Seldom does a book have the impact of Michelle Alexander's The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it helped inspire the creation of the Marshall Project and the new $100 million Art for Justice Fund; it has been the winner of numerous prizes, including the prestigious NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list.

Most important of all, it has spawned a whole generation of criminal justice reform activists and organizations motivated by Michelle Alexander's unforgettable argument that "we have not ended racial caste in America; we have merely redesigned it." As the Birmingham News proclaimed, it is "undoubtedly the most important book published in this century about the U.S."

Now, ten years after it was first published, The New Press is proud to issue a tenth-anniversary edition with a new preface by Michelle Alexander that discusses the impact the book has had and the state of the criminal justice reform movement today.

The New Negro (1925) is an anthology by Alain Locke. Expanded from a March issue of Survey Graphic magazine, The New Negro compiles writing from such figures as Countee Cullen, Langston Hughes, Zora Neale Hurston, Jean Toomer, and Locke himself. Recognized as a foundational text of the Harlem Renaissance, the collection is organized around Locke’s writing on the function of art in reorganizing the conception of African American life and culture. Through self-understanding, creation, and independence, Locke’s New Negro came to represent a break from an inhumane past, a means toward meaningful change for a people held down for far too long.

“[F]or generations in the mind of America, the Negro has been more of a formula than a human being—a something to be argued about, condemned or defended, to be ‘kept down,’ or ‘in his place,’ or ‘helped up,’ to be worried with or worried over, harassed or patronized, a social bogey or a social burden.” Identifying the representation of black Americans in the national imaginary as oppressive in nature, Locke suggests a way forward through his theory of the New Negro, who “wishes to be known for what he is, even in his faults and shortcomings, and scorns a craven and precarious survival at the price of seeming to be what he is not.” Throughout The New Negro, leading artists and intellectuals of the Harlem Renaissance offer their unique visions of who and what they are; voicing their concerns, portraying injustice, and illuminating the black experience, they provide a holistic vision of self-expression in all of its colors and forms.

With a beautifully designed cover and professionally typeset manuscript, this edition of Alain Locke’s The New Negro is a classic of African American literature reimagined for modern readers.

The first tarot to celebrate an African-American culture, this book and 79-card deck capture both the spirit and the imagery of Voodoo`s African, West Indian, and Catholic influences. Ancient and earth-honoring, Voodoo`s practices take on different forms specific to time and place, but its essence remains focused on the loa--the potent spiritual forces of Voodoo that are manifested directly through human beings and their actions. The authors draw strong parallels between the Waite and Thoth Tarots, the Kabalistic Tree of Life, and the Voodoo tradition as it is practiced in New Orleans. Just as the major and minor arcana of the Tarot represent the archetypes of the human psyche and the natural forces of our world, so do the loa of Voodoo embody the primal energies of the universe. With a variety of spreads and readings, the authors show how the Tarot can be an idea channel through which the loa exercise their powers to teach, advise, and initiate the serious student into their mysteries

It’s the early 1960s, and as the Civil Rights movement begins to reach segregated Tallahassee, the young, deeply principled Elwood Curtis takes the words of Dr. Martin Luther King, Jr. to heart: he is “as good as anyone.”

He is about to enroll in the local black college, but for a black boy in the Jim Crow South, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials steal food and supplies, and any boy who resists is likely to disappear “out back.” Stunned to find himself in such a vicious environment, Elwood tries to hold on to Dr. King’s ringing assertion: “Throw us in jail and we will still love you.” His friend Turner thinks Elwood is worse than naive—that the world is crooked and the only way to survive is to scheme and avoid trouble. The tension between Elwood’s ideals and Turner’s skepticism leads to a decision whose repercussions will echo down the decades.

Formed in the crucible of the evils Jim Crow wrought, the boys’ fates will be determined by what they endured at the Nickel Academy.

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In this twisty and electrifying debut novel, a young woman goes missing in Lagos, Nigeria, and her estranged auntie will stop at nothing to find the truth behind her disappearance. Perfect for fans of My Sister, the Serial Killer and The Last Thing He Told Me.

Nicole Oruwari has the perfect life: a hand­some husband; a palatial house in the heart of glittering Lagos, Nigeria; and a glamorous group of friends. She left gloomy London and a troubled family past behind for sunny, moneyed Lagos, becoming part of the Nigerwives—a com­munity of foreign women married to Nigerian men.

