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A powerful call to arms to empower cisgender people to be better allies, blending memoir, detailed research, and interviews.

The trans experience is all too often the subject of fierce debate in the media and online. While we’re having more and more conversations about the trans experience, the stark reality is that hate crimes against the trans community have quadrupled over the past five years and that two in five trans young people have attempted suicide.  

But behind the shock headlines and the distressing statistics, what does it really mean to be trans?

In this powerful, extensively researched, and deeply personal book, Kenny Ethan Jones, a trans activist and writer, offers an authentic and in-depth insight into the trans experience. From gender dysphoria to surgery, from being outed to finding love and considering parenthood, Kenny Ethan Jones draws on his own life and the stories of others from the trans and nonbinary communities to create discussion around the complexities and reality of the trans experiences in today’s society.

Dear Cis(Gender) People is a powerful call to arms, equipping people of every gender with the tools to step forward as allies in order to bring about meaningful change. Through acting and speaking out, we can create a safer, fairer world for trans people—a world in which all of us can exist as our most authentic selves and celebrate who we are without fear.

PRE-ORDER. ON SALE DATE: March 4, 2025

From the New York Times bestselling author of Dear Martin comes the thrilling final installment of the series, set in college. Jared (white, Justyce's roommate, woke) is running for Junior class president. With his antiracism platform, he's a shoo-in. But he's up against the new girl, Dylan. Will Jared have to choose between his head and his heart?

Jared Peter Christensen is running for president (of the Junior Class Council at his university, but still). His platform is solid—built on increased equity and inclusion in all sectors of campus life—and he’s got a good chance of beating the deeply conservative business major he’s running against.

But then a transfer student enters the race and calls Jared out for his big-talk/little-action way of moving. But what’s the right way to bring about change? As the campaign heats up, feelings are caught, and juicy secrets come to light, and Jared writes letters to his deceased friend Manny, hoping to make sense of his confusion. What’s a white boy to do when love and politics collide?

New York Times bestselling author Nic Stone writes from a new perspective in this exciting final chapter of the Dear Martin series that examines privilege, love, and our political climate.

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Justyce McAllister is a good kid, an honor student, and always there to help a friend—but none of that matters to the police officer who just put him in handcuffs. Despite leaving his rough neighborhood behind, he can't escape the scorn of his former peers or the ridicule of his new classmates.

Justyce looks to the teachings of Dr. Martin Luther King Jr. for answers. But do they hold up anymore? He starts a journal to Dr. King to find out.

Then comes the day Justyce goes driving with his best friend, Manny, windows rolled down, music turned up—way up, sparking the fury of a white off-duty cop beside them. Words fly. Shots are fired. Justyce and Manny are caught in the crosshairs. In the media fallout, it's Justyce who is under attack.

Why You'll Love It:

This is not your typical affirmation card deck; it's a prompt card deck, and you're going to love it! The Dear Self Prompt Card Deck was designed to help you self-coach and lovingly guide yourself into creating better feeling stories about yourself and your experiences.

Because the deck guides you to fill in the details that matter the most to you, your relationship with the deck will be as unique as you are.

Your work with the Dear Self Prompt cards may require a lot of thought and introspection, and we think that's why you'll enjoy them the most.

These cards are an outlet to spend quality time with yourself and stop self-limiting story-telling in its tracks.

What to Expect:

These prompt cards ask you to do work to reframe the stories you tell yourself. Each card features fill-in-the-blank spaces for you to create answers that are personal and relevant to you. Feel free to express yourself by completing the prompt aloud or through writing. 

These cards are sturdy but smooth satiny to the touch. The two-part box features a matte textured finish.

Good to Know:

• 52-Card Deck
• Created by Tarisha Clark
• Dimensions: 3.25” x 5.25"

 In three critically acclaimed novels, Akwaeke Emezi has introduced readers to a landscape marked by familial tensions, Igbo belief systems, and a boundless search for what it means to be free. Now, in this extraordinary memoir, the bestselling author of The Death of Vivek Oji reveals the harrowing yet resolute truths of their own life. Through candid, intimate correspondence with friends, lovers, and family, Emezi traces the unfolding of a self and the unforgettable journey of a creative spirit stepping into power in the human world. Their story weaves through transformative decisions about their gender and body, their precipitous path to success as a writer, and the turmoil of relationships on an emotional, romantic, and spiritual plane, culminating in a book that is as tender as it is brutal.

PRE-ORDER. ON SALE DATE: February 25, 2025

From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence.

