In this new edition of Nkrumah and the Ghana Revolution, C. L. R. James tells the history of the socialist revolution led by Kwame Nkrumah, the first president and prime minister of Ghana. Although James wrote it in the immediate post-independence period around 1958, he did not publish it until nearly twenty years later, when he added a series of his own letters, speeches, and articles from the 1960s. Although Nkrumah led the revolution, James emphasizes that it was a popular mass movement fundamentally realized by the actions of everyday Ghanaians. Moreover, James shows that Ghana’s independence movement was an exceptional moment in global revolutionary history: it moved revolutionary activity to the African continent and employed new tactics not seen in previous revolutions. Featuring a new introduction by Leslie James, an unpublished draft of C. L. R. James's introduction to the 1977 edition, and correspondence, this definitive edition of Nkrumah and the Ghana Revolution offers a revised understanding of Africa’s shaping of freedom movements and insight into the possibilities for decolonial futures.

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A persuasive primer on police abolition from two veteran organizers

“One of the world’s most prominent advocates, organizers and political educators of the [abolitionist] framework.” —NBCNews.com on Mariame Kaba

In this powerful call to action, New York Times bestselling author Mariame Kaba and attorney and organizer Andrea J. Ritchie detail why policing doesn’t stop violence, instead perpetuating widespread harm; outline the many failures of contemporary police reforms; and explore demands to defund police, divest from policing, and invest in community resources to create greater safety through a Black feminist lens.

Centering survivors of state, interpersonal, and community-based violence, and highlighting uprisings, campaigns, and community-based projects, No More Police makes a compelling case for a world where the tools required to prevent, interrupt, and transform violence in all its forms are abundant. Part handbook, part road map, No More Police calls on us to turn away from systems that perpetrate violence in the name of ending it toward a world where violence is the exception, and safe, well-resourced and thriving communities are the rule.

In this poignant memoir, as candid and indelible as The Glass Castle and Memorial Drive, a writer takes on the conflict between the love that binds us to home and the desire to escape it for good.

On a highway in Houston, Texas, Sarah LaBrie’s mother was found screaming at passing cars, terrified she would be murdered by invisible assailants. The diagnosis of schizophrenia that followed compelled Sarah to rethink her childhood, marked at turns by violence and all-consuming closeness.

Digging into the events that led to her mother’s break, Sarah traces her family history of mental illness, from the dysphoria that plagued her great-grandmother, a granddaughter of slaves, to her own experience with depression as a scholarship student at Brown. At the same time, she navigates a decades-long fixation on a novel she can’t finish but can't abandon, her complicated feelings about her white partner, and a fraught friendship colored by betrayal.

Spanning the globe from Houston’s Third Ward to Paris to Tallinn and New York to Los Angeles, No One Gets to Fall Apart is an unflinching chronicle of one woman's attempt to forge a new future through a better understanding of the past.

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No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba’s dulcet tones on a meditation app and the satisfaction of half-priced Entenmann’s poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy. The sour taps into an analysis of reclusiveness, silencing catcalls from men on the street, and detailed recipes and advice to the Black girls forced to endow themselves with armor against the world.

Cynthia Manick’s latest is a playlist of everyday life, introverted thoughts, familial bonds, and social commentary. In piercing language, she traces the circle of life for a narrator who dares to exist between youthful remembrances and adulthood realities. Each poem in No Sweet Without Brine is a reminder that a hint of sorrow makes the celebration and recognition of the glory of Blackness in all ways, and through all people, that much sweeter.

Are you plagued by regrets and past fears? Are you searching for a breakthrough or trying to find your true purpose? New York Times bestselling author Sarah Jakes Roberts reveals through life lessons and new insights from the story of Eve, how past disappointments, struggles, and even mistakes can be used today to help you become the woman God intended.

Who would imagine being friends with Eve--the woman who's been held responsible for the fall of humanity (and cramps) for thousands of years? Certainly not Sarah Jakes Roberts. That is, not until Sarah discovered she is more like Eve than she cares to admit.

