MAN BOOKER PRIZE FINALIST • ONE OF THE NEW YORK TIMES BOOK REVIEW'S TEN BEST BOOKS OF THE YEAR • “A gripping historical narrative exploring both the bounds of slavery and what it means to be truly free.” —Vanity Fair

Eleven-year-old George Washington Black—or Wash—a field slave on a Barbados sugar plantation, is initially terrified when he is chosen as the manservant of his master’s brother. To his surprise, however, the eccentric Christopher Wilde turns out to be a naturalist, explorer, inventor, and abolitionist. Soon Wash is initiated into a world where a flying machine can carry a man across the sky, where even a boy born in chains may embrace a life of dignity and meaning, and where two people, separated by an impossible divide, can begin to see each other as human.
 
But when a man is killed and a bounty is placed on Wash’s head, they must abandon everything and flee together. Over the course of their travels, what brings Wash and Christopher together will tear them apart, propelling Wash ever farther across the globe in search of his true self. Spanning the Caribbean to the frozen Far North, London to Morocco, Washington Black is a story of self-invention and betrayal, of love and redemption, and of a world destroyed and made whole again.

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From the National Book Award–winning author of Lighthead, Terrance Hayes, a fascinating collection of graphic reviews and illustrated prose addressing the last century of American poetry—to be published simultaneously with his latest poetry collection, So to Speak

Canonized, overlooked, and forgotten African American poets star in Terrance Hayes's brilliant contemplations of personal, canonical, and allegorical literary development. Proceeding from Toni Morrison's aim to expand the landscape of literary imagination in Playing in the Dark ("I want to draw a map, so to speak, of a critical geography"), Watch Your Language charts a lyrical geography of reading and influence in poetry. Illustrated micro-essays, graphic book reviews, biographical prose poems, and nonfiction sketches make reading an imaginative and critical act of watching your language. Hayes has made a kind of poetic guidebook with more questions than answers. "If you don't see suffering's potential as art, will it remain suffering?" he asks in one of the lively mock poetry exam questions of this musing, mercurial collection. Hayes's astonishing drawings and essays literally and figuratively map the acclaimed poet's routes, roots, and wanderings through the landscape of contemporary poetry.

A classic of politics, murder, and espionage "Watershed has all the makings of a social thriller...In this novel about water and the struggle for a life free of injustice, the mix doesn't just work, it flows." — Alan Cheuse, National Public Radio "It’s hard . . . to imagine a novelist today with fresher eyes than Percival Everett."―Christopher Borrelli, Chicago Tribune On a windswept landscape somewhere north of Denver, Robert Hawks, a feisty and dangerously curious hydrologist, finds himself enmeshed in a fight over Native American treaty rights. What begins for Robert as a peaceful fishing interlude ends in murder and the disclosure of government secrets. Everett mines history for this one, focusing on the relationship between Native American activists and Black Panther groups who bonded over their shared enemies in the 1960s Civil Rights movement. Watershed is an excellent example of Percival Everett’s famed bitingly political narrative style.

Ryan Hart loves her family and friends. She’s looking forward to summer vacation, spending time with loved ones, and her first trip to sleepaway camp! But when an unexpected camper shows up, Ryan finds it’s hard to share your best friend and harder to be a friend to someone who isn’t a good friend to you.
She's also waiting for her new sister to be born—and hoping the baby doesn’t ruin everything. The Hart family is experiencing a lot of changes, and Ryan needs to grow her patience in many ways, find ways to share the love, meet new challenges, and grow into the leader her mom and dad named her to be. This summer and the start of fifth grade just might give Ryan the chance to show how she grows and glows!

Award-winning author Renée Watson’s Ramona-esque middle grade series starring an irrepressible girl and her lovable family.

Ryan Hart loves to spend time with her friends, loves to invent recipes, and has a lot on her mind—school, self-image, and family. Her dad finally has a new job, but money is tight. That means changes like selling their second car and moving into a new (old) house. But Ryan is a girl who knows how to make sunshine out of setbacks. Because Ryan is all about trying to see the best. Even when things aren’t all she would wish for—her brother is infuriating, her parents don’t understand, when her recipes don’t turn out right, and when the unexpected occurs—she can find a way forward, with wit and plenty of sunshine.
Newbery Honor- and Coretta Scott King Award-winning author Renée Watson was inspired to write her own version of Ramona, starring a Black girl and her family, in this charming new series.

Award-winning author Renée Watson continues her charming Ramona-esque series starring spirited Ryan Hart and her loving family.

