In the latest from “mystery master” Walter Mosley, a family member’s terminal illness leads P.I. Joe King Oliver to the investigation of his life: tracking down his long-lost father, and meanwhile, a new case pits King’s professional responsibility against his own moral code. (TheWashington Post)

Joe King Oliver’s beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She’s lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B’s pure ask has opened King’s heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man—a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he’s been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it’s in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can’t help but want her near.  

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

Texas Southern University is often said to have been “conceived in sin.” Located in Houston, the school was established in 1947 as an “emergency” state-supported university for African Americans, to prevent the integration of the University of Texas. Born to Serve is the first book to tell the full history of TSU, from its founding, through the many varied and defining challenges it faced, to its emergence as a first-rate university that counts Barbara Jordon, Mickey Leland, and Michael Strahan among its graduates.

Merline Pitre frames TSU’s history within that of higher education for African Americans in Texas, from Reconstruction to the lawsuit that gave the school its start. The case, Sweatt v. Painter, involved student Heman Marion Sweatt, who was denied entry to the University of Texas Law School because he was black. Pitre traces the tortuous measures by which Texas legislators tried to meet a provision of the state’s constitution that called for the establishment and maintenance of a “branch university for the instruction of colored youths of the State.” When the U.S. Supreme Court ruled in 1950 that the UT Law School’s efforts to remain segregated violated the U.S. Constitution, the future of the institution that would become Texas Southern University in 1951 looked doubtful.

In its early years the university persevered in the face of state neglect and underfunding and the threat of merger. Born to Serve describes the efforts, both humble and heroic, that faculty and staff undertook to educate students and turn TSU into the thriving institution it is today: a major metropolitan university serving students of all races and ethnicities from across the country and throughout the world.

Launched during the early civil rights movement, TSU has a history unique among historically black colleges and universities, most of which were established immediately after the Civil War. Born to Serve adds a critical chapter to the history of education and integration in the United States.

In this new edition of Nkrumah and the Ghana Revolution, C. L. R. James tells the history of the socialist revolution led by Kwame Nkrumah, the first president and prime minister of Ghana. Although James wrote it in the immediate post-independence period around 1958, he did not publish it until nearly twenty years later, when he added a series of his own letters, speeches, and articles from the 1960s. Although Nkrumah led the revolution, James emphasizes that it was a popular mass movement fundamentally realized by the actions of everyday Ghanaians. Moreover, James shows that Ghana’s independence movement was an exceptional moment in global revolutionary history: it moved revolutionary activity to the African continent and employed new tactics not seen in previous revolutions. Featuring a new introduction by Leslie James, an unpublished draft of C. L. R. James's introduction to the 1977 edition, and correspondence, this definitive edition of Nkrumah and the Ghana Revolution offers a revised understanding of Africa’s shaping of freedom movements and insight into the possibilities for decolonial futures.

Tommy J. Curry’s provocative book The Man-Not is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore,is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines.

Curry argues that Black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including Black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of Black males. Curry challenges how we think of and perceive the conditions that actually affect all Black males.

An anthology of original essays that examine white supremacy around the globe through the lens of anthropology

White supremacy, an entrenched global system that emerged alongside European colonialism, is based on presumed biological and cultural differences, racist practices, the hypervaluation of whiteness, and the devaluation of nonwhites. Anthropology has been shaped by—and has helped to shape—white supremacy, yet the discipline also offers powerful tools for understanding this system at a global scale. The Anthropology of White Supremacy gathers original essays from a diverse, international group of anthropologists to explore how this phenomenon works both within anthropology and in cultural and political structures around the world.

The book features historical and ethnographic analysis about Brazil, Japan, Mexico, Nigeria, Norway, Palestine, Senegal, South Africa, and the United States, and addresses the ways white supremacy impacts a broad range of issues, including finance, advertising and media representations, militarism, police training, migration, and development.

The Anthropology of White Supremacy demonstrates not only how anthropology can help us to better comprehend white supremacy, but also how the discipline can help us begin to dismantle it.