But when Nicole disappears without a trace after a boat trip, the cracks in her so-called perfect life start to show. As the investigation turns up nothing but dead ends, her auntie Claudine decides to take matters into her own hands. Armed with only a cell phone and a plane ticket to Nigeria, she digs into her niece’s life and uncov­ers a hidden side filled with dark secrets, isolation, and even violence. But the more she discovers about Nicole, the more Claudine’s own buried history threatens to come to light.

An inventively told and keenly observant thriller where nothing is as it seems, The Nigerwife offers a razor-sharp look at the bonds of family, the echoing consequences of secrets, and whether we can ever truly outrun our past.

Journey with a young girl as she explores the mesmerizing wonders of a Nigerian night market, where each stall is an adventure waiting to be discovered! Filled with vibrant illustrations, this captivating picture book invites young readers into a world of magic, mystery, and the joy of finding treasures in unexpected places.

The Night Market is here again, and all one girl needs is a bag of gold coins to enter. The market is alive with the sound of hawkers and traders. “A taste of tangy sweetness!” hollers a man behind a towering fountain of lemonade. “I’ll trade you a joke for a coin,” a little boy calls. “Home grown spices!” shouts a granny at a counter. What should the girl buy? But, wait! Do you hear that? It's the sound of an old African drum. Have a turn, then learn to make cards disappear when you shout Abracadabra! When the sun starts to rise and the night market winds down, the girl has one gold coin left—just enough to buy a return ticket to the night market.

With stunning illustrations by Nigerian-American artist Briana Mukodiri Uchendu, here is an enchanting read aloud about curiosity and the wonders that lie hidden in plain sight.

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Mystery bookstore owner Samantha Washington is trying to keep her grandmother from spending her golden years in an orange jumpsuit . . .
 
The small town of North Harbor, Michigan, is just not big enough for the two of them: flamboyant phony Maria Romanov and feisty Nana Jo. The insufferable Maria claims she's descended from Russian royalty and even had a fling with King Edward VIII back in the day. She’s not just a lousy liar, she's a bad actress, so when she nabs the lead in the Shady Acres Senior Follies—a part Nana Jo plays every year in their retirement village production—Nana Jo blows a gasket and reads her the riot act in front of everyone.
 
Of course, when Maria is silenced with a bullet to the head, Nana Jo lands the leading role on the suspects list. Sam’s been writing her newest mystery, set in England between the wars, with her intrepid heroine Lady Daphne drawn into murder and scandal in the household of Winston Churchill. But now she has to prove that Nana Jo’s been framed. With help from her grandmother's posse of rambunctious retirees, Sam shines a spotlight on Maria’s secrets, hoping to draw the real killer out of the shadows . . .
 

Does a second chance at happiness include your husband's three best friends?

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The creators of The Old Truck set sail with an old boat and an evocative, intricately crafted exploration of home and family.

Off a small island,

an old boat sets sail

and a young boy

finds home.

Together, boy and boat ride the shifting tides, catching wants and wishes until fate calls for a sea change. Brothers and collaborators Jarrett and Jerome PumphreyÕs newest picture book is a masterfully crafted celebration of the natural world and tribute to the families we make and the homes that we nurture.

“Gripping and passionate . . . keenly recounted . . . full of poetry.”—New York Times

Now in a beautiful new edition, the spellbinding classic tale of man and nature, honor, and adventure, in which the peaceful life of an aging, book-loving widower in the Ecuadorean jungle is upended when an ignorant tourist provokes a mother ocelot.

Antonio José Bolivar Proaño lives quietly in a river town in the rain-soaked jungle of Ecuador that is slowly being overrun by tourists and opportunists. Having lost his wife decades earlier, he takes refuge in books—paperback novels of faraway places and bittersweet love, delivered to him by the dentist who visits the village twice a year.

One day, a greedy trader pushes nature too far, setting an enraged mother ocelot on a bloody rampage through the village. The old man, a hunter who once lived among the Shuar Indians and knows the jungle better than anyone, is pressured by the village's detested mayor to join the expedition to kill the animal. Reluctantly. the old man is forced into the middle of a raging conflict between man and nature that will end in a powerfully climactic confrontation.

A young girl turns her imagination into action in this beautifully crafted and intricately designed debut picture book.

When is an old truck something more? On a small, bustling farm, a resilient and steadfast pickup works tirelessly alongside the family that lives there, and becomes a part of the dreams and ambitions of the family’s young daughter.

