A chance to rewrite their ending is worth the risk in this swoony romantic comedy from Kosoko Jackson.

It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love…But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.

The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.

But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.

“Jones’s great achievement is to reckon with both history and interiority, and to collapse the boundary between them.”—Anna Wiener, The New Yorker

From the highly acclaimed author of Palmares, Corregidora, and The Healing—a rare and unforgettable journey set along the US-Mexico border about identity, immigration, and “the new underground railroad.”

First discovered and edited by Toni Morrison, Gayl Jones has been described as one of the great literary writers of the 20th century. In Mosquito, she examines the US-Mexico border crisis through the eyes of Sojourner Nadine Jane Johnson, an African American truck driver known as Mosquito. Her journey begins after she discovers a stowaway who nearly gives birth in the back of her truck, sparking Mosquito’s accidental yet growing involvement in “the new underground railroad,” a sanctuary movement for Mexican immigrants.

As Mosquito’s understanding of the immigrants’ need to forge new lives and identities deepens, so too does Mosquito’s romance with Ray, a gentle revolutionary, a philosopher, and, perhaps, a priest. Along the road, Mosquito introduces us to Delgadina, a Chicana bartender who fries cactus, writes haunting stories, and studies to become a detective; Monkey Bread, a childhood pal who is, improbably, assistant to a blonde star in Hollywood; Maria, the stowaway who names her baby Journal, a misspelled tribute to her unwitting benefactor Sojourner; and many more.

Become the healthiest and happiest version of yourself using wellness tools designed specifically for BIPOC and LGBTQ folks.

In this moving debut novel, two estranged siblings must set aside their differences to deal with their mother’s death and her hidden past—a journey of discovery that takes them from the Caribbean to London to California and ends with her famous black cake.

In present-day California, Eleanor Bennett’s death leaves behind a puzzling inheritance for her two children, Byron and Benny: a traditional Caribbean black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking journey Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child, challenge everything the siblings thought they knew about their family, and themselves.

Can Byron and Benny reclaim their once-close relationship, piece together Eleanor’s true history, and fulfill her final request to “share the black cake when the time is right?” Will their mother’s revelations bring them back together or leave them feeling more lost than ever? 

Charmaine Wilkerson’s debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names, can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch.

In this 1983 short story—the only short story Morrison ever wrote—we meet Twyla and Roberta, who have known each other since they were eight years old and spent four months together as roommates in St. Bonaventure shelter. Inseparable then, they lose touch as they grow older, only later to find each other again at a diner, a grocery store, and again at a protest. Seemingly at opposite ends of every problem, and at each other’s throats each time they meet, the two women still cannot deny the deep bond their shared experience has forged between them.
 
Another work of genius by this masterly writer, Recitatif keeps Twyla’s and Roberta’s races ambiguous throughout the story. Morrison herself described Recitatif, a story which will keep readers thinking and discussing for years to come, as “an experiment in the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial.” We know that one is white and one is Black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage?
 
A remarkable look into what keeps us together and what keeps us apart, and how perceptions are made tangible by reality, Recitatif is a gift to readers in these changing times.

Majora Carter shows how to end the brain drain that cripples low-income communities, mapping out a development strategy focused on encouraging talented people to stay and help lift up the community.

 
"My musical, In the Heights, explores issues of community, gentrification, identity and home, and the question: Are happy endings only ones that involve getting out of your neighborhood to achieve your dreams? In her refreshing new book, Majora Carter writes about these issues with great insight and clarity, asking us to re-examine our notions of what community development is and how we invest in the futures of our hometowns. This is an exciting conversation worth joining.” 
—Lin-Manuel Miranda

How can we solve the problem of persistent poverty in in low-status communities? Just like companies have talent-retention strategies, Majora Carter argues that these communities need them too. They cannot succeed if their most gifted residents measure their success by how far away they get. Carter—a MacArthur fellow, Peabody award-winner, and serial entrepreneur—could have left too, but she chose to stay in the South Bronx and develop a new way to revitalize and preserve her home. She advocates measure like:
 
   • Building mixed-income instead of low-income housing to create a diverse and robust economic ecosystem
   • Developing vibrant “third spaces”—restaurants, bookstores, places like Carter’s Boogie Down Grind Cafe—to keep people and dollars in the community
   • Showing homeowners how to maximize the value of their property so they can resist selling out and build generational wealth. 
 
This is a profoundly personal book. Carter is candid about her success and setbacks, and her struggles as a woman of color confronting the mostly “male and pale” real estate and nonprofit and philanthropic establishments. It is a powerful rethinking of poverty, economic development, and the meaning of success.