The contributors include Omolade Adunbi, Samar Al-Bulushi, Aisha M. Beliso-De Jesús, Michael Blakey, Mitzi Uehara Carter, Subhadra Mitra Channa, Celina de Sa, Vanessa Diaz, Britt Halvorson, Faye Harrison, Sarah Ihmoud, Anthony R. Jerry, Darryl Li, Kristín Loftsdóttir, Christopher Loperena, Keisha-Khan Y. Perry, Jemima Pierre, Jean Muteba Rahier, Laurence Ralph, Renya K. Ramirez, Junaid Rana, Joshua Reno, Jonathan Rosa, Shalini Shankar, and Maria Styve.

A revealing look at the covert and institutionalized racism lurking in the congressional workplace

Racism continues to infuse Congress’s daily practice of lawmaking and shape who obtains congressional employment. In this timely and provocative book, James Jones reveals how and why many who work in Congress call it the “Last Plantation.” He shows that even as the civil rights movement gained momentum in the 1960s and antidiscrimination laws were implemented across the nation, Congress remained exempt from federal workplace protections for decades. These exemptions institutionalized inequality in the congressional workplace well into the twenty-first century.

Combining groundbreaking research and compelling firsthand accounts from scores of congressional staffers, Jones uncovers the hidden dynamics of power, privilege, and resistance in Congress. He reveals how failures of racial representation among congressional staffers reverberate throughout the American political system and demonstrates how the absence of diverse perspectives hampers the creation of just legislation. Centering the experiences of Black workers within this complex landscape, he provides valuable insights into the problems they face, the barriers that hinder their progress, and the ways they contest entrenched inequality.

A must-read for anyone concerned about social justice and the future of our democracy, The Last Plantation exposes the mechanisms that perpetuate racial inequality in the halls of Congress and challenges us to confront and transform this unequal workplace that shapes our politics and society.

An innovative analysis that traces the continuity of the state’s custodianship of Islam as the preferred religion in the Middle East and North Africa

In The Making of the Modern Muslim State, Malika Zeghal reframes the role of Islam in modern Middle East governance. Challenging other accounts that claim that Middle Eastern states turned secular in modern times, Zeghal shows instead the continuity of the state’s custodianship of Islam as the preferred religion. Drawing on intellectual, political, and economic history, she traces this custodianship from early forms of constitutional governance in the nineteenth century through post–Arab Spring experiments in democracy. Zeghal argues that the intense debates around the implementation and meaning of state support for Islam led to a political cleavage between conservatives and their opponents that long predated the polarization of the twentieth century that accompanied the emergence of mass politics and Islamist movements.

Examining constitutional projects, public spending, school enrollments, and curricula, Zeghal shows that although modern Muslim-majority polities have imported Western techniques of governance, the state has continued to protect and support the religion, community, and institutions of Islam. She finds that even as Middle Eastern states have expanded their nonreligious undertakings, they have dramatically increased their per capita supply of public religious provisions, especially Islamic education—further feeding the political schism between Islamists and their adversaries. Zeghal illuminates the tensions inherent in the partnerships between states and the body of Muslim scholars known as the ulama, whose normative power has endured through a variety of political regimes. Her detailed and groundbreaking analysis, which spans Tunisia, Morocco, Egypt, Turkey, Syria, and Lebanon, makes clear the deep historical roots of current political divisions over Islam in governance.

Palestine + 100 poses a question to twelve Palestinian writers: what might your country look like in the year 2048 – a century after the tragedies and trauma of what has come to be called the Nakba? How might this event – which, in 1948, saw the expulsion of over 700,000 Palestinian Arabs from their homes – reach across a century of occupation, oppression, and political isolation, to shape the country and its people? Will a lasting peace finally have been reached, or will future technology only amplify the suffering and mistreatment of Palestinians?

Covering a range of approaches – from SF noir, to nightmarish dystopia, to high-tech farce – these stories use the blank canvas of the future to reimagine the Palestinian experience today. Along the way, we encounter drone swarms, digital uprisings, time-bending VR, and peace treaties that span parallel universes. Published originally in the United Kingdom by Comma Press in 2019, Palestine +100 reframes science fiction as a place for political justice and the safekeeping of identity.

