"There's a Unicorn in My Backyard" is a celebration of creativity and the belief that anything is possible. Dive into a story where a curious mind and a daring heart fuel incredible invention—and magical discoveries. Follow Carolina Blue, the clever and determined protagonist, as she transforms everyday objects into extraordinary creations in her quest to capture the unicorn that dances just beyond reach.

This is a tale of wild imagination, bold innovation, and design thinking in action. Vibrant illustrations and playful storytelling combine to inspire kids to dream big, think critically, and turn their ideas into reality. "There's a Unicorn in My Backyard" is not just a book—it’s an invitation to reimagine the world around us, one creative solution at a time.

Build. Dream. Discover. Let the magic unfold!

Adventure Awaits…

From New York Times-bestselling author George M. Johnson and USA Today-bestselling author Leah Johnson comes a revolutionary new holiday romcom for fans of Lynn Painter, Alice Oseman, and Nicola Yoon.

Andy was supposed to shed her too-serious student journalist persona and reinvent herself on New Year's Eve. Instead, she puked on her crush, dropped her phone in a fish tank, and managed to get her car stolen. Now, she only has the first day of the year to stop the gentrification that’s threatening her family’s business, right her wrongs from the night before, and figure out why she feels so drawn to the electric new-girl-next-door. How can Andy find her voice when everything’s being turned upside down?

Dominique is an influencer on the verge of securing a major brand deal that will ensure his future and family legacy. But when he runs into his former best friend, unresolved feelings emerge -- and in a small town, there's nowhere to hide. Not from his cousin, Andy, who has always seen him for his true self, not from his busybody manager, Kim, whose favorite color is money green, and certainly not from himself. When all the world’s a stage, can Dominique rise to superstardom without leaving the ones he loves behind?

There’s Always Next Year is a dual POV, double love story about what it means to nearly blow your life up, and race to put it back together before your time runs out. And if they fail? Well, there’s always next year.

One determined party planner + one grumpy pumpkin farmer = a fall to remember…

Given the chance to plan her bestie’s 30th birthday bash, Wren Southwick is determined to create an experience so big and so bold that the name of her party planning business spreads beyond the confines of her own small town.

The key to her plan? The Finch family’s Goldleaf Pumpkin Farm. It’s not just the perfect venue but also the perfect supply partner for the autumnal-themed bash Wren envisions. But to get what she wants – and needs – she’ll have to get gorgeous grouch August Finch on board.

The table is set, and the battle is about to begin … but who will fall first?

In this vibrant, gratifying novel, a pious, small-town teenager travels to Atlanta to get an abortion and finds herself smack in the middle of the civil rights movement and the secret lives of queer Black people.
 
“Bursting with heart and humor, These Heathens reflects powerfully on choice and chance, while also being endlessly entertaining.”—Allison Larkin, author of The People We Keep and Home of the American Circus

Where do you get an abortion in 1960 Georgia, especially if your small town’s midwife goes to the same church as your parents? For seventeen-year-old Doris Steele, the answer is Atlanta, where her favorite teacher, Mrs. Lucas, calls upon her brash, wealthy childhood best friend, Sylvia, for help. While waiting to hear from the doctor who has agreed to do the procedure, Doris spends the weekend scandalized by, but drawn to, the people who move in and out of Sylvia’s orbit: celebrities whom Doris has seen in the pages of Jet and Ebony, civil rights leaders such as Coretta Scott King and Diane Nash, women who dance close together, boys who flirt too hard and talk too much, atheists! And even more shocking? Mrs. Lucas seems right at home.

From the guests at a queer kickback to the student activists at a SNCC conference, Doris suddenly finds herself surrounded by so many people who seem to know exactly who or what they want. Doris knows she doesn’t want a baby, but what does she want? Will this trip help her find out?

These Heathens is a funny, poignant story about Black women’s obligations and ambitions, what we owe to ourselves, and the transformative power of leaving your bubble, even for just one chaotic weekend.

