From the author of New People and Colored Television, the extraordinary national bestseller that launched Danzy Senna’s literary career

“Superbly illustrates the emotional toll that politics and race take … Haunting.” —The New York Times Book Review

Birdie and Cole are the daughters of a black father and a white mother, intellectuals and activists in the Civil Rights Movement in 1970s Boston. The sisters are so close that they speak their own language, yet Birdie, with her light skin and straight hair, is often mistaken for white, while Cole is dark enough to fit in with the other kids at school. Despite their differences, Cole is Birdie’s confidant, her protector, the mirror by which she understands herself. Then their parents’ marriage collapses. One night Birdie watches her father and his new girlfriend drive away with Cole. Soon Birdie and her mother are on the road as well, drifting across the country in search of a new home. But for Birdie, home will always be Cole. Haunted by the loss of her sister, she sets out a desperate search for the family that left her behind.

A modern classic, Caucasia is at once a powerful coming of age story and a groundbreaking work on identity and race in America.

The stunning, thought-provoking first novel by a "lost giant of American literature" (The New Yorker)

June, 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.

A debut novel by the 1987 winner of the Pulitzer Prize for poetry, about an artist on a journey of self-discovery—navigating a family secret, racism, and the conflict between marriage and career.

“Skillfully evokes the mood of a decade when social change seemed not only possible but imminent.” —Washington Post Book World

When a woman returns to her Midwestern hometown as an artist-in-residence to teach puppetry to schoolchildren, her homecoming also means grappling with artistic ambition, memories of rejected love, and shocking truths about her family.

A young Black girl finds herself trapped between desperation and her family’s dark history in The Keeper, a horror graphic novel written by New York Times bestselling, award-winning masters of horror Tananarive Due (The Reformatory) and Steven Barnes, illustrated by Marco Finnegan.

NAMED A BEST GRAPHIC NOVEL OF THE YEAR BY THE WASHINGTON POST
NAMED A BOOK WE LOVED BY NPR

Aisha has suffered a devastating loss. Her parents were killed in a car crash, and now she must move to decrepit and derelict Detroit to live with her ailing grandmother. However, shortly after moving in, Aisha’s grandmother’s health rapidly deteriorates. With her dying breath, she summons the dark spirit that has protected their family for generations to watch over Aisha.

At first it seems that this spirit, whom Aisha refers to as the Keeper, is truly doing as her grandmother asked, caring for Aisha and keeping her safe; however, it soon becomes clear that this being can only sustain itself by stealing life from others. As the Keeper begins to prey on the apartment building’s other residents, Aisha and her friends must come together to destroy it . . . or die trying.

The first complete and balanced history of the Black Panther Party--powerful and provocative

"Until The Shadow of the Panther there have been no serious book-length attempts to examine the Panthers' history and to evaluate their significance. . . . A Notable Book of the Year."--New York Times Book Review (front page)

"A keenly observed, often brilliant, Panther-busting book. . . . Pearson nevertheless portrays the Panthers' rise as an understandable reaction against . . . white chauvinism."--Los Angeles Times Book Review

"This book will awaken profound misgivings--about gun-barrel rhetoric, about armed rebellion, about the ambiguities of justice."--The New Yorker

"A bracing experience . . . Pearson has been able to present enough hard evidence to draw a chilling portrait of Murder Incorporated in revolutionary dress."--New York Newsday

"Pearson . . . set out to write a very different book about his boyhood hero [Huey Newton] but didn't blink at the truth . . . honest and compelling judgment."--Detroit News

Written by Martin Luther King, Jr. himself, this astounding autobiography brings to life a remarkable man changed the world —and still inspires the desires, hopes, and dreams of us all.

Martin Luther King: the child and student who rebelled against segregation. The dedicated minister who questioned the depths of his faith and the limits of his wisdom. The loving husband and father who sought to balance his family’s needs with those of a growing, nationwide movement. And to most of us today, the world-famous leader who was fired by a vision of equality for people everywhere.

Relevant and insightful, The Autobiography of Martin Luther King, Jr. offers King’s seldom disclosed views on some of the world’s greatest and most controversial figures: John F. Kennedy, Malcolm X, Lyndon B. Johnson, Mahatma Gandhi, and Richard Nixon. It paints a moving portrait of a people, a time, and a nation in the face of powerful change. And it shows how Americans from all walks of life can make a difference if they have the courage to hope for a better future.

