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  • The Black Technical Object: On Machine Learning and the Aspiration of Black Being by Ramon Amaro
    $25.00

    *ships in 7-10 business days

    On the abstruse nature of machine learning, mathematics, and the deep incursion of racial hierarchy.

    To impair the racial ordering of the world, The Black Technical Object introduces the history of statistical analysis and “scientific” racism into research on machine learning. Computer programming designed for taxonomic patterning, machine learning offers useful insights into racism and racist behavior, but its connection to the racial history of science and the Black lived experience has yet to be developed. In this book, Ramon Amaro explores how the history of data and statistical analysis informs the complex relationship between race and machine learning. He juxtaposes a practical analysis of this type of computerized learning with a theory of Black alienation in order to inspire alternative approaches to contemporary algorithmic practice. In doing so, Amaro contemplates the abstruse nature of programming and mathematics, as well as the deep incursion of racial hierarchies.

    Series Overview: In the decades that followed the demise of decolonial struggles and the end of the USSR, a great deal of intellectual effort was devoted to conceptualizing political emancipation as freedom from the masses rather than freedom for the masses. Focusing on connectivity rather than on collectivity, these modalities of political action led to depoliticizing effects and to a certain counter-political ethos expressed in terms such as parapolitics, psychopolitics, or micropolitics, all which this series terms “antipolitical.” Rather than counter the arguments that each term puts forth, On the Antipolitical, edited by Ana Teixeira Pinto, suggests historizing this disposition, situating it within the neocolonial continuum that animates the digital frontier as the new locus of settler becoming.

  • To Begin Again: Artists and Childhood

    edited by Jeffrey De Blois & Ruth Erickson

    $39.95

    How artists from Paul Klee and Mierle Laderman Ukeles to Faith Ringgold and Deborah Roberts have explored childhood themes of innocence, spontaneity and storytelling

    Artists have long been inspired by children—by their imagination, creativity and unique ways of seeing and being in the world—and have made work that depicts and involves children as collaborators, that represents or mimics their ways of drawing or telling stories, that highlights their unique cultures, and that addresses ideas of innocence and spontaneity closely associated with children. To Begin Again: Artists and Childhood surveys how artists have reflected on and contributed to notions of childhood from the early 20th century to the present. The works in To Begin Again offer distinctive viewpoints and experiences, revealing how time and place, economics and race, and representation and aesthetics fundamentally shape how we experience and understand early development. The catalog underscores that while there is no single, uniform idea of childhood, it is nevertheless the ground upon which so much of society is built, negotiated and imagined.
    Artists include: Ann Agee, John Ahearn, Njideka Akunyili Crosby, Francis Alÿs, Jean-Michel Basquiat, Brian Belott, Jordan Casteel, Lenka Clayton, Allan Rohan Crite, Henry Darger, Karon Davis, Robert Gober, Jay Lynn Gomez, Trenton Doyle Hancock, Duane Hanson, Mona Hatoum, Sharon Hayes, Ekua Holmes, Mary Kelly, Paul Klee, Justine Kurland, Helen Levitt, Tau Lewis, Glenn Ligon, Oscar Murillo, Rivane Neuenschwander, Berenice Olmedo, Charles Ray, Faith Ringgold, Deborah Roberts, Tim Rollins and K.O.S., Rachel Rose, Heji Shin, Sable Elyse Smith, Becky Suss, Mierle Laderman Ukeles, Cathy Wilkes and Carmen Winant.

  • David Hammons

    David Hammons

    $55.00

    Hammons' body prints, flags and found-object sculptures come together in this artist's book documenting his thought-provoking conceptual exhibition

    This post-exhibition catalog revisits David Hammons’ 2019 show at Hauser & Wirth Los Angeles. A singular book created entirely under the artist’s direction, this publication illustrates the most expansive exhibition of this legendary artist’s work to date.
    Said critic Jonathan Griffin of the original exhibition, "Alongside finished artworks, including framed examples of Hammons’s sublime drawings made with bounced basketballs and powdered Kool-Aid, there are plenty of apparently ad hoc, readymade interventions, installations in which it is unclear where one ends and the next begins. … Hammons, it seems, wants his viewers to relax, historiography be damned."
    Born in 1943 in Springfield, Illinois, David Hammons moved to Los Angeles in 1963 at the age of 20 and began making his body prints several years later. He studied at Otis Art Institute with Charles White and became part of a younger generation of Black avant-garde artists loosely associated with the Black Arts Movement. In Los Angeles, Hammons was a cofounder of Studio Z, a group which included Senga Nengudi, Maren Hassinger, Joe Ray and others. Hammons has lived in New York since 1978.

