More teens are turning away from the faith than ever before: it is estimated that 75 to 88 percent of Christian teens walk away from Christianity by the end of their freshman year of college. Something must be done.

Family Driven Faith equips Christian parents with the tools they need to raise children biblically in a post-Christian, antifamily society. Voddie Baucham, who with his wife has overcome a multigenerational legacy of broken and dysfunctional homes, shows that God has not left us alone in raising godly children. 

This bold book is an urgent call to parents―and the church―to return to biblical discipleship in and through the home. This paperback edition includes a new preface and a study guide to facilitate interaction in small-group settings and to help parents put principles into practice.

Elizabeth Acevedo, ganadora del National Book Award, regresa con su primera novela para un público adulto: una magnífica oda a la sabiduría del linaje femenino con un toque de fantasía caribeña

Por la sangre de las mujeres Marte corre una magia que les concede dones especiales. Creciendo en República Dominicana, y luego al migrar a Nueva York, las hermanas Flor, Matilde, Pastora y Camila aprendieron a valerse de ellos, y de la fuerza de su vínculo, para protegerse de las hostilidades del mundo. Pero también, a callarse sus deseos, temores y anhelos más profundos. Por eso, cuando Flor anuncia que va a celebrar un velorio en vida, el matriarcado se conmociona: su don es predecir la muerte, pero ella se niega a admitir si ha llegado su hora. O la de alguien más.

Sabiduría familiar sigue a las Marte a través de este período liminal, mientras se preparan para el velorio de Flor y lo que vendrá después. Con excepcional maestría, y su inconfundible y deslumbrante voz poética, Elizabeth Acevedo teje la epopeya de las Marte: una familia sinigual que, como cualquier otra, deberá romper el conjuro del silencio para empezar a escribir su futuro.

«Un relato laberíntico en torno a la sororidad y el caos del amor... Sabiduría familiar, después de todo, no trata acerca de prepararse para la muerte, sino de deleitarse en la oportunidad de vivir». —NEW YORK TIMES BOOK REVIEW

From bestselling, National Book Award–winning author Elizabeth Acevedo comes her first novel for adults, a magnificent ode to the wisdom of the female lineage with a touch of Caribbean fantasy.

In the blood of the Marte women runs a magic that bestows upon them special gifts. Growing up in the Dominican Republic, and later migrating to New York, sisters Flor, Matilde, Pastora, and Camila learned to harness these gifts and the strength of their bond to protect themselves from the hostilities of the world. But they also learned to keep their deepest desires, fears, and longings to themselves. When Flor announces that she's going to hold a living wake, the matriarchy is shaken: her gift is predicting death, but she refuses to admit if her time has come. Or someone else's.

Family Lore follows the Marte women through this liminal period as they prepare for Flor's wake and what will come after. With exceptional mastery and her inimitable and incandescent poetic voice, Elizabeth Acevedo weaves an indelible portrait of sisters and cousins, aunts and nieces—the journey of a unique family that, like any other, must break the spell of silence to begin writing their future.

From the bestselling, National Book Award–winning author Elizabeth Acevedo comes her first novel for adults, the story of one Dominican-American family told through the voices of its women as they await a gathering that will forever change their lives.

Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila.

But Flor isn’t the only person with secrets. Matilde has tried for decades to cover the extent of her husband’s infidelity, but she must now confront the true state of her marriage. Pastora is typically the most reserved sister, but Flor’s wake motivates this driven woman to solve her sibling’s problems. Camila is the youngest sibling, and often the forgotten one, but she’s decided she no longer wants to be taken for granted.

And the next generation, cousins Ona and Yadi, face tumult of their own: Yadi is reuniting with her first love, who was imprisoned when they were both still kids; Ona is married for years and attempting to conceive. Ona must decide whether it’s worth it to keep trying—to have a child, and the anthropology research that’s begun to feel lackluster.

Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo’s inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces—one family’s journey through their history, helping them better navigate all that is to come.