She's never been so far from home. And never so close to a killer.

Private investigator Olivia Knightley has finally pressed pause on her busy schedule and regained some work-life balance - for the next three weeks. The ink on her divorce papers is barely dry, so she promises to take her sixteen-year-old daughter Amy travelling across the US. But no sooner than they arrive at a campground populated with other 'van lifers' and nomads, they discover a violent murder scene that shakes the community.

Enter special agent Jack Tyler, head of the Investigative Services Branch - known to some as the FBI of the National Park Service. He leads the bare-bones taskforce handling the most complex crimes committed on National Park land. Jack has been tracking this killer for months to no avail. 

Olivia knows she might just be the silver bullet he's been looking for. She's used to running things her way, however, not pausing to explain herself to anyone, as her ex-husband is always keen to remind her. But when Amy falls in with the wrong crowd, and Olivia realises the danger she's placed her in, she is forced to choose between protecting her daughter and stopping a killer in their tracks.

Rosewater is the start of an award-winning trilogy set in Nigeria, by one of science fiction's most engaging voices.

*Arthur C. Clarke Award for Best Science Fiction Novel, winner
*Nommo Award for Best Speculative Fiction Novel, winner

Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry, and the helpless -- people eager for a glimpse inside the dome or a taste of its rumored healing powers.

Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care to again -- but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.

Tade Thompson's innovative, genre-bending, Afrofuturist series, the Wormwood Trilogy, is perfect for fans of Jeff Vandermeer, N. K. Jemisin, and Ann Leckie.

Praise for Rosewater:

"Smart. Gripping. Fabulous!" —Ann Leckie, award winning-author of Ancillary Justice 

"Mesmerising. There are echoes of Neuromancer and Arrival in here, but this astonishing debut is beholden to no one." —M. R. Carey, bestselling author of The Girl with All the Gifts 

"A magnificent tour de force, skillfully written and full of original and disturbing ideas." —Adrian Tchaikovsky, Arthur C. Clarke Award-winning author of Children of Time 

The Wormwood Trilogy
Rosewater
Rosewater Insurrection
Rosewater Redemption

For those who have ever felt the call of magic, or unexplained ties to the Universe or ancestors, this guide to Brujería is an essential introduction to the practice for beginners stemming from the Latinx, Hispanic, and indigenous traditions. 

Being Bruja is a comprehensive and inclusive guide focused on introducing the practice of Brujería to curious young mystics. Learn about the brief history and origin of the practice and the word bruja, along with the tools needed for the practice, beginner rituals, how to connect with the earth and your ancestors, spiritual cleansings and protection, and how to incorporate Brujería into your daily life. While embracing Latine/Hispanic mystic traditions, this book makes it clear that anyone can identify as a bruja, brujo, or brujx. Readers will come away with a further knowledge and appreciation of our connection to the Universe, as well as practical rituals, like how to perform beginner baños and limpias.

Invaders from outer space have descended on Nigeria. They have no idea whose home they're messing with.

Ah, yes, the luxurious life of a well-loved cat. It’s the best. And Periwinkle has it the cushiest. But there’s more to this pampered pet than meets the eye. He’s not just a house cat. He’s a space cat. By day, he’s showered with scritches, cuddles, and delicious chicken fillets. By night, he races through the cosmos in his custom-built spaceship.

Between epic battles with squeaky toys and working on ways to improve his ship, Periwinkle is never bored. And when his humans decide to leave the United States and move to the small but bustling town of Kaleria, Nigeria, he’s excited to explore his new home―even after he learns that many Nigerians hate cats. After all, a born adventurer like Periwinkle doesn’t shy away from new experiences. But not everything in Kaleria is as it seems. Soon enough, Periwinkle finds himself on his most out-of-this-world adventure yet, right here on Earth.

Dawn is breaking over the Guilleries, a rugged mountain range in Catalonia frequented by wolf hunters, brigands, deserters, race-car drivers, ghosts, and demons. In a remote farmhouse called Mas Clavell, an impossibly old woman lies on her deathbed. Family and caretakers drift in and out. Meanwhile, all the women who have lived and died in that house are waiting for her to join them. They are preparing to throw her a party.

