From the authors of Black Boy, Black Boy comes a new inspiring picture book about self-esteem for black girls, drawing on the history of role models who came before them!

Dear girl, Black girl, rise up, it's time.

It's a new day and a chance to shine.

From the first black female Vice President of the United States Kamala Harris to three-time Olympic gold medalist Wilma Rudolph, civil rights activist Rosa Parks, and the first black female astronaut Mae Carol Jemison, there are so many inspirational women in Black history. An uplifting and beautiful introduction to the strong women who have shaped history, Black Girl, Black Girl encourages young Black girls to rise with passion and to trust in their fierce spirit and magnificent grace. 

Black Girl, Black Girl is perfect for those looking for:

* uplifting books for kids
* Black history books for kids
* joyful books for empowerment

A literary coming-of-age poetry collection, an ode to the places we call home, and a piercingly intimate deconstruction of daughterhood, Black Girl, Call Home is a love letter to the wandering black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

From hip-hop moguls and political candidates to talk radio and critically acclaimed films, society communicates that Black girls don’t matter and their girlhood is not safe. Alarming statistics on physical and sexual abuse, for instance, reveal the harm Black girls face, yet Black girls’ representation in media still heavily relies on our seeing their abuse as an important factor in others’ development. In this provocative new book, Aria S. Halliday asserts that the growth of diverse representation in media since 2008 has coincided with an increase in the hatred of Black girls.

Halliday uses her astute expertise as a scholar of popular culture, feminist theory, and Black girlhood to expose how we have been complicit in the depiction of Black girls as unwanted and disposable while letting Black girls fend for themselves. She indicts the way media mistreats celebrity Black girls like Malia and Sasha Obama as well as fictional Black girls in popular shows and films like A Wrinkle in Time. Our society’s inability to see or understand Black girls as girls makes us culpable in their abuse. In Black Girls and How We Fail Them, a revelatory book for political analysts, hip-hop lovers, pop culture junkies, and parents, Halliday provides the critical perspective we need to create a world that supports, affirms, and loves Black girls. Our future depends on it.

From breathwork practitioner and the founder of black girls breathing®, a practical path for Black women to heal trauma, combat chronic stress, and find freedom in their own bodies and minds.

It's no secret that Black women have been oppressed for centuries and, as a Black woman herself, Jasmine Marie knows the impact that intergenerational trauma and systemic racism have had—and continue to have—on her community. Those experiences are why she founded a breathwork company dedicated to helping Black women access somatic practices and understand the power of the mind‑body connection to undo the trauma the carry.

In Black Girls Breathing, Jasmine Marie shares the science-backed tools and wisdom of her program to help readers:
* Connect more fully to their bodies.
* Give themselves permission to rest.
* Heal the chronic stress they carry in their bodies and nervous systems.
* Address their emotional pain.
* Rebuild themselves and their communities.

Ultimately, this book is a long-overdue resource for every Strong Black Woman: The woman ready to break cycles of trauma, heal the internalized beliefs of perfectionism and conditional self‑worth, and listen to the wisdom of her inner voice.

A visual celebration of Black women and their gardens, filled with inspiration, stories, and the healing magic of gardening, based on the popular Instagram account BlackGirlsGardening.

Through first-person narratives and arresting photography, this unique gardening book profiles women who demonstrate how a gardening practice has the power to heal, empower, educate, and connect. Thirty-one compelling personal stories about creating backyard, flower, and vegetable gardens, participating in community gardens, and gardening with kids are included. Sidebars offer advice on composting, pest control, must-have tools, greenhouse gardens, and more.

In a beautiful, chunky package that can be read cover to cover or displayed on a coffee table, Black Girls Gardening makes a lovely gift for aspiring and practicing Black women gardeners, first-time homeowners, parents who garden with their kids, and women of all ages who enjoy sinking their hands into the soil.

GARDENING AS EMPOWERMENT: With stories on starting a garden from seed, building your own vegetable and flower beds, growing your own food, connecting with a community, and showing your kids the power and joy that come from these experiences, this uplifting book demonstrates how gardening empowers women and green thumbs of all ages and levels. 

HEALTH BENEFITS: Gardening is good for you, and it’s a lifelong hobby! Spending time outside is an excellent way to relieve stress and anxiety, and gardening is an accessible and increasingly common pastime that provides respite from our indoor, online, sedentary lives. This book celebrates gardens as a sanctuary, a source of solace and joy, and a place for self-discovery and connection.

