In this moving debut novel, two estranged siblings must set aside their differences to deal with their mother’s death and her hidden past—a journey of discovery that takes them from the Caribbean to London to California and ends with her famous black cake.

In present-day California, Eleanor Bennett’s death leaves behind a puzzling inheritance for her two children, Byron and Benny: a traditional Caribbean black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking journey Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child, challenge everything the siblings thought they knew about their family, and themselves.

Can Byron and Benny reclaim their once-close relationship, piece together Eleanor’s true history, and fulfill her final request to “share the black cake when the time is right?” Will their mother’s revelations bring them back together or leave them feeling more lost than ever? 

Charmaine Wilkerson’s debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names, can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch.

“One of the best books of 2020” (Goop), the propulsive, unforgettable novel that asks: What does it mean for a family to lose a child they never really knew?

One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover her son’s body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. 

Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.

Benson and Mike are two young guys who live together in Houston. Mike is a Japanese American chef at a Mexican restaurant and Benson’s a black day care teacher, and they’ve been together for a few years—good years—but now they’re not sure why they’re still a couple. There’s the sex, sure, and the meals Mike cooks for Benson, and, well, they love each other.

But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives in Texas for a visit, Mike picks up and flies across the world to say goodbye. In Japan he undergoes an extraordinary transformation, discovering the truth about his family and his past. Back home, Mitsuko and Benson are stuck living together as unconventional roommates, an absurd domestic situation that ends up meaning more to each of them than they ever could have predicted. Without Mike’s immediate pull, Benson begins to push outwards, realizing he might just know what he wants out of life and have the goods to get it.

Both men will change in ways that will either make them stronger together, or fracture everything they’ve ever known. And just maybe they’ll all be okay in the end. Memorial is a funny and profound story about family in all its strange forms, joyful and hard-won vulnerability, becoming who you’re supposed to be, and the limits of love.

One of the most highly praised novels of the year, the debut from an astonishing young writer, Freshwater tells the story of Ada, an unusual child who is a source of deep concern to her southern Nigerian family.

Young Ada is troubled, prone to violent fits. Born “with one foot on the other side,” she begins to develop separate selves within her as she grows into adulthood. And when she travels to America for college, a traumatic event on campus crystallizes the selves into something powerful and potentially dangerous, making Ada fade into the background of her own mind as these alters—now protective, now hedonistic—move into control. Written with stylistic brilliance and based in the author’s realities, Freshwater dazzles with ferocious energy and serpentine grace.

THE STREET tells the poignant, often heartbreaking story of Lutie Johnson, a young black woman, and her spirited struggle to raise her son amid the violence, poverty, and racial dissonance of Harlem in the late 1940s.

Originally published in 1946 and hailed by critics as a masterwork, The Street was Ann Petry's first novel, a beloved bestseller with more than a million copies in print. Its haunting tale still resonates today.

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The first book of poems from an acclaimed young author, whose meteoric rise has already landed them on the cover of Time Magazine.

In 1976, David is fishing off the island of Black Conch when he comes upon a creature he doesn’t expect: a mermaid by the name of Aycayia. Once a beautiful young woman, she was cursed by jealous wives to live in this form for the rest of her days. But after the mermaid is caught by American tourists, David rescues and hides her away in his home, finding that, once out of the water, she begins to transform back into a woman.
 
Now David must work to win Aycayia's trust while she relearns what it is to be human, navigating not only her new body but also her relationship with others on the island—a difficult task after centuries of loneliness. As David and Aycayia grow to love each other, they juggle both the joys and the dangers of life on shore. But a lingering question remains: Will the former mermaid be able to escape her curse? Taking on many points of view, this mythical adventure tells the story of one woman’s return to land, her healing, and her survival.

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"As universally touching as it is original."—The New York Times's "Sunday Book Review"

In a seaside village in the north of Trinidad, young Marcia Garcia, a gifted and smart-mouthed sixteen-year-old seamstress, lives alone, raising two small boys and guarding a family secret. When she meets Farouk Karam, an ambitious young policeman (so taken with Marcia that he elicits help from a tea-brewing obeah woman to guarantee her ardor), the rewards and risks in Marcia's life amplify forever.

'Til the Well Runs Dry sees Marcia and Farouk from their sassy and passionate courtship through personal and historical events that threaten Marcia's secret, entangle the couple and their children in a tumultuous scandal, and put the future in doubt for all of them.

