De la autora del bestseller #1 del New York Times ¡Solo pregunta!, llega un cuento dulce y potente sobre cómo serte fiel a ti mismo y brillar con toda tu luz. Esta edición en español de ¡Solo brilla! pregunta: ¿Cómo ayudarás a los demás a brillar?

Había una vez una niña que creció en Puerto Rico con un don increíble: era capaz de ayudar a brillar a todos los que la rodeaban. Escuchaba y comprendía a los demás, trabajaba duro y sacaba a relucir la belleza interior de cada persona que conocía.

En este cuento inspirado por el don de su madre de ayudar a los demás a hallar su luz interna, la jueza de la Corte Suprema Sonia Sotomayor les demuestra a los lectores que ayudar a otros es iluminar el mundo entero.

Con ilustraciones por la galardonada artista Jacqueline Alcántara, ¡Solo brilla! ayudará a los lectores a hallar su propia luz interna—y a reconocer la misma en los demás.

From the author of the #1 New York Times bestseller Just Ask! comes a sweet and powerful story about being true to yourself and shining your brightest. This Spanish edition of Just Shine! asks: How will you help people shine?

There once was a little girl who grew up in Puerto Rico with an incredible ability—she was able to make everyone around her shine. She listened, she understood, she worked hard, and she brought out the beauty in each person she met.

In a story inspired by her mother’s ability to help people see their own brilliance, Supreme Court Justice Sonia Sotomayor shows readers how helping others shine makes the whole world brighter.

With art by award-winning illustrator Jacqueline Alcántara, Just Shine! will help readers find their own inner glow—and recognize that glow in those around them.

By the influential relationship therapist and bestselling author of Set Boundaries, Find Peace, this story will help young kids learn to express their own needs rather than people-pleasing.

Avery loves to make people happy—so much so that she often ignores her own wants and needs. If a friend's favorite color is yellow, she always gives that friend the yellow marker. If someone wants PB&J for lunch, she gives up her own sandwich.

Now, her birthday is coming up and she's having trouble deciding what to do for her party. She knows her friends would love going to an amusement park, so maybe she should ignore the fact that the rides make her feel sick. Her brother loves superheroes, so she's considering having a superhero party. Luckily, her friends help her realize it's OK to do what makes you happy—especially on your own special day. Her birthday party is her best one yet!

Jordan Peele’s Us meets The School For Good Mothers in this horror-tinged intergenerational saga, as a single mother’s doppelganger forces her to confront the legacy of violence that has shaped every woman in their family.

Single mother Alice Chow is drowning. With a booming online cloth diaper shop, her resentful teenage daughter Luna, and her screen-obsessed son Luca, Alice can never get everything done in a day. It’s all she can do to just collapse on the couch with a bottle of wine every night.

It’s a relief when Alice wakes up one morning and everything has been done. The counters are clear, the kids’ rooms are tidy, orders are neatly packed and labeled. But no one confesses they’ve helped, and Alice doesn’t remember staying up late. Someone–or something–has been doing her chores for her.
Alice should be uneasy, but the extra time lets her connect with her children and with her hard-edged mother, who begins to share their haunted family history from Alice’s great-grandmother, a comfort woman during WWII, through to Alice herself. But the family demons, both real and subconscious, are about to become impossible to ignore.

Sharp and incisive, The Hunger We Pass Down traces the ways intergenerational trauma transforms from mother to daughter, and asks what it might take to break that cycle.

From the award-winning poet at the height of his career, a book of personal and American experiences, both beautiful and troubling, touching on the generative cycle of loss and renewal

Following on his exquisite Stones, Kevin Young’s new collection, written over the span of sixteen years, shapes stories of loss and legacy, inspired in part by other lives. After starting in the bayous of his family's Louisiana, Young journeys to further states of mind in “All Souls,” evoking “The whale / who finds the shore / & our poor prayers.” Another central sequence, “The Two-Headed Nightingale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into enslavement, stolen, and then displayed by P. T. Barnum and others, the twins later toured the world as free women, their alto and soprano voices harmonizing their own way. Young’s poem explores their evolving philosophical selfhood and pluralities: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”
In “Darkling,” a cycle of poems inspired by Dante’s Divine Comedy, Young expands and embroiders the circles of Hell, drawing a cosmology of both loneliness and accompaniment, where “the dead don’t know / what to do / with themselves.” Young writes of grief and hope as familiar yet surprising states: “It’s like a language, / loss—,” he writes, “learnt only / by living—there—.” Evoking the history of poetry, from the darkling thrush to the darkling plain, Young is defiant and playful on the way through purgatory to a kind of paradise. When he goes, he warns, “don't dare sing Amazing Grace”—that “National / Anthem of Suffering.” Instead, he suggests, “When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down.”
This collection will stand as one of Young’s best—his voice shaping sorrow with music, wisdom, heartache, and wit.