A city is always a cemetery.

A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”

The professor becomes the first informant on the case, which is led by a detective newly obsessed with poetry and trailed by a long list of failures. But what has the professor really seen? As the bodies of more castrated men are found alongside lines of verse, the detective tries to decipher the meaning of the poems to put a stop to the violence spreading throughout the city.

Originally written in Spanish, where the word “victim” is always feminine, Death Takes Me is a thrilling masterpiece of literary fiction that flips the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, it unfolds with the charged logic of a dream, moving from the police station to the professor’s classroom and through the slippery worlds of Latin American poetry and art in an imaginative exploration of the unstable terrains of desire and sexuality.

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The New York Times bestselling conclusion to the groundbreaking, Hugo Award-winning series from China's most beloved science fiction author, Cixin Liu.

Half a century after the Doomsday Battle, the uneasy balance of Dark Forest Deterrence keeps the Trisolaran invaders at bay. Earth enjoys unprecedented prosperity due to the infusion of Trisolaran knowledge. With human science advancing daily and the Trisolarans adopting Earth culture, it seems that the two civilizations will soon be able to co-exist peacefully as equals without the terrible threat of mutually assured annihilation. But the peace has also made humanity complacent.

Cheng Xin, an aerospace engineer from the early twenty-first century, awakens from hibernation in this new age. She brings with her knowledge of a long-forgotten program dating from the beginning of the Trisolar Crisis, and her very presence may upset the delicate balance between two worlds. Will humanity reach for the stars or die in its cradle?

The Three-Body Problem Series
The Three-Body Problem
The Dark Forest
Death's End

Other Books by Cixin Liu
Ball Lightning
Supernova Era
To Hold Up the Sky
The Wandering Earth
A View from the Stars

"For all our sakes, I hope Deborah Roberts continues to stake a claim, through her work, for a more expansive view of Black children." —Dawoud Bey

The definitive look at two decades of work by Austin-based artist Deborah Roberts (born 1962) with newly commissioned texts and a thorough dive into her archive, this monograph offers a comprehensive view of one of today’s most significant social observers. An extensive plate section is accompanied by a heartfelt foreword from Dawoud Bey on "the tragic mischaracterization of Black children"; an insightful essay from Ekow Eshun on the social and political histories of innocence, race and the fractured nature of the contemporary Black experience; a celebratory tribute from author and artist Carolyn Jean Martin on the musicality, humility and generosity of Roberts’ practice; and a free-ranging conversation between Roberts and cultural historian Sarah Elizabeth Lewis.
By using images from American history, Black culture, pop culture and Black history, Roberts critiques perceptions of ideal beauty and challenges stereotypes. She combines found and manipulated images with hand-drawn and painted details to create hybrid figures, often young girls and increasingly Black boys, whose well-being and futures are equally threatened because of the double standard of boyhood and criminality that is projected upon them at such a young age. Each child has character and agency to find their own way amid the complicated narratives of American, African American and art history.
Deborah Roberts (born 1962) is a mixed-media artist whose work challenges the notion of ideal beauty. Her work has been exhibited internationally across the US and Europe, and is in the collections of the Whitney Museum of American Art, New York; Brooklyn Museum; The Studio Museum in Harlem; LACMA, Los Angeles; Virginia Museum of Fine Arts, Richmond; Guggenheim Museum, New York; and Modern Art Museum of Fort Worth, Fort Worth, TX, among other institutions. Roberts received her MFA from Syracuse University. She lives and works in Austin, Texas, and is represented by Stephen Friedman Gallery, London, and Susanne Vielmetter Los Angeles Projects.

BOOK CLUB MEETING DEETS

When: Tuesday, December 10 @ 7 PM

Where: Kindred Stories (2304 Stuart Street, HTX, 770040

How: RSVP to let us know to reserve your seat or support the book club and RSVP WITH BOOK

ABOUT CHRISTMAS IN SPITE OF YOU

After pumping her hard-earned savings into a business plan that doesn’t pan out, Noel Anderson is left financially strapped and needs a way to earn money to stay afloat. She decides to rent her apartment as an Airbnb for the Christmas holidays while visiting her family for Christmas. What she didn’t plan on was coming down ill and having to cancel the trip.

Kanton Joseph is on the cusp of securing a lucrative business deal. In order to get a one-up on his competition, he rents an Airbnb in the same apartment complex where his potential client resides. He’s surprised when he shows up, and the owner of the Airbnb not only wants to cancel the reservation but is still occupying the space.

