Venture into Nova's secret underground lab— and witness a gum monster come to life! A full-color, action-packed graphic novel about a young Black girl with a love for science and enough determination and confidence to fix the world.

Nova is horrified when she learns about the world's plastic problem and the trash islands floating in the ocean. Good thing she has a super-secret lab in her basement. No problem is too big for SUPA NOVA or for SCIENCE! But things go spectacularly awry when she creates a plastic-eating monster who won't stop eating and GROWING! Will Supa Nova be able to save the day--and the planet?

A sparkling debut mystery set on the south side of Chicago, featuring the quick-witted, unforgettable Savvy Summers, proprietor of a soul food café.

When Savvy Summers first opened Essie's soul food café, she never expected her customer-favorite sweet potato pie to become the center of a murder investigation. But when Grandy Jaspers, the 75-year-old neighborhood womanizer, drops dead at table two, she suddenly has more to worry about than just maintaining Essie's reputation for the finest soul food in the Chicagoland area.

Even as the police deem Grandy’s death an accident, Savvy quickly finds herself―and her beloved café―in the middle of an entire city’s worth of bad press. Desperate to clear her name and keep her business afloat, Savvy and her snooping assistant manager, Penny Lopés, take it upon themselves to find who really killed Grandy.

But with a slimy investor harassing her to sell her name and business, customers avoiding her sweet potato pie like the plague, and her police sergeant ex-husband suddenly back in the picture, will Savvy be able to clear the café’s name and solve Grandy’s murder before it all falls apart?

After all, while Savvy always said her sweet potato pie was to die for, she never meant literally.

Discover the reigns of twelve African queens and warriors from across the continent in this immersive and pioneering history.

Njinga Mbande. Nana Yaa Asantewaa. Makobo Modjadji VI. Ranavalona the First.

These queens and warriors ruled vast swathes of the African continent, where they led, loved, and fought for their kingdoms and people. Their impact can still be felt today, and yet, beyond the lands they called home, so few of us have ever heard their names.

In When We Ruled, historian Paula Akpan takes us into the worlds of these powerful figures, following their stories and how they came to rule and influence the futures of their people. Through deep research and discovery, Akpan will uncover new truths and grapple with uncomfortable realities, allowing us to be immersed in countless moments of bravery, intrigue, and, for some, the unraveling of their rule.

With reigns spanning from pre-colonial Nigeria to the rich lands of Rwanda, and from Ancient Egypt to apartheid South Africa, these rulers shed new light on gender politics in these regions, showing how women were celebrated and revered before colonizing powers took hold, and continued to be long after.

In this game-changing narrative of twelve lives, Akpan takes us on a spellbinding, enrapturing, and immersive history that is nothing short of revelatory.

A visual celebration of Black women and their gardens, filled with inspiration, stories, and the healing magic of gardening, based on the popular Instagram account BlackGirlsGardening.

Through first-person narratives and arresting photography, this unique gardening book profiles women who demonstrate how a gardening practice has the power to heal, empower, educate, and connect. Thirty-one compelling personal stories about creating backyard, flower, and vegetable gardens, participating in community gardens, and gardening with kids are included. Sidebars offer advice on composting, pest control, must-have tools, greenhouse gardens, and more.

In a beautiful, chunky package that can be read cover to cover or displayed on a coffee table, Black Girls Gardening makes a lovely gift for aspiring and practicing Black women gardeners, first-time homeowners, parents who garden with their kids, and women of all ages who enjoy sinking their hands into the soil.

GARDENING AS EMPOWERMENT: With stories on starting a garden from seed, building your own vegetable and flower beds, growing your own food, connecting with a community, and showing your kids the power and joy that come from these experiences, this uplifting book demonstrates how gardening empowers women and green thumbs of all ages and levels. 

HEALTH BENEFITS: Gardening is good for you, and it’s a lifelong hobby! Spending time outside is an excellent way to relieve stress and anxiety, and gardening is an accessible and increasingly common pastime that provides respite from our indoor, online, sedentary lives. This book celebrates gardens as a sanctuary, a source of solace and joy, and a place for self-discovery and connection.

CELEBRATES DIVERSITY: This uniquely inspiring nature and gardening book highlights stories from Black, biracial, and multiracial women, an underrepresented audience in mainstream gardening, nature, and outdoor media.