Making her mistake in Eden, Eve became the first woman to deal with rebuilding her life in the aftermath of her past. Eve knew better, but she didn't do better. With a blend of scriptural lessons, Eve as the framework, and Sarah as your guide, you will discover and work through:

• Past issues and insecurities that haunt you
• Seeing yourself as God sees you and trusting Him with who you really are
• How to come out of darkness and pursue a real relationship with God
• Why it's important to truly care for yourself
• Setting in motion the beautiful seed that God planted in you

Everyone faces trials, and everyone will mess up. But failure shouldn't be the focus. Your focus should be not on who you were but rather on the pursuit of who you can become. In No Woman Left Behind Guided Journal, Sarah takes you deeper to help you understand that your purpose in life does not change; it evolves. This companion guided journal includes:

• Thought-provoking quotes from Sarah to inspire you to go deeper
• Guided prompts and exercises as you take steps toward discovering your evolving purpose
• Space to write your thoughts and reflections
• A beautiful foil-embellished cover and high-design interior with photography

Whether a gift for a woman you love or a self-purchase as you more deeply explore God's purpose for you, this guided journal will inspire, motivate, and offer practical steps to revolutionize your life. Your fears and insecurities may have altered your view of God, others, and yourself, but as you work through No Woman Left Behind Guided Journal, you can break through and use past mistakes to revolutionize your life. Like Eve, you don't have to live your future defined by your past.

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Designed as a companion to the hugely successful monograph Noah Davis, this volume offers further insight into the impact and legacy of the revolutionary Los Angeles artist and activist.

“Embedding his dreams on canvas and in the community, visionary American artist Noah Davis created a mighty legacy.” — Rachel Willcock, ArtReview (2022)
 
Looking to literature, film, architecture, and art history, Noah Davis imbued his ethereal paintings with emotion and imagination. Muted colors, fantastic scenes, and blurred subjects create an intoxicating vision. Attuned to the power of his medium, Davis layered his paintings—figuratively and literally—using a unique dry paint application to depict quotidian life at an enigmatic, almost magical remove. Featuring sumptuous close-ups throughout, this important new book brings into focus the rich, painterly variety and luminous detail of Davis’s canvases. 
 
With a special focus on the groundbreaking Underground Museum, which Noah Davis co-founded with his wife, Karon Davis, Noah Davis: In Detail includes a special conversation, moderated by Helen Molesworth, between Fred Moten, Glenn Ligon, Thomas Lax, and Julie Mehretu. This renowned group of artists and thinkers share personal experiences of the powerful and emotional impact of The Underground Museum and its connection to the larger artistic environs of Los Angeles. Franklin Sirmans contributes a new essay and Lindsay Charlwood, a lifelong friend of Noah’s, authors a chronology of his life, contextualizing his artistic and social achievements.

Featuring the lush, powerful paintings of Noah Davis, this blank book—the latest in The Artist Journals series—offers the ideal forum to energize the inner artist or writer.

The late American artist Noah Davis made his mark as both a painter of ethereal figurative works and as a pillar of the Los Angeles creative scene. With his wife and fellow artist Karon Davis he founded the Underground Museum in 2012, a generative cultural institution and artspace. His first Artist Journal celebrates his singular approach to delicate rendering, unexpected brushwork, and subjects surrounded by potent emotional luminescence.

About The Artist Journals
The Artist Journals go beyond canonical art to capture the modern and contemporary spirit of today’s most acclaimed painters, sculptors, and other major creative forces. Created in close collaboration with each artist or artist’s estate, these beautifully produced blank books—with their stunning wraparound cover artwork, endpapers, patterned interior pages, and bellybands that transform into collectible bookmarks—are works of art themselves, designed to inspire, collect, and gift to a wide audience

Since the early 2000s, the phenomenon of the “down low”—black men who have sex with men as well as women and do not identify as gay, queer, or bisexual—has exploded in news media and popular culture, from the Oprah Winfrey Show to R & B singer R. Kelly’s hip hopera Trapped in the Closet. Most down-low stories are morality tales in which black men are either predators who risk infecting their unsuspecting female partners with HIV or victims of a pathological black culture that repudiates openly gay identities. In both cases, down-low narratives depict black men as sexually dangerous, duplicitous, promiscuous, and contaminated.

