Under the editorship of the late Robert Nemiroff, with a provocative and thoughtful introduction by preeminent African-American scholar Margaret B. Wilkerson and a commentary by Spike Lee, this completely restored screenplay is the accurate and authoritative edition of Lorraine Hansberry's script and a testament to her unparalled accomplishment as a Black artist.

The 1961 film version of A Raisin in the Sun, with a screenplay by the author, Lorraine Hansberry, won an award at the Cannes Film Festival even though one-third of the actual screenplay Hansberry had written had been cut out. The film did essentially bring Hansberry's extraordinary play to the screen, but it failed to fulfill her cinematic vision.

Now, with this landmark edition of Lorraine Hansberry's original script for the movie of A Raisin in the Sun that audiences never viewed, readers have at hand an epic, eloquent work capturing not only the life and dreams of a Black family, but the Chicago—and the society—that surround and shape them.

Important changes in dialogue and exterior shots, a stunning shift of focus to her male protagonist, and a dramatic rewriting of the final scene show us an artist who understood and used the cinematic medium to transform a stage play into a different art form—a profound and powerful film.

From the award-winning actor and playwright Anna Deavere Smith, two teeming, pungent cross-sections of the American experience.

In the provocative and at times bitterly funny play House Arrest, Smith examines the relationships between a succession of American presidents and their observers in and out of the press. Arcing from Clinton and Monica Lewinsky to Jefferson and Sally Hemings and alive with the voices of such real-life figures as Ed Bradley, George Stephanopoulos, Anita Hill, and Abraham Lincoln, the result is a priceless examination of the intersection of public power and private life.

In Piano, Smith casts her gaze back a century as she follows the tangled lines of race, sex, and exploitation in a prosperous Cuban household on the eve of the Spanish-American War. Deftly and suspensefully, Smith tells a story of ruptured allegiances and ramifying deceptions in which no one—master or servant, friend or enemy—is what he or she pretends to be. Together these two plays are further proof that Anna Deavere Smith is one of the most searing and revelatory voices in the American theater.

In this inspiring memoir—that Jane Fonda raves “will make you braver...want to live your life better and make a difference”—the award-winning playwright and bestselling author of What Looks Like Crazy on an Ordinary Day reminisces on the art of juggling marriage, motherhood, and politics while working to hone her craft as a writer.

Before she become one of America’s most popular playwrights and a bestselling author with a novel endorsed by Oprah’s Book Club, Pearl Cleage was a struggling writer going through personal and professional turmoil.

In Things I Should Have Told My Daughter, Cleage takes us back to the 1970s and 80s, when she was a young wife and mother trying to find her voice as a writer. Living in Atlanta, she worked alongside Maynard Jackson, the city’s first black mayor and it was here among fraught politics that she began to feel the pull of her own dreams—a pull that led her away from her husband as she grappled with ideas of feminism and self-fulfillment.

In the tradition of literary giants such as Joan Didion, Nora Ephron, and Maya Angelou, Cleage crafts an illuminating and moving self-portrait in which her “extraordinary experiences, deep social concerns, passionate self-analysis, and personal and artistic liberation, all so openly confided, make for a highly charged, redefining read” (Booklist).

The inspirational life of Kamala Harris for kids!

From the newly-announced Young People's Poet Laureate comes a powerful and inspiring picture book that shares how each milestone and moment in Kamala Harris's life represents something that lies within young readers' reach, too―building community, asking for answers, learning from elders, standing up for what's right, pride, friendship, strength, and most of all―knowing that nothing is out of the reach of their future!

Turn the traditional generational groupings on their head through this examination of Black life, culture, and the struggle for racial justice in the United States.

The Shaping of Black Identities explores the generations of African Americans who have lived in the twentieth and early twenty-first centuries and the impact that living in the United States has had on them. Jimmie R. Hawkins examines how identity is formed and shaped by internal and external forces. He investigates collective memory and the stories told to each succeeding generation about the lives of the preceding generations. But most of all, this book is about belonging.