With this deeply human novel, Lauren Francis-Sharma gives us an unforgettable story about a woman's love for a man, a mother's love for her children, and a people's love for an island rich with calypso and Carnival, cricket and salty air, sweet fruits and spicy stews—a story of grit, imperfection, steadfast love and of Trinidad that has never been told before.

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Small-town drama, a swoon-worthy romance, and a slow-burn mystery collide in this YA debut that explores how racial violence can ripple down through generations.

What’s more important? Knowing the truth or keeping the peace?

Seventeen-year-old Avery Anderson is convinced her senior year is ruined when she's uprooted from her life from DC and forced into the hostile home of her terminally ill grandmother, Mama Letty. The tension between Avery’s mom and Mama Letty makes for a frosty arrival and unearths past drama they refuse to talk about. Every time Avery tries to look deeper, she’s turned away, leaving her desperate to learn the secrets that split her family in two.

While tempers flare in her avoidant family, Avery finds friendship in unexpected places: in Simone Cole, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family—whose mother’s murder remains unsolved.

As the three girls grow closer—Avery and Simone’s friendship blossoming into romance—the sharp-edged opinions of their small southern town begin to hint at something insidious underneath. The racist history of Bardell, Georgia is rooted in Avery’s family in ways she can’t even imagine. With Mama Letty's health dwindling every day, Avery must decide if digging for the truth is worth toppling the delicate relationships she's built in Bardell—or if some things are better left buried.

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Winner of the 2021 Cave Canem Poetry Prize, selected by Rachel Eliza Griffiths

In her virtuosic debut, Courtney Faye Taylor explores the under-told history of the murder of Latasha Harlins—a fifteen-year-old Black girl killed by a Korean shop owner, Soon Ja Du, after being falsely accused of shoplifting a bottle of orange juice. Harlins’s murder and the following trial, which resulted in no prison time for Du, were inciting incidents of the 1992 Los Angeles uprising, and came to exemplify the long-fraught relationship between Black and Asian American communities in the United States. Through a collage-like approach to collective history and storytelling, Taylor’s poems present a profound look into the insidious points at which violence originates against—and between—women of color.

Concentrate displays an astounding breadth of form and experimentation in found texts, micro-essays, and visual poems, merging worlds and bending time in order to interrogate inexorable encounters with American patriarchy and White supremacy manifested as sexual and racially charged violence. These poems demand absolute focus on Black womanhood’s relentless refusal to be unseen, even and especially when such luminosity exposes an exceptional vulnerability to harm and erasure. Taylor’s inventive, intimate book radically reconsiders the cost of memory, forging a path to a future rooted in solidarity and possibility. “Concentrate,” she writes. “We have decisions to make. Fire is that decision to make.”

Capturing the distinct rhythms of Jamaican life and dialect, Nicole Dennis- Benn pens a tender hymn to a world hidden among pristine beaches and the wide expanse of turquoise seas. At an opulent resort in Montego Bay, Margot hustles to send her younger sister, Thandi, to school. Taught as a girl to trade her sexuality for survival, Margot is ruthlessly determined to shield Thandi from the same fate. When plans for a new hotel threaten their village, Margot sees not only an opportunity for her own financial independence but also perhaps a chance to admit a shocking secret: her forbidden love for another woman. As they face the impending destruction of their community, each woman—fighting to balance the burdens she shoulders with the freedom she craves—must confront long-hidden scars. From a much-heralded new writer, Here Comes the Sun offers a dramatic glimpse into a vibrant, passionate world most outsiders see simply as paradise.

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New Suns 2 brings you fresh visions of the strange, the unexpected, the shocking—breakthrough stories, stories shining with emerging truths, stories that pierce stale preconceptions with their beauty and bravery. Like the first New Suns anthology (winner of the World Fantasy, Locus, IGNYTE, and British Fantasy awards), this book liberates writers of many races to tell us tales no one has ever told.

Many things come in twos: dualities, binaries, halves, and alternates. Twos are found throughout New Suns 2, in eighteen science fiction, fantasy, and horror stories revealing daring futures, hidden pasts, and present-day worlds filled with unmapped wonders.

Including stories by Daniel H. Wilson, K. Tempest Bradford, Darcie Little Badger, Geetanjali Vandemark, John Chu, Nghi Vo, Tananarive Due, Alex Jennings, Karin Lowachee, Saad Hossain, Hiromi Goto, Minsoo Kang, Tlotlo Tsamaase, Rochita Loenen-Ruiz, Malka Older, Kathleen Alcalá, Christopher Caldwell and Jaymee Goh with a foreword by Walter Mosley and an afterword by Dr. Grace Dillon.