  • Dennis Morris: Music + Life

    Dennis Morris

    $60.00

    In association with an international touring exhibition and coinciding with what would have been Bob Marley’s eightieth birthday, Dennis Morris marks the first full-career retrospective for this groundbreaking photographer.

    Dennis Morris: Music + Life is the first in-depth career retrospective of the trailblazing photographer, designer, and art director. Although Dennis Morris is celebrated for his iconic portraits of reggae superstar Bob Marley, this monograph also shines a light on Morris's documentary work, which explores questions of race and cultural identity as it draws on his experiences as a Black teenager in 1970s Britain. Supported by an international touring exhibition, Dennis Morris unveils a trove of previously unseen images, offering new insight into the image-maker's visual language.

    Jamaican-born Morris moved to East London when he was just five years old. His passion for photography was ignited when he joined a local church's camera club. A rebellious thirteen-year-old, Morris skipped school to meet―and photograph―Marley, an encounter that would catapult him into a whirlwind tour with Marley and, subsequently, the Sex Pistols as their official photographer. His adventures in the reggae and punk scenes of the 1970s laid the groundwork for a multidecade career spanning photography, art direction, design, and music.

    The book unfolds in two symbiotic parts: the first captures Morris's unapologetic lens on race, culture, and identity in 1970s Britain, while the second surveys his collaborations with music legends, including―in addition to Marley―Lee "Scratch" Perry, Gregory Isaacs, and Marianne Faithfull. Featuring an original contribution from Sean O'Hagan and an essay by the late cultural theorist Stuart Hall, this publication promises to delight both photography aficionados and music lovers alike.

    200 illustrations, 75 in color

  • Queering Post-Black Art: Artists Transforming African-American Identity After Civil Rights (International Library of Modern and Contemporary Art) by Derek Conrad Murray
    $29.95
    What impact do sexual politics and queer identities have on the understanding of 'blackness' as a set of visual, cultural and intellectual concerns? In Queering Post-Black Art, Derek Conrad Murray argues that the rise of female, gay and lesbian artists as legitimate African-American creative voices is essential to the development of black art. He considers iconic works by artists including Glenn Ligon, Kehinde Wiley, Mickalene Thomas and Kalup Linzy, which question whether it is possible for blackness to evade its ideologically over-determined cultural legibility. In their own unique, often satirical way, a new generation of contemporary African American artists represent the ever-evolving sexual and gender politics that have come to define the highly controversial notion of 'post-black' art. First coined in 2001, the term 'post-black' resonated because it articulated the frustrations of young African-American artists around notions of identity and belonging that they perceived to be stifling, reductive and exclusionary. Since then, these artists have begun to conceive an idea of blackness that is beyond marginalization and sexual discrimination.
  • Black Opera

    by Naomi Andre

    $27.95

    *ships in 7-10 business days

    Throughout Africa, artists use hip-hop both to describe their lives and to create shared spaces for uncensored social commentary, feminist challenges to patriarchy, and resistance against state institutions, while at the same time engaging with the global hip-hop community. In Hip-Hop in Africa, Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African narratives of social, political, and economic realities. Clark looks at the use of hip-hop in protest, both as a means of articulating social problems and as a tool for mobilizing listeners around those problems. She also details the spread of hip-hop culture in Africa following its emergence in the United States, assessing the impact of urbanization and demographics on the spread of hip-hop culture.Hip-Hop in Africa is a tribute to a genre and its artists as well as a timely examination that pushes the study of music and diaspora in critical new directions. Accessibly written by one of the foremost experts on African hip-hop, this book will easily find its place in the classroom.

  • Soul of a Nation Reader edited

    by Mark Godfrey

    $39.95

    A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition

    What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant.

    Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place.

    Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time.

    Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever.

  • Black Artists in Their Own Words (Documents of Twentieth-Century Art)
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    The first book to center Black artists' voices on Black aesthetics, revealing a century of evolving relationships to race, identity, and art.
     
    What is Black art? No one has thought harder about that question than Black artists, yet their perspectives have been largely ignored. Instead, their stories have been told by intellectuals like W. E. B. Du Bois and Alain Locke, who defined "a school" of Black art in the early twentieth century. For the first time, Black Artists in Their Own Words offers an insightful corrective.
     
