A wide-ranging collection from a rising poet that showcases her sharp, contemporary voice

In Stem, Stella Wong intersperses lyric poems on a variety of subjects with dramatic monologues that imagine the perspectives of specific female composers, musicians, and visual artists, including Johanna Beyer, Mira Calix, Clara Rockmore, Maryanne Amacher, and Delia Derbyshire. In such lines as “let me tell you how I make myself appear / more likeable,” “as I grow older I like looking at chaos,” and “I want to propose a hike / and also propose mostly,” Wong’s style is confident and idiomatic, and by turns contemplative and carefree. Whether writing about family, intimate relationships, language, or women’s experience, Wong creates a world alive with observation and provocation, capturing the essence and the problems of life with others.

How medieval-inspired racial feudalism reigned in early America and was challenged by Black liberal thinkers

Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.

Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.

American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

Discover your true power as you embrace the calling God has reserved just for you.

Does the pressure to do more, be more, and achieve more leave you feeling powerless?

In Staying Power, global ministry leader and New York Times bestselling author Sarah Jakes Roberts challenges you to let go of others' expectations and embrace the calling God has for you--with the power only He can give.

In this empowering guided teaching journal, you'll engage with the key themes and messages from Sarah Jakes Roberts' Power Moves, as well as take time for self-reflection through insightful questions and journaling prompts. Drawing on truths from her book, Power Moves, Sarah helps you:

* Bring your authentic self back to life
* Connect with God in new ways
* Disarm the fear that holds you back
* Understand how worthy, valuable, and loved you are
* Release your power to the world

Ideal for personal enrichment and for gifting, this guided journal includes:

* Bible passages for each chapter to help you ground your spirit in Scripture
* Thought-provoking messages from Sarah to stir your soul and inspire you to action
* Questions for self-reflection to help you cultivate personal growth
* Guided prompts to help you explore your experiences and feelings
* Space to write your ideas and insights so you can track your progress and spiritual maturity

Staying Power equips you to align your heart and mind to receive what is already yours. True power rests in authenticity, bravery, and commitment to continuous growth. Come be refilled, restored, and refueled as you harness the power God has reserved just for you

See Me is a collection of intimate dialogues about collective experiences in the context of prison theater workshops. Each essay is a collaboration between two or three people who connected profoundly in the temporary community that a workshop can create. Part I is an exchange grounded in the prison theater workshop between the author and one of the incarcerated participants. They alternately tell the story of what they found in the workshop, each other, the future they imagined together, and the social turmoil and utopian aspirations of the times. Part II consists of essays jointly written by eight other people impacted by close relationships spawned in diverse in-prison and re-entry theater workshops.

Sex, vengeance, and betrayal in modern day Tehran—Navid Sinaki’s bold and cinematic debut is a queer literary noir following Anjir, a morbid romantic and petty thief whose boyfriend disappears just as they’re planning to leave their hometown for good

Anjir and Zal are childhood best friends turned adults in love. The only problem is they live in Iran, where being openly gay is criminalized, and the government’s apparent acceptance of trans people requires them to surgically transition and pass as cis straight people. When Zal is brutally attacked after being seen with another man in public, despite the betrayal, Anjir becomes even more determined to carry out their longstanding plan for the future: Anjir, who’s always identified with the mythical gender-changing Tiresias, will become a woman, and they’ll move to a new town for a fresh start as husband and wife.

Then Zal vanishes, leaving a cryptic note behind that sets Anjir on a quest to find the other man, hoping he will lead to Zal. Stalking and stealing his way through the streets, clubs, library stacks, hotel rooms, and museum halls of Tehran—where he encounters his troubled mother, addict brother, and the dynamic Leyli, a new friend who is undergoing a transition of her own—Anjir soon realizes that someone is tailing him too. It quickly becomes clear that more violence may be the fastest route to freedom, as Anjir’s morals and gender identity are pushed to new places in the pursuit of love, peace, and self-determination.

Steeped in ancient Persian and Greek myths, and brimming with poetic vulnerability, subversive bite, and noirish grit, Medusa of the Roses is a page-turning wallop of a story from a bright new literary talent.

