bodies.

"Honey Hush!" is an exclamation used among black women, especially those from the South, as a friendly encouragement, a mild suggestion of playful disbelief, or a suggestion that one is telling truths that are prohibited. This anthology will make readers say "Honey, Hush!" many times. Often hard-hitting, sometimes risque', always dramatic and eloquent, the vibrant humor of African American women is celebrated in this bold, unique and comprehensive collection. Arising from the depth of black women's souls and the breadth of their lives, it reflects what the American experience has meant to them.

Representations of Blackness have always been integral to our understanding of of the modern world. In Black Meme, Legacy Russell, award-winning author of the groundbreaking Glitch Feminism, explores the construct, culture, and material of the “meme” as mapped to Black visual culture from 1900 to present day. Mining both archival and contemporary media Russell explores the impact of Blackness, Black life, and death on contemporary conceptions of viral culture, borne in the age of the internet.

These meditations include: the circulation of Lynching postcards; Jet Magazine’s publication of a picture of Emmett Till in his open casket; how the televised broadcast of protesters in Selma enters the nation’s living room and changed the debate on civil rights; how a citizen-recorded video of the Rodney King beating at the hands of the LAPD became known as the “first viral video”; what the Anita Hill hearings tell us about the media’s creation of the Black icon; Tamara Lanier’s fight to reclaim the photos of her enslaved ancestors, Renty and Delia, from Harvard’s archive; the Facebook Live recording by Lavish “Diamond” Reynolds of the murder of her partner Philando Castile by the police after being stopped for a broken tail light; and more.

Johnson looks at various sites of performed blackness, including Marlon Riggs’s influential documentary Black Is . . . Black Ain’t and comedic routines by Eddie Murphy, David Alan Grier, and Damon Wayans. He analyzes nationalist writings by Amiri Baraka and Eldridge Cleaver, the vernacular of black gay culture, an oral history of his grandmother’s experience as a domestic worker in the South, gospel music as performed by a white Australian choir, and pedagogy in a performance studies classroom. By exploring the divergent aims and effects of these performances—ranging from resisting racism, sexism, and homophobia to excluding sexual dissidents from the black community—Johnson deftly analyzes the multiple significations of blackness and their myriad political implications. His reflexive account considers his own complicity, as ethnographer and teacher, in authenticating narratives of blackness.

*ships in 7-10 business days*

A conversation between 2 eminent Black thinkers on how to work together to make the world a better place despite deep religious differences

Brad Braxton and Anthony Pinn represent two traditions—Christianity and Secular Humanism respectively—that have for centuries existed in bitter opposition. For too long, people with different worldviews have disparaged and harmed one another. Instead of fighting each other, Braxton and Pinn talk with, listen to, and learn from one another. Their wide-ranging conversation demonstrates the possibility of fruitful exchange that accounts for—rather than masks—their differences.

Written amid the Covid-19 pandemic, threats to our democracy, and national protests for racial justice, A Master Class on Being Human shows us that constructive dialogue can help us pursue the common good without sacrificing our distinctive identities. In conversations that are frank, personal, and deeply informed by scholarship, Braxton and Pinn discuss topics that are urgent and immediate, such as the ongoing violence against Black communities, the rise of religiously unaffiliated communities, the Black Lives Matter movement. They also ponder those broader philosophical and theological questions that inform our politics and sense of what it means to be human: the meaning of religion, the stubborn dilemma of moral evil, the power and problems of hope.

Braxton and Pinn invite us to join them in a master class as they strive to create a world where differences are not tolerated but instead celebrated. In that kind of courageous classroom, all can learn how to be better people who in turn transform the world into a better place.

