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First published in 1956, Proud Shoes is the remarkable true story of slavery, survival, and miscegenation in the South from the pre-Civil War era through the Reconstruction. Written by Pauli Murray the legendary civil rights activist and one of the founders of NOW, Proud Shoes chronicles the lives of Murray's maternal grandparents. From the birth of her grandmother, Cornelia Smith, daughter of a slave whose beauty incited the master's sons to near murder to the story of her grandfather Robert Fitzgerald, whose free black father married a white woman in 1840, Proud Shoes offers a revealing glimpse of our nation's history.

A panoramic history of Puerto Rico from pre-Columbian times to today

Puerto Rico is a Spanish-speaking territory of the United States with a history shaped by conquest and resistance. For centuries, Puerto Ricans have crafted and negotiated complex ideas about nationhood. Jorell Melndez-Badillo provides a new history of Puerto Rico that gives voice to the archipelago's people while offering a lens through which to understand the political, economic, and social challenges confronting them today.

In this masterful work of scholarship, Melndez-Badillo sheds light on the vibrant cultures of the archipelago in the centuries before the arrival of Columbus and captures the full sweep of Puerto Rico's turbulent history in the centuries that followed, from the first indigenous insurrection against colonial rule in 1511-led by the powerful chieftain Ageyban II-to the establishment of the Commonwealth in 1952. He deftly portrays the contemporary period and the intertwined though unequal histories of the archipelago and the continental United States.

Puerto Rico is an engaging, sometimes personal, and consistently surprising history of colonialism, revolt, and the creation of a national identity, offering new perspectives not only on Puerto Rico and the Caribbean but on the United States and the Atlantic world more broadly.

Available in Spanish from our partners at Grupo Planeta

From the New York Times bestselling author of Almost There, a second chance romance between two dog lovers, perfect for readers of Abby Jimenez and Jasmine Guillory.  

From the outside, veterinarian Evie Williams appears to have the perfect but boring life. She is desperate to figure out a way to shake it up, but gets more than she bargained for when she finds her fiancé in bed with another woman. Suddenly, Evie is without a fiancé or a job, and isn’t sure what her next steps should be. That is, until her college crush, Bryson Mitchell, returns to town.  

Now, a nationally recognized veterinary surgeon, Bryson is stunned when he encounters Evie Williams for the first time in half a decade. When they learn the animal shelter where they used to volunteer is in danger of closing, the two must work together to save it. It has Bryson wondering, can he and Evie also save the friendship they once shared and finally bring it to the next level?

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An unforgettable memoir by an award-winning poet about being kidnapped from his Black father and raised by his white supremacist grandparents.

When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage—all the while believing they were doing what was best for him.

For their own safety and to ensure the kidnapping remained a success, Shane’s grandparents had to make sure that he never knew the full story, so he was raised to participate in his own disappearance. But despite elaborate fabrications and unreliable memories, Shane begins to reconstruct his own story and to forge his own identity. Gradually, the truth unveils itself, and with the truth, comes a path to reuniting with his father and finding his own place in the world.

A revelatory account of a singularly American childhood that hauntingly echoes the larger story of race in our country, Pulling the Chariot of the Sun is written with the virtuosity and heart of one of the finest poets writing today. And it is also a powerful reflection on what is broken in America—but also what might heal and make it whole again.

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From award-winning, bestselling author Ibi Zoboi and prison reform activist Yusef Salaam of the Exonerated Five comes a powerful YA novel in verse about a boy who is wrongfully incarcerated. One of the most acclaimed YA novels of the year—this Walter Award–winning, New York Times and Indie bestseller is now available in paperback—a must-read for fans of Jason Reynolds, Walter Dean Myers, and Elizabeth Acevedo. 

The story that I thought

was my life

didn’t start on the day

I was born

Amal Shahid has always been an artist and a poet. But even in a diverse art school, because of a biased system, he’s seen as disruptive and unmotivated. Then, one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. “Boys just being boys” turns out to be true only when those boys are white.

The story that I think

will be my life

starts today

Suddenly, at just sixteen years old, Amal is convicted of a crime he didn’t commit and sent to prison. Despair and rage almost sink him until he turns to the refuge of his words, his art. This never should have been his story. But can he change it?

With spellbinding lyricism, award-winning author Ibi Zoboi and prison reform activist Yusef Salaam tell a moving and deeply profound story about how one boy is able to maintain his humanity and fight for the truth in a system designed to strip him of both. 

