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The highly anticipated collection of poems from the award-winning writer Ocean Vuong

How else do we return to ourselves but to fold
The page so it points to the good part
 
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong’s poems circle fragmented lives to find both restoration as well as the epicenter of the break.
 
The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

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A searing and tender novel about a young Black journalist’s search for answers in the unsolved murder of her great-grandfather in segregated Birmingham, Alabama decades ago – inspired by the author’s own family history.

Birmingham, 1929: Robert Lee Harrington, a master carpenter, has just moved to Alabama to pursue a job opportunity, bringing along his pregnant wife and young daughter. Birmingham is in its heyday, known as the “Magic City” for its booming steel industry, and while Robert and his family find much to enjoy in the city’s busy markets and vibrant night life – it’s also a stronghold for the Klan. And with his beautiful, light-skinned wife and snazzy car, Robert begins to worry that he might be drawing the wrong kind of attention. 

2019: Meghan Mackenzie, the youngest reporter at the Detroit Free Press, has grown up hearing family lore about her great-grandfather’s murder—but no one knows the full story of what really happened back then, and his body was never found. Determined to find answers to her family’s long-buried tragedy, and spurred by the urgency of the Black Lives Matter movement, Meghan travels to Birmingham. But as her investigation begins to uncover dark secrets that spider across both the city and time, her life may be in danger.  

Inspired by true events, Time’s Undoing is both a passionate tale of one woman’s quest for the truth behind the racially motivated trauma that has haunted her family for generations, and, as newfound friends and supporters in Birmingham rally around Meghan’s search, the uplifting story of a community coming together to fight for change.

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The first authorized pictorial autobiography for the trade by the legendary Tina Turner, containing iconic as well as never-before-seen candid photos, letters, and other personal items of The Queen of Rock 'n' Roll, from her early career to today.

Tina Turner has always been a glorious force to be reckoned with; for more than sixty years, Tina has captivated audiences all over the world. For the first time, Tina has assembled an exceptional collection of images and ephemera to mark her eightieth birthday. Lavishly illustrated, Tina Turner: That's My Life features the work of world-renowned photographers including Peter Lindbergh, Annie Leibovitz, Bruce Weber, Anton Corbijn, Herb Ritts, Andy Warhol, Lord Snowdon, and Paul Cox among others. Also showcased are illustrations by fashion designers who were inspired by Tina, including Christian Louboutin, Antonio, and Bob Mackie.
Additionally, Tina delved into her personal archive, and That's My Life showcases some of Tina's most famous dresses, wigs, and shoes. Comments handwritten by Tina Turner herself are included, and as well as handwritten letters from such friends as Beyoncé, Giorgio Armani, Bryan Adams, Oprah Winfrey, and Mick Jagger and others. Tina Turner: That's My Life is a comprehensive window into the world of Tina Turner, and is the perfect celebration of this storied performer that is sure to wow longtime and new fans alike.

A little girl meets more relatives than she can count—but how will she communicate with them if she can’t speak their language?

It’s a little girl’s first tripto her papa’s homeland, and she’s wowed by all the amazing sights and sounds—and especially by the size of her enormous family! But she only knows a little Spanish, and it’s hard not to be able to share jokes and stories. Fortunately, her relatives help her see that there are other ways they can connect, and soon she feels like she’s right where she belongs: in the heart of a loving family, learning as she goes along.

EDICIÓN EN ESPAÑOL

Una niña conoce a más parientes de los que puede contar, pero ¿cómo se comunicará con ellos si no puede hablar español con la misma fluidez?

A little girl meets more relatives than she can count—but how will she communicate with them if she can’t speak their language?

(edición en español)
Es el primer viaje de una niñaal país natal de su papá, y ella está impresionada con los paisajes maravillos, los sonidos sorprendentes ¡y especialmente con el tamaño de su enorme familia! Pero sabe solo un poco de español y le resulta difícil compartir chistes y anécdotas con fluidez. Por suerte, sus parientes la ayudan a ver que hay otras maneras de relacionarse. Pronto la niña siente que está justo donde pertenece: en el corazón de una familia amorosa, aprendiendo mientras crece.