In Nobody Is Supposed to Know, C. Riley Snorton traces the emergence and circulation of the down low in contemporary media and popular culture to show how these portrayals reinforce troubling perceptions of black sexuality. Reworking Eve Sedgwick’s notion of the “glass closet,” Snorton advances a new theory of such representations in which black sexuality is marked by hypervisibility and confinement, spectacle and speculation. Through close readings of news, music, movies, television, and gossip blogs, Nobody Is Supposed to Know explores the contemporary genealogy, meaning, and functions of the down low.

Snorton examines how the down low links blackness and queerness in the popular imagination and how the down low is just one example of how media and popular culture surveil and police black sexuality. Looking at figures such as Ma Rainey, Bishop Eddie L. Long, J. L. King, and Will Smith, he ultimately contends that down-low narratives reveal the limits of current understandings of black sexuality.

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Many black women have endured physical, sexual, and emotional abuse, domestic violence, pregnancy-related trauma, loss, and abandonment. Rather than admitting their pain—seen as a sign of weakness—black women mask their troubles behind the façade of being “strong” and ever capable of handling everything for themselves and those around them. Nobody Knows the Trouble I Have Seen helps women understand the high price they pay for wearing a mask of strength and provides a framework for healing.

Black women deprive themselves of experiencing a full range of emotions and tend to hang on to anger and hurt which simmer. This leads to feelings of shame, loneliness, and other negative emotions that test their mental health. In addition, black women are less likely to acknowledge their mental health needs or to seek mental health treatment, increasing their risks for depression, anxiety, post-traumatic stress, and suicidal thoughts which can lead to debilitating physical problems, including obesity, diabetes, hypertension, and cardiovascular disease.

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"With Nobody's Magic, Destiny Birdsong has given us a devastatingly beautiful, sexy, searing gift. These are stunning, irresistible stories of Southern Black womanhood that I will return to again and again."—Deesha Philyaw, National Book Award finalist for The Secret Lives of Church Ladies

In this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives.   

Suzette, a pampered twenty-year‑old, has been sheltered from the outside world since a dangerous childhood encounter. Now, a budding romance with a sweet mechanic allows Suzette to seek independence, which unleashes dark reactions in those closest to her. In discovering her autonomy, Suzette is forced to decide what she is willing to sacrifice in order to make her own way in the world.

Maple is reeling from the unsolved murder of her free‑spirited mother. She flees the media circus and her judgmental grandmother by shutting herself off from the world in a spare room of the motel where she works. One night, at a party, Maple connects with Chad, someone who may understand her pain more than she realizes, and she discovers that the key to her mother's death may be within her reach.

Agnes is far from home, working yet another mind‑numbing job. She attracts the interest of a lonely security guard and army veteran who’s looking for a traditional life for himself and his young son. He’s convinced that she wields a certain “magic,” but Agnes soon unleashes a power within herself that will shock them both and send her on a trip to confront not only her family and her past, but also herself.
 
This novel, told in three parts, is a searing meditation on grief, female strength, and self‑discovery set against a backdrop of complicated social and racial histories. Nobody's Magic is a testament to the power of family—the ones you're born in and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future.

This subscription is perfect for community members wanting to dive deep into Black-authored social-political, historical, and nonfiction analysis, commentary, and studies. 

What you get: A mix of hardcover and paperback frontlist and backlist books from traditional publishers and university presses.

Ordering deadline:  Subscription orders placed before the 17th of the month are guaranteed to ship on the first Tuesday of the following month when all subscriptions are shipped.

Ordering Instructions:  Please select your subscription frequency (monthly, bi-monthly, or quarterly) and proceed to checkout.

Gift subscriptions:  Subscriptions make really great gifts.  Please make sure the shipping address is the correct address for the gift recipient.

Shipping will be calculated at checkout.  All subscriptions ship via media mail and will arrive within 3-8 business days of the ship date.

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Anwuli Okwudili prefers to be called AO. To her, these initials have always stood for Artificial Organism. AO has never really felt…natural, and that’s putting it lightly. Her parents spent most of the days before she was born praying for her peaceful passing because even in-utero she was “wrong”. But she lived. Then came the car accident years later that disabled her even further. Yet instead of viewing her strange body the way the world views it, as freakish, unnatural, even the work of the devil, AO embraces all that she is: A woman with a ton of major and necessary body augmentations. And then one day she goes to her local market and everything goes wrong.