Using the generational time frames established by the Pew Research Center, Hawkins proposes six new generational categories rooted in the Black experience: the New Negro, Motown, Black Power, Hip-Hop, #BlackLivesMatter, and Obama generations. He emphasizes the need for reexamination in distinguishing generational uniqueness with attention to disparate, nondominant groups. Given the history of racial and cultural discrimination against Blacks in the United States, such an examination of the ways in which Black life has taken its own unique shape among generations offers new ways to understand the transition in identity adopted by Blacks. Hawkins examines the historical contexts that shaped each generation and the general attitudes and perceptions of each generation as influenced by the cultural, political, and racial environment of the nation. Throughout, there is a unique focus on Black protest. With its attention to each generation of Blacks, The Shaping of Black Identities speaks to this active, liberative, and distinct historical attempt to define the self in the pivotal and ongoing search for meaning.

PROSE Award- Music and Performing Arts Category Winner

A framework for understanding the deep archive of Black performance in the digital era

In an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams’s 1916 silent film short “A Natural Born Gambler” or the performances of Josephine Baker from the 1920s, are merely a quick YouTube search away has transformed how scholars teach and research Black performance.

While Black Ephemera celebrates this new access, it also questions the crisis and the challenge of the Black musical archive in a moment when Black American culture has become a global export. Using music and sound as its primary texts, Black Ephemera argues that the cultural DNA of Black America has become obscured in the transformation from analog to digital. Through a cross-reading of the relationship between the digital era and culture produced in the pre-digital era, Neal argues that Black music has itself been reduced to ephemera, at best, and at worst to the background sounds of the continued exploitation and commodification of Black culture. The crisis and challenges of Black archives are not simply questions of knowledge, but of how knowledge moves and manifests itself within Blackness that is obscure, ephemeral, fugitive, precarious, fluid, and increasingly digital.

Black Ephemera is a reminder that for every great leap forward there is a necessary return to the archive. Through this work, Neal offers a new framework for thinking about Black culture in the digital world.

Finalist for the National Book Award for Translated Literature

Full of wit, music, and a rollicking cast of characters, The Villain's Dance shows Fiston Mwanza Mujila is back with a bang.

Zaire. Late 90's. Mobutu's thirty-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out . . . Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the "Madonna of the Cafunfo Mines." Things are drawing to a head, but at the Mambo de la Fête, they still dance the Villain's Dance from dusk till dawn.

Plucked from her life on the streets of post-apocalyptic Santo Domingo, young maid Acilde Figueroa finds herself at the heart of a voodoo prophecy: only she can travel back in time and save the ocean – and humanity – from disaster. But first she must become the man she always was – with the help of a sacred anemone. Tentacle is an electric novel with a big appetite and a brave vision, plunging headfirst into questions of climate change, technology, Yoruba ritual, queer politics, poverty, sex, colonialism and contemporary art. Bursting with punk energy and lyricism, it’s a restless, addictive trip: The Tempest meets the telenovela.

Tracing five centuries of exploitation in Latin America, a classic in the field, now in its twenty fifth year

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx.

Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe.

Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably.
This classic is now further honored by Isabel Allende’s inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.

A girl takes on a series of identities to survive, shrouding herself in layers of secrets, until years later when she is forced to reckon with her past.

On an ordinary day in an upscale Atlanta suburb, Maya is making breakfast for her two sons, when her husband drops a red-and-blue striped envelope on the counter and asks a devastating question: Who is Sunny?

Maya is sent reeling back to her childhood in Guyana―a time when Sunny was her only name. Unbeknownst to her husband, Maya is not who she claims to be. The letter, from her long-lost sister Roshi, now threatens to expose her true identity and shatter the seemingly perfect existence Maya worked so hard to build.

As she frantically weighs the impact of the truth on her future, Maya relives the details of her childhood journey to America from Guyana–and the traumatic events that forced her to leave her past behind. Through the eyes of Maya’s innocent and scared younger self, we discover the power of hope, empathy, and the possibility of beginning again.