Perfect for:
* Self-care gift or self-purchase for Black women, ages 18 - 50+
* Gift-giving for Mother’s Day, birthday, housewarming, or retirement
* Women gardeners and aspiring green thumbs
* Garden admirers and nature enthusiasts
* First-time homeowners who want to plant a garden
* Followers of @BlackGirlsGardening
* Fans of Nature Swagger, Wild at Home, My Beautiful Black Hair, She Explores

A queer Black feminist debunks the myth of rainbow solidarity, repositioning Black and Latinx LGBTQ+ people at the forefront of queer pasts, presents, and futures

Your favorite Black queer studies professor Kaila Adia Story says the rainbow ain’t never been enough in this introduction to the current state of queer intersectionality, or lack thereof. Story argues that to be queer is to be political, and the carefully glittered façade of solidarity in the pride movement veils dangerous neoliberal ideals of apolitical queer embodiment. The rainbow as a symbol of communal solidarity is a hollow offering when cis white LGBTQ people are allowed to opt out of divesting from white supremacy, misogyny, and transphobia.

The Rainbow Ain’t Never Been Enuf fills a necessary gap in our understanding of how racism, transphobia, and antiblackness operate in liberal spaces. Black feminist and queer theorist Kaila Adia Story blends analysis, pop culture, and her lived experiences to explore the silencing practices of mainstream queer culture. She touches on cornerstone issues of the movement like

* the whitewashing of queer history and commodification of pride celebrations
* the appropriation of the Black and Latinx ball scene and culture
* the racialized and gendered violence inflicted upon Black trans women
* the exclusion of the lives and work of activists like Marsha P. Johnson, Sylvia Rivera, Stormé DeLarverie, and CeCe McDonald from queer history
* the lack of remembrance and respect for the lives of the Black and Lantinx queer and trans people who have always been on the frontlines of queer liberation

Expanding beyond the classroom, Story utilizes her expertise as a scholar of queer theory to offer readers a comprehensive understanding of how racism operates in these spaces and what we can do to create a more equitable future.

A cutting-edge collection of the best short stories in contemporary Afrofuturist fiction—from Hugo, Nebula, and Stoker award-winning Black authors

20 mind-blowing, horror-strewn, weird, and woke tales celebrate Black identity, community, and imagination

Black speculative fiction has never been better than it is here and now. On the shoulders of Afrofuturist masters like Octavia E. Butler and Samuel R. Delany and pioneering visionaries before them, a new, abundant, and brilliant generation of contemporary Black authors, some of them just beginning their careers, is conjuring up a very real renaissance.

Edited by SF-expert andré carrington, and including Hugo, Nebula, and Locus award winners alongside emerging and experimental voices, The Black Fantastic showcases the artistry of these breakout literary stars and celebrates the diversity of their talents.

Including Afrofuturist science fiction, weird and fantastic tales, horror and the paranormal, apocalyptic lyricism, time travel, superheroes, and more, here are twenty mindblowing, horror-strewn, weird, woke, nerdy, terrifying, liberating, fantastic, utopian, surreal, genre-defying and empowering short stories, all of them worth reading and rereading now and far into futurity.

Reclaiming histories of racism and oppression and seizing the day, these writers are forging kaleidoscopic new senses of Black identity, community, and imaginative freedom.

Why don’t our schools work? Eve L. Ewing tackles this question from a new angle: What if they’re actually doing what they were built to do? She argues that instead of being the great equalizer, America’s classrooms were designed to do the opposite: to maintain the nation’s inequalities. It’s a task at which they excel.

“This book will transform the way you see this country.”—Michelle Alexander, author of The New Jim Crow
 
If all children could just get an education, the logic goes, they would have the same opportunities later in life. But this historical tour de force makes it clear that the opposite is true: The U.S. school system has played an instrumental role in creating and upholding racial hierarchies, preparing children to expect unequal treatment throughout their lives.
 
In Original Sins, Ewing demonstrates that our schools were designed to propagate the idea of white intellectual superiority, to “civilize” Native students and to prepare Black students for menial labor. Education was not an afterthought for the Founding Fathers; it was envisioned by Thomas Jefferson as an institution that would fortify the country’s racial hierarchy. Ewing argues that these dynamics persist in a curriculum that continues to minimize the horrors of American history. The most insidious aspects of this system fall below the radar in the forms of standardized testing, academic tracking, disciplinary policies, and uneven access to resources.
 