(Spanish edition)
It’s a little girl’s first trip to her papa’s homeland, and she’s wowed by all the amazing sights and sounds—and especially by the size of her enormous family! But she only knows a little Spanish, and it’s hard not to be able to share jokes and stories. Fortunately, her relatives help her see that there are other ways they can connect, and soon she feels like she’s right where she belongs: in the heart of a loving family, learning as she goes along.

Two whip-smart satirical plays by the Pulitzer-winning author of Fat Ham that examine the racism at the root of America’s founding—and its fruits in our present.

In The Most Spectacularly Lamentable Trial of Miz Martha Washington, the widow of George Washington and self-proclaimed “Mother of America” lies helpless in her bed, ravaged by illness and cared for by the very slaves that will be free the moment she dies. In the terrifying and fantastical fever dream that follows, Martha is called to account for her lifelong dependence on the labor of enslaved people. A wildly theatrical, gleefully anachronistic play that puts Martha Washington’s life and legacy on trial.

In a present-day reimagining of the story of Sally Hemings and Thomas Jefferson, TJ Loves Sally 4 Ever takes place at Commonwealth of Virginia University, where a modern education is rooted in the nation’s “complicated” history. As the campus wrestles with its antebellum legacy, undergraduate student Sally finds herself locked in a more personal battle with Dean TJ, the white dean of students named after Thomas Jefferson, who shares his namesake’s predilection for grossly abusing his position of power over women of color. Amidst a swirl of marching bands, step teams, and bubbly tour guides, Sally must struggle to rewrite this too-familiar narrative, dismantle the wall of oppression, and embrace the dope ass future that waits beyond it.

How artists from Paul Klee and Mierle Laderman Ukeles to Faith Ringgold and Deborah Roberts have explored childhood themes of innocence, spontaneity and storytelling

Artists have long been inspired by children—by their imagination, creativity and unique ways of seeing and being in the world—and have made work that depicts and involves children as collaborators, that represents or mimics their ways of drawing or telling stories, that highlights their unique cultures, and that addresses ideas of innocence and spontaneity closely associated with children. To Begin Again: Artists and Childhood surveys how artists have reflected on and contributed to notions of childhood from the early 20th century to the present. The works in To Begin Again offer distinctive viewpoints and experiences, revealing how time and place, economics and race, and representation and aesthetics fundamentally shape how we experience and understand early development. The catalog underscores that while there is no single, uniform idea of childhood, it is nevertheless the ground upon which so much of society is built, negotiated and imagined.
Artists include: Ann Agee, John Ahearn, Njideka Akunyili Crosby, Francis Alÿs, Jean-Michel Basquiat, Brian Belott, Jordan Casteel, Lenka Clayton, Allan Rohan Crite, Henry Darger, Karon Davis, Robert Gober, Jay Lynn Gomez, Trenton Doyle Hancock, Duane Hanson, Mona Hatoum, Sharon Hayes, Ekua Holmes, Mary Kelly, Paul Klee, Justine Kurland, Helen Levitt, Tau Lewis, Glenn Ligon, Oscar Murillo, Rivane Neuenschwander, Berenice Olmedo, Charles Ray, Faith Ringgold, Deborah Roberts, Tim Rollins and K.O.S., Rachel Rose, Heji Shin, Sable Elyse Smith, Becky Suss, Mierle Laderman Ukeles, Cathy Wilkes and Carmen Winant.

A fascinating, first-person account of a historic era in the struggle for black empowerment in America.

Long an iconic figure for radicals, Huey Newton is now being discovered by those interested in the history of America's social movements. Was he a gifted leader of his people or a dangerous outlaw? Were the Black Panthers heroes or terrorists?