Good fences make good neighbors—except when a scorching shared past makes things complicated—in this delightful city-meets-country romance from Zuri Day.

She’s packing her bags—and her baggage.

Ten years ago, Genesis Washington made a very poor decision. At the time, it seemed great. Fantastic. Explosive. But the truth is, your one-night rebound should never be your younger brother’s rival. And he definitely shouldn’t be someone who allegedly only slept with you to gain the upper hand—even if the sex was amazing.

Now Genesis is blindsided when the farm she’s inherited just happens to be right next door to Jaxson King, the regrettable one-night stand she’s still painfully attracted to. This man has aged like the finest of wines, and what’s worse, he’s now a thoughtful and responsible father. Good thing Genesis has a (*cough* long-distance *cough*) boyfriend. Well, sort of. It’s complicated.

Jaxson and his hotness should be easy enough to ignore. But when city-girl Genesis discovers there’s a serious learning curve to her humble new home, it’s Jaxson who’s there to lend a very skilled helping hand. With every problem that arises, Jaxson is seemingly making all the right moves—both on the farm and when things heat up behind closed doors. But, surely, that doesn’t mean he’s right for Genesis, does it?

From showing up to glowing up, the characters in Afterglow Books are on the path to leading their best lives and finding sizzling romance along the way. Don’t miss any of these other fun titles…

Frenemy Fix-Up by Yahrah St. John

The Devil in Blue Jeans by Stacey Kennedy

Out of Office by A.H. Cunningham

Church Girl by Naima Simone

A smart, sexy "perfect romance" about mistaken identities, a no-strings fling, and the way one night—and one person—can change your life forever from the bestselling author of Darius the Great Is Not Okay (Julie Murphy & Sierra Simone, bestselling co-authors of A Merry Little Meet Cute)

When it comes to love, substitute teacher Farzan Alavi is a disaster. Newly heartbroken—again—he’s drowning his sorrows at Kansas City’s newest wine bar. Only instead of being crowded between strangers, he’s escorted to a VIP table for one. There, the hot sommelier does more than treat him to the meal of his life. The way he flirts with Farzan ignites instant sparks. 
 
There’s just one problem: David Curtis thinks Farzan is Kansas City’s most influential food critic. The truth only comes out after the two spend an unforgettably hot night together. Good news—both think the mix-up is hilarious. Bad news—David is studying to become a master sommelier and has no interest in a relationship. 
 
Neither expects their paths to cross again . . . until Farzan inherits his family’s bistro. The two agree to a friends-sans-benefits exchange: David will share his industry knowledge, and Farzan will help David study. Only business turns to pleasure when neither can ignore the attraction still sizzling between them. But with David set on moving cross-country after his test, and Farzan committed to his family’s restaurant, how can their relationship last past the expiration date?

In this collection of essays on African and Caribbean literature, culture, and politics, Ngugi wa Thiong'o delivers a groundbreaking critique of colonialism and capitalism in postcolonial Africa.

In these essays, Ngugi wa Thiong'o eloquently interweaves a range of issues including religious oppression, consumerism, and independence with the powerful intellect and passion that has come to characterise his writing. These pieces are essential for readers wishing to uncover a critical perspective on African society and culture.

Homecoming is a groundbreaking collection intended to provoke and encourage thoughtful debate on how best to 'restore the creative glory of Africa and of all Africans' in the wake of postcolonialism.

