Black history is here to stay. 2.45″ x 3″ thick, durable, vinyl waterproof sticker! 

This sticker will look absolutely lovely on whatever water bottle, notebook, cell phone case, laptop, or other surface you put it on!

Approximately 3 inches x 3 inches

Durable scratch-resistant vinyl that is weatherproof and dishwasher safe 

Save your place in style with this gorgeous enamel chained bookmark featuring a hand drawn illustration of a book with poppies and the saying "Joy is getting lost in a good book." Perfect for any book lover! 

Discover the roots of modern-day herbal remedies, plant medicine, holistic rituals, natural recipes, and more that were created by African American herbal healers throughout history.

This first-of-its-kind herbal guide takes you through the origins of herbal practices rooted in African American tradition—from Ancient Egypt and the African tropics to the Caribbean and the United States. Inside you’ll find the stories of herbal healers like Emma Dupree and Henrietta Jeffries, who made modern American herbalism what it is today. 

After rediscovering the forgotten legacies of these healers, African American Herbalism dives into the important contributions they made to the world of herbalism, including: 

• Rituals for sacred bathing and skin care
• Herbal tinctures, potions, and medicine 
• Recipes for healing meals and soul food 
• And more!

Frustrated by the dearth of Black people creating puzzles or appearing as clues, media professional and entrepreneur Juliana Pache launched blackcrossword.com at the beginning of 2023. The site took off at once and was met with an overwhelmingly positive reception from new and seasoned solvers alike.

This second collection offers even more challenges and choice, featuring different grid sizes from 6 x 6 to 8 x 8. Highlighting terms and clues from across the diaspora—topics include prominent cultural figures and movements, artistic achievements, history, and Black vernacular from around the globe—Black Crossword: 100 Midi Puzzles Connecting The African Diaspora covers popular culture, the arts, literature, and more, and follows the form of the original Black Crossword, but with more letters, and more room to highlight the Diaspora’s rich history

Paperback Release: October 28, 2025

The Day God Saw Me as Black is a genre-defying, cultural critique of white supremacy in the Black Pentecostal religious experience through the lenses of race, gender, sexual expression, and class analyses. A narrative that weaves between critique and meditation, decolonization and reconciliation, the theoretical and the deeply personal, The Day God Saw Me as Black is an imagining of what could be if we stopped denying ourselves — and each other — full liberation.

This listing is for our upcoming school visit at the Imani School on October 13, 2022.

Dear boy, Black boy, I believe in you so.

Let's start your story—ready, set, go.

From athlete and activist Colin Kaepernick to musician Sam Cooke, inventor Elijah McCoy to writer Chinua Achebe, there are so many inspirational men in Black history. Imagine what you can be and the great things you can do with the strength of people throughout history that have paved the way for Black boys.

This inspiring, lyrical picture book combines an uplifting, motivational text with references to wonderful figures throughout history. The combination is both encouraging and educational, prompting boys to imagine what they can be and the great things they can do in their own lives.

A Nigerian storyteller explores the continent of Africa country by country: its geography, peoples, animals, history, resources, and cultural diversity. The book is divided into five distinct sections—South, East, West, Central, and North—and each country is showcased on its own bright, energetic page brimming with friendly facts on science, industry, food, sports, music, wildlife, landscape features, even snippets of local languages. The richest king, the tallest sand dunes, and the planet’s largest waterfall all make appearances along with drummers, cocoa growers, inventors, balancing stones, salt lakes, high-tech cities, and nomads who use GPS!

A lil something for your laptop, water bottle, phone case, luggage & more! 

2in. x 1in. die cut sticker. Vinyl, waterproof, and scratch resistant.

This sticker will look absolutely lovely on whatever water bottle, notebook, cell phone case, laptop, or other surface you put it on!

Measures approximately 3 inches

Durable scratch-resistant vinyl that is weatherproof and dishwasher safe 

Smells like freshly cracked black peppercorn, orange peel and mandarian creating a spiced citrus scent. Balanced with notes of tonka, patchouli and smokey wood.

The Hue Collection is an expression of art and scent playfully coming together to create a unique candle experience.

LONÉZ SCENTS candles are made from 100% soy wax grown in the USA - creating a clean, environmentally friendly burn. 

• 12 oz
• 80 hour burn time
• cotton wick
• no dyes added
• phthalate free
• lead free
• zinc free

 *All pre-orders are signed/personalized and come with exclusive art and bookmarks.*

 From Joya Goffney, author of Excuse Me While I Ugly Cry, comes her third stunning YA novel, a stirring coming-of-age, best friends-to-lovers romance about a girl named Nikki who plans to run away from small-town Texas but ultimately finds that her oldest friend, Mal, just might be the one who’s been there for her all along. Filled with Joya’s signature heart and humor, this book captures complex family dynamics, friendship, and love. For fans of I Wanna Be Where You Are by Kristina Forest and Counting Down with You by Tashie Bhuiyan.