Once on the run, she meets a Fulani herdsman named DNA and the race against time across the deserts of Northern Nigeria begins. In a world where all things are streamed, everyone is watching the “reckoning of the murderess and the terrorist” and the “saga of the wicked woman and mad man” unfold. This fast-paced, relentless journey of tribe, destiny, body, and the wonderland of technology revels in the fact that the future sometimes isn’t so predictable. Expect the unaccepted.

Euphoria meets Girl in Pieces in this coming-of-age story of a girl trying to put a grief-stricken past behind her, only to be startled by the discovery of a long-lost sister who puts into question everything she thought she knew.

Amélie Cœur has never known what it truly means to be happy.

She thought she’d found happiness once, in a love that ended in tragedy and nearly sent her over the edge. Now, at seventeen, Mel is beginning to piece her life back together. Under the supervision of Laurelle Child Services, the exclusive foster care agency that raised her, Mel is sober and living with a new family among Manhattan’s elite. It’s her last chance at adoption before she ages out of the system, and she promised, this time, she’ll try.

But a casual relationship with a boy is turning into something she never intended for it to be, causing small cracks in her carefully constructed walls. Then the sister she has no memory of contacts Mel, unearthing complicated feelings about the past and what could have been.

As the anniversary of the worst day of her life approaches, Mel must weather the rising tides of grief and depression before she loses herself, and those close to her, all over again.

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Can Lawrence figure out how to get on the board, even though the odds are stacked against him?

Introducing a powerful novel about family, forgiveness, and figuring out who you are when you don’t make the rules—just right for middle-grade fans of Nic Stone and Jason Reynolds.

Lawrence is ready for a win. . . .

Nothing’s gone right for Lawrence since he had to move from Charlotte to Larenville, North Carolina, to live with his granny. When Lawrence ends up in one too many fights at his new school, he gets expelled. The fight wasn’t his fault, but since his pop’s been gone, it feels like no one listens to what Lawrence has to say.

Instead of going to school, Lawrence starts spending his days at the rec center, helping out a neighbor who runs a chess program. Some of the kids in the program will be picked to compete in the Charlotte Classic chess tournament. Could this be Lawrence's chance to go home?

Lawrence doesn’t know anything about chess, but something about the center—and the kids there—feels right. Lawrence thought the game was over . . . but does he have more moves left than he thought?

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A debut illustrated manifesto by Rinny Perkins (@RinnyRiot) about what she's learned as a queer Black woman through the art of self-validation.

In this graphic collection of mini essays, comedian Rinny Perkins illustrates her experiences as the owner of a popular online shop while she figures out antidepressant prescriptions and the seemingly never-ending dating-app cycle.
 
Rinny shares what she's learned across topics like mental health, work, sex and dating, and family and friends. Featuring funny, real reflections from experiences in her hometown of (Third Ward!) Houston, Texas to Los Angeles — the author traces her journey to understanding that whether through a friendship break-up or saving up for a Telfar bag, the only person who can truly validate us is ourselves.
 
With 1970s-inspired graphics like a "When To Quit Your Job" checklist and Microaggressions Bingo, Not Everyone's Going to Like You is a long DM of affirmations from Rinny to herself on how to get through life. Her advice? Stop ignoring your intuition, ignore perfection, and leave them on read.

Being queer and Asian American; families we are born into and ones we chose; nostalgia, trauma and history—all dissected fearlessly.

Based on the author’s real experience, this charming and hilarious picture book follows a solitary homeowner who insists she’s much too busy to adopt a stray cat…until the cat adopts her.

Staceypants lives in a beautiful yellow house in Charm City where she stays busy fixing things, planting pretty flowers, and keeping her home clean. One day, she finds a scruffy gray cat perched on her fence. But Staceypants definitely does not want a cat. Cats scratch furniture, jump on everything, and they need a litter box!

