*Ships in 7-10 Business Days*

New York Times bestseller. From one of the country’s most visionary legal thinkers, social justice advocates, and MacArthur “genius,” this is an intimate and unforgettable narrative journey into the broken American criminal justice system.

When Bryan Stevenson graduated from Harvard Law School in 1988, he headed south to Alabama, a state on the verge of a crisis: the state was speeding up executions, but many of the condemned lacked anyone to represent them. On a shoestring budget he started the Equal Justice Initiative, a law practice dedicated to defending some of America’s most rejected and marginalized people. Among the first cases he took on was that of Walter McMillian, a black man from Harper Lee’s hometown of Monroeville who was sentenced to die for a notorious murder he insisted he didn’t commit. The case would change Bryan’s life and transform his understanding of justice and mercy forever. Just Mercy is the story of the education of a young lawyer fighting on the frontlines of a country in thrall to extreme punishments and careless justice. It follows the suspenseful battle to free Walter before the state executed him, while also telling other dramatic and profoundly moving stories of men, women, and children, innocent and guilty, who found themselves at the mercy of a system often incapable of showing it. This is a exquisitely rendered account of a heroic advocate’s fights on behalf of the most powerless people in our society and a powerful indictment of our broken justice system.

A rising movie star reunites with his high school prom date, now a personal stylist, in this delightful rom-com for fans of forced proximity, second chances, and celebrity romance.

This has to be a joke. Stylist Marley Kamal has waited years for the chance to be a private shopper for a major celebrity. But finding out that her first big client is the guy she went to prom with—and slept with and was promptly ghosted by—seems like the universe is mocking her. Because Nikhil Shamdasani is back, about to star in a major movie, and is more drop-dead hot than ever . . . at the worst possible time.

Marley’s only weeks away from an elective double mastectomy and breast reconstruction that’s supposed to save her life. But this surgery is going to change things in more ways than she can possibly imagine. For one, Nik is so eager to have her as his stylist, he’s offered to stay in her home and take care of her while she recovers. Now Marley is about to learn that as the door to her old life closes, something—or rather someone—else will enter . . . if she’s ready to let him in.

In this voice-driven young adult debut by Andrea Mosqueda, Maggie Gonzalez needs a date to her sister's quinceañera - and fast.

Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the that her feelings about her friends―and her future―aren’t as simple as she’d once believed.

As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.

As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster―or be brave enough to dive right into it, in Just Your Local Bisexual Disaster.

Justice in the Question of Palestine is often framed as a question of law. Yet none of the Israel-Palestinian conflict's most vexing challenges have been resolved by judicial intervention. Occupation law has failed to stem Israel's settlement enterprise. Laws of war have permitted killing and destruction during Israel's military offensives in the Gaza Strip. The Oslo Accord's two-state solution is now dead letter.

Justice for Some offers a new approach to understanding the Palestinian struggle for freedom, told through the power and control of international law. Focusing on key junctures—from the Balfour Declaration in 1917 to present-day wars in Gaza—Noura Erakat shows how the strategic deployment of law has shaped current conditions. Over the past century, the law has done more to advance Israel's interests than the Palestinians'. But, Erakat argues, this outcome was never inevitable.

Law is politics, and its meaning and application depend on the political intervention of states and people alike. Within the law, change is possible. International law can serve the cause of freedom when it is mobilized in support of a political movement. Presenting the promise and risk of international law, Justice for Some calls for renewed action and attention to the Question of Palestine.

'We not only dream, we do. We not only see what has been, we see what can be. We shoot for the moon ... We are bold, fearless, and ambitious. We are undaunted in our belief that we shall overcome; that we will rise up.' - Kamala Harris; Inauguration night address

On 20 January 2021, Kamala Harris was sworn in as the Vice President of the United States of America, making her the first person of Indian descent, and the first woman to reach this position. This was hardly surprising, for Kamala - the daughter of a breast-cancer scientist Indian mother and a Stanford University emeritus professor of economics Jamaican father - has been known to blaze a trail for herself in her chosen fields.

Fun 'momala' and aunt at home but hard-nosed, unsparing prosecutor and senator elsewhere, Kamala dons many hats. This biography focuses on the micro-histories that shaped Kamala Harris and celebrates her Asian and Jamaican heritage - with special attention to her India connect - and her barrier-shattering ascent as a woman of colour coming to occupy one of the highest offices in the USA.

Chidanand Rajghatta's masterful chronicling of Kamala's life - her rise to candidature, the struggles and triumph in a messy, hard-won election despite coming from a 'non-traditional' background - delivers an inspirational story of a phenomenal woman.