As day turns to night, four hundred years’ worth of stories unspool, and the house reverberates with raucous laughter, pungent feasts, and piercing cries of pleasure and pain. It all begins with Joana, Mas Clavell’s matriarch, who once longed for a husband―“a full man,” perhaps even “an heir with a patch of land and a roof over his head.” She summoned the devil to fulfill her wish and struck a deal: a man in exchange for her soul. But when, on her wedding day, Joana discovered that her husband was missing a toe (eaten by wolves), she exploited a loophole in her agreement, heedless of what consequences might follow.

I Gave You Eyes and You Looked Toward Darkness is an audacious and entrancing novel in which the lines between the dead and the living, past and present, story and history are blurred. In it, Irene Solà draws on oral tradition as well as art, literature, and fairy tales to tell a completely new kind of story.

A near-future fable about love, life, and friendship in a world that’s coming apart.

Chilco is the name of Pascale’s home island. It is also the Mapudungun word for fuchsia: a word that evokes tropical lushness, wetness, the deep greenness of the forest. Pascale's partner, Marina, grew up in the vertical slums of Capital City, a place scarred by centuries of colonialism and now the ravages of feckless developers. Every day the couple fear a sinkhole will open up and take with it another poor neighborhood, another raft of desperate refugees from the hinterlands: the indigenous, the poor, who are toiling for an all-consuming machine that is devouring the earth from beneath their feet.

When they finally flee the collapsing city to live in Chilco, are they escaping from the crushing weight of centuries of colonial repression that have eroded indigenous memories, language, and culture, or are they merely stepping into a twisted, lush new version of it? From her first days in this place where she’s supposed to feel safe and at home, Marina can’t avoid the feeling that everything is decaying around her―there is a smell of putrefaction in the air that no one except her can detect; there are seismic rifts that the political cruelties of the times have opened up in her own relationship with Pascale; and she is haunted by insistent memories of her past.

In Chilco, Daniela Catrileo’s baroque, tropical jeremiad, the wounds of capitalism and empire inflict themselves on the person and on the land, but linger most devastatingly in language and memory. Indigenous Mapudungun and Quechua words, history, and cosmology form the chorus to this tropical fever dream of life, love, death, and friendship.

A Season for Fishin' is a joyous debut picture book by Pamela Courtney full of fishing, summertime traditions, and delicious food – inspired by the author's intergenerational and multicultural Louisiana upbringing.

There’s a rush in the water.
Ripples sway,
back and forth,
back and forth.
Sounds like Fish Fry Friday.

On the first Fish Fry Friday of the year, Cher wakes before sunrise. It’s the start of the fishing season, and her wish is coming true: She’s finally big enough to join her papere on Ol’ Cane River! She can’t wait to catch a mess of bream for Mamere to fry up for the evening feast.

Fishing pole in hand, Cher races to the prized spot down on Ol’ Cane River. Wrigglers wiggle on the line. Cousins giggle as a sign of approval as Cher reels in batch after batch of bream. But when things don’t go as planned, Cher learns the true importance of Fish Fry Friday, and it’s not the big catch . . .

Plates clatter.
Kinfolk gather.
Cher is part of tradition. It’s her season of fishin’.

An arresting study of memory, perception, and the human condition, from the Pulitzer Prize winner Carl Phillips.

Carl Phillips’s Scattered Snows, to the North is a collection about distortion and revelation, about knowing and the unreliability of a knowing that’s based on human memory. If the poet’s last few books have concerned themselves with power, this one focuses on vulnerability: the usefulness of embracing it and of releasing ourselves from the need to understand our past. If we remember a thing, did it happen? If we believe it didn’t, does that make our belief true?

In Scattered Snows, to the North, Phillips looks though the window of the past in order to understand the essential sameness of the human condition―“Tears / were tears,” mistakes were made and regretted or not regretted, and it mattered until it didn’t, the way people live until they don’t. And there was also joy. And beauty. “Yet the world’s still / so beautiful . . . Sometimes // it is . . .” And it was enough. And it still can be.

Far Away from Here is a novel about three young Black American Muslims on the cusp of adulthood confronting faith, tradition, and the impact of their personal decisions in five years post-Hurricane Katrina New Orleans.

In New Orleans, it’s been five years since Hurricane Katrina ravaged the heart and soul of both the city and its residents. Three young Black Muslim friends have reconnected after drifting apart as teenagers: Fatima left with the floodwaters of Katrina following the murder of her childhood love and fiancé, Wakeel, and has now returned to reluctantly care for Wakeel’s mother. Tahani rebelled against a strict Muslim upbringing and feels stifled in her life as a single mother, trying to make ends meet while craving a creative outlet. And Saif, the cousin of Wakeel, must reconcile with Fatima over how his illicit past played a role in his cousin’s death.