By demonstrating that it’s in the DNA of American schools to serve as an effective and underacknowledged mechanism maintaining inequality in this country today, Ewing makes the case that we need a profound reevaluation of what schools are supposed to do, and for whom. This book will change the way people understand the place we send our children for eight hours a day.

A small-town woman’s journey of self-discovery takes an unexpected detour when she inherits a Brooklyn brownstone—complete with one hot next-door neighbor—in this sexy, emotional contemporary romance.

When you least expect it, love comes knocking…

Holland Davenport is ready to go beyond her small-town existence. Her plan involves moving into an apartment in Charleston—not inheriting a run-down brownstone in Brooklyn from a relative she never knew. Yet in a burst of daring, Holland meets the challenge head-on, moving to New York to learn more about her family and renovate the place. Add to that a gorgeous next-door neighbor who turns out to be a board member at her new job, and she’s definitely out of her depth.

Noble Washington is the successful CEO of a company he spent a decade building. But his carefully ordered life begins to unravel the second he meets fiery social worker Holland—and spends one unforgettable night with a woman who should be off-limits.

There’s a wall and a world of differences lying between them. But the sheltered Southerner and the ambitious native New Yorker feel a pull that just won’t be denied…

From showing up to glowing up, the characters in Afterglow Books are on the path to leading their best lives and finding sizzling romance along the way. Don’t miss any of these other fun titles…

Frenemy Fix-Up by Yahrah St. John

Church Girl by Naima Simone

Out of Office by A.H. Cunningham

How philosophy can teach us to be less anxious about being anxious by understanding that it’s an essential part of being human

Today, anxiety is usually thought of as a pathology, the most diagnosed and medicated of all psychological disorders. But anxiety isn’t always or only a medical condition. Indeed, many philosophers argue that anxiety is a normal, even essential, part of being human, and that coming to terms with this fact is potentially transformative, allowing us to live more meaningful lives by giving us a richer understanding of ourselves. In Anxiety, Samir Chopra explores valuable insights about anxiety offered by ancient and modern philosophies—Buddhism, existentialism, psychoanalysis, and critical theory. Blending memoir and philosophy, he also tells how serious anxiety has affected his own life—and how philosophy has helped him cope with it.

Chopra shows that many philosophers—including the Buddha, Kierkegaard, Nietzsche, Freud, and Heidegger—have viewed anxiety as an inevitable human response to existence: to be is to be anxious. Drawing on Karl Marx and Herbert Marcuse, Chopra examines how poverty and other material conditions can make anxiety worse, but he emphasizes that not even the rich can escape it. Nor can the medicated. Inseparable from the human condition, anxiety is indispensable for grasping it. Philosophy may not be able to cure anxiety but, by leading us to greater self-knowledge and self-acceptance, it may be able to make us less anxious about being anxious.

Personal, poignant, and hopeful, Anxiety is a book for anyone who is curious about rethinking anxiety and learning why it might be a source not only of suffering but of insight.

A young girl must face a life-altering decision after awakening her sister’s ghost, navigating truths about love, friendship, and power as the Civil War looms in this moving debut.
 
Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie.
 
When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act—one that rouses Minnie’s spirit from the grave, tethered to this world unless Junie can free her. She enlists the aid of Caleb, the guests’ coachman, and their friendship soon becomes something more. Yet as long-held truths begin to crumble, she realizes Bellereine is harboring dark and horrifying secrets that can no longer be ignored.
 
With time ticking down, Junie begins to push against the harsh current that has controlled her entire life. As she grapples with an increasingly unfamiliar world in which she has little control, she is forced to ask herself: When we choose love and liberation, what must we leave behind?

From the visionary author of Sudden Death, a hallucinatory, revelatory, colonial revenge story.

One morning in 1519, conquistador Hernán Cortés entered the city of Tenochtitlan – today's Mexico City. Later that day, he would meet the emperor Moctezuma in a collision of two worlds, two empires, two languages, two possible futures.

