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This sweeping survey of Black history shows how Black humanity has been erased and how its recovery can save the humanity of us all.

Using history as a foundation, The Humanity Archive uses storytelling techniques to make history come alive and uncover the truth behind America's whitewashed history.

The Humanity Archive focuses on the overlooked narratives in the pages of the past.

Challenging dominant perspectives, author Jermaine Fowler goes outside the textbooks to find recognizably human stories. Connecting current issues with the heroic struggles of those who have come before us, Fowler brings hidden history to light.

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Tracey E. Hucks traces the history of the repression of Obeah practitioners in colonial Trinidad.

Obeah, Orisa, and Religious Identity in Trinidad is an expansive two-volume examination of social imaginaries concerning Obeah and Yoruba-Orisa from colonialism to the present. Analyzing their entangled histories and systems of devotion, Tracey E. Hucks and Dianne M. Stewart articulate how these religions were criminalized during slavery and colonialism yet still demonstrated autonomous modes of expression and self-defense. In Volume I, Obeah, Hucks traces the history of African religious repression in colonial Trinidad through the late nineteenth century. Drawing on sources ranging from colonial records, laws, and legal transcripts to travel diaries, literary fiction, and written correspondence, she documents the persecution and violent penalization of African religious practices encoded under the legal classification of “obeah.” A cult of antiblack fixation emerged as white settlers defined themselves in opposition to Obeah, which they imagined as terrifying African witchcraft. These preoccupations revealed the fears that bound whites to one another. At the same time, persons accused of obeah sought legal vindication and marshaled their own spiritual and medicinal technologies to fortify the cultural heritages, religious identities, and life systems of African-diasporic communities in Trinidad.

A double mystery means double the pressure for Wednesday and Woof when a robot and a hamster go missing right before the school science fair in this full-color, fully-illustrated HarperChapters series.

Every HarperChapters early chapter book sets newly independent readers up for success with short chapters, art on every page, and interactive features that celebrate progress and effort!

Detective Tip #3: Use your imagination and stay calm! 

When a classmate’s DIY robot goes missing right before the school science fair, Detective Wednesday Nadir and her service dog, Woof, are sure they can find it…until the class hamster also disappears! Now the pressure is on! Can Wednesday and Woof use the scientific method to solve two cases at once—or will the stress cause a mess?

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From an award-winning team of editors comes an anthology of thirty-two original stories showcasing the breadth of fantasy and science fiction from Africa and the African Diaspora.

A group of cabinet ministers query a supercomputer containing the minds of the country’s ancestors. A child robot on a dying planet uncovers signs of fragile new life. A descendent of a rain goddess inherits her grandmother’s ability to change her appearance—and perhaps the world.

Created in the legacy of the award-winning anthology series Dark Matter, Africa Risen celebrates the vibrancy, diversity, and reach of African and Afro-Diasporic SFF and reaffirms that Africa is not rising—it’s already here.

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Set at a luxe, aspirational boarding school inspired by the author's beloved alma mater Spelman College, this debut is a captivating celebration of the friends we choose, the family we protect, and the love we owe ourselves.

It's fourteen-year-old Avielle "Avi" LeBeau's turn to do what everyone in her family has done: leave home to attend Briarcliff Prep—a Historically Black Boarding School (HBBS). And as scared as she is to say goodbye to her parents and move to Georgia, she knows her fearless big sister Belle will be there to show her the ropes.

Before long, Avi settles into life at Briarcliff. New friends (and foes), challenging classes (at times too challenging), and maybe a cute tutor-turned-something-more (if her brothers don't get in the way). Meanwhile, Belle does what she always does: she runs the campus's social scene, especially now that she's dating Logan, the pride and joy of Briarcliff's sibling school Preston Academy.

But something about Logan doesn't sit well with Avi, no matter how many times Belle reassures her Logan is a good guy. And when Avi stumbles across the truth, her relationship with Belle is put to the test. If Avi reveals what she knows, their sisterhood might never recover. But if she doesn't, she might lose Belle forever.

Debut author Brianna Peppins deftly balances a celebration of sisterhood, self-discovery, and Black joy with an empathetic exploration of teen dating violence in this novel that is, at its heart, a love letter to Black girls.

Their love was supposed to last forever. But when life delivered blow after devastating blow, Yasmen and Josiah Wade found that love alone couldn’t solve or save everything.

It couldn’t save their marriage.