A long forgotten Beat poet brought back to life in utterly fantastical fashion.

In beautifully vivid journal entries, Black poet Mardou Fox chronicles her 1950s and ‘60s experiences with the Beat Generation--and her adventures in the mysterious, otherworldly realm “over the fence.” Characters based on star Beat authors like Allen Ginsberg and Jack Kerouac fight alongside Mardou or battle against her as she challenges racism and sexism to win happiness, freedom, and respect for her work. Are the answers she’s seeking shrouded in the mists of magic? Inspired by the true story of Alene Lee, whose crucial role is often left out of Beat Generation lore.

The lives of working class Mexican America, where everyday stories offer a portal to myth and fable.

"No one writes like Dagoberto Gilb! I loved these energetic, soulful, and hilarious stories that by the end had me wondering if I'd encountered the sublime on the page."—Kali Fajardo-Anstine, author of Woman of Light

This collection of eleven stories is the newest installment of an ongoing, multi-volume literary documentary project, penned by one of the contemporary legends of Chicanx literature. Dagoberto Gilb's cast of characters includes a young family whose exposure to a mysterious cloud of gas alters their lives forever; a high school dropout whose choice to learn the ways of the world from the adults at work in his uncle’s industrial laundry leads him into a dangerous dalliance;  a former high-rise union carpenter who agrees to meet up with an eager old flame; an aging Chicano, living alone, whose children watch over him for signs of decline; and more.

These are stories about working class people who come and go mostly unnoticed or ignored, whose lives are not fodder for literary tropes or cliches. They are neither heroes nor villains, just regular people with their flaws and merits, facing the challenges and questions posed by everyday life. Gilb writes in a distinctive, appealing voice, welcoming the reader in with an easy sense of familiarity, and the effect is spare on the surface, but profound. Deftly capturing the nuances of interpersonal relationships in a simple word or gesture, he peels back the surface of seemingly unremarkable encounters to reveal layers of myth and uncanny surrealism, propelled by the momentum of new, changing times.

A bold multi-generational debut novel exploring themes of queerness, revolution and Islamic sisterhood.

Paris, 1940. The course of Fatiha Bin-Khalid’s life is changed forever when she befriends the Muslim feminist Doria Shafik. But after returning to Egypt and dedicating years to the fight for women’s rights, she struggles to reconcile her political ideals with the realities of motherhood.

Cairo, 1966. After being publicly shamed when her relationship with a bisexual boyfriend is revealed, Fatiha’s daughter is faced with an impossible decision. Should Yasminah accept a life she didn’t choose, or will she leave her home and country in pursuit of independence?

Bristol, 2011. British-born Nadia is battling with an identity crisis and a severe case of herpes. Feeling unfulfilled (and after a particularly disastrous one-night stand), she moves in with her old-fashioned Aunt Yasminah and realises that she must discover her purpose in the modern world before it’s too late.

Following the lives of three women from the Bin-Khalid family, Daughters of the Nile is an original and darkly funny novel that examines the enduring strength of female bonds. These women are no strangers to adversity, but they must learn from the past and relearn shame and shamelessness to radically change their futures.

Amos Tutuola’s masterful first novel of a nightmarish quest into the land of the dead, now available in a standalone volume with an introduction by Wole Soyinka

Widely considered to be his masterpiece, Amos Tutuola’s debut novel The Palm-Wine Drinkard was first published in 1952. Named one of TIME’s “100 Best Fantasy Books of All Time” and introduced here by Wole Soyinka, the novel tells the phantasmagorical story of a wealthy alcoholic who drinks 225 kegs of palm wine a day. When the man’s personal tapster dies and leaves him without any remaining supply of alcohol, the man desperately follows the tapster into the nightmarish Dead’s Town. Drawing on Yoruba folklore and narrated with a unique voice that mixes West African oral traditions with the Colonial British English that Tutuola learned at school, The Palm-Wine Drinkard is a seminal work of African literature from one of Nigeria’s most influential writers and an important part of the global literary canon.