Part historical fiction, part horror mystery, this thrilling novel is perfect for fans ofBlack Leopard, Red Wolf and Black Sun.

A leader of the Jamaican Maroons crosses paths with an enigmatic sorceress in thisspine-tingling tale of ancient enemies, based on real Jamaican history and legend

Deep in the heart of Jamaica, the stories of insatiable bloodthirsty creatures and dark rituals brought over from the old country have been the stuff of legends for centuries. Queen Nanny, the leader of a community of Maroons, is well versed in military leadership
and spiritual wisdom. But how do you beat an enemy that possesses the power over life and death?

One such figure is the enigmatic White Witch, shrouded in mystery and
superstition—some say she was once a wealthy woman who murdered her husbands while others believe she was a powerful sorceress who used dark magic. As the White Witch threatens the safety of Queen Nanny’s home, she must use every weapon at her disposal to protect her people.

With action and mystery that brings to life a legendary urban myth, this thrilling novel provides a fresh perspective on Jamaica's rich cultural history and is a must-read for horror and thriller enthusiasts.

A picture book that celebrates the community built at the hair salon and the dynamic variety of natural hairstyles!

Today is the day!

A little girl’s first trip to the salon is a rite of passage, but choosing a new hairstyle is feeling like an impossible task! There are so many styles to choose from—bobs, buns, coils, fros, and more. And according to Grandma, Momma, and Sissy, choosing the best one means thinking about ease, lifestyle, and personality…It’s A LOT to think about!

When the options seem overwhelming, the young girl decides to search for what feels right today, and that there’s always a future salon visit to try something new. While admiring the three loving women who have guided her through this big day, she finally sees it…her own kind of beautiful!

From coils and long locs to waves and braids, Salon Saturday offers a vibrant portrayal of Black hairstyles, cherishing them as both a ritual and an ever-evolving journey of self-expression.

PRE-ORDER: ON SALE DATE: December 2, 2025

A gripping and genre-defying novel by a rediscovered great of twentieth-century Black American writing, about what it means to be a writer at the dawn of a new era

First published in 1965, The Catacombs is a metafictional account set in early 1960s Rome, where the author had returned to study art history after serving on the Italian front during World War II.

African-American expatriate Bill Demby narrates his attempts to write a novel about his friend Doris, who is living in Rome and employed as one of Elizabeth Taylor's handmaidens in the filming of Cleopatra. Utterly dependent upon Doris for the development of his novel, he is both a participant in and observer of her life as she enters into an affair with an Italian count. Bill Demby's growing emotional and artistic involvement in the tumultuous affair of his character-friend leads him on an existential quest for the meaning of truth and fiction, both lived and created, in a world torn by the social upheaval of the early sixties.

Interrupted constantly by headlines from television and newspapers, slipping in and out of fiction and metafiction, The Catacombs is a time capsule from an era on the brink and a novel unlike any other.

A “haunting and fresh” (Los Angeles Times) novel about doubt, faith, and the monsters we carry within us that “[draws] comparisons to the work of Ralph Ellison and Thomas Pynchon” (The Wall Street Journal)

“Big Machine is like nothing I’ve ever read, incredibly human and alien at the same time. Victor LaValle writes like Gabriel García Márquez mixed with Edgar Allan Poe.”—Mos Def

ONE OF THE BEST BOOKS OF THE YEAR: Los Angeles Times, The Washington Post, Chicago Tribune, Publishers Weekly

Ricky Rice is a middling hustler with a lingering junk habit, a bum knee, and a haunted mind. A survivor of a suicide cult, he scrapes by as a porter at a bus depot in Utica, New York, until one day a mysterious letter arrives, summoning him to enlist in a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard what may have been the voice of God.