Abolish Rent takes aim at one of the foremost engines of inequality and injustice.

Rent drives millions into debt, despair, and onto the streets. The social cost of rent is too damn high. Written for anyone fed up with the permanent housing crisis, complicit politicians, and real estate greed, Abolish Rent dissects our housing system from the perspective of those it immiserates. Through unsparing analysis and striking stories of resistance, it shows us how tenants can, through organizing and collective action, harness our power and win the housing we deserve.

From two co-founders of the largest tenants union in the country, this deeply reported account of the resurgent tenant movement centers poor and working-class people who are fighting back, staying put, and remaking the city in the process. Authors Tracy Rosenthal and Leonardo Vilchis take us to trilingual strategy meetings, raucous marches against gentrification, and daring eviction defenses where immigrants put their lives on the line. These are the seeds of the revolutionary movement we need to make our housing, our cities, and the world our home.

A techno-horror portrait of the fears and desires of six young artists whose lives are upended by a controversial video game, from National Book Award finalist Mónica Ojeda.

Six young artists share an apartment in Barcelona: Kiki Ortega, a researcher writing a pornographic novel; Iván Herrera, a writer whose prose reveals a deeply conflicted relationship with his body; three siblings, Irene, Emilio, and Cecilia, who quietly search for ways to transcend their abuse as children; and El Cuco Martínez, a video-game designer whose creations push beneath the substrate of the digital world. All of them are connected in different ways to Nefando, a controversial cult video game whose purpose remains a mystery. In the parallel reality of the game, players found relief from the pain of past trauma and present shame, but also a frighteningly elastic sense of self and ethics. Is Nefando a game for horror enthusiasts, a challenge to players' morals, or a poetic exercise? What happens in a virtual world that admits every taboo?

Unsparing, addictive, and perverse, Nefando takes us to the darkest corners of the web, revealing the inevitable entanglement of digital and physical worlds, and of technology and horror.

A thrilling metafiction about grief, the internet, and the difficulty of knowing others, The Voices of Adriana combines the psychological acuity of Marguerite Duras with the creative possibility of One Thousand and One Nights.

Adriana has become obsessed with her father’s online dating. Recently widowed, he’s on a self-destructive, manic search for a partner to accompany him through his twilight years. At the same time, her life as an isolated grad student feels unreal, and to fill the void of her mother’s death, Adriana begins writing, trying on different voices. She builds worlds from the online profiles of her father’s latest flings, that is until more fundamental voices—those of her grandmother and mother—begin calling out to her in the night.The Voices of Adriana, the latest from Spanish writer Elvira Navarro, is an innovative novel about grief and how we might reanimate the voices of those we’ve lost, not as ghosts, but as living parts of ourselves.

What does the politics of solidarity look like in practice, and how can left-wing organizations grow—in numbers and power—while remaining accountable to the broader movements of which they are a part?

Against enormous odds and in the face of fierce pushback, the Palestine solidarity movement has succeeded in transforming the landscape of American politics. The movement has catapulted Palestine from being an untouchable topic in even liberal political circles to a central rallying cry in grassroots progressive organizing, one that is championed by some of the highest profile and beloved members of Congress.

In the fall and winter of 2023, with the attention of the world focused on Israel’s unprecedented aggression against the people of Gaza, millions across the globe mobilized in solidarity with Palestinians and their struggle for liberation. Jewish progressives in the US played a highly visible role in denouncing Israel’s actions and US complicity in them: leading mobilizations and disruptions from the US Capitol to Grand Central Station.

In this book, two key leaders and former staff of Jewish Voice for Peace (JVP) —Rebecca Vilkomerson and Rabbi Alissa Wise—focus on the important role of anti-Zionist Jewish organizing within the broader Palestine solidarity movement, reflecting on their decade of leadership of JVP and drawing lessons especially relevant to those organizing from a position of solidarity.