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This celebration of Black resistance, from protests to art to sermons to joy, offers a blueprint for the fight for freedom and justice -- and ideas for how each of us can contribute

Many of us are facing unprecedented attacks on our democracy, our privacy, and our hard-won civil rights. If you're Black in the US, this is not new. As Colorlines editors Akiba Solomon and Kenrya Rankin show, Black Americans subvert and resist life-threatening forces as a matter of course. In these pages, leading organizers, artists, journalists, comedians, and filmmakers offer wisdom on how they fight White supremacy. It's a must-read for anyone new to resistance work, and for the next generation of leaders building a better future.

Featuring contributions from:

• Ta-Nehisi Coates
• Tarana Burke
• Harry Belafonte
• Adrienne Maree brown
• Alicia Garza
• Patrisse Khan-Cullors
• Reverend Dr. Valerie Bridgeman
• Kiese Laymon
• Jamilah Lemieux
• Robin DG Kelley
• Damon Young
• Michael Arceneaux
• Hanif Abdurraqib
  
• Dr. Yaba Blay
  
• Diamond Stingily
  
• Amanda Seales
• Imani Perry
  
• Denene Millner
  
• Kierna Mayo
  
• John Jennings
  
• Dr. Joy Harden Bradford
  
• Tongo Eisen-Martin

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From preeminent LGBTQ scholar and journalist Steven Thrasher comes an exploration of one of the most pressing issues of our times: the relationship between viruses and inequality.

In March 2020, the COVID pandemic plunged the world into fear and chaos. People around the globe locked themselves in their houses and stocked up on food, fearing unemployment, the loss of loved ones, and an uncertain future. But as the weeks went on, one devastating truth began to emerge more prominently than any other: we were not all impacted by this virus the same way. While wealthier people could keep themselves safe by working from home and using food delivery, the marginalized members of society were left much more vulnerable. They held risky jobs as “Essential Workers,”; they did not have health insurance; they lost employment and the ability to afford housing and food; they were old and viewed as disposable; they were undocumented and afraid to go to the hospital; they were at far greater risk because of living with a disability. It quickly became startlingly clear the vast inequalities in who was able to survive the virus.

And yet for prominent scholar Steven Thrasher, none of this was a surprise. Having spent his ground-breaking career studying the racialization, policing, and criminalization of HIV, Dr. Thrasher had seen first hand how viruses intersect with racism, capitalism, homophobia, and ableism. He knew that the ways in which viruses spread, kill, and take their toll are much more dependent on social structures than they are on biology. And he had a term for it: the viral underclass.

In THE VIRAL UNDERCLASS, Dr. Thrasher will present, for the first time, his unified theory of one of the most pressing social justice issues of our time: how viruses expose the fault lines of society. Told through the heart-rending stories of friends, activists, and teachers navigating COVID, HIV, and other viruses, Dr. Thrasher brings the reader with him as he develops his theory and lays bare its inner workings--all in an engaging, accessible, and personable voice. In the tradition of Isabel Wilkerson’s CASTE, Michelle Alexander’s THE NEW JIM CROW, and Naomi Klein’s THE SHOCK DOCTRINE, THE VIRAL UNDERCLASS helps us understand the world more deeply by showing the fraught relationship between privilege and survival.

Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world

What exactly is Blackness and what does it mean to be Black?
Is Blackness a matter of biology or consciousness?
Who determines who is Black and who is not?
Who’s Black, who’s not, and who cares?

In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later?

One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.

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Martin Luther King’s classic exploration of the events and forces behind the Civil Rights Movement—including his Letter from Birmingham Jail, April 16, 1963.

“There comes a time when the cup of endurance runs over, and men are no longer willing to be plunged into the abyss of despair.”

In 1963, Birmingham, Alabama, was perhaps the most racially segregated city in the United States. The campaign launched by Dr. Martin Luther King, Jr., and the Civil Rights movement on the segregated streets of Birmingham demonstrated to the world the power of nonviolent direct action.