CELEBRATES DIVERSITY: This uniquely inspiring nature and gardening book highlights stories from Black, biracial, and multiracial women, an underrepresented audience in mainstream gardening, nature, and outdoor media.

Perfect for:
* Self-care gift or self-purchase for Black women, ages 18 - 50+
* Gift-giving for Mother’s Day, birthday, housewarming, or retirement
* Women gardeners and aspiring green thumbs
* Garden admirers and nature enthusiasts
* First-time homeowners who want to plant a garden
* Followers of @BlackGirlsGardening
* Fans of Nature Swagger, Wild at Home, My Beautiful Black Hair, She Explores

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Tabitha Walker is a black woman with a plan to “have it all.” At 33 years old, the checklist for the life of her dreams is well underway. Education? Check. Good job? Check. Down payment for a nice house? Check. Dating marriage material? Check, check, and check. With a coveted position as a local news reporter, a "paper-perfect" boyfriend, and even a standing Saturday morning appointment with a reliable hairstylist, everything seems to be falling into place.

Then Tabby receives an unexpected diagnosis that brings her picture-perfect life crashing down, jeopardizing the keystone she took for granted: having children. With her dreams at risk of falling through the cracks of her checklist, suddenly she is faced with an impossible choice between her career, her dream home, and a family of her own.

Black Gurl Reliable does the original work of curating Black girls’ and women’s experiences and experiential knowledge, indexing sociocultural tactics (schooling) that foreclose Black girl aliveness, while advancing embodiment as a key ingredient of Black mattering. Elevating Black Girlhood Studies as an ethos, narratives presented offer redress to inequities and hauntings of race-gender structures of dominance and position Black girls and girlhood as more than lamentation and what happens to the body. Hill solicits the strength and utility of arts-based methods in capturing identity, performance, and experimental design for ephemerality and improvisation. Hill makes clear Black feminism’s insistence that knowledge and possibility are produced through the body.

As a means of mitigating the deleterious effects of schooling on Black girls’ and women’s bodies and making legible the insights and knowledge produced from schooling experiences, Hill introduces the concept of Transgressngroove. This living feminist practice explores the relationships between Black girlhood, education, and the body, as researched for over a decade through workshops, consulting, classrooms, personal development, and other teaching/learning spaces.

From TikTok star and creator of Fast Black History Taylor Cassidy comes a witty, lightly illustrated nonfiction debut that blends history and memoir in a joyful celebration of Black American historical figures.

Meet Taylor Cassidy, Black history enthusiast and creator of the viral TikTok series Fast Black History. In her debut book, Taylor takes readers on a journey through the Black history she wishes she was taught in school. With sparkling wit and humor—and lots of fun pop culture references—she paints a vibrant picture of twelve figures from Black history whose groundbreaking contributions shaped America as we know it today. Introducing icons from activists to literary giants, movie stars to Olympic gold medalists, fashion designers to astronauts, and more, this one-of-a-kind collection makes Black history relatable, relevant, and utterly irresistible.

Using Black history as inspiration, Taylor weaves together research and personal anecdotes that illuminate each trailblazer’s impact on her own life—as well as sharing plenty of triumphant, funny, and embarrassing moments from her past. From navigating friend breakups and unrequited crushes to setting boundaries and fighting self-doubt, Taylor’s been there…and she’s learned some valuable life lessons along the way.

This book is a joyful celebration of Black historymakers, and you’re invited to the party. Come on in and let these twelve true stories inspire you to make history of your own!

Throughout his esteemed career, William Cross has tried to reconcile how Black men he met in the barber shop “seemed so normal,” but the portrayal in college textbooks of Black people in general—and the Black working class in particular—is self-hating and pathological. In Black Identity Viewed from a Barber’s Chair, Cross revisits his ground-breaking model on Black identity awakening known as Nigrescence, connects W. E. B. DuBois’s concept of double consciousness to an analysis of how Black identity is performed in everyday life, and traces the origins of the deficit perspective on Black culture to scholarship dating back to the 1930s. He follows with a critique showing such deficit and Black self-hatred tropes were always based on extremely weak evidence.

Black Identity Viewed from a Barber’s Chair ends with a new understanding of the psychology of slavery that helps explain why and how, during the first twelve years of emancipation, countless former slaves exhibited amazing psychological, political, and cultural independence. Once free, their previously hidden psychology became public.