    Esteemed art historian Lisa Farrington gathers writing spanning a century across the United States, the Caribbean, and the African continent—including from renowned artists Henry Tanner, Nancy Elizabeth Prophet, Romare Bearden, Wifredo Lam, Renee Cox, and many more—that reveals both evolutions and equivocations. Many artists, especially during the civil rights era, have embraced Black aesthetics as a source of empowerment. Others prefer to be artists first and Black second, while some have rejected racial identification entirely. Here, Black artists reclaim their work from reductive critical narratives, sharing the motivations underlying their struggles to create in a white-dominated art world.

  • Shot Ready

    Stephen Curry

    $50.00

    Shot Ready is a powerful distillation of Stephen Curry’s transformative philosophy of success—centered on preparation, constant improvement, creativity, connection, mindfulness, and joy—delivered in his incomparable voice and style. Stunningly designed and illustrated with more than 100 gorgeous photographs, Shot Ready is an intimate narrative and a practical blueprint for any reader who wants to unlock their own potential.

  • Prospect Park: Photographs of a Brooklyn Oasis, 1980 to 2025

    Jamel Shabazz, Laylah Amatullah Barray, Richard E. Green

    $45.00

    Spanning 45 years of Jamel Shabazz’s photography in Prospect Park, this gorgeous and meditative volume captures the heart and soul of Brooklyn through one of its most cherished spaces.

    Known for his iconic NYC street photography documenting the city’s African American community, Jamel Shabazz first gained widespread acclaim with his books Back in the Days and A Time Before Crack, renowned for their vivid portrayal of 1980s style and culture.

    However, long before his fame as a photographer, Shabazz served in the military and as a corrections officer for twenty years. After long days at work, he often sought refuge in Brooklyn’s Prospect Park, describing it as a place to find inner peace—and, since 1980, he has continued capturing its vibrant spirit.

    This collection features his signature portraits of locals, from Afro-Caribbean percussionists at Drummer’s Grove to multicultural families enjoying moments of quiet reflection. Complementing these human-centered images are lesser-seen landscapes revealing the serene beauty of the park.

    Together, these photographs underscore its dual role as a bustling cultural hub and a tranquil refuge. Perfect for anyone who cherishes Brooklyn’s cultural history, this volume reveals a new and deeply personal side of Shabazz's work, offering a compelling portrait of community, resilience, and connection within an urban sanctuary.

  • Photography and the Black Arts Movement, 1955-1985

    Philip Brookman

    $65.00

    Featuring more than 100 artists, this landmark book charts the intricate connections between photography and the Black Arts Movement
     
    The Black Arts Movement brought together writers, filmmakers, and visual artists who were exploring ways of using art to advance civil rights and Black self-determination. This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to contribute to the development of a distinctly Black art and culture.
     
    Works by Romare Bearden, Dawoud Bey, Kwame Brathwaite, Samuel Fosso, Jeanne Moutoussamy-Ashe, Gordon Parks, Juan Sánchez, Robert A. Sengstacke, Lorna Simpson, Ming Smith, and Carrie Mae Weems, among dozens of other celebrated and underappreciated artists, span documentary and fashion photography, portraiture, collage, installation, performance, and video. Pictured luminaries include Miles Davis, Mahalia Jackson, Martin Luther King, Jr., Bob Marley, Nina Simone, Malcolm X, and many more. The book’s essays by distinguished scholars focus on topics such as women and the movement, community, activism, and Black photojournalism. Taking an expansive approach, the authors consider the complex connections between American artists and the African diaspora and the dynamic interchange of pan-African ideas that propelled the movement. Authoritative and beautifully illustrated, this is the definitive volume on photography and the Black Arts Movement.
     
    Published in association with the National Gallery of Art, Washington
     
    Exhibition Schedule:
     
    National Gallery of Art, Washington, DC
    (September 21, 2025–January 4, 2026)
     
    J. Paul Getty Museum, Los Angeles, CA
    (February 24–May 24, 2026)
     
    Mississippi Museum of Art, Jackson, MS
    (July 25–November 1, 2026)

  • Lauren Halsey: emajendat

    Lauren Halsey

    $60.00

    Inspired by the South Central Los Angeles neighborhood that the artist and her family have lived in for generations, Halsey’s expansive practice teems with the signs and symbols that populate that urban landscape and celebrates the community’s vitality and a creative form of resistance to advancing gentrification and the threat of erasure.