Infused with the wonder of a disquieting dream and laced with Victor LaValle’s fiendish comic sensibility, Big Machine is a mind-rattling mystery about doubt, faith, and the monsters we carry within us.

Winner of the American Book Award and the Shirley Jackson Award

PRE-ORDER: ON SALE DATE: January 13, 2026

After several years of silence and seclusion in Beetlecreek's black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy's dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny's new friendship with Bill kindles hope that their lives will get better. David's marriage has failed; his wife's shallow faith serves as her outlet from racial and financial oppression. David's unhappy routine is broken by Edith Johnson's return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill's attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes.

This novel portraying race relations in a remote West Virginia town has been termed an existential classic. It would be hard, said The New Yorker, to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book. During the 1960s Arna Bontemps wrote, "Demby's troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist."

First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African-American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, "It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectibility of justice the tragic inevitability of mankind's inhumanity to mankind."

William Demby is the author of The Catacombs and Love Black. He lives in Sag Harbor, N. Y. James C. Hall, a professor of African-American Studies and English at the University of Illinois, Chicago, is the author of the forthcoming book, Mercy, Mercy, African-American Culture and the American Sixties, and editor of Langston A Collection of Poems.

“This book is as urgent as it is imperative.” ?Ibram X. Kendi, best-selling author of How to Be an Antiracist

From the coeditor of the best-selling Four Hundred Souls, a galvanizing anthology for those seeking to build an inclusive democracy.

In 1968, civil rights activist Fannie Lou Hamer called for Americans to “wake up” if they wanted to “make democracy a reality.” Today, as Black communities continue to face challenges built on centuries of discrimination, her plea is increasingly urgent. In this exhilarating anthology of original essays, Keisha N. Blain brings together the voices of major progressive Black women politicians, grassroots activists, and intellectuals to offer critical insights on how we can create a more equitable political future.

These women draw on their diverse experiences and expertise to speak to three core themes: claiming civil and human rights, building political and economic power, and combating all forms of hate. We hear from Black Lives Matter cofounder Alicia Garza, who argues that Black communities must organize to wield increased political power; EMILYs List president Laphonza Butler, who spells out ways to fight for women’s reproductive rights; and Congresswoman Sheila Jackson Lee, who delineates practical, thorough steps toward tangible reparations. Additional incisive essays include those by former Ohio State Senator Nina Turner; prison abolitionist Mariame Kaba; disability rights activist Andraéa LaVant; Boston’s first woman and first Black mayor, Kim Michelle Janey; and others at the forefront of the ongoing fight for social justice.

In addressing our most pressing issues and providing key takeaways, Wake Up America serves as a blueprint for the steps we can take right now and in the years to come.

A pilgrimage of poems, stories, voices, and mixed-media collage through the lives of three generations of Black women.

How can we memorialize our dead? How can that memorialization rend the veil between the dead and the living? In her debut volume, brittny ray crowell sifts through decades of obituaries, journals, and other ephemera to exhume the generations of her family from her hometown of Texarkana, Texas. She preserves her relatives’ stories in writing and in works of collage, a style of archive that layers the past and the present literally and poetically.

This unique approach transforms Cord Swell into an altar, an artistically enshrined space where crowell communes with the past and looks to the future. The title poem, in which crowell speaks to an aunt who passed away, poignantly asks, “if there’s any such thing / as paradise . . . / better than the warmth / of your neck . . . / how close am i / to that context of space?” Her question acts as a provisional thesis statement for this collection, a poetic attempt to reveal, redress, and interpret those who came before her, especially in the absence of physical traces. Each poem imagines ways to access family members who have died and calls out to ancestors crowell never met.

In the process, crowell demonstrates capacious syntactical range, nimbly leaping from haibun to erasure poems, interviews to sonnets. She also invents forms she calls “grooves,” which are structured as album tracklists. These techniques marry form with meaning, echoing the voices of lost loved ones in indelible verse. Rhapsodic, inventive, and ambitious, Cord Swell establishes crowell as one of the most creative and dynamic new voices in poetry.