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A National Book Award Finalist for Young People’s Literature
Nominated as one of America’s best-loved novels by PBS’s The Great American Read

Ghost wants to be the fastest sprinter on his elite middle school track team, but his past is slowing him down in this first electrifying novel of the acclaimed Track series from Newbery honoree Jason Reynolds.

Ghost. Lu. Patina. Sunny. Four kids from wildly different backgrounds with personalities that are explosive when they clash. But they are also four kids chosen for an elite middle school track team—a team that could qualify them for the Junior Olympics if they can get their acts together. They all have a lot to lose, but they also have a lot to prove, not only to each other, but to themselves.

Running. That’s all Ghost (real name Castle Cranshaw) has ever known. But Ghost has been running for the wrong reasons—it all started with running away from his father, who, when Ghost was a very little boy, chased him and his mother through their apartment, then down the street, with a loaded gun, aiming to kill. Since then, Ghost has been the one causing problems—and running away from them—until he meets Coach, an ex-Olympic Medalist who sees something in Ghost: crazy natural talent. If Ghost can stay on track, literally and figuratively, he could be the best sprinter in the city. Can Ghost harness his raw talent for speed, or will his past finally catch up to him?

From “master of the genre” (Washington Post) Walter Mosley, Detective Easy Rawlins’ latest client sends him down a warren of memory and nostalgia—blinding him to reason and risk.

January 1970 finds Ezekiel “Easy” Rawlins, LA’s premier Black detective, at 50 years of age despite all expectations.  He has a loving family, a beautiful home, and a thriving investigation agency.  All is right with the world… and then Amethystine Stoller, his own personal Helen of Troy, arrives. Her ex-husband is missing. A simple enough case. But even as Easy takes his first step in the investigation he trips.  He falls into the memory of things past. Little things, like loss, love, a world war, and a hunger that has eaten at him since he was a Black boy on his own on the streets of Fifth Ward, Houston, Texas.

The missing ex, a young white man named Curt Fields, is found dead. Easy’s only real friend in the LAPD, Melvin Suggs, has gone into hiding rather than allow his femme fatale wife to go to the gas chamber.  And that’s only the beginning.

Easy finds himself pressed into a reckoning. All of his success cannot succor his heart. The 1970’s have ushered in new expectations of men and women, Black and White, and Easy has to make a choice that will almost certainly hasten a permanent descent, one that might sunder his soul.

Farming While Black is the first comprehensive “how to” guide for aspiring African-heritage growers to reclaim their dignity as agriculturists and for all farmers to understand the distinct, technical contributions of African-heritage people to sustainable agriculture. At Soul Fire Farm, author Leah Penniman co-created the Black and Latinx Farmers Immersion (BLFI) program as a container for new farmers to share growing skills in a culturally relevant and supportive environment led by people of color. Farming While Black organizes and expands upon the curriculum of the BLFI to provide readers with a concise guide to all aspects of small-scale farming, from business planning to preserving the harvest. Throughout the chapters Penniman uplifts the wisdom of the African diasporic farmers and activists whose work informs the techniques described—from whole farm planning, soil fertility, seed selection, and agroecology, to using whole foods in culturally appropriate recipes, sharing stories of ancestors, and tools for healing from the trauma associated with slavery and economic exploitation on the land. Woven throughout the book is the story of Soul Fire Farm, a national leader in the food justice movement.

adj.
1. A girl or guy who is quick to engage in sexual activities.
--Oftentimes used to shame. Oftentimes used to blame victims for their own abuse.

After the untimely death of her mother, Caprice Latimore has to move in with her grandmother. At eight years old, life as she knows it is turned upside down. The trauma of losing her mother is made worse with the introduction of Marcel, her grandmother's adult son who still lives in the home.

Her uncle Marcel takes an inappropriate interest in her that ultimately results in a tragic breaking point for the child. The only silver lining is that shortly after what Caprice calls "that night", Marcel is booked by local police with a drug possession charge. He's sentenced to prison for twelve years.

Seven years later, however, Marcel is released on good behavior.

Caprice is now sixteen, still dealing with the emotional scars of the past. But things aren't like they were before.