Against the backdrop of rapid and often devastating political developments, they explore how JVP grew larger as the organization shifted to the left and helped to alter the public narrative about Palestinian liberation, while also navigating the tensions of organization-building and creating a space for Judaism liberated from Zionism. Their insights help contextualize the intense suppression of activism for Palestinian freedom, while illuminating the roots of today’s flourishing Jewish solidarity with Palestinians worldwide.

In addressing their shortcomings and failures no less than their inspiring successes, Vilkomerson and Wise deliver an account of JVP’s organizing during the 2010s that offers crucial strategic lessons for anyone engaging in the collective work of building organizations and fighting for justice as our movements evolve over time.

Vivienne Leblanc seems to have it all. She is absolutely stunning, smart, and driven to turn her fantastic job as a Music Marketing Director into her true career as a singer. She lives in a gorgeous New Orleans home with her childhood sweetheart and fiancé, Malik McKenna, a Music Producer. Vivienne is living the dream. Or so it seems.

Malik's music-producing career begins to soar with his new rap artist, Lyric. Malik and Lyric work closely together and are always plastered on social media, leaving Vivienne to wonder if there's something more than music between her future husband and his artist. The higher Malik's star rises, the more the idyllic façade Vivienne has created begins to crumble around her.

In the midst of her relationship's growing pains, her fiancé's best friend, up-and-coming singer Caine Guidry, begins to confide in her. Malik and Caine are like brothers, but Caine never embraced Vivienne like a sister. Despite always being in the same circles, sharing a connection with Malik, and working together, Vivienne and Caine were never really friends. He barely talked to her before, so why is he talking to her now?

Their love of music and the pursuit of their dreams unite Vivienne and Caine in a way that neither of them could've ever imagined. As their friendship blossoms and their dynamic changes, Vivienne feels closer to Caine than anyone else in her life, even Malik. There's an awakening inside of Vivienne that brings her desires and a deep sense of longing bubbling up to the surface, unveiling emotions as foreign to her as her newfound friendship with Caine.

Juggling her professional and personal life as they collide, Vivienne doesn't know what she really wants. Does she continue building the life she's begun with the only man she's ever envisioned being with? Does she pursue the dreams that she pushed aside to support Malik's aspirations? Or maybe she wants something or someone else entirely.

As these decisions weigh on her, Vivienne starts to wonder if she has to make a choice. Can Vivienne have her cake and eat it too, or will wanting it all cost her everything?"

Latrice Richardson is a thirty eight year old divorced, single mother who has an amazing career and a wonderful eight year old son named Quincy. What she doesn't have is any semblance of a love life and sex is non-existent. After a scorching one night stand with a handsome stranger, Nathan Woodson, Latrice never expects to see him again, and definitely not at the front of her son's classroom!
Nathan Woodson is a former foster kid who loves teaching and has just landed his dream job. The last thing he expected was the sexy enchantress he spent the night with, to be the mother of one of his students.
Despite the two of them both trying to keep things professional, Latrice and Nathan find themselves being drawn closer together. But with nosey school moms on the prowl and his job on the line, they find that love may be too hot for this parent and teacher to handle.
Hot for Teacher is a sexy rom-com that features an older woman/younger man, (somewhat) secret lovers and plenty of high heat.

Returning to her hometown was not in the plans, and neither was falling for her former best friend…

Briyana Hayes can’t seem to catch a break.

The job offer she expected after taking an unpaid internship at a major shoe company didn’t come through. The friend who’d offered her a place to stay suddenly gave her forty-eight hours to vacate after a misunderstanding. And when she’s forced to move back to her hometown to live with her father and his mistress-turned-wife, it almost seems impossible for things to get any worse… until she runs into her former best friend who’s only gotten fine with time.

With his sixth season as the starting linebacker for his hometown Houston Skyhawks on the horizon, the only thing Lance Hawkins is looking forward to is another year of getting paid and chasing accolades. But when he discovers that the girl he once considered his best friend is back in the city, he quickly finds himself intrigued by a different kind of pursuit after seeing how attractive she’s gotten.

