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Ty makes his I Can Read! Comics debut! Join Ty on his imaginative camping adventures in Ty’s Travels: Camp Out, a Geisel Honor–winning series with rhythmic text by Kelly Starling Lyons and joyful art by Niña Mata.

Rain, rain go away!

When wet weather cancels his family camp out, Ty uses his big imagination! They pitch a tent, go fishing, look at the stars, and roast s’mores. Yum! Camping in is so much fun.

Join Ty on his camping adventure in this Level One I Can Read! Comic, perfect for shared reading. 

A Geisel Honor–winning series! Join Ty on his imaginative adventures in Ty's Travels, a My First I Can Read series with rhythmic text by Kelly Starling Lyons and joyful, bright art by Nina Mata.

Ty and Corey love to visit the museum. When they step through the doors, they become scientists. They study bugs and hunt for fossils. They catch the wind. When Ty can’t participate in a lab activity because of his age, he uses his big imagination at home. Discovering new things is so much fun!

Ty’s Travels: Lab Magic, a My First I Can Read book, is carefully crafted using basic language, word repetition, sight words, and sweet illustrations—which means it's perfect for shared reading with emergent readers.

Ty rocks out with friends in this new book in the Geisel Honor-winning series!

Join Ty on his imaginative adventures in Ty's Travels: Showtime, a My First I Can Read story by acclaimed author and illustrator team Kelly Starling Lyons and Niña Mata. Music, imagination, and play are highlighted, making this perfect for sharing with children ages 3 to 6.

Rap-a-tap-tap!

Thrum, thrum, thrum!

Plink-a-plink-plink!

Ty loves playing the instruments, but something’s missing—his friends! With the help of his vivid imagination, Ty and his friends are onstage in a band making great music together.

With simple, rhythmic text and joyful, bright art, this My First series is perfect for shared reading with a child. Books at this level feature basic language, word repetition, and whimsical illustrations, ideal for sharing with emergent readers. The active, engaging stories have appealing plots and lovable characters, encouraging children to continue their reading journey.

Author Kelly Starling Lyons was selected as the 2021 Piedmont Laureate!

A 2021 Geisel Honor Book!  Join Ty on his imaginative adventures in Ty's Travels, a new My First I Can Read series with rhythmic text by Kelly Starling Lyons and joyful art by Nina Mata.

Ty can’t wait to ride his brand-new scooter at the park. Other kids zip and zoom by like race cars, but all Ty can do is wobble! Ty wants to give up, but a new friend helps Ty give it another try. Celebrate imagination and the power of persistence in Zip, Zoom!

With simple, rhythmic text and joyful, bright art, this My First series is perfect for the beginning reader.

A Geisel Award Honor Book– winning series! Join Ty on an imaginative adventure to the North Pole in this My First ICR featuring rhythmic text by Kelly Starling Lyons and joyful, bright art by Nina Mata.

Experience the magic of Ty’s big imagination! After seeing the North Pole in his snow globe, Ty and Momma embark on a wonderful trip to the North Pole. Ty sees amazing things like a sparkling Christmas tree, waving snowmen, and even a singing polar bear. Will Ty’s wish to see Santa come true? Beginning readers will enjoy this irresistible, charming My First winter wonderland adventure. Readers who loved Ty's Travels: All Aboard! and Ty's Travels: Beach Day! will be excited to dive back into Ty’s limitless imagination for the holiday season.

Ty’s Travels: Winter Wonderland, a My First I Can Read! book, is carefully crafted using basic language, word repetition, sight words, and sweet illustrations—which means it's perfect for shared reading with emergent readers.

• Blank Inside

• A7 size (5" x 7")

• Printed on 110lb Pure White recycled, archival and acid-free paper

• Comes with Kraft envelope and protective sleeve

In the year 2115, when the Earth is no longer inhabitable, the remainder of humanity lives in Babel, a giant space station. Two pilots, Quentin and Kai, must find the planet Paradise, where only the most promising citizens are allowed to live. On their journey, Quentin and Kai encounter Quentin’s estranged father, who left Babel for Paradise when Quentin was a child, and they discover just how different Paradise is from what they imagined—and how they must change it for the better.

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A manifesto from one of America's most influential activists which disrupts political, economic, and social norms by reimagining the Black Radical Tradition.