Amos Tutuola’s second novel recounting the fate of mortals who stray into the world of ghosts, now available in a standalone volume

First published in 1954, now acclaimed as a modern classic, and named one of TIME’s “100 Best Fantasy Books of All Time,” My Life in the Bush of Ghosts is the second novel by the Nigerian writer Amos Tutuola. A small boy finds himself lost in the heart of an impenetrable African forest, populated with fantastical beings and ghosts. As every hunter and traveler knows, it is almost impossible to leave the bush—yet the appearance of the television-handed ghostess may offer him a rare opportunity for escape. My Life in the Bush of Ghosts is a masterpiece of the surreal that blends Tutuola’s native Yoruba culture with the encroaching influences of British and Christian colonialism in West Africa, a picaresque and darkly funny journey that is unique in literature.

From the New York Times Notable author of The Old Woman with the Knife comes a bracingly original story of family, marriage and the cultural expectations of motherhood, about four women whose lives intersect in dramatic and unexpected ways at a government-run apartment complex outside Seoul

When Yojin moves with her husband and daughter into the Dream Future Pilot Communal Apartments, she’s ready for a fresh start. Located on the outskirts of Seoul, the experimental community is a government initiative designed to boost the national birth rate. Like her neighbors, Yojin has agreed to have at least two more children over the next ten years.

Yet, from the day she arrives, Yojin feels uneasy about the community spirit thrust upon her. Her concerns grow as communal child care begins and the other parents show their true colors. Apartment Women traces the lives of four women in the apartments, all with different aspirations and beliefs. Will they find a way to live peacefully? Or are the cultural expectations around parenthood stacked against them from the start?

A trenchant social novel from an award-winning author, Apartment Women incisively illuminates the unspoken imbalance of women’s parenting labor, challenging the age-old assumption that “it takes a village” to raise a child.

A wry, tender novel about a Peruvian immigrant mother and a millennial daughter who have one final chance to find common ground

Thirtysomething Flores and her mother, Paula, still live in the same Brooklyn apartment, but that may be the only thing they have in common. It’s been nearly three years since they lost beloved husband and father Martín, who had always been the bridge between them. One day, cleaning beneath his urn, Flores discovers a note written in her mother’s handwriting: Perdóname si te falle. Recuerda que siempre te quise. (“Forgive me if I failed you. Remember that I always loved you.”) But what would Paula need forgiveness for?

Now newfound doubts and old memories come flooding in, complicating each woman’s efforts to carve out a good life for herself—and to support the other in the same. Paula thinks Flores should spend her evenings meeting a future husband, not crunching numbers for a floundering aquarium startup. Flores wishes Paula would ask for a raise at her DollaBills retail job, or at least find a best friend who isn’t a married man.

When Flores and Paula learn they will be forced to move, they must finally confront their complicated past—and decide whether they share the same dreams for the future. Spirited and warm-hearted, Melissa Rivero’s new novel showcases the complexities of the mother-daughter bond with fresh insight and empathy.

Quiet Funke is happy in Nigeria. She loves her art teacher mother, her professor father, and even her annoying little brother (most of the time). But when tragedy strikes, she’s sent to England, a place she knows only from her mother’s stories. To her dismay, she finds the much-lauded estate dilapidated, the food tasteless, the weather grey. Worse still, her mother’s family are cold and distant. With one exception: her cousin Liv.

Free-spirited Liv has always wanted to break free of her joyless family. She becomes fiercely protective of her little cousin, and her warmth and kindness give Funke a place to heal. The two girls grow into adulthood the closest of friends.

But the choices their mothers made haunt Funke and Liv and when a second tragedy occurs their friendship is torn apart. Against the long shadow of their shared family history, each woman will struggle to chart a path forward, separated by country, misunderstanding, and ambition.

Moving between Somerset and Lagos over the course of two decades, This Motherless Land is a sweeping examination of identity, culture, race, and love that asks how we find belonging and whether a family’s generational wrongs can be righted.

In this stunning novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich tells a story of love, natural forces, spiritual yearnings, and the tragic impact of uncontrollable circumstances on ordinary people’s lives.