Whether Newton and the Panthers are remembered in a positive or a negative light, no one questions Newton's status as one of America's most important revolutionaries. To Die for the People is a recently issued classic collection of his writings and speeches, tracing the development of Newton's personal and political thinking, as well as the radical changes that took place in the formative years of the Black Panther Party.

With a rare and persuasive honesty, To Die for the People records the Party's internal struggles, rivalries and contradictions, and the result is a fascinating look back at a young revolutionary group determined to find ways to deal with the injustice it saw in American society. And, as a new foreword by Elaine Brown makes eminently clear, Newton's prescience and foresight make these documents strikingly pertinent today.

Huey Newton was the founder, leader and chief theoretician of the Black Panther Party, and one of America’s most dynamic and important revolutionary philosophers.

"Huey P. Newton's To Die for the People represents one of the most important analyses of the politics of race, black radicalism, and democracy written during the civil rights-Black Power era. It remains a crucial and indispensible text in our contemporary efforts to understand the continuous legacy of social movements of the 1960s and 1970s."
—Peniel Joseph, author of Waiting Til the Midnight Hour: A Narrative History of Black Power in America

"Huey P. Newton's name, and more importantly, his history of resistance and struggle, is little more than a mystery for many younger people. The name of a third-rate rapper is more familiar to the average Black youth, and that's hardly surprising, for the public school system is invested in ignorance, and Huey P. Newton was a rebel — and more, a Black Revolutionary . . . who gave his best to the Black Freedom movement; who inspired millions of others to stand."
—Mumia Abu Jamal, political prisoner and author of Jailhouse Lawyers

"Newton's ability to see theoretically, beyond most individuals of his time, is part of his genius. The opportunity to recognize that genius and see its applicability to our own times is what is most significant about this new edition."
—Robert Stanley Oden, former Panther, Professor of Government, California State University, Sacramento

“Hayes leaves resonance cleaving the air.” —NPR

In these works based on his Bagley Wright lectures on the poet Etheridge Knight, Terrance Hayes offers not quite a biography but a compilation “as speculative, motley, and adrift as Knight himself.” Personal yet investigative, poetic yet scholarly, this multi-genre collection of writings and drawings enacts one poet’s search for another and in doing so constellates a powerful vision of black literature and art in America.

The future Etheridge Knight biographer will simultaneously write an autobiography. Fathers who go missing and fathers who are distant will become the bones of the stories.
There will be a fable about a giant who grew too tall to be kissed by his father. My father must have kissed me when I was boy. I can’t really say. . . . By the time I was eleven or even ten years old I was as tall as him. I was six inches taller than him by the time I was fifteen. My biography about Knight would be about intimacy, heartache.

Terrance Hayes is the author of How to Be Drawn, which received a 2016 NAACP Image Award for Poetry; Lighthead, which won the 2010 National Book Award for poetry; and three other award-winning poetry collections. He is the poetry editor at the New York Times Magazine and also teaches at the University y of Pittsburgh. American Sonnets for My Past and Future Assassin will also be forthcoming in 2018.

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Linked to a special mini season of the award-winning StarTalk podcast, this enlightening illustrated narrative by the world’s most celebrated astrophysicist explains the universe from the solar system to the farthest reaches of space with authority and humor.

No one can make the mysteries of the universe more comprehensible and fun than Neil deGrasse Tyson. Drawing on mythology, history, and literature—alongside his trademark wit and charm—Tyson and StarTalk senior producer Lindsey Nyx Walker bring planetary science down to Earth and principles of astrophysics within reach. In this entertaining book, illustrated with vivid photographs and art, readers travel with him through space and time, starting with the Big Bang and voyaging to the far reaches of the universe and beyond. Along the way, science greets pop culture as Tyson explains the triumphs—and bloopers—in Hollywood’s blockbusters: all part of an entertaining ride through the cosmos.