Ryan Hart is caught in the middle. She has an older brother and a baby sister, and she’s in a friendship tug-of-war with KiKi and Amanda who are both vying to be her best best friend. With all that’s going on, Ryan still finds a way to see the bright side of things. But it’s terribly hard to be cheery when her brother, Ray, pulls a prank and ruins her latest baking project. And who can think about being kind to a classmate who is relentless with his teasing? But Ryan is determined not to let anything ruin her mood, and to find a way to always find a way to share her bright spirit.

With more challenges, change, and more lessons learned, book three of the Ryan Hart Series has even more humor, more love, and more sunshine.

Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Here, for the first time, these women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives, Beautiful Experiments recovers these women’s radical aspirations and insurgent desires.

NYT Bestselling Author, Frederick Joseph, explores a new genre in this captivating poetry collection that seeks to find joy in moments of difficulty whether through illuminating the beauty of being Black, highlighting the hope that can be found in childhood, or by sharing intimate truths revealed on a mental health journey. This book will appeal to both new and established readers of poetry.

Step into the world of We Alive, Beloved, where its words will resonate within the deepest corners of your soul, leaving a mark on your heart and a renewed appreciation for the beauty of being alive.

We Alive, Beloved moves beyond being a poetry collection; it's a celebration of the profound aspects of our existence. Each poem seeks to immortalize the fleeting moments of joy, love, resilience, and inspiration that often slip through the grasp of our fast-paced lives.

In this poetic testament, we defy the ephemeral nature of beauty and goodness, daring to clutch onto these facets of life for just a little longer. With words that stand as guardians against the relentless march of time and the ceaseless tides of change, trauma, and grief, this collection becomes a sanctuary of light in a world that sometimes seems dim.

We Alive, Beloved explores a rich tapestry of themes, from the intricacies of relationships and the heartache of loss, to the wide-eyed wonder of existence and the challenges of exploring the possibility of parenthood in our modern age. Each poem reaches out to readers, offering a mirror to their own journeys and emotions, inviting them to be seen and acknowledged in its lyrical embrace.

A poignant debut for readers of Jesmyn Ward and Jamel Brinkley, We Are a Haunting follows three generations of a working class family and their inherited ghosts: a story of hope and transformation. 

In 1980’s Brooklyn, Key is enchanted with her world, glowing with her dreams. A charming and tender doula serving the Black women of her East New York neighborhood, she lives, like her mother, among the departed and learns to speak to and for them. Her untimely death leaves behind her mother Audrey, who is on the verge of losing the public housing apartment they once shared. Colly, Key’s grieving son, soon learns that he too has inherited this sacred gift and begins to slip into the liminal space between the living and the dead on his journey to self-realization.

In the present, an expulsion from school forces Colly across town where, feeling increasingly detached and disenchanted with the condition of his community, he begins to realize that he must, ultimately, be accountable to the place he is from. After college, having forged an understanding of friendship, kinship, community, and how to foster love in places where it seems impossible, Colly returns to East New York to work toward addressing structural neglect and the crumbling blocks of New York City public housing he was born to; discovering a collective path forward from the wreckages of the past. A supernatural family saga, a searing social critique, and a lyrical and potent account of displaced lives, We Are a Haunting unravels the threads connecting the past, present, and future, and depicts the palpable, breathing essence of the neglected corridors of a pulsing city with pathos and poise.

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Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes that they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.

They are both terrified of the forest at the end of Marsh Creek Lane.

The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for eleven years.

SWISH! Cheer courtside for a Muslim teen as she joins an all-girls, hijab-wearing basketball team and learns that she’s much more than a score. This energetic graphic novel is inspired by a true story!

Aliya is new to Wisconsin, and everything feels different than Florida. The Islamic school is bigger, the city is colder, and her new basketball team is…well, they stink.

Aliya’s still excited to have teammates (although the team's captain, Noura, isn't really Aliya's biggest fan), and their new coach really understands basketball (even if she doesn't know much about being Muslim). This season should be a blast...if they could just start to win. As they strengthen their skills on the court, Aliya and the Peace Academy team discover that it takes more than talent to be great--it's teamwork and self-confidence that defines true success.

For fans of The Crossover and Roller Girl, this graphic novel goes big with humor and heart as it explores culture and perceptions, fitting in and standing out, and finding yourself, both on and off the court.