His booksets out to disrupt and agitate as Cross attempts to more accurately capture the humanity of Black people that has been overlooked in previous research.

A surprising and beautiful meditation on the color blue—and its fascinating role in Black history and culture—from National Book Award winner Imani Perry

Throughout history, the concept of Blackness has been remarkably intertwined with another color: blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for that which lies beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong’s question, “What did I do to be so Black and blue?” In this book, celebrated author Imani Perry uses the world’s favorite color as a springboard for a riveting emotional, cultural, and spiritual journey—an examination of race and Blackness that transcends politics or ideology.

Perry traces both blue and Blackness from their earliest roots to their many embodiments of contemporary culture, drawing deeply from her own life as well as art and history: The dyed indigo cloths of West Africa that were traded for human life in the 16th century. The mixture of awe and aversion in the old-fashioned characterization of dark-skinned people as “Blue Black.” The fundamentally American art form of blues music, sitting at the crossroads of pain and pleasure. The blue flowers Perry plants to honor a loved one gone too soon.

Poignant, spellbinding, and utterly original, Black in Blues is a brilliant new work that could only have come from the mind of one of our greatest writers and thinkers. Attuned to the harrowing and the sublime aspects of the human experience, it is every bit as vivid, rich, and striking as blue itself.

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Black Indian, searing and raw, is Amy Tan's The Joy Luck Club and Alice Walker's The Color Purple meets Leslie Marmon Silko's Ceremony--only, this isn't fiction. Beautifully rendered and rippling with family dysfunction, secrets, deaths, drunks, and old resentments, Shonda Buchanan's memoir is an inspiring story that explores her family's legacy of being African Americans with American Indian roots and how they dealt with not just society's ostracization but the consequences of this dual inheritance. Buchanan was raised as a Black woman, who grew up hearing cherished stories of her multi-racial heritage, while simultaneously suffering from everything she (and the rest of her family) didn't know. Tracing the arduous migration of Mixed Bloods, or Free People of Color, from the Southeast to the Midwest, Buchanan tells the story of her Michigan tribe -- a comedic yet manically depressed family of fierce women, who were everything from caretakers and cornbread makers to poets and witches, and men who were either ignored, protected, imprisoned, or maimed -- and how their lives collided over love, failure, fights, and prayer despite a stacked deck of challenges, including addiction and abuse. Ultimately, Buchanan's nomadic people endured a collective identity crisis after years of constantly straddling two, then three, races. The physical, spiritual, and emotional displacement of American Indians who met and married Mixed or Black slaves and indentured servants at America's early crossroads is where this powerful journey begins.  Black Indian doesn't have answers, nor does it aim to represent every American's multi-ethnic experience. Instead, it digs as far down into this one family's history as it can go sometimes, with a bit of discomfort. But every family has its own truth, and Buchanan's search for hers will resonate in anyone who has wondered "maybe there's more than what I'm being told."

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With a poet's precision and an intellectually adventurous spirit, Elizabeth Alexander explores a wide spectrum of contemporary African American artistic life through literature, paintings, popular media, and films, and discusses its place in current culture. In The Black Interior, she examines the vital roles of such heavyweight literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove, as well as lesser known, yet vibrant, new creative voices. She offers a reconsideration of "afro-outré" painter Jean-Michel Basquiat, the concept of "race-pride" in Jet magazine, and her take on Denzel Washington's career as a complex black male icon in a post-affirmative action era. Also available is Alexander's much heralded essay on Rodney King, Emmett Till, and the collective memory of racial violence.

Alexander, who has been a professor at the University of Chicago and Smith College, and recently at Yale University, has taught and lectured on African American art and culture across the country and abroad for nearly two decades. In The Black Interior, she directs her scrupulous poet's eye to the urgent cultural issues of the day. This lively collection is a crucial volume for understanding current thinking on race, art, and culture in America.

With witty humor and a strong sense of self, musician, model, and technology executive Shavone Charles recounts her journey through Google, Twitter, and more – and outlines her mission to make space for herself and other young women of color both online and IRL.

Pocket Change Collective was born out of a need for space. Space to think. Space to connect. Space to be yourself. And this is your invitation to join us. This is a series of small books with big ideas from today's leading activists and artists.