All three struggle to envision a future for themselves that they can actively shape. A testament to the stories we tell ourselves and each other, Far Away From Here is a coming-of-age novel threaded with themes of community, tradition, faith, and the courage to own one’s narrative.

A real-life Latin American haunted mansion. A murky labyrinth of family secrets. A young, aristocratic woman desperate to escape her past. This haunting debut gothic horror novel is perfect for fans of Mexican Gothic and The Shining.

In 1923 Soacha, Colombia, La Casona—an opulent mansion perched above the legendary Salto del Tequendama waterfall—was once home to Antonia and her family, who settle in despite their constant nightmares and the house’s malevolent spirit. But tragedy strikes when Antonia’s mother takes a fatal fall into El Salto and her father, consumed by grief, attempts to burn the house down with Antonia still inside.

Three years later, haunted by disturbing dreams and cryptic journal entries from her late mother, Antonia is drawn back to her childhood home when it is converted into a luxurious hotel. As Antonia confronts her fragmented memories and the dark history of the estate, she wrestles with unsettling questions she can no longer ignore: Was her mother’s death by her own hands, or was it by someone else’s?

In a riveting quest for answers, Antonia must navigate the shadows of La Casona, unearthing its darkest secrets and confronting a legacy that threatens to swallow her whole.

“Among the most profound and dazzling debuts I've ever read.” —Kiese Laymon, award-winning author of Heavy: An American Memoir

An essay collection from culture critic Lawrence Burney that is a personal and analytical look at his home city of Baltimore, music from throughout the global Black diaspora, and the traditions that raised him.

There are moments throughout our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression, helping inform how we understand the world, and ourselves, moving forward. In No Sense in Wishing, Lawrence Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

In a time when music is spearheading Black Americans’ connection with Africans on The Continent, Burney takes trips to cover the bubbling creative scenes in Lagos and Johannesburg that inspire teary-eyed reflections of self and belonging. Seeing his mother perform as the opening act at a Gil Scott-Heron show as a child inspires an essay about parent-child relationships and how personal taste is often inherited. And a Maryland crab feast with family facilitates an assessment of how the Black people in his home state have historically improvised paths for their liberation.

Taking us on a journey from the streets of Baltimore to the concert halls of Lagos, No Sense in Wishing is a kaleidoscopic exploration of Burney’s search for self. With its gutsy and uncompromising criticism alongside intimate personal storytelling, it’s like an album that hits all the right notes, from a promising writer on the rise.

She Gets the Girl meets Bottoms in this fun and flirty young adult sapphic rom-com about two teens who want revenge on the flaky popular girl they’re both crushing on.

Cynical but sensitive Beau Carl is on a mission. She needs to know if ultra-popular Maia Moon—the girl she’s been secretly hooking up with for months—really has feelings for her. But when she shows up at the last big party of the year before prom, she sees Maia about to kiss someone else.

Sweet, inexperienced Charm Montgomery is the “someone else.” And she’s ecstatic that she’s been reading Maia’s flirty behavior in their tutoring sessions correctly. But when the kiss is interrupted and Maia accepts an elaborate promposal from her douchey, popular boyfriend just a few days later, both Charm and Beau end up heartbroken.

There’s only one thing for them to do—get her back. And the only way to do that is for Beau to tutor Charm on how she can get their former crush to fall for her so hard that Maia will dump her ex…and then get dumped for once.

As their plan starts working, Beau and Charm grow closer too, in a way neither expected. But are either of them ready to let go of their scheme to take a chance on something a little sweeter—and scarier—than revenge?

The bestselling and award-winning author of The Skin I'm In and The Life I'm In returns with a novel that explores the complex relationships between Black boys and their fathers, and what it truly means to be a man.

Sharon G. Flake’s groundbreaking novel The Skin I’m In ushered in a new voice that lit up the literary landscape and became a modern classic, passed down through generations. The Life I’m In, its sequel, furthered the power of unmistakable voices, opening the hearts and minds of teens everywhere. Now The Family I’m In presents John-John and Caleb, friends since childhood who have come face-to-face with the struggles and triumphs of growing into young men. They’re living in a world where many Black boys are up against generational expectations, fears of the future, and how to navigate being “nice” kids who just want to be seen for who they are. Together, Caleb and John-John work through family illness, divorced parents, teachers who ask hard questions, and girls who think they have all the answers.