'One of the greatest writers of our time.' Chimamanda Ngozi Adichie
'A tremendous writer... It's hard to doubt the power of the written word when you hear the story of Ngugi wa Thiong'o.' Guardian
'One of Africa's greatest writers.' New York Times

Travel with Ugandan American designer Nasozi Kakembo as she explores iconic home goods—from Malian mudcloth to Moroccan rugs—at the source and offers thoughtful guidance on collecting and decorating with traditional African treasures

In The African Decor Edit, author Nasozi Kakembo shares her deep knowledge of ethically sourced and aesthetically elevated heritage wares. Through xN Studio, her interior design and product design practice, Nasozi collaborates with artisans throughout Africa, and hers is the rare design book that delves into the origin and meaning behind the furnishings and accessories shown. Each chapter presents artisans in their home countries, telling their stories in their own words. The book also demonstrates the beauty of African decor, with a collection of inspiring, layered interiors from all over the world. The African Decor Edit is a must-have for all who admire African wares and wish to decorate with them in a thoughtful and ethical way.

A powerful Nigeria-set horror tale of possession, malevolent ghosts, family tensions, secrets and murder from the recipient of the Bram Stoker Award for Lifetime Achievement and ‘Queen of African Horror’. For readers of Octavia Butler, Ben Okri and Koji Suzuki.

Bata, an 11-year-old girl tormented by nightmares, wakes up one night to find herself standing sentinel before her cousin’s door. Her cousin is to get married the next morning, but only if she can escape the murderous attack of a ghost-bride, who used to be engaged to her groom.

A supernatural possession helps Bata battle and vanquish the vengeful ghost bride, and following a botched exorcism, she is transported to Ibaja-La, the realm of dead brides. There, she receives secret powers to fight malevolent ghost-brides before being sent back to the human realm, where she must learn to harness her new abilities as she strives to protect those whom she loves.

By turns touching and terrifying, this is vivid supernatural horror story of family drama, long-held secrets, possession, death - and what lies beyond.

An award-winning journalist's deeply reported exploration of how race, identity and political trauma have influenced the rise in far-right sentiment among Latinos, and how this group can shape American politics

Democrats have historically assumed they can rely on the Latino vote, but recent elections have called that loyalty into question. In fact, despite his vociferous anti-immigrant rhetoric and disastrous border policies, Trump won a higher percentage of the Latino vote in 2020 than he did in 2016. Now, journalist Paola Ramos pulls back the curtain on these voters, traveling around the country to uncover what motivates them to vote for and support issues that seem so at odds with their self-interest.
From coast to coast, cities to rural towns, Defectors introduces readers to underdog GOP candidates, January 6th insurrectionists, Evangelical pastors and culture war crusaders, aiming to identify the influences at the heart of this rightward shift. Through their stories, Ramos shows how tribalism, traditionalism, and political trauma within the Latino community has been weaponized to radicalize and convert voters who, like many of their white counterparts, are fearful of losing their place in American society.
We meet Monica de la Cruz, a Republican congresswoman from the Rio Grande Valley who won on a platform centered on finishing “what Donald Trump started” and pushing the Great Replacement Theory; David Ortiz, a Mexican man who refers to himself as a Spaniard and opposed the removal of a statue of a Spanish conquistador in New Mexico; Luis Cabrera, an evangelical pastor pushing to “Make America Godly Again;” Anthony Aguero, an independent journalist turned border vigilante; and countless other individuals and communities that make up the rising conservative Latino population. Cross-cultural and assiduously reported, Defectors highlights how one of America's most powerful and misunderstood electorates may come to define the future of American politics.

From the acclaimed author of Hold My Girl comes a sweeping multi-generational story about motherhood, race, and secrets.

When 24-year-old Kareela discovers she's pregnant with a child she isn't sure she wants, her struggle to understand her place in the world as a person who is half-Black, half-white―yet feels neither―is amplified.

Her mother, Evelyn, fled to Canada with her husband and their first-born child during the politically charged Jamaican exodus in the 1980s, only to realize they'd come to a place where Black men are viewed with suspicion―a constant and pernicious reality Evelyn watches her husband and son navigate daily.

Years later, in the aftermath of her son's murder by the police, Evelyn's mother-in-law, Violet, moves in, offering young Kareela a link to the Jamaican heritage she had never fully known. Despite Violet's efforts to help them through their grief, the traumas they carry grow into a web of secrets that threatens the very family they all hold so dear.

