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Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes that they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.

They are both terrified of the forest at the end of Marsh Creek Lane.

The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for eleven years.

SWISH! Cheer courtside for a Muslim teen as she joins an all-girls, hijab-wearing basketball team and learns that she’s much more than a score. This energetic graphic novel is inspired by a true story!

Aliya is new to Wisconsin, and everything feels different than Florida. The Islamic school is bigger, the city is colder, and her new basketball team is…well, they stink.

Aliya’s still excited to have teammates (although the team's captain, Noura, isn't really Aliya's biggest fan), and their new coach really understands basketball (even if she doesn't know much about being Muslim). This season should be a blast...if they could just start to win. As they strengthen their skills on the court, Aliya and the Peace Academy team discover that it takes more than talent to be great--it's teamwork and self-confidence that defines true success.

For fans of The Crossover and Roller Girl, this graphic novel goes big with humor and heart as it explores culture and perceptions, fitting in and standing out, and finding yourself, both on and off the court.

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In this impressive anthology, Natalie Baszile brings together essays, poems, photographs, quotes, conversations, and first-person stories to examine black people’s connection to the American land from Emancipation to today. In the 1920s, there were over one million black farmers; today there are just 45,000. Baszile explores this crisis, through the farmers’ personal experiences. In their own words, middle aged and elderly black farmers explain why they continue to farm despite systemic discrimination and land loss. The "Returning Generation"—young farmers, who are building upon the legacy of their ancestors, talk about the challenges they face as they seek to redress issues of food justice, food sovereignty, and reparations.

These farmers are joined by other influential voices, including noted historians Analena Hope Hassberg and Pete Daniel, and award-winning author Clyde W. Ford, who considers the arrival of Africans to American shores; and James Beard Award-winning writers and Michael Twitty, reflects on black culinary tradition and its African roots. Poetry and inspirational quotes are woven into these diverse narratives, adding richness and texture, as well as stunning four-color photographs from photographers Alison Gootee and Malcom Williams, and Baszile’s personal collection.

A boy must work with his family and other resort guests to make it off an island after the animals turn feral in Tomi Oyemakinde's We Are Hunted, where White Lotus meets Jurassic Park for the young adult audience and exploring guilt, spectacle, and the dangers of capitalism!

Experience paradise, reimagined.

When 17-year-old Femi Fatona and his older brother are forced to accompany their dad to an island resort, Femi is not looking forward to it. After all, he hasn't exactly been getting along with either of them lately. Not much is known about the resort they'll be staying at, as it’s on a newly-discovered island and shrouded in nondisclosure agreements, but at least it promises to be full of all the extravagant luxuries they're used to.

Once they arrive, Femi is thrilled to find that the island is bursting with new and spectacular species of plants and animals. But he soon realizes that sometimes pretty exteriors hide ugly truths―truths that are begging to come to light.

But those truths come with a price. And, when the island is thrown into chaos from animals suddenly becoming feral, what was meant to be a peaceful bonding experience quickly becomes the stuff of nightmares. Femi will have to put aside tension with his family and work with other guests, in order to escape the animals, the island, and his own guilt at the part he may have played in all of it.

Celebrate what it means to be an immigrant and welcome diversity into your community in this uplifting, inclusive picture book. 

Like all people, immigrants have their own unique traits and bring their own special customs wherever they go—all things that make our country and world such a wonderful and vibrant place to live. The colors, music, language, and cultural heritage of immigrants jumps off the pages in Alyssa M. Gonzalez's vibrant artwork while Carolina Fernandez's words remind us to embrace living with and near people who bring their own history and traditions to our communities. After all, it’s important to remember: we all make up one human race!

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From the author of Meaty and creator of the blog Bitches Gotta Eat comes a smart, edgy, hilarious, and unabashedly raunchy collection of essays about navigating new relationships, growing older, and jobs that get in the way of one’s television habit. A Vintage Paperback Original.

Sometimes you just have to laugh, even when life is a dumpster fire. With We Are Never Meeting in Real Life., blogger and comedian Samantha Irby turns the serio-comic essay into an artform. Whether talking about how her difficult childhood has led to a problem in making “adult” budgets, explaining why she should be the new Bachelorette (she’s “35-ish, but could easily pass for 60-something”), detailing a disastrous trip-slash-romantic-vacation to Nashville to scatter her estranged father’s ashes, sharing an awkward sexual encounter, or dispensing advice on how to navigate friendships with former drinking buddies who are now new suburban moms (hang in there for the Costco loot), she’s as deft at poking fun at the ghosts of her past self as she is at capturing powerful emotional truths.