Cortés was accompanied by his nine captains, his troops, and his two translators: Friar Aguilar, a taciturn, former slave, and Malinalli, a strategic, former princess. Greeted at a ceremonial welcome meal by the steely princess Atotoxli, sister and wife of Moctezuma, the Spanish nearly bungle their entrance to the city. As they await their meeting with Moctezuma – who is at a political, spiritual, and physical crossroads, and relies on hallucinogens to get himself through the day and in quest for any kind of answer from the gods – the Spanish are ensconced in the labyrinthine palace. Soon, one of Cortés’s captains, Jazmín Caldera, overwhelmed by the grandeur of the city, begins to question the ease with which they were welcomed into the city, and wonders at the risks of getting out alive, much less conquering the empire.

You Dreamed of Empires brings to life Tenochtitlan at its height, and reimagines its destiny. The incomparably original Alvaro Enrigue sets afire the moment of conquest and turns it into a moment of revolution, a restitutive, fantastical counter-attack, in a novel so electric and so unique that it feels like a dream.

By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.

Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change.

“I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?”

Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”

From a National Book Award finalist, Witness is an elegant, insistent narrative of actions taken and not taken.

What does it mean to take action? To bear witness? What does it cost?

In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters—from children to grandmothers to ghosts—live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect, to remember, to stand up for, and to really see each other, they often fall short, and the structures they build around these ambitions and failures shape not only their own futures but the legacies and prospects of their families and their city.

In its portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, the meaning of home, Witness enacts its own testimony. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust—doctors, employers, siblings—too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon.

With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.

On February 17, 2022, Brittney Griner arrived in Moscow ready to spend the WNBA offseason playing for the Russian women’s basketball team where she had been the centerpiece of previous championship seasons. Instead, a security checkpoint became her gateway to hell when she was arrested for mistakenly carrying under one gram of medically prescribed hash oil. Brittney’s world was violently upended in a crisis she has never spoken in detail about publicly—until now.

In Coming Home, Brittney finally shares the harrowing details of her sudden arrest days before Russia invaded Ukraine; her bewilderment and isolation while navigating a foreign legal system amid her trial and sentencing; her emotional and physical anguish as the first American woman ever to endure a Russian penal colony while the #WeAreBG movement rallied for her release; the chilling prisoner swap with Russian arms dealer Viktor Bout; and her remarkable rise from hostage to global spokesperson on behalf of America’s forgotten. In haunting and vivid detail, Brittney takes readers inside the horrors of a geopolitical nightmare spanning ten months.  

And yet Coming Home is more than Brittney’s journey from captivity to freedom. In an account as gripping as it is poignant, she shares how her deep love for Cherelle, her college sweetheart and wife of six years, anchored her during their greatest storm; how her family’s support pulled her back from the brink; and how hundreds of letters from friends and neighbors lent her resolve to keep fighting. Coming Home is both a story of survival and a testament to love—the bonds that brought Brittney home to her family, and at last, to herself.

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s.

The bittersweet and often hilarious taleswhich range from longer narratives about God, the Devil, White Folk, and Mistaken Identity to witty one-linersreveal attitudes about faith, love, family, slavery, race, and community. Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates the African American life in the rural South and represent a major part of Zora Neale Hurstons literary legacy.

Like a West African and African Diaspora-inspired Spirited Away, Abeni's Song follows a reluctant apprentice witch out of her village and into a world of spirits on a quest to save her friends. This is P. Djèlí Clark's kids' debut.

On the day of the spirits festival, the old woman who lives in the forest appears in Abeni's village with a terrible message:

You ignored my warnings. It’s too late to run. They are coming.

The old woman hasn't come to save them, only to collect one child as payment for her years of service and protection. When warriors with burning blades storm the village and a man with a cursed flute plays an impossibly alluring song, everyone Abeni has ever known and loved is captured and marched toward far-off ghost ships set for even more distant lands.

But not Abeni. Abeni escapes the warriors in the clutches of the old woman, magically whisked into the forest away from all she’s ever known. And there she begins her unwanted magical apprenticeship, her journey to escape the witch, and her impossible mission to bring her people home.

Abeni’s Song is the beginning of a timeless, enchanting fantasy adventure about a reluctant apprentice, a team of spirit kids, and the town they set out to save from the evil Witch Priest who enslaved Abeni’s people.