Yasmen wasn’t prepared for how her life fell apart, but she’s is finally starting to find joy again. She and Josiah have found a new rhythm, co-parenting their two kids and running a thriving business together. Yet like magnets, they’re always drawn back to each other, and now they’re beginning to wonder if they’re truly ready to let go of everything they once had.

Soon, one stolen kiss leads to another…and then more. It's hot. It's illicit. It's all good—until old wounds reopen. Is it too late for them to find forever? Or could they even be better, the second time around?

Award-winning and bestselling "powerhouse" author Kennedy Ryan is at her absolute best in this compelling, scorching novel about hope and healing, and what it truly means to love for a lifetime (USA Today).

In this classic work—a blend of memoir social criticism, and political analysis that remains relevant today—the first Black Congresswoman to serve in American history, New York’s dynamic representative Shirley Chisholm, traces her extensive political struggle and examines the problems that have long plagued the American system of government.

“A tremendously impressive book.”—Washington Post

“Her motto and title of her autobiography—Unbossed and Unbought—illustrates her outspoken advocacy for women and minorities during her seven terms in the U.S. House of Representatives.”—National Women’s History Museum

“I want to be remembered as a woman . . . who dared to be a catalyst of change.”

Political pioneer Shirley Chisholm—activist, member of the House of Representatives and former presidential candidate—was a woman who consistently broke barriers and inspired generations of American women, and especially women of color. Unbossed and Unbought is her story, told in her own words—a thoughtful and informed look at her rise from the streets of Brooklyn to the halls of Congress. Chisholm speaks out on her life in politics while illuminating the events, personalities, and issues of her time, including the schism in the Democratic party in the 1960s and ’70s—all which speak to us today.

In this frank assessment, “Fighting Shirley” recalls how she took on an entrenched system, gave a public voice to millions, and embarked on a trailblazing bid to be the first woman and first African American President of the United States. By daring to be herself, Shirley Chisholm shows how one person forever changed the status quo.

The revered civil rights activist and pioneering member of Congress chronicles her groundbreaking 1972 run for President as the first woman and person of color—a work of immense historical importance that both captures and transcends its times, newly reissued to commemorate the fiftieth anniversary of her campaign.

Before Kamala Harris, before Hillary Rodham Clinton there was Shirley Chisholm. In 1972, the Congresswoman from New York—the first Black woman elected to Congress—made history again when she announced her candidacy for President of the United States. Though she understood victory was a longshot, Chisholm chose to run “because someone had to do it first. . . . I ran because most people think the country is not ready for a black candidate, not ready for a woman candidate.” 

In this invaluable political memoir, Chisholm reflects on her unique campaign and a nation at the crossroads of change. With the striking candor and straightforward style for which she was famous, Chisholm reveals the essential wheeling and dealing inherent to campaigning, castigates the innate conservatism and piety of the Black majority of the period, decries identity politics that lead to destructive power struggles within a fractious Democratic Party, and offers prescient advice on the direction of Black politics. From the whirlwind of the primaries to the final dramatic maneuvering at the tumultuous 1972 Democratic National Convention, The Good Fight is an invaluable portrait of twentieth-century politics and a Democratic Party in flux.

Most importantly, The Good Fight is the portrait of a reformer who dedicated her life to making politics work for all Americans. Chisholm saw her campaign as an extension of her political commitment; she ran as an idealist grounded in reality who used her opportunity and position to give voice to all the forgotten. This book bears the stamp of her remarkable personality and her commitment to speaking truth no matter the consequences.

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From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright's masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from it, above- or belowground, we are all human." (Gene Seymour, CNN.com)

“The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.”—Kiese Laymon

Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system.

This is the devastating premise of Richard Wright's scorching novel, The Man Who Lived Underground, written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers. Now, for the first time, by special arrangement with the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.

Here is plant-based Africa: more than 70 healthy and authentic recipes from 13 different African countries, including the author’s own home country of the Ivory Coast.

An authentically African and naturally vegan culinary journey across the continent 
 
Drawing from the cultures and traditions of more than 15 countries, years of cooking expertise, and cherished memories from her own childhood on the Ivory Coast, Marie Kacouchia takes us on a tour of flavorful, healthy, naturally plant-based African dishes. Explore over 70 irresistible recipes for main courses, rice dishes, sauces, snacks, desserts, and drinks, including: 

• Peanut Hummus
• Cassava Tabbouleh with Radishes and Herbs
• Yassa Burger
• Paprika-Spiced Plantain Chips
• Sweet Potato and Ginger Loaf
• Coconut Rice Pudding
• Lemongrass Lemonade, and so much more! 