Drawing on Black intellectual and grassroots organizing traditions, including the Haitian Revolution, the US civil rights movement, and LGBTQ rights and feminist movements, Unapologetic challenges all of us engaged in the social justice struggle to make the movement for Black liberation more radical, more queer, and more feminist. This book provides a vision for how social justice movements can become sharper and more effective through principled struggle, healing justice, and leadership development. It also offers a flexible model of what deeply effective organizing can be, anchored in the Chicago model of activism, which features long-term commitment, cultural sensitivity, creative strategizing, and multiple cross-group alliances. And Unapologetic provides a clear framework for activists committed to building transformative power, encouraging young people to see themselves as visionaries and leaders.

In this classic work—a blend of memoir social criticism, and political analysis that remains relevant today—the first Black Congresswoman to serve in American history, New York’s dynamic representative Shirley Chisholm, traces her extensive political struggle and examines the problems that have long plagued the American system of government.

“A tremendously impressive book.”—Washington Post

“Her motto and title of her autobiography—Unbossed and Unbought—illustrates her outspoken advocacy for women and minorities during her seven terms in the U.S. House of Representatives.”—National Women’s History Museum

“I want to be remembered as a woman . . . who dared to be a catalyst of change.”

Political pioneer Shirley Chisholm—activist, member of the House of Representatives and former presidential candidate—was a woman who consistently broke barriers and inspired generations of American women, and especially women of color. Unbossed and Unbought is her story, told in her own words—a thoughtful and informed look at her rise from the streets of Brooklyn to the halls of Congress. Chisholm speaks out on her life in politics while illuminating the events, personalities, and issues of her time, including the schism in the Democratic party in the 1960s and ’70s—all which speak to us today.

In this frank assessment, “Fighting Shirley” recalls how she took on an entrenched system, gave a public voice to millions, and embarked on a trailblazing bid to be the first woman and first African American President of the United States. By daring to be herself, Shirley Chisholm shows how one person forever changed the status quo.

After a long, difficult day working with young Black girls who had suffered the unimaginable, Tarana tossed in her bed, unable to sleep as a fit of memories intruded into her thoughts. How could she help these girls if she couldn't even be honest with herself and face her own demons. A fitful night led to pages and pages of scribbled notes with two clear words at the top: 'Me too.'

Tarana Burke is the founder and activist behind the largest social movement of the 20th and 21st centuries, the 'me too' movement, but first she had to find the strength to say "me too" herself. This is the story of how she came to those two words, after a childhood growing up in the Bronx with a loving mother that took a terrible turn when she was sexually assaulted. She became withdrawn and her self split, there was the Tarana that was a good student, model kid, and eager to please young girl, and then there was the Tarana that she hid from everyone else, the one she believed to be bad. The one that would take all the love in her life away if she revealed.

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From an award-winning writer at the New York Times Magazine and a contributor to the 1619 Project comes a landmark book that tells the full story of racial health disparities in America, revealing the toll racism takes on individuals and the health of our nation.

In 2018, Linda Villarosa's New York Times Magazine article on maternal and infant mortality among black mothers and babies in America caused an awakening. Hundreds of studies had previously established a link between racial discrimination and the health of Black Americans, with little progress toward solutions. But Villarosa's article exposing that a Black woman with a college education is as likely to die or nearly die in childbirth as a white woman with an eighth grade education made racial disparities in health care impossible to ignore.

Now, in Under the Skin, Linda Villarosa lays bare the forces in the American health-care system and in American society that cause Black people to “live sicker and die quicker” compared to their white counterparts. Today's medical texts and instruments still carry fallacious slavery-era assumptions that Black bodies are fundamentally different from white bodies. Study after study of medical settings show worse treatment and outcomes for Black patients. Black people live in dirtier, more polluted communities due to environmental racism and neglect from all levels of government. And, most powerfully, Villarosa describes the new understanding that coping with the daily scourge of racism ages Black people prematurely. Anchored by unforgettable human stories and offering incontrovertible proof, Under the Skin is dramatic, tragic, and necessary reading.

Deep, trans-species lessons for a world in crisis.

Undrowned is a book-length meditation for social movements and our whole species based on the subversive and transformative guidance of marine mammals. Our aquatic cousins are queer, fierce, protective of each other, complex, shaped by conflict, and struggling to survive the extractive and militarized conditions our species has imposed on the ocean. Gumbs employs a brilliant mix of poetic sensibility and naturalist observation to show what they might teach us, producing not a specific agenda but an unfolding space for wondering and questioning. From the relationship between the endangered North Atlantic Right Whale and Gumbs’s Shinnecock and enslaved ancestors to the ways echolocation changes our understandings of “vision” and visionary action, this is a masterful use of metaphor and natural models in the service of social justice.

