Celebrate the power of food to create delicious, lasting memories with this poetic and playful exploration of the joy of waiting for, and finally sharing, fried plantains.

Mama steers the cart toward the produce section of the grocery store and picks up a bunch of green plantains. Thus begins a week of anxious anticipation as a young girl waits for mustard yellows to seep onto the unripe green peels. By Thursday, black marks begin to splotch and streak across the plantains. And finally, on Sunday, the frying pan sizzles and hisses, as Mama serves up the warm, sugary slices the young girl has waited for so long.  
 
Much like there is sweet treasure hidden beneath the skin of a plantain, this beautifully written and evocative story reaches far beyond the act of preparing a favorite food. Ripening Time celebrates the way food and family entwine to connect us across generations—and serves as a touching reminder that some of the sweetest rewards in life are worth the wait.

Now available in paperback! Build financial literacy, improve your money management skills, and make the dinero work for you!

In many immigrant households, money isn’t often a topic of discussion, so financial education can be minimal—especially when a family is just trying to survive the day-to-day. Despite being the largest minority group in the United States, the Latino community still faces cultural and systemic barriers that prevent them from building wealth. As a first-generation Latina, Jannese Torres, award-winning money expert, educator, and podcaster, knows these unique challenges well. She set out to pursue the traditional American Dream, becoming the first woman in her family to graduate from college, climb the corporate ladder, and secure the six-figure paycheck, only to find herself miserable and unfulfilled. She soon realized that everything she’d been taught about money and success wasn’t as it seemed. After discovering the true meaning of wealth, Torres resolved to pave her own path, leaving the life she was told she should want for one of entrepreneurship, autonomy, and financial freedom.
 
In Financially Lit! Torres offers you culturally relevant and relatable personal finance advice that will allow you to finally feel seen, heard, and understood. Whether it’s the guilt you feel from being the first person to “make it” while members of your family are still struggling, or the way financial trauma manifests itself in negative and limiting beliefs around money, Torres is here to guide you through it all.
 
With the warmth and no-nonsense wisdom of someone who’s been there before, Torres will teach you how to:
* set boundaries with your dinero
* protect yourself from financial abuse
* navigate the complicated relationship between amor and money
* invest like a white dude—or better!

 
With Financially Lit! at your side, you’ll harness the powerful ways money can be used to create the life of your dreams, and be empowered to step into financial freedom.

For fans of Behold the Dreamers, comes a compelling novel about a tightly bound Nigerian family living in Florida and the wounds that get passed down from generation to generation, from the author of the acclaimed Mr. and Mrs. Doctor.

When 276 schoolgirls are abducted from their school in Nigeria, Fidelis Ewerike, a Florida-based barrister, poet, and former POW of the Nigerian Civil War, begins to go mad, consumed by memories of his younger sister Ugochi, who went missing during that conflict. Consumed by survivor’s guilt and fearful that the same fate awaits Amara, his sixteen-year-old daughter who bears an uncanny resemblance to Ugochi, Fidelis locks her in her bedroom, offering no words of explanation, only lovingly—if poorly—made meals and sweets.

Amid that singular action, the Ewerike family spirals into chaos: After unsuccessful attempts to free her daughter from her room, his wife Adaobi seeks the counsel of a preacher, praying for spiritual liberation from the curse she is certain has plagued her family since leaving Nigeria. Fourteen-year-old Chuk, beset by his own war with the neighborhood boys, receives a painful education on force, masculinity, and his tenuous position within his family. And rebellious, resentful Amara is hungry for her life to be hers, so the moment she is able to escape her imprisonment, she falls in love—not with the Aba-born engineer-in-training her mother envisages, but with Maksym Kostyk, the son of the town drunk. Before long, the two have concocted a plan to run away from the trappings of their familial traumas.

Perfect for readers of Sing, Unburied, Sing, Julie Iromuanya's A Season of Light is an all-consuming masterpiece. To peer into the window of the Ewerike family’s lives is a gift.