From the Slutty Vegan herself, a collection of ninety-one delicious, guilt-free, plant-based recipes that you will love to indulge in from the comfort of your own home.

When Pinky Cole opened her first Slutty Vegan food truck in 2018, she was inspired by her love of vegan comfort food. Now, after having expanded to restaurants, a bar, and a philanthropic organization, Cole is ready to bring her best recipes straight to you.

With mouth-watering photographs and easy-to-follow instructions, Eat Plants, B*tch celebrates Cole’s belief that it’s fun and accessible to cook and enjoy irresistible vegan comfort food. From Avocado Egg Rolls to her Black Pea Cauliflower Po’​Boy or Oyster Mushroom Parm and everything in between, it won’t be long before you will also be declaring Cole’s timeless mantra: Eat Plants, B*tch!

Celeste, a card sharp with a need for justice, takes on the role of advocatus diaboli, to defend her sister Mariel, accused of murdering a Virtue, a member of the ruling class of this mining town, in a new world of dark fantasy from the New York Times bestselling author of Black Sun, Rebecca Roanhorse.

The year is 1883 and the mining town of Goetia is booming as prospectors from near and far come to mine the powerful new element Divinity from the high mountains of Colorado with the help of the pariahs of society known as the Fallen. The Fallen are the descendants of demonkind living amongst the Virtues, the winners in an ancient war, with the descendants of both sides choosing to live alongside Abaddon’s mountain in this tale of the mythological West from the bestselling mastermind Rebecca Roanhorse.

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A novel of startling intimacy, violence, and mercy among friends in a Midwestern university town, from an electric new voice.

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.  
 
Real Life is a novel of profound and lacerating power, a story that asks if it’s ever really possible to overcome our private wounds, and at what cost.

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Years before he wrote his National Book Award–winning novel Middle Passage, Charles Johnson created these sidesplitting and subversive gag comics about Black life in America, now collected for the first time in nearly half a century.

Before Charles Johnson found fame as a novelist and won the National Book Award for Middle Passage in 1991, he was a cartoonist, and a very good one.

Taught via mail correspondence course by the comics editor Lawrence Lariar, mentored by the New Yorker cartoonist Charles Barsotti, and inspired by the call of poet Amiri Baraka to celebrate and depict Black life in America, Johnson crafted some of the fiercest and funniest cartoons of the twentieth century. 

Reimagining the gag comic as a powerful and incendiary tool, Johnson tackled America’s mid-century afflictions—segregation, inner-city poverty, police brutality, and white supremacy—by craftily subverting stale gag tropes. He populated them with bullet-dodging Black Panthers, doubt-filled Klansmen, militant babies, self-serving politicians, and complacent suburban liberals.

This collection, Johnson’s first in nearly fifty years, brings together work from across his career: college newspaper gags, selections from his books Black Humor and Half-Past Nation Time, his unpublished manuscript Lumps in the Melting Pot, and uncollected pieces. Taken together, this volume reveals Johnson as long overdue for appreciation as a cartoonist of the first order. 

When an extraordinary flying theme park arrives above Atlanta, one boy must stop a sinister force from stealing the park's tech and taking over the world. An electrifying illustrated series with the Afrofuturism of Black Panther that took the world by storm. Perfect for fans of Spider-Man: Miles Morales.

"Hold on tight, Futureland will be the ride of your life . . . and maybe the last!" —Kwame Mbalia, #1 New York Times bestselling author

Welcome to the most spectacular theme park in the world.

Everyone wants a ticket to Futureland, where you can literally live out your wildest dreams. Want to step inside your favorite video game? Go pro in a sports arena? Perform at a real live concert? Grab your ticket and come right in.

Yet with all its attractions, Futureland has always just been home to Cam Walker, the son of the park’s famous creators. And when Futureland arrives at its latest stop, Atlanta, Cam is thrilled for what promises to be the biggest opening ever. . . .

But things aren't quite right with the Atlanta opening. Park attractions are glitching. Kids go missing. And when his parents are blamed, Cam must find the missing kids and whoever’s trying to take down his family . . . before it’s too late.

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Discover a Christ-centered approach to antiracism that will empower you to be transformed as you transform your world.