PRE-ORDER: On Sale: May 26, 2026

A gorgeous illustrated meditation on the homes of iconic Southern women, from Nina Simone to Carson McCullers

In These Long Shadows, writer Monica Nelson excavates the domestic narratives and mythologies contained within the publicly preserved homes of some of the American South's leading cultural figures.
In Virginia, readers are drawn into the garden and home of Harlem Renaissance poet Anne Spencer and encounter modernist architect Amaza Lee Meredith's International Style residence, Azurest South. Journeying south, they encounter the North Carolinian childhood homes of both influential civil rights activist Anna "Pauli" Murray, and revolutionary singer-songwriter Nina Simone. In Atlanta, readers wander into the apartment of incendiary Southern author Margaret Mitchell. In Louisiana, they gaze upon the quietly profound folk art paintings of Clementine Hunter at Melrose Plantation, and take a pilgrimage to writers' homes from the Southern Renaissance, including Flannery O'Connor, William Faulkner, Zora Neale Hurston and Carson McCullers.
These Long Shadows assembles a constellation of new visions, narratives and readings with which to examine the nation's ever-metamorphosing historical landscape. Nelson's book constitutes the third volume of The Illustrated America, Atelier Editions' ongoing anthropological survey of eclectic chapters drawn from 20th-century America's cultural past.
Monica Nelson is a writer and graphic designer based in New York and Savannah. She has developed strategic visual narratives for publications, cultural institutions and brands, working with over 100 photographers. She was the founding creative and photo director of Wilder Quarterly, which fostered a floral-drenched view of the natural world, and the author of Edible Flowers (Monacelli Press, 2021).

“Chazaro transforms the ranfla, the hooptie, and the G-ride into a spaceship, a time machine. He points our gaze to the sky and we long to take flight while simultaneously holding onto our roots and what keeps our feet on the ground."—Joseph Rios, Fresno Poet Laureate and author of Shadowboxing: Poems & Impersonations

In These Spaceships Weren’t Built For Us, Alan Chazaro launches a speculative, lyrical odyssey through Latinx identity, diaspora, and memory, where the immigrant experience becomes a poetic voyage, rooted in resistance, love, and the enduring pull of home.

In his newest poetry collection, These Spaceships Weren’t Built For Us, Alan Chazaro reconsiders the possibilities of space travel as the son of Mexican immigrants while navigating daily life across rapidly shifting social spaces. From barren gas stations in Central California during the height of the pandemic to faraway jungle planets governed by paleteros, Chazaro imagines the present and future in ways that are simultaneously bleak and dire, hopeful and beautiful, and seemingly, impossibly unrealized.

A dead woman’s cherished trinkets become pieces to a terrifying puzzle.

Mickie Lambert creates “digital scrapbooks” for clients, ensuring that precious souvenirs aren’t forgotten or lost. When her latest client, Nadia Denham, a curio shop owner, dies from an apparent suicide, Mickie honors the old woman’s last wish and begins curating her peculiar objets d’art. A music box, a hair clip, a key chain—twelve mementos in all that must have meant so much to Nadia, who collected them on her flea market scavenges across the country.

But these tokens mean a lot to someone else, too. Mickie has been receiving threatening messages to leave Nadia’s past alone.

It’s becoming a mystery Mickie is driven to solve. Who once owned these odd treasures? How did Nadia really come to possess them? Discovering the truth means crossing paths with a long-dormant serial killer and navigating the secrets of a sinister past. One that might, Mickie fears, be inescapably entwined with her own.

Cat St. Clair is ready for her messy love triangle era now that she’s in an open relationship. But she didn’t foresee a forbidden love triangle with the only two people who are off-limits: her boyfriend’s best friend and his girlfriend. Being a twenty-something writer who lives for plot, she falls for them anyway, with deliciously disastrous consequences, in this electric literary debut for fans of Xochitl Gonzalez, Coco Mellors, Lily King, and Raven Leilani.