9 black-and-white illustrations

PRE-ORDER: ON SALE DATE: October 21, 2025

Palestinian women are an essential—often silenced—part of global struggles for freedom. They are at the forefront of the anti-colonial struggle against Israel’s occupation of their lands, as well as being comrades in intersecting movements worldwide.

This series of interviews with Palestinian women living across Palestine and in the diaspora include a journalist on the front line of resistance against settlers and the Israeli army in the West Bank, a BDS activist, a doctor exposing Israel’s deliberate targeting of medical infrastructure as part of its genocidal assault on Gaza, an organiser who critiques the Palestinian Authority’s repression of social media and those making their voices heard in the diaspora, and others.

Everything We Thought Was Beautiful: Interviews with Radical Palestinian Women broadcasts these women’s struggles in their own words and on all fronts—against colonialism, white supremacy, conservatism, patriarchy, state control—and Israel’s occupation. They discuss their politics, the fight for freedom, and their hope for the future.

Complied by Shoal Collective, a co-operative of independent writers and researchers writing for social justice and a world beyond capitalism, the voices include Ayah Al-Ghazzawi, Lina Nabulsy, Samah Fadil, Diana Khwaelid, Shahd Abusalama, Sireen Khudairy, Lama Suleiman, Shrouq Aila, Rana Abu Rahmah, Shatha Abu Srour, Ghada Hamdan, Mona Al-Farra, and Faiza Abu Shamsiyah with a Foreword by Huwaida Arraf.

“A game-changer for workplace dynamics” ―Eve Rodsky, New York Times bestselling author of Fair Play

The author of The Memo helps you discover what you need to navigate every workplace communication challenge with confidence.

We are living in a world of broken trust, especially in the workplace. Employees have heard too many empty promises and are unmotivated. Managers are scrambling to keep eyes on direct reports in demanding environments. Nobody knows how to talk to one another. Trust is the central pillar of any functioning workplace. But without it too many of us are unhappy, fed up, and ready to walk out the door.

Minda Harts knows from years of experience as a highly sought-after workplace consultant how a lack of trust between colleagues, managers, and executive leaders is bad for business and our own professional well-being. That’s where the seven workplace trust languages come into play. Earning trust is different for every one of us. Some respond well to verbal affirmations of their contributions, while others need visibility to see how business decisions are made. By understanding the seven languages of trust―transparency, security, demonstration, feedback, acknowledgment, sensitivity, and follow-through―we can all learn to navigate conflict, be more productive, and communicate more effectively.

In Talk to Me Nice, you’ll learn what workplace trust languages work for you and how to show colleagues, managers, and direct reports that they are valued. When we’re talking one another’s languages, we can rebuild a more equitable, sustainable, and profitable workplace that works for us all.

PRE-ORDER.  WILL SHIP ON  Novemebr 4, 2025

Longtime NBC News reporter Char Adams writes a deeply compelling and rigorously reported history of Black political movements told through the lens of Black-owned bookstores, which have been centers for organizing from abolition to the Civil Rights Movement to Black Lives Matter.

In Black-Owned, Char Adams celebrates the living history of Black bookstores. Packed with stories of activism, espionage, violence, community, and perseverance, Black-Owned starts with the first Black-owned bookstore, which an abolitionist opened in New York in 1834, and after the bookshop’s violent demise, Black book-lovers carried on its cause. In the twentieth century, civil rights and Black Power activists started a Black bookstore boom nationwide. Malcolm X gave speeches in front of the National Memorial African Book Store in Harlem—a place dubbed “Speakers’ Corner”—and later, Black bookstores became targets of FBI agents, police, and racist vigilantes. Still, stores continued to fuel Black political movements.

Amid these struggles, bookshops were also places of celebration: Eartha Kitt and Langston Hughes held autograph parties at their local Black-owned bookstores. Maya Angelou became the face of National Black Bookstore Week. And today a new generation of Black activists is joining the radical bookstore tradition, with rapper Noname opening her Radical Hood Library in Los Angeles and several stores making national headlines when they were overwhelmed with demand in the Black Lives Matter era. As Adams makes clear, in an time of increasing repression, Black bookstores are needed now more than ever.

Full of vibrant characters and written with cinematic flair, Black-Owned is an enlightening story of community, resistance, and joy.