New memoir from George M. Johnson, the New York Times bestselling author of All Boys Aren't Blue—a "deeply impactful" (Nic Stone), "striking and joyful" (Laurie Halse Anderson), and "stunning read" (Publishers Weekly, starred) that celebrates Black boyhood and brotherhood in all its glory. 

This is the vibrant story of George, Garrett, Rall, and Rasul -- four children raised by Nanny, their fiercely devoted grandmother. The boys hold one another close through early brushes with racism, memorable experiences at the family barbershop, and first loves and losses. And with Nanny at their center, they are never broken.

George M. Johnson captures the unique experience of growing up as a Black boy in America through rich family stories that explore themes of vulnerability, sacrifice, and culture.

Complete with touching letters from the grandchildren to their beloved matriarch and a full color photo insert, this heartwarming and heartbreaking memoir is destined to become a modern classic of emerging adulthood.

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Told from alternating perspectives, an evocative and riveting novel about the lifelong bond between two women, one Black and one white, whose friendship is indelibly altered by a tragic event—a powerful and poignant exploration of race in America today and its devastating impact on ordinary lives.

Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia.

But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend.

Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them explores complex questions of race and how they pervade and shape our most intimate spaces in a deeply divided world. But at its heart, it’s a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.

We Are Owed. is the debut poetry collection of Ariana Brown, exploring Black relationality in Mexican and Mexican American spaces. Through poems about the author's childhood in Texas and a trip to Mexico as an adult, Brown interrogates the accepted origin stories of Mexican identity. We Are Owed asks the reader to develop a Black consciousness by rejecting U.S., Chicano, and Mexican nationalism and confronting anti-Black erasure and empire-building. As Brown searches for other Black kin in the same spaces through which she moves, her experiences of Blackness are placed in conversation with the histories of formerly enslaved Africans in Texas and Mexico. Esteban Dorantes, Gaspar Yanga, and the author's Black family members and friends populate the book as a protective and guiding force, building the "we" evoked in the title and linking Brown to all other African-descended peoples living in what Saidiya Hartman calls "the afterlife of slavery.

From the author of the New York Times bestseller Begin Again, a politically astute, lyrical meditation on how ordinary people can shake off their reliance on a small group of professional politicians and assume responsibility for what it takes to achieve a more just and perfect democracy.

“Like attending a jazz concert with all of one’s favorite musicians…James Baldwin, Martin Luther King, Jr., Malcolm X, Ella Baker, Toni Morrison, and more…Glaude brilliantly takes us on an epic tour through their lives and work.”
―Henry Louis Gates, Jr., author of The Black Box: Writing the Race

We are more than the circumstances of our lives, and what we do matters. In We Are the Leaders We Have Been Looking For, one of the nation’s preeminent scholars and a New York Times bestselling author, Eddie S. Glaude Jr., makes the case that the hard work of becoming a better person should be a critical feature of Black politics. Through virtuoso interpretations of Martin Luther King, Jr., Malcolm X, and Ella Baker, Glaude shows how we have the power to be the heroes that our democracy so desperately requires.

Based on the Du Bois Lectures delivered at Harvard University, the book begins with Glaude’s unease with the Obama years. He felt then, and does even more urgently now, that the excitement around the Obama presidency constrained our politics as we turned to yet another prophet-like figure. He examines his personal history and the traditions that both shape and overwhelm his own voice.

Glaude weaves anecdotes about his evolving views on Black politics together with the writings of Ralph Waldo Emerson, John Dewey, Toni Morrison, James Baldwin, and Ralph Ellison, encouraging us to reflect on the lessons of these great thinkers and address imaginatively the challenges of our day in voices uniquely our own.

Narrated with passion and philosophical intensity, this book is a powerful reminder that if American democracy is to survive, we must step out from under the shadows of past giants to build a better society―one that derives its strength from the pew, not the pulpit.

When the United States recently exploded with unprecedented demonstrations challenging racial violence and hatred, Alice Walker’s New York Times bestselling We Are the Ones We Have Been Waiting For was one of the books to which people turned for inspiration and solace. Called “stunningly insightful” and “a book that will inspire hope” by Publishers Weekly, this work by the author of The Color Purple is a clarion call to activism—spiritual ruminations with a progressive political edge, that offer a moment of care and solace.