    The artist’s important work centers the on Black community, both aesthetically and materially. Halsey gathers icons of pride, autonomy, initiative, and resilience from local vernacular sources recontextualizing and reinterpreting them for her utopic fantasies of the city. Both celebrating Black cultural expressions and archiving them, her work—which includes wall works, massive multiroom installations, and immersive outdoor environments—is a potent reminder of the importance of community and home.

    Beyond the signs and symbols of contemporary South Central, Halsey employs the iconography of ancient Egypt as a means to reclaim lost legacies, drawing inspiration from Afrofuturism—a transcultural movement blending science fiction with aspects of Black art and culture—and the utopian architecture proposed in the 1960s by Archigram and Superstudio.

  • Arthur Jafa. Live Evil (English): LUMA

    Flora Katz

    $59.95

    Richly illustrated catalogue of the works of one of the most significant contemporary artists practicing today. In his both powerful and lyrical works, Jafa consistently reflects on the ontology of race and of blackness. Over several decades, Arthur Jafa has constructed a compelling body of work that defies categorization. Both powerful and lyrical, his practice combines a profoundly unsettling blend of images and histories. Bringing together affective memories that touch on the history of the United States of America, violence, repression, modalities of survival, and how these exist in the production and dissemination of images, music, sound, and time-based media, Jafa reflects on the ontology of race and of blackness. The catalogue explores the philosophical, historical, and artistic implications of Jafa’s work, featuring essays and a series of conversations between Jafa and key practitioners working in the fields of cinema, arts, and theory. Text: Norman Ajari, Tina M. Campt, Liam Gillick, Ernest Hardy, Saidiya Hartman, R.A. Judy, Nathaniel Mackey, Fred Moten, Julian Myers, Vassilis Oikonomopoulos, Peter Saville, James A. Snead, Greg Tate, and Peter Watts.

  • Sungi Mlengeya

    Tandazani Dhlakama

    $35.00

    Whether infused by movement or stillness, Mlengeya's black-and-white portrait paintings radiate both power and peace

    Born in 1991 in Dar es Salaam, Sungi Mlengeya captures the essence of Black womanhood in her haunting monochromatic acrylic portraits. The meticulously painted figures are set against a minimalist white background, creating a striking contrast that emphasizes skin texture and form. Her portraits, whether infused by movement or stillness, radiate both power and peace, offering the viewer intimate moments of strength and serenity. In this first monograph dedicated to Mlengeya, the curator Tandazani Dhlakama brilliantly analyzes how African, Black and feminist conditions are intertwined in her work, and the intimate conversation between Sungi and her model, Jemima Michael, takes us behind the scenes of a work in the making.

  • Black Ancient Futures

    Camila Maissune

    $45.00

    In Text und Bild stellt die Publikation die vorherrschende Darstellung Afrikas in Frage. Visuell ästhetisch werden Vergangenheit, Gegenwart und Zukunft afrikanischer oder Afrika stämmiger Kunst aufgearbeitet und eine neue transkontinentale Realität vorgeschlagen. Der Band bringt 11 Künstler aus der weitgreifenden afrikanischen Diaspora zusammen, die in unterschiedlichen Sprachen und Stilen ein neues Narrativ spannen. Die in der Publikation vereinten Werke und künstlerischen Stimmen zeigen ein neues Panorama für die afrikanische zeitgenössische Kunst – reich an Bezügen zur afrikanischen Geschichte, Mystik, Mythologie und Ökologie. Thematisiert werden dabei auch Themen wie Exil, Besiedelung, Sklaverei sowie Migration als Folge der aktuellen globalen Wirtschafts-, Politik- und Klimakrisen. Mit fantastischen Werken, Science-Fiction-Erzählungen und Diskursen, in denen Kritik, Satire und Ironie zutage treten, zeichnet Black Ancient Futures ein neues Bild der Schwarzen zeitgenössischen Kunst. Mit Werken von: Baloji, April Bey, Jeannette Ehlers, Lungiswa Gqunta, Evan Ifekoya, Kiluanji Kia Henda, Nolan Oswald Dennis, Gabriel Massan, Jota Mombaça, Sandra Mujinga und Tabita Rezaire

  • Jamal Cyrus: The End of My Beginning

    Jamal Cyrus

    $35.00

    The first full-length monograph of Houston-based visual artist Jamal Cyrus (born 1973), this publication features an overview of Cyrus’ practice of cobbling modern artifacts that trace the evolution of Black identity as it migrates across the African Diaspora, Middle Passage, jazz age and civil rights movements from the 1960s to now.
    Published to accompany Cyrus’ first career survey exhibition at the Blaffer Art Museum, the catalog includes materially diverse and conceptually charged textile-based pieces, assemblages, performances, installations, paintings and works on paper produced in the past two decades, including his ongoing Pride Records installation series.