    "The right balance of curiosity and good old nerve has always pushed me toward good directions in my life. During the darkest, most discouraging times, I can lean on those two parts of me." In this installment of the Pocket Change Collective, musician and technology phenom Shavone Charles explores how curiosity and nerve led her from a small college in Merced, California, to some of the most influential spaces in the tech world: from Google to Twitter to eventually landing a spot on the coveted Forbes 30 Under 30 list. Grateful for being the first in many spaces, but passionate about being neither the last nor the only, Charles tells her story in the hopes of guiding others and shaping a future where people, particularly women of color, feel empowered to make space for themselves and challenge society’s status quos.

Famed 60s sunshine pop band 5th Dimension’s LaMonte McLemore’s additional enduring legacy is that of a photographer, contributing a weekly column “Beauty of the Week” to the renowned publication of African American pop culture, JET. Here, for the first time, is his personal selection of the column’s glory era.

As a founding member and vocalist in the award-winning pop-soul group The 5th Dimension, LaMonte McLemore enjoyed enormous critical and commercial acclaim in the late 1960s and early 1970s. But arguably just as impactful, if not more so, was his career as a photographer cementing Black women and models in American media and cultural history.

McLemore freelanced for JET magazine for more than four decades, principally shooting for its “Beauty of the Week” feature, which encapsulated Black joy, style, and beauty. During this time, he photographed over 500 Black women, most of whom were not professional models. The section, in which a woman was featured in a swimsuit along with her name, place of residence, profession, hobbies, and interests, became one of the most popular among the magazine’s audiences, as it showcased the everyday beauty and elegance of Black women, contributing greatly to what has been called the “first form of social media” by acclaimed contemporary visual artist, Mickalene Thomas. This photographic output serves as a living document of everyday Black fashion and elegance.

Black Is Beautiful: JET Beauties of the Week compiles, for the first time, numerous photographs from McLemore’s “Beauty of the Week” shoots, including never-before-seen outtakes from those sessions. This dynamic coffee table book is a tribute to LaMonte McLemore’s talent and cultural impact, and is a celebration of Black women, Black beauty, and Black culture.

Follow a day in the life of a young Black child and learn the different ways we experience love every day with this striking illustrated children’s book.

Created in 1993, Black Love Day is celebrated annually on February 13. This holiday was created to demonstrate love, forgiveness, and acceptance among Black people. Throughout the course of a day, a young boy observes and experiences many different kinds of Black love—the romantic love between his parents, the familial love of his siblings and family, the admiration for a teacher at school, the respect for community leaders, and more. 
 
Celebrate Black love, culture, and achievements by implementing the five tenets:

1. Love toward the Creator
2. Love toward Self
3. Love toward Family
4. Love within the Black Community
5. Love for the Black race

Black Joy is an inspiring story showcasing how these tenets can be used every day throughout the year to express love, gratitude, and positivity for everything in life.

The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation’s landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape.

Essayists examine a variety of U.S. places—ranging from New Orleans and Charlotte to Milwaukee and Detroit—exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture in which historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America’s past and future cannot be understood.

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In the stunning first novel in Marlon James's Dark Star trilogy, myth, fantasy, and history come together to explore what happens when a mercenary is hired to find a missing child. 

Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard.

As Tracker follows the boy's scent--from one ancient city to another; into dense forests and across deep rivers--he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And perhaps the most important questions of all: Who is telling the truth, and who is lying?

Drawing from African history and mythology and his own rich imagination, Marlon James has written a novel unlike anything that's come before it: a saga of breathtaking adventure that's also an ambitious, involving read. Defying categorization and full of unforgettable characters, Black Leopard, Red Wolf is both surprising and profound as it explores the fundamentals of truth, the limits of power, and our need to understand them both.

In Black Life Matter, Biko Mandela Gray offers a philosophical eulogy for Aiyana Stanley-Jones, Tamir Rice, Alton Sterling, and Sandra Bland that attests to their irreducible significance in the face of unremitting police brutality. Gray employs a theoretical method he calls “sitting with”—a philosophical practice of care that seeks to defend the dead and the living. He shows that the police that killed Stanley-Jones and Rice reduced them to their bodies in ways that turn black lives into tools that the state uses to justify its violence and existence. He outlines how Bland’s arrest and death reveal the affective resonances of blackness, and he contends that Sterling’s physical movement and speech before he was killed point to black flesh as unruly living matter that exceeds the constraints of the black body. These four black lives, Gray demonstrates, were more than the brutal violence enacted against them; they speak to a mode of life that cannot be fully captured by the brutal logics of antiblackness.