Walker encourages readers to take faith in the fact that, despite our daunting predicaments, we are uniquely prepared to create positive change. Drawing on Walker’s spiritual grounding and her progressive political convictions, the book offers a cornucopia of the Pulitzer Prize winner’s writings and speeches on advocacy, struggle, and hope. Each chapter concludes with a recommended meditation to teach patience, compassion, and forgiveness.

Walker’s clear vision and calm meditative voice—truly “a light in darkness”—has struck a deep chord among a large and devoted readership. In her new introduction, Walker reflects on the contemporary political and spiritual crises in the post–Trump era United States, making this classic book relevant for the current moment.

The Other Black Girl meets Midsommar in this spine-chilling, propulsive psychological adult debut from highly acclaimed author Vincent Tirado, in which a married couple moves into a gated “community” that slowly creeps into a pervasive dread akin to the social horror of Jordan Peele and Lovecraft County—We Came to Welcome You cleverly uses the uncanny to illuminate the cultish, shocking nature of systemic racism.

Where beauty lies, secrets are held…ugly ones.

Sol Reyes has had a rough year. After a series of workplace incidents at her university lab culminates in a plagiarism accusation, Sol is put on probation. Dutiful visits to her homophobic father aren’t helping her mental health, and she finds her nightly glass of wine becoming more of an all-day—and all-bottle—event. Her wife, Alice Song, is far more optimistic. After all, the two finally managed to buy a house in the beautiful, gated community of Maneless Grove.

However, the neighbors are a little too friendly in Sol’s opinion. She has no interest in the pushy Homeowners Association, their bizarrely detailed contract, or their never-ending microaggressions. But Alice simply attributes their pursuit to the community motto: “Invest in a neighborly spirit”…which only serves to irritate Sol more.  

Suddenly, a number of strange occurrences—doors and stairs disappearing, roots growing inside the house—cause Sol to wonder if her social paranoia isn’t built on something more sinister. Yet Sol’s fears are dismissed as Alice embraces their new home and becomes increasingly worried instead about Sol’s drinking and manic behavior. When Sol finds a journal in the property from a resident that went missing a few years ago, she realizes why they were able to buy the house so easily…

Through Sol’s razor-sharp tongue and macabre sense of humor, Tirado explores the very real pressures to assimilate with one’s surroundings to “survive,” while also asking the question: Is it survival when you’re no longer your true self? Because in Maneless Grove, either you become a good neighbor—or you die.

Based on the research that race, gender, justice, and other important topics should be discussed with toddlers on up, this read-aloud series offers adults the opportunity to begin important conversations with young children in an informed, safe, and supported way.

Developed by experts in the fields of early childhood and activism, this topic-driven picture book offers clear, concrete language and compelling imagery to introduce the concept of justice. This book aims to ground the idea of justice within the responsibilities and benefits of being part of a healthy community.

While young children are avid observers and questioners of their world, adults often shut down or postpone conversations on complicated topics because it's hard to know where to begin. Research shows that talking about tough issues from the age of two not only helps children understand what they see, but also increases self-awareness, self-esteem, and allows them to recognize and confront things that are unfair, like discrimination and prejudice.

These books offer a supportive approach that considers both the child and the adult. Stunning art accompanies the simple and interactive text, and the backmatter offers additional resources and ideas for extending this discussion.

“You can be beautiful, even more beautiful than before.” This is the seductive promise of Dr. Nzinga’s clinic, where anyone can get their lips thinned, their skin bleached, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a black body—if you can afford it.

In this near-future Southern city plagued by fenced-in ghettos and police violence, more and more residents are turning to this experimental medical procedure. Like any father, our narrator just wants the best for his son, Nigel, a biracial boy whose black birthmark is getting bigger by the day. The darker Nigel becomes, the more frightened his father feels. But how far will he go to protect his son? And will he destroy his family in the process?

This electrifying, hallucinatory novel is at once a keen satire of surviving racism in America and a profoundly moving family story. At its center is a father who just wants his son to thrive in a broken world. Maurice Carlos Ruffin’s work evokes the clear vision of Ralph Ellison, the dizzying menace of Franz Kafka, and the crackling prose of Vladimir Nabokov. We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love.

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Small-town drama, a swoon-worthy romance, and a slow-burn mystery collide in this YA debut that explores how racial violence can ripple down through generations.

What’s more important? Knowing the truth or keeping the peace?

Seventeen-year-old Avery Anderson is convinced her senior year is ruined when she's uprooted from her life from DC and forced into the hostile home of her terminally ill grandmother, Mama Letty. The tension between Avery’s mom and Mama Letty makes for a frosty arrival and unearths past drama they refuse to talk about. Every time Avery tries to look deeper, she’s turned away, leaving her desperate to learn the secrets that split her family in two.