    Together, these multidisciplinary artworks demonstrate Cyrus’ commemoration, translation and reactivation of sociopolitical struggles in African American history—forging a revised chronicle of histories, hybridity and redemption.

  • Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films

    Donald Bogle

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    This classic iconic study of black images in American motion pictures has been updated and revised, as Donald Bogle continues to enlighten us with his historical and social reflections on the relationship between African Americans and Hollywood. He notes the remarkable shifts that have come about in the new millennium when such filmmakers as Steve McQueen (12 Years a Slave) and Ava DuVernay (Selma) examined America's turbulent racial history and the particular dilemma of black actresses in Hollywood, including Halle Berry, Lupita Nyong'o, Octavia Spencer, Jennifer Hudson, and Viola Davis. Bogle also looks at the ongoing careers of such stars as Denzel Washington and Will Smith and such directors as Spike Lee and John Singleton, observing that questions of diversity in the film industry continue. From The Birth of a Nation, the 1934 Imitation of Life, Gone with the Wind, and Carmen Jones to Shaft, Do the Right Thing, and Boyz N the Hood to Training Day, Dreamgirls, The Help, Django Unchained, and Straight Outta Compton, Donald Bogle compellingly reveals the way in which the images of blacks in American movies have significantly changed-and also the shocking way in which those images have often remained the same.

  • Grace Wales Bonner: Dream in the Rhythm: Visions of Sound and Spirit

    Grace Wales Bonner

    $65.00

    A deeply personal meditation on and around modern Black expression, curated by the acclaimed London-based designer

    This volume, Grace Wales Bonner: Dream in the Rhythm―Visions of Sound and Spirit in the MoMA Collection, is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition Artist’s Choice: Grace Wales Bonner―Spirit Movers, this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.
    Grace Wales Bonner (born 1990) is the founder and artistic director of Wales Bonner. While she sees herself primarily as a researcher, her practice extends to curation, filmmaking and publishing. In 2019 she curated her first institutional exhibition, A Time for New Dreams, at the Serpentine Gallery, London. She has received numerous awards, including the LVMH Young Designer Prize (2016) and the CFDA International Men’s Designer of the Year (2021). She has also collaborated with brands including Adidas and Dior.

  • Black Elegies: Meditations on the Art of Mourning (On Seeing)

    Kimberly Juanita Brown

    $19.95

    A poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature—everywhere, if you know how to see it.

    In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the “national emergency of black grief.” With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others.

    Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production. Brown asks: How do you mourn those you are not supposed to see? And where does the grief go? She shows us that grief is everywhere: “It spills out of photographs and modulates music. It hovers in the tenor and tone of cinematic performances. It resides in the body like an inspired concept, waiting for its articulation.”

  • Jamea Richmond-Edwards: Ancient Future

    Adeze Wilford, Jamea Richmond-Edwards, Taylor Renee Aldridge, and Niama Safia Sandy

    $40.00

    Referencing everything from Erykah Badu to ancient Egyptian deities, Jamea Richmond-Edwards creates a brilliant multimedia panorama of Black history

    Detroit–based artist Jamea Richmond-Edwards (born 1982) creates work in dialogue with Afrofuturism, mythology, history and Black fashion. Her vibrantly colored canvases take inspiration from the AfriCOBRA collective and are layered with collage and portraiture. This catalog follows her largest solo museum exhibition to date, at the Museum of Contemporary Art, North Miami, and features a monumental painting, several large-scale paintings and a newly commissioned film. Using glitter, fabric and soft sculpture, these paintings depict the artist and her family reimagined as Egyptian deities, encountering dragons and paying homage to Indigenous leaders. The film Ancient Future uses a majorette performance superimposed against the cosmos activated by an experimental jazz soundtrack in collaboration with Richmond-Edwards’ son. The catalog features a selection of stills from the film and a gatefold of the new monumental work.