PRE-ORDER.  WILL SHIP ON November 4, 2025

A young woman must shake off a family curse and the widely held belief that she is the reincarnation of her dead cousin in this wickedly funny, brilliantly perceptive novel about love, female rivalry, and superstition from the author of the smash hit My Sister, the Serial Killer (“A bombshell of a book... Sharp, explosive, hilarious'--New York Times)

When Ebun gives birth to her daughter, Eniiyi, on the day they bury her cousin Monife, there is no denying the startling resemblance between the child and the dead woman. So begins the belief, fostered and fanned by the entire family, that Eniiyi is the actual reincarnation of Monife, fated to follow in her footsteps in all ways, including that tragic end.

There is also the matter of the family curse: “No man will call your house his home. And if they try, they will not have peace...” which has been handed down from generation to generation, breaking hearts and causing three generations of abandoned Falodun women to live under the same roof.

When Eniiyi falls in love with the handsome boy she saves from drowning, she can no longer run from her family’s history. As several women in her family have done before, she ill-advisedly seeks answers in older, darker spiritual corners of Lagos, demanding solutions. Is she destined to live out the habitual story of love and heartbreak? Or can she break the pattern once and for all, not only avoiding the spiral that led Monife to her lonely death, but liberating herself from all the family secrets and unspoken traumas that have dogged her steps since before she could remember?

Cursed Daughters is a brilliant cocktail of modernity and superstition, vibrant humor and hard-won wisdom, romantic love and familial obligation. With its unforgettable cast of characters, it asks us what it means to be given a second chance and how to live both wisely and well with what we’ve been given.

Spanning 45 years of Jamel Shabazz’s photography in Prospect Park, this gorgeous and meditative volume captures the heart and soul of Brooklyn through one of its most cherished spaces.

Known for his iconic NYC street photography documenting the city’s African American community, Jamel Shabazz first gained widespread acclaim with his books Back in the Days and A Time Before Crack, renowned for their vivid portrayal of 1980s style and culture.

However, long before his fame as a photographer, Shabazz served in the military and as a corrections officer for twenty years. After long days at work, he often sought refuge in Brooklyn’s Prospect Park, describing it as a place to find inner peace—and, since 1980, he has continued capturing its vibrant spirit.

This collection features his signature portraits of locals, from Afro-Caribbean percussionists at Drummer’s Grove to multicultural families enjoying moments of quiet reflection. Complementing these human-centered images are lesser-seen landscapes revealing the serene beauty of the park.

Together, these photographs underscore its dual role as a bustling cultural hub and a tranquil refuge. Perfect for anyone who cherishes Brooklyn’s cultural history, this volume reveals a new and deeply personal side of Shabazz's work, offering a compelling portrait of community, resilience, and connection within an urban sanctuary.

All Aboard! The sequel to Jax Freeman and the Phantom Shriek has pulled into the station!

From the award-winning author of the best-selling Tristan Strong trilogy comes a magical series about a special boy who is granted summoning powers from his ancestors.

Seventh grader Jackson "Jax" Freeman recently learned two important facts: one, he's a summoner—someone who can call on the magical powers of his ancestors to help him do amazing things—and two, he isn’t the only person with this ability.

After much training, Jax and four of his summoner classmates from DuSable Middle school in Chicago are thrust into a competition called the Tournament of Spirits where they'll face the most skilled summoners from around the world.

But while everyone is focused on winning, Jax is given a special side quest by the elders of the four magical families: he has to spy on each of the competitors—including his own teammates—in order to uncover who is releasing endangered, and very dangerous, cryptids into the arena.

Can Jax take the top spot in the tournament and save himself and his friends from a mysterious foe?

Kwame Mbalia's incredible imagination and world-building talents are on full display in this thrilling adventure that's packed with magic, friendship, non-stop action, and a lot of heart.

The second of two steamy and entertaining romance novels, published under the beloved and distinguished author’s real name for the first time

Three years have passed since four friends—Geneva, Chevy, Crystal, and Noah—had a steamy summer of secrets and sleeping around. As another summer is fast approaching, they’ve sworn off any extracurricular activities, but as the temperature rises in the city, the friends find themselves in hot water again.