While tempers flare in her avoidant family, Avery finds friendship in unexpected places: in Simone Cole, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family—whose mother’s murder remains unsolved.

As the three girls grow closer—Avery and Simone’s friendship blossoming into romance—the sharp-edged opinions of their small southern town begin to hint at something insidious underneath. The racist history of Bardell, Georgia is rooted in Avery’s family in ways she can’t even imagine. With Mama Letty's health dwindling every day, Avery must decide if digging for the truth is worth toppling the delicate relationships she's built in Bardell—or if some things are better left buried.

“Organizing is both science and art. It is thinking through a vision, a strategy, and then figuring out who your targets are, always being concerned about power, always being concerned about how you’re going to actually build power in order to be able to push your issues, in order to be able to get the target to actually move in the way that you want to.”

Do you often ask the question "What is my purpose in life?" Rich with black-and-white photography, powerful stories, and life-changing reflections from the book of Ecclesiastes, We Go On, by pastor and entrepreneur John Onwuchekwa calls you to find the true answer to the question: Why am I here?

In a world that encourages us to find meaning in temporary things, we long to know that who we are makes a difference after we're gone. This hope-filled exploration of this biblical book of wisdom turns our attention to what our true purpose is and how to let that purpose shape our relationships, career, and life choices. Along with biblical insights, John Onwuchekwa weaves together meaningful challenges that even from difficult beginnings, we can continue to trust God's path.

In this book, you'll discover a more meaningful, fulfilling life as you explore themes such as:

• work, wealth, and power
• sexuality, social relationships, and justice
• religion and family

Inspiring black-and-white photography paired with a modern cover make this a perfect gift to give to men and women for holidays, graduations, birthdays, new jobs, or to anyone seeking a deeper relationship with God. We Go On will help men and women:

• experience deeper peace in a changing world
• see biblical imagery in a fresh way
• persevere through difficult circumstances
• find new motivation for living with intention

This unique book reminds you that deeper purpose is available as you look beyond your circumstances and find meaning in the God who never changes.

A woman’s trip home reveals frightening truths in a twisty novel of murder and family secrets by the New York Times bestselling author of And Now She’s Gone and These Toxic Things.

TV writer Yara Gibson’s hometown of Palmdale, California, isn’t her first choice for a vacation. But she’s back to host her parents’ twentieth-anniversary party and find the perfect family mementos for the celebration. Everything is going to plan until Yara receives a disturbing text: I have information that will change your life.

The message is from Felicia Campbell, who claims to be a childhood friend of Yara’s mother. But they’ve been estranged for years—drama best ignored and forgotten. But Yara can’t forget Felicia, who keeps texting, insisting that Yara talk to her “before it’s too late.”

But the next day is already too late for Felicia, whose body is found floating in Lake Palmdale. Before she died, Felicia left Yara a key to a remote lakeside cabin. In the basement are files related to a mysterious tragedy, unsolved since 1998. What secrets was Felicia hiding? How much of what Yara knows about her family has been true?

The deeper Yara digs for answers, the more she fears that Felicia was right. Uncovering the truth about what happened at the cabin all those years ago will change Yara’s life—or end it.

An educational book that helps grieving children understand what happens when we die, and celebrates the traditions people around the world use to honor the dead. Death is an important part of life, and yet it is one of the hardest things to talk about―for adults as well as children. Historian and museum curator Sarah Chavez is determined to create a book that sparks wonder and curiosity about dying, instead of fear and shame. In this informative book, illustrated by Annika Le Large, children will marvel at the flowers different cultures use to represent death. They will find out about eco-friendly burials, learn how to wrap a mummy, and go beneath the streets of Paris to witness skull-lined catacombs! Readers will also ride a buffalo alongside Yama, the Hindu god of death, come face-to-face with the terracotta army a Chinese emperor built to escort him to the afterlife, and party in the streets to celebrate the Day of the Dead in Mexico. Through these examples Sarah Chavez showcases the amazing ways humans have always revered those who have died. Full of practical tips, this book won’t stop the pain of losing a loved one or a pet, but it may give young readers ideas for different ways they can celebrate those who have passed away, and help begin the healing process.

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A landmark work of Black and Native American history that reconfigures our understanding of identity, race, and belonging and the inspiring ways marginalized people have pushed to redefine their world.