In the tradition of Michelle Alexander, an unflinching reckoning with the impact of 40 years of racist public school policy on generations of Black lives

In Punished for Dreaming Dr. Bettina Love argues forcefully that Reagan’s presidency ushered in a War on Black Children, pathologizing and penalizing them in concert with the War on Drugs. New policies punished schools with policing, closure, and loss of funding in the name of reform, as white savior, egalitarian efforts increasingly allowed private interests to infiltrate the system. These changes implicated children of color, and Black children in particular, as low performing, making it all too easy to turn a blind eye to their disproportionate conviction and incarceration. Today, there is little national conversation about a structural overhaul of American schools; cosmetic changes, rooted in anti-Blackness, are now passed off as justice.

It is time to put a price tag on the miseducation of Black children. In this prequel to The New Jim Crow, Dr. Love serves up a blistering account of four decades of educational reform through the lens of the people who lived it. Punished for Dreaming lays bare the devastating effect on 25 Black Americans caught in the intersection of economic gain and racist ideology. Then with input from leading U.S. economists, Dr. Love offers a road map for repair, arguing for reparations with transformation for all children at its core.

NOW A NEW YORK TIMES AND A USA TODAY BESTSELLER

WINNER, 2024 GODDARD RIVERSIDE STEPHAN RUSSO BOOK PRIZE FOR SOCIAL JUSTICE

FINALIST, LOS ANGELES TIMES BOOK PRIZE

“I am an eighties baby who grew to hate school. I never fully understood why. Until now. Until Bettina Love unapologetically and painstakingly chronicled the last forty years of education ‘reform’ in this landmark book. I hated school because it warred on me. I hated school because I loved to dream.”
―Ibram X. Kendi, New York Times bestselling author of How to be an Antiracist

In the tradition of Michelle Alexander, an unflinching reckoning with the impact of 40 years of racist public school policy on generations of Black lives

In Punished for Dreaming, Dr. Bettina Love argues that Reagan’s presidency ushered in a War on Black Children. New policies punished schools with policing, closure, and loss of funding in the name of reform, as white-savior egalitarian efforts increasingly allowed private interests to infiltrate the system. These changes implicated children of color, and Black children in particular, as low performing, making it all too easy to turn a blind eye to their disproportionate conviction and incarceration. This book examines how decades of racist education policies have paved the way for the current structural overhaul of American schools. In this prequel to Michelle Alexander’s The New Jim Crow, Dr. Love serves up a blistering account of four decades of educational reform through the lens of the people who lived it. Then with input from leading U.S. economists, Dr. Love offers a road map for repair, arguing for reparations with transformation for all children at its core.

Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that is silent and suffocating.

As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their father’s authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins’ laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together.

Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.

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The “powerful” (Michelle Alexander) exploration of the harsh and harmful experiences confronting Black girls in schools, and how we can instead orient schools toward their flourishing.

On the day fifteen-year-old Diamond from the Bay Area stopped going to school, she was expelled for lashing out at peers who constantly harassed and teased her for something everyone on the staff had missed: she was being trafficked for sex. After months on the run, she was arrested and sent to a detention center for violating a court order to attend school.

In a work that Lisa Delpit calls “imperative reading,” Monique W. Morris chronicles the experiences of Black girls across the country whose complex lives are misunderstood, highly judged—by teachers, administrators, and the justice system—and degraded by the very institutions charged with helping them flourish. Painting “a chilling picture of the plight of black girls and women today” (The Atlantic), Morris exposes a world of confined potential and supports the rising movement to challenge the policies, practices, and cultural illiteracy that push countless students out of school and into unhealthy, unstable, and often unsafe futures.

At a moment when Black girls are the fastest growing population in the juvenile justice system, Pushout is truly a book “for everyone who cares about children” (Washington Post).

Book cover photograph by Brittsense/brittsense.com.

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Put Y’all Back in Chains outlines how the policies of President Joe Biden harm Black communities and limit opportunities for their success.

“Whether you agree or disagree, Horace Cooper’s latest book tackles the question of how Joe Biden’s policies affect Americans, especially those in minority and underserved communities. His research shows that the injuries are calamitous. Instead of a rising tide lifting all boats, the Biden policies are having a reverse effect, one that devastates bank accounts, crushes entrepreneurship, and steals the promise of the American Dream.