  • The Art of Remembering: Essays on African American Art and History (The Visual Arts of Africa and its Diasporas)

    Gwendolyn DuBois Shaw

    $28.95

    In The Art of Remembering art historian and curator Gwendolyn DuBois Shaw explores African American art and representation from the height of the British colonial period to the present. She engages in the process of "rememory"—the recovery of facts and narratives of African American creativity and self-representation that have been purposefully set aside, actively ignored, and disremembered. In analyses of the work of artists ranging from Scipio Moorhead, Moses Williams, and Aaron Douglas to Barbara Chase-Riboud, Kara Walker, Kehinde Wiley, and Deana Lawson, Shaw demonstrates that African American art and history may be remembered and understood anew through a process of intensive close looking, cultural and historical contextualization, and biographic recuperation or consideration. Shaw shows how embracing rememory expands the possibilities of history by acknowledging the existence of multiple forms of knowledge and ways of understanding an event or interpreting an object. In so doing, Shaw thinks beyond canonical interpretations of art and material and visual culture to imagine “what if,” asking what else did we once know that has been lost.

  • Alvin Ailey: A Life In Dance

    by Jennifer Dunning

    $25.99

    Alvin Ailey (1931-1989) was a choreographic giant in the modern dance world and a champion of African-American talent and culture. His interracial Alvin Ailey American Dance Theater provided opportunities to black dancers and choreographers when no one else would. His acclaimed "Revelations” remains one of the most performed modern dance pieces in the twentieth century. But he led a tortured life, filled with insecurity and self-loathing. Raised in poverty in rural Texas by his single mother, he managed to find success early in his career, but by the 1970s his creativity had waned. He turned to drugs, alcohol, and gay bars and suffered a nervous breakdown in 1980. He was secretive about his private life, including his homosexuality, and, unbeknownst to most at the time, died from AIDS-related complications at age 58.Now, for the first time, the complete story of Ailey's life and work is revealed in this biography. Based on his personal journals and hundreds of interviews with those who knew him, including Mikhail Baryshnikov, Judith Jamison, Lena Horne, Katherine Dunham, Sidney Poitier, and Dustin Hoffman, Alvin Ailey is a moving story of a man who wove his life and culture into his dance.

  • Vision & Justice: Aperture 223

    Aperture

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    Guest-edited by Sarah Elizabeth
    Lewis, Vision & Justice addresses
    the role of photography in the
    African American experience.

    As the United States navigates a political moment defined by the close of the Obama era and the rise of #BlackLivesMatter activism, Aperture magazine releases “Vision & Justice,” a special issue guest edited by Sarah Lewis, the distinguished author and art historian, addressing the role of photography in the African American experience.

    “Vision & Justice” includes a wide span of photographic projects by such luminaries as Lyle Ashton Harris, Annie Leibovitz, Sally Mann, Jamel Shabazz, Lorna Simpson, Carrie Mae Weems and Deborah Willis, as well as the brilliant voices of an emerging generation―Devin Allen, Awol Erizku, LaToya Ruby Frazier, Deana Lawson and Hank Willis Thomas, among many others. These portfolios are complemented by essays from some of the most influential voices in American culture including contributions by celebrated writers, historians, and artists such as Vince Aletti, Teju Cole, Henry Louis Gates, Jr., Margo Jefferson, Wynton Marsalis and Claudia Rankine.

    "Vision & Justice” features two covers. This issue comes with an image by Awol Erizku, Untitled (Forces of Nature #1), 2014.

  • Travel & See: Black Diaspora Art Practices since the 1980s

    by Kobena Mercer

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    In this set of essays that cover the period from 1992 to 2012, Kobena Mercer uses a diasporic model of criticism to analyze the cross-cultural aesthetic practice of African American and black British artists and to show how their refiguring of visual representations of blackness transform perceptions of race.
     
    Over the years, Kobena Mercer has critically illuminated the visual innovations of African American and black British artists. In Travel & See he presents a diasporic model of criticism that gives close attention to aesthetic strategies while tracing the shifting political and cultural contexts in which black visual art circulates. In eighteen essays, which cover the period from 1992 to 2012 and discuss such leading artists as Isaac Julien, Renée Green, Kerry James Marshall, and Yinka Shonibare, Mercer provides nothing less than a counternarrative of global contemporary art that reveals how the “dialogical principle” of cross-cultural interaction not only has transformed commonplace perceptions of blackness today but challenges us to rethink the entangled history of modernism as well.
  • The Color of Dance: A Celebration of Diversity and Inclusion in the World of Ballet

    by TaKiyah Wallace-McMillian

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    *Ships in 7-10 business days*

    From the photographer behind the Instagram sensation Brown Girls Do Ballet, this stunning coffee-table book showcases breathtaking images of ballerinas of color of all ages and levels that reflect today’s beautifully diverse world of dance. 