History is a flood. The mighty red . . .

In Argus, North Dakota, a collection of people revolve around a fraught wedding. 

Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can't read her future but seems to resolve his. 

Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He’s determined to steal her and is eager to be a home wrecker.  

Kismet's mother, Crystal, hauls sugar beets for Gary's family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels, and worries for the future, her daughter’s and her own.

Human time, deep time, Red River time, the half-life of herbicides and pesticides, and the elegance of time represented in fracking core samples from unimaginable depths, is set against the speed of climate change, the depletion of natural resources, and the sudden economic meltdown of 2008-2009. How much does a dress cost? A used car? A package of cinnamon rolls? Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? These are the questions the people of the Red River Valley of the North wrestle with every day.

The Mighty Red is a novel of tender humor, disturbance, and hallucinatory mourning. It is about on-the-job pains and immeasurable satisfactions, a turbulent landscape, and eating the native weeds growing in your backyard. It is about ordinary people who dream, grow up, fall in love, struggle, endure tragedy, carry bitter secrets; men and women both complicated and contradictory, flawed and decent, lonely and hopeful. It is about a starkly beautiful prairie community whose members must cope with devastating consequences as powerful forces upend them. As with every book this great modern master writes, The Mighty Red is about our tattered bond with the earth, and about love in all of its absurdity and splendor.

A new novel by Louise Erdrich is a major literary event; gorgeous and heartrending, The Mighty Red is a triumph.

A powerful story about family, fútbol, and playing like a girl, perfect for fans of Front Desk, The Academy, and, Are You There, God? It's Me, Margaret from the award-winning author of Furia.

At thirteen years old, Valeria "Magic" Salomón is already the best soccer player her town has ever seen. She has talent in spades and an abuelo whose tough-love coaching and lessons about “strength and honor” have made her the star of the Overlords, the top boys’ team in the state. 

But everything changes at the State Cup semi-final when Valeria gets her first period while Wearing. White. Shorts. After her team is unexpectedly eliminated, she goes from their secret weapon to their scapegoat. Soon, she doesn’t have a team at all anymore. She’s not sure she has a relationship with her grandfather either.  

Valeria’s a fighter, however. And with the help of her grandmother and support of her cheerleader BFF, she finds herself on a girls’ team for the first time. But the Amazons aren’t exactly excited to have her there. After all, Valeria’s spent years ignoring their existence. With the next tournament looming on the horizon, Valeria has a month to figure out her place on her new team and learn how to play like a girl. 

The award-winning author of Furia returns to the world of  “the beautiful game” in this uplifting, heartfelt novel about family, self-confidence, and the power of second chances.

A NEW MAN ON THE SCENE.

Aspiring comedian Abi has always been told that she’s too much, but never felt like enough. Until she meets Will, who changes everything she’s been made to believe by men, the media and her mum. He loves her just the way she is.

HIS KIDS.

But Will is a package deal and comes with two daughters from a previous relationship. Suddenly Abi finds herself thrown into the spotlight, and not just on the stage…

CAN SHE WIN OVER THIS TOUGH CROWD?

Abi is used to playing to difficult audiences, but step-parenting, and winning over the girls, is going to be her toughest challenge yet. Can she finally prove her critics wrong and triumph at her biggest gig to date?

A fun and feel-good romantic comedy about love, friendship and family for anyone who’s struggled to feel like enough and find their place. Fans of Beth O’Leary and Ruth Jones will love this warm and witty page-turner.

A major new novel set in nineteenth-century New Orleans by the author of Signs Preceding the End of the World

New Orleans, 1853. A young exile named Benito Juárez disembarks at a fetid port city at the edge of a swamp. Years later, he will become the first indigenous head of state in the postcolonial Americas, but now he is as anonymous and invisible as any other migrant to the roiling and alluring city of New Orleans.