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Intimate poems that explore feminine shame and violence and imagine what liberation from these threats might look like, from the award-winning author of The January Children

In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. 
 
Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning:
 
[what if i will not die]
 
[what   will govern me then]

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A stirring memoir of growing up Black in a town at the epicenter of the fight for freedom, equality, and human rights.

Combining family stories of the everyday and the extraordinary as seen through the eyes of her twelve-year-old self, Willie Mae Brown gives readers an unforgettable portrayal of her coming-of-age in a fractured town at the crossroads of history. Selma's pivotal role in the civil rights movement forms an inescapable backdrop in this collection of stories. In one, Willie Mae takes it upon herself to offer summer babysitting services to a glamorous single white mother—a secret she keeps from her father that unravels with shocking results. In another, Willie Mae reluctantly joins her mother at a church rally, and is forever changed after hearing Martin Luther King Jr. deliver a defiant speech. My Selma! captures the voice and vision of a perspicacious, impetuous, resourceful young person who gives us a loving portrayal of her hometown while also delivering a no-holds-barred indictment of the time and place.

Combining the raw honesty of Queenie and the warmth of a modern-day Bridget Jones’s Diary, this entertaining, transportive, and luminous debut novel from award-winning writer Breanne Mc Ivor follows a young Trinidadian woman finding her voice and reclaiming her name.

Bianca Bridge is at her wit’s end. Fired from her editorial job after scandalizing Trinidad’s tight, conservative society by having an affair with a married government official, she’s resorting to modeling for even the sleaziest of photographers to make ends meet. Her mother, were she still alive, would be stunned by whom her daughter has become. Her father—and his ample checkbook—is off somewhere with his second family. And the government official? It was his wife who got her fired.

With nothing left to lose, Bianca takes a job assisting the brilliant but aloof makeup artist Obadiah Cortland, a rising star in the Trinidadian beauty community. Yet Obadiah is not the elite tyrant he seems. Born in the poorest part of Trinidad, he’s clawed partway up society’s ladder and built his company around his meticulously crafted persona. And he’s not about to let anyone see past his façade.

As Bianca’s ex-lover continues to wield power over her and the colleagues she’s come to love, she, with Obadiah’s help, finally decides she’s ready to fight back like her mother taught her—and to reconsider, at last, the nature of what, and whom, might deserve to be called beautiful.

Alternating between Bianca’s irreverent yet poignant diary entries and Obadiah’s clear-eyed first-person narrative, The God of Good Looks portrays the everyday realities of modern Trinidad’s rigid class barriers and the fraught impact of beauty commodification in a patriarchal society. Amusing and entertaining, yet sharp-witted and full of meaty, universally relatable questions, Mc Ivor’s sparkling debut is an open-hearted, awakening tale about finding one’s voice. 

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Annie John is a haunting and provocative story of a young girl growing up on the island of Antigua. A classic coming-of-age story in the tradition of The Catcher in the Rye and A Portrait of the Artist as a Young Man, Kincaid's novel focuses on a universal, tragic, and often comic theme: the loss of childhood. Annie's voice--urgent, demanding to be heard--is one that will not soon be forgotten by readers.

An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence, who is the very center of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's benign shadow. Looking back on her childhood, she reflects, "It was in such a paradise that I lived." When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she instinctively rebels against authority; and most frighteningly, her mother, seeing Annie as a "young lady," ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. At the end of her school years, Annie decides to leave Antigua and her family, but not without a measure of sorrow, especially for the mother she once knew and never ceases to mourn. "For I could not be sure," she reflects, "whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world."

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This dazzling debut middle grade novel in verse is a riveting journey toward self-acceptance for fans of Genesis Begins Again. Thirteen-year-old Rain must overcome sadness after her all-star brother is badly beaten up at a white frat party. Eventually, Rain finds hope again and helps her family heal. 

I feel like Rain.

Rain rising through the unexpected.

Gentle and a force like Mom says.

I feel like me.

Rain is keeping a big secret from everyone around her: She's sad. All the time.

Xander, her older brother, is an all-star student athlete and a superhero to Rain since their dad is not around. But even he can’t help Rain with her dark thoughts. Rain hates the way she looks, and she feels inferior to her best friend, Nara, who’s skinny and got more money, lighter skin, and hair that curls.

When Xander is the victim of a hate crime, things take a turn for the worse. Xander stops speaking to everyone, including Rain, whose dark thoughts turn into action.