A critical collection of conversations with Toni Morrison, Alice Walker, Gayl Jones and other Black women writers that changed the scope of Black literature in the 20th century and beyond.

“Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard.” —Claudia Tate, from the introduction

Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the 20th century. 

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margaret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art.

Finally available for a new generation, this classic work has an urgent message for readers and writers today.

Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned maximum security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, Clint Sm

Celebrate baby’s first steps with a board book that follows one curious baby’s journey to this important milestone.

Hand in hand

Left, right, left

Hands out wide

Step, step, step

Hands On! is the cheerful and triumphant story of a baby’s journey from playing and grasping with their hands to stumbling on their feet to taking their very first steps. Anne Wynter’s spare and lyrical text—alongside Alea Marley’s colorful, appealing art—makes for an irresistible board book to be read over and over again.

In the 16th century, the beginning of African enslavement in the Americas until the ratification of the Thirteenth Amendment and emancipation in 1865, Africans were hunted like animals, captured, sold, tortured, and raped. They experienced the worst kind of physical, emotional, psychological, and spiritual abuse. Given such history, isn't it likely that many of the enslaved were severely traumatized? And did the trauma and the effects of such horrific abuse end with the abolition of slavery?

Emancipation was followed by one hundred more years of institutionalized subjugation through the enactment of Black Codes and Jim Crow laws, peonage, convict leasing, domestic terrorism and lynching. Today the violations continue, and when combined with the crimes of the past, they result in yet unmeasured injury. What do repeated traumas, endured generation after generation by a people produce? What impact have these ordeals had on African Americans today?

Dr. Joy DeGruy, answers these questions and more. With over thirty years of practical experience as a professional in the mental health field, Dr. DeGruy encourages African Americans to view their attitudes, assumptions, and behaviors through the lens of history and so gain a greater understanding of how centuries of slavery and oppression have impacted people of African descent in America.

Post Traumatic Slave Syndrome helps to lay the necessary foundation to ensure the well-being and sustained health of future generations and provides a rare glimpse into the evolution of society's beliefs, feelings, attitudes and behavior concerning race in America.

This book highlights the history of the Third Ward neighborhood and Project Row Houses’ role in its development over the past 25 years. It addresses the idea of social art practice from the perspective of Project Row Houses’ 5 pillars: art and creativity, education, social safety net, good and relevant architecture, and economic sustainability. The book will also include a timeline of 25 important moments in PRH’s history, which include but aren’t limited to selected documentation of the 300+ artists who have participated in Artist Rounds since 1994 and 60+ mothers who have participated in the Young Mothers Residential Program since 1996; and selected photographs of community individuals and events throughout PRH's storied past.

Featured essays

• “Artists in Action” by Ryan N. Dennis, PRH Curator & Programs Director

• “Bound Up: Project Row Houses’ Covert Curriculum” by Sandra Jackson-Dumont, Frederick P. and Sandra P. Rose Chairman of Education at the Metropolitan Museum of Art

• “A Soft Place to Stand: Escaping the Interlocking Systems of Race, Class, and Gender” by Assata-Nicole Richards, PhD, Founding Director of the Sankofa Research Institute (SRI) and Young Mothers Residential Program alumna

• “The Collaboration of Rice Building Workshop and Project Row Houses” by Danny Samuels and Nonya Grenader, founders of the Rice Building Workshop (BRW) program

• “Neighborhood Development and Art-Based Community Making” by George Lipsitz, Professor of Black Studies and Sociology at the University of California, Santa Barbara

The Project Row Houses model for art and social engagement applies not only to Houston, but also to diverse communities around the world. This book speak to these ideas while offering insightful texts by important voices in the field.

A first-of-its-kind Southern cookbook featuring more than 300 Cook's Country recipes and fascinating insights into the culinary techniques and heroes of the American South.

Tour the diverse history of Southern food through 200+ stories of women who've shaped the cuisine!

Shepherded by Toni Tipton-Martin and Cook's Country Executive Editor and TV personality Morgan Bolling, When Southern Women Cook showcases the hard work, hospitality, and creativity of women who have given soul to Southern cooking from the start. Every page amplifies their contributions, from the enslaved cooks making foundational food at Monticello to Mexican Americans accessing sweet memories with colorful conchas today.

* 70+ voices paint a true picture of the South: Emmy Award–winning producer and author Von Diaz covers Caribbean immigrant foodways through Southern stews; food journalist Kim Severson delves into recipes' power as cultural currency; mixologist and beverage historian Tiffanie Barriere reflects on Juneteenth customs including red drink. Consulting food historian KC Hysmith contributes important—and fascinating—context throughout.

* 300 Recipes—must-knows, little-knowns, and modern inventions: Regional Brunswick Stew, Dollywood Cinnamon Bread, Pickle-Brined Fried Chicken Sandwiches, Grilled Lemongrass Chicken Banh Mi, and Oat Guava Cookies bridge the gap between what Southern cooking is known for and how it continues to evolve.