Accompanied by a small group of fellow exiles who plot their return and hoped-for victory over the Mexican dictatorship, Juárez immerses himself in the city, which absorbs him like a sponge. He and his compatriots work odd jobs, suffer through the heat of a southern summer, fall victim to the cons and confusions of a strange young nation, succumb to the hallucinations of yellow fever, and fall in love with the music and food all around them. But unavoidable, too, is the grotesque traffic in human beings they witness as they try to shape their future.

Though the historical archive is silent about the eighteen months Juárez spent in New Orleans, Yuri Herrera imagines how Juárez's time there prepared him for what was to come. With the extraordinary linguistic play and love of popular forms that have characterized all of Herrera's fiction, Season of the Swamp is a magnificent work of speculative history, a love letter to the city of New Orleans and its polyglot culture, and a cautionary statement that informs our understanding of the world we live in.

Welcome to Curdle Creek, a place just dying to make you feel at home. Osira, a forty-five-year-old widow, is an obedient follower of the strict conventions of Curdle Creek, an all-Black town in rural America stuck in the past and governed by a tradition of ominous rituals. Osira is considered blessed, but her luck changes when her children take off, she comes second to last in the Running of the Widows and her father flees when his name is called in the annual Moving On ceremony. Forced into a test of allegiance, Osira finds herself transported back in time, then into another realm where she must answer for crimes committed by Curdle Creek. Exile forces her to jump realms again, landing Osira even farther away from home, in rural England. Safe as long as she sticks to the rules, she quickly learns there are consequences for every kindness. Each jump could lead Osira anywhere but back home.

Curdle Creek is a unique, inventive novel exploring themes of home, belonging, motherhood and what we inherit from society. This American gothic offers a mash-up of the surreal and literary horror that will appeal to fans of Ring Shout, The Underground Railroad and Lovecraft Country. Yvonne Battle-Felton’s fever dream of a tale is enthralling, layered and quite unlike anything else.

Costa Rica, 1968. When a lethal fire erupts at the American Fruit Company’s most lucrative banana plantation burning all evidence of a massive cover-up, and her husband disappears, the future of Teresa’s family is changed forever.

Now, twenty-seven years later, Teresa and her daughter Lyra are picking up the pieces. Lyra wants nothing to do with Teresa, but is desperate to find out what happened to her family that fateful night. Teresa, haunted by a missing husband and the bitter ghost of her mother, Amarga, is unable to reconcile the past. What unfolds is a story of a mother and daughter trying to forgive what they do not yet understand, and the mystery at the heart of one family’s rupture.

Brimming with ancestral spirits, omens, and the anthropomorphic forces of nature, John Manuel Arias weaves a brilliant tapestry of love, loss, secrets, and redemption in Where There Was Fire.

Ripples in the Pool is a symbolic and powerful novel that delves into the tragedy and spiritual disconnection in rural Africa.

Central characters, like Selina, a former prostitute, and Gikere, a hospital assistant, return to their village with ambitions of wealth and power, neglecting the spiritual significance of the village pool. The pool, guarded by a mysterious old man, symbolizes the land's integrity and spiritual essence. As these characters pursue material gains, they disregard this spiritual core, leading to their downfall.

Selina's journey, marked by a conflict between her rural roots and urban disillusionment, ends in personal and communal tragedy. The novel critiques modernity's moral decay and the loss of spiritual connection, questioning whether the pool's sanctity ultimately prevails over such corruption.

The characters, who span a whole tapestry of rural Africa, are portrayed with a depth and richness that illuminates with shocking clarity aspects of rural society heretofore largely unexplored by African writers.

In this poignant novel, award-winning author, Charles Mungoshi, explores the consequences of colonialism in 1960s Zimbabwe. Waiting for the Rain asks how a nation can look to the future and preserve its traditions while being tied down to the present tyranny of its oppressors.

Told through multiple perspectives of the Mandengu family, Waiting for the Rain eloquently captures the generational effects of colonialism and the slow breaking of family bonds.

Writing during the fiercest years of the Zimbabwe War of Independence, Mungoshi treads a fine line between criticising colonial rule and attempting to avoid British censorship. The result is an astute commentary on the challenges faced in 1960s Zimbabwe.