"An absolute must-read; tell your friends; buy it for your family; sit with it on your own. This is storytelling we need." —Rebecca Traister

An urgent investigation into the experience of seeking an abortion after the fall of Roe v. Wade, and the life-threatening consequences of being denied reproductive freedom.

On June 24, 2022, Roe v. Wade was overturned, and the impact was immediate: by 2024, abortion was virtually unavailable or significantly restricted in 21 states. In Undue Burden, reporter Shefali Luthra traces the unforgettable stories of patients faced with one of the most personal decisions of their lives.

Outside of Houston, there’s a 16-year-old girl who becomes pregnant well before she intends to. A 21-year-old mother barely making ends meet has to travel hundreds of miles in secret for medical treatment in another state. A 42-year-old woman with a life-threatening condition wants nothing more than to safely carry her pregnancy to term, but her home state’s abortion ban fails to provide her with the options she needs to make an informed decision. And a 19-year-old trans man struggles to access care in Florida as abortion bans radiate across the American South.

Before Dobbs, it was a common misconception that abortion restrictions affected only people in certain states but left one's own life untouched. Since the fall of Roe, a domino effect has cascaded across the entire country. As the landscape of abortion rights continues to shift, the experiences of these patients—who crossed state lines to seek life-saving care, who risked everything in pursuit of their own bodily autonomy, and who were unable to plan their reproductive future in the way they deserved—illustrate how fragile the system is, and how devastating the consequences can be.

A revelatory portrait of inequality in America, Undue Burden examines abortion not as a footnote or a political pawn, but as a basic human right, something worthy of our collective attention and with immense power to transform our lives, families, and futures.

In Tisa Bryant's Unexplained Presence, readers are spectators of mis-en-scènes in which black subjectivity has been distorted and denied within various visual narratives. Moving from cultural analysis to cinematic (re)creation, Bryant's prose traverses like a tracking shot through John Schlesinger's Darling, Patricia Rozema's Mansfield Park and Virginia Woolf's Orlando, giving voice to characters whom have otherwise been structurally silenced. As Pulitzer–prize winning author Margo Jefferson aptly points out in her afterword, Tisa Bryant doesn't merely write about film; she is an "auteur," a "cultural anthropologist," and a "virtuosic critic-artist." Since its original publication with Leon Works in 2007, Unexplained Presence has been foundational among poets, scholars, and film critics and with this publication, Tisa Bryant's legacy as one of the most innovative voices in contemporary literature is preserved.

From the incomparable Emmy, Grammy, and Tony Award winner, a powerful and revealing autobiography about race, sexuality, art, and healing

It’s easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic Emmy-winning performance in the celebrated TV show Pose; before he was the groundbreaking Tony and Grammy Award-winning star of Broadway’s Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, director, and all-around legend, Porter was a young boy in Pittsburgh who was seen as different, who didn’t fit in. At five years old, Porter was sent to therapy to “fix” his effeminacy. He was endlessly bullied at school, sexually abused by his stepfather, and criticized at his church. Porter came of age in a world where simply being himself was a constant struggle.

Billy Porter’s Unprotected is the life story of a singular artist and survivor in his own words. It is the story of a boy whose talent and courage opened doors for him, but only a crack. It is the story of a teenager discovering himself, learning his voice and his craft amidst deep trauma. And it is the story of a young man whose unbreakable determination led him through countless hard times to where he is now; a proud icon who refuses to back down or hide. Porter is a multitalented, multifaceted treasure at the top of his game, and Unprotected is a resonant, inspirational story of trauma and healing, shot through with his singular voice.

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Hundreds of stunning images from black history have long been buried in The New York Times archives. None of them were published by The Times -- until now. UNSEEN uncovers these never-before published photographs and tells the stories behind them.