Horace painstakingly combs through the harsh results of these efforts, especially on lower income and working class people, who are hit hardest by the woke-policies of Joe Biden. If you want to see the real story the media isn’t telling, this book is a must read!”

–Sean Hannity, Fox News Host

A thorough examination of the ways that the policies of President Joe Biden are antithetical to the aspirations and dreams of Blacks, Put Y’all Back in Chains uncovers the reasons that the policies of the Biden Administration hurt Black communities in particular. And this is no accident.

Progressive policymakers relished Biden’s COVID-19 pandemic restrictions, his experiments with higher unemployment benefits and related regulatory programs, and especially his push for the green agenda. Consequently, working-class people, especially Black men, were hardest hit when it comes to finding employment as well as maintaining their financial lifestyle. Tragically, the Biden Agenda hurt the entire Black community, affecting educational attainment, wealth creation, and homeownership.

These dramatic downward changes were particularly hard to absorb for Black households, especially those that made tremendous gains during the Trump Administration.

It is increasingly clear that President Joe Biden’s priorities place Blacks at the back of the political bus. 

In this thoroughly researched book, Horace Cooper outlines how the minority group most likely to support Biden—Blacks—are systematically impaired by this White House and why the Black community needs to turn away from the Biden Administration and toward a brighter future.

My ignorance was on my side. I wasn’t afraid. I didn’t know what to be afraid of. I did one thing, I did another. I did what I now call crashing about. One day I started to write.

This collection of Jamaica Kincaid’s nonfiction writing, including early pieces from publications such as The New Yorker, The Village Voice, and Ms., proves what her admirers have always known: from the start, she has been a consummate stylist, and she has always been herself.

From “Jamaica Kincaid’s New York,” which narrates her move to the city from Antigua at the age of sixteen and a half, to the classic “Biography of a Dress,” her cultural criticism, and her original thinking about the meaning of the garden, Kincaid writes about the world as she finds it, imparting her own quizzical, rapier-sharp response to whatever crosses her path.

Putting Myself Together is a brilliant, trenchant, hilarious self-portrait of the artist and a testament to how this inimitable, self-created mind and spirit, endowed with wit, humor, and fearlessness, has become one of our greatest, most original writers.

A groundbreaking work challenging the false narrative that diversity equals a lack of qualifications by uncovering the impact of “competency checking,” a practice that unjustly scrutinizes Black people and other people of color, forcing them to repeatedly prove their worth, intelligence, and even their right to be in the workplace.

The advancement of Black and other people of color in the workplace is under attack as there is a turn away from the promise of the "racial reconciliation" of 2020. This period saw Black talent rise in the workplace from DEI managers to CEOs to junior-level hires. Yet, the post-2020 workplace is seeing an alarming retreat from creating workplaces and leadership that reflect the nation’s diversity.

That retreat is characterized by underemployment, cracked glass cliffs, toxic work environments, and claims of “empty pipelines.” More concerning, Black professionals and other people of color often face greater scrutiny than their peers regarding job applications, work experience, and qualifications to even be considered for employment or advancement. And that scrutiny has a name: Competency Checking.

When it comes to hiring Black talent, the pipeline isn’t broken; rather, it is the assumptions we make about who is competent and qualified. In Qualified, award-winning executive and journalist Shari Dunn combines deep research with enlightening interviews and anecdotes from across the broad spectrum of her career to uncover the history of Competency Checking, how it manifests in the workplace, and what can be done to change it. Competency checking, Dunn argues, continues to be practiced consciously and unconsciously and is the key reason why Black people and other people of color are underrepresented in so many industries and why there continues to be a revolving door of Black talent even after the hiring surges of 2020.

From #1 New York Times bestselling author Julia Quinn and television pioneer Shonda Rhimes comes a powerful and romantic novel of Bridgerton's Queen Charlotte and King George III's great love story and how it sparked a societal shift, inspired by the original series Queen Charlotte: A Bridgerton Story, created by Shondaland for Netflix.

“We are one crown. His weight is mine, and mine is his…”

In 1761, on a sunny day in September, a King and Queen met for the very first time. They were married within hours.

Born a German Princess, Charlotte of Mecklenburg-Strelitz was beautiful, headstrong, and fiercely intelligent… not precisely the attributes the British Court had been seeking in a spouse for the young King George III. But her fire and independence were exactly what she needed, because George had secrets… secrets with the potential to shake the very foundations of the monarchy.