With great reluctance, Noel and Kanton agree to cohabitate for one week. Noel attempts to stay out of Kanton’s way, but they undoubtedly cross paths, causing friction between them. They immediately clash on everything, most notably with their views on the holidays. Noel is determined to have a very Merry Christmas despite her temporary housemate, which is the source of Kanton’s irritation. Eventually, the two begin to soften toward each other and Kanton learns to view things through Noel’s eyes.

Will the holiday magic fizzle, or will these two spark a connection they didn’t realize they needed? 

From prizewinning author De’Shawn Charles Winslow, a sweeping and unforgettable novel of a Black community reeling from a triple homicide, and the secrets the killings reveal.

In the still-segregated town of West Mills, North Carolina in 1976, Marian, Marva, and Lazarus Harmon—three enigmatic siblings—are found shot to death in their home. The people of West Mills—on both sides of the canal that serves as the town’s color line—are in a frenzy of finger-pointing, gossip, and wonder. The crime is the first reported murder in the area in decades, but the white authorities don’t seem to care and the sheriff quickly closes the case.

Fortunately, one person is determined to do more than talk. Ms. Jo Wright has just moved back to West Mills from New York City to retire and marry a childhood sweetheart, Olympus “Lymp” Seymore. When she discovers that the murder victims are Lymp’s half-siblings, and that Lymp is one of West Mills’s leading culprits, she sets out on a transformative manhunt to prove his innocence.
As Jo begins to investigate those who might know the most about the Harmons’ deaths, she starts to discover darker secrets than she’d ever imagined, and a pattern of cover-ups—of racial incidents, homophobia, and medical misuse—that could upend the reputations of many.
For readers of Bluebird, Bluebird and American Spy, Decent People is a powerful new novel about shame, race, money, and the reckoning required to heal a fractured community.

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A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities.

From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories.

A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today.

For leaders and practitioners in design institutions and communities, Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.

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Decolonizing the Body explores the traumatic physical and emotional effects of colonization and systemic racism on the body and mind. Written by a woman of color for women of color, it offers body-centered somatic practices to free women from internalized oppression, so they can reclaim confidence, dignity, and self-worth.

Powerful, body-based practices to help you reclaim confidence, dignity, and self-worth.

As a woman of color, you are more likely to experience oppression, discrimination, and physical or sexual violence in your lifetime. In addition, your family may have experienced generational trauma and systemic racism going back for centuries. This old and new trauma can manifest in both the mind and body. However, there are ways you can free yourself from this trauma, build confidence in yourself and your abilities, and restore your powerful sense of self.

Written by a woman of color for women of color, Decolonizing the Body offers proven-effective somatic, body-centered practices to help you heal from systemic oppression, trust the profound wisdom of your own body, and reconnect with your true self. And by slowing down, cultivating a daily ritual, and setting strong boundaries, you can reclaim your inherent dignity and worth—as well as those aspects of yourself that you may have cast aside in an effort to survive.

With this empowering guide, you’ll discover:

• How bodies are colonized through systems of oppression
• Why slowing down is essential for healing
• How to listen to what your body needs
• How to create a space for ritual in your daily life
• How to strengthen feelings of capability
• How to cultivate community—starting with yourself

To decolonize the body is to become whole again, and to come home again. Let this book be your guide on this crucial journey.

A call to action for therapists to politicize their practice through an emotional decolonial lens.

An essential work that centers colonial and historical trauma in a framework for healing, Decolonizing Therapy illuminates that all therapy is—and always has been— inherently political. To better understand the mental health oppression and institutional violence that exists today, we must become familiar with the root of disembodiment from our histories, homelands, and healing practices. Only then will readers see how colonial, historical, and intergenerational legacies have always played a role in the treatment of mental health.

This book is the emotional companion and guide to decolonization. It is an invitation for Eurocentrically trained clinicians to acknowledge privileged and oppressed parts while relearning what we thought we knew. Ignoring collective global trauma makes delivering effective therapy impossible; not knowing how to interrogate privilege (as a therapist, client, or both) makes healing elusive; and shying away from understanding how we as professionals may be participating in oppression is irresponsible.

Become the healthiest and happiest version of yourself using wellness tools designed specifically for BIPOC and LGBTQ folks.