In this remarkable book—winner of the Nobel Peace Prize—Dr. King recounts the story of Birmingham in vivid detail, tracing the history of the struggle for civil rights back to its beginnings three centuries ago and looking to the future, assessing the work to be done beyond Birmingham to bring about full equality for African Americans. Above all, Dr. King offers an eloquent and penetrating analysis of the events and pressures that propelled the Civil Rights movement from lunch counter sit-ins and prayer marches to the forefront of American consciousness.

Since its publication in the 1960s, Why We Can’t Wait has become an indisputable classic. Now, more than ever, it is an enduring testament to the wise and courageous vision of Martin Luther King, Jr.

Includes photographs and an Afterword by Reverend Jesse L. Jackson, Sr.

During the course of the struggle of African people against European racism, brutality and domination, many innovative thinkers have risen from our ranks. The greatest and most courageous scholars have devoted their lives to the pursuit of an explanation for the virtually inherent animosity most white people appear to have toward people of color. Unlike her predecessors, Dr. Frances Cress Welsing, a brilliant, Washington D.C. psychiatrist has rejected conventional notions about the origin and perpetuation of racism. Dr. Welsing's theories, lectures and scientific papers have provoked controversy for over twenty years. Now the compilation of her work in [this book] is destined to change the course of history.

The untold story of the Black patriots—from soldiers in combat to peace protesters—who ended the Vietnam War and defended the soul of American democracy, from a pre-eminent civil rights historian and the award-winning author of Half American

As the civil rights movement blazed through America, more than 300,000 Black troops were drafted and sent to fight in the Vietnam War. These soldiers, often from disadvantaged backgrounds and subjected to the brutalities of racism back home, found themselves thrust onto the frontlines of a war many saw as unjust. On the homefront, Black antiwar activists faced another battle: Opposition to the Vietnam War, vilified by key allies in the media and government as anti-American, jeopardized the fight for civil rights. For Black Americans, the Vietnam War forced a generation to question what it truly meant to fight for justice.

Award-winning civil rights historian Matthew F. Delmont weaves together the stories of two Black heroes of the Vietnam War era: Coretta Scott King, who bravely championed the antiwar cause—and eventually persuaded her husband to do the same—and Dwight “Skip” Johnson, a Medal of Honor recipient whose life ended tragically after returning from battle to his native Detroit. Together, these extraordinary accounts expose the contradictions of Black activism and military service during the Vietnam War. Through rich storytelling, Delmont offers a portrait of this period unlike any other, shedding light on a fractured civil rights movement, a generation of veterans failed by the country they served, and the valor of Black servicemen and peace advocates in the midst of it all.

Vivid, revelatory, and meticulously researched, Until the Last Gun Is Silent: How a Civil Rights Icon and Vietnam War Hero Changed America is essential reading for anyone looking to understand the enduring legacy of Black military service, protest, and patriotism in the United States.

One of the world’s greatest bassists lays down the heart of Black music, revealing how its rhythmic structures and the long history of the African diaspora made it the world’s most popular form. 
 
“An insightful, revelatory, and informative read.” —Meshell Ndegeocello, singer-songwriter and poet

Why do Bob Marley, John Coltrane, Aretha Franklin, and Nina Simone move us the way they do? What drives the worried notes of the Delta blues? What makes Beyoncé’s triumph Cowboy Carter inescapably great?    
 
As Melvin Gibbs shows in How Black Music Took Over the World, it is the musical inheritance of Africa. Beginning with two rhythmic building blocks he calls the cell and the frame, Gibbs shows how those tools can transport listeners to “a realm where sounds become vehicles for human movement.” Reforged in the African diaspora in the Americas, they are played today on church organs, electric guitars, computers, telephones, or a simple gourd. Kool & the Gang called Black musicians the “scientists of sound”—and Gibbs shows how they discovered the world’s music.     
 
Gibbs’s vantage is unique. A world-class musician fluent in many genres, Gibbs is as comfortable in an old-school Times Square record shop as he is breaking down mathematics and music theory with university professors. Imbued with his own journey and a sharp eye for the sins and triumphs of history, How Black Music Took Over the World is an unforgettable revelation of one of humanity’s greatest achievements.