After long days and years of hard work leave the old truck rusting in the weeds, it’s time for the girl to roll up her sleeves. Soon she is running her own busy farm, and in the midst of all the repairing and restoring, it may be time to bring her faithful childhood companion back to life.

With an eye-catching retro design and cleverly nuanced illustrations, The Old Truck celebrates the rewards of determination and the value of imagination.

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A collection of raucous stories that offer a panoramic view of New Orleans from the author of the “stunning and audacious” (NPR) debut novel We Cast a Shadow.

Maurice Carlos Ruffin has an uncanny ability to reveal the hidden corners of a place we thought we knew. These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture.

In “Beg Borrow Steal,” a boy relishes time spent helping his father find work after just coming home from prison; in “Ghetto University,” a couple struggling financially turns to crime after hitting rock bottom; in “Before I Let You Go,” a woman who’s been in NOLA for generations fights to keep her home; in “Fast Hands, Fast Feet,” an Army vet and a runaway teen find companionship while sleeping under a bridge; in “Mercury Forges,” a flash fiction piece among several in the collection, a group of men hurriedly make their way to a home where an elderly gentleman lives, trying to reach him before the water from Hurricane Katrina does; and in the title story, a young man works the street corners of the French Quarter, trying to achieve a freedom not meant for him.

These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian.

A captivating debut collection exploring longing, loneliness, and connection, in stories that feature Cuban American characters and uncanny, speculative twists.

In the tradition of narrativa de lo inusual (narrative of the unusual), The Only Sound Is the Wind combines the fantastic with the everyday, weaving elements of magical realism and surrealist twists to sharpen our view of human (and animal) connection. In the title story, the arrival of a mail-order clone complicates a burgeoning romance; a lonely librarian longing for her homeland strikes up an unusual relationship in the award-winning “The Moth”; when humans start giving birth to puppies and kittens in “This New Turn,” a realignment of the natural order ensues. With a playful tenderness and satirical bent, The Only Sound Is the Wind explores solitude and communion, opening strange new worlds where characters try to make their way toward love.

Breathtaking in every form, The Opposite of Breathing is Cement is an ode to healing by exposing long-held wounds to the light in hopes that something fruitful is created. Icess Fernandez Rojas' debut collection dribbles between political arches, cultural identity, love, and mental illness where in dark corners of the mind exists a brave flicker from a candle. That light is more than hope, it's the start of something new. "We yell our whispers and /save subtlety for our art" in "Forgetting Cuba;" in "My Mothers," Rojas asks to "Recall baptism in clear waters, salted by Earth and divine prayers / slapped awake by rolling waves." She plays with form in duplexes and letters, which provides a brevity to the otherwise intense pacing of this collection. Yearn for a change that "comes in pixels and presence / in proclamations and the pounding of feet on cement." Through these poems, bruises, lacerations, and grief are laid bare in unapologetic language. However, from these words also comes joy from the most surprising places, happiness among the ruins of despair, and images of something better always promised around the next corner.

Twenty-six-year-old editorial assistant Nella Rogers is tired of being the only Black employee at Wagner Books. Fed up with the isolation and microaggressions, she’s thrilled when Harlem-born and bred Hazel starts working in the cubicle beside hers. They’ve only just started comparing natural hair care regimens, though, when a string of uncomfortable events elevates Hazel to Office Darling, and Nella is left in the dust.

Then the notes begin to appear on Nella’s desk: LEAVE WAGNER. NOW.

It’s hard to believe Hazel is behind these hostile messages. But as Nella starts to spiral and obsess over the sinister forces at play, she soon realizes that there’s a lot more at stake than just her career.

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In a deliciously twisty tale of seduction, betrayal, and obsession from New York Times and USA Today bestselling author Shanora Williams, a scorned wife isn’t the only one looking for answers—at any price . . . Perfect for fans of Tarryn Fisher, Lisa Jewell, and Alyssa Cole!

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A stunning portrait of an African princess raised in Queen Victoria’s court and adapting to life in Victorian England—based on the real-life story of a recently rediscovered historical figure, Sarah Forbes Bonetta.

With a brilliant mind and a fierce will to survive, Sarah Forbes Bonetta, a kidnapped African princess, is rescued from enslavement at seven years old and presented to Queen Victoria as a “gift.” To the Queen, the girl is an exotic trophy to be trotted out for the entertainment of the royal court and to showcase Victoria’s magnanimity. Sarah charms most of the people she meets, even those who would cast her aside. Her keen intelligence and her aptitude for languages and musical composition helps Sarah navigate the Victorian era as an outsider given insider privileges.