Experience the vibrant cuisines of West Africa any night of the week with 80 easy, accessible recipes

This is West African food for every kitchen, a generous, warm welcome to its delicious, irresistible culinary mainstays and rhythms. If you already cook with ingredients like hearty greens, yams, black-eyed peas, and okra, or have enjoyed Southern staples like jambalaya and gumbo, you have tasted the deep culinary influences of this interconnected region that spans Senegal, Ghana, Côte d'Ivoire, Cameroon, Nigeria, and more. 

Now, in Simply West African, celebrated chef and West African cooking authority Pierre Thiam unlocks the region’s essential tastes for the everyday home cook. With helpful tips and tricks that teach readers the basics of the cuisine, Pierre shows how seamlessly these flavorful, easy-to-execute dishes can become weeknight staples or the star of your table for weekend gatherings. Introduce family and friends to:

• Familiar dishes with a distinctly West African vibe: Chicken Yassa Tacos; Saucy Shrimp and Fonio Grits; Maman's Crispy Herb-Crusted Chicken; Blackened Salmon with Moyo Sauce

• One-pot crowd pleasers: Root Vegetable Mafe; Chicken Stew with Eggplant; Tomato, and Ginger; Braised Beef and Collard Greens

• Hearty vegetables and starchy soak-em-ups: Roasted Eggplant in Peanut Sauce; Double Coconut Rice and Peas; Smoky Black-Eyed Pea Mash

Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity?

In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa.

Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history.

While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day.

“Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.

A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising

The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means “nothing” in Tagalog, and Kitu is Swahili for “nothing.”) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he’ll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.

With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill’s desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, “Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it’s time we gave nothing back.”

Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn’t to say that it’s not about anything. In fact, it’s about villains. Bond villains. And that’s not nothing.

The critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman).

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages, sometimes about language, beauty, memory; sometimes about history, art, photography, and literature—always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.

At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method,” collects entries from a community of thinkers toward a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.

When The Souls of Black Folk was first published in 1903, it had a galvanizing effect on the conversation about race in America—and it remains both a touchstone in the literature of African America and a beacon in the fight for civil rights. Believing that one can know the “soul” of a race by knowing the souls of individuals, W. E. B. Du Bois combines history and stirring autobiography to reflect on the magnitude of American racism and to chart a path forward against oppression, and introduces the now-famous concepts of the color line, the veil, and double-consciousness.

With "The Talented Tenth" and "The Souls of White Folk"

A gorgeous, authoritative, and image-filled celebration of pageantry and community created by ballroom culture for Black and Brown LGBTQIA+ people.

The subculture of Ballroom emerged in Harlem in the ‘60s out of a need for safe and inclusive spaces for Black and Brown queer people, in which family-like "Houses" competed at performative balls, allowing members of this marginalized groups to shine. Thanks to shows like Pose and Legendary, it has grown into a global phenomenon. It offers refuge from the threats and violence against the LGBTQIA+ community while also serving as a testament to the radical nature of queer joy with its pageantry and commitment to chosen family.

Ballroom: A History, A Movement, A Celebration is an exhaustively researched tome honoring where Ballroom began and where it is now. It explores how Ballroom has served the Black and Brown LGBTQIA+ community. Bringing both an authoritative and entertaining sweep to this hugely important and influential cultural sensation, this book is filled with photos, interviews, and stories, presenting a captivating, well-documented narrative about not only how to survive but how to do so fashionably, glamorously, and in the company of one another.

In this taut Southern family drama, the sins of a favorite son rock a small Mississippi town.

Reverend Sabre Winfrey, shepherd of the Seven Seals Baptist Church, believes in God, his own privilege, and enterprise. Besides the barbershop and radio station he owns, he has an iron hand on every aspect of Dominion, Mississippi, society. He and his wife, Priscilla, have five boys; the youngest, Emanuel, is called Wonderboy―no one sings prettier, runs as fast, or turns as many heads. After a surprising encounter with a stranger, Wonderboy finds himself confronted by questions he’d never imagined, and his response will send shockwaves through the entire community. Told from the point of view of the women who love these two men, Dominion illustrates how we enable the everyday violence and casual sins of the patriarchy.

A Black Southern family drama that deals as much in tenderness and humor as it does in brutality, Addie E. Citchens’s Dominion reveals the many sinister ways in which we are shaped by fear and patriarchy.