In the present day, Kareela, prompted by fear and uncertainty about the new life she carries, must come to terms with the mysteries surrounding her family's past and the need to make sense of both her identity and her future.

Weaving the women's stories across multiple timelines, We Rip the World Apart reveals the ways that simple choices, made in the heat of the moment and with the best of intentions, can have dee and lasting repercussions―especially when people remain stay silent.

The great Kenyan writer and Nobel Prize nominee’s novel that he wrote in secret, on toilet paper, while in prison—featuring an introduction by Namwali Serpell, the author of the novel The Old Drift

One of the cornerstones of Ngũgĩ wa Thiong’o’s fame, Devil on the Cross is a powerful fictional critique of capitalism. It tells the tragic story of Wariinga, a young woman who moves from a rural Kenyan town to the capital, Nairobi, only to be exploited by her boss and later by a corrupt businessman. As she struggles to survive, Wariinga begins to realize that her problems are only symptoms of a larger societal malaise and that much of the misfortune stems from the Western, capitalist influences on her country. An impassioned cry for a Kenya free of dictatorship and for African writers to work in their own local dialects, Devil on the Cross has had a profound influence on Africa and on post-colonial African literature.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Logan is haunted by a darkness that should scare her, not thrill her. It should push her away, not bring her closer. And above all, it should warn her to close her heart against the crash that will inevitably shatter them both… 

There once was a boy, and I loved him.

Logan Francis Silverstone and I were complete opposites. I danced, and he stood still. He was quiet, while I ran my mouth. He struggled to find a smile, and I refused to frown.

The night I saw the darkness that truly lived inside of him, I couldn't look away.

We were broken together, yet somehow whole. We were wrong together, but always right. We were the stars that burned across the night sky, searching for a wish, praying for better tomorrows.

Until the day I lost him. He threw us away with one hasty decision―a decision that changed us forever.

There once was a boy, and I loved him. And for a few breaths, a few whispers, a few moments, I think he loved me, too.

Consistently topping BOOKTOK's "Books That Make You Ugly Cry" lists, The Fire Between High & Lo brings the angst, the spice, and the beautifully painful longing…

THE ELEMENTS SERIES:

The Air He Breathes, book 1

The Fire Between High & Lo, book 2

The Silent Waters, book 3

The Gravity of Us, book 4

The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds.

Contributors
Maile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se’mana Thompson, Frank B. Wilderson

A diverse group of New Yorkers are brought together by the search for a missing woman—in this electric novel of secrets, connection, and community.

Brooklyn, 2020. Theo Harper and his pregnant wife, Darla, head upstate to their summer cottage to wait out the lockdown. Not everyone in their upscale Park Slope building has this privilege: not Xavier, the teenager in the Cardi B T-shirt, nor Darla’s best friend, Ruby, and her partner, Katsumi, who stay behind to save their Michelin-starred restaurant.

During an upstate hike on the aptly named Devil’s Path, Theo divulges a long-held secret—and when Darla disappears after the ensuing argument, he finds himself the prime suspect. As Darla’s and Theo’s families and friends come together to search for her, with Ruby and Katsumi stepping in to broker peace, past and present collide with startling consequences.

Set against the pulse of an ever-changing city, The Rich People Have Gone Away connects the lives of ordinary New Yorkers to tell a powerful story of hope, love, and inequity in our times—while reminding us that no one leaves the past behind completely.

Two bold, utopic communities are at the heart of Ayana Mathis’s searing follow-up to her bestselling debut, The Twelve Tribes of Hattie. Bonaparte, Alabama – once 10,000 glorious Black-owned acres – is now a ghost town vanishing to depopulation, crooked developers, and an eerie mist closing in on its shoreline. Dutchess Carson, Bonaparte's fiery, tough-talking protector, fights to keep its remaining one thousand acres in the hands of the last five residents. Meanwhile, in Philadelphia, her estranged daughter Ava is drawn into Ark – a seductive, radical group with a commitment to Black self-determination in the spirit of the Black Panthers and MOVE, with a dash of the Weather Underground’s violent zeal. Ava’s eleven-year-old son Toussaint wants out – his future awaits him on his grandmother’s land, where the sounds of cicada and frog song might save him if only he can make it there. 
 