No, this is not Staceypants’s cat. Not when the cat comes back again and again. Not when Staceypants buys the cat a fancy cat bed. Not even when she and the cat sunbathe and do porch yoga together. But what will she do when the cat that’s not her cat disappears?

Tasha Jenkins has tried—and failed—to leave her abusive husband. But a chance encounter with a white woman fleeing her own angry husband entangles the lives of two strangers from very different worlds.

Tasha and Madison want to help each other out of their marriages. But they have very different ideas of what that means . . .

The women are on a collision course that will end in the case files of the DC homicide unit. Unraveling the truth may be impossible . . . but what has the truth ever done for women like Tasha and Madison?

#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America

In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in “The Harlem Ghetto” to a sobering “Journey to Atlanta.”

Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright’s work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise.

Notes is the book that established Baldwin’s voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin’s own search for identity as an artist, as a black man, and as an American.

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Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie’s beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure.

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Florida kitsch swirls together with magical realism in this glittering debut novel about a young Black and Indigenous woman who learns to change the color of her skin

Gabrielle has always had a complicated relationship with her mother Tallulah, one marked by intimacy and resilience in the face of a volatile patriarch. Everything in their home has been bleached a cold white—from the cupboards filled with sheets and crockery to the food and spices Tallulah cooks with. Even Gabrielle, who inherited the ability to change the color of her skin from her mother, is told to pass into white if she doesn’t want to upset her father.

But this vital mother-daughter bond implodes when Tallulah is hospitalized for a mental health crisis. Separated from her mother for the first time in her life, Gabrielle must learn to control the temperamental shifts in her color on her own.

Meanwhile, Gabrielle is spending a year after high school focusing on her piano lessons, an extracurricular her father is sure will make her a more appealing candidate for pre med programs. Her instructor, a queer, dark-skinned woman named Dominique, seems to encapsulate everything Gabrielle is missing in her life—creativity, confidence, and perhaps most importantly, a nurturing sense of love.

Following a young woman looking for a world beyond her family’s carefully -coded existence, Notes on Her Color is a lushly written and haunting tale that shows how love, in its best sense, can be a liberating force from destructive origins.

BOOK CLUB MEETING DEETS

When: Tuesday, November 26 @ 7PM 

Where: Kindred Stories (2304 Stuart Street, HTX, 77004) 

How: RSVP ONLY to let us know you're coming and RSVP WITH BOOK to get your copy of James and support our store programming. 

ABOUT JAMES

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.

Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

Book Club Meeting DEETS

When: Tuesday, November 19 @ 7PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to let us know you plan to attend or RSVP WITH BOOK to support Non Fiction Book Club and our other programming. 

About We Refuse 

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.  
 
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. 
 
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

BOOK CLUB MEETING DEETS

When: Tuesday, November 12 @ 7PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Romance Book Club!

ABOUT DEJA BREW

Ex-celebrity chef Sirena Caraway has had the wackiest October ever. Her cooking powers are on the fritz, she failed to land a career-saving job, and she embarrassed herself at the town’s Halloween party. Just before midnight, she makes a desperate wish for a second chance to fix her life. The next morning Sirena wakes up and realizes that she’s repeating the entire pumpkin spice-flavored month. Even sweeter, she runs into Gus Dearworth, whose magic leaves her spellbound.

A former reality star, Gus moved to Freya Grove to rebuild his reputation and heal his broken heart, but his restless magic is tempting him to return to the spotlight. And his secret crush on Sirena is making him want to try something dangerous like fall in love again. When Sirena realizes he can help her fix her powers, Gus makes her a deal. If she’ll help decipher a mysterious cookbook in his collection, he'll help get her magical groove back.

Every encounter offers a new adventure—from tasting menus, harvest mazes, and a growing attraction that’s taking on an irresistible enchantment of its own. But as the month winds down and the wish grows stronger, Sirena and Gus have a decision to make. Will their second chance be their happy-ever-after ending or a bittersweet memory?

BOOK CLUB MEETING DEETS

When: Thursday, November 21 @ 7PM 

Where: Kindred Stories (2304 Stuart Street, HTXZ, 77004) 

How: RSVP ONLY to let us know you are attending or RSVP WITH BOOK to support our store programming

ABOUT SHE WHO KNOW

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.