In this paradigm-shattering work of American history, Caleb Gayle tells the extraordinary story of the Creek Nation, a Native tribe that two centuries ago both owned slaves and accepted Black people as full members. Thanks to the leadership of a chief named Cow Tom—a former Black slave—a treaty with the U.S. government recognized Creek citizenship for its Black members. Yet this equality was shredded in the 1970s when Creek leadership canceled citizenship to Black Creeks, even those who can trace their tribal history back generations. 
 
Why did this happen? What led to this reversal? How was the U.S. government involved? And how can marginalized people today defend themselves? These are some of the questions that award-winning journalist Caleb Gayle explores in this provocative examination of racial and ethnic identity. By delving deep into the historical record and interviewing Black Creeks suing the Creek Nation to have their citizenship reinstated, he lays bare the racism, ambition, and greed at the heart of this story. The result is an eye-opening account that challenges our preconceptions of identity as it shines new light on the long shadows of marginalization and white supremacy that continue to hamper progress for Black Americans.

A radical reframing of the past and present of Black resistance—both nonviolent and violent—to white supremacy 

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.  
 
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. 
 
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

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From the best-selling author and global feminist icon—an illustrated, guided journal containing her most powerful and inspiring quotes, as well as an introductory essay written exclusively for this publication, to help readers discover their own feminist journeys.

Her award-winning novels, including Half of a Yellow Sun and Americanah; her stirring calls to arms We Should All Be Feminists and Dear Ijeawele; her collaboration with Beyoncé; sharing the stage with Michelle Obama—each of these accomplishments has contributed to Chimamanda Ngozi Adichie’s becoming one of the most iconic feminist figures of our time.

Now, in this beautiful journal, her most inspirational words encourage you to find your own voice, to define what feminism means to you, and to tell your own story. Featuring a series of writing prompts, quotes, and important events in the history of feminism, We Should All Be Feminists: A Guided Journal promises to give readers the tools to understand feminism, as well as to empower them to become better, more confident writers and communicators.

A thoughtful and heartfelt middle grade novel by American Indian Youth Literature Honor–winning author Christine Day (Upper Skagit), about a girl whose hopeful plans for Indigenous Peoples’ Day (and plans to ask her crush to the school dance) go all wrong—until she finds herself surrounded by the love of her Indigenous family and community at an intertribal powwow.

Wesley is proud of the poem she wrote for Indigenous Peoples’ Day—but the reaction from a teacher makes her wonder if expressing herself is important enough. And due to the specific tribal laws of her family’s Nation, Wesley is unable to enroll in the Upper Skagit tribe and is left feeling “not Native enough.” Through the course of the novel, with the help of her family and friends, she comes to embrace her own place within the Native community.

Christine Day's debut, I Can Make This Promise, was an American Indian Library Association Youth Literature Award Honor Book, was named a Best Book of the Year by Kirkus, School Library Journal, the Chicago Public Library, and NPR, and was also picked as a Charlotte Huck Honor Book. Her sophomore novel, The Sea in Winter, was an American Indian Library Association Youth Literature Award Honor Book, as well as named a Best Book of the Year by Kirkus and School Library Journal.

We Still Belong is an accessible, enjoyable, and important novel from an author who always delivers.

The critically acclaimed debut from the National Book Award-winning author of Blackouts.

In this award-winning, groundbreaking novel, Justin Torres plunges us into the chaotic heart of one family, the intense bonds of three brothers, and the mythic effects of this fierce love on the people we must become.

“A tremendously gifted writer whose highly personal voice should excite us in much the same way that Raymond Carver’s or Jeffrey Eugenides’s voice did when we first heard it."—The Washington Post

Three brothers tear their way through childhood— smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn—he’s Puerto Rican, she’s white—and their love is a serious, dangerous thing that makes and unmakes a family many times. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another.

From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world, this beautiful novel reinvents the coming-of-age story in a way that is sly and punch-in-the-stomach powerful.

"We the Animals is a dark jewel of a book. It’s heartbreaking. It’s beautiful. It resembles no other book I’ve read.”—Michael Cunningham

"A fiery ode to boyhood . . . A welterweight champ of a book."—NPR, Weekend Edition

In We Want for Our Sisters What We Want for Ourselves, Dr. Patricia Dixon (aka Ra Heter) debunks myths about monogamy and polygyny and challenges us to rethink our approach to marriage and family. This book reveals that before European domination, polygyny was an accepted marriage and family practice in over eighty percent of the world's cultures. Even in Western societies, polygyny has always been practiced. However, because it is done under a myth of monogamy, this creates a "peculiar" form of the practice. This peculiar form of polygyny was practiced in early European history in Greece and Rome. It was also practiced during slavery in the U.S. to the detriment of African American women and their families. Even in contemporary America, because closed polygyny is practiced in various forms, under the guise of monogamy, it continues to disempower African American women and undermine their marriages and families.