Michelle Sanchez has discovered through her own journey that it’s impossible to separate racial discipleship from our relationship with God. In fact, deeper racial discipleship catalyzes a deeper relationship with God. Whenever we choose to courageously resist racism, we will discover new opportunities to encounter Christ in fresh and exciting ways.

Color-Courageous Discipleship is our guidebook to a deeper connection with God through the adventure of racial discipleship. Grounded in the gospel, this practical and thought-provoking book:

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A super-cool graphic picture book about a boy learning how to control his temper, by bestselling author Derrick Barnes.

Bobby Beacon’s got fire flowing through his veins. And now he’s psyched to attend a new school that’ll help him get a better grip on his powers. But right off the bat, his new teacher is not too welcoming. That causes Bobby’s hot temper to land him in the principal’s office. It ain’t easy to stay calm when people don’t seem to understand you and are always pushing you to the edge. Good thing Bobby gets moved to a class with an understanding teacher who clues him in on ways to calm himself and shows him that caring for others is its own kind of superpower. With her help—and some cool new friends—he just might be on his way to becoming the best version of himself possible.

This listing is for our upcoming school visit at the Imani School on October 13, 2022.

Dear boy, Black boy, I believe in you so.

Let's start your story—ready, set, go.

From athlete and activist Colin Kaepernick to musician Sam Cooke, inventor Elijah McCoy to writer Chinua Achebe, there are so many inspirational men in Black history. Imagine what you can be and the great things you can do with the strength of people throughout history that have paved the way for Black boys.

This inspiring, lyrical picture book combines an uplifting, motivational text with references to wonderful figures throughout history. The combination is both encouraging and educational, prompting boys to imagine what they can be and the great things they can do in their own lives.

Join MIles Morales in his most epic adventure yet!

Miles Morales has just about gotten used to this being Spider-Man thing. Keeping Brooklyn safe, taking down bad guys, and finishing his homework—he’s got this! But when Spider-Man is invited to a launch for a brand-new video game, things go sideways fast. Anyone who plays the game is frozen, and it’s all because of a villain named the Stranger. He’s judged humanity and found it lacking, and his idea of justice is extreme.

Left with the fate of the world in his hands, and the clock is ticking on Miles. Can he turn old foes to friends and find the answers he needs in time?

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In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

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Racial identity, pop culture, and delusions of perfection collide in an eye-opening and refreshingly frank memoir by fashion and beauty insider Danielle Prescod.

Danielle Prescod grew up Black in an elite and overwhelmingly white community, her identity made more invisible by the whitewashed movies, television, magazines, and books she and her classmates voraciously consumed. Danielle took her cue from the world around her and aspired to shrink her identity into that box, setting increasingly poisonous goals. She started painful and damaging chemical hair treatments in elementary school, began depriving herself of food when puberty hit, and tried to control her image through the most unimpeachable, impeccable fashion choices.

Those obsessions led her to relentlessly pursue a career in beauty and fashion—the eye of the racist and sexist beauty standard storm. Assimilating was hard, but she was practiced. And she was an asset. Their “Token Black Girl.” Toxic, sure. But Danielle was striving to achieve social cache and working her way up the ladder of coveted media jobs, and she looked great, right? So what if she had to endure executives’ questions like “What was it like to drive to school from the ghetto?” Or coworkers’ eager curiosity to know if her parents were on welfare. But after decades of burying her emotions, resentment, and true self, Danielle turned a critical eye inward and confronted the factors that motivated her self-destructive behaviors.

Sharp witted and bracingly candid, Token Black Girl unpacks the adverse effects of insidious white supremacy in the media—both unconscious and strategic—to tell a personal story about recovery from damaging concepts of perfection, celebrating identity, and demolishing social conditioning.

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With African artists attracting sizable audience numbers to museums, setting sky-high auction records, and appearing in mainstream press, it has become impossible to overlook the cultural significance of contemporary African art today. Author and curator Osei Bonsu's engaging profiles of leading African artists—along with gorgeous full-color reproductions of their work—introduce readers to a generation of movers and shakers whose innovative artwork reflects on Africa as both an idea and an experience. Using diverse forms, languages, and expressions to articulate what it means to be a part of the world, these artists generate alternate histories and imaginative futures—work that is both personal and political, universal and incredibly specific. Their work helps define contemporary African art as a vast artistic and cultural movement.