The book begins as we leave Earth, encountering new truths about our planet’s atmosphere, the nature of sunlight, and the many missions that have demystified our galactic neighbors. But the farther out we travel, the weirder things get. What’s a void and what’s a vacuum? How can light be a wave and a particle at the same time? When we finally arrive in the blackness of outer space, Tyson takes on the spookiest phenomena of the cosmos: parallel worlds, black holes, time travel, and more.

For science junkies and fans of the conundrums that astrophysicists often ponder, To Infinity and Beyond is an enlightening adventure into the farthest reaches of the cosmos.

Blank Inside. 

 A7 size (5" x 7").

Printed on 110lb Pure White recycled, archival and acid-free paper.

Comes with Kraft envelope and protective sleeve.

Perfect for fans of Angie Thomas and Jason Reynolds, this highly anticipated sequel to Lambda Literary Award finalist Pritty finds Jay and Leroy togetha again as they fight to save not only their home but themselves from the powerful Bainbridge family’s treacherous endgame to retake Savannah for themselves, no matter the cost.

After finally reuniting, Jay and Leroy have never been in more danger. Caught in the crosshairs of the affluent Bainbridge family, who they’ve learned is determined to reshape Savannah in their own image, the duo has only just survived a series of near-death experiences before reaching the safety of the Black Diamonds. But the BDs’ ability to protect the Black neighborhoods of their city is slipping….

Missing the key piece of evidence that could have broken the Bainbridges’ hold over Savannah, everyone is scrambling for options. But when one of their own is kidnapped, Jay and Leroy realize they can’t rely on anyone but themselves to save them. Recruiting old friends, former enemies, and their most risky ally, Jay’s once-upon-a-time crush, Will, they set out to do the impossible: find the evidence they lost in order to finally expose the Bainbridges’ corruption to the world, by any means necessary.

But even as their plans bring them closer to revealing the Bainbridges’ treacherous endgame, Jay and Leroy’s own secrets from each other threaten to pull their love apart, just as old feelings between Jay and Will begin to blossom again. And as the battle for a brighter future boils over into the streets, to save their homes—and everyone they love—Jay, Leroy, and Will must decide: When the cost of justice might be each of their happiness, will they be able to make the sacrifice togetha?

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A beginner’s exploration of love, relationships, and families – the latest in the FIRST CONVERSATIONS board book series, which offers adults the opportunity to begin important conversations with young children in an informed, safe, and supported way.

Developed by experts in the fields of early childhood and activism against injustice, this topic-driven board book offers clear, concrete language and beautiful imagery that young children can grasp and adults can leverage for further discussion.

While young children are avid observers and questioners of their world, adults often shut down or postpone conversations on complicated topics because it's hard to know where to begin. Research shows that talking about issues like love, relationships, and families from the age of two not only helps children understand what they see, but also increases self-awareness, self-esteem, and allows them to recognize and confront things that are unfair, like discrimination and prejudice.
 
This fourth book in the series begins the conversation on love with a supportive approach that considers both the child and the adult. Stunning art accompanies the simple and interactive text, and the backmatter offers additional resources and ideas for extending this discussion.

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Racial identity, pop culture, and delusions of perfection collide in an eye-opening and refreshingly frank memoir by fashion and beauty insider Danielle Prescod.

Danielle Prescod grew up Black in an elite and overwhelmingly white community, her identity made more invisible by the whitewashed movies, television, magazines, and books she and her classmates voraciously consumed. Danielle took her cue from the world around her and aspired to shrink her identity into that box, setting increasingly poisonous goals. She started painful and damaging chemical hair treatments in elementary school, began depriving herself of food when puberty hit, and tried to control her image through the most unimpeachable, impeccable fashion choices.

Those obsessions led her to relentlessly pursue a career in beauty and fashion—the eye of the racist and sexist beauty standard storm. Assimilating was hard, but she was practiced. And she was an asset. Their “Token Black Girl.” Toxic, sure. But Danielle was striving to achieve social cache and working her way up the ladder of coveted media jobs, and she looked great, right? So what if she had to endure executives’ questions like “What was it like to drive to school from the ghetto?” Or coworkers’ eager curiosity to know if her parents were on welfare. But after decades of burying her emotions, resentment, and true self, Danielle turned a critical eye inward and confronted the factors that motivated her self-destructive behaviors.