Dr. Dixon offers many reasons to support polygyny, most importantly, the shortage of available African American men. Through extensive interviews, she offers an insider's look at polygynous marriages, showing readers its benefits and disadvantages, interpersonal dynamics, how financial, sexual, and parental responsibilities are determined, and the legal, moral and cultural challenges that must be overcome in order to make polygynous marriages possible within American society. Finally, she calls for African American women to move toward building marriages based on love, truth, community, and ultimately a womanist ethic of care for sisters.

A landmark exhibition on display at the Brooklyn Museum from April 21 through September 17, 2017, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It showcases the work of black women artists such as Emma Amos, Maren Hassinger, Senga Nengudi, Lorraine O'Grady, Howardena Pindell, Faith Ringgold, and Betye Saar, making it one of the first major exhibitions to highlight the voices and experiences of women of color. In so doing, it reorients conversations around race, feminism, political action, art production, and art history in this significant historical period.

The accompanying Sourcebook republishes an array of rare and little-known documents from the period by artists, writers, cultural critics, and art historians such as Gloria Anzaldúa, James Baldwin, bell hooks, Lucy R. Lippard, Audre Lorde, Toni Morrison, Lowery Stokes Sims, Alice Walker, and Michelle Wallace. These documents include articles, manifestos, and letters from significant publications as well as interviews, some of which are reproduced in facsimile form. The Sourcebook also includes archival materials, rare ephemera, and an art-historical overview essay. Helping readers to move beyond standard narratives of art history and feminism, this volume will ignite further scholarship while showing the true breadth and diversity of black women’s engagement with art, the art world, and politics from the 1960s to the 1980s.

We Wanted a Revolution will also be on display at the California African American Museum in Los Angeles from October 13, 2017 through January 14, 2018; the Albright-Knox Art Gallery in Buffalo, New York from February 17, 2018 through May 27, 2018; and at the Institute of Contemporary Art/Boston from June 26, 2018 through September 30, 2018.

Published by the Brooklyn Museum and distributed by Duke University Press

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We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.

Winner of the 2023 National Book Critics Circle for Nonfiction and the Los Angeles Times Book Prize

A Washington Post best nonfiction book of 2023 | Winner of the Carnegie Medal for Excellence in Nonfiction

“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post

“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker

“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times

A New York Times Book Review Editors’ Choice | One of Publishers Weekly's best nonfiction books of 2023

The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.

On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and multiple children at the bottom of a cliff along the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted six Black children from two different Texas families in 2006 and 2008. Behind the family’s loving facade was an alleged pattern of abuse and neglect that had been ignored as the couple withdrew the children from school and moved west. It soon became apparent that the State of Texas knew all too little about the two individuals to whom it had given custody of six children.

Immersive journalism of the highest order, Roxanna Asgarian’s We Were Once a Family is a revelation of precarious lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian sought out the children’s birth families and put them at the center of the story. We follow the lives of the Harts’ adopted children and their birth parents, and the machinations of the state agency that sent the children far away. Asgarian’s reporting uncovers persistent racial biases and corruption as young people of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America’s most vulnerable children while upending the lives of their families.

*ships in 7-10 business days*

Two young girls. Two disparate stories. One unlikely friendship....

Dani comes from the richest, most famous Black family in Texas and seems to have everything a girl could want. So why does she keep using and engaging in other self-destructive behavior?

Camila’s Colombian-American family doesn’t have much, but she knows exactly what she wants out of life and works her ass off to get it. So why does she keep failing, and why does she self-harm every time she does?

When Dani and Camila find themselves rooming together at Peach Tree Hills, a treatment facility in beautiful rural Georgia, they initially think they’ll never get along—and they’ll never get better. But then they find a mysterious music box filled with letters from a former resident of PTH, and together they set out to solve the mystery of who this girl was . . . and who she’s become. The investigation will bring them together, and what they find at the end might just bring them hope.

From award-winning author Stephanie Kuehn comes a breathtaking tale of friendship and healing. Both poignant and timely, We Weren’t Looking to Be Found is complex, hopeful, and heartbreaking all at once.