Falling in love cost Teagan her heart and a pro tennis career. But when her rival returns, they’ve got one last chance for a rematch…if they can keep the game on the court!

She came to serve.

Teagan Williams knows how to take a loss—especially a big one. After the spectacular collapse of her tennis career and her romantic relationship (note to self: betrayal does not go with tennis whites), she put down her racket, picked herself up and started her life over.

But now Teagan’s been asked to compete in her country club’s tournament. And she’s considering it. Because what’s the worst that could happen?

Her ex. The spotlight-stealing almost love of her life. That’s what could happen.

Dominic Fletcher gave up everything for tennis. To be a star, to be the best, to bring in the Benjamins. After all, his entire family is depending on him. So why does he feel so discontent? It’s not until he attends a charity tennis tournament that he understands why. Teagan.

Now Teagan and Dominic are taking their differences out on the court—and off. Because despite their past, their chemistry sparks hotter than ever. But getting a chance to even the score is one thing. Playing to win is an entirely different game…

From showing up to glowing up, the characters in Afterglow Books are on the path to leading their best lives and finding sizzling romance along the way. Don’t miss any of these other fun titles…

Six Gems

Book 1: Her Best Friend's Brother
Book 2: Her Secret Billionaire
Book 3: Her One Night Consequence
Book 4: Frenemy Fix-Up
Book 5: Going Toe to Toe
Book 6: Break Point

In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train.

Before fleeing the scene, the murderer shouted two words: bat eater.

So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head.

She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women.

As Cora will soon learn, you can’t just ignore hungry ghosts.

For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

The wannabe-cool, Tamil-nerd vibes of Never Have I Ever meets the hidden life of Stand Up, Yumi Chung! by Jessica Kim in this funny, poignant coming-of-age middle grade debut from Maria Marianayagam. A Sri Lankan boy’s life spirals out of control when he wins a prize in a stolen candy bar, pushing him to navigate his identity amid his ever-watchful family.

Ajay Anthonipillai has a million-dollar problem. 

Ajay has lived his life dutifully following the rules set by his Tamil parents.

Rule #3: Straight As only

Rule #5: There is no such thing as a no-homework day.

Rule #10: Never watch scary movies.

However, moving to a new school gives Ajay a new rule to follow: Get on seventh-grade all-star Jacob Underson’s good side.

When Jacob asks him to steal a Mercury bar from Scary Al’s convenience store, Ajay feels this is his chance to finally “get cool” and stop eating alone. But Jacob rejects the stolen chocolate bar, leaving Ajay to unwrap it and discover that it contains Mercury’s Twenty-fifth Anniversary Grand Prize…one million dollars.

Faced with an extreme dilemma, Ajay will have to bear the weight of his actions and battle his morality in deciding whether to claim the prize that may change the life of his family forever.

A portrait of worker solidarity in the South, and of the fight for Black liberation.

In 1928, the Third International adopted a resolution on the right of self-determination for African Americans in the Black Belt, in the southeastern US. Over the next decade, this resolution guided the CPUSA's regional focus in the US South, as a frontline organization in the struggle against white supremacy. This was a period of great experiments in building an independent multiracial working class movement in North America, a movement that confronted the remnants of slavery, under conditions that foreshadowed the fascism that would soon develop in Europe. Across the cities and rural areas of the US South, communists engaged existing traditions of struggle, and planted seeds for the growth of the movement against racism in the following decades.

This reader presents primary documents from the period to aid the study of the history, theory, and political application of the Black Belt thesis.

EUGENE PURYEAR is a journalist, activist, politician, and host on Breakthrough News. He is a founding member of the Party for Socialism and Liberation, and is the author of Shackled and Chained: Mass Incarceration in Capitalist America.

The root of all inequality is the process of othering – and its solution is the practice of belonging

We all yearn for connection and community, but we live in a time when calls for further division along the well-wrought lines of religion, race, ethnicity, caste, and sexuality are pervasive. This ubiquitous yet elusive problem feeds on fears – created, inherited – of the "other." While the much-touted diversity, equity, and inclusion initiatives are undeniably failing, and activists narrowly focus on specific and sometimes conflicting communities, Belonging without Othering prescribes a new approach that encourages us to turn toward one another in unprecedented and radical ways.