The second graphic novel in this original series inspired by the hit television show Are You Afraid of the Dark? features three chilling stories based on Ghanaian urban legends and folktales and written by New York Times bestselling author Roseanne A. Brown

Izzy’s sister has been acting strange. Izzy knows that something is going on with her twin, Grace; hurrying off to hang with other kids, avoiding her at school, and going to bed earlier than usual. When Izzy learns that her twin sister has been sneaking off at night to hang out with the mysterious Midnight Society, she surprises them at their night of storytelling and threatens to tell their parents about Grace’s new hobby. But in order to prevent Izzy from telling on her, the Midnight Society proposes a scare-off! If Izzy wins, Grace is booted from the Midnight Society. If Grace wins, Izzy won’t tell anyone about the Midnight Society. What follows are three terrifying tales that may determine the fate of not only the Midnight Society, but also the twins’ relationship.

In “The Tale of the Bushwalkers,” a girl who cheats in school discovers that monsters may be prowling her campus, ready to eat cheating students. In “The Tale of the Spirit Drum,” a young boy tests his luck when he comes into possession of a drum that can make his dreams come true. And in “The Tale of the Sinister Sisters,” two twins must survive the night by themselves as malignant spirits take their form to pit the twins agains each other.

Drawing from urban legends, folklores, and stories rooted from Ghana, New York Times bestselling author Roseanne A. Brown crafts all new stories inspired by the hit television series, brought to life by artists Shazleen Khan, Bill Masuku, and Gigi Murakami!

Exiled in 1948, Palestinians were robbed of their private property when looting became weaponized

During the 1948 War, Israeli fighters and residents alike plundered Palestinian homes, shops, businesses, and farms. This bitter truth was then suppressed or forgotten over the coming years.

Tens of thousands took part in the pillage of Palestinian property, stealing the belongings of their former neighbours. The implications of this mass looting go far beyond the personality or moral fibre of those who took part. Plundering served a political agenda by helping to empty the country of its Palestinian residents. In this context, it was part of the prevailing policy during the war – one designed to crush the Palestinian economy, destroy villages, and to confiscate and sometimes destroy crops and harvests remaining in the depopulated zones.

The participating Jewish public became a stakeholder, motivated to prevent Palestinian residents from returning to the villages and cities they had left. These ordinary people were mobilized in the push for the segregation of Jews and Arabs in the early years of statehood.

With painstaking original research into primary sources, Adam Raz has brought to light a tragic moment in the history of a conflict that roils the region and the wider world. As the details of the Nakba are understood and documented, redress for Palestinian grievances comes closer to reality.

A young woman discovers that dancers at a local discotheque are being driven to acts of insane violence.

“The place was full of swarming, pugnacious, dangerous missellneous reptile’s… Teenager’s everywhere pounded their way on top of each other crazily strangling, biting and slashing each other’s with broken glass, smashed records or sharpened blades… ”

16-year-old Jennifer Gibbons (1963–1993) wrote Discomania in 1980, alongside her twin sister June-Alison, who was also writing her own novel, The Pepsi Cola Addict, in the bedroom that they shared.

Jennifer offered Discomania to the same English vanity press who would publish June-Alison’s book, but Discomania was turned down for being “too violent, too sexual, and too futuristic.”

Long thought to have been lost or destroyed, June-Alison had in fact preserved the typescript of this unique, furious, funny, and strange novel, which we present with her blessing, alongside additional texts from June-Alison, and editors David Tibet and Ania Goszczyńska.

An epic tale of love and political violence set in earthquake-ravaged Darkmotherland, a dystopian reimagining of Nepal, from the Whiting Award–winning author of Arresting God in Kathmandu

In Darkmotherland, Nepali writer Samrat Upadhyay has created a novel of infinite embrace—filled with lovers and widows, dictators and dissidents, paupers, fundamentalists, and a genderqueer power player with her eyes on the throne.

At its heart are two intertwining narratives: one of Kranti, a revolutionary’s daughter, who marries into a plutocratic dynasty and becomes ensnared in the family’s politics. And then there is the tale of Darkmotherland’s new dictator and his mistress, Rozy, who undergoes radical body changes and grows into a figure of immense power.