But embedded in Sarah’s past is her destiny. Haunted by visions of destruction and decapitations, she desperately seeks a place, a home she will never run from, never fear, a refuge from nightmares and memories of death.

From West Africa to Windsor Castle to Sierra Leone, to St. James's Palace, and the Lagos Colony, Sarah juggles the power and pitfalls of a royal upbringing as she battles racism and systematic oppression on her way to living a life worthy of a Yoruba princess.

Based on the real life of Queen Victoria’s Black goddaughter, Sarah Forbes Bonetta’s story is a sweeping saga of an African princess in Victorian England and West Africa, as she searches for a home, family, love, and identity.

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The chilling truth is that his story could have been mine. The tragedy is that my story could have been his.

In December 2000, the Baltimore Sun ran a small piece about Wes Moore, a local student who had just received a Rhodes Scholarship. The same paper also ran a series of articles about four young men who had allegedly killed a police officer in a spectacularly botched armed robbery. The police were still hunting for two of the suspects who had gone on the lam, a pair of brothers. One was named Wes Moore. 

Wes just couldn’t shake off the unsettling coincidence, or the inkling that the two shared much more than space in the same newspaper. After following the story of the robbery, the manhunt, and the trial to its conclusion, he wrote a letter to the other Wes, now a convicted murderer serving a life sentence without the possibility of parole. His letter tentatively asked the questions that had been haunting him: Who are you? How did this happen?

That letter led to a correspondence and relationship that have lasted for several years. Over dozens of letters and prison visits, Wes discovered that the other Wes had had a life not unlike his own: Both had had difficult childhoods, both were fatherless; they’d hung out on similar corners with similar crews, and both had run into trouble with the police. At each stage of their young lives they had come across similar moments of decision, yet their choices would lead them to astonishingly different destinies.

Told in alternating dramatic narratives that take readers from heart-wrenching losses to moments of surprising redemption, The Other Wes Moore tells the story of a generation of boys trying to find their way in a hostile world.

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Do you know that feeling of "not belonging" when you have so much to say at a work meeting? Of being a "yes-girl" but getting passed up for promotions?

For women of color and children of immigrants, who are the “the other” at work, there's a different threshold of belonging that creates a false feeling of inadequacy. It can lead to being overwhelmed, overworked, and overlooked. The Other shatters the unspoken expectations for you to stay in your lane and gives you the tools to build unshakable confidence and a career that excels--on your own terms.  

Bestselling author and MSNBC reporter Daniela-Pierre Bravo spent many years undocumented and in the shadows as an immigrant from Chile, working odd jobs to pay her way through school. Like many other women of color she became an expert shape shifter in order to chameleon her way around professional environments that felt out of reach. When Daniela became a DACA recipient, she finally felt that she’d made it, rising through the ranks in her career. But she quickly realized that no matter how much success she achieved, she always felt she had to prove her worth as “the other.”

In The Other, Daniela shares her journey and those of other women to help you recognize your power in the workplace outside of the white gaze. She drives you to reshape the way you think about career advancement without losing your sense of identity and helps you see how to use your differences as an advantage. Smart, revealing, and loaded with practical steps, The Other is a framework for how to effectively advocate for yourself, become your biggest believer, claim the spaces in your career that are rightfully yours.
 

From the fashion mogul and entrepreneur behind Babes, an empowering memoir about turning what makes you different into the foundation of your success

Ciera Rogers is known for being an “Outsider”—and she likes it that way. As the founder and CEO of a multi-million-dollar brand that caters to curvy women of all shades, worn by the likes of Kim Kardashian and championed by Beyoncé, Ciera has rallied the very women the fashion industry is designed to ignore around the radical idea that what makes you different is actually your superpower.

The Outsider Advantage is for Outsiders like her: the dreamers, doers, and go-getters that society continuously overlooks and underestimates, but who are uniquely equipped to achieve glass-shattering success.

In this bold and inspiring memoir, Ciera shares the moments in her life that left the biggest impact—being kidnapped at a young age by her estranged father, running hustles in strip clubs, living in her mom’s red Jeep, daring to post her first outfit for sale on Instagram, hitting seven-figures, and buying a home—and unearths the powerful lessons she has taken away from her past and her unorthodox rise, like how to harness what you already have and how to use your trauma as a motivator. She also speaks to feelings of millennial rage, as on her journey, she came to realize that the American Dream is a lie. But she didn’t allow that to stop her from outmaneuvering the system to finally live the life she wanted.