In Mathis’s electrifying novel, Bonaparte is both mythic landscape and spiritual inheritance, and 1980s Philadelphia is its raw, darkly glittering counterpoint. The Unsettled is a spellbinding portrait of two fierce women reckoning with the steep cost of resistance: What legacy will we leave our children? Where can we be free?

In the tradition of New York Times bestseller The World Without Us, Princeton and Yale scholar and notable activist Philip V. McHarris imagines what society would look like in a world without police.

It’s evident that policing is a problem. But what is the way best forward? In Beyond Policing, distinguished scholar and writer Philip V. McHarris reimagines the world without police to find answers and ask, How can we make police departments obsolete? Beyond Policing tackles thorny issues with evidence, including data and personal stories, to uncover the weight of policing on people and communities and the patterns that prove police reform only leads to more policing.

McHarris challenges us to envision a future where safety is not synonymous with policing but is built on the foundation of community support and preventive measures. He explores innovative community-based safety models (like community mediators and violence interrupters), the decriminalization of driving offenses, and the creation of nonpolice crisis response teams. McHarris also outlines strategies for responding to conflict and harm in ways that transform the conditions that give rise to the issues. He asks us to imagine a world where people thrive without the shadow of inequality, where our approach to safety is a collective achievement.

McHarris writes, “What if our response to crisis wasn’t about control but about care? How can we create conditions where safety is a shared responsibility? How can we design justice so that no community is routinely oppressed? Envisioning such a world isn’t just a daydream; it’s the first step toward building a society where violence and fear no longer dictate our lives.”

Transformative and forward thinking, Beyond Policing provides a blueprint for a brighter, safer world. McHarris’s vision is clear: we must dare to move beyond policing and foster a society where everyone has the resources to thrive and feel safe.

The New York Times bestselling author of Almost There delivers the start of a new rom-com series with an enemies-to-lovers romance, perfect for readers of Abby Jimenez and Jasmine Guillory.

Ashanti Wright is thrilled over the success of her doggie daycare, Barkingham Palace. But handling the business and taking care of her teen twin sisters is a lot. And now that the antics of her adorable French bulldog and poodle bestie are blowing up on social media, things are even more chaotic than usual. And they only get worse when the world’s worst dog hater shows up.

Thad Sims is not a dog person. He’s barely a person’s person. But after his grandmother is transferred to a senior living facility that doesn’t accept pets, the former army officer agrees to care for her annoying standard poodle, and his first move is taking Puddin’ out of daycare.

Now Ashanti’s beloved Duchess is bereft of her companion, social media is outraged, and Ashanti’s business is hanging in the balance. Her only option is to make nice with the surly, sexy Thad at all costs. But it’s gonna take a tiara-wearing Frenchie, a well-dressed poodle, and a whole lotta treats to teach these humans a few new tricks about falling in love.

From Laura Obuobi, author of Black Gold and NAACP Image Award nominee, and illustrator Anna Cunha comes a whimsical bedtime story about the love between a Black father and his daughter. This tender tale with lush natural imagery and pure Black joy captures love’s vastness, showing us its greatest form is often the one between parent and child.

One question must be answered before Afia can slip into a peaceful sleep: What does love look like? With the companionship of her loving papa, Afia journeys to find love and learns that it is the warmth of the sun’s hugs, the brook’s soothing song, and other mesmerizing gifts of nature. But Afia’s quest also teaches her that she may not have to go too far to see the emotion at the heart of the world’s wonders.

In this powerful and comprehensive guide in the spirit of Jambalaya and Sacred Woman, an herbalist celebrates ancient and modern African holistic healing.

“The message of this book is: hold onto your yams, your collards, watermelon, and roots. There is magic, mystery, connection, and healing stored within them.”—Stephanie Rose Bird

Stephanie Rose Bird grew up surrounded by forests, listening to the stories of her ancestors and learning African healing ways. From an early age, she dedicated herself to herbalism and living a spiritually fulfilled life in harmony with nature. Now, the wisdom she as accrued is gathered in this impressive encyclopedic work of African Healing and herbal medicine.