The pressures that separate us have a common root: our tendency to cast people and groups in irreconcilable terms – or the process of "othering." This book gives vital language to this universal problem, unveiling its machinery at work across time and around the world. To subvert it, john a. powell and Stephen Menendian make a powerful and sweeping case for adopting a paradigm of belonging that does not require the creation of an "other." This new paradigm hinges on transitioning from narrow to expansive identities – even if that means challenging seemingly benevolent forms of community-building based on othering.

As the threat of authoritarianism grows across the globe, this book makes the case that belonging without othering is the necessary, but not the inevitable, next step in our long journey toward creating truly equitable and thriving societies. The authors argue that we must build institutions, cultivate practices, and orient ourselves toward a shared future, not only to heal ourselves, but perhaps to save our planet as well. Brimming with clear guidance, sparkling insights, and specific examples and practices, Belonging without Othering is a future-oriented exploration that ushers us in a more hopeful direction.

Referencing everything from Erykah Badu to ancient Egyptian deities, Jamea Richmond-Edwards creates a brilliant multimedia panorama of Black history

Detroit–based artist Jamea Richmond-Edwards (born 1982) creates work in dialogue with Afrofuturism, mythology, history and Black fashion. Her vibrantly colored canvases take inspiration from the AfriCOBRA collective and are layered with collage and portraiture. This catalog follows her largest solo museum exhibition to date, at the Museum of Contemporary Art, North Miami, and features a monumental painting, several large-scale paintings and a newly commissioned film. Using glitter, fabric and soft sculpture, these paintings depict the artist and her family reimagined as Egyptian deities, encountering dragons and paying homage to Indigenous leaders. The film Ancient Future uses a majorette performance superimposed against the cosmos activated by an experimental jazz soundtrack in collaboration with Richmond-Edwards’ son. The catalog features a selection of stills from the film and a gatefold of the new monumental work.

Examining aesthetic connections between the works of more than 50 Black artists from throughout the global diaspora

This book was born out of frustration with art histories that emphasize Black artists’ resilience over the aesthetic impact of their work. The experiences of oppression Black people endure are inconceivable, yet this focus on resilience often overwhelms critical attention to Black artists’ ideas, innovations or use of materials. Imagining Black Diasporas defines “diaspora’’ more broadly, understanding it as a dynamic term that evolves with Black experience. Through four themes, the book illuminates aesthetic connections among established and emerging US–based artists in dialogue with artists working in Africa, the Caribbean, South America and Europe.
Artists include: Mark Bradford, Lorna Simpson, Calida Rawles, El Anatsui, Josué Azor, Isaac Julien, Frida Orupabo, Theaster Gates, Yinka Shonibare, Wangechi Mutu.

Ghostalker Ropa Moyo and her rag-tag team of magicians are back in The Mystery at Dunvegan Castle, the third book in the spellbinding USA Today bestselling Edinburgh Nights series by T. L. Huchu.

She came for magic. She stayed to solve a murder . . .

Ropa Moyo is no stranger to magic or mysteries. But she’s still stuck in an irksomely unpaid internship. So she’s thrilled to attend a magical convention at Dunvegan Castle, on the Isle of Skye, where she’ll rub elbows with eminent magicians.

For Ropa, it’s the perfect opportunity to finally prove her worth. Then a librarian is murdered and a precious scroll stolen. Suddenly, every magician is a suspect, and Ropa and her allies investigate. Trapped in a castle, with suspicions mounting, Ropa must contend with corruption, skulduggery and power plays. Time to ask for a raise?

