An innovative contribution to the growing body of research about urban African-American culture in the South, Black Dixie is the first anthology to track the black experience in a single southern city across the entire slavery/post-slavery continuum. It combines the best previously published scholarship about black Houston and little-known contemporary eyewitness accounts of the city with fresh, unpublished essays by historians and social scientists.

Divided into four sections, the book covers a broad range of both time and subjects. The first section analyzes the development of scholarly consciousness and interest in the history of black Houston; slavery in nineteenth-century Houston is covered in the second section; economic and social development in Houston in the era of segregation are looked at in the third section; and segregation, violence, and civil rights in twentieth-century Houston are dealt with in the final section.

Collectively, the contents of Black Dixie utilize the full range of primary sources available to scholars studying the black South. These include such traditional material as newspapers and diaries as well as newer techniques involving quantification and statistical analysis. The editors' remarks relate the individual essays to one another as well as placing them within the context of scholarly literature on the subject. Hence Black Dixie will serve both as a resource and as a model for the study of black urban culture in Texas and throughout the South.

A soulful collection of illuminating essays and interviews that explore Black people’s spiritual connection to the land and the climate justice crisis, curated by the acclaimed author of Farming While Black.

Author of Farming While Black and co-founder of Soul Fire Farm, Leah Penniman reminds us that ecological humility is an intrinsic part of Black cultural heritage. While racial capitalism has attempted to sever our connection to the sacred earth for 400 years, Black people have long seen the land and water as family and treating the Earth as a home essential.

This thought-provoking anthology brings together today’s most respected and influential Black environmentalist voices. These varied and distinguished experts include Pulitzer Prize and National Book Award-winning author Alice Walker; the first Queen Mother and official spokesperson for the Gullah/Geechee Nation, Queen Quet; marine biologist, policy expert, and founder and president of Ocean Collectiv, Dr. Ayana Elizabeth Johnson; and the Executive Director of the North Carolina Association of Black Lawyers, Land Loss Prevention Project, Savi Horne. These leaders address the essential connection between nature and our survival and how runaway consumption and corporate insatiability are harming the earth and every facet of American society, including racial violence, food apartheid, and climate justice.

Those whose skin is the color of soil are reviving their ancestral and ancient practice of listening to the earth for guidance. Penniman makes clear that the fight for racial and environmental justice demands that Black people put our planet first and defer to nature as our teacher.

A poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature—everywhere, if you know how to see it.

In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the “national emergency of black grief.” With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others.

Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production. Brown asks: How do you mourn those you are not supposed to see? And where does the grief go? She shows us that grief is everywhere: “It spills out of photographs and modulates music. It hovers in the tenor and tone of cinematic performances. It resides in the body like an inspired concept, waiting for its articulation.”

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A pioneering work of Afrofuturism and antiracist fiction by the author of Black No More, about a Black scientist who masterminds a worldwide conspiracy to take back the African continent from imperial powers

A Penguin Classic

“An amazing serial story of Black genius against the world” is how Black Empire was promoted upon its original publication as a serial in The Pittsburgh Courier from 1936 to 1938. It tells the electrifying tale of Dr. Henry Belsidus, a Black scientific genius desperate to free his people from the crushing tyranny of racism. To do so, he concocts a plot to enlist a crew of Black intellectuals to help him take over the world, cultivating a global network to reclaim Africa from imperial powers and punish Europe and America for white supremacy and their crimes against the planet’s Black population.

At once a daring, high-stakes science fiction adventure and a strikingly innovative Afrofuturist classic, this controversial and fearlessly political work lays bare the ethical quandaries of exactly how far one should go in the name of justice.

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A tour-de-force collection of stories about the Black experience, by award-winning, bestselling, and emerging African American YA authors.

Black is... two sisters navigating their relationship at summer camp in Portland, Oregon as written by Renée Watson.

Black is… Jason Reynolds writing about three guys walking back from the community pool talking about nothing and everything.