It’s the fall of 2024, and twenty-four-year-old Cat isn’t asking for too much: all she wants is three boyfriends, to write her little novels, and to survive another chaotic presidential election. She’s in an open relationship with her college sweetheart Jay, but nonmonogamy isn’t just a hot trend she’s trying. It’s her sliver of freedom in a world eager to wrestle it from her for being a Black woman going after what she wants with reckless abandon.

While political tensions roil the campus where Cat is slowly earning her creative writing degree, she finds herself drawn to Jay’s best friend, Tristan, who’s smart, super hot, and…in a monogamous relationship. And then she meets Tristan’s girlfriend, Nia, a captivating art student with her own gravitational pull.

Friends and family urge her to just be happy with Jay, but Cat is determined to have it all—or blow up her life trying. As she falls for all the wrong people, racking up lies, betrayals, and terrible drafts of her novel, she tries to write her way to a happy ending. But in art, politics, and love, true liberation may take more than rewriting the old scripts. It may mean inventing something entirely new.

Curanderas—traditional healers in Mexican culture—bridge the gaps between multiple planes of existence—spiritual and material, modern and pre-modern—dispensing medicinal herbs, prayers, and instruction. Elizabeth de la Portilla writes of the world and practices of San Antonio curanderas. As a scholar, an ethnographer, and a curandera in training, her parallel perspectives uniquely aid readers in understanding this subordinated culture. Retelling the stories various healers have shared, interpreting their answers to her probing questions, and describing the herbs and recipes they use in their arts, the author vividly illuminates the borderland context of San Antonio. Scholars and readers of anthropology, sociology, Chicana and Chicano studies, and women's studies will savor the many layers of meaning and application in They All Want Magic.

A moving picture book about the history of Emancipation Park in Houston, Texas—and the origins of Juneteenth.

When people visit me, they are free—to run, play, gather, and rejoice.

They built me to remember.

On June 19, 1865, the 250,000 enslaved people of Texas learned they were free, ending slavery in the United States. This day was soon to be memorialized with the dedication of a park in Houston. The park was called Emancipation Park, and the day it honored would come to be known as Juneteenth.  

In the voice and memory of the park itself—its fields and pools, its protests and cookouts, and, most of all, its people—the 150-year story of Emancipation Park is brought to life. Through lyrical text and vibrant artwork, Tonya Duncan Ellis and Jenin Mohammed have crafted an ode to the struggle, triumph, courage, and joy of Black America—and the promise of a people to remember.

In this young adult speculative mystery, a teen must find a way to free a cursed witch in order to save her best friend before time runs out.

Every year horror-loving Simone Washington throws an epic Halloween party for her classmates. Party-planning is her favorite escape from the dark secrets in her past, and this year, she’s taking things up a notch with an invitation-only event to celebrate her eighteenth birthday―something that will leave the halls of Pinegrove Academy flooded with gossip about the big ghoulish bash. The overnight stay at Doll’s Head Lake will be filled with spooky pranks and scary stories told by the fire―including the legend of a local witch named Regret.

But those dark secrets from Simone’s past are forced to the surface at the party when her best friend Kira drowns under questionable circumstances. The witch appears and offers Simone a deal: if Simone can figure out how to release Regret from the curse trapping her at the lake within fourteen days, all of Simone’s regrets will be erased. If Simone accepts, Kira’s life will be immediately restored. But if she fails, Kira will die again―and Simone will be the one to kill her.

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In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

Evil spreads throughout the Kingdom, and the one woman who can save them may be the key to their survival ... or their destruction.  