Edinburgh Nights series:
The Library of the Dead
Our Lady of Mysterious Ailments
The Mystery at Dunvegan Castle
The Legacy of Arniston House

Kofi Dᴐnkᴐ was a blacksmith and farmer, as well as an important healer, intellectual, spiritual leader, settler of disputes, and custodian of shared values for his Ghanaian community. In Our Own Way in This Part of the World Kwasi Konadu centers Dᴐnkᴐ's life story and experiences in a communography of Dᴐnkᴐ's community and nation from the late nineteenth century through the end of the twentieth, which were shaped by historical forces from colonial Ghana's cocoa boom to decolonization and political and religious parochialism. Although Dᴐnkᴐ touched the lives of thousands of citizens and patients, neither he nor they appear in national or international archives covering the region. Yet his memory persists in his intellectual and healing legacy, and the story of his community offers a non-national, decolonized example of social organization structured around spiritual forces that serves as a powerful reminder of the importance for scholars to take their cues from the lived experiences and ideas of the people they study.

Covering 500 years of Ghana's history, The Ghana Reader provides a multitude of historical, political, and cultural perspectives on this iconic African nation. Whether discussing the Asante kingdom and the Gold Coast's importance to European commerce and transatlantic slaving, Ghana's brief period under British colonial rule, or the emergence of its modern democracy, the volume's eighty selections emphasize Ghana's enormous symbolic and pragmatic value to global relations. They also demonstrate that the path to fully understanding Ghana requires acknowledging its ethnic and cultural diversity and listening to its population's varied voices. Readers will encounter selections written by everyone from farmers, traders, and the clergy to intellectuals, politicians, musicians, and foreign travelers. With sources including historical documents, poems, treaties, articles, and fiction, The Ghana Reader conveys the multiple and intersecting histories of Ghana's development as a nation, its key contribution to the formation of the African diaspora, and its increasingly important role in the economy and politics of the twenty-first century.

When three women find their lives inextricably linked after a terrible mistake, they must work together to make the most of their futures.

Alexis Marshall never meant to cause the accident that left Jon-Jon Robinson paralyzed—but though guilt plagues her, her husband hopes to put the past behind them. After all, he’s in the middle of selling a tech business—and if Alexis admits to texting while driving, the deal could collapse and cost them millions. Meanwhile, Alexis’s life is not as shiny and perfect as it may seem from the outside. She has secrets of her own. As she becomes consumed with thoughts of the young man she hit, can she reconcile her mistake with her husband’s expectations?

Trish Robinson is just trying to hold it together after the accident that left Jon-Jon dependent and depressed. As the bills pile up, Trish and her husband, Dwayne, find themselves at odds. Trish wants to forgive and move on, but Dwayne is filled with rage toward the entitled woman who altered their lives forever. Trish can’t see how anything good can come from so much hate and strife, so she determines to pray until God intervenes. Then one afternoon Marquita Lewis rings their doorbell with a baby in her arms and changes everything.

Vanessa Miller’s latest inspirational novel reminds readers that differences may separate us, but if we cling to each other, God can bring something good out of our very worst moments.

Praise for Something Good:

“This real-to-life story doesn't shy away from some hard issues of the modern world, but Miller is a master storyteller, who brings healing and redemption to her characters, and thus the reader, through the power of love and faith. I thoroughly enjoyed this book.” —Rachel Hauck, New York Times bestselling author

* Inspiring contemporary fiction
* Stand-alone novel
* Includes discussion questions for book clubs

Another storm is on the horizon for the Reynolds women. And the only way out is to go through it.

Good things never happen in November—at least not for the Reynolds women. It was the month they lost their patriarch. And the month when fourteen-year-old Trinity went missing during a tropical storm. So Hope Reynolds isn’t surprised when it becomes the month she walks in on her boyfriend kissing another woman. Or when she receives a panicked call from her mother about a mistake that could cost the family their treasured beach house.

Meanwhile, Faith Reynolds-Phillips is facing her own financial struggles. She’s also looking down the barrel of divorce and raising a daughter who reminds her so much of her younger sister, Trinity, that sometimes it physically hurts. The last place Hope and Faith want to be is in Hallelujah, South Carolina, during hurricane season. Going home will force them to confront the secrets that have torn their family apart. But if they can survive another storm, they’ll have a chance to rebuild on a new foundation—the truth.