Geneva is busy taking care of her daughter and trying not to get too involved with her son’s young business manager. Chevy gets a once-in-a-lifetime opportunity to assist a diva who might want more than what’s in the employment contract. Crystal has promised to save herself for Mr. Right (instead of jumping into bed with another Mr. Right Now), but her commitment is tested when an old acquaintance reenters her life. And while Noah is getting very cozy with his new neighbors in London, he’s still everyone’s favorite (and only) confidant who can’t stop himself from meddling in other people’s business.

But secrets don’t stay secrets for long among these friends, and with sexual tensions high on both side of the pond, everyone is sure to catch the fever. . . .

The first of two steamy and entertaining romance novels, published under the beloved and distinguished author’s real name for the first time

You never know what’s going on behind someone’s groove.

New York City, April 2002: Geneva, Crystal, Noah, and Chevy, a close friend group, are all mid-thirty, flirty—and ready to embrace the heat of the summer.

But behind closed doors, each of them has struggles of their own: Geneva keeps accidentally falling for the charms of her good-for-nothing ex-husband; Crystal is a high-flying executive with a picture-perfect life and a boyfriend who might just be too good to be true; Noah is attempting to keep the spark alive between him and his European boyfriend, but the flames of temptation keep catching fire in the most unexpected of places; and then there’s Chevy, who couldn’t care less about love and only wants a life of champagne dinners and designer bags, no matter the cost.

But as the city heats up and tensions keep bubbling under the surface, Chevy gets entangled with a hot and mysterious stranger. The group must come together to save their friend before it’s too late—and before secrets break their forever friendship.

“Without Fear tells the stories of Black women who, like Deborah in the Bible, have engaged in social justice agitation, refusing to simply suffer by engaging in the redemptive work of challenging injustice while in the midst of it. Each of us can and must learn from these women if we are to reconstruct America and build a just world.” ―Reverend Dr. William J. Barber II, coauthor of White Poverty

Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world.

Without Fear tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women―from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power.

By shouldering intersecting forms of oppression―including racism, sexism, and classism―Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice.

8 pages of illustrations

A haunting, powerful collection of stories spanning modern-day Pakistan and the diaspora in the United States, from a sparkling new literary talent.

In eight unflinching and stunningly crafted stories, Kanza Javed unspools the lives of characters desperately trying to forge a path for themselves on the margins of society. An addict teaches his young son to shoot feral dogs on the streets of Lahore. A Christian nurse gets drawn into a plan to trap the ghost of her patient’s former lover. A Pakistani student in a small Appalachian town grapples with a startling act of violence that shatters her illusions of safety and freedom. A lonely wife, trapped indoors by a harsh winter, becomes increasingly obsessed with a cloth worry doll left behind by a previous tenant.

Written with keen psychological insight and remarkable empathy, these stories reach across divides of class, gender, and religion as Javed deftly examines questions of identity and agency, belonging and loss. What Remains After a Fire is a moving portrayal of fiercely resilient characters who desire more than what their circumstances can offer them―and what these desires ultimately cost them.

The rich and varied stories of the great Maya civilization in one compelling and readable volume.

The Maya reigned for almost four millennia and occupied large swathes of what is now southern Mexico and Central America. Their civilization was highly complex, divided into politically fragmented noble houses, which gave rise to a diverse mythology that can vary between groups and retellings. For example, there are three different myths about the origins of the sun and moon. In one of these creation myths, animals and objects rise up to torment humanity, while in another, pots shatter and speak, unleashing demons upon the people.

Elsewhere, heroes descend to the ball-court of the underworld, where trees grow fruit in the likeness of severed heads, the ancestors converse with animals, and the Maize God is caught in a perpetual cycle of death and rebirth. To the Maya these were more than fireside tales―these myths formed the foundation of their culture, weaving together their ancestral and primordial pasts into a cohesive and meaningful narrative.

Mallory Matsumoto skillfully evokes the vibrancy of Maya culture, from the peak of hieroglyphic tradition in the eighth century CE, through the invasions of the Spanish conquistadors, and up to the present day. The book draws from well-known texts such as the Books of Chilam Balam and the Popol Vuh, Spanish texts, as well as lesser-known sources; images; and Maya oral histories―all reflecting a history of contact and change, rather than a sealed-off past. Illustrated throughout, this volume highlights the rich, varied nature of Maya myths, offering a deeper understanding of the communities that produced these captivating stories.