Sharp witted and bracingly candid, Token Black Girl unpacks the adverse effects of insidious white supremacy in the media—both unconscious and strategic—to tell a personal story about recovery from damaging concepts of perfection, celebrating identity, and demolishing social conditioning.

A LIBRARYREADS BONUS PICK!
“This romance has it all—flirty banter, deep emotion, and a smart, sassy heroine.”—JENNIFER PROBST, New York Times bestselling author

She’s brilliant, beautiful…and tired of being the only Black woman in the room.
Two years ago, Kennedy Mitchell was plucked from the reception desk and placed in the corporate boardroom in the name of diversity. Rather than play along, she and her best friend founded Token, a boutique PR agency that helps “diversity-challenged” companies and celebrities. With corporate America diversifying workplaces and famous people getting into reputation-damaging controversies, Token is in high demand.

Kennedy quickly discovers there’s a lot of on-the-job learning and some messes are not so easily fixed. When Kennedy’s ex shows up needing help repairing his company’s reputation, things get even more complicated. She knows his character is being wrongly maligned, but she’s reluctant to get involved—professionally and emotionally. But soon, she finds herself drawn into a PR scandal of her own.

“A smart, sexy rom-com that had me chuckling from the first page. I loved it.”—BRENDA JACKSON, New York Times bestselling author

“Token is a rom-com perfect for our times. I can’t wait to see it on the big screen!”—KAIA ALDERSON, author of Sisters in Arms

The poetry of Tom Postell, believed lost since a tragic death in 1980, appears here in its first authorized, comprehensive volume. While Postell ran with the masters of Beat, Black Power, and Hardbop in the 50's and 60's, he has remained elusive, enigmatic, unsung. His poems provide an astonishing look into how issues of race, music, and the political avant-garde intersect at this pivotal moment in post-WWII America. Essays and hybrid work by giovanni singleton, Derrick Harriell, and Aldon Lynn Nielsen complement interviews, typescripts, and archival photos, making this retrospective of Postell the first of its kind.

ABOUT TOM POSTELL

Tom Postell, born Thomas Freeman Postell Jr., was a Black American poet born in Cincinnati in 1927 and closely associated with the Beat Generation, Black Mountain School, and Black Arts Movement in New York City's Greenwich Village from 1953 to 1969. A close friend and mentor of poet Amiri Baraka, Postell's circle included musicians like Ornette Coleman and Archie Shepp and fellow poets like Allen Ginsberg and Ted Joans. Hindered by institutionalization, mental health struggles, and substance abuse, Postell disappeared from the literary scene in 1970, leaving a trove of innovative work thought lost upon his death in 1980.

"Postell wrote moon poems that would concern the authorities. A nature poet, jazz poet, love poet, and surrealist raconteur. He was multitudinous, hilarious, occasionally terrifying and always interstellar. In the pages of this iridescent collection, his voice arrives as if from another planet, another place in space-time, to call us forward.” —Dr. Joshua Bennett

"Tom Postell emerged from the mid-1960s Village literary scene as a self-sculpted, deft, barely-listened-to imaginal incessance. And yet, with this surprising new collection of unheralded poems, his work continues to radiate with incantatory significance. —Will Alexander

This classic iconic study of black images in American motion pictures has been updated and revised, as Donald Bogle continues to enlighten us with his historical and social reflections on the relationship between African Americans and Hollywood. He notes the remarkable shifts that have come about in the new millennium when such filmmakers as Steve McQueen (12 Years a Slave) and Ava DuVernay (Selma) examined America's turbulent racial history and the particular dilemma of black actresses in Hollywood, including Halle Berry, Lupita Nyong'o, Octavia Spencer, Jennifer Hudson, and Viola Davis. Bogle also looks at the ongoing careers of such stars as Denzel Washington and Will Smith and such directors as Spike Lee and John Singleton, observing that questions of diversity in the film industry continue. From The Birth of a Nation, the 1934 Imitation of Life, Gone with the Wind, and Carmen Jones to Shaft, Do the Right Thing, and Boyz N the Hood to Training Day, Dreamgirls, The Help, Django Unchained, and Straight Outta Compton, Donald Bogle compellingly reveals the way in which the images of blacks in American movies have significantly changed-and also the shocking way in which those images have often remained the same.