Because now she has Shaun Taylor, the boy across the street who will do whatever it takes to make sure no one ever hurts Caprice again.

fast is a standalone that spans twenty years. Separated into three acts, we watch Caprice grow from eight years old to sixteen years old to twenty-eight years old. She gets hurt, she falls in love, she grows, and she just might overcome.

fast is a story written about victims who were made to feel like their abuse was their own fau

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In this disarming and candid memoir, cultural critic Clarkisha Kent unpacks the kind of compounded problems you face when you’re a fat, Black, queer woman in a society obsessed with heteronormativity.

There was no easy way for Kent to navigate personal discovery and self-love. As a dark-skinned, first-generation American facing a myriad of mental health issues and intergenerational trauma, at times Kent’s body felt like a cosmic punishment. In the face of body dysmorphia, homophobia, anti-Blackness, and respectability politics, the pursuit of “high self-esteem” seemed oxymoronic. 

Fat Off, Fat On: A Big Bitch Manifesto is a humorous, at times tragic, memoir that follows Kent on her journey to realizing that her body is a gift to be grown into, that sometimes family doesn’t always mean home, and how even ill-fated bisexual romances could free her from gender essentialism. Perfect for readers of Keah Brown’s The Pretty One, Alida Nugent’s You Don’t Have to Like Me, and Stephanie Yeboah’s Fattily Ever After, Kent’s debut explores her own lived experiences to illuminate how fatphobia intertwines with other oppressions. It stresses the importance of addressing the violence scored upon our minds and our bodies, and how we might begin the difficult—but joyful—work of setting ourselves free.

What if the witch gave Merida a different spell? This New York Times best-selling series twists Disney•Pixar's Brave into a fast-paced story in which Merida is sent back in time.

If you could change your fate, would you? Merida understands that as princess of Clan DunBroch, she has certain obligations—but that doesn’t mean she has to like it. Especially when one of those obligations means losing her freedom by becoming betrothed to a man she has never met. Merida balks at this tradition, but her mother Queen Elinor insists that Merida must do this to embrace her role as future queen.

Determined to chart her own path, Merida follows magical wisps to a witch’s cottage, where she is given a magic pastry and promised it will incite “a great transformation” in her mother. But instead of feeding Elinor the pastry, Merida eats it herself.

Merida awakens in the past, a now-teenage Elinor holding a knife to her throat and accusing her of espionage. She’s been transported to a time when the Clans MacCameron and DunBroch are bitter enemies. And it just so happens that the timing of Merida’s arrival has kept Elinor and Fergus from meeting.

Will Merida be able to bridge the rival clans, help her parents fall in love, and change her own fate?

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The emergence of Haiti as a sovereign Black nation lit a beacon of hope for Black people throughout the African diaspora. Leslie M. Alexander’s study reveals the untold story of how free and enslaved Black people in the United States defended the young Caribbean nation from forces intent on maintaining slavery and white supremacy. Concentrating on Haiti’s place in the history of Black internationalism, Alexander illuminates the ways Haitian independence influenced Black thought and action in the United States. As she shows, Haiti embodied what whites feared most: Black revolution and Black victory. Thus inspired, Black activists in the United States embraced a common identity with Haiti’s people, forging the idea of a united struggle that merged the destinies of Haiti with their own striving for freedom.

A bold exploration of Black internationalism’s origins, Fear of a Black Republic links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.

In this “captivating” (Sky + Telescope) book, a top cosmologist argues that physics must embrace the excluded and listen to the unheard 

When asked by legendary theoretical physicist Christopher Isham why he had attended graduate school, cosmologist Stephon Alexander answered: "To become a better physicist." As a young student, he could hardly have anticipated Isham's response: "Then stop reading those physics books." Instead, Isham said, Alexander should start listening to his dreams. 

This is only the first of the many lessons in Fear of a Black Universe. As Alexander explains, greatness in physics requires transgression, a willingness to reject conventional expectations. He shows why progress happens when some physicists come to think outside the mainstream, and why, as in great jazz, great physics requires a willingness to make things up as one goes along. 