80 illustrations

Featuring more than 100 artists, this landmark book charts the intricate connections between photography and the Black Arts Movement
 
The Black Arts Movement brought together writers, filmmakers, and visual artists who were exploring ways of using art to advance civil rights and Black self-determination. This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to contribute to the development of a distinctly Black art and culture.
 
Works by Romare Bearden, Dawoud Bey, Kwame Brathwaite, Samuel Fosso, Jeanne Moutoussamy-Ashe, Gordon Parks, Juan Sánchez, Robert A. Sengstacke, Lorna Simpson, Ming Smith, and Carrie Mae Weems, among dozens of other celebrated and underappreciated artists, span documentary and fashion photography, portraiture, collage, installation, performance, and video. Pictured luminaries include Miles Davis, Mahalia Jackson, Martin Luther King, Jr., Bob Marley, Nina Simone, Malcolm X, and many more. The book’s essays by distinguished scholars focus on topics such as women and the movement, community, activism, and Black photojournalism. Taking an expansive approach, the authors consider the complex connections between American artists and the African diaspora and the dynamic interchange of pan-African ideas that propelled the movement. Authoritative and beautifully illustrated, this is the definitive volume on photography and the Black Arts Movement.
 
Published in association with the National Gallery of Art, Washington
 
Exhibition Schedule:
 
National Gallery of Art, Washington, DC
(September 21, 2025–January 4, 2026)
 
J. Paul Getty Museum, Los Angeles, CA
(February 24–May 24, 2026)
 
Mississippi Museum of Art, Jackson, MS
(July 25–November 1, 2026)

Philosopher Kwame Anthony Appiah explores how early social scientists developed our modern understandings of society through their theories of religion
 
The foundations of modern social science were built on the study of religion, the acclaimed thinker Kwame Anthony Appiah argues. Delving into the intellectual currents of the nineteenth and early twentieth centuries, he investigates how formative thinkers—notably Edward Burnett Tylor, Émile Durkheim, Georg Simmel, and Max Weber—grappled with the concepts of society and religion as interdependent categories. Appiah shows how their efforts to define religion, or evade the task, mark the power and limitations of social thought in ways that persist among theorists today. Religion was not merely an object of study but a framework through which early social scientists established sociology as a discipline.
 
Appiah also examines more recent work in both interpretive sociology and evolutionary and cognitive psychology about the mechanisms through which communities form beliefs and values—while underscoring the enduring significance of these earlier debates for contemporary social thought. Throughout, he intertwines storytelling, historical analysis, and philosophical reflection to show how our ideas about society and culture have been, and continue to be, forged in dialogue with religious questions.

Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature

Finalist, 2025 PEN Open Book Award, PEN America

An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.

In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He reenvisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.

Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves.

This book provides a narrative historical, postcolonial account of African American religions. It examines the intersection of Black religion and colonialism over several centuries to explain the relationship between empire and democratic freedom. Rather than treating freedom and its others (colonialism, slavery, and racism) as opposites, Sylvester A. Johnson interprets multiple periods of Black religious history to discern how Atlantic empires (particularly that of the United States) simultaneously enabled the emergence of particular forms of religious experience and freedom movements as well as disturbing patterns of violent domination. Johnson explains theories of matter and spirit that shaped early indigenous religious movements in Africa, Black political religion responding to the American racial state, the creation of Liberia, and FBI repression of Black religious movements in the twentieth century. By combining historical methods with theoretical analysis, Johnson explains the seeming contradictions that have shaped Black religions in the modern era.

Walter Rodney was a scholar, working class militant, and revolutionary from Guyana. Strongly influenced by Marxist ideas, he remains central to radical Pan-Africanist thought for large numbers of activists’ today. Rodney lived through the failed –though immensely hopeful -socialist experiments in the 1960s and 1970s, in Tanzania and elsewhere.

The book critically considers Rodney's contribution to Marxist theory and history, his relationship to dependency theory and the contemporary significance of his work in the context of movements and politics today. The first full-length study of Rodney’s life, this book is an essential introduction to Rodney's work.

A long-awaited, comprehensive collection of renowned poet and performance artist Jayne Cortez’s poetry.