Thrust into her new role as a royal, Charlotte must learn to navigate the intricate politics of the court… all the while guarding her heart, because she is falling in love with the King, even as he pushes her away. Above all she must learn to rule, and to understand that she has been given the power to remake society. She must fight—for herself, for her husband, and for all her new subjects who look to her for guidance and grace. For she will never be just Charlotte again. She must instead fulfill her destiny… as Queen.

 The boy who always felt like mine is now the man I can't have...

Dig a little and you'll find photos of me in the bathtub with Ezra Stern.

Get your mind out of the gutter. We were six months old.

Pry and one of us might confess we saved our first kiss for each other. The most clumsy, wet, sloppy . . . spectacular thirty seconds of my adolescence.

Get into our business and you'll see two families, closer than blood, torn apart in an instant.

Twenty years later, my "awkward duckling" best friend from childhood, the boy no one noticed, is a man no one can ignore.

Finer. Fiercer. Smarter.

Taken.

Tell me it's wrong.

Tell me the boy who always felt like mine is now the man I can't have.

When we find each other again, everything stands in our way--secrets, lies, promises.

But we didn't come this far to give up now.

And I know just the move to make if I want to make him mine.

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The Queen of Exiles is Marie-Louise Christophe, wife and then widow of Henry I, who ruled over the newly liberated Kingdom of Hayti in the wake of the brutal Haitian Revolution.

In 1810 Louise is crowned queen as her husband begins his reign over the first and only free Black nation in the Western Hemisphere. But despite their newfound freedom, Haitians still struggle under mountains of debt to France and indifference from former allies in Britain and the new United States. Louise desperately tries to steer the country’s political course as King Henry descends into a mire of mental illness.

In 1820, King Henry is overthrown and dies by his own hand. Louise and her daughters manage to flee to Europe with their smuggled jewels. In exile, the resilient Louise redefines her role, recovering the fortune that Henry had lost and establishing herself as an equal to the kings of European nations. With newspapers and gossip tracking their every movement, Louise and her daughters tour Europe like other royals, complete with glittering balls and princes with marriage proposals. As they find their footing—and acceptance—they discover more about themselves, their Blackness, and the opportunities they can grasp in a European and male-dominated world.  

Queen of Exiles is the tale of a remarkable Black woman of history—a canny and bold survivor who chooses the fire and ideals of political struggle, and then is forced to rebuild her life on her own terms, forever a queen.

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An ambitious and unflinching tale of colonialism, conquest, and revenge, Queen of the Conquered begins a powerful fantasy series set in a Caribbean-inspired world. 

*Named one of TIME's Top 100 Fantasy Books Of All Time
* World Fantasy Award for Best Novel, winner

On the islands of Hans Lollik, Sigourney Rose was the only survivor when her family was massacred by the colonizers. When the childless king of the islands declares he will choose his successor from amongst eligible noble families, Sigourney is ready to exact her revenge.

But someone is killing off the ruling families to clear a path to the throne. And as the bodies pile up and all eyes regard her with suspicion, Sigourney must find allies among her prey and the murderer among her peers... lest she become the next victim. 

With all the aspirational elements of Eloise and the heart and emotional intelligence of Ways to Make Sunshine, Cruise Life by Reese Eschmann is sure to set sail for success!

All aboard!

Caitlin and her big brother, Dylan, are still getting used to shuttling between Mom’s new little house and Dad’s fancy new condo after their divorce. But summer means a solid six weeks with her dad. Finally, one toothbrush in one place and all her outfits together! So when her dad announces that he’s gotten a new job on the fanciest, most fun, family-friendly cruise line -- and he’s bringing his kids along -- Caitlin has mixed feelings. For about a minute!

Then off she goes on the adventure of a lifetime on the biggest ship she’s ever seen, the Wandering Princess, which is tricked out to perfection. But soon the pressures of being a crew kid get to Caitlin. She's already had to adjust to two new homes . . . will she be able to make the Wandering Princess her third?

The inspiration for the acclaimed OWN TV series produced by Oprah Winfrey and Ava DuVernay

When Charley unexpectedly inherits eight hundred acres of sugarcane land, she and her eleven-year-old daughter say goodbye to smoggy Los Angeles and head to Louisiana. She soon learns, however, that cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley struggles to balance the overwhelming challenges of a farm in decline with the demands of family and the startling desires of her own heart.