A centennial celebration of the Schomburg Center for Research in Black Culture and its vital role in the development of Black Studies

In 1926, the Afro-Puerto Rican bibliophile Arturo Schomburg's collection of four thousand books, pamphlets, papers, and prints arrived at the 135th Street branch of the New York Public Library. The collection contained works in many languages and formats, offering an unparalleled look into the richness and global reach of Black history. One hundred years later, Schomburg's collection remains a central feature of the Schomburg Center for Research in Black Culture, now the world's premier archive for study of the African diaspora, housing more than 11 million items, and a vibrant site of Black intellectual life.

This volume not only contextualizes the life and work of Schomburg and chronicles the history of the institution that bears his name but also includes a list of books and pamphlets in Schomburg's initial "seed collection," the fruit of a multiyear research effort to reconstruct this early Black Studies archive. Framing this list are essays and reflections written by an interdisciplinary group of scholars on the development of the Black intellectual tradition, both in Schomburg's time and today.

Futuring Black Lives is a historical ethnography examining Black institution builders in the late 1960s and early 1970s and their work to leverage the power of publications and the literary imagination to engage “concerned men and women” in conversations about the educational journeys and futures of Black children. While many began as reactions to anti-Blackness and American public schooling failing Black children, Independent Black Institutions (IBIs) came to be viable ecosystems anchored in a shared Black value system preparing Black children in three areas: identity, purpose, and direction.

The rationale for establishing and valuing IBIs remains highly relevant, given the sociopolitical landscape of education today. In addition to persistent racial disparities in academic achievement and Black students’ highly disproportionate experiences of punishment and “discipline,” friction and legislation against critical examination of race, racism, and racist ideas in school settings are front and center, and children’s and young adult literature are under attack through censorship and outright book bans. Yet Black institution builders left useful maps of and for the educational future/s of Black children that remain available in journals, newspapers, pamphlets, and other ephemera. Author Maisha T. Winn demonstrates how and why the historiography-grounded futuring of Black education can and should inform current pursuits of equity, justice, and liberation through education.

This book is also freely available online as an open-access digital edition:

https://manifold.ecds.emory.edu/projects/finding-god-in-all-the-black-places

(https://dhjhkxawhe8q4.cloudfront.net/rup-wp-v2/wp-content/uploads/2025/01/28132142/9781978839809.pdf)

In Finding God in All the Black Places, Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.

From a star of the climate justice movement, a fresh, radical perspective for real climate action and “an indispensable toolkit for a new generation of activists” (Naomi Klein). 

For too long, representations of climate action in the mainstream media have been white-washed, green-washed and diluted to be made compatible with capitalism. In It’s Not That Radical, Loach addresses head-on the issues at the root of the climate crisis.

As Loach shows, we are living in an economic system which pursues profit above all else; harmful, oppressive systems that heavily contribute to the climate crisis, and environmental consequences that have been toned down to the masses. Tackling the climate crisis requires us to visit the roots of poverty, capitalist exploitation, police brutality, and legal injustice. Climate justice offers the real possibility of huge leaps towards racial equality and collective liberation as it aims to dismantle the very foundations of these issues.

Written with candor and hope, It's Not That Radical will galvanize readers to take action, offering a practical and transformative appraisal of our circumstances to help mobilize a majority for the future of our planet.

The politics and music of the sixties and early seventies have been the subject of scholarship for many years, but it is only very recently that attention has turned to the cultural production of African American poets. 

In "After Mecca," Cheryl Clarke explores the relationship between the Black Arts Movement and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on. 

She argues that whether black women poets of the time were writing from within the movement or writing against it, virtually all were responding to it. Using the trope of "Mecca," she explores the ways in which these writers were turning away from white, western society to create a new literacy of blackness.
 

Provocatively written, this book is an important contribution to the fields of African American literary studies and feminist theory.