Anyi is the gem of the Countless Clans. Their Queens make lifeblood, a magical substance used for everything from medicine to weapons. Once, Anyi had so much lifeblood that they gave it away. Now their Queen is dying, none of her daughters, the Diviewe, can produce lifeblood and the gods that guide the clan have gone silent.In the Empire of Ka, Anyi native Aseye dreams of leaving her work at the imperial armory to strike out on her own. Kwame, a spy with a hidden heritage, is a charming distraction. A man of conflicting loyalties, he’s not to be trusted with Aseye’s heart – or her secret, buried so deep that even she doesn’t remember it. A secret that could end her life.As Anyi’s lifeblood dwindles, the Diviewe beg the Elders to unleash an ancient weapon to save the clan. The Elders refuse. The Diviewe take matters into their own hands. But the weapon is not what they thought it would be, and it’s not the only thing to wake…

Cheryl S. Ntumy is a Ghanaian writer of speculative fiction, young adult fiction, and romance. Her work has appeared in FIYAH Literary Magazine; Apex Magazine; World Literature Today; Best of World SF Vol. 3 and Year’s Best African Speculative Fiction 2022, among others. Her work has also been nominated for the Nommo Award for African Speculative Fiction, the British Science Fiction Association Award, the Commonwealth Writers Short Story Prize and the Miles Morland Foundation Scholarship. She is part of the Sauútiverse Collective, which created a shared universe for Afrocentric speculative fiction, and a member of Petlo Literary Arts, an organization that develops and promotes creative writing in Botswana. Her Sauútiverse novella Songs for the Shadows was released in 2024 by Atthis Arts and her short story collection Black Friday: Short Stories from Africa (Beyond and Within) was published in April 2025 by Flame Tree Press.

Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

Three simple words changed everything between us: I dare you.

David Evans is a thorn in my side. A smart-mouthed, egotistical, philosophizing know-it-all who wants nothing more than to beat me at our silly little game.

I come from a family of five, so shying away from the competition isn't in my DNA. I will win anything he throws my way.

The game was harmless at first. Dare you to skip class, dare you to take a shot, dare you to tell a stranger last night's dream. Child's play. I should have known that wouldn't be enough for him. David seems determined to bring out the worst in me.

Once again, he uses five words that force me to question everything: Be mine for the night.

It's a challenge that someone with any common sense would refuse. Especially since I'm familiar with all his tricks. But I lost my common sense a long time ago.

So I accept, because playing his girlfriend can't be that hard.

They Wouldn't Dare is a fake dating college sports romance featuring an optimist student org president and a cynical tight end who have been frenemies since middle school. This book is intended for 18+ readers.

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A flirty, feel-good novel that takes you on a journey of love, heartbreak, and self-discovery. Perfect for fans of Mary B. Morrison and Briana Cole.

"I gave you fifteen years, two kids, and my everything. You still chose to give a woman you barely knew the ring, the house, and my happily-ever-after."

Dallas once believed in forever love, but that was before her marriage had hit a dead end. When Trenton Smith walks into her life, he’s ready to love her the way she deserves to be loved—only Dallas’ walls are up. In time she will know if he is merely history on repeat, or the kindred connection she’s been praying for.

Sasha wanted nothing more than to have a baby with her fiancé, Hunt. After years of trying to conceive, she’s finally concluded that a baby may not be in the cards for her. Sasha begins to question her womanhood, and before long, it sends her into a fit of depression—until she finds comfort in the arms of another man.

After dating the momma’s boy, the thug, and her ultimate favorite—the tired brother with good sex but no money, Candace finally finds her knight in shining armor. Things are going well until she discovers the roommate he conveniently failed to mention. When Sasha’s brother, Diego, decides to help mend her heart, Candace soon realizes that her soul mate may have been right under her nose the entire time.

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Award-winning actor, director, producer, and activist Kerry Washington shares the "exquisitely moving” journey of her life so far (Isabel Wilkerson), and the bravely intimate story of discovering her truth.

While on a drive in Los Angeles, on a seemingly average afternoon, Kerry Washington received a text message that would send her on a life-changing journey of self-discovery. In an instant, her very identity was torn apart, with everything she thought she knew about herself thrown into question.
 