Rain’s secret battle puts her life on the line. But when her favorite teacher invites her to an after-school circle group, Rain finds friends and the courage to help herself and her family heal. Like the rain, she is both gentle and a force, and though she faces many storms in her life, she finds the strength to rise again. 

In this acclaimed memoir, Kenyan writer Ngũgĩ wa Thiong'o recounts the four years he spent at Makerere University in Kampala, Uganda—crucial years during which he found his voice as a journalist, short story writer, playwright, and novelist just as colonial empires were crumbling and new nations were being born—under the shadow of the rivalries, intrigues, and assassinations of the Cold War.

Haunted by the memories of the carnage and mass incarceration carried out by the British colonial-settler state in his native Kenya but inspired by the titanic struggle against it, Ngũgĩ, then known as James Ngugi, begins to weave stories from the fibers of memory, history, and a shockingly vibrant and turbulent present.

What unfolds in this moving and thought-provoking memoir is simultaneously the birth of one of the most important living writers—lauded for his "epic imagination" (Los Angeles Times)—the death of one of the most violent episodes in global history, and the emergence of new histories and nations with uncertain futures.

An orphan grapples with gender, siblinghood, family, and coming-of-age as a Muslim in America in this lyrical debut novel from the acclaimed author of If They Come For Us

In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of her parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her "crybaby" younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms.
 
As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency she's known or carve out a new path for herself. When We Were Sisters tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who’ve lost everything might still make homes in each other.

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The highly anticipated collection of poems from the award-winning writer Ocean Vuong

How else do we return to ourselves but to fold
The page so it points to the good part
 
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong’s poems circle fragmented lives to find both restoration as well as the epicenter of the break.
 
The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

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Explores how Black Buddhist Teachers and Practitioners interpret Western Buddhism in unique spiritual and communal ways

In Black Buddhists and the Black Radical Tradition, Rima Vesely-Flad examines the distinctive features of Black-identifying Buddhist practitioners, arguing that Black Buddhists interpret Buddhist teachings in ways that are congruent with Black radical thought. Indeed, the volume makes the case that given their experiences with racism—both in the larger society and also within largely white-oriented Buddhist organizations—Black cultural frameworks are necessary for illuminating the Buddha’s wisdom.

Drawing on interviews with forty Black Buddhist teachers and practitioners, Vesely-Flad argues that Buddhist teachings, through their focus on healing intergenerational trauma, provide a vitally important foundation for achieving Black liberation. She shows that Buddhist teachings as practiced by Black Americans emphasize different aspects of the religion than do those in white convert Buddhist communities, focusing more on devotional practices to ancestors and community uplift.

The book includes discussions of the Black Power movement, the Black feminist movement, and the Black prophetic tradition. It also offers a nuanced discussion of how the Black body, which has historically been reviled, is claimed as a vehicle for liberation. In so doing, the book explores how the experiences of non-binary, gender non-conforming, and transgender practitioners of African descent are validated within the tradition. The book also uplifts the voices of lesbian, gay, bisexual, and queer Black Buddhists. This unique volume shows the importance of Black Buddhist teachers’ insights into Buddhist wisdom, and how they align Buddhism with Black radical teachings, helping to pull Buddhism away from dominant white cultural norms.

The perfect primer for kids ages 8-12, A Child's Introduction to Asian American and Pacific Islander History is packed with remarkable stories, groundbreaking events, and inspirational people, that have made a lasting impact on the history and culture of the United States.

The latest entry in the award-winning Child’s Introduction series is an inspirational and essential look at the impact and influence that AAPI peoples have made to the culture of the United States. The book is packed with profiles of dozens of AAPI trailblazers from from all walks of life, including political activist Grace Lee Boggs, Vice President Kamala Harris, actor Dwayne “The Rock” Johnson, and dozens of others who have made contributions to music, food, sciences, technology, and more. Kids will learn key terms like "Asian American" and "Pacific Islander," how to pronounce common Asian names,  and the discrimination members of the community have faced (and continue to face). They will be introduced to a wide variety of traditions, from Diwali to Lunar New Year and signature dishes, like poi and pho, all giving greater visibility to Asian Americans for young learners. 
 
Featuring charming illustrations and a lively design, as well as a pull-out poster, A Child's Introduction to Asian American and Pacific Islander History is much-needed addition every home library and classroom.

Being queer and Asian American; families we are born into and ones we chose; nostalgia, trauma and history—all dissected fearlessly.