A historical account of growing up Black in the Jim Crow South

The last generation of Americans with a living memory of Jim Crow will soon disappear. They leave behind a collective memory of segregation shaped increasingly by its horrors and heroic defeat but not a nuanced understanding of everyday life in Jim Crow America. In The South, Adolph L. Reed Jr. — New Orleanian, political scientist, and according to Cornel West, “the greatest democratic theorist of his generation” — takes up the urgent task of recounting the granular realities of life in the last decades of the Jim Crow South.

Reed illuminates the multifaceted structures of the segregationist order. Through his personal history and political acumen, we see America’s apartheid system from the ground up, not just its legal framework or systems of power, but the way these systems structured the day-to-day interactions, lives, and ambitions of ordinary working people.

The South unravels the personal and political dimensions of the Jim Crow order, revealing the sources and objectives of this unstable regime, its contradictions and precarity, and the social order that would replace it.

A coming-of-age novel told from the perspective of eleven-year-old KB, as she and her sister try, over the course of a summer, to make sense of their new life with their estranged grandfather after the death of their father and disappearance of their mother.

After almost-eleven-year-old Kenyatta Bernice’s (KB) father dies of an overdose and the debts incurred from his addiction cause the loss of the family home in Detroit, she and her teenage sister, Nia, are sent by their overwhelmed mother to live with their estranged grandfather in Lansing. Over the course of a single, sweltering summer, KB attempts to get her bearings in a world that has turned upside down—a father who is labeled a fiend; a mother whose smile no longer reaches her eyes; a sister, once her best friend, who has crossed the threshold of adolescence and suddenly wants nothing to do with her; a grandfather who is grumpy and silent; the white kids across the street who are friendly, but only sometimes. And all of them are keeping secrets. Pinballing between resentment, abandonment, and loneliness, KB is forced to carve out a different identity for herself and find her own voice. As she examines the jagged pieces of her recently shattered world, she learns that while some truths cut deep, a new life—and a new KB—can be built from the shards.



Capturing all the vulnerability, perceptiveness, and inquisitiveness of a young Black girl on the cusp of puberty, Harris’s prose perfectly inhabits that hazy space between childhood and adolescence, where everything that was once familiar develops a veneer of strangeness when seen through newer, older eyes. Through KB’s disillusionment and subsequent discovery of her own power, What the Fireflies Knew poignantly reveals that heartbreaking but necessary component of growing up—the realization that loved ones can be flawed, sometimes significantly so, and that the perfect family we all dream of looks different up close.

Can Wednesday and her service dog, Woof, sniff out Mrs. Winter’s missing cat before her big trip? This is the first book of a fun full-color early chapter book series about the best detectives in the Midwest!

Detective Tip #1 Try not to jump to conclusions. Wednesday and her service dog, Woof, are the best detectives in the whole world—or at least their neighborhood. But can they find Mrs. Winters’s missing cat before her big trip? Or will the case of the cat-napped kitty be their first unsolved mystery? 

HarperChapters build confident readers one chapter at a time! With short, fast-paced books, art on every page, and milestone markers at the end of every chapter, they're the perfect next step for fans of I Can Read!

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Now in paperback, from New York Times bestselling author Eric Jerome Dickey—named one of USA Today’s 100 Black Novelists and Fiction Authors You Should Read—comes his final work: an unflinchingly timely novel about history, hearts, and family.

It’s the summer of 2019, and Professor Pi Suleman is a Black man from Memphis with a lot to endure—not only as a Black man in Trump’s America but in his hard-earned career as an adjunct professor. Pi is constantly forced to bite his tongue in the face of one of his tenured colleague’s prejudices and microaggressions. At the same time, he’s being blackmailed by a powerful professor who threatens to claim he has assaulted her, when in fact the truth is just the opposite, trapping him in a he-said-she-said with a white woman that, in this society, Pi knows he will never win.

When he meets Gemma Buckingham, a sophisticated entrepreneur who has just moved to Memphis from London to escape a deep heartbreak, things begin to look up. Though Gemma and Pi hail from separate cultures, their differences fuel a fiery and passionate connection that just may consume them both.

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It's Carnival season in Trinidad and Tobago! Come join the stubby antlered boy as he explores and frolics and befriends animals and mythical creatures alike. Young readers will be taken on a magical adventure to save Carnival season for everyone!

Caribbean culture is rarely represented in children's literature, and that's why The Carnival Prince is such a delight for children in and of that part of the world.

But the benefits of multi-cultural learning extend to all children.

The Carnival Prince delivers on that learning with a story of adventure told through vibrant and detailed illustrations. Children will relate to the awkward and curious main character in this page-turning tale full of fantastical characters.