An award-winning journalist's deeply reported exploration of how race, identity and political trauma have influenced the rise in far-right sentiment among Latinos, and how this group can shape American politics

Democrats have historically assumed they can rely on the Latino vote, but recent elections have called that loyalty into question. In fact, despite his vociferous anti-immigrant rhetoric and disastrous border policies, Trump won a higher percentage of the Latino vote in 2020 than he did in 2016. Now, journalist Paola Ramos pulls back the curtain on these voters, traveling around the country to uncover what motivates them to vote for and support issues that seem so at odds with their self-interest.
From coast to coast, cities to rural towns, Defectors introduces readers to underdog GOP candidates, January 6th insurrectionists, Evangelical pastors and culture war crusaders, aiming to identify the influences at the heart of this rightward shift. Through their stories, Ramos shows how tribalism, traditionalism, and political trauma within the Latino community has been weaponized to radicalize and convert voters who, like many of their white counterparts, are fearful of losing their place in American society.
We meet Monica de la Cruz, a Republican congresswoman from the Rio Grande Valley who won on a platform centered on finishing “what Donald Trump started” and pushing the Great Replacement Theory; David Ortiz, a Mexican man who refers to himself as a Spaniard and opposed the removal of a statue of a Spanish conquistador in New Mexico; Luis Cabrera, an evangelical pastor pushing to “Make America Godly Again;” Anthony Aguero, an independent journalist turned border vigilante; and countless other individuals and communities that make up the rising conservative Latino population. Cross-cultural and assiduously reported, Defectors highlights how one of America's most powerful and misunderstood electorates may come to define the future of American politics.

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The hardcover of Defining Moments in Black History, won the award for Literary Work of Nonfiction for the 49th NAACP Image Awards. Now, in this updated and expanded edition, Gregory charts the empowering yet often obscured past of the African American experience.

In his unapologetically candid voice, he moves from African ancestry and surviving the Middle Passage to modern-day protests, while adding new stories to further explain sections of history, from his unique point of view. A captivating journey through time, this collection of provocative essays explores historical movements such as the Great Migration and the Harlem Renaissance, as well as cultural touchstones, among them Marian Anderson’s performance on the steps of the Lincoln Memorial and Billie Holiday’s haunting delivery of “Strange Fruit.”

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Funmi, Enitan, and Zainab first meet at university in Nigeria and become friends for life despite their differences. Funmi is beautiful, brash, and determined; Enitan is homely and eager, seeking escape from her single mother's smothering and needy love; Zainab is elegant and reserved, raised by her father's first two wives after her mother's death in childbirth. Their friendship is complicated but enduring, and over the course of the novel, the reader learns about their loves and losses.
 
Now, some thirty years later, the three women are reunited for the first time, in Lagos. The occasion: Funmi’s daughter, Destiny, is getting married. Enitan brings her American daughter, Remi. Zainab travels by bus, nervously leaving her ailing husband in the care of their son. Funmi, hosting the weekend with her wealthy husband, wants everything to go perfectly. But as the big day approaches, it becomes clear that something is not right. As the novel builds powerfully, the complexities of the mothers’ friendship—and the private wisdom each has earned—come to bear on a riveting, heartrending moment of decision. Dele Weds Destiny is a sensational debut from a dazzling new voice in contemporary fiction.

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America’s great promise of equality has always rung hollow in the ears of African Americans. But today the situation has grown even more dire. Democracy in Black is Eddie S. Glaude Jr.'s impassioned response. Part manifesto, part history, part memoir, it argues that we live in a country founded on a “value gap”—with white lives valued more than others—that still distorts our politics today. 

Demon Montana: Clawing my way from the depths of hell to haunt the nightmares and steal the lives of many, I earned the name “Demon.” Hardened by a life that no one should live, I had rules that governed my existence. No caring. No intimacy. No love. And then I saw her… Dream. Beautiful. Brave. Bold. And for thirty days, she was mine. I would follow my rules: have her body, ignore her heart. Then, she looked at me… like she knew me. Like she saw me. Like she loved me. And I knew… thirty days weren’t nearly enough.

Dream Castle: Brilliant and bad ass, I was my family’s fixer. I was the queen of negotiating and smoothing ruffled feathers. I had never met a situation I couldn’t talk us out of… until my brother crossed the wrong family and they would accept only one payment for that debt.
Me.
For thirty days, I was supposed to give myself to a man so brutal, they called him “Demon.” I had to follow his rules, honor his demands, be available to him only. When I met him, he had nightmares in his cold green eyes and an enemy’s blood splattered on his hard, inked body. How could I survive a month with a monster without losing myself?
Except… those eyes seemed to thaw a little each time he looked at me. And his chiseled body fit perfectly against mine. There was so much more to the enigma called “Demon,” so many things that made him my “Damien.” Suddenly, the only thing I was worried about losing in thirty days was my heart.