    For decades the prominent image of a ballet dancer has been a white body with pale clothing. It took 75 years for American Ballet Theatre to have its first African American female principal dancer, Misty Copeland. When TaKiyah Wallace-McMillian went to enroll her three-year-old daughter into her first ballet class, she immediately saw this lack of diversity and representation—even on her local dance studio’s website. Within weeks TaKiyah, a freelance photographer, began shooting a project she called Brown Girls Do Ballet, which eventually became an Instagram hit and a nonprofit organization that provides resources, mentorship, inspiration, and encouragement to young dancers of color worldwide.

    For her first book, The Color of Dance, TaKiyah traveled around the United States seeking out dancers of African, Asian, East Indian, Hispanic, and Native American ancestry. With these more than 190 breathtaking images of colorful ballerinas of all ages and levels, both amateur and professional, TaKiyah gives a voice to dancers who have been underrepresented for too long.

    With dozens of quotes throughout from ballerinas themselves, The Color of Dance redefines what this classically Eurocentric art form has looked like for centuries and will inspire dancers—and all of us—to pursue our dreams no matter what barriers are put in front of us.

  • Black Masculinities: Creating Emotive Utopias through Photography

    edited by Joshua Amissah

    $50.00

    *Ships in 7-10 Business Days*

    New visions and possibilities for Black masculinity through the lenses of 28 international photographers

    In Black Masculinities, clichés of Black identity and masculinity are deconstructed and remade with exhilarating flexibility and imagination through the lenses of 22 Black photographers from around the world. Deeply embedded in histories of slavery, racism and oppression, Black masculinity is often mediated as aggressive, hypersexual and violent. Here, Swiss author, artist and editor Joshua Amissah compiles work that contributes to a wider spectrum of Black masculinities. By doing so, he writes, "[the photographers] are also questioning the narratological function of race and gender in visual culture as a whole … the stereotyped entanglement of ‘Black identity’ and ‘masculinity’ is visually deconstructed, partly reproduced and, more importantly, charged with a new set of values."
    Photographers include: Kemka Ajoku, Kwaku Alston, Namafu Amutse, Eric Asamoah, Nuits Balnéaires, Arielle Bobb-Willis, Braylen Dion, Kofi Duah, Yannis Davy Guibinga, Jabari Jacobs, Kelvin Konadu, Jude Lartey, Naomi Mukadi, Maganga Mwagogo, Lakin Ogunbanwo, Ruby Okoro, RogersOuma, Micha Serraf, Ngadi Smart, Isaac West, Jozef Wright, and Ussi’n Yala.

  • Pharrell: Carbon, Pressure & Time: A Book of Jewels

    by Pharrell Williams

    $65.00

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    With pieces drawn from the extensive personal collection of Pharrell Williams, this is a stunning and unprecedented exploration of the “bling” in hip-hop culture and fashion.

    Few recording artists have had a greater hand in incorporating the culture of hip-hop into contemporary luxury than Pharrell Williams. Collaborating with Louis Vuitton nearly two decades ago, Pharrell was the first to have his designs integrated into the haute joaillerie of the great maisons. His innovative team-ups continue through to the present day, most memorably with Tiffany and Chanel, and the watchmaker Richard Mille.

    The most extravagant of these chains, rings, and pendants—crafted in precious metals and studded with gems—are as much a part of Pharrell’s musical performance as they are of his personal style. His designs, which include one-off pieces such as solid-gold cases for mobile phones and handheld game consoles, have been legendary for featuring iconography of Pharrell’s own brands, Billionaire Boys Club and Ice Cream.

    This book was originally published with two different colored covers. Customers will be shipped either of the colors at random. 

    Featured in the book are over 100 pieces, many of which he created in tandem with some of the most recognizable designers in the industry—such as Jacob & Co, Yoon & Verbal, and Lorraine Schwartz. With frequent collaborators such as NIGO® and Tyler the Creator, Pharrell discusses his role in the evolution of hip-hop jewelry, the processes involved in the creation of his one-of-a-kind custom pieces, and the state of connoisseurship in a growing market for the most extravagant of hip-hop collectibles.

  • Why Bushwick Bill Matters
    $18.95

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    In 1989 the Geto Boys released a blistering track, “Size Ain’t Shit,” that paid tribute to the group’s member Bushwick Bill. Born with dwarfism, Bill was one of the few visibly disabled musicians to achieve widespread fame and one of the even fewer to address disability in a direct, sustained manner. Initially hired as a dancer, Bill became central to the Geto Boys as the Houston crew became one of hip-hop’s most important groups.