In Thicker than Water, Washington gives readers an intimate view into both her public and private worlds—as a mother, daughter, wife, artist, advocate, and trailblazer. Chronicling her upbringing and life’s journey thus far, she reveals how she faced a series of challenges and setbacks, effectively hid childhood traumas, met extraordinary mentors, managed to grow her career, and crossed the threshold into stardom and political advocacy, ultimately discovering her truest self and, with it, a deeper sense of belonging.
 
Throughout this profoundly moving and beautifully written memoir, Washington attempts to answer the questions so many have struggled with: Who am I? What is my truest and most authentic self? How do I find a deeper sense of connection and belonging? With grace and honesty, she inspires readers to search for—and find—themselves.

A Cinderella story as you've never seen it before."

After the untimely passing of her father, Tillar Reed had to grow up quickly and let go of her childish desires for fairytales, romance and true love's first kiss. But when she finds herself back home for the first time in years to keep her father's house in the family, she meets an unlikely Prince Charming figure in Cameron Logan. Now she has to decide if this is really the happily ever after she dreamed of once upon a time or if she'd rather keep her options open because glass slippers just aren't her style anymore.

A full facsimile reproduction of the era-defining queer magazine that documented Chicago’s Black nightlife scene of the early ’90s

Started in 1989 by designer and writer Robert Ford, THING magazine was the voice of Chicago’s queer Black music and arts scene in the early 1990s. Ford and his editors were part of the burgeoning house music scene, which originated in Chicago’s queer underground, and some of the top DJs and musicians from that time were featured in the magazine, including Frankie Knuckles and RuPaul. THING published 10 issues from 1989 to 1993, before it was cut short by Ford’s death from HIV/AIDS-related causes.
While THING primarily focused on music, it also opened its pages to a wide range of subjects: poetry and gossip, fiction and art, interviews and polemics. The AIDS crisis loomed large in its contents, particularly in the personal reflections and practical resources that it published. In a moment when the gay community was besieged by the AIDS crisis and a wantonly cruel government, the influence and significance of this cheaply produced newsprint magazine vastly exceeded its humble means, presenting a beautiful portrait of the ball and club cultures that existed in Chicago with deep intellectual reflections. THING was a publication by and for its community, and understood the fleetingness of its moment.
To reencounter this work today is to reinstate the Black voices who were so central to the history of AIDS activism and queer and club culture, but which were often sidelined by white queer discourse. This volume collects all 10 editions of this iconic magazine.

Set in East Africa, the Middle East, Canada, and the U.S., Things Are Good Now examines the weight of the migrant experience on the human psyche. In these pages, women, men, and children who’ve crossed continents in search of a better life find themselves struggling with the chaos of displacement and the religious and cultural clashes they face in their new homes. A maid who travelled to the Middle East lured by the prospect of a well-paying job is trapped in the Syrian war. A female ex-freedom fighter immigrates to Canada only to be relegated to cleaning public washrooms and hospital sheets. A disillusioned civil servant struggles to come to grips with his lover’s imminent departure. A young Muslim woman who’d married her way to California to escape her devout family’s demands realizes she’s made a mistake.

The collection is about remorse and the power of memory, about the hardships of a post-9/11 reality that labels many as suspicious or dangerous because of their names or skin colour alone, but it’s also about hope and friendship and the intricacies of human relationships. Most importantly, it’s about the compromises we make to belong.

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Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order.

The most widely read book in modern African literature tells two overlapping, intertwining stories, both of which center around a fearless Igbo warrior in Nigeria in the late 1800s, before and after the European colonization of the continent.

“African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison

The first of these stories traces Okonkwo's fall from grace with the tribal world in which he lives, and in its classical purity of line and economical beauty it provides us with a powerful fable about the immemorial conflict between the individual and society. The second story, which is as modern as the first is ancient, and which elevates the book to a tragic plane, concerns the clash of cultures and the destruction of Okonkwo's world through the arrival of aggressive, proselytizing European missionaries. These twin dramas are perfectly harmonized, and they are modulated by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul. THINGS FALL APART is the most illuminating and permanent monument we have to the modern African experience as seen from within.