Even with the fallout of the past, their undeniable chemistry as friends makes it impossible for the two of them to remain distant. And once romantic feelings get involved, it doesn’t take long for Briyana and Lance to find themselves on a journey of not only reestablishing what once was, but also exploring what could be.

Peace.

That's what Synovi now had and cherished more than anything. Free from all the disturbances his chaotic life once ensued, he wanted nothing more than to keep it that way. With a thriving business and relationship, almost nothing could take him back to that dark place of no love. His Love didn't reside there.

His world is still hers, and she is still his.

Without warning, Torin inserted herself into Synovi's life and remained. She's the person he can run to when everything begins to fade, but there's a price to pay when you have a good heart. It's costly, depending on the circumstances, and Torin isn't sure her light is enough for the both of them to make it through the tunnel again.

Is keeping her to himself all in vain, or is their bond strong enough to prove otherwise?

Please note: Keep Giving Me Love is book #2 in the Unorthodox Loves series with no cliffhanger. It is best to read the interconnected standalone books in order.

There’s a lot that can happen in two minutes or less…

Kendall “Snoop” Dogwood has something to prove.

After a devastating ending to his first year with the Houston Skyhawks, getting redemption is the only thing on the veteran quarterback’s mind coming into the new season. But when a picture of him and a woman he barely knows, but wants to get to know, goes viral on social media, it doesn’t take long before Kendall finds himself on a different kind of mission going into year two.

A mission to pursue her.

As a social media influencer and the daughter of a well-known sports bettor, Shakira “Kiki” Knight is used to seeing her face tied to all sorts of internet gossip. What she’s not used to is having an actual crush on whoever she’s rumored to be involved with. But when it comes to Kendall Dogwood, Shakira just can’t seem to contain her attraction, especially once she learns the Skyhawks quarterback is equally interested in her.

Considering the messy way in which her last relationship with an NFL player ended, Kendall is probably the last man Shakira should be checking for. And after Shakira’s sports gambling ties are unveiled, the conflict of interest makes her the woman Kendall should probably be avoiding at all costs. But the instant chemistry between the two of them makes both of those things worth looking past for the sake of being together… until the stakes get higher and there’s more than just a game on the line.

Christopher Rossmore has one dream: to run Rossmore Wineries, the vineyard that has been in his family for generations. Despite preparing for the role since birth, Christopher finds himself competing with his estranged father's gold digging fiancee for the job.

In order to become CEO, he has to convince celebrity couple Michaela Hamilton and Hunter Lawrence to hold their star studded nuptials at the vineyard.

He can run a business with his eyes closed, but public relations is not his jam.

He's gonna need some help.

Isobel Brooke Taylor has one dream: to run Taylor Made Hair Care, the family run hair care brand currently helmed by her father. Despite traveling all over the world to solidify Taylor Made's status as an international brand, the board is worried that her reputation as a party girl & socialite would make her unsuitable to take over.

In order to get the top job she has to convince the board that she can balance business & pleasure.

Walking into a crowded party and walking out with everyone eating out of the palm of her hand? Easy. Doing the same thing in the boardroom? Not so much.

She's gonna need some help.

When Izzie and Chris discover that Michaela and Hunter are hosting a couples only retreat, the perfect plan emerges. These childhood best friends will pretend to be lovers, while Izzy helps Chris woo the future Lawrences and Chris helps Izzy woo the board.

But, can Christopher and Isobel get through the retreat without wooing each other?

Special Ops Agent Brian McClain finds himself teaming up with the FBI to end the sex-trafficking ring in the city. He doesn’t expect to see his first love Makayla Scott after so many years. The one that got away and he is reminded of the fact that she doesn’t remember the time they spent together. Brian is determined to help Makayla not only gain her freedom but win her heart in the process.