Like the jazz rhythms that inspired and punctuated her practice, Jayne Cortez improvised her way through and across disciplines, bridging poetry and performance with music and the visual arts to create a unique body of work. Consciously rupturing the boundaries between art and politics, Cortez’s practice uneasily fits within literary movements of the 20th century, residing everywhere and nowhere between the Black Arts Movement, Surrealism, feminism, and early performance art. As intersectional as it is interdisciplinary, her work is consistently visceral and fearless, acting as a powerful expression of collective rage on behalf of the disenfranchised and dispossessed. In the words of historian Robin D.G. Kelley, “her poetry was never ‘protest’ but a complete revolt, a clarion call for a new way of life.”

A radical new treatise on time, quantum physics, and racial justice from world-renowned artist and advocate Rasheedah Phillips of Black Quantum Futurism.

Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.

Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?

Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master’s Clock expands the horizons of what can be imagined and, ultimately, achieved.

Inspired by the South Central Los Angeles neighborhood that the artist and her family have lived in for generations, Halsey’s expansive practice teems with the signs and symbols that populate that urban landscape and celebrates the community’s vitality and a creative form of resistance to advancing gentrification and the threat of erasure.

The artist’s important work centers the on Black community, both aesthetically and materially. Halsey gathers icons of pride, autonomy, initiative, and resilience from local vernacular sources recontextualizing and reinterpreting them for her utopic fantasies of the city. Both celebrating Black cultural expressions and archiving them, her work—which includes wall works, massive multiroom installations, and immersive outdoor environments—is a potent reminder of the importance of community and home.

Beyond the signs and symbols of contemporary South Central, Halsey employs the iconography of ancient Egypt as a means to reclaim lost legacies, drawing inspiration from Afrofuturism—a transcultural movement blending science fiction with aspects of Black art and culture—and the utopian architecture proposed in the 1960s by Archigram and Superstudio.

A walk through their bustling city neighborhood brings a girl and her grandfather closer together in this gentle, contemplative picture book that’s “a reminder of the importance of being in the world with unhurried attention and open hearts” (Publishers Weekly, starred review).

A child and her grandfather step out of their brownstone and take a walk around their lively city. Together, they practice looking closely. They delight in the world that they see, taste, touch, feel, and hear. Whether learning a yellow bird’s song, tasting a street vendor’s mango slices, or listening to the thumping music from passing cars, they find small wonders in every moment they share—and together, always, they go slow.

Simple yet poetic, We Go Slow is a breathtaking invitation to everyday wonder from acclaimed picture book creators Mariahadessa Ekere Tallie and Aaron Becker.

Published to coincide with the hundredth anniversary of his birth, the first major study of Malcolm X’s influence in the sixty years since his assassination, exploring his enduring impact on culture, politics, and civil rights.

Malcolm X has become as much of an American icon as Abraham Lincoln, John F. Kennedy, or Martin Luther King. But when he was murdered in 1965, he was still seen as a dangerous outsider. White America found him alienating, mainstream African Americans found him divisive, and even his admirers found him bravely radical. Although Ossie Davis famously eulogized Malcolm X as “our own Black shining prince,” he never received the mainstream acceptance toward which he seemed to be striving in his final year. It is more in death than his life that Malcolm’s influence has blossomed and come to leave a deep imprint on the cultural landscape of America.

With impeccable research and original reporting, Mark Whitaker tells the story of Malcolm X’s far-reaching posthumous legacy. It stretches from founders of the Black Power Movement such as Stokely Carmichael and Huey Newton to hip-hop pioneers such as Public Enemy and Tupac Shakur. Leaders of the Black Arts and Free Jazz movements from Amiri Baraka to Maya Angelou, August Wilson, and John Coltrane credited their political awakening to Malcolm, as did some of the most influential athletes of our time, from Muhammad Ali to Kareem Abdul-Jabbar and beyond. Spike’s movie biopic and the Black Lives Matter movement reintroduced Malcolm to subsequent generations. Across the political spectrum, he has been cited as a formative influence by both Barack Obama—who venerated Malcolm’s “unadorned insistence on respect”—and Clarence Thomas, who was drawn to Malcolm’s messages of self-improvement and economic self-help.

In compelling new detail, Whitaker also retraces the long road to exoneration for two men wrongfully convicted of Malcolm’s murder, making The Afterlife of Malcolm X essential reading for anyone interested in true crime, American politics, culture, and history.