* Recipe headnotes contextualize your cooking: Learn Edna Lewis’ biscuit wisdom. Read about Waffle House and fry chicken thighs to top light-as-air waffles. Meet Joy Perrine, the "Bad Girl of Bourbon."

Covering every region and flavor of the American South, from Texas Barbecue to Gullah Geechee rice dishes, this collection of 300 recipes is a joyous celebration of Southern cuisine and its diverse heroes, past and present.

Tali Saunders had one goal: to leave Union City and never look back. Going off to college with her sister Shandea was a perfect way to escape becoming a product of the street. She never imagined on her last night in Union City that she would meet someone who made her question everything she thought she knew about herself. Meeting Henny wasn’t in her plans, but after one night of pleasure and demands, a connection was made.

Will Tali keep her to vow leave? Or will she stay?

Hendrix ‘Henny’ Pharma had one plan that didn’t include meeting Tali Saunders. In an instant, he knew things would have to change to include his new addiction. One night wasn’t enough, but life had other plans. Will Henny get the chance to be with Tali? Or will he be left a fiend, craving the high she gave him without her to satiate him?

Lennox ‘Oz’ Anderson met what would become his obsession the night Shandea ‘Dea’ Saunders sat down to play a game of poker.The only problem was that Dea belonged to someone else. Or at least she thought she did. Oz knew what he wanted, and it was Dea. He planned to make sure she understood that it meant forever once he made her his.
Dea counted down the days until her sister Tali would graduate so they could leave Union City behind. Nothing and no one in Union City could keep her there, even her so-called boyfriend, Rodney.
Dea always seemed to have a problem choosing the right man. But what happens when the right man chooses her?

In a single night, soul ties were created that bonded these two couples in ways they’d never planned or imagined. But will betrayal, jealousy, and death make them second guess their connections being destiny or tear them apart?

***This book contains explicit language, graphic violence, and strong sexual content. It is intended for adults.***

From Jesmyn Ward—the two-time National Book Award winner, youngest winner of the Library of Congress Prize for Fiction, and MacArthur Fellow—comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War.

“‘Let us descend,’ the poet now began, ‘and enter this blind world.’” —Inferno, Dante Alighieri

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.

Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.

From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.

“Through honest stories and inspiring lessons from her life, A’ja Wilson reminds us to never doubt who we are or apologize for being true to ourselves. Dear Black Girls is a must-read for every Black girl out there.” ―Gabrielle Union This one is for all the girls with an apostrophe in their names. This is for all the girls who are labeled “too loud” and “too emotional.” This is for all the girls who are constantly asked, “Oh, what did you do with your hair? That’s new.” This is for my Black girls. Despite gold medals, WNBA championships, and a list of accolades, A’ja Wilson knows how it feels to be swept under the rug―to not be heard, to not feel seen, to not be taken seriously. As a fourth grader going to a primarily white school in South Carolina, A’ja was told she’d have to stay outside for a classmate’s birthday party. “Huh?” she asked. Because the birthday girl’s father didn’t like Black people. Wilson tells stories like this, about how even when life tried to hold her down, it didn’t stop her. She shares her contribution to “The Talk,” and how to keep fighting, all while igniting strength, passion, and joy. Dear Black Girls is a necessary and meaningful exploration of what it means to be a Black woman in America today―and a rallying cry to lift up women and girls everywhere. “ D ear Black Girls is filled with phenomenal stories and empowering insight on what it means to be a woman in today’s world. I didn’t want to put it down.” ―Tunde Oyeneyin, New York Times bestselling author of Speak

With On Girlhood, Edim has beautifully curated a canonical work centering around the voices of young Black characters as they contend with innocence, belonging, love, and self-discovery. From the timeless lessons in Jamaica Kincaid’s “Girl” (“this is how you smile to someone you like completely”) to those in Dana Johnson’s “Melvin in the Sixth Grade” (“this is how kids start fights”), these short stories illuminate the power and the precariousness of Black girlhood. Highlighting both iconic and lesser-known authors—Edwidge Danticat, Amina Gautier, Dorothy West, Paule Marshall, Shay Youngblood, and more—this is an indispensable compendium that will instill readers with “the nerve to walk [their] own way” (Zora Neale Hurston).

Mosley presents distinct characters as they struggle to move through the world in each of these stories—heroes who are awkward, nerdy, self-defeating, self-involved, and, on the whole, odd. He overturns the stereotypes that corral black male characters and paints a subtle, powerful portrait of each of these unique individuals. In "The Good News Is," a man’s insecurity about his weight gives way to a serious illness and the intense loneliness that accompanies it. Deeply vulnerable, he allows himself to be taken advantage of in return for a little human comfort in a raw display of true need. "Pet Fly," previously published in the New Yorker, follows a man working as a mailroom clerk for a big company—a solitary job for which he is overqualified—and the unforeseen repercussions he endures when he attempts to forge a connection beyond the one he has with the fly buzzing around his apartment. And "Almost Alyce" chronicles failed loves, family loss, alcoholism, and a Zen approach to the art of begging that proves surprisingly effective.