Compelling and necessary, Fear of a Black Universe offers us remarkable insight into the art of physics and empowers us all to think big. 

The bookclub meeting will take place on February 22, 2024 at 7 PM in the Kindred Stories. Be sure to show up with the book read (or partially read) but you are always welcome to just come and take up space. 

ABOUT THE BOOK

On May 2, 1973, Black Panther Assata Shakur (aka JoAnne Chesimard) lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that had claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder.

This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm X and the works of Maya Angelou.

Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.

The bookclub meeting will take place on February 29, 2024 at 7 PM in the Kindred Stories' Reading Garden. Be sure to show up with the book read (or partially read). You are always welcome to just come and take up space. 

ABOUT THE BOOK

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Tabitha Brown’s path to stardom was a long and winding one. For years she pursued acting while raising a family and dealing with undiagnosed chronic autoimmune pain. Before she became vegan, her condition made her believe she wouldn’t live to see forty. Now she’s one of the most popular personalities in the world, with millions of followers on TikTok, Instagram, and Facebook whom she inspires to live and eat well with her blend of homespun wisdom and delicious home cooking. With her relatable personality and health struggles, approachable and nonjudgmental take on plant-based living, and warm voice reflecting her Southern upbringing, Tabitha connects with readers with a good story and gentle hand. The most important lesson Tabitha shares with readers is how to make a life for themselves that is rooted in kindness and love, both for themselves and for others.

How creativity makes its way through feeling—and what we can know and feel through the artistic work of Black women
 
Feeling is not feelin. As the poet, artist, and scholar Bettina Judd argues, feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work. Through interviews, close readings, and archival research, Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women—from poet Lucille Clifton and musician Avery*Sunshine to visual artists Betye Saar, Joyce J. Scott, and Deana Lawson.
 
Feelin: Creative Practice, Pleasure, and Black Feminist Thought makes a bold and vital intervention in critical theory’s trend toward disembodying feeling as knowledge. Instead, Judd revitalizes current debates in Black studies about the concept of the human and about Black life by considering how discourses on emotion as they are explored by Black women artists offer alternatives to the concept of the human. Judd expands the notions of Black women’s pleasure politics in Black feminist studies that include the erotic, the sexual, the painful, the joyful, the shameful, and the sensations and emotions that yet have no name. In its richly multidisciplinary approach, Feelin calls for the development of research methods that acknowledge creative and emotionally rigorous work as productive by incorporating visual art, narrative, and poetry.

Alexander Ghedi Weheliye traces R&B music’s continued relevance for Black life since the late 1970s, showing how it remains a thriving venue for the continued expression of Black thought and life and a primary archive of the contemporary moment.

In Feenin, Alexander Ghedi Weheliye traces R&B music’s continuing centrality in Black life since the late 1970s. Focusing on various musical production and reproduction technologies such as auto-tune and the materiality of the BlackFem singing voice, Weheliye counteracts the widespread popular and scholarly narratives of the genre’s decline and death. He shows how R&B remains a thriving venue for the expression of Black thought and life and a primary archive of the contemporary moment. Among other topics, Weheliye discusses the post-disco evolution of house music in Chicago and techno in Detroit, Prince and David Bowie in relation to the appropriations of Blackness and Euro-whiteness in the 1980s, how the BlackFem voice functions as a repository of Black knowledge, the methods contemporary R&B musicians use to bring attention to Black Lives Matter, and the ways vocal distortion technologies such as the vocoder demonstrate Black music’s relevance to discussions of humanism and posthumanism. Ultimately, Feenin represents Weheliye’s capacious thinking about R&B as the site through which to think through questions of Blackness, technology, history, humanity, community, diaspora, and nationhood.

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Felix Love has never been in love—and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily ever after.

When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish-to-retaliate scenario landing him in a quasi–love triangle...

But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.

Felix Ever After is an honest and layered story about identity, falling in love, and recognizing the love you deserve.

In fierce, agile poems, Felon tells the story of the effects of incarceration—canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace—and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of post-incarceration existence in traditional and newfound forms, from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion.