Kamau & ZuZuFind a Wayis a stirring story of African diaspora, resourcefulness, and intergenerational love by National Book Critics Circle Award finalist andrenowned poet Aracelis Girmay, and acclaimed illustrator Diana Ejaita.

One day, young Kamau and his grandmother ZuZu wake up to find themselves on the moon. Kamau doesn’t remember Back Home, but Grandma ZuZu does, and she misses it terribly. Together, through cloth scraps and dance, letters and song, Kamau and ZuZu find a way to make a new life for themselves in this strange land: a new life which is not only rooted in the stories, memories, and traditions that ZuZu always carries with her, but which also lovingly reaches out across the vast expanse of space to connect and communicate with the family from which they’ve been separated.

Acclaimed poet Aracelis Girmay and illustrator Diana Ejaita together weave a powerful story inspired by the African diaspora, in which—despite the shock of being uprooted into this alien world, without being given any choice or explanation, and the sorrow that comes from the unfathomable distance separating them from their beloved community—Kamau and ZuZu find a way to live, as people do.

Themes and motifs in the art of Kara Walker, from blackface to abjection, by a leading art historian

In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover. Because these essays have not been distributed in the US and remain among the most in-depth and essential investigations of her work, Karma is now republishing them in this new clothbound volume.
Among the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva’s concept of abjection, Stone Mountain’s racist tourist attraction and the minstrel tradition.

*Ships in 7-10 business days*

Filled with reproductions of Kehinde Wiley’s bold, colorful, and monumental work, this book encompasses the artist’s various series of paintings as well as his sculptural work—which boldly explore ideas about race, power, and tradition. Celebrated for his classically styled paintings that depict African American men in heroic poses, Kehinde Wiley is among the expanding ranks of prominent black artists—such as Sanford Biggers, Yinka Shonibare, Mickalene Thomas, and Lynette Yiadom-Boakye—who are reworking art history and questioning its depictions of people of color. Co-published with the Brooklyn Museum of Art for the major touring retrospective, this volume surveys Wiley’s career from 2001 to the present. It includes early portraits of the men Wiley observed on Harlem’s streets, and which laid the foundation for his acclaimed reworkings of Old Master paintings by Titian, van Dyke, Manet, and others, in which he replaces historical subjects with young African American men in contemporary attire: puffy jackets, sneakers, hoodies, and baseball caps. Also included is a generous selection from Wiley’s ongoing World Stage project; several of his enormous Down paintings; striking male portrait busts in bronze; and examples from the artist’s new series of stained glass windows. Accompanying the illustrations are essays that introduce readers to the arc of Wiley’s career, its critical reception, and ongoing evolution.

Presenting Kehinde Wiley’s hotly anticipated response to a legendary Gainsborough portrait

This volume presents A Portrait of a Young Gentleman, a new portrait by Kehinde Wiley (born 1977), commissioned to mark the centennial of the acquisition of Blue Boy by Henry and Arabella Huntington. The Huntington Library, Art Museum, and Botanical Gardens places Wiley's painting in conversation with Thomas Gainsborough's 18th-century masterpiece. A deep connection exists between the museum’s most famous painting and the artist who is known for creating one of the most beloved presidential portraits of our time. A native of Los Angeles, Wiley has often spoken about his childhood visits to the Huntington’s British portrait gallery and how they inspired him to become an artist.
Richly illustrated with portraits by Wiley and by 18th-century masters such as Gainsborough, Joshua Reynolds and Thomas Hudson, this book offers insight into the evolving history of portraiture and the representation of power. An essay by Malik Gaines, Associate Professor of Performance Studies at New York University’s Tisch School of the Arts, investigates Wiley’s postmodern strategy of inserting Black subjects into canonical European settings. An essay by fashion historian Kimberly Chrisman-Campbell situates Wiley’s work within the traditions and trappings of 18th-century grand manner portraiture.