Stephanie teaches you how to garden and harvest in unison with the seasons, and how to use herbalism and magic—derived from ancestral and spiritual helpers—to heal. A treasure trove of knowledge, Motherland Herbal showcases an array of recipes and rituals that nourish every facet of life:

* Seasonal recipes to support overall well-being
* Tinctures for common ailments such as headaches, flu, or heartburn
* Remedies for improving mental health, lessening symptoms of anxiety, stress, or depression
* Natural body and home care products, from facials to cleaning solutions
* Herbal Baths for relaxation, sexual wellness, and good luck
* Rituals and Altars for universal experiences, such as learning to letting go after loss and improving creativity and fertility
* Love Potions, Sleep Potions, Protective Amulets, and more

Written in Stephanie’s warm and authoritative voice, Motherland Herbal seamlessly blends activism and ancestral folklore with the realms of spirituality, gardening, and holistic wellness. Her deep reverence for the wisdom of her ancestors infuses every page of this guide, which is a foundational resource that will shape the landscape of African healing and folk medicine for generations to come.

Motherland Herbal includes 54 original pieces of art, including maps and artwork created by the author.

In the 1960s and ’70s, a diverse range of storefronts―including head shops, African American bookstores, feminist businesses, and organic grocers―brought the work of the New Left, Black Power, feminism, environmentalism, and other movements into the marketplace. Through shared ownership, limited growth, and democratic workplaces, these activist entrepreneurs offered alternatives to conventional profit-driven corporate business models. By the middle of the 1970s, thousands of these enterprises operated across the United States―but only a handful survive today. Some, such as Whole Foods Market, have abandoned their quest for collective political change in favor of maximizing profits.

Vividly portraying the struggles, successes, and sacrifices of these unlikely entrepreneurs, From Head Shops to Whole Foods writes a new history of social movements and capitalism by showing how activists embraced small businesses in a way few historians have considered. The book challenges the widespread but mistaken idea that activism and political dissent are inherently antithetical to participation in the marketplace. Joshua Clark Davis uncovers the historical roots of contemporary interest in ethical consumption, social enterprise, buying local, and mission-driven business, while also showing how today’s companies have adopted the language―but not often the mission―of liberation and social change.

New York Times bestselling creators Renée Watson and Bea Jackson offer a picture book ode to a picture-perfect summer day, from sunrise to sunset.

Summer is here!
No dark clouds in the sky,
it's a perfect day for play.
What joy will summer bring me today?

Summer is finally here, and she's bringing the most perfect day! From sunup to sundown, there's so much to do on this lovely summer day. With summer comes fresh fruit, sweet and tangy, jump ropes for leaping and dancing, and friends at the pool swimming and floating. Summer brings family cookouts under shady trees, gardens overflowing, and the familiar song of the ice-cream truck. This beautiful ode to all the season's sensations follows one girl's perfect day in an exploration of joy, family, friendship, sunshine, and wonder.

Her stars shimmer like spilled glitter across the sky.
I whisper a wish and say goodbye to the day.
I wish summer would stay.

Renée Watson celebrates iconic childhood joys in this love letter to summer featuring bright, sun-drenched art from Bea Jackson.

Rachel Afi Quinn investigates how visual media portray Dominican women and how women represent themselves in their own creative endeavors in response to existing stereotypes. Delving into the dynamic realities and uniquely racialized gendered experiences of women in Santo Domingo, Quinn reveals the way racial ambiguity and color hierarchy work to shape experiences of identity and subjectivity in the Dominican Republic. She merges analyses of context and interviews with young Dominican women to offer rare insights into a Caribbean society in which the tourist industry and popular media reward, and rely upon, the ability of Dominican women to transform themselves to perform gender, race, and class.

Engaging and astute, Being La Dominicana reveals the little-studied world of today's young Dominican women and what their personal stories and transnational experiences can tell us about the larger neoliberal world.