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Discover design strategies for using your own unique social identities and experiences as inspiration to challenge the status quo and create the kind of lasting change that leads to greater equity and social justice, from Stanford University's d.school.

Who are you? What motivates you as a changemaker? What forces are preventing you (and others) from thriving? These questions are essential to the work of creating social change, and they are exactly what Design Social Change asks you to explore.

Designer and design educator Lesley-Ann Noel shares the essential design strategies for making a lasting impact. This work starts with knowing yourself and builds outward into making change in your community and the larger world. Design Social Change gives you tools to tailor your approach to design, taking into account your history, personality, ethics, and goals for a better future.

The strategies for change are based on equity and fairness, understanding your own role in these systems of both justice and inequity. These strategies demonstrate how to use anger, joy, and empathy as inspiration for understanding what people need to thrive. Using the tools of design, these new approaches will help you craft projects that are relevant to you and create more just, equitable futures. The time is always right to work toward a fair and just society.

The Destruction of Black Civilization took Chancellor Williams sixteen years of research and field study to compile. The book, which was to serve as a reinterpretation of the history of the African race, was intended to be "a general rebellion against the subtle message from even the most 'liberal' white authors (and their Negro disciples): 'You belong to a race of nobodies. You have no worthwhile history to point to with pride.'" The book was written at a time when many black students, educators, and scholars were starting to piece together the connection between the way their history was taught and the way they were perceived by others and by themselves. They began to question assumptions made about their history and took it upon themselves to create a new body of historical research. The book is premised on the question: "If the Blacks were among the very first builders of civilization and their land the birthplace of civilization, what has happened to them that has left them since then, at the bottom of world society, precisely what happened? The Caucasian answer is simple and well-known: The Blacks have always been at the bottom." Williams instead contends that many elements--nature, imperialism, and stolen legacies-- have aided in the destruction of the black civilization.

The Destruction of Black Civilization is revelatory and revolutionary because it offers a new approach to the research, teaching, and study of African history by shifting the main focus from the history of Arabs and Europeans in Africa to the Africans themselves, offering instead "a history of blacks that is a history of blacks. Because only from history can we learn what our strengths were and, especially, in what particular aspect we are weak and vulnerable. Our history can then become at once the foundation and guiding light for united efforts in serious[ly] planning what we should be about now." It was part of the evolution of the black revolution that took place in the 1970s, as the focus shifted from politics to matters of the mind.

From acclaimed novelist John Vercher, a profoundly moving novel of what it means to be a father, a son, a writer, and a biracial American fighting to reconcile the past

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery―and a fight for reclamation―of a painful past. With the wit of Paul Beatty’s The Sellout and the nuance of Zadie Smith’s On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

The great Kenyan writer and Nobel Prize nominee’s novel that he wrote in secret, on toilet paper, while in prison—featuring an introduction by Namwali Serpell, the author of the novel The Old Drift

One of the cornerstones of Ngũgĩ wa Thiong’o’s fame, Devil on the Cross is a powerful fictional critique of capitalism. It tells the tragic story of Wariinga, a young woman who moves from a rural Kenyan town to the capital, Nairobi, only to be exploited by her boss and later by a corrupt businessman. As she struggles to survive, Wariinga begins to realize that her problems are only symptoms of a larger societal malaise and that much of the misfortune stems from the Western, capitalist influences on her country. An impassioned cry for a Kenya free of dictatorship and for African writers to work in their own local dialects, Devil on the Cross has had a profound influence on Africa and on post-colonial African literature.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Devils Kill Devils is perfect for fans of Silvia Moreno-Garcia's Certain Dark Things and Southern gothic horror. Johnny Compton brings his trademark terror and dread that readers fell in love with in The Spite House to a new roster of monsters―angels, devils, vampires―and a heart-pounding race to save the world.

When all hell breaks loose, you need a devil on your side

Sarita has been watched over by a guardian angel her entire life. She calls him Angelo, and keeps him a secret. But secrets can’t stay buried forever…

When Angelo murders someone she loves, Sarita begins to see what's really been lurking in the shadows surrounding her. And she will have to embrace the evil within if she hopes to make it out alive.

Johnny Compton, critically acclaimed author of The Spite House and master of dread, takes you on a terrifying race of one woman against the hordes of hell.

Also by Johnny Compton:
The Spite House