“That is the archaeology I am unearthing: the specter of police violence and state control over the bodies of young Black and brown people all over the world.” –Kehinde Wiley

Kehinde Wiley: An Archaeology of Silence features a new body of paintings and sculptures by American artist Kehinde Wiley confronting the legacies of colonialism through the visual language of the fallen figure. It expands on a subject the artist first explored in his 2008 series Down—a group of large-scale portraits of young Black men inspired by Wiley’s encounter with Hans Holbein the Younger’s The Dead Christ in the Tomb (1521–22) at the Kunstmuseum Basel. Holbein’s painting triggered an ongoing investigation into the iconography of death and sacrifice in Western art that Wiley traced across religious, mythological and historical subjects. An Archaeology of Silence extends these considerations to include men and women around the world whose senseless deaths, often unacknowledged or silenced, are transformed into a powerful elegy of global resistance against state-sanctioned violence. The resulting paintings of Black bodies struck down, wounded or dead, all referencing iconic historical paintings of slain heroes, martyrs or saints, offer a haunting meditation on the violence against Black and brown bodies through the lens of European art history.
Kehinde Wiley (born 1977) is a world-renowned visual artist. Working in the mediums of painting, sculpture and video, Wiley is best known for his vibrant portrayals of contemporary African American and African-diasporic individuals that subvert the hierarchies and conventions of European and American portraiture. Wiley became the first African American artist to paint an official US Presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide. He lives and works in Beijing, Dakar and New York.

The latest in the World Stage series of portraits by Kehinde Wiley (born 1977), this volume presents 13 new paintings, the result of the artist's trip to Haiti―a nation that is often presented as a place of chronic poverty, corruption and deprivation. In Haiti Wiley actively went looking for beauty, staging pageants to cast his portrait subjects and advertising with open calls on the radio and posters put up in the streets of Jacmel, Jalouise and Port-au-Prince. Wiley worked within the tradition of pageant culture native to the Caribbean but also subverted it, choosing his winners at random. The paintings draw on the artistic traditions of France and Spain (the colonial rulers of Haiti before the Haitian Revolution), as well as Haiti's varied religious traditions and local crafts, creating a composite portrait of contemporary Haiti through its people, history and culture.

*Ships in 7-10 business days*

The definitive monograph on contemporary African American painter Kerry James Marshall, accompanying a major traveling retrospective. This long-awaited volume celebrates the work of Kerry James Marshall, one of America’s greatest living painters. Born before the passage of the Civil Rights Act, in Birmingham, Alabama, and witness to the Watts riots in 1965, Marshall has long been an inspired and imaginative chronicler of the African American experience. Best known for large-scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth-century abstraction, as well as other sources such as the comic book and the muralist tradition. With luscious color and brushstrokes and highly detailed patterning, his direct and intimate scenes of black middle-class life conjure a wide range of emotions, resulting in powerful paintings that confront the position of African Americans throughout American history. Richly illustrated, this monumental book features essays by noted curators as well as the artist, and more than 100 paintings from throughout the artist’s career arranged thematically by subject: history painting; beauty, as expressed through the nude, portraiture, and self-portraiture; landscape; religion; and the politics of black nationalism.

Keyana is heading back to school in this exciting picture book written by bestselling author Natasha Anastasia Tarpley (I Love My Hair!) and illustrated by Charnelle Pinkney Barlow!

Keyana has come up with the perfect idea for a class project, and getting it done is pretty fun! All she has to do is pick the people and places she loves around her school. But when the teacher asks Keyana to present the project in front of everyone, she’ll have to find a little bit of confidence and a big way to share.

Praise for the KEYANA series: 

Tarpley's pleasant, relatable text and Barlow's vivid soft-pastel illustrations combine here to create a heartwarming story...This book is a beauty to behold.―Booklist

A celebration of big ideas, teamwork, and family...A loving depiction of a warm, affectionate Black family. 
 ―Kirkus

In a delightful story about Black child joy and family, Tarpley gives us an adorable and dynamic main character in Keyana, who has presence and confidence aplenty... A recommended purchase for collections needing a little more Black joy on the shelves.―School Library Journal

A comprehensive look at the early career of a rising star in contemporary Black portraiture

This is the first monograph on the practice of young American painter Khalif Tahir Thompson (born 1995), who will receive an MFA from the Yale School of Art in the spring of 2024. With several solo exhibitions and artwork in museum permanent collections, Thompson is already prolific. His paintings are populated by Black figures set in colorful, shimmering environments that sometimes resemble patchworks verging on abstraction. They incorporate multiple materials apart from oil and acrylic, including handmade paper, pearls, fabric, velvet, newspaper and leather. Whether isolated or in a group, candid or posed, each figure is imbued with an innate identity. Says Thompson of his work: "I believe painting can be a tool in considering the emotional, psychological complexity of an individual's story and identity ... I alter perception and invoke empathy towards my subjects, depicting their reality across a visceral lens."

A fun, lyrical debut picture book, Kicks is an essential read for sneaker fans of all ages, from award-winning poet Van G. Garrett and New York Times bestselling illustrator Reggie Brown.