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In this impressive anthology, Natalie Baszile brings together essays, poems, photographs, quotes, conversations, and first-person stories to examine black people’s connection to the American land from Emancipation to today. In the 1920s, there were over one million black farmers; today there are just 45,000. Baszile explores this crisis, through the farmers’ personal experiences. In their own words, middle aged and elderly black farmers explain why they continue to farm despite systemic discrimination and land loss. The "Returning Generation"—young farmers, who are building upon the legacy of their ancestors, talk about the challenges they face as they seek to redress issues of food justice, food sovereignty, and reparations.

These farmers are joined by other influential voices, including noted historians Analena Hope Hassberg and Pete Daniel, and award-winning author Clyde W. Ford, who considers the arrival of Africans to American shores; and James Beard Award-winning writers and Michael Twitty, reflects on black culinary tradition and its African roots. Poetry and inspirational quotes are woven into these diverse narratives, adding richness and texture, as well as stunning four-color photographs from photographers Alison Gootee and Malcom Williams, and Baszile’s personal collection.

A boy must work with his family and other resort guests to make it off an island after the animals turn feral in Tomi Oyemakinde's We Are Hunted, where White Lotus meets Jurassic Park for the young adult audience and exploring guilt, spectacle, and the dangers of capitalism!

Experience paradise, reimagined.

When 17-year-old Femi Fatona and his older brother are forced to accompany their dad to an island resort, Femi is not looking forward to it. After all, he hasn't exactly been getting along with either of them lately. Not much is known about the resort they'll be staying at, as it’s on a newly-discovered island and shrouded in nondisclosure agreements, but at least it promises to be full of all the extravagant luxuries they're used to.

Once they arrive, Femi is thrilled to find that the island is bursting with new and spectacular species of plants and animals. But he soon realizes that sometimes pretty exteriors hide ugly truths―truths that are begging to come to light.

But those truths come with a price. And, when the island is thrown into chaos from animals suddenly becoming feral, what was meant to be a peaceful bonding experience quickly becomes the stuff of nightmares. Femi will have to put aside tension with his family and work with other guests, in order to escape the animals, the island, and his own guilt at the part he may have played in all of it.

Celebrate what it means to be an immigrant and welcome diversity into your community in this uplifting, inclusive picture book. 

Like all people, immigrants have their own unique traits and bring their own special customs wherever they go—all things that make our country and world such a wonderful and vibrant place to live. The colors, music, language, and cultural heritage of immigrants jumps off the pages in Alyssa M. Gonzalez's vibrant artwork while Carolina Fernandez's words remind us to embrace living with and near people who bring their own history and traditions to our communities. After all, it’s important to remember: we all make up one human race!

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From the author of Meaty and creator of the blog Bitches Gotta Eat comes a smart, edgy, hilarious, and unabashedly raunchy collection of essays about navigating new relationships, growing older, and jobs that get in the way of one’s television habit. A Vintage Paperback Original.

Sometimes you just have to laugh, even when life is a dumpster fire. With We Are Never Meeting in Real Life., blogger and comedian Samantha Irby turns the serio-comic essay into an artform. Whether talking about how her difficult childhood has led to a problem in making “adult” budgets, explaining why she should be the new Bachelorette (she’s “35-ish, but could easily pass for 60-something”), detailing a disastrous trip-slash-romantic-vacation to Nashville to scatter her estranged father’s ashes, sharing an awkward sexual encounter, or dispensing advice on how to navigate friendships with former drinking buddies who are now new suburban moms (hang in there for the Costco loot), she’s as deft at poking fun at the ghosts of her past self as she is at capturing powerful emotional truths.

New memoir from George M. Johnson, the New York Times bestselling author of All Boys Aren't Blue—a "deeply impactful" (Nic Stone), "striking and joyful" (Laurie Halse Anderson), and "stunning read" (Publishers Weekly, starred) that celebrates Black boyhood and brotherhood in all its glory. 

This is the vibrant story of George, Garrett, Rall, and Rasul -- four children raised by Nanny, their fiercely devoted grandmother. The boys hold one another close through early brushes with racism, memorable experiences at the family barbershop, and first loves and losses. And with Nanny at their center, they are never broken.

George M. Johnson captures the unique experience of growing up as a Black boy in America through rich family stories that explore themes of vulnerability, sacrifice, and culture.

Complete with touching letters from the grandchildren to their beloved matriarch and a full color photo insert, this heartwarming and heartbreaking memoir is destined to become a modern classic of emerging adulthood.

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Told from alternating perspectives, an evocative and riveting novel about the lifelong bond between two women, one Black and one white, whose friendship is indelibly altered by a tragic event—a powerful and poignant exploration of race in America today and its devastating impact on ordinary lives.

Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia.

But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend.

Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them explores complex questions of race and how they pervade and shape our most intimate spaces in a deeply divided world. But at its heart, it’s a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.

We Are Owed. is the debut poetry collection of Ariana Brown, exploring Black relationality in Mexican and Mexican American spaces. Through poems about the author's childhood in Texas and a trip to Mexico as an adult, Brown interrogates the accepted origin stories of Mexican identity. We Are Owed asks the reader to develop a Black consciousness by rejecting U.S., Chicano, and Mexican nationalism and confronting anti-Black erasure and empire-building. As Brown searches for other Black kin in the same spaces through which she moves, her experiences of Blackness are placed in conversation with the histories of formerly enslaved Africans in Texas and Mexico. Esteban Dorantes, Gaspar Yanga, and the author's Black family members and friends populate the book as a protective and guiding force, building the "we" evoked in the title and linking Brown to all other African-descended peoples living in what Saidiya Hartman calls "the afterlife of slavery.

From the author of the New York Times bestseller Begin Again, a politically astute, lyrical meditation on how ordinary people can shake off their reliance on a small group of professional politicians and assume responsibility for what it takes to achieve a more just and perfect democracy.

“Like attending a jazz concert with all of one’s favorite musicians…James Baldwin, Martin Luther King, Jr., Malcolm X, Ella Baker, Toni Morrison, and more…Glaude brilliantly takes us on an epic tour through their lives and work.”
―Henry Louis Gates, Jr., author of The Black Box: Writing the Race

We are more than the circumstances of our lives, and what we do matters. In We Are the Leaders We Have Been Looking For, one of the nation’s preeminent scholars and a New York Times bestselling author, Eddie S. Glaude Jr., makes the case that the hard work of becoming a better person should be a critical feature of Black politics. Through virtuoso interpretations of Martin Luther King, Jr., Malcolm X, and Ella Baker, Glaude shows how we have the power to be the heroes that our democracy so desperately requires.

Based on the Du Bois Lectures delivered at Harvard University, the book begins with Glaude’s unease with the Obama years. He felt then, and does even more urgently now, that the excitement around the Obama presidency constrained our politics as we turned to yet another prophet-like figure. He examines his personal history and the traditions that both shape and overwhelm his own voice.

Glaude weaves anecdotes about his evolving views on Black politics together with the writings of Ralph Waldo Emerson, John Dewey, Toni Morrison, James Baldwin, and Ralph Ellison, encouraging us to reflect on the lessons of these great thinkers and address imaginatively the challenges of our day in voices uniquely our own.

Narrated with passion and philosophical intensity, this book is a powerful reminder that if American democracy is to survive, we must step out from under the shadows of past giants to build a better society―one that derives its strength from the pew, not the pulpit.

When the United States recently exploded with unprecedented demonstrations challenging racial violence and hatred, Alice Walker’s New York Times bestselling We Are the Ones We Have Been Waiting For was one of the books to which people turned for inspiration and solace. Called “stunningly insightful” and “a book that will inspire hope” by Publishers Weekly, this work by the author of The Color Purple is a clarion call to activism—spiritual ruminations with a progressive political edge, that offer a moment of care and solace.

Walker encourages readers to take faith in the fact that, despite our daunting predicaments, we are uniquely prepared to create positive change. Drawing on Walker’s spiritual grounding and her progressive political convictions, the book offers a cornucopia of the Pulitzer Prize winner’s writings and speeches on advocacy, struggle, and hope. Each chapter concludes with a recommended meditation to teach patience, compassion, and forgiveness.

Walker’s clear vision and calm meditative voice—truly “a light in darkness”—has struck a deep chord among a large and devoted readership. In her new introduction, Walker reflects on the contemporary political and spiritual crises in the post–Trump era United States, making this classic book relevant for the current moment.

The Other Black Girl meets Midsommar in this spine-chilling, propulsive psychological adult debut from highly acclaimed author Vincent Tirado, in which a married couple moves into a gated “community” that slowly creeps into a pervasive dread akin to the social horror of Jordan Peele and Lovecraft County—We Came to Welcome You cleverly uses the uncanny to illuminate the cultish, shocking nature of systemic racism.

Where beauty lies, secrets are held…ugly ones.