“You wanna fly? You gotta give up the sh*t that weighs you down.” Toni Morrison

1.75 inches tall. 

Soft enamel with black metal plating. 

Pin comes with 2 rubber pin backs. 

A little boy wants a chance to shine on his own but discovers that being apart from his large and lively Native family isn’t necessarily better in this heartwarming and humorous picture book.

When Russell gets a part in the school play, he lights up like a shining star—and he can’t wait to tell his big, boisterous Native family the exciting news. But catching their attention when they all get together feels impossible; no matter where they go, they seem to be too noisy, too many, and just too much!

Russell decides to keep his big debut to himself and fly solo for once…but being alone may not be the answer. After all, there’s no such thing as too much love, and when he needs them most, his great big family knows how to be just enough.

For readers of Pachinko and Queenie, a funny, sexy, and heart-wrenching literary debut that explores exile, ambition, and hope across three generations of Palestinian American women.

Arabella gets an unexpected chance at love when she’s thrust into a conflict and history she’s tried to avoid all her life.

Zoya is playing matchmaker for her last unmarried granddaughter—introducing Arabella to the very eligible grandson of an old flame and stirring up buried family history.

Naya is keeping a secret from her family that will change all their lives.

Thirty-five-year-old Arabella, a New York theatre director whose dating and career prospects are drying up, is offered an opportunity to direct a risqué cross-dressing interpretation of a Shakespeare classic (that might garner international attention) in the West Bank. Her grandmother, Zoya, plots to make a match between her and Aziz, a Palestinian American doctor volunteering in Gaza. Arabella agrees to meet Aziz since her growing feelings for Yoav, a celebrated Israeli American theatre designer, seem destined for disaster.

Arabella and Aziz’s instant connection reminds Zoya of the passion she once felt for Aziz’s grandfather, a man she desired desperately, even after her father arranged another husband for her. In turn, Zoya would later marry off her youngest daughter, Naya, who aspired to date the Jackson 5 and wasn’t ready to be a wife or mother to Arabella at sixteen. Now that Naya’s children are grown and she’s arrived at an abrupt midlife crossroads, it’s time to settle old scores…

With biting hilarity, Too Soon introduces us to a trio of bold and unforgettable voices. This dramatic saga follows one family’s epic journey from fleeing war-torn Jaffa in 1948, chasing the American Dream in Detroit and San Francisco in the sixties and seventies, hustling in the New York theatre scene post-9/11, and daring to stage a show in Palestine in 2012. Upon learning one of them is living on borrowed time, three women fight to live, make art, and love on their own terms. Too Soon joins the stories that seek to illuminate our shared history and ask, how can we set ourselves free?

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An award-winning scholar exposes the foundational racism of the child welfare system and calls for radical change 

Many believe the child welfare system protects children from abuse. But as Torn Apart uncovers, this system is designed to punish Black families. Drawing on decades of research, legal scholar and sociologist Dorothy Roberts reveals that the child welfare system is better understood as a “family policing system” that collaborates with law enforcement and prisons to oppress Black communities. Child protection investigations ensnare a majority of Black children, putting their families under intense state surveillance and regulation. Black children are disproportionately likely to be torn from their families and placed in foster care, driving many to juvenile detention and imprisonment.

The only way to stop the destruction caused by family policing, Torn Apart argues, is to abolish the child welfare system and liberate Black communities.