“A brilliantly written and illustrated ode to sneakers and sneakerheads, young and old. A gift to us all.” —Angie Thomas, #1 New York Times best-selling author

This is a love letter to sneakers. But not just any sneakers. Only the flyest, floatiest, you-est kicks you can get—the ones that let you soar!

This colorful, rhythmic adventure has something to offer anyone who prizes a great pair of shoes and any reader who loves to play with words.

One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.

Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the "killing rage"--the fierce anger of black people stung by repeated instances of everyday racism--finding in that rage a healing source of love and strength and a catalyst for positive change.

bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.

*ships in 7-10 business days*

In 1997, the image of the “Welfare Queen” dominated white America’s perceptions of Black women. Legislation was being proposed to deny benefits to children born to welfare mothers and to require insertion of birth-control implants as a condition of receiving aid. Meanwhile, a booming fertility industry was catering primarily to infertile white couples.

Dorothy Roberts’s landmark book, Killing the Black Body, made a powerful entrance into the national conversation of the era, exposing America’s systemic abuse of Black women’s bodies, from slave masters’ economic stake in bonded women’s fertility to government programs that coerced thousands of poor Black women into being sterilized as late as the 1970s. These abuses point not only to the degradation of Black motherhood, but to the exclusion of Black women’s reproductive needs from the feminist agenda. Killing the Black Body turns twenty next year and is as relevant today as it was upon publication. In our current moment of Black Lives Matter, Between the World and Me, and authors like Chimamanda Ngozi Adichie and Roxane Gay speaking out about feminism and race, Killing the Black Body offers a vision of reproductive freedom that respects each and every American.

The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now.

Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

“As you turn the pages of this novel and get lost in Dana’s story, allow yourself to relive the horrors of slavery....Allow yourself to know the pain of our nation’s past.”—Tomi Adeyemi, New York Times bestseller and Hugo and Nebula award-winning author, from the new foreword

This brand new package for young adults includes a redesigned interior for better readability, specially commissioned cover art by Carlos Fama, metallic stock cover, and spot gloss on cover elements

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

“Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” 
—N. K. Jemisin

The New York Times best-selling author’s time-travel classic that makes us feel the horrors of American slavery and indicts our country’s lack of progress on racial reconciliation

Soon to be an FX Networks TV series adaptation with a pilot directed by Janicza Bravo (Zola), written by Branden Jacobs-Jenkins (Watchmen), and executive produced by Jacobs-Jenkins and Darren Aronofsky (The Fountain)

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

Join us for Kindred Spirits, a unique event where we celebrate the magic within us all. Come fellowship with ya kinfolk and take advantage of the full moon. Whether you're looking for spiritual guidance, self-discovery, or a fun way to express your individuality, Kindred Spirits is the perfect blend of mystical and modern.

EVENT DEETS

When: Wednesday, October 16, 2024 @ 6PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP to let us know you're coming!

WHAT TO EXPECT:

Step into a night of magic and connection! Discover insights with tarot reading, get a luxury piercing by a professional, or explore the colors of your energy with an aura reading. Join us for an unforgettable evening of self-discovery, mystical vibes, and community.

We hope you join us!

Now you can support your favorite independent bookstore everywhere you go!

Wear our little bookshop with Love and Pride.

If you got an invite to this gathering, know that you are truly apart of our community. 

EVENT DEETS

When: Please refer to invitation.

Where: Kindred Stories' Reading Garden

How: RSVP with the password to the notes to secure your spot and we'll see you there! 

ABOUT THE GATHERING

There is nothing formal about this gathering! There will be food, drinks and a bomb playlist. Come hang out with the Kindred Stories Staff, some of our favorite local authors and fellow readers/book lovers. 

Kindred Stories x Utility Objects

Beautifully, molded, hand-painted, and hand stamped mug created by Aleshia of Utility Objects.

Includes custom Kindred Stories logo and "Reading is Self-Care" Stamp.

Natural stoneware ceramics, like wood or metal, varies in color and patinas with age. This makes each piece unique.

Dimensions: 3½” wide X 5¼” high

Capacity: 16oz

Instructions for care: Hand or machine wash

Kindred Stories x Utility Objects

Beautifully, molded, hand-painted, and hand stamped mug created by Aleshia of Utility Objects.

Includes custom Kindred Stories logo and "Reading is Self-Care" Stamp.

Natural stoneware ceramics, like wood or metal, varies in color and patinas with age. This makes each piece unique.

Dimensions: 3½” wide X 5¼” high

Capacity: 16oz

Instructions for care: Hand or machine wash