Arguing that what the world calls limitations—lack of connections, resources, fancy degrees, or even the “right” look—are actually our biggest competitive advantages, Ciera teaches anyone who has ever been overlooked, ignored or underestimated how to embrace their Outsider status to find unstoppable success.

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Someone wants Morgan Shaw dead—or so the beautiful, brilliant, and hugely popular evening news anchor of top-rated Chicago TV station WLTV believes. Fearing for her safety, she turns to P. I. Ashe Cayne for protection. Though he sympathizes, Ashe turns her down—he’s not a bodyguard. But when Morgan’s car tires are slashed and she’s threatened again, Ashe agrees to help her.

Her mysterious assailant isn’t the only threat worrying Morgan. She’s nervous about the upcoming “sweeps”—the all-important overnight ratings period—which will determine Chicago’s highest-rated television newscast and the city’s number-one anchor. Morgan has long been Chicago’s news queen. Now, though her crown is in jeopardy. She refuses to lose to her crosstown rival, and will risk everything to stay on top—including an audacious investigation into the suspicious shooting of an unarmed African American man by a white cop. The explosive case and her discoveries boost her ratings—and create powerful enemies eager to protect their secrets.

To save his client and find the truth, Ashe must wade through the tangled layers of competitive local news and the deceptive schemes of its power players, and uncover the identities of those behind the murder of a seemingly innocent man.

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This groundbreaking work illuminates the phenomena of complex post-traumatic stress disorder (C-PTSD) as it is uniquely experienced by people of color, and provides a much-needed path to reclaiming health and wholeness despite the heavy burden of systemic, intergenerational, and attachment trauma resulting from racism in our country. Readers of color will find affirmation of their experience of C-PTSD from both a social justice and psychological lens, and learn techniques for reclaiming wholeness.

It’s time to heal the invisible wounds of complex trauma and reclaim your mind, body, and spirit.

If you are a person of color who has experienced repeated trauma—such as discrimination, race-related verbal assault, racial stigmatization, poverty, sexual trauma, or interpersonal violence—you may struggle with intense feelings of anger, mistrust, or shame. You may feel unsafe or uncomfortable in your own body, or struggle with building and keeping close relationships. Sometimes you may feel very alone in your pain. But you are not alone. This groundbreaking work illuminates the phenomena of complex post-traumatic stress disorder (C-PTSD) as it is uniquely experienced by people of color, and provides a much-needed path to health and wholeness.

In The Pain We Carry, you’ll find powerful tools to help you understand and begin healing from repeated trauma. You’ll discover ways to feel safer in your body, build self-compassion and resilience, and reclaim your health and wellness by reconnecting with your sense of self and your ancestral wisdom. You’ll learn how trauma is connected to grief, how it can affect both the mind and the body, and how it can persist from one generation to the next. Most importantly, you’ll find the validation you need to begin mending your heart, and the skills you need to live a life of intention—even in the midst of an oppressive system.

It’s time to find relief from the trauma and burdens you have been carrying and start celebrating and rediscovering who you are. With this guide, you will uncover your own strength in order to work toward healing C-PTSD within the external constraints you face to live a life of resilience, empowerment, reflection, and perseverance.

In this engaging and moving middle grade novel, Saadia Faruqi writes about a contemporary Pakistani American girl whose passion for journalism starts a conversation about her grandmother’s experience of the Partition of India and Pakistan—and the bond that the two form as she helps Dadi tell her story.

When her grandmother comes off the airplane in Houston from Pakistan, Mahnoor knows that having Dadi move in is going to disrupt everything about her life. She doesn’t have time to be Dadi’s unofficial babysitter—her journalism teacher has announced that their big assignment will be to film a documentary, which feels more like storytelling than what Maha would call “journalism.”

As Dadi starts to settle into life in Houston and Maha scrambles for a subject for her documentary, the two of them start talking. About Dadi’s childhood in northern India—and about the Partition that forced her to leave her home and relocate to the newly created Pakistan.

As details of Dadi’s life are revealed, Dadi’s personal story feels a lot more like the breaking news that Maha loves so much. And before she knows it, she has the subject of her documentary.