It all started with Times photo editor Darcy Eveleigh discovering dozens of these photographs. She and three colleagues, Dana Canedy, Damien Cave and Rachel L. Swarns, began exploring the history behind them, and subsequently chronicling them in a series entitled Unpublished Black History, that ran in print and online editions of The Times in February 2016. It garnered 1.7 million views on The Times website and thousands of comments from readers. This book includes those photographs and many more, among them: a 27-year-old Jesse Jackson leading an anti-discrimination rally of in Chicago, Rosa Parks arriving at a Montgomery Courthouse in Alabama a candid behind-the-scenes shot of Aretha Franklin backstage at the Apollo Theater, Ralph Ellison on the streets of his Manhattan neighborhood, the firebombed home of Malcolm X, Myrlie Evans and her children at the funeral of her slain husband , Medgar, a wheelchair-bound Roy Campanella at the razing of Ebbets Field.

Were the photos -- or the people in them -- not deemed newsworthy enough? Did the images not arrive in time for publication? Were they pushed aside by words at an institution long known as the Gray Lady? Eveleigh, Canedy, Cave, and Swarms explore all these questions and more in this one-of-a-kind book.

UNSEEN dives deep into The Times photo archives -- known as the Morgue -- to showcase this extraordinary collection of photographs and the stories behind them.

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Longlisted for the National Book Award

A Kirkus Prize Finalist

A Boston Globe-Horn Book Honor Book

"A must-have"―Booklist (starred review)

Celebrated author Carole Boston Weatherford and illustrator Floyd Cooper provide a powerful look at the Tulsa Race Massacre, one of the worst incidents of racial violence in our nation's history. The book traces the history of African Americans in Tulsa's Greenwood district and chronicles the devastation that occurred in 1921 when a white mob attacked the Black community.

News of what happened was largely suppressed, and no official investigation occurred for seventy-five years. This picture book sensitively introduces young readers to this tragedy and concludes with a call for a better future.

USA Today bestselling author Kennedy Ryan delivers a scorching romance where one man must earn the trust of a woman with diamond-hard defenses in order to win her heart.

The world knows her face . . .

Mean girl. Goddess. Bitch. Supermodel Sofie Baston has earned those labels . . . yet they don't scratch the surface of who she really is. Before she can follow her own dreams, Sophie must do her daughterly duty and reel in a "fish" for her father's business-a tall, brown-eyed entrepreneur who immediately hooks her. He's a big guy with an even bigger heart . . . but will that heart be open to Sofie once her darkest secret is revealed?

. . . but only one man knows her heart

To Trevor Bishop, Sofie is a beautiful mystery he would gladly spend his life solving. He figures her tough demeanor is armor against a world that's hurt her too many times. Then Sofie's deepest wounds are reopened by the powerful, ruthless man who made them. When she musters the courage to take him down, her world shatters. Now Trevor is determined to help Sofie pick up the pieces so they can build a future together. The challenge will be convincing his ice princess that it's safe to melt in his arms . . .

Paperback On Sale: January 7, 2025

An inspiring, indelible memoir from the daughter of sharecroppers in East Texas who became the first Black president of an Ivy League University—an uplifting story of girlhood and the power of family, community, and the classroom to transform one young person's life.

I was born at a crossroads: a crossroads in history, a crossroads in culture, and a geographical crossroads in North Houston County in East Texas.

Born in 1945, Ruth J. Simmons grew up the twelfth child of sharecroppers. Her first home had no running water, no electricity to light the two crowded rooms, no books to read. Yet despite this—or, in her words, because of it—Simmons would become one of America’s preeminent educators. The former president of Smith College and Brown University, and now the outgoing president of Prairie View A&M, Texas's oldest HBCU, for decades Simmons has inspired generations of students as she herself made history.

In Up Home, Simmons takes us back to Grapeland to show how the people who love us when we are young shape who we become: We meet her caring, tireless mother who managed to feed her large family with an often empty pantry; her father, who refused to let racial and economic injustice crush his youngest daughter's dreams; the doting brothers and sisters; and the attentive teachers who welcomed Ruth into the classroom, guiding her to a future she could hardly imagine as a child.

From the farmland of East Texas to Houston's Fifth Ward to New Orleans at the dawn of the civil rights movement, Simmons depicts an era long gone but whose legacies of inequality we still live with today. Written in clear and timeless prose, Up Home is both an origin story set in the segregated South and the uplifting chronicle of a girl whose intellect, grace, and curiosity guide her as she creates a place for herself in the world.

An inspiring, indelible memoir from the daughter of sharecroppers in East Texas who became the first Black president of an Ivy League University—an uplifting story of girlhood and the power of family, community, and the classroom to transform one young person's life.