Celebrate Arab culture and tradition with this joyful early concept board book!

Discover the ABCs with a journey through the vibrant culture of the Arab world in A is for Arab, a bright joyful early concept board book. From "P for Palestine" to "H for Habibi", "S for Sitti", and "J for Jiddo", each page introduces young readers to beloved words, people, and traditions. Accompanied by Aya Mobaydeen’s captivating illustrations, this board book offers a warm, joyful introduction to Arab culture for little ones and their families. Perfect for read-aloud, A is for Arab is a celebration of heritage, language, and love that will bring families together across generations.

A warm and funny picture book about the popular West African dish, from Nigerian author Onyinye Iwu, that shows how things work out best when you do them together.

Jollof is a a delicious, spicy rice, and vegetable dish originating in West Africa and now known and enjoyed world-wide. It’s the favorite food of best friends Kwame and Kamsi. But who makes the best Jollof? “My mom,” says Kwame. “No, my mom,” says Kamsi.

The two boys have a great idea. “Let’s each make our own and see whose is really best!” Carefully they pick their ingredients. But Kwame likes playing tricks on Kamsi, and Kamsi likes playing tricks on Kwame. Kamsi secretly adds nettles to Kwame’s Jollof, and Kwame pops a caterpillar into Kamsi’s. Puddle water, fiery ants and old dry chewing gum follow. What a mess! They’ve both made the worst Jollofs ever.

But in the kitchen their moms are sharing the preparation of a real Jollof rice dish, and call the two sad boys in to help. What a difference! “Alone we make good Jollof,” say the moms. “But together we make the best Jollof ever.” And the boys agree–it’s best to work together (but sometimes they still play tricks on each other).

We all need a little sweetness sprinkled with a touch of spice.

Ashia Ismail-Singer, author of Ashia’s Table and Food for Sharing, is back with a collection of spice-infused desserts and baking from culinary traditions across the world, delivering 90 homemade delights to share. With her characteristic artistic flair, Ashia’s recipes are impossible to resist and guaranteed to impress, drawing inspiration from her Memon Indian heritage and immigrant upbringing that brought her family across continents.

Dishing up sweet treats that zing with cardamon and perfume the air with orange blossom, this divine cookbook is guaranteed to take your baking to that next level with the greatest of ease. Western classics are reinvented with a spiced twist and sit alongside Ashia’s unique take on Eastern staples such as baklava, lassi and halva.

There are quick and easy bakes for weeknight cravings, desserts to impress your dinner guests, and show-stopping cakes for the most memorable occasions. Try chai masala popsicles for a refreshing summer treat or pistachio and almond cake as a festive mid-winter indulgence.

The first book in a funny supernatural graphic novel series for early readers about an eight-year-old boy who solves mysteries with the ghost of his former class pet.

Mr. Pebbles is dead, and everyone thinks it’s Carter’s fault!

When Carter’s third-grade class accuses him of killing the class pet, a naked mole rat named Mr. Pebbles who shivers a lot and smells a little funny, can Carter clear his name . . . with the help of Mr. Pebbles's ghost?

The riveting new novel by the author of the 2021 National Book Award winner and bestseller Hell of a Book

People Like Us is Jason Mott’s electric new novel. It is not memoir, yet it has deeply personal connections to Jason’s life. And while rooted in reality, it explodes with dreamlike experiences that pull a reader in and don’t let go, from the ability to time travel to sightings of sea monsters and peacocks, and feelings of love and memory so real they hurt.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

People Like Us is wickedly funny and achingly sad all at once. It is an utter triumph bursting with larger-than-life characters who deliver a very real take on our world. This book contains characters experiencing deep loss and longing; it also is buoyed by riotous humor and characters who share the deepest love. It is the newest creation of a writer whose work amazes, delivering something utterly new yet instantly recognizable as a Jason Mott novel. 

Finishing the novel will leave you absolutely breathless and, at the same time, utterly filled with joy for life, changed forever by characters who are people like us.

Based on the research that race, gender, disability, and other important topics should be discussed with toddlers on up, this read-aloud series offers adults the opportunity to begin important conversations with young children in an informed, safe, and supported way.

Developed by experts in the fields of early childhood and activism, this topic-driven picture book offers clear, concrete language and compelling imagery to introduce the concept of disability. This book celebrates all bodies and abilities, just as they are, and addresses the inequities and opportunities for change in today's world.