Sol Reyes has had a rough year. After a series of workplace incidents at her university lab culminates in a plagiarism accusation, Sol is put on probation. Dutiful visits to her homophobic father aren’t helping her mental health, and she finds her nightly glass of wine becoming more of an all-day—and all-bottle—event. Her wife, Alice Song, is far more optimistic. After all, the two finally managed to buy a house in the beautiful, gated community of Maneless Grove.

However, the neighbors are a little too friendly in Sol’s opinion. She has no interest in the pushy Homeowners Association, their bizarrely detailed contract, or their never-ending microaggressions. But Alice simply attributes their pursuit to the community motto: “Invest in a neighborly spirit”…which only serves to irritate Sol more.  

Suddenly, a number of strange occurrences—doors and stairs disappearing, roots growing inside the house—cause Sol to wonder if her social paranoia isn’t built on something more sinister. Yet Sol’s fears are dismissed as Alice embraces their new home and becomes increasingly worried instead about Sol’s drinking and manic behavior. When Sol finds a journal in the property from a resident that went missing a few years ago, she realizes why they were able to buy the house so easily…

Through Sol’s razor-sharp tongue and macabre sense of humor, Tirado explores the very real pressures to assimilate with one’s surroundings to “survive,” while also asking the question: Is it survival when you’re no longer your true self? Because in Maneless Grove, either you become a good neighbor—or you die.

Based on the research that race, gender, justice, and other important topics should be discussed with toddlers on up, this read-aloud series offers adults the opportunity to begin important conversations with young children in an informed, safe, and supported way.

Developed by experts in the fields of early childhood and activism, this topic-driven picture book offers clear, concrete language and compelling imagery to introduce the concept of justice. This book aims to ground the idea of justice within the responsibilities and benefits of being part of a healthy community.

While young children are avid observers and questioners of their world, adults often shut down or postpone conversations on complicated topics because it's hard to know where to begin. Research shows that talking about tough issues from the age of two not only helps children understand what they see, but also increases self-awareness, self-esteem, and allows them to recognize and confront things that are unfair, like discrimination and prejudice.

These books offer a supportive approach that considers both the child and the adult. Stunning art accompanies the simple and interactive text, and the backmatter offers additional resources and ideas for extending this discussion.

“You can be beautiful, even more beautiful than before.” This is the seductive promise of Dr. Nzinga’s clinic, where anyone can get their lips thinned, their skin bleached, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a black body—if you can afford it.

In this near-future Southern city plagued by fenced-in ghettos and police violence, more and more residents are turning to this experimental medical procedure. Like any father, our narrator just wants the best for his son, Nigel, a biracial boy whose black birthmark is getting bigger by the day. The darker Nigel becomes, the more frightened his father feels. But how far will he go to protect his son? And will he destroy his family in the process?

This electrifying, hallucinatory novel is at once a keen satire of surviving racism in America and a profoundly moving family story. At its center is a father who just wants his son to thrive in a broken world. Maurice Carlos Ruffin’s work evokes the clear vision of Ralph Ellison, the dizzying menace of Franz Kafka, and the crackling prose of Vladimir Nabokov. We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love.

Small-town drama, a swoon-worthy romance, and a slow-burn mystery collide in this YA debut that explores how racial violence can ripple down through generations.

What’s more important? Knowing the truth or keeping the peace?

Seventeen-year-old Avery Anderson is convinced her senior year is ruined when she's uprooted from her life from DC and forced into the hostile home of her terminally ill grandmother, Mama Letty. The tension between Avery’s mom and Mama Letty makes for a frosty arrival and unearths past drama they refuse to talk about. Every time Avery tries to look deeper, she’s turned away, leaving her desperate to learn the secrets that split her family in two.

While tempers flare in her avoidant family, Avery finds friendship in unexpected places: in Simone Cole, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family—whose mother’s murder remains unsolved.

As the three girls grow closer—Avery and Simone’s friendship blossoming into romance—the sharp-edged opinions of their small southern town begin to hint at something insidious underneath. The racist history of Bardell, Georgia is rooted in Avery’s family in ways she can’t even imagine. With Mama Letty's health dwindling every day, Avery must decide if digging for the truth is worth toppling the delicate relationships she's built in Bardell—or if some things are better left buried.

“Organizing is both science and art. It is thinking through a vision, a strategy, and then figuring out who your targets are, always being concerned about power, always being concerned about how you’re going to actually build power in order to be able to push your issues, in order to be able to get the target to actually move in the way that you want to.”

Do you often ask the question "What is my purpose in life?" Rich with black-and-white photography, powerful stories, and life-changing reflections from the book of Ecclesiastes, We Go On, by pastor and entrepreneur John Onwuchekwa calls you to find the true answer to the question: Why am I here?