In the latest novel from prolific writer Vanessa Miller, three women must find the strength to endure the storm and the faith to believe in a miracle.

“A heartwarming, page-turning, beautiful story about family secrets, mother-daughter relationships, forgiveness, and restored faith.” —Kimberla Lawson Roby, New York Times bestselling author

* Inspiring contemporary fiction
* Stand-alone novel
* Includes discussion questions for book clubs
* Other books by Vanessa Miller: Something Good

Tommy J. Curry’s provocative book The Man-Not is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore,is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines.

Curry argues that Black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including Black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of Black males. Curry challenges how we think of and perceive the conditions that actually affect all Black males.

The future of Honduras begins and ends on the white sand beaches of Tela Bay on the country's northeastern coast where Garifuna, a Black Indigenous people, have resided for over two hundred years. In The Ends of Paradise, Christopher A. Loperena examines the Garifuna struggle for life and collective autonomy, and demonstrates how this struggle challenges concerted efforts by the state and multilateral institutions, such as the World Bank, to render both their lands and their culture into fungible tourism products. Using a combination of participant observation, courtroom ethnography, and archival research, Loperena reveals how purportedly inclusive tourism projects form part of a larger neoliberal, extractivist development regime, which remakes Black and Indigenous territories into frontiers of progress for the mestizo majority. The book offers a trenchant analysis of the ways Black dispossession and displacement are carried forth through the conferral of individual rights and freedoms, a prerequisite for resource exploitation under contemporary capitalism.

By demanding to be accounted for on their terms, Garifuna anchor Blackness to Central America―a place where Black peoples are presumed to be nonnative inhabitants―and to collective land rights. Steeped in Loperena's long-term activist engagement with Garifuna land defenders, this book is a testament to their struggle and to the promise of "another world" in which Black and Indigenous peoples thrive.

A wide-ranging collection from a rising poet that showcases her sharp, contemporary voice

In Stem, Stella Wong intersperses lyric poems on a variety of subjects with dramatic monologues that imagine the perspectives of specific female composers, musicians, and visual artists, including Johanna Beyer, Mira Calix, Clara Rockmore, Maryanne Amacher, and Delia Derbyshire. In such lines as “let me tell you how I make myself appear / more likeable,” “as I grow older I like looking at chaos,” and “I want to propose a hike / and also propose mostly,” Wong’s style is confident and idiomatic, and by turns contemplative and carefree. Whether writing about family, intimate relationships, language, or women’s experience, Wong creates a world alive with observation and provocation, capturing the essence and the problems of life with others.

How medieval-inspired racial feudalism reigned in early America and was challenged by Black liberal thinkers

Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.

Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.

American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

See Me is a collection of intimate dialogues about collective experiences in the context of prison theater workshops. Each essay is a collaboration between two or three people who connected profoundly in the temporary community that a workshop can create. Part I is an exchange grounded in the prison theater workshop between the author and one of the incarcerated participants. They alternately tell the story of what they found in the workshop, each other, the future they imagined together, and the social turmoil and utopian aspirations of the times. Part II consists of essays jointly written by eight other people impacted by close relationships spawned in diverse in-prison and re-entry theater workshops.

Sex, vengeance, and betrayal in modern day Tehran—Navid Sinaki’s bold and cinematic debut is a queer literary noir following Anjir, a morbid romantic and petty thief whose boyfriend disappears just as they’re planning to leave their hometown for good

Anjir and Zal are childhood best friends turned adults in love. The only problem is they live in Iran, where being openly gay is criminalized, and the government’s apparent acceptance of trans people requires them to surgically transition and pass as cis straight people. When Zal is brutally attacked after being seen with another man in public, despite the betrayal, Anjir becomes even more determined to carry out their longstanding plan for the future: Anjir, who’s always identified with the mythical gender-changing Tiresias, will become a woman, and they’ll move to a new town for a fresh start as husband and wife.