Nominated as one of America’s best-loved novels by PBS’s The Great American Read.

Finalist for the National Book Award for Nonfiction
Winner of the Andrew Carnegie Medal for Excellence in Nonfiction
Finalist for the PEN/Jean Stein Book Award
Long-listed for the National Book Critics Circle Award for Autobiography

One of the New York Times Notable Books of the Year

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James.

“There is no good way to say this,” Yiyun Li writes at the beginning of this book.

“There is no good way to state these facts, which must be acknowledged . . . My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.”

There is no good way to say this―because words fall short. It takes only an instant for death to become fact, “a single point in a time line.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: doing “things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.

This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is ‘to be.’ Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later; only now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

Beloved spiritual teacher Vex King follows up his international bestseller Good Vibes, Good Life with this essential guide to building meaningful, mindful, and loving relationships.

Humans are social animals. But it is nearly impossible to build healthy, sustainable bonds with others without first having a good relationship with yourself. To get along with others, we often alter our habits or subsume our unique personalities. By trying to transform or suppress our true selves, we erode our self-worth and self-knowledge. We begin to lose sight of who we really are and what we truly want. When our self-understanding and self-confidence are damaged, it ultimately hurts our relationships.

In this wise and transformative book—a revised edition of Closer to Love—Vex King helps us find and sustain the connections we want with ourselves and others. Good relationships begin with loving ourselves and recognizing our own desires and needs. This self-discovery allows our best selves to radiate with confidence and to attract and choose partners—romantic and platonic—who are truly compatible. When we feel comfortable in our own skin, we are able to give and receive love without being blocked by the destructive emotions and past trauma that previously held us back and prevented us from forming fulfilling and lasting relationships.

Filled with Vex King’s profound wisdom, thoughtful self-practices, and easy-to adopt-habit builders, this guide opens you up to the love you deserve and shows you how to bring it into your life.

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Featuring eighteen women creators, ranging from writers to inventors, artists to scientists, this board book adaptation of Little Dreamers: Visionary Women Around the World introduces trailblazing women like Mary Blair, an American modernist painter who had a major influence on how color was used in early animated films, environmental activist Wangari Maathai, and architect Zaha Hadid.

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A new collection of poetry from Coretta Scott King Award-winner Eloise Greenfield!

Seven-year-old Jace and his puppy, Thinker, are poets, putting everything they do into verse, from going to the park to philosophizing to playing ball. One day, they'll have the whole world figured out, but for now, Thinker has to keep quiet in public. And he can't go to school with Jace for fear he might recite a poem in front of Jace's classmates. But when Pets' Day comes, and Thinker is allowed into the classroom at last, he finds it harder than he expected to keep his rhyming skills a secret.

“Jason Allen-Paisant deftly inscribes his own signature on worlds inner and outer in these gorgeous poems. The future of Caribbean lyric poetry is in great hands.”—Lorna Goodison, author of From Harvey River

Jason Allen-Paisant has emerged in recent years as one of the most celebrated poets in the UK and across the West Indies. Winner already of the Forward Prize and the T. S. Eliot Prize, his writing has been acclaimed for its artistry and the fresh perspective it offers on the relationship of the African diaspora to place and the natural world.

In this, his debut collection of poems, he recalls an idyllic boyhood in his native Jamaica, where the roots of guango and yam vines burrow deep into the bauxite soil. Walking with his grandmother to reach the yam fields she worked, he envisions how “the muscular guango trees were like beings among whom we lived.” Transplanted to England, where he lives and works now, he describes lovely rambles in entirely different landscapes. But Allen-Paisant’s experience in the dense woodlands around Leeds is complex—unleashed dogs are welcome, and Black men are found suspect. “Try to imagine daffodils / in the hands of a black family / on a black walk / in spring,” he writes, in a radical response to Wordsworth’s pastoral.