In a world that encourages us to find meaning in temporary things, we long to know that who we are makes a difference after we're gone. This hope-filled exploration of this biblical book of wisdom turns our attention to what our true purpose is and how to let that purpose shape our relationships, career, and life choices. Along with biblical insights, John Onwuchekwa weaves together meaningful challenges that even from difficult beginnings, we can continue to trust God's path.

In this book, you'll discover a more meaningful, fulfilling life as you explore themes such as:

• work, wealth, and power
• sexuality, social relationships, and justice
• religion and family

Inspiring black-and-white photography paired with a modern cover make this a perfect gift to give to men and women for holidays, graduations, birthdays, new jobs, or to anyone seeking a deeper relationship with God. We Go On will help men and women:

• experience deeper peace in a changing world
• see biblical imagery in a fresh way
• persevere through difficult circumstances
• find new motivation for living with intention

This unique book reminds you that deeper purpose is available as you look beyond your circumstances and find meaning in the God who never changes.

A woman’s trip home reveals frightening truths in a twisty novel of murder and family secrets by the New York Times bestselling author of And Now She’s Gone and These Toxic Things.

TV writer Yara Gibson’s hometown of Palmdale, California, isn’t her first choice for a vacation. But she’s back to host her parents’ twentieth-anniversary party and find the perfect family mementos for the celebration. Everything is going to plan until Yara receives a disturbing text: I have information that will change your life.

The message is from Felicia Campbell, who claims to be a childhood friend of Yara’s mother. But they’ve been estranged for years—drama best ignored and forgotten. But Yara can’t forget Felicia, who keeps texting, insisting that Yara talk to her “before it’s too late.”

But the next day is already too late for Felicia, whose body is found floating in Lake Palmdale. Before she died, Felicia left Yara a key to a remote lakeside cabin. In the basement are files related to a mysterious tragedy, unsolved since 1998. What secrets was Felicia hiding? How much of what Yara knows about her family has been true?

The deeper Yara digs for answers, the more she fears that Felicia was right. Uncovering the truth about what happened at the cabin all those years ago will change Yara’s life—or end it.

An educational book that helps grieving children understand what happens when we die, and celebrates the traditions people around the world use to honor the dead. Death is an important part of life, and yet it is one of the hardest things to talk about―for adults as well as children. Historian and museum curator Sarah Chavez is determined to create a book that sparks wonder and curiosity about dying, instead of fear and shame. In this informative book, illustrated by Annika Le Large, children will marvel at the flowers different cultures use to represent death. They will find out about eco-friendly burials, learn how to wrap a mummy, and go beneath the streets of Paris to witness skull-lined catacombs! Readers will also ride a buffalo alongside Yama, the Hindu god of death, come face-to-face with the terracotta army a Chinese emperor built to escort him to the afterlife, and party in the streets to celebrate the Day of the Dead in Mexico. Through these examples Sarah Chavez showcases the amazing ways humans have always revered those who have died. Full of practical tips, this book won’t stop the pain of losing a loved one or a pet, but it may give young readers ideas for different ways they can celebrate those who have passed away, and help begin the healing process.

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A landmark work of Black and Native American history that reconfigures our understanding of identity, race, and belonging and the inspiring ways marginalized people have pushed to redefine their world.

In this paradigm-shattering work of American history, Caleb Gayle tells the extraordinary story of the Creek Nation, a Native tribe that two centuries ago both owned slaves and accepted Black people as full members. Thanks to the leadership of a chief named Cow Tom—a former Black slave—a treaty with the U.S. government recognized Creek citizenship for its Black members. Yet this equality was shredded in the 1970s when Creek leadership canceled citizenship to Black Creeks, even those who can trace their tribal history back generations. 
 
Why did this happen? What led to this reversal? How was the U.S. government involved? And how can marginalized people today defend themselves? These are some of the questions that award-winning journalist Caleb Gayle explores in this provocative examination of racial and ethnic identity. By delving deep into the historical record and interviewing Black Creeks suing the Creek Nation to have their citizenship reinstated, he lays bare the racism, ambition, and greed at the heart of this story. The result is an eye-opening account that challenges our preconceptions of identity as it shines new light on the long shadows of marginalization and white supremacy that continue to hamper progress for Black Americans.

A radical reframing of the past and present of Black resistance—both nonviolent and violent—to white supremacy 

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.  
 
The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force—from work stoppages and property destruction to armed revolt—has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. 
 
Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.