Black is… Nic Stone’s bougie debutante dating a boy her momma would never approve of.

Black is …two girls kissing in Justina Ireland’s story set in Maryland.

Black is urban and rural, wealthy and poor, mixed race, immigrants, and more—because there are countless ways to be Black enough.

Edited by National Book Award finalist Ibi Zoboi, this is an essential collection of captivating stories about what it’s like to be young and Black in America.

Contributors:

Justina Ireland

Varian Johnson

Rita Williams-Garcia

Dhonielle Clayton

Kekla Magoon

Leah Henderson

Tochi Onyebuchi

Jason Reynolds

Nic Stone

Liara Tamani

Renée Watson

Tracey Baptiste

Coe Booth

Brandy Colbert

Jay Coles

Ibi Zoboi

Lamar Giles

PROSE Award- Music and Performing Arts Category Winner

A framework for understanding the deep archive of Black performance in the digital era

In an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams’s 1916 silent film short “A Natural Born Gambler” or the performances of Josephine Baker from the 1920s, are merely a quick YouTube search away has transformed how scholars teach and research Black performance.

While Black Ephemera celebrates this new access, it also questions the crisis and the challenge of the Black musical archive in a moment when Black American culture has become a global export. Using music and sound as its primary texts, Black Ephemera argues that the cultural DNA of Black America has become obscured in the transformation from analog to digital. Through a cross-reading of the relationship between the digital era and culture produced in the pre-digital era, Neal argues that Black music has itself been reduced to ephemera, at best, and at worst to the background sounds of the continued exploitation and commodification of Black culture. The crisis and challenges of Black archives are not simply questions of knowledge, but of how knowledge moves and manifests itself within Blackness that is obscure, ephemeral, fugitive, precarious, fluid, and increasingly digital.

Black Ephemera is a reminder that for every great leap forward there is a necessary return to the archive. Through this work, Neal offers a new framework for thinking about Black culture in the digital world.

A fierce exposé of the resistance to believing Black people and its devastating effects throughout American history.

From Reconstruction to Redemption, from the enactment of landmark civil rights legislation to the execution of the Southern strategy, from 2020’s multiracial protests to the swift elimination of policies etching out a more inclusive society, Americans regularly experience periods of racial reckoning followed by walloping retrenchment.

In Black Evidence, political scientist Candis Watts Smith shows that this pattern is the result of an American habit: denying the truths about our society that Black people experience and remember. Smith then delivers a warning: the effects of this habit ripple out, dulling our ability to identify the signs of authoritarianism and heightening our tolerance for cruelty. Still, she shows how these same truths offer models to overcome our repeated predicament.

Through a curation of critical moments across four centuries, Smith invites us to review the evidence that has been obscured, distorted, and denied. She rigorously investigates the practices that turn Black witnesses into liars in the court room, Black patients into superbodies that don’t feel pain in health care settings, Black people into subhumans in scientific experiments, and Black children into superpredators. She reveals what happens when Black voices are subject to exclusion―their communities are terrorized, their memories are refuted, and their resistance is pathologized.

Written with compassion and tempered optimism, Black Evidence prescribes a cure and encourages readers to practice the skills needed to build a truly multiracial democracy: confront our past, acknowledge the damage of inequality in our present, and listen to the voices of those who experience the problems we wish to solve for an equitable future.

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Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces.
Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors

Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces.

Drawing on a variety of sources from film, literature, and popular culture, and analyzing different historical moments, including the establishment of the Wilderness Act in 1964 and the aftermath of Hurricane Katrina, Finney reveals the perceived and real ways in which nature and the environment are racialized in America. Looking toward the future, she also highlights the work of African Americans who are opening doors to greater participation in environmental and conservation concerns.