Then Zal vanishes, leaving a cryptic note behind that sets Anjir on a quest to find the other man, hoping he will lead to Zal. Stalking and stealing his way through the streets, clubs, library stacks, hotel rooms, and museum halls of Tehran—where he encounters his troubled mother, addict brother, and the dynamic Leyli, a new friend who is undergoing a transition of her own—Anjir soon realizes that someone is tailing him too. It quickly becomes clear that more violence may be the fastest route to freedom, as Anjir’s morals and gender identity are pushed to new places in the pursuit of love, peace, and self-determination.

Steeped in ancient Persian and Greek myths, and brimming with poetic vulnerability, subversive bite, and noirish grit, Medusa of the Roses is a page-turning wallop of a story from a bright new literary talent.

A long forgotten Beat poet brought back to life in utterly fantastical fashion.

In beautifully vivid journal entries, Black poet Mardou Fox chronicles her 1950s and ‘60s experiences with the Beat Generation--and her adventures in the mysterious, otherworldly realm “over the fence.” Characters based on star Beat authors like Allen Ginsberg and Jack Kerouac fight alongside Mardou or battle against her as she challenges racism and sexism to win happiness, freedom, and respect for her work. Are the answers she’s seeking shrouded in the mists of magic? Inspired by the true story of Alene Lee, whose crucial role is often left out of Beat Generation lore.

The lives of working class Mexican America, where everyday stories offer a portal to myth and fable.

"No one writes like Dagoberto Gilb! I loved these energetic, soulful, and hilarious stories that by the end had me wondering if I'd encountered the sublime on the page."—Kali Fajardo-Anstine, author of Woman of Light

This collection of eleven stories is the newest installment of an ongoing, multi-volume literary documentary project, penned by one of the contemporary legends of Chicanx literature. Dagoberto Gilb's cast of characters includes a young family whose exposure to a mysterious cloud of gas alters their lives forever; a high school dropout whose choice to learn the ways of the world from the adults at work in his uncle’s industrial laundry leads him into a dangerous dalliance;  a former high-rise union carpenter who agrees to meet up with an eager old flame; an aging Chicano, living alone, whose children watch over him for signs of decline; and more.

These are stories about working class people who come and go mostly unnoticed or ignored, whose lives are not fodder for literary tropes or cliches. They are neither heroes nor villains, just regular people with their flaws and merits, facing the challenges and questions posed by everyday life. Gilb writes in a distinctive, appealing voice, welcoming the reader in with an easy sense of familiarity, and the effect is spare on the surface, but profound. Deftly capturing the nuances of interpersonal relationships in a simple word or gesture, he peels back the surface of seemingly unremarkable encounters to reveal layers of myth and uncanny surrealism, propelled by the momentum of new, changing times.

A bold multi-generational debut novel exploring themes of queerness, revolution and Islamic sisterhood.

Paris, 1940. The course of Fatiha Bin-Khalid’s life is changed forever when she befriends the Muslim feminist Doria Shafik. But after returning to Egypt and dedicating years to the fight for women’s rights, she struggles to reconcile her political ideals with the realities of motherhood.

Cairo, 1966. After being publicly shamed when her relationship with a bisexual boyfriend is revealed, Fatiha’s daughter is faced with an impossible decision. Should Yasminah accept a life she didn’t choose, or will she leave her home and country in pursuit of independence?

Bristol, 2011. British-born Nadia is battling with an identity crisis and a severe case of herpes. Feeling unfulfilled (and after a particularly disastrous one-night stand), she moves in with her old-fashioned Aunt Yasminah and realises that she must discover her purpose in the modern world before it’s too late.

Following the lives of three women from the Bin-Khalid family, Daughters of the Nile is an original and darkly funny novel that examines the enduring strength of female bonds. These women are no strangers to adversity, but they must learn from the past and relearn shame and shamelessness to radically change their futures.