For readers of Fatimah Asghar’s If They Come for Us, here is a searing, multidimensional debut about the search for language and self, which is life itself. I knew it was time to build what could carry, what could find the high point / to name what I knew to be the world and carry it with me At the heart of The Knot of My Tongue is Zehra Naqvi’s storying of language itself and the self-re-visioning that follows devastating personal rupture. Employing a variety of poetic forms, these intimate, searching poems address generations, continents, and dominions to examine loss of expression in the aftermath of collisions with powerful forces, ranging from histories to intimacies. Naqvi follows a cast of characters from personal memory, family history, and Quranic traditions, at instances where they have either been rendered silent or found ways to attempt the inexpressible—a father struggling to speak as an immigrant in Canada; a grandmother as she loses her children and her home after the 1947 Partition; the Islamic story of Hajar, abandoned in the desert without water; the myth of Philomela who finds language even after her husband cuts off her tongue. Brilliantly blending the personal and the communal, memory and myth, theology and tradition, the poems in this collection train our attention—slow and immediate, public and private—on our primal ability to communicate, recover, and survive. This example is striking for the power of its speaking through loss and a singular, radiant vision.

“Bridgerton lovers have found their next read. J. J. McAvoy is a welcome new voice in historical romance.”—New York Times bestselling author Sarah MacLean, on Aphrodite and the Duke Hathor Du Bell is on her own path to find love in the third installment of J. J. McAvoy's Regency romance series, following Aphrodite and the Duke and Verity and the Forbidden Suitor. Hathor Du Bell has always fought to break free from the shadow left by her revered older sister, Aphrodite. It has been two years since Hathor’s debut, and while Aphrodite has married a duke and become a duchess, Hathor has been left with the ton’s most mediocre suitors. With the London season coming to a close, Hathor’s anxieties reach a peak. Will she be the only Du Bell unable to find her perfect match? Then Hathor’s wildest dream comes true when the queen announces she’ll be presenting her nephew, Prince Wilhelm Augustus Karl Von Edward of Malrovia, during the weeklong society event at the Du Bells’ Belclere Castle. But the dream quickly crumbles when Hathor comes face-to-face with the prince, and he is nothing like she imagined. As a flirtatious rivalry sparks a genuine romance, Hathor fights to make a name of her own despite society’s expectations of her. Amidst the grand balls and growing feelings, the final events of the season promise to be the most romantic and shocking of them all.

Roundup pick From the Hugo, Nebula, Locus and Nommo award nominated author of Shigidi and The Brass Head Of Obalufon comes a stunning new collection of stories that investigate the rapidly changing role of technology and belief in our lives as we search for meaning, for knowledge, for justice; constantly converging on our future selves. In “An Arc of Electric Skin,” a roadside mechanic seeking justice volunteers to undergo a procedure that will increase the electrical conductivity of his skin by orders of magnitude. In “Blowout,” a woman races against time and a previously undocumented geological phenomenon to save her brother on the surface of Mars. In “Ganger,” a young woman trapped in a city run by machines must transfer her consciousness into an artificial body and find a way to give her life purpose. In “Debut,” Nairobi-based technical support engineer tries to understand what is happening when an AI art system begins malfunctioning in ways that could change the world. The sixteen stories of Convergence Problems, which include work published for the first time in this collection, rare stories, and recently acclaimed work, showcase Talabi at his creative best: playful and profound, exciting and experimental, always interesting.

An affirming, lyrical picture book tribute to the pride in tradition and love from her ancestors one young girl feels when she wraps her hair. 

When I wrap,

my roots run deep.

As deep as an African marketplace

or a city sidewalk

or the stories between them.

In this ode to hair wrapping, author Shauntay Grant has crafted a poetic, poignant story about how the practice ties together past and present. With vibrant illustrations by Jenin Mohammed, this book is both an act of joyful recognition and a demonstration of how knowledge is passed through generations. Inspiring and powerful, this is perfect for fans of I Am Enough and Hold Them Close.