An illustrated history that celebrates the legacy of Black actors, films, and filmmakers from the silent era through today and explores the deeply embedded racism of the film industry, from the award-winning author of The Black Panther Party

In Black Film, Eisner Award-winning author David F. Walker presents an immersive dive into the crucial history of Black actors, films, and filmmakers. Following closely behind the very first moving picture captured by Eadward Muybridge in 1872, Thomas Edison's thirty-second "actualities" from the late 1890s, including A Watermelon Contest and Dancing Darkey Boy, are among the first short films to depict Black people. These can be considered the earliest examples of how the film industry would go on to exploit, appropriate, and shape the narrative of Black people for the duration of its development.

Divided by decade, each section of the book covers an important era and milestone for Black film, highlighting both difficulties and triumphs through time. For example:

* The harmful popularization of blackface and minstrel shows (1890-1914)
* The emergence of racist feature-length movies such as Birth of a Nation after the advancement of sound in film, countered by the success of pioneering Black filmmakers such as Oscar Michaeux and brothers George and Noble Johnson (1915-1928)
* The rise of trailblazing actors such as Sidney Poitier and Dorothy Dandridge (1950-1959)
* The roots of Blaxploitation as a subgenre and how Black people ultimately saved Hollywood during trying times (1970-1979)
* The exciting crossover of hip-hop music into film (1980-1989)
* The box office success of Marvel's The Black Panther, Moonlight's history-making Best Picture win, and more.

With gorgeous illustrations, film stills, and rare pieces of ephemera, Black Film celebrates the glowing contributions of Black actors and filmmakers, without shying away from discussing the racism that is rooted in Hollywood—an important reality to address in order to make progress.

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A beautiful, rich, and groundbreaking book exploring Black foodways within America and around the world, curated by food activist and author of Vegetable Kingdom Bryant Terry.

In this stunning and deeply heartfelt tribute to Black culinary ingenuity, Bryant Terry captures the broad and divergent voices of the African Diaspora through the prism of food. With contributions from more than 100 Black cultural luminaires from around the globe, the book moves through chapters exploring parts of the Black experience, from Homeland to Migration, Spirituality to Black Future, offering delicious recipes, moving essays, and arresting artwork.

As much a joyful celebration of Black culture as a cookbook, Black Food explores the interweaving of food, experience, and community through original poetry and essays, including “Jollofing with Toni Morrison” by Sarah Ladipo Manyika, “Queer Intelligence” by Zoe Adjonyoh, “The Spiritual Ecology of Black Food” by Leah Penniman, and “Foodsteps in Motion” by Michael W. Twitty. The recipes are similarly expansive and generous, including sentimental favorites and fresh takes such as Crispy Cassava Skillet Cakes from Yewande Komolafe, Meatballs with Egusi and Squash from Edouardo Jordan, Jerk Chicken Ramen from Suzanne Barr, Avocado and Mango Salad with Spicy Pickled Carrot and Rof Dressing from Pierre Thiam, and Sweet Potato Pie from Jenné Claiborne. Visually stunning artwork from such notables as Black Panther Party creative director Emory Douglas and artist Sarina Mantle are woven throughout, and the book includes a signature musical playlist curated by Bryant.

With arresting artwork and innovative design, Black Food is a visual and spiritual feast that will satisfy any soul.

The astonishing untold history of America’s first black millionaires— self-made entrepreneurs who endured incredible challenges to amass and maintain their wealth for a century, from the Jacksonian period to the Roaring Twenties.

Between 1830 and 1927, as the last generation of blacks born into slavery was reaching maturity, a small group of industrious, tenacious, and daring men and women broke new ground to attain the highest levels of financial success, including:

Mary Ellen Pleasant used her Gold Rushwealth to further the cause of abolitionist John Brown.

Robert Reed Church became the largest landowner in Tennessee.

Hannah Elias, the mistress of a New York City millionaire, used the property her lover gave her to build an empire in Harlem.

Orphan and self-taught chemist Annie Turnbo Malone developed the first national brand of hair care products.