    Why Bushwick Bill Matters chronicles this crucial artist and explores what he reveals about the relationships among race, sex, and disability in pop music. Charles L. Hughes examines Bill's recordings and videos (both with the Geto Boys and solo), from the horror-comic persona of “Chuckie” to vulnerable verses in songs such as “Mind Playing Tricks On Me,” to discuss his portrayals of dwarfism, addiction, and mental illness. Hughes also explores Bill’s importance to his era and to the longer history of disability in music. A complex figure, Bill exposed the truths of a racist and ableist society even as his violent and provocative lyrics put him in the middle of debates over censorship and misogyny. Confrontational and controversial, Bushwick Bill left a massive legacy as he rhymed and swaggered through an often-inaccessible world.

  • Glenn Ligon: A People on the Cover

    by Glenn Ligon

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    In this artist project, Glenn Ligon traces the representation of black people in the United States on book covers, highlighting the deliberate use of typography, photography and graphics.

    Best known for appropriating imagery and text from popular culture, Ligon has selected over 50 book covers – by both lesser-known and seminal authors such as James Baldwin, Norman Mailer, Toni Morrison – to explore a rich and complex set of histories and representations.

    Spanning the twentieth century and grouped thematically, the covers reveal correspondences between the past and the present, as well as links between the social and visual constructs of race, beauty and the body.

    To introduce the book, an essay by Ligon identifies one of the foundation stones of his life and work: the act of reading.
  • Omar Ba

    Omar Ba

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    Ba’s densely textured paintings intertwine African and European histories to explore the corrupting effects of wealth and power and their impacts on communities

    This is the first monograph on Dakar- and New York–based mixed-media painter Omar Ba (born 1977), whose surreal scenes of violence and fantasy draw from a wide and often dark portfolio of themes: despotic warlords of the present, traditional folklore, colonial oppression and the pharaohs of ancient Egypt. His most abiding theme is the experiences of Black communities, both within America and across the globe. Ba articulates all these narrative threads through a densely textured visual language, applying oil, gouache, crayon and India ink onto rough, readymade surfaces such as corrugated cardboard. After preparing uniform backgrounds rendered in black paint, Ba populates the scenes with an abundance of fantastical beings—part human, part animal or plant.

  • Kerry James Marshall: Mastry
    $65.00

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    The definitive monograph on contemporary African American painter Kerry James Marshall, accompanying a major traveling retrospective. This long-awaited volume celebrates the work of Kerry James Marshall, one of America’s greatest living painters. Born before the passage of the Civil Rights Act, in Birmingham, Alabama, and witness to the Watts riots in 1965, Marshall has long been an inspired and imaginative chronicler of the African American experience. Best known for large-scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth-century abstraction, as well as other sources such as the comic book and the muralist tradition. With luscious color and brushstrokes and highly detailed patterning, his direct and intimate scenes of black middle-class life conjure a wide range of emotions, resulting in powerful paintings that confront the position of African Americans throughout American history. Richly illustrated, this monumental book features essays by noted curators as well as the artist, and more than 100 paintings from throughout the artist’s career arranged thematically by subject: history painting; beauty, as expressed through the nude, portraiture, and self-portraiture; landscape; religion; and the politics of black nationalism.

  • Faith Ringgold: Politics / Power

    by Faith Ringgold

    $49.95

    Ringgold's most formative and influential political works are gathered in this beautifully designed clothbound volume

    Alongside reproductions of key works made between 1967 and 1981, Faith Ringgold: Politics / Power provides an overview of Ringgold's seminal artistic and activist work, and its historical context during these years, including accounts by the artist herself.
    During the 1960s and 1970s, Ringgold, a dedicated and impassioned civil rights advocate, established her voice as a feminist and within the Black Arts Movement. Her influential work expressed her in-depth knowledge of art history and contemporary art, as well as her activism. Spanning mediums such as painting, cut paper works, posters, collage and textile art, the works presented in this publication foreground the artist’s explicitly political pieces, for which she deployed new material and formal processes, and developed a radical aesthetics and vocabulary.
    Organized chronologically, the book allows readers to retrace the artist’s foundational creative approaches to contemporaneous social, political and artistic questions. It includes illustrations of individual artworks together with previously unpublished work and archival materials.

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