While young children are avid observers and questioners of their world, adults often shut down or postpone conversations on complicated topics because it's hard to know where to begin. Research shows that talking about tough issues from the age of two not only helps children understand what they see, but also increases self-awareness, self-esteem, and allows them to recognize and confront things that are unfair, like discrimination and prejudice.

These books offer a supportive approach that considers both the child and the adult. Stunning art accompanies the simple and interactive text, and the back matter offers additional resources and ideas for extending this discussion.

Discover the sweeping story of how Indigenous, European, and African traditions intertwined to form an entirely new cuisine, with over 90 recipes for the modern home cook—from the James Beard Cookbook Hall of Famer and star of the Netflix docuseries High on the Hog.

One of our preeminent culinary historians, Dr. Jessica B. Harris has conducted decades of research throughout the Americas, the Caribbean, and Africa. In this telling of the origins of American food, though, she gets more personal. As heritage is history, she intertwines the larger sweeping past with stories and recipes from friends she’s made over the years—people whose family dishes go back to the crucial era when Native peoples encountered Europeans and the enslaved Africans they brought with them.

Through this mix, we learn that Clear Broth Clam Chowder has both Indigenous and European roots; the same, too, with Enchiladas Suizas, tomatillo-smothered tortillas made “Swiss” with cheese and dairy; and that the hallmarks of African American food through the centuries have been evolution based on region, migration, and innovation, resulting in classics like Red Beans and Rice and Peach Bread Pudding Cupcakes with Bourbon Glaze.

With recipes ranging from everyday meals to festive spreads, Braided Heritage offers a new, in-depth, delicious look at American culinary history.

“[Loved One] is special . . . full of wildly astute, delectably thorny questions about love and loss and possession.” —Maggie Shipstead, New York Times bestselling author of Great Circle

“Shimmers with wit even as it explores deep loss.” —Rachel Khong, New York Times bestselling author of Real Americans

Julia is eighteen when she meets her first-love-turned-close-friend, Gabe, at a party in Barcelona. Twelve years later, Julia meets Elizabeth, Gabe’s most recent ex-girlfriend, at Gabe’s funeral—an interaction that leaves Julia with more questions than answers about Gabe and their shared history.

When Gabe’s mother asks Julia to retrieve the sentimental objects her late son left in the London home he shared with Elizabeth, Julia leaps at the chance to track down her ex’s ex and make sense of their brief encounter. Soon, the two women find themselves in a complex dance of withholding and revelation. Both, it turns out, have something to hide.

An emotional mystery spanning years, continents, and relationship statuses, Loved One introduces Aisha Muharrar as a novelist intimately attuned to the intricacies of love, memory, and ambiguous loss. What happens when we admit that the deepest feelings never die? How do we reconcile various—and sometimes contradictory—truths about those closest to us? An engrossing, transformative coming-of-age story with a powerful love at its heart, Loved One is poised to become an instant classic.

A dazzling docupoetic debut collection interweaving ripped-from-the-headlines pop culture herstories with the personal narratives of Whitney Houston, Aaliyah, Lisa “Left Eye” Lopes, and others, to interrogate celebrity, identity, sexuality, industry abuse, death, and the afterlives of stardom.

“I made, of my bones, an earth for you: turned the oceans
your favorite shade of light, that deepened, nearly bruised
dusk. reflected in my palms, what I’ve made into water
glows amethyst: when you drink from it, you are iridescent”
 
In Dead Girl Cameo, m. mick powellclosely examines the experiences of Aaliyah Haughton, Lisa “Left Eye” Lopes, Whitney Houston, and other notable superstars who died tragically too soon. How did these starlets challenge conventional representations of Black femininity and friendship, and forever transform the musical landscape? How were the artistries and addictions of these women of color impacted from surviving in the limelight and, often, in the very same industry as their abusers? How did the literal and metaphorical deaths of these Black women superstars establish legacies of Black queer femme existence and afterlife?
 
In stunning imagery and sensual wordplay using ekphrasis, erasure, digital collage, archival research, and speculative nonfiction in verse, Dead Girl Cameo traverses the intimate realms of superstars to reconfigure Black girlhood, survivorhood, femme friendship, and queer fandom.

A rediscovered classic from the Harlem Renaissance about a young Black woman’s journey passing as white in 1920s New York City and her quest for self-acceptance—with an introduction by Glory Edim, founder and author of Well-Read Black Girl.