From Ramallah to New York, Tel Aviv to Porto Alegre, people around the world celebrate a formidable, transnational Palestinian LGBTQ social movement. Solidarity with Palestinians has become a salient domain of global queer politics. Yet LGBTQ Palestinians, even as they fight patriarchy and imperialism, are themselves subjected to an "empire of critique" from Israeli and Palestinian institutions, Western academics, journalists and filmmakers, and even fellow activists. Such global criticism has limited growth and led to an emphasis within the movement on anti-imperialism over the struggle against homophobia.

With this book, Sa'ed Atshan asks how transnational progressive social movements can balance struggles for liberation along more than one axis. He explores critical junctures in the history of Palestinian LGBTQ activism, revealing the queer Palestinian spirit of agency, defiance, and creativity, in the face of daunting pressures and forces working to constrict it. Queer Palestine and the Empire of Critique explores the necessity of connecting the struggles for Palestinian freedom with the struggle against homophobia.

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A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time

Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and black freedom.

Keeling reads selected works, such as Sun Ra’s 1972 film Space is the Place and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar “speculations” of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and black futures, and the previously unimagined spaces that they can conjure.

A classic novel of identity, sexuality, religion, and race by the author of Passing, hailed as “an original and hugely insightful writer” by The New York Times—with an introduction by Asali Solomon, author of The Days of Afrekete “Quicksand . . . open[s] up a whole world of experience and struggle that seemed to me, when I first read [it] years ago, absolutely absorbing, fascinating, and indispensable.”—Alice Walker Born to a white Danish mother and a Black American father, Helga Crane has long struggled to carve a path for herself amid the racial segregation of the early twentieth century. As a teacher at an all-Black boarding school in the South, Helga quickly becomes unsettled by the way the school measures excellence based on proximity to whiteness. Journeying to Chicago, Harlem, and Copenhagen, she attempts to thrive free from the constraints of category—mother or wife, promiscuous or chaste, white or Black, American or Danish. But these categories, though slippery and unstable, are constantly reinforced. Helga finally settles into a life that feels secure yet completely at odds with her previous ambitions—married to a preacher in the Deep South, hoping to find peace under the wings of the Church. Landing back where she started, in social and existential oblivion, Helga forces us to consider: In a society marred by injustice, is it even possible to find a true, authentic self? With intriguing parallels to Larsen’s own life, Quicksand is an engrossing page-turner that is as relevant now as ever before. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

A black British poet making her thrilling American debut explores the importance of “quiet” in producing forms of community, resistance, and love.

How does one encounter meaning amid so many kinds of noise? What is quiet when it isn’t silence? Where does quiet exist—and what liberating potential might it hold? These poems dwell on ideas of black interiority, intimacy, and selfhood, and they celebrate as fiercely as they mourn. With a metaphysical edge and a formal restlessness attuned to both the sonics and the inadequacies of language, Quiet navigates the tension between the impulse to guard one’s inner life and the knowledge that, as Audre Lorde writes, "your silence will not protect you."

In Houston, as in the rest of the American South up until the 1950s, the police force reflected and enforced the segregation of the larger society. When the nation began to change in the 1950s and 1960s, this guardian of the status quo had to change, too. It was not designed to do so easily.

Dwight Watson traces how the Houston Police Department reacted to social, political, and institutional change over a fifty-year period—and specifically, how it responded to and in turn influenced racial change.

Using police records as well as contemporary accounts, Watson astutely analyzes the escalating strains between the police and segments of the city’s black population in the 1967 police riot at Texas Southern University and the 1971 violence that became known as the Dowling Street Shoot-Out. The police reacted to these events and to daily challenges by hardening its resolve to impose its will on the minority community.

By 1977, the events surrounding the beating and drowning of Jose Campos Torres while in police custody prompted one writer to label the HPD the “meanest police in America.” This event encouraged Houston’s growing Mexican American community to unite with blacks in seeking to curb police autonomy and brutality.

Watson’s study demonstrates vividly how race complicated the internal impulses for change and gave way through time to external pressures—including the Civil Rights Movement, modernization, annexations, and court-ordered redistricting—for institutional changes within the department. His work illuminates not only the role of a southern police department in racial change but also the internal dynamics of change in an organization designed to protect the status quo.