STELLAR ROSTER OF ARTISTS: Amoako Boafo, Njideka Akunyili Crosby, Tunji Adeniyi-Jones, Bronwyn Katz—from household names to up-and-coming artists, African Art Now features some of the most exciting artists working today.
IMPORTANT AND TIMELY: Over the past two decades, contemporary African art has become part of the global mainstream, inspiring countless exhibitions, fairs, and auctions around the world. And yet, African art remains overlooked as an area of dedicated study due to continued academic and cultural bias. This book shines a spotlight on the artists whose wide-ranging accomplishments represent the shifting dynamics and boundless possibilities of African art today.

Perfect for:

• Artists, art collectors, art lovers, and museumgoers
• Educators and students
• Anyone interested in learning about contemporary African art

An exquisite combination of beautiful photography and compelling stories, this book from Outdoor Afro founder, Rue Mapp, celebrates Black joy in nature.

Filled with breathtaking photography, inspiring stories, profiles, and spotlights from Outdoor Afro group members, prominent Black leaders in outdoor spaces, and other organizations, this book inspires Black communities to reclaim their place in the natural world. Interspersed throughout are essays from Mapp on the rich history of Black involvement in the outdoors, activism, and conservation, as well as resources for readers who want to deepen their own connection with the elements. A perfect blend of gorgeous photographs, awe-inspiring stories, and Black history, this collection is the perfect gift for anyone looking to heal in these sacred natural spaces.

INCREDIBLE ORGANIZATION: Outdoor Afro is a leading organization in the promotion of Black involvement and interaction with the outdoors. Their powerful work is leaving positive, lasting effects on the Black community and broader conservation community.

ACCOMPLISHED AUTHOR: Rue Mapp's rich involvement in the outdoors and her connections with like-minded individuals and organizations offer a unique approach to educating, motivating, and encouraging Black connection with nature.

INSPIRATIONAL AND UNIQUE: This book showcases Black joy and strength in spaces from which they have either historically been excluded, or less represented, and makes for an inventive and uplifting celebration of Black joy in nature.

A GREAT GIFT: Perfect for the outdoorsy person in your life, this book will make for an excellent boost of inspiration and encouragement all year round.

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I, Maggie Banks, solemnly swear to uphold the rules of Cobblestone Books.

If only, I, Maggie Banks, cared about following the rules.

When Maggie Banks arrives to run her best friend's struggling bookstore, she expects to sell bestsellers to the small-town clientele. But with the town on the map as a top literary destination and the tourist society bent on keeping businesses historic, Maggie is banned from selling anything written this century. So, when a series of mishaps suddenly tip the bookstore toward ruin, Maggie will have to get creative to keep the shop afloat.

And in Maggie's world, bookish rules are made to be broken.

To help save the store, Maggie starts an underground book club—a series of events celebrating the books readers actually love. But keeping the club quiet, selling her customers the books they want, and dodging the historical society is nearly impossible. Especially when Maggie unearths a town secret that could upend everything. 

Maggie will have to decide what's more important to her—the books that formed a small town's history, or the stories poised to change it all.

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The first monograph on the sinuous, exhilaratingly colorful and pattern-filled portraiture of Amoako Boafo

Ghanaian painter Amoako Boafo has built a practice synthesizing the ways that art both reflects and perpetuates the power of representation. Amoako Boafo is the first monograph to comprehensively examine the artist's career to date. Heavily illustrated and featuring original contributions by Osei Bonsu, Rachel Cargle, Mutombo Da Poet and Aja Monet, the book also presents an insightful and expansive conversation with the artist by Paul Schimmel.
Exclusively portraying individuals from the diaspora and beyond, Boafo invites a reflection on Black subjectivity, diversity and complexity. His portraits, notable for their bold colors and patterns, celebrate his subjects as a means to challenge portrayals that objectify and dehumanize Blackness. As Boafo has stated, “the primary idea of my practice is representation, documenting, celebrating and showing new ways to approach Blackness.”
Amoako Boafo (born 1984) studied at the Ghanatta College of Art and Design in Accra, Ghana, in 2007, before attending the Academy of Fine Arts, Vienna, for his MFA. His first solo exhibition in the US, entitled I See Me, opened at Roberts Projects in 2019. That same year, Boafo was the first artist-in-residence at the new Rubell Museum in Miami, Florida. In 2020, he collaborated with Kim Jones, Dior Men’s creative director, for Dior’s Spring/Summer 2021 Men’s Collection. In 2021, Boafo was selected by the Uplift Art Program to create the inaugural “Suborbital Triptych” on the exterior panels of a Blue Origin New Shepard rocket, launched August 2021.

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.