A bold manifesto arguing that there is a clear precedent for paying reparations to atone for America’s original sin of slavery, offering a compelling legal strategy to achieve this goal—from the acclaimed author of The Whiteness of Wealth.

The idea of reparations is not a new or original one; it is one that is baked into American history.

When the District of Columbia Emancipation Act of 1862 went into effect, wealthy slaveowners like Margaret Barber were compensated for the loss of their enslaved workers. Barber received $9,000—an equivalent to $250,000 today. When a group of Italian immigrants were lynched in 1892, President Harrison compensated Italy a total of $25,000 for their deaths—an equivalent to almost $766,000 today. The Indian Claims Commission, an arm of the federal government, paid Indigenous Americans $818 million for underhandedly stealing their land in the eighteenth and nineteenth centuries—an equivalent to almost $350 billion today.

Dorothy A. Brown addresses the glaring question: if reparations can be achieved for others, why not for Black Americans? If lynching can be remedied for Italian immigrants, and slaveholders compensated for losses associated with abolition and emancipation, then the government’s failure to provide such remedies to Black communities harmed by similar violence, loss, and destruction is long overdue. The fight for reparations is truly a fight for the soul of America, to produce the country our founding fathers idealized but never achieved.

Getting to Reparations makes a logical and necessary case for reparations for Black Americans. It lays out a path as to how we might achieve this, built on the frameworks used throughout U.S. history by the government to pay restitution. It is now time to do the same for America's Black population.

The Return of Black Nationalism and the Death of White Supremacy delves into the dynamic history and powerful future of Black Nationalism in the United States. From the dark days of slavery to today's fight for equality, this compelling book uncovers the relentless struggle of African Americans against systemic white supremacy, a legacy embedded in the very foundation of the country.

Professor Vincent Adejumo takes readers on a fascinating journey through time, unraveling the rich history of Black Nationalism and its role as a steadfast defense against white supremacy. He shines a light on the remarkable individuals and leaders who have shaped Black American identity from the 1700s to the present, bringing their stories to life with vivid detail and insightful analysis.

Discover a different America through Adejumo's eyes, where the concept of 'Separate but Equal' is reinterpreted and the essence of Blackness is celebrated. This book not only explores the past but also connects it to today's economic and political landscape, revealing the lasting influence of Black Nationalism.

Whether you're a history enthusiast or a curious reader, The Return of Black Nationalism and the Death of White Supremacy offers a fresh perspective on American history, uncovering the unsung heroes and unexpected villains who have shaped the nation's journey. This is a must-read for anyone seeking to understand the profound impact of Black Nationalism on America's past, present, and future.

A compelling foreword by Dr. Adeyami Dossintroduces the book. Dozens of historical images complement this important story.

Africans to Spanish America expands the Diaspora framework that has shaped much of the recent scholarship on Africans in the Americas to include Mexico, Peru, Ecuador, and Cuba, exploring the connections and disjunctures between colonial Latin America and the African Diaspora in the Spanish empires. While a majority of the research on the colonial Diaspora focuses on the Caribbean and Brazil, analysis of the regions of Mexico and the Andes opens up new questions of community formation that incorporated Spanish legal strategies in secular and ecclesiastical institutions as well as articulations of multiple African identities. Editors Sherwin K. Bryant, Rachel Sarah O'Toole, and Ben Vinson III arrange the volume around three themes: identity construction in the Americas; the struggle by enslaved and free people to present themselves as civilized, Christian, and resistant to slavery; and issues of cultural exclusion and inclusion. Across these broad themes, contributors offer probing and detailed studies of the place and roles of people of African descent in the complex realities of colonial Spanish America.

Contributors are Joan C. Bristol, Nancy E. van Deusen, Leo J. Garofalo, Herbert S. Klein, Charles Beatty-Medina, Karen Y. Morrison, Rachel Sarah O'Toole, Frank "Trey" Proctor III, and Michele Reid-Vazquez.