Fueled by her impulsive desire to create a memorable night, Sovanna approaches the finest man in the club. Boldly, she introduces herself to Zahir, confident he won't reject her... and he doesn't. Instead, he exceeds her expectations, making it clear that a mere one-night stand was just the beginning for them and the least she could've asked for. With Zahir, Sovanna realizes that she means much more to him than a fleeting, passionate encounter.

Please note: Heat Of The Moment is book 1 in the Evermore series and does not include a cliffhanger.

New York Times acclaimed vegan chef, Lyana Blount, shares her Afro-Latinx roots in this mouthwatering collection of plant-based soul food.

The Best Latin & Soul Food Made Entirely Vegan

Growing up in a Puerto Rican and Black household, Lyana Blount knew from a young age that food was a love language, and it was one she intended to master. After going vegan, she set out to capture the flavor, vibrancy and love in her family’s recipes with lighter plant-based ingredients. And with that, her NYC pop-up Black Rican Vegan was born! In this personal collection of recipes, Lyana shares the secrets behind the vegan, Latin soul food she’s famous for, so you can make her incredible meals right in your own kitchen and enjoy healthier versions of beloved classics.

These 60 dishes combine crowd-pleasing favorites from the Black Rican Vegan menu, OG meals from the five boroughs and passed down family recipes. Make Puerto Rican fare like Holiday Vernil, Chicharron sin Carne, Mofonguitos con Vegan Camarones and Sopa de Salchicon. Celebrate the diverse NYC food scene with recipes like Moxtails, NYC Bacun Eggin Cheeze, Succulent Birria Tacos, Titi’s Lasagna for Dad and Bronx Fried Oyster Mushrooms. Lyana’s ingenious plant-based swaps will have you wowing your friends and family with ridiculously good meals no one will believe are vegan. Because after all, food is love, and nothing helps you share that more than the incredible plant-based recipes in Black Rican Vegan.

A complete and comprehensive Southern baking book from one of the South’s best and most respected bakers, Cheryl Day.

“The definitive book on Southern baking . . . a master class in making memorable baked goods.”
—Bon Appétit

IACP Cookbook Award Winner
James Beard Award Finalist
Georgia Author of the Year Award Winner
Named a Best New Cookbook by Eater, Food & Wine, Southern Living, Epicurious, and more
Named a Best Cookbook of the Year by Bon Appétit, Garden & Gun, and Taste of Home
Named a Best Cookbook to Read and Gift by Thrillist
Named a Top 10 Most Anticipated Cookbook of Fall 2021 by Stained Page News

There is nothing more satisfying or comforting than tying on a favorite apron and baking something delicious. And nowhere has this been so woven into life than in the American South, where the attitude is that every day is worthy of a special treat from the kitchen.

Cheryl Day, one of the South’s most respected bakers, a New York Times bestselling author, and co-owner—with her husband, Griff—of Savannah’s acclaimed Back in the Day Bakery, is a direct descendent of this storied Southern baking tradition. Literally: her great-great-grandmother was an enslaved pastry cook famous for her biscuits and cakes. Now Cheryl brings together her deep experience, the conversations she’s had with grandmothers and great-aunts and sister-bakers, and her passion for collecting local cookbooks and handwritten recipes in a definitive collection of over two hundred tried-and-true recipes that celebrate the craft of from-scratch Southern baking.

Flaky, buttery biscuits. Light and crisp fritters. Muffins and scones with a Southern twist, using ingredients like cornmeal, pecans, sorghum, and cane syrup. Cookies that satisfy every craving. The big spectacular cakes, of course, layer upon layer bound by creamy frosting, the focal point of every celebration. And then the pies. Oh, the pies!

The book steeps the baker in not only the recipes, ingredients, and special flavor profiles of Southern baking but also the very nuances of how to be a better baker. With Cheryl as your guide, it’s like having generations of Southern bakers standing over your shoulder, showing you just how to cream butter and sugar, fold whipped egg whites into batter, adjust for the temperature and humidity in your kitchen, and master those glorious piecrusts by overcoming the thing that experienced bakers know—a pie dough can sense fear!