Two former high school sweethearts get a second chance in this marriage of convenience romance by Kristina Forest, author of The Neighbor Favor. To Violet Greene, fashion is everything. As a successful celebrity stylist, she travels all over the world, living out her dreams. Professionally, she’s thriving, but her personal life is in shambles. After surviving a very public breakup with her ex-fiancé six months ago, Violet is now determined to focus on her career. But life hands her something—or rather, someone—that might derail everything… Xavier Wright did not expect to run into his high school girlfriend Violet—the girl he once thought he’d marry—on a birthday trip to Vegas. As a high school teacher and basketball coach, he rarely leaves his New Jersey hometown, so what were the chances? But when the initial shock wears off, they decide to celebrate together. They feel young and reckless as they party the night away—and reckless they clearly were when the following morning, they wake up beside each other with rings on their fingers. Their impulsive nuptials might be a blessing in disguise, though, when they realize that both of their careers could benefit from the marriage. So they play the part of a blissfully wedded couple. Yet when their passion comes hurling back, they realize their feelings are just as real as they were back when they were teens. But are their lives too different to stick it through or will they finally get a happy ending?

Love, Simon meets Bend It Like Beckham in this feel-good contemporary romance about a trans athlete who must decide between fighting for his right to play and staying stealth.

“A sharply observant and vividly drawn debut. I loved every minute I spent in this story, and I’ve never rooted harder for a jock in my life.” – New York Times bestselling author Becky Albertalli

Fifteen-year-old Spencer Harris is a proud nerd, an awesome big brother, and a David Beckham in training. He's also transgender. After transitioning at his old school leads to a year of isolation and bullying, Spencer gets a fresh start at Oakley, the most liberal private school in Ohio.

At Oakley, Spencer seems to have it all: more accepting classmates, a decent shot at a starting position on the boys' soccer team, great new friends, and maybe even something more than friendship with one of his teammates. The problem is, no one at Oakley knows Spencer is trans—he's passing.

But when a discriminatory law forces Spencer's coach to bench him, Spencer has to make a choice: cheer his team on from the sidelines or publicly fight for his right to play, even though it would mean coming out to everyone—including the guy he's falling for.

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A multigenerational novel and an epic debut that explores the origins of a south Georgia family’s tradition and how its modern-day sons and daughters struggle the legacies of America’s Civil Rights Movement and the far-reaching impacts of the 1800s slave trade from Senegal to Charleston, S.C.

On a routine day, Fletcher Dukes drives his older sister, Olga, who is losing her sight, to do weekly grocery shopping at the Piggly Wiggly. On the liquor aisle, they pass a tall woman, head bowed reading a wine label. Fletcher smells her perfume first, then sees a strawberry birthmark on the nape of a woman’s neck and knows at once that this is his lost love, Altovise Benson. Fletcher and Altovise risked their lives together in sit-ins and marches, but their plan to marry was interrupted when the police turned a peaceful protest violent. The two were jailed in different towns leading to a separation that would ultimately span 52 years. Before Altovise’s departure, Fletcher carves her a peach seed monkey with diamond eyes. As we learn via harrowing flashbacks to 1800’s Senegal, an undiscovered Dukes ancestor who was sold into slavery carved the first monkey—the Peach Seed Monkey that forms the talismanic tradition, the rite of passage, that each generation of Dukes man gifts to his son on his 13th birthday—along with the tools and knowledge to carve them himself. By giving one to Altovise Fletcher initiates a physical and spiritual break in a tradition that like the Civil Rights Movement irrevocably shapes the lives of future generations including a Fletcher’s daughters, his grandson, Bo-D and a constellation of Dukes in the present.

From award-winning, New York Times bestselling author Ibi Zoboi comes her debut picture book—a tour de force that uses the principles of Kwanzaa to talk about the history of African Americans. This lyrical, powerful tribute is sumptuously illustrated by rising star Loveis Wise.

The People Remember tells the journey of African descendants in America by connecting their history to the seven principles of Kwanzaa. It begins in Africa, where people were taken from their homes and sold. They spoke different languages and had different customs. Yet they were bound and chained together and forced onto ships sailing into an unknown future. Ultimately, all these people had to learn one common language and create a culture that combined their memories of home with new traditions that enabled them to thrive in this new land. 

Sumptuously illustrated, this is an important book to read as a family—a story young readers can visit over and over again to deepen their understanding of African American history in relation to their own lives and current social justice movements. By turns powerful and revealing, this is a lyrical narrative that tells the story of survival as well as the many moments of joy, celebration, and innovation of Black people in America.