Mississippi schoolteacher O. W. Gurley developed a piece of Tulsa, Oklahoma, into a “town” for wealthy black professionals and craftsmen that would become known as “Black Wall Street.”

Although Madam C. J. Walker was given the title of America’s first female black millionaire, she was not. She was the first, however, to flaunt and openly claim her wealth—a dangerous and revolutionary act.

Nearly all the unforgettable 

The first fully illustrated history of Juneteenth and other Emancipation Day celebrations, told through photographs, art, and an engrossing narrative from an award-winning historian.  
 
For more than 150 years, Black communities have gathered to honor freedom, resilience, and the ongoing struggle for true liberation. While Juneteenth has recently gained wider recognition, it was one of many Emancipation Day traditions celebrated across the United States. These observances were spaces of joy, remembrance, and resistance—even as the fight for full freedom was unfinished. This volume brings together stirring essays and striking images from Juneteenth and beyond, offering a sweeping portrait of how Black people have created and sustained rituals of remembrance, a testament to the generations who, through celebration and storytelling, demanded that their contributions to the making of America be fully recognized.

Kimberly Drew and Jenna Wortham have brought together this collection of work—art, photos, essays, memes, dialogues, recipes, tweets, poetry, and more—to tell the story of the radical, imaginative, provocative, and gorgeous world that black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics.

From the authors of Black Boy, Black Boy comes a new inspiring picture book about self-esteem for black girls, drawing on the history of role models who came before them!

Dear girl, Black girl, rise up, it's time.

It's a new day and a chance to shine.

From the first black female Vice President of the United States Kamala Harris to three-time Olympic gold medalist Wilma Rudolph, civil rights activist Rosa Parks, and the first black female astronaut Mae Carol Jemison, there are so many inspirational women in Black history. An uplifting and beautiful introduction to the strong women who have shaped history, Black Girl, Black Girl encourages young Black girls to rise with passion and to trust in their fierce spirit and magnificent grace. 

Black Girl, Black Girl is perfect for those looking for:

* uplifting books for kids
* Black history books for kids
* joyful books for empowerment

Dear Black Girl
You teach the world
The power of creativity
Just by being yourself

Celebrate the creativity, bravery, dreams, and laughter of Black girls with this purposeful, powerful text from poet and author Mahogany L. Browne. With lush, bright illustrations from artist Sawyer Cloud, this picture book is perfect for honoring big milestones and finding joy in everyday moments―a heartwarming and jubilant love letter to Black girls everywhere.

A literary coming-of-age poetry collection, an ode to the places we call home, and a piercingly intimate deconstruction of daughterhood, Black Girl, Call Home is a love letter to the wandering black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

From hip-hop moguls and political candidates to talk radio and critically acclaimed films, society communicates that Black girls don’t matter and their girlhood is not safe. Alarming statistics on physical and sexual abuse, for instance, reveal the harm Black girls face, yet Black girls’ representation in media still heavily relies on our seeing their abuse as an important factor in others’ development. In this provocative new book, Aria S. Halliday asserts that the growth of diverse representation in media since 2008 has coincided with an increase in the hatred of Black girls.

Halliday uses her astute expertise as a scholar of popular culture, feminist theory, and Black girlhood to expose how we have been complicit in the depiction of Black girls as unwanted and disposable while letting Black girls fend for themselves. She indicts the way media mistreats celebrity Black girls like Malia and Sasha Obama as well as fictional Black girls in popular shows and films like A Wrinkle in Time. Our society’s inability to see or understand Black girls as girls makes us culpable in their abuse. In Black Girls and How We Fail Them, a revelatory book for political analysts, hip-hop lovers, pop culture junkies, and parents, Halliday provides the critical perspective we need to create a world that supports, affirms, and loves Black girls. Our future depends on it.

From breathwork practitioner and the founder of black girls breathing®, a practical path for Black women to heal trauma, combat chronic stress, and find freedom in their own bodies and minds.