Subversive in its excavation of an imperialist past and wonderfully generous in its exploration of alternative worldviews, Thinking with Trees represents the arrival in North America of poems that expand roots and leaves into something deeper, richer, less compromising.

At the center of this dazzling novel is Angela, a twenty-year-old beauty who leaves the stifling conformity of Oklahoma to search for fame during the rise of blaxploitation cinema in Los Angeles. But for her mother, Mildred, a strait-laced survivor of the 1921 Tulsa race riots, Angela's acting career is unforgivable, and the distance between them grows into a silence that lasts for years. It is only when Angela's daughter, Tamara, a filmmaker, sets out to close the rift between them that the women are forced to confront all that has been left unspoken in their lives.

Bold and beautifully written, Third Girl from the Left deftly explores the bonds of family and the inextricable pull of the movies.

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From Jas Hammonds, award-winning author of We Deserve Monuments, comes an unflinching novel about addiction that Courtney Summers, New York Times bestselling author of Sadie and I’m the Girl, called “sensitively wrought and gorgeously written.”

It’s the summer before college and eighteen-year-old Blake Brenner and her girlfriend, Ella, have one goal: join the mysterious and exclusive Serena Society. The sorority promises status and lifelong connections to a network of powerful, trailblazing women of color. Ella’s acceptance is a sure thing―she’s the daughter of a Serena alum. Blake, however, has a lot more to prove.

As a former loner from a working-class background, Blake lacks Ella’s pedigree and confidence. Luckily, she finds courage at the bottom of a liquor bottle. When she drinks, she’s bold, funny, and unstoppable―and the Serenas love it. But as pledging intensifies, so does Blake’s drinking, until it’s seeping into every corner of her life. Ella assures Blake that she’s fine; partying hard is what it takes to make the cut . . .

But success has never felt so much like drowning. With her future hanging in the balance and her past dragging her down, Blake must decide how far she’s willing to go to achieve her glittering dreams of success―and how much of herself she’s willing to lose in the process.

When life lassoes Josie and Shawn back together three years after their dreamy first date, their second chance at love is anything but easy. A big-hearted rodeo romance set in Houston, Texas, by the critically acclaimed Liara Tamani, author of What She Missed, All The Things We Never Knew, and Calling My Name. This bold first-love story is for fans of Nothing Like the Movies and Highly Suspicious and Unfairly Cute.

This ain’t Josie’s first rodeo. Her parents own several fancy restaurants in Houston, and they just opened a new one right outside the stadium. Josie is expected to stay inside the restaurant and help, and maybe take over their growing empire one day, but that isn’t what Josie wants. She’d rather be at the rodeo itself than in a high-end restaurant next to it. Or eating funnel cakes and Texas-sized corn dogs at the carnival on the grounds. Or better yet, riding her horse at her grandparents’ ranch, the very place her mom wants to sell.

It ain’t Shawn’s first rodeo either. He’s been riding bulls since his mom died, doing everything he can to live up to his rodeo-champion stepfather’s sky-high expectations. But as Shawn’s stardom rises, so do tensions in their relationship. His stepfather’s drinking and gambling problems sure don’t help.

After one unforgettable night leaves Josie and Shawn wanting nothing but each other, their lives become entwined in increasingly complex ways. Can they save Josie’s family land? Or will Shawn’s stepfather and his shady plan be the ranch’s ruin? Will one wrong move cost them everything? Rodeo after rodeo, year after year, can Josie and Shawn keep their hearts open through the secrets, twists, and turns?

This Ain’t Our First Rodeo is a contemporary western love story full of bulls, brawls, and horses. It’s a tender second chance cowboy romance about family, friendship, mistakes, and the blessings of choosing to love anyway. Black cowboys and cowgirls like Josie and Shawn have long helped shape the American West—a legacy that shines in Liara Tamani’s storytelling. Her writing is quick-witted, swoony, and authentic, with characters who are easy to love and hard to forget.