Amos Tutuola’s masterful first novel of a nightmarish quest into the land of the dead, now available in a standalone volume with an introduction by Wole Soyinka

Widely considered to be his masterpiece, Amos Tutuola’s debut novel The Palm-Wine Drinkard was first published in 1952. Named one of TIME’s “100 Best Fantasy Books of All Time” and introduced here by Wole Soyinka, the novel tells the phantasmagorical story of a wealthy alcoholic who drinks 225 kegs of palm wine a day. When the man’s personal tapster dies and leaves him without any remaining supply of alcohol, the man desperately follows the tapster into the nightmarish Dead’s Town. Drawing on Yoruba folklore and narrated with a unique voice that mixes West African oral traditions with the Colonial British English that Tutuola learned at school, The Palm-Wine Drinkard is a seminal work of African literature from one of Nigeria’s most influential writers and an important part of the global literary canon.

Amos Tutuola’s second novel recounting the fate of mortals who stray into the world of ghosts, now available in a standalone volume

First published in 1954, now acclaimed as a modern classic, and named one of TIME’s “100 Best Fantasy Books of All Time,” My Life in the Bush of Ghosts is the second novel by the Nigerian writer Amos Tutuola. A small boy finds himself lost in the heart of an impenetrable African forest, populated with fantastical beings and ghosts. As every hunter and traveler knows, it is almost impossible to leave the bush—yet the appearance of the television-handed ghostess may offer him a rare opportunity for escape. My Life in the Bush of Ghosts is a masterpiece of the surreal that blends Tutuola’s native Yoruba culture with the encroaching influences of British and Christian colonialism in West Africa, a picaresque and darkly funny journey that is unique in literature.

From the New York Times Notable author of The Old Woman with the Knife comes a bracingly original story of family, marriage and the cultural expectations of motherhood, about four women whose lives intersect in dramatic and unexpected ways at a government-run apartment complex outside Seoul

When Yojin moves with her husband and daughter into the Dream Future Pilot Communal Apartments, she’s ready for a fresh start. Located on the outskirts of Seoul, the experimental community is a government initiative designed to boost the national birth rate. Like her neighbors, Yojin has agreed to have at least two more children over the next ten years.

Yet, from the day she arrives, Yojin feels uneasy about the community spirit thrust upon her. Her concerns grow as communal child care begins and the other parents show their true colors. Apartment Women traces the lives of four women in the apartments, all with different aspirations and beliefs. Will they find a way to live peacefully? Or are the cultural expectations around parenthood stacked against them from the start?

A trenchant social novel from an award-winning author, Apartment Women incisively illuminates the unspoken imbalance of women’s parenting labor, challenging the age-old assumption that “it takes a village” to raise a child.

A wry, tender novel about a Peruvian immigrant mother and a millennial daughter who have one final chance to find common ground

Thirtysomething Flores and her mother, Paula, still live in the same Brooklyn apartment, but that may be the only thing they have in common. It’s been nearly three years since they lost beloved husband and father Martín, who had always been the bridge between them. One day, cleaning beneath his urn, Flores discovers a note written in her mother’s handwriting: Perdóname si te falle. Recuerda que siempre te quise. (“Forgive me if I failed you. Remember that I always loved you.”) But what would Paula need forgiveness for?

Now newfound doubts and old memories come flooding in, complicating each woman’s efforts to carve out a good life for herself—and to support the other in the same. Paula thinks Flores should spend her evenings meeting a future husband, not crunching numbers for a floundering aquarium startup. Flores wishes Paula would ask for a raise at her DollaBills retail job, or at least find a best friend who isn’t a married man.

When Flores and Paula learn they will be forced to move, they must finally confront their complicated past—and decide whether they share the same dreams for the future. Spirited and warm-hearted, Melissa Rivero’s new novel showcases the complexities of the mother-daughter bond with fresh insight and empathy.

A powerful story about family, fútbol, and playing like a girl, perfect for fans of Front Desk, The Academy, and, Are You There, God? It's Me, Margaret from the award-winning author of Furia.

At thirteen years old, Valeria "Magic" Salomón is already the best soccer player her town has ever seen. She has talent in spades and an abuelo whose tough-love coaching and lessons about “strength and honor” have made her the star of the Overlords, the top boys’ team in the state. 