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Feminism is a powerful new interpretation of British art from an intersectional feminist perspective, penned by one of Britain’s greatest writers

“Art museums have long drawn me into their spaces. The infinite possibilities of the language of art opens me up to methods of communication quite unlike my own. I am fascinated by the most interesting and adventurous artists, who are surely among the most innovative thinkers on the planet. I am in awe of their talent and endless inventiveness, and my imagination is nourished by theirs. I am challenged to think differently about how we might understand, recreate, reshape, reimagine life itself—animate, inanimate, spirit. My senses are stimulated, my emotions stirred, my brain whirs away in the background and I feel very much alive. When I was invited to write this book, my first time writing about art, I immediately knew that I would turn my attention on women and womxn (to include non-binary people) of color in British art because, similar to the story throughout the arts, either as creator or curator, we haven’t been very visible. This book is personal—about the art I’ve seen, and the art I’ve loved—and my interpretation of the art in the national collection and beyond, from an intersectional feminist perspective.”

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Hip-hop and feminism combine in this empowering guide with attitude, from best-selling author Brittney Cooper and founding members of the Crunk Feminist Collective.

Loud and rowdy girls, quiet and nerdy girls, girls who rock naturals, girls who wear weave, outspoken and opinionated girls, girls still finding their voice, queer girls, trans girls, and gender nonbinary young people who want to make the world better: Feminist AF uses the insights of feminism to address issues relevant to today’s young womxn.

What do you do when you feel like your natural hair is ugly, or when classmates keep touching it? How do you handle your self-confidence if your family or culture prizes fair-skinned womxn over darker-skinned ones? How do you balance your identities if you’re an immigrant or the child of immigrants? How do you dress and present yourself in ways that feel good when society condemns anything outside of the norm? Covering colorism and politics, romance and pleasure, code switching, and sexual violence, Feminist AF is the empowering guide to living your feminism out loud.

The early 2020s will long be known as a period of racial reflection. In the wake of the police killing of George Floyd, Americans of all backgrounds joined together in historic demonstrations in the streets, discussions in the workplace, and conversations at home about the financial gaps that remain between white and Black Americans. This deeply investigated book follows the lives of seven Black Americans of different economic levels, ages and professions during the three years following this period of racial reckoning.  

The story of a groundbreaking civil rights leader, John Lewis, comes to life in this compelling and beautifully told nonfiction picture book.

John Lewis left a cotton farm in Alabama to join the fight for civil rights when he was only a teenager. He soon became a leader of a movement that changed the nation. Walking at the side of his mentor, Dr. Martin Luther King Jr., Lewis was led by his belief in peaceful action and voting rights. Today and always his work and legacy live on.

In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.

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In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.

One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

NEW DATE: DECEMBER 12, 2023 @ 7PM

The book club meeting will take place on December 4th at 7 PM in the Kindred Stories Reading Garden. Show up with the book read (or partially read)! All are welcome. 

About the Book 

In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. A woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her Onyesonwu, which means "Who fears death?" in an ancient language.

It doesn't take long for Onye to understand that she is physically and socially marked by the circumstances of her conception. She is Ewu—a child of rape who is expected to live a life of violence, a half-breed rejected by her community. But Onye is not the average Ewu. Even as a child, she manifests the beginnings of a remarkable and unique magic. As she grows, so do her abilities, and during an inadvertent visit to the spirit realm, she learns something terrifying: someone powerful is trying to kill her.

Desperate to elude her would-be murderer and to understand her own nature, she embarks on a journey in which she grapples with nature, tradition, history, true love, and the spiritual mysteries of her culture, and ultimately learns why she was given the name she bears: Who Fears Death.

• Women looking for guidance on feminine empowerment
• Explorers of wellness and spirituality
• Fans of guided journals, tarot cards, and oracle decks that tap into inner wisdom and intuition, such as The Wild Unknown Alchemy Deck and Mystic Mondays Tarot
• Birthday, Galentine’s Day, holiday, or self-care gift for women