Time to get out that apron.
 

A passionate debut cookbook celebrates Caribbean food, its legacy preserved―and, ultimately, transformed―by the kinship of those who share food.

As the daughter of Jamaican immigrants, Marie Mitchell cooks to understand and celebrate recipes that have been passed down from generation to generation. In Kin, her hotly anticipated debut cookbook, she shares dishes from the Caribbean and its diaspora. Accompanied by gorgeous photographs, many shot in the Caribbean, the book’s 80 recipes blend influences from South Asia, Africa, and Latin America in crispy Saltfish Fritters, Honey Jerk Wings with Fluffy Cassava Fries and Hot Pepper Sauce, garlicky Mojo Roast Pork, Sweet Tangy Coleslaw, and Creamy Tomato Curry. Her breads, desserts, and drinks evoke the islands and are stunningly easy: coconut bread buns, a Ginger Drizzle cake, Summer Rum Punch. Marie’s food is subtle and playful, layering different notes and spices carefully to create delicate, rewarding flavors perfect for home cooks.

full color photographs, illustrations, and chapter openers throughout

Doggerel is a revelatory meditation on Blackness, masculinity, and vulnerability from one of poetry’s boldest voices.

Reginald Dwayne Betts is our foremost chronicler of the ways prison shapes and transforms American life. In Doggerel, Betts examines this subject through a more prosaic―but equally rich―lens: dogs. He reminds us that, as our lives are broken and put back together, the only witness often barks instead of talks. In these poems, which touch on companionship in its many forms, Betts seamlessly and skillfully deploys the pantoum, ghazal, and canzone, in conversation with artists such as Freddie Gibbs and Lil Wayne.

Simultaneously philosophical and playful, Doggerel is a meditation on family, falling in love, friendship, and those who accompany us on our walk through life. Balancing political critique with personal experience, Betts once again shows us “how poems can be enlisted to radically disrupt narrative” (Dan Chiasson, The New Yorker)―and, in doing so, reveals the world anew.

“. . . every story becomes a multiplication,

If the naming is filled less with names than

With the best parts, the barking & everything

Else, because who among us hasn’t been

As mangy as a rescue, even on our best

Days, desiring mostly to be loved.”

―from “Rings”

The year is 2035, and Los Angeles County is awash in a tangelo haze of wildfire smoke. Xandria Anastasia Brown spends her days deep in the archives of the Huntington Library as the curator of African American Ephemera and associate curator of American Historical Manuscripts, supported by an array of AI personal assistants and health bots. Descended from a family of obsessive collectors who took part in the Great Migration, Xandria grew up immersed in African American ephemera and realia: boots worn by Negro Troopers during the Civil War, Black ATA tennis rackets, bandanas worn by the Crips....

Although Xandria’s work may preserve collective memory, she is losing a grasp on her own. Evren, her new health bot, won’t stop reminding her that her symptoms of long COVID are worsening; not to mention that severe asthma, chronic fatigue, grief, and worrying lapses in reality keep disrupting progress on a new Octavia E. Butler exhibition, cataloging the new Diwata Collection, and organizing the Huntington against a stealth corporate takeover. Then, one morning a colleague Xandria can’t place calls to wish her a happy birthday―and the library goes into an emergency lockdown.

Sequestered in the archive with only her adaptive technology and flickering intuition, Xandria fears that her life’s work is in danger―the Diwata Collection, a radical blueprint for humanity’s survival. Up against a faceless enemy and unsure of who her human or AI allies truly are, she must make a choice.

A lyrical and strikingly original saga, The Ephemera Collector announces Stacy Nathaniel Jackson as a singular new voice in fiction.