But everything changes at the State Cup semi-final when Valeria gets her first period while Wearing. White. Shorts. After her team is unexpectedly eliminated, she goes from their secret weapon to their scapegoat. Soon, she doesn’t have a team at all anymore. She’s not sure she has a relationship with her grandfather either.  

Valeria’s a fighter, however. And with the help of her grandmother and support of her cheerleader BFF, she finds herself on a girls’ team for the first time. But the Amazons aren’t exactly excited to have her there. After all, Valeria’s spent years ignoring their existence. With the next tournament looming on the horizon, Valeria has a month to figure out her place on her new team and learn how to play like a girl. 

The award-winning author of Furia returns to the world of  “the beautiful game” in this uplifting, heartfelt novel about family, self-confidence, and the power of second chances.

A NEW MAN ON THE SCENE.

Aspiring comedian Abi has always been told that she’s too much, but never felt like enough. Until she meets Will, who changes everything she’s been made to believe by men, the media and her mum. He loves her just the way she is.

HIS KIDS.

But Will is a package deal and comes with two daughters from a previous relationship. Suddenly Abi finds herself thrown into the spotlight, and not just on the stage…

CAN SHE WIN OVER THIS TOUGH CROWD?

Abi is used to playing to difficult audiences, but step-parenting, and winning over the girls, is going to be her toughest challenge yet. Can she finally prove her critics wrong and triumph at her biggest gig to date?

A fun and feel-good romantic comedy about love, friendship and family for anyone who’s struggled to feel like enough and find their place. Fans of Beth O’Leary and Ruth Jones will love this warm and witty page-turner.

A major new novel set in nineteenth-century New Orleans by the author of Signs Preceding the End of the World

New Orleans, 1853. A young exile named Benito Juárez disembarks at a fetid port city at the edge of a swamp. Years later, he will become the first indigenous head of state in the postcolonial Americas, but now he is as anonymous and invisible as any other migrant to the roiling and alluring city of New Orleans.

Accompanied by a small group of fellow exiles who plot their return and hoped-for victory over the Mexican dictatorship, Juárez immerses himself in the city, which absorbs him like a sponge. He and his compatriots work odd jobs, suffer through the heat of a southern summer, fall victim to the cons and confusions of a strange young nation, succumb to the hallucinations of yellow fever, and fall in love with the music and food all around them. But unavoidable, too, is the grotesque traffic in human beings they witness as they try to shape their future.

Though the historical archive is silent about the eighteen months Juárez spent in New Orleans, Yuri Herrera imagines how Juárez's time there prepared him for what was to come. With the extraordinary linguistic play and love of popular forms that have characterized all of Herrera's fiction, Season of the Swamp is a magnificent work of speculative history, a love letter to the city of New Orleans and its polyglot culture, and a cautionary statement that informs our understanding of the world we live in.

Welcome to Curdle Creek, a place just dying to make you feel at home. Osira, a forty-five-year-old widow, is an obedient follower of the strict conventions of Curdle Creek, an all-Black town in rural America stuck in the past and governed by a tradition of ominous rituals. Osira is considered blessed, but her luck changes when her children take off, she comes second to last in the Running of the Widows and her father flees when his name is called in the annual Moving On ceremony. Forced into a test of allegiance, Osira finds herself transported back in time, then into another realm where she must answer for crimes committed by Curdle Creek. Exile forces her to jump realms again, landing Osira even farther away from home, in rural England. Safe as long as she sticks to the rules, she quickly learns there are consequences for every kindness. Each jump could lead Osira anywhere but back home.

Curdle Creek is a unique, inventive novel exploring themes of home, belonging, motherhood and what we inherit from society. This American gothic offers a mash-up of the surreal and literary horror that will appeal to fans of Ring Shout, The Underground Railroad and Lovecraft Country. Yvonne Battle-Felton’s fever dream of a tale is enthralling, layered and quite unlike anything else.