I was born at a crossroads: a crossroads in history, a crossroads in culture, and a geographical crossroads in North Houston County in East Texas.

Born in 1945, Ruth J. Simmons grew up the twelfth child of sharecroppers. Her first home had no running water, no electricity to light the two crowded rooms, no books to read. Yet despite this—or, in her words, because of it—Simmons would become one of America’s preeminent educators. The former president of Smith College and Brown University, and now the outgoing president of Prairie View A&M, Texas's oldest HBCU, for decades Simmons has inspired generations of students as she herself made history.

In Up Home, Simmons takes us back to Grapeland to show how the people who love us when we are young shape who we become: We meet her caring, tireless mother who managed to feed her large family with an often empty pantry; her father, who refused to let racial and economic injustice crush his youngest daughter's dreams; the doting brothers and sisters; and the attentive teachers who welcomed Ruth into the classroom, guiding her to a future she could hardly imagine as a child.

From the farmland of East Texas to Houston's Fifth Ward to New Orleans at the dawn of the civil rights movement, Simmons depicts an era long gone but whose legacies of inequality we still live with today. Written in clear and timeless prose, Up Home is both an origin story set in the segregated South and the uplifting chronicle of a girl whose intellect, grace, and curiosity guide her as she creates a place for herself in the world.

This book will be a first-of-its-kind resource in the market, engaging cults and alternative religious groups specific to the African American community.

Urban Apologetics examines the legitimate issues that Black communities have with Western Christianity and shows how the gospel of Jesus Christ—rather than popular, socioreligious alternatives—restores our identity.

African Americans have long confronted the challenge of dignity destruction caused by white supremacy. While many have found meaning and restoration of dignity in the black church, others have found it in ethnocentric socioreligious groups and philosophies.

These ideologies have grown and developed deep traction in the black community and beyond. Revisionist history, conspiracy theories, and misinformation about Jesus and Christianity are the order of the day. Many young African Americans are disinterested in Christianity and others are leaving the church in search of what these false religious ideas appear to offer, a spirituality more indigenous to their history and ethnicity.

Edited by Dr. Eric Mason and featuring a top-notch lineup of contributors, Urban Apologetics is the first book focused entirely on cults, religious groups, and ethnocentric ideologies prevalent in the black community. The book is divided into three main parts:

• Discussions on the unique context for urban apologetics so that you can better understand the cultural arguments against Christianity among the Black community.
• Detailed information on cults, religious groups, and ethnic identity groups that many urban evangelists encounter—such as the Nation of Islam, Kemetic spirituality, African mysticism, Hebrew Israelites, Black nationalism, and atheism.
• Specific tools for urban apologetics and community outreach.

Ultimately, Urban Apologetics applies the gospel to black identity to show that Jesus is the only one who can restore it. This is an essential resource to equip those doing the work of ministry and apology in urban communities with the best available information.

A masterpiece of identity horror and a dark reflection on America’s past and present, Us presents chilly atmospherics, psychological torment and old-world suspense-building plot twists. Whereas Get Out was considered more a mixture of drama and suspense, Peele leaned fully into the horror genre with his sophomore film, using urban legends such as doppelgangers to tease out the uniquely American perceptions of xenophobia and “othering.” Critic Monica Castillo wrote of the film: “Us is another thrilling exploration of the past and oppression this country is still too afraid to bring up. Peele wants us to talk, and he’s given audiences the material to think, to feel our way through some of the darker sides of the human condition.”
Published in conjunction with the fifth anniversary of the critically acclaimed film’s release, this companion paperback features Oscar®-winning director Jordan Peele’s screenplay, alternate endings and deleted scenes, and is richly illustrated with over 150 stills from the motion picture. Specially commissioned annotations by hannah baer, Theaster Gates, Jamieson Webster, Jared Sexton, Mary Ping, Shana Redmond and Leila Taylor present a cosmology of images, definitions and inspirations that extend the themes of the film. Continuing in the legacy of 1960s paperbacks that documented the era’s most significant avant-garde films―such as Kurosawa’s Rashomon, Godard’s Masculin Féminin and Antonioni’s L’Avventura―Us is an indispensable guide to a deeper understanding of this important film.
Jordan Peele (born 1979) is a writer, actor and filmmaker who rose to fame as half of the comedy duo Key & Peele. He has written and directed three feature films: Get Out (2017), Us (2019) and Nope (2022). He was the first Black screenwriter to win an Academy Award for Best Original Screenplay.