Jessie Redmon Fauset is one of the literary titans and foremost tastemakers of the Harlem Renaissance—hired by W. E. B. Du Bois to edit The Crisis, she helped popularize writers like Nella Larsen, Claude McKay, Langston Hughes, amongst countless others. And yet, her own work has been largely underread in the twenty-first century. Written in 1929, at the height of the Harlem renaissance, Fauset’s celebrated second novel tells the story of Angela Murray.
 
Growing up in a Black middle-class Philadelphia neighborhood, Angela has always dreamed of becoming a painter. But the profession is largely reserved for white society. So when Angela’s parents prematurely pass away, she moves to roaring New York City, where she befriends elite artists and presents herself as a white woman. While her sister Virginia’s complexion resembles that of their father’s, Angela’s is lighter, like her mother’s, and passing, she believes, is the only way she’ll ever achieve success. Virginia, meanwhile, refuses to bow to racist pressures, and stays in Philadelphia to embrace her heritage with pride. 
 
Each time Angela thinks she’s found artistic, professional, and romantic fulfillment, her ethnicity gets exposed and she finds herself stripped of everything she cares about. As she navigates a world of seduction, betrayal, lust, and heartbreak, she’s forced to consider: What does it mean to find genuine success in a society marred by injustice? Fauset’s “novel without morals” never passes judgement and stays teeming with tenderness. Full of moments that underline the joy of every day Black life, Plum Bun is a pertinent meditation on art, identity, and what it means to find community—as relevant today as ever before.

From an award-winning author comes a vibrant and heartwarming story of the bond between grandmother and grandchild, with a touch of Puerto Rican magic!

My abuela is a bruja.
There is magic in everything she does.

There is nothing more magical than a grandmother's love. But one lucky girl suspects her grandmother has actual magic. It's in the tun-tun-tun of the way she dances salsa, in the warmth of her hugs, and the delicious smell of her cooking. The granddaughter wonders: will I have magic of my own one day?

Follow the magic in this heartfelt picture book that features extensive backmatter that includes two special recipes from Mayra Cuevas and uplifiting illustrations from Lorena Alvarez Gómez.

A riveting, emotionally-charged tale of forbidden love, centered on an estranged couple who are brought together to reckon with the events that tore their family apart decades ago.

In 1960s Lagos, a city enlivened with its newfound independence, headstrong Margaret meets British-born Benjamin, a man seeking his roots after the death of his half-Nigerian father. Their connection is immediate, but as the two begin to fall in love, they discover their pasts are more interwoven than they imagined. The shadow of events which unfolded almost a century ago, combined with Margaret’s deteriorating mental health, eventually tear them apart.

By 2005, Margaret has retired to an upscale gated community in Lagos, and seemingly happy Benjamin lives alone in Atlanta, managing his heart problems with no options when asked to name as his next of kin. But their attempt at a settled life is shattered when their grandson begins to show ominous signs echoing the struggles Margaret once faced. The long estranged couple are forced to reunite to confront the buried secrets they had dismissed in the passion of their youth—secrets that continue to ripple through their family.

A startling and propulsive tale of forbidden love, This Kind of Trouble traces the intertwined legacies of one family’s history, exploring the complex relationship between tradition, modernity, and the ways we seek healing in a changing world. With this debut novel, Tochi Eze announces herself as a dazzling new literary voice in world literature.

An incisive, culturally observant analysis of the evolving mores, manners and taboos of social justice (“anti-racist”) orthodoxy, which has profoundly influenced how we think about diversity and freedom of expression, often with complex or paradoxical consequences.

In this provocative book, Thomas Chatterton Williams, one of the most revered and reviled social commentators of our time, paints a clear and detailed picture of the ideas and events that have paved the way for the dramatic paradigm shift in social justice that has taken place over the past few years. Taking aim at the ideology of critical race theory, the rise of an oppressive social media, the fall from Obama to Trump, and the twinned crises of COVID-19 and the murder of George Floyd, Williams documents the extent to which this transition has altered media, artistic creativity, education, employment, policing, and, most profoundly, the ambient language and culture we use to make sense of our lives.

Williams also decries how liberalism—the very foundation of an open and vibrant society—is in existential crisis, under assault from both the right and the left, especially in our predominantly networked, Internet-driven monoculture.

Sure to be highly controversial, Summer of Our Discontent is a compelling look at our place in a radically changing world.