Darkmotherland is a romp through the vast space of a globalized universe where personal ambitions are inextricably tied to political fortunes, where individual identities are shaped by family pressures and social reins, and where the East connects to and collides with the West in brilliant and unsettling ways.

From the author of Make Your Home Among Strangers, essays on being an “accidental” American―an incisive look at the edges of identity for a woman of color in a society centered on whiteness

In this sharp and candid collection of essays, critically acclaimed writer and first-generation American Jennine Capó Crucet explores the condition of finding herself a stranger in the country where she was born. Raised in Miami and the daughter of Cuban refugees, Crucet examines the political and personal contours of American identity and the physical places where those contours find themselves smashed: be it a rodeo town in Nebraska, a university campus in upstate New York, or Disney World in Florida. Crucet illuminates how she came to see her exclusion from aspects of the theoretical American Dream, despite her family’s attempts to fit in with white American culture―beginning with their ill-fated plan to name her after the winner of the Miss America pageant.

In prose that is both fearless and slyly humorous, My Time Among the Whites examines the sometimes hopeful, sometimes deeply flawed ways in which many Americans have learned to adapt, exist, and―in the face of all signals saying otherwise―perhaps even thrive in a country that never imagined them here.

From the award-winning and bestselling author of Black Buck: A speculative novel about a young woman—invisible by birth and relegated to second-class citizenship—who sets off on a mission to find her older brother, whom she had presumed dead but who is now the primary suspect in a high-profile political murder.

Despite the odds, Sweetmint, a young invisible woman, has done everything right her entire life—school, university, and now a highly sought-after apprenticeship with the Northwestern Hemisphere’s premier inventor, a non-invisible man belonging to the Dominant Population who is as eccentric as he is enigmatic. But the world she has fought so hard to build after the disappearance of her older brother comes crashing down when authorities claim that not only is he well and alive, he’s also the main suspect in the murder of the Chief Executive of the Northwestern Hemisphere. 

A manhunt ensues, and Sweetmint, armed with courage, intellect, and unwavering love for her brother, sets off on a mission to find him before it’s too late. With five days until the hemisphere’s big election, Sweetmint must dodge a relentless law officer who’s determined to maintain order and an ambitious politician with sights set on becoming the next Chief Executive by any means necessary.

With the captivating worldbuilding of N. K. Jemisin’s novels and blazing defiance of Naomi Alderman’s work, This Great Hemisphere is a novel that brilliantly illustrates the degree to which reality can be shaped by non-truths and vicious manipulations, while shining a light on our ability to surprise ourselves when we stop giving in to the narratives others have written for us.

Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants a little rain. L.A. is parched, dry as a bone, and he’s harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage.

Their three daughters―Claudia, a television chef with a hard-hearted attitude; Olivia, a successful architect who suffers from gentrification guilt; and Patricia, a social media wizard who has an uncanny knack for connecting with audiences but not with her lovers―are left questioning everything they know. Each will have to take a critical look at her own relationships and make some tough decisions along the way.

With quick wit and humor, María Amparo Escandón follows the Alvarado family as they wrestle with impending evacuations, secrets, deception, and betrayal, and their toughest decision yet: whether to stick together or burn it all down.

From the prizewinning international literary star: the searing and powerful story of one man's search for redemption.

Dinaw Mengestu's first novel, The Beautiful Things That Heaven Bears, earned the young writer comparisons to Bellow, Fitzgerald, and Naipaul, and garnered ecstatic critical praise and awards around the world for its haunting depiction of the immigrant experience. Now Mengestu enriches the themes that defined his debut with a heartbreaking literary masterwork about love, family, and the power of imagination, which confirms his reputation as one of the brightest talents of his generation.