It's no secret that Black women have been oppressed for centuries and, as a Black woman herself, Jasmine Marie knows the impact that intergenerational trauma and systemic racism have had—and continue to have—on her community. Those experiences are why she founded a breathwork company dedicated to helping Black women access somatic practices and understand the power of the mind‑body connection to undo the trauma the carry.

In Black Girls Breathing, Jasmine Marie shares the science-backed tools and wisdom of her program to help readers:
* Connect more fully to their bodies.
* Give themselves permission to rest.
* Heal the chronic stress they carry in their bodies and nervous systems.
* Address their emotional pain.
* Rebuild themselves and their communities.

Ultimately, this book is a long-overdue resource for every Strong Black Woman: The woman ready to break cycles of trauma, heal the internalized beliefs of perfectionism and conditional self‑worth, and listen to the wisdom of her inner voice.

A visual celebration of Black women and their gardens, filled with inspiration, stories, and the healing magic of gardening, based on the popular Instagram account BlackGirlsGardening.

Through first-person narratives and arresting photography, this unique gardening book profiles women who demonstrate how a gardening practice has the power to heal, empower, educate, and connect. Thirty-one compelling personal stories about creating backyard, flower, and vegetable gardens, participating in community gardens, and gardening with kids are included. Sidebars offer advice on composting, pest control, must-have tools, greenhouse gardens, and more.

In a beautiful, chunky package that can be read cover to cover or displayed on a coffee table, Black Girls Gardening makes a lovely gift for aspiring and practicing Black women gardeners, first-time homeowners, parents who garden with their kids, and women of all ages who enjoy sinking their hands into the soil.

GARDENING AS EMPOWERMENT: With stories on starting a garden from seed, building your own vegetable and flower beds, growing your own food, connecting with a community, and showing your kids the power and joy that come from these experiences, this uplifting book demonstrates how gardening empowers women and green thumbs of all ages and levels. 

HEALTH BENEFITS: Gardening is good for you, and it’s a lifelong hobby! Spending time outside is an excellent way to relieve stress and anxiety, and gardening is an accessible and increasingly common pastime that provides respite from our indoor, online, sedentary lives. This book celebrates gardens as a sanctuary, a source of solace and joy, and a place for self-discovery and connection.

CELEBRATES DIVERSITY: This uniquely inspiring nature and gardening book highlights stories from Black, biracial, and multiracial women, an underrepresented audience in mainstream gardening, nature, and outdoor media.

Perfect for:
* Self-care gift or self-purchase for Black women, ages 18 - 50+
* Gift-giving for Mother’s Day, birthday, housewarming, or retirement
* Women gardeners and aspiring green thumbs
* Garden admirers and nature enthusiasts
* First-time homeowners who want to plant a garden
* Followers of @BlackGirlsGardening
* Fans of Nature Swagger, Wild at Home, My Beautiful Black Hair, She Explores

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Tabitha Walker is a black woman with a plan to “have it all.” At 33 years old, the checklist for the life of her dreams is well underway. Education? Check. Good job? Check. Down payment for a nice house? Check. Dating marriage material? Check, check, and check. With a coveted position as a local news reporter, a "paper-perfect" boyfriend, and even a standing Saturday morning appointment with a reliable hairstylist, everything seems to be falling into place.

Then Tabby receives an unexpected diagnosis that brings her picture-perfect life crashing down, jeopardizing the keystone she took for granted: having children. With her dreams at risk of falling through the cracks of her checklist, suddenly she is faced with an impossible choice between her career, her dream home, and a family of her own.

A groundbreaking history of elite black New Yorkers in the nineteenth century, seen through the lens of the author's ancestors

Part detective tale, part social and cultural narrative, Black Gotham is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City.