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Eleven diverse vampire stories from YA’s leading voices!

From Bram Stoker to Anne Rice to Stephenie Meyer, vampires are always popular—and modern-day fans are thirsty for a new incarnation. In this collection, you’ll find stories about vampires engaged in social justice movements, vampires longing for reflections so they can finally take selfies, vampires trying to escape matchmaking by their immigrant families, and more! Vampires Never Get Old includes stories by Samira Ahmed, Dhonielle Clayton, Zoraida Córdova and Natalie C. Parker, Tessa Gratton, Heidi Heilig, Julie Murphy, Mark Oshiro, Rebecca Roanhorse, Laura Ruby, V. E. Schwab, and Kayla Whaley.

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Vampires and vaqueros face off on the Texas-Mexico border in this supernatural western from the author of The Hacienda.

“An elegant and expansive history” (New York Times) of African American women’s pursuit of political power—and how it transformed America   

 
In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women’s political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of Black women—Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more—who were the vanguard of women’s rights, calling on America to realize its best ideals.   
  
Now revised to discuss the election of Vice President Kamala Harris and the vital contributions of Black women in the 2020 elections, Vanguard isessential reading for anyone who cares about the past and future of American democracy. 

Here is plant-based Africa: more than 70 healthy and authentic recipes from 13 different African countries, including the author’s own home country of the Ivory Coast.

An authentically African and naturally vegan culinary journey across the continent 
 
Drawing from the cultures and traditions of more than 15 countries, years of cooking expertise, and cherished memories from her own childhood on the Ivory Coast, Marie Kacouchia takes us on a tour of flavorful, healthy, naturally plant-based African dishes. Explore over 70 irresistible recipes for main courses, rice dishes, sauces, snacks, desserts, and drinks, including: 

• Peanut Hummus
• Cassava Tabbouleh with Radishes and Herbs
• Yassa Burger
• Paprika-Spiced Plantain Chips
• Sweet Potato and Ginger Loaf
• Coconut Rice Pudding
• Lemongrass Lemonade, and so much more! 

Going vegan doesn’t mean you have to give up those fried, BBQed, comfort meals you love, thanks to this incredible collection of plant-based street food recipes. Will Edmond is a vegan chef and travel blogger, known for his boisterous personality and flavor-packed dishes. In this one-of-a-kind cookbook, Will combines his globe-trotting background and southern roots to bring you 60 vegan recreations of famous street foods from the US and beyond, sure to please any crowd and appetite.

Enjoy a coast-to-coast tour of American favorites with recipes like the Texas Fair Corn Dog, The Philly Vegan Cheesesteak, Chicago Juicy Slaw Dog and more. You’ll also discover festival must-haves like State Fair Funnel Cake, Spicy Fried Pickles, Crunchy Mozzarella Sticks and Crispy Southern Fried Chick’n. And no street food crawl is complete without international delights like The Gyro, English Fish and Chips, Cheesy Poutine and Street Empanadas. Whether you’re brand new to the vegan diet or have been adhering to it for years, this cookbook will help you enjoy nostalgic snacks, treats and sweets with healthier, better-for-you ingredients.

From an award-winning historian, an alternative model of feminism driven by the legacy of Black women who took justice into their own hands 
  
So often failed by the state, demeaned by racism and sexism, and denied respectable means of redress, Black women have nevertheless patiently resisted myriad injustices. Yet history shows an alternative path. It involved razors, pistols, hatchets, and blackjacks, and playacting for courts and reporters—whatever it took to beat the system. In a world where Black women are castigated and caricatured for being angry, Vengeance Feminism tells the story of those who leaned into their fury, crafting a different kind of ideology that scratched and stabbed and sometimes even succeeded. 

Vengeance Feminism is about the Black women who hit back—not always figuratively, and not necessarily nobly either. Weaving together historical narrative with Black feminist analysis, Gross illuminates the stories of Black women who fought for their dignity on their own terms, from the nineteenth-century “badger thieves” who robbed men on the streets of Philadelphia to victims of intimate partner violence who defended their honor and bodily autonomy with deadly force. 
 
Reckoning with women who lied, robbed, and cheated a racist, misogynistic world, Vengeance Feminism grapples with the volatile power of violence in pursuit of racial and gender justice.

Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution.

Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman.

Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.