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About the Author

A collection of prayers, poems, and spiritual practices centering Black interior lives, from the New York Times bestselling author of This Here Flesh and creator of Black Liturgies

For years, Cole Arthur Riley was desperate for a spirituality she could trust. Amid ongoing national racial violence, the isolation of the pandemic, and a surge of anti-Black rhetoric in many Christian spaces, she began dreaming of a more human, more liberating expression of faith. She went on to create Black Liturgies, a digital project that connects spiritual practice with Black emotion, Black memory, and the Black body.

In this book, she brings together hundreds of new prayers, along with letters, poems, meditation questions, breath practices, scripture, and the writings of Black literary ancestors to offer forty-three liturgies that can be practiced individually or as a community. Inviting readers to reflect on their shared experiences of wonder, rest, rage, and repair, and creating rituals for holidays like Lent and Juneteenth, Arthur Riley writes with a poet’s touch and a sensitivity that has made her one of the most important spiritual voices at work today.

For anyone healing from communities that were more violent than loving; for anyone who has escaped the trauma of white Christian nationalism, religious homophobia, or transphobia; for anyone asking what it means to be human in a world of both beauty and terror, Black Liturgies is a work of healing and empowerment, and a vision for what might be.

Black Lives Matter. Wear it every day and have those important conversations.  

A portion of the proceeds will go to the Black Lives Matter National Network and local chapters. Learn more here: http://blacklivesmatter.com/

1 inch wide
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In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship―in particular, the way blackness and black people are experienced in literature, music, television, and especially film―and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert." As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that's exactly what these pieces do.

Black Magic looks at the origins, meaning, and uses of Conjure―the African American tradition of healing and harming that evolved from African, European, and American elements―from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America.

As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.

In this ambitious work, first published in 1983, Cedric Robinson demonstrates that efforts to understand Black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate. Marxist analyses tend to presuppose European models of history and experience that downplay the significance of Black people and Black communities as agents of change and resistance. Black radicalism, Robinson argues, must be linked to the traditions of Africa and the unique experiences of Blacks on Western continents, and any analyses of African American history need to acknowledge this.

To illustrate his argument, Robinson traces the emergence of Marxist ideology in Europe, the resistance by Blacks in historically oppressive environments, and the influence of both of these traditions on such important twentieth-century Black radical thinkers as W. E. B. Du Bois, C. L. R. James, and Richard Wright. This revised and updated third edition includes a new preface by Tiffany Willoughby-Herard, and a new foreword by Robin D. G. Kelley.

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New visions and possibilities for Black masculinity through the lenses of 28 international photographers

In Black Masculinities, clichés of Black identity and masculinity are deconstructed and remade with exhilarating flexibility and imagination through the lenses of 22 Black photographers from around the world. Deeply embedded in histories of slavery, racism and oppression, Black masculinity is often mediated as aggressive, hypersexual and violent. Here, Swiss author, artist and editor Joshua Amissah compiles work that contributes to a wider spectrum of Black masculinities. By doing so, he writes, "[the photographers] are also questioning the narratological function of race and gender in visual culture as a whole … the stereotyped entanglement of ‘Black identity’ and ‘masculinity’ is visually deconstructed, partly reproduced and, more importantly, charged with a new set of values."
Photographers include: Kemka Ajoku, Kwaku Alston, Namafu Amutse, Eric Asamoah, Nuits Balnéaires, Arielle Bobb-Willis, Braylen Dion, Kofi Duah, Yannis Davy Guibinga, Jabari Jacobs, Kelvin Konadu, Jude Lartey, Naomi Mukadi, Maganga Mwagogo, Lakin Ogunbanwo, Ruby Okoro, RogersOuma, Micha Serraf, Ngadi Smart, Isaac West, Jozef Wright, and Ussi’n Yala.

Halifax’s former Poet Laureate Afua Cooper and photographer Wilfried Raussert collaborate in this book of poems and photographs focused on everyday Black experiences. The result is a jambalaya ― a dialogue between image and text. Cooper translates Raussert’s photos into poetry, painting a profound image of what disembodied historical facts might look like when they are embodied in contemporary characters. This visual and textual conversation honours the multiple layers of Blackness in the African diaspora around North America and Europe. The result is a work that amplifies black beauty and offers audible resistance.