Black Gotham challenges many of the accepted "truths" about African-American history, including the assumption that the phrase "nineteenth-century black Americans" means enslaved people, that "New York state before the Civil War" refers to a place of freedom, and that a black elite did not exist until the twentieth century. Beginning her story in the 1820s, Peterson focuses on the pupils of the Mulberry Street School, the graduates of which went on to become eminent African-American leaders. She traces their political activities as well as their many achievements in trade, business, and the professions against the backdrop of the expansion of scientific racism, the trauma of the Civil War draft riots, and the rise of Jim Crow.

Told in a vivid, fast-paced style, Black Gotham is an important account of the rarely acknowledged achievements of nineteenth-century African Americans and brings to the forefront a vital yet forgotten part of American history and culture.

Black Gurl Reliable does the original work of curating Black girls’ and women’s experiences and experiential knowledge, indexing sociocultural tactics (schooling) that foreclose Black girl aliveness, while advancing embodiment as a key ingredient of Black mattering. Elevating Black Girlhood Studies as an ethos, narratives presented offer redress to inequities and hauntings of race-gender structures of dominance and position Black girls and girlhood as more than lamentation and what happens to the body. Hill solicits the strength and utility of arts-based methods in capturing identity, performance, and experimental design for ephemerality and improvisation. Hill makes clear Black feminism’s insistence that knowledge and possibility are produced through the body.

As a means of mitigating the deleterious effects of schooling on Black girls’ and women’s bodies and making legible the insights and knowledge produced from schooling experiences, Hill introduces the concept of Transgressngroove. This living feminist practice explores the relationships between Black girlhood, education, and the body, as researched for over a decade through workshops, consulting, classrooms, personal development, and other teaching/learning spaces.

From TikTok star and creator of Fast Black History Taylor Cassidy comes a witty, lightly illustrated nonfiction debut that blends history and memoir in a joyful celebration of Black American historical figures.

Meet Taylor Cassidy, Black history enthusiast and creator of the viral TikTok series Fast Black History. In her debut book, Taylor takes readers on a journey through the Black history she wishes she was taught in school. With sparkling wit and humor—and lots of fun pop culture references—she paints a vibrant picture of twelve figures from Black history whose groundbreaking contributions shaped America as we know it today. Introducing icons from activists to literary giants, movie stars to Olympic gold medalists, fashion designers to astronauts, and more, this one-of-a-kind collection makes Black history relatable, relevant, and utterly irresistible.

Using Black history as inspiration, Taylor weaves together research and personal anecdotes that illuminate each trailblazer’s impact on her own life—as well as sharing plenty of triumphant, funny, and embarrassing moments from her past. From navigating friend breakups and unrequited crushes to setting boundaries and fighting self-doubt, Taylor’s been there…and she’s learned some valuable life lessons along the way.

This book is a joyful celebration of Black historymakers, and you’re invited to the party. Come on in and let these twelve true stories inspire you to make history of your own!

A surprising and beautiful meditation on the color blue—and its fascinating role in Black history and culture—from National Book Award winner Imani Perry

Throughout history, the concept of Blackness has been remarkably intertwined with another color: blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for that which lies beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong’s question, “What did I do to be so Black and blue?” In this book, celebrated author Imani Perry uses the world’s favorite color as a springboard for a riveting emotional, cultural, and spiritual journey—an examination of race and Blackness that transcends politics or ideology.

Perry traces both blue and Blackness from their earliest roots to their many embodiments of contemporary culture, drawing deeply from her own life as well as art and history: The dyed indigo cloths of West Africa that were traded for human life in the 16th century. The mixture of awe and aversion in the old-fashioned characterization of dark-skinned people as “Blue Black.” The fundamentally American art form of blues music, sitting at the crossroads of pain and pleasure. The blue flowers Perry plants to honor a loved one gone too soon.

Poignant, spellbinding, and utterly original, Black in Blues is a brilliant new work that could only have come from the mind of one of our greatest writers and thinkers. Attuned to the harrowing and the sublime aspects of the human experience, it is every bit as vivid, rich, and striking as blue itself.