The book also includes authentic island dialect for a unique language learning experience. A glossary at the end adds even more value for the reader and offers a way for parents, teachers, and caregivers to engage with children further on the topic of Caribbean culture.

A Caribbean story told by a Caribbean-born author/illustrator is as authentic as it comes.

Daniel J. O'Brien is a Trinidadian-born author and illustrator currently residing in New York with his partner and his loyal dog, Obbie. He holds a BFA in Illustration from The School of Visual Arts. Daniel continually fuels his passion for illustration with that and his love of everything folklore, nature, and science. He uses his honed ability to bring forth exuberant and whimsical illustrations full of life and vibrant color. Daniel has written and illustrated two children's books. Daniel's books are held especially near and dear to his heart as representations of his Caribbean heritage.

A celebration of self-expression and the power of using your voice, centering Black children, and exploring the many things they can do, create, and say to make their mark.

Look around! Can you see?

The many spaces, places, and ways to

show the world all that you can be?

From painting, music, and slam poetry, to engineering, protesting, and photography, a young narrator journeys through her neighborhood, encouraging readers to explore all the many ways they can express themselves. A gorgeously illustrated and powerful celebration of self-expression shows children that there are so many spaces and opportunities to use their voices—and show the world exactly who they are.

What will you show the world?

Meet Yinka: a thirty-something, Oxford-educated, British Nigerian woman with a well-paid job, good friends, and a mother whose constant refrain is “Yinka, where is your huzband?”

Yinka’s Nigerian aunties frequently pray for her delivery from singledom, her work friends think she’s too traditional (she’s saving herself for marriage!), her girlfriends think she needs to get over her ex already, and the men in her life…well, that’s a whole other story.  But Yinka herself has always believed that true love will find her when the time is right.

Still, when her cousin gets engaged, Yinka commences Operation Find-A-Date for Rachel’s Wedding. Aided by a spreadsheet and her best friend, Yinka is determined to succeed. Will Yinka find herself a huzband? And what if the thing she really needs to find is herself?

Yinka, Where is Your Huzband? brilliantly subverts the traditional romantic comedy with an unconventional heroine who bravely asks the questions we all have about love. Wry, acerbic, moving, this is a love story that makes you smile but also makes you think—and explores what it means to find your way between two cultures, both of which are yours.

New York Times bestselling author and CNN analyst Bakari Sellers makes his picture book debut in this lyrical ode to his heritage and what he wants to pass on to his own children, with artwork by rising talent Reggie Brown.

“When you meet someone for the first time, they might ask, ‘Who are your people?’ and ‘Where are you from?’”

This is a spare, inspiring tribute to the roots that help shape young children into whoever they want to be. The poetic text describes how it takes a village to raise a child and that all of us stand on the shoulders of those who came before. Like I Am Enough and Eyes that Kiss in the Corners, this book will resonate with readers of all ages.

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A moving essay collection promoting freedom, self-love, and divine wholeness for Black women and opening new levels of understanding and ideological transformation for non-Black women and allies—from the “bona fide church girl” and educator who created the “Lemonade Syllabus.”

Blurring the boundaries of righteous and irreverent, Red Lip Theology invites us to discover freedom in a progressive Christian faith that incorporates activism, feminism, and radical authenticity. Essayist and theologian Candice Marie Benbow’s essays explore universal themes like heartache, loss, forgiveness, and sexuality, and she unflinchingly empowers women who struggle with feeling loved and nurtured by church culture.

Benbow writes powerfully about experiences at the heart of her Black womanhood. In honoring her single mother’s love and triumphs—and mourning her unexpected passing—she finds herself forced to shed restrictions she’d been taught to place on her faith practice. And by embracing alternative spirituality and womanist theology, and confronting staid attitudes on body positivity and LGBTQ+ rights, Benbow challenges religious institutions, faith leaders, and communities to reimagine how faith can be a tool of liberation and transformation for women and girls.

Celebrate baby’s first steps with a board book that follows one curious baby’s journey to this important milestone.

Hand in hand

Left, right, left

Hands out wide

Step, step, step

Hands On! is the cheerful and triumphant story of a baby’s journey from playing and grasping with their hands to stumbling on their feet to taking their very first steps. Anne Wynter’s spare and lyrical text—alongside Alea Marley’s colorful, appealing art—makes for an irresistible board book to be read over and over again.

A Geisel Honor–winning series! Join Ty on his imaginative adventures in Ty's Travels, a My First I Can Read series with rhythmic text by Kelly Starling Lyons and joyful, bright art by Nina Mata.