32 black-and-white images

A young Jamaican man struggles to overcome toxic masculinity―his culture’s and his own―in this Caribbean coming-of-age novel

“Manhood, masculinity, what it means to grow up in a world where who you are and who you are expected to be exist in powerful, soul-deep struggle . . . Dwight Thompson’s My Own Dear People tackles all these issues and more, in an important, beautifully written novel about a young man’s struggle to come to terms with the actions (and inactions) of his own past. This is one of the best books I have read in a long, long time.”
―Jerry Stahl, author of Nein, Nein, Nein! 

In high school in Montego Bay, Jamaica, teenager Nyjah Messado witnessed the rape of Maude Dallmeyer, a teacher trainee. Some of the boys who committed the assault are his friends and he’s soon torn between the masculine code at the all boys’ school and his own conscience. This guilt haunts him during his years away at college. It continues to weigh heavily upon him when he returns home, and Nyjah finds it increasingly difficult for him to spend time with his best friend, Chadwell, who participated in the rape. A unique chance to reunite with Maude gives Nyjah the opportunity to admit his complicity as a do-nothing witness, and ask for forgiveness. But will he take it? And will she accept it―or will his own journey for inner peace only renew her trauma?

My Own Dear People is a multilayered story exploring both the effects of toxic masculinity and the bonds of friendship. We see Nyjah trying to come to terms with his own place in multiple worlds: in his family; at school, with its colonial Eurocentric ethos; and within the religion and politics of Montego Bay and the city’s criminal gangs. Through his time away at college, he is beginning to develop his own sense of accountability and an understanding of the life he is living. 

Stylistically engaging and ambitious in scope, the novel takes us through a sweeping movement between the younger and more mature selves of Nyjah: from the homophobia prevalent in Jamaican boys’ schools and the institutionalized form it takes, to the paranoia and denial surrounding adolescent sexuality, to the corruption of a society that runs so nakedly on power relations and social class. Similar to Hanya Yanagihara’s A Little Life and Kate Walbert’s His Favorites, My Own Dear People looks unflinchingly at proclivities toward cruelty, particularly toward women and LGBTQ+ people. Dwight Thompson elevates the tradition of the coming-of-age novel by boldly examine how sexual predation crosses both gay and straight worlds.

From the Pulitzer Prize–winning author of The Sympathizer (now an HBO series) comes a moving and unflinchingly personal meditation on the literary forms of otherness and a bold call for expansive political solidarity.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans.

The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing? Over the course of six captivating and moving chapters, Nguyen explores the idea of being an outsider through lenses that are, by turns, literary, historical, political, and familial.

Each piece moves between writers who influenced Nguyen’s craft and weaves in the haunting story of his late mother’s mental illness. Nguyen unfolds the novels and nonfiction of Herman Melville, F. Scott Fitzgerald, Ralph Ellison, William Carlos Williams, and Maxine Hong Kingston, until aesthetic theories give way to pressing concerns raised by war and politics. What is a writer’s responsibility in a time of violence? Should we celebrate fiction that gives voice to the voiceless―or do we confront the forces that render millions voiceless in the first place? What are the burdens and pleasures of the “minor” writer in any society? Unsatisfied with the modest inclusion accorded to “model minorities” such as Asian Americans, Nguyen sets the agenda for a more radical and disquieting solidarity with those whose lives have been devastated by imperialism and forever wars.

A powerfully moving debut poetry collection about the violence of colonialist occupation

One more rock thrown onto the pile to tumble the mountain on my chest

 ―Hasib Hourani

Hasib Hourani’s rock flight is a book-length poem that, over seven chapters, follows a single personal and historical narrative centered on the violent occupation of Palestine. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions, and surveillance technology that Palestinians face both within Palestine and across the diaspora. Searing and fierce, tender and pleading, rock flight invites the reader to embark on an exploration of space while limited by the box-like confines of the page. Through the whole, Hourani moves between poetry and prose, historical events and meditations on language, Fluxus-like instructions and interactions with friends, strangers, and family.

As incantatory and stirring as Inger Christensen’s alphabet or Raúl Zurita’s Inri, rock flight adapts themes of displacement and refusal into an interactive reading experience where the book becomes an object in flux.