One early September afternoon, Yosef and Mariam, young Ethiopian immigrants who have spent all but their first year of marriage apart, set off on a road trip from their new home in Peoria, Illinois, to Nashville, Tennessee, in search of a new identity as an American couple. Soon, their son, Jonas, will be born in Illinois. Thirty years later, Yosef has died, and Jonas needs to make sense of the volatile generational and cultural ties that have forged him. How can he envision his future without knowing what has come before? Leaving behind his marriage and job in New York, Jonas sets out to retrace his mother and father's trip and weave together a family history that will take him from the war-torn Ethiopia of his parents' youth to his life in the America of today, a story—real or invented—that holds the possibility of reconciliation and redemption.

Watch a Video

Using interwoven narratives — present-day United States, Trinidad, and the political tumult of Jamaica in the 1980s — Carol Mitchell's debut gives voice to the immigrant woman whose veneer of middle-class stability masks the violent trauma of a prior life.

"An engaging and life-affirming read.” — Booklist

"What start bad a mornin', cyan end good a evenin'." — Jamaican proverb

Amaya Lin has few memories of the years before she turned eighteen. Now in her forties, she has compensated by carefully cultivating a satisfying life as a wife, mother, and business professional. Her husband’s law practice is on the brink of major success; her neurodiverse son has grown into an independent adult; and she has come to terms with her aunt’s dementia. This sense of order is disrupted, however, when she encounters a stranger who claims to have an impossible connection, launching Amaya on a tumultuous journey into the past. 

Using three interwoven narratives spanning the United States, Trinidad, and Jamaica, Carol Mitchell's debut gives voice to an immigrant woman forced to confront her repressed memories of violent trauma. Only then can she discover what she is capable of when it comes to self-preservation and the protection of her family.

"This is a stellar debut.” — Cleyvis Natera, author of Neruda on the Park
"Luminous prose." —Elizabeth Nunez, author of Prospero’s Daughter

Old secrets are brought to light when a family matriarch returns to Brazil after years away in this “original and highly immersive” (Good Morning America) debut that explores the heartbreak and hope of what it means to be from two homes, two peoples, and two worlds.

Daniel Cunha has a lot on his mind.

He got dumped by his pregnant girlfriend, his grandfather just dropped dead, and on the anniversary of the raid that doomed his drug-dealing aunt and uncle, his mother makes her unwanted return, years after she fled to marry another American fool like his father.

Misfortune, however, is a Cunha family affair, and no generation is spared. Not Daniel’s grandfather João—poor João—born to a prostitute and forced to raise his siblings while still a child himself. Not João’s wife, Marta, branded as a bruxa, reviled by her mother, and dragged from her Ilha paradise by her scheming daughter, Maria. And certainly not Maria, so envious of her younger sister’s beauty and benevolence that she took her vicious revenge and fled to the States, abandoning her children: Daniel and Lucia, both tainted now by their half-Americanness and their mother’s greedy absence.

There’s poison in the Cunha blood. They are a family cursed, condemned to the pain of deprivation, betrayal, violence, and, worst of all, love. But now Maria has returned to grieve her father and finally make peace with Daniel and Lucia, or so she says. As New Year’s Eve nears, the Cunha family hurtles toward an irrevocable breaking point: a fire, a knife, and a death on the sands of Copacabana Beach.

Amid the cacophony of Rio’s tumult—rampant poverty, political unrest, the ever-present threat of violence—a fierce chorus of voices rises above the din to ask whether we can ever truly repair the damage we do to those we love in this “fiery debut novel” (The Washington Post).

A sweeping family saga about the complicated bond between mothers and daughters, the disappearance of a father, and the long-hidden history of a declining New England mill town.

“A powerful novel about how our family history shapes us. Swift River broke my heart, and then offered me hope.” —Ann Napolitano, New York Times bestselling author of Hello Beautiful

It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on.

But when Diamond receives a letter from a relative she’s never met, key elements of Pop’s life are uncovered, and she is introduced to two generations of African American Newberry women, whose lives span the 20th century and reveal a much larger picture of prejudice and abandonment, of love and devotion. As pieces of their shared past become clearer, Diamond gains a sense of her place in the world and in her family. But how will what she’s learned of the past change her future?

A story of first friendships, family secrets, and finding the courage to let go, Swift River is a sensational debut about how history shapes us and heralds the arrival of a major new literary talent.