Ty and Corey love to visit the museum. When they step through the doors, they become scientists. They study bugs and hunt for fossils. They catch the wind. When Ty can’t participate in a lab activity because of his age, he uses his big imagination at home. Discovering new things is so much fun!

Ty’s Travels: Lab Magic, a My First I Can Read book, is carefully crafted using basic language, word repetition, sight words, and sweet illustrations—which means it's perfect for shared reading with emergent readers.

“An elegant and expansive history” (New York Times) of African American women’s pursuit of political power—and how it transformed America   

 
In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women’s political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of Black women—Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more—who were the vanguard of women’s rights, calling on America to realize its best ideals.   
  
Now revised to discuss the election of Vice President Kamala Harris and the vital contributions of Black women in the 2020 elections, Vanguard isessential reading for anyone who cares about the past and future of American democracy. 

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The gripping finale of the bestselling award-winning Tristan Strong series. In book #3, our hero battles his way back to a satisfying conclusion in his hometown of Chicago, with lots of twists and turns along the way.

"With a little help from her family, community, and Santa himself, a little girl's faith in the magic of Christmas is restored"

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso, and finalist for the BBC Short Story Award, twenty-six-year old writer and photographer Caleb Azumah Nelson

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso and finalist for the BBC Short Story Award, twenty-six-year-old writer and photographer Caleb Azumah Nelson

“Open Water is tender poetry, a love song to Black art and thought, an exploration of intimacy and vulnerability between two young artists learning to be soft with each other in a world that hardens against Black people.” —Yaa Gyasi, author of Homegoing

In a crowded London pub, two young people meet. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists—he a photographer, she a dancer—and both are trying to make their mark in a world that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence, and over the course of a year they find their relationship tested by forces beyond their control.

Narrated with deep intimacy, Open Water is at once an achingly beautiful love story and a potent insight into race and masculinity that asks what it means to be a person in a world that sees you only as a Black body; to be vulnerable when you are only respected for strength; to find safety in love, only to lose it. With gorgeous, soulful intensity, and blistering emotional intelligence, Caleb Azumah Nelson gives a profoundly sensitive portrait of romantic love in all its feverish waves and comforting beauty.

This is one of the most essential debut novels of recent years, heralding the arrival of a stellar and prodigious young talent.

Will a forty-year-old woman with everything on the line – her high-stakes career, ticking biological clock, bank account – risk it all for a secret romance with the one person who could destroy her comeback, for good?

Jenna Jones, former It-girl fashion editor, is forty, broke and desperate for a second chance. When she’s dumped by her longtime fiancé and fired from Darling magazine, she begs for a job from her arch nemesis, Darcy Vale. Darcy, the beyond-bitchy publisher of StyleZine.com, agrees to hire her rival – only because her fashion site needs a jolt from Jenna’s old school cred. But Jenna soon realizes she’s in over her head. 

Jenna’s working with digital-savvy millennials half her age, has never even “Twittered,” and pretends to still be a Fashion Somebody while living a style lie (she sold her designer wardrobe to afford her sketched-out studio, and now quietly wears Walmart’s finest). What’s worse is that the twenty-two-year-old videographer assigned to shoot her web series is driving her crazy. Wildly sexy with a smile Jenna feels in her thighs, Eric Combs is way off-limits – but almost too delicious to resist.

Before the Civil War, colonization schemes and black laws threatened to deport former slaves born in the United States. Birthright Citizens recovers the story of how African American activists remade national belonging through battles in legislatures, conventions, and courthouses. They faced formidable opposition, most notoriously from the US Supreme Court decision in Dred Scott. Still, Martha S. Jones explains, no single case defined their status. Former slaves studied law, secured allies, and conducted themselves like citizens, establishing their status through local, everyday claims. All along they argued that birth guaranteed their rights.

With fresh archival sources and an ambitious reframing of constitutional law-making before the Civil War, Jones shows how the Fourteenth Amendment constitutionalized the birthright principle, and black Americans' aspirations were realized. Birthright Citizens tells how African American activists radically transformed the terms of citizenship for all Americans.

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“Carmen Maria Machado’s rise in the literary world has been nothing short of meteoric.” —The Week

Now available in paperback, Carmen Maria Machado’s In the Dream House is a searing account of a harrowing relationship with a charismatic but volatile woman. Each chapter in this wildly inventive memoir is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds her story up to the light, examining it from different angles. She considers her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.

Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

A beautifully layered portrait of motherhood, immigration, and the sacrifices we make in the name of love from award-winning novelist Nicole Dennis-Benn.

Heralded for writing “deeply memorable . . . women” (Jennifer Senior, New York Times), Nicole Dennis-Benn introduces readers to an unforgettable heroine for our times: the eponymous Patsy, who leaves her young daughter behind in Jamaica to follow Cicely, her oldest friend, to New York. Beating with the pulse of a long-withheld confession and peppered with lilting patois, Patsy gives voice to a woman who looks to America for the opportunity to love whomever she chooses, bravely putting herself first. But to survive as an undocumented immigrant, Patsy is forced to work as a nanny, while back in Jamaica her daughter, Tru, ironically struggles to understand why she was left behind. Greeted with international critical acclaim from readers who, at last, saw themselves represented in Patsy, this astonishing novel “fills a literary void with compassion, complexity and tenderness” (Joshunda Sanders, Time), offering up a vital portrait of the chasms between selfhood and motherhood, the American dream and reality.

The New York Times bestselling book of essays celebrating ordinary delights in the world around us by one America's most original and observant writers, award-winning poet Ross Gay.

As Heard on NPR's This American Life

“Ross Gay’s eye lands upon wonder at every turn, bolstering my belief in the countless small miracles that surround us.” —Tracy K. Smith, Pulitzer Prize winner and U.S. Poet Laureate

The winner of the NBCC Award for Poetry offers up a spirited collection of short lyrical essays, written daily over a tumultuous year, reminding us of the purpose and pleasure of praising, extolling, and celebrating ordinary wonders.

In The Book of Delights, one of today’s most original literary voices offers up a genre-defying volume of lyric essays written over one tumultuous year. The first nonfiction book from award-winning poet Ross Gay is a record of the small joys we often overlook in our busy lives. Among Gay’s funny, poetic, philosophical delights: a friend’s unabashed use of air quotes, cradling a tomato seedling aboard an airplane, the silent nod of acknowledgment between the only two black people in a room. But Gay never dismisses the complexities, even the terrors, of living in America as a black man or the ecological and psychic violence of our consumer culture or the loss of those he loves. More than anything other subject, though, Gay celebrates the beauty of the natural world--his garden, the flowers peeking out of the sidewalk, the hypnotic movements of a praying mantis.

The Book of Delights is about our shared bonds, and the rewards that come from a life closely observed. These remarkable pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight.

Deep, trans-species lessons for a world in crisis.

Undrowned is a book-length meditation for social movements and our whole species based on the subversive and transformative guidance of marine mammals. Our aquatic cousins are queer, fierce, protective of each other, complex, shaped by conflict, and struggling to survive the extractive and militarized conditions our species has imposed on the ocean. Gumbs employs a brilliant mix of poetic sensibility and naturalist observation to show what they might teach us, producing not a specific agenda but an unfolding space for wondering and questioning. From the relationship between the endangered North Atlantic Right Whale and Gumbs’s Shinnecock and enslaved ancestors to the ways echolocation changes our understandings of “vision” and visionary action, this is a masterful use of metaphor and natural models in the service of social justice.

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Bringing together fourteen African-American women, Marita Golden has compiled saucy and spicy essays that serve as an exploration into the contemporary black female psyche. Ranging in style from Audre Lorde's classic polemic on eroticism to Miriam DeCosta Willis's deeply moving essay on her husband's last years, "every single one of these essays is terrific." -- The Washington Post

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With racial justice struggles on the rise, a probing collection considers the past and future of Black radicalism

Black rebellion has returned. Dramatic protests have risen up in scores of cities and campuses; there is renewed engagement with the history of Black radical movements and thought. Here, key intellectuals—inspired by the new movements and by the seminal work of the scholar Cedric J. Robinson—recall the powerful tradition of Black radicalism while defining new directions for the activists and thinkers it inspires.

In a time when activists in Ferguson, Palestine, Baltimore, and Hong Kong immediately connect across vast distances, this book makes clear that new Black radical politics is thoroughly internationalist and redraws the links between Black resistance and anti-capitalism. Featuring the key voices in this new intellectual wave, this collection outlines one of the most vibrant areas of thought today.

With contributions from Greg Burris, Jordan T. Camp, Angela Davis, Ruth Wilson Gilmore, Avery F. Gordon, Stefano Harney, Christina Heatherton, Robin D.G. Kelley, George Lipsitz, Fred Moten, Paul Ortiz, Steven Osuna, Kwame M. Phillips, Shana L. Redmond, Cedric J. Robinson, Elizabeth P. Robinson, Nikhil Pal Singh, Damien M. Sojoyner, Darryl C. Thomas, and Françoise Vergès.

A collective work of art whose time has come. Of lasting value for all lovers of literature and the erotic, this is a glorious, groundbreaking celebration of black sensuality, including works by Alice Walker, Ntozake Shange, and many more.