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Strong female friendships and a snappy enemies-to-lovers theme take center stage in this highly anticipated romantic comedy from the USA Today bestselling author of The Dating Playbook.

Successful pediatric surgeon London Kelley just needs to find some balance and de-stress. According to her friends Samiah and Taylor, what London really needs is a casual hookup. A night of fun with no strings. But no one—least of all London—expected it to go down at her high school reunion with Drew Sullivan, millionaire, owner of delicious abs, and oh yes, her archnemesis.

Now London is certain the road to hell is paved with good sex. Because she’s found out the real reason Drew’s back in Austin: to decide whether her beloved hospital remains open. Worse, Drew is doing everything he can to show her that he’s a decent guy who actually cares. But London’s not falling for it. Because while sleeping with the enemy is one thing, falling for him is definitely not part of the plan.

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A little girl learns Jamaican recipes and self-confidence from her Granny in this warm, sweet picture book debut.

Shelly-Ann lives with her Granny on the beautiful island of Jamaica. When Shelly-Ann becomes hungry, she asks her Granny for something to eat. Granny tells her “Gyal, you betta can cook!” and teaches Shelly-Ann how to get in touch with her Jamaican roots through the process of cooking.

As Shelly-Ann tries each recipe, everything goes wrong. But when Granny is too tired to cook one morning, Shelly-Ann will have to find the courage to try one more time and prepare the perfect Jamaican breakfast.

Accompanied by Ken Daley's vibrant, sun-soaked artwork, Sadé Smith's debut picture book Granny's Kitchen is the perfect readaloud for budding chefs everywhere.

Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full length for the first time in his dazzling debut novel

A 2021 NEIBA Book Award Finalist!

Forty years ago in Egypt, the mystic and inventor Al-Jahiz pierced the veil between realms, sending magic into the world before he vanished into the unknown.

Now in 1912 Cairo, humans brush elbows with djinn in crowded tramcars and airships sail the skies. In this new world the Egyptian Ministry of Alchemy, Enchantments, and Supernatural Entities maintains an uneasy peace. When someone claiming to be Al-Jahiz "returned" murders a secret brotherhood dedicated to his legacy, however, that peace dissolves into disarray.

The Ministry’s youngest agent, Fatma el-Sha’arawi, has saved the world before. But this case is a special challenge. The imposter's dangerous magical abilities and revolutionary message threaten to tear apart the fabric of this new Egyptian society, and spill over onto the global stage. Can Agent Fatma unravel the mystery of Al-Jahiz in time to save the world—again?

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Literary Nonfiction. Poetry. African & African American Studies. LGBTQIA Studies. Women's Studies. 2019 Over the Rainbow Booklist Selection for Nonfiction. Poets Audre Lorde and Pat Parker first met in 1969; they began exchanging letters regularly five years later. Over the next fifteen years, Lorde and Parker shared ideas, advice, and confidences through the mail. They sent each other handwritten and typewritten letters and postcards often with inserted items including articles, money, and video tapes. SISTER LOVE: THE LETTERS OF AUDRE LORDE AND PAT PARKER 1974-1989 gathers this correspondence for readers to eavesdrop on Lorde and Parker. They discuss their work as writers as well as intimate details of their lives, including periods when each lived with cancer. SISTER LOVE is a rare opportunity to glimpse inside the minds and friendship of two great twentieth century poets.

In 1976, David is fishing off the island of Black Conch when he comes upon a creature he doesn’t expect: a mermaid by the name of Aycayia. Once a beautiful young woman, she was cursed by jealous wives to live in this form for the rest of her days. But after the mermaid is caught by American tourists, David rescues and hides her away in his home, finding that, once out of the water, she begins to transform back into a woman.
 
Now David must work to win Aycayia's trust while she relearns what it is to be human, navigating not only her new body but also her relationship with others on the island—a difficult task after centuries of loneliness. As David and Aycayia grow to love each other, they juggle both the joys and the dangers of life on shore. But a lingering question remains: Will the former mermaid be able to escape her curse? Taking on many points of view, this mythical adventure tells the story of one woman’s return to land, her healing, and her survival.

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Dubbed the "LeBron James of plant styling..." by "Good Morning America," Hilton Carter now shows how you can make, style, decorate, and care for your own stunning plant-inspired interior with his 25 step-by-step DIY projects and plant hacks.

In plant and interior stylist Hilton Carter’s previous books he has given us glimpses into stunning plant-filled homes where ivy and creeping figs hang miraculously from ceilings, mosses grow effortlessly to create living walls, and succulents flourish planted in terrariums. Now in Wild Creations, Hilton will show you how you can actually create these amazing fixtures for your own home. There are step-by-step instructions for Wild Ideas—making projects such as a wall mounted plant and a leather hanging plant stand, genius Wild Hacks for all of your plant worries from how to water your plants while you are away to repelling bugs, thought-provoking Wild Rants looking at the transformative power of plants, and finally a detailed look at ten key Wild Plants and how to care for them. Design and learn about your very own wild interior, get creative, and get WILD!

Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world

What exactly is Blackness and what does it mean to be Black?
Is Blackness a matter of biology or consciousness?
Who determines who is Black and who is not?
Who’s Black, who’s not, and who cares?

In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later?

One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.

Ringgold's most formative and influential political works are gathered in this beautifully designed clothbound volume

Alongside reproductions of key works made between 1967 and 1981, Faith Ringgold: Politics / Power provides an overview of Ringgold's seminal artistic and activist work, and its historical context during these years, including accounts by the artist herself.
During the 1960s and 1970s, Ringgold, a dedicated and impassioned civil rights advocate, established her voice as a feminist and within the Black Arts Movement. Her influential work expressed her in-depth knowledge of art history and contemporary art, as well as her activism. Spanning mediums such as painting, cut paper works, posters, collage and textile art, the works presented in this publication foreground the artist’s explicitly political pieces, for which she deployed new material and formal processes, and developed a radical aesthetics and vocabulary.
Organized chronologically, the book allows readers to retrace the artist’s foundational creative approaches to contemporaneous social, political and artistic questions. It includes illustrations of individual artworks together with previously unpublished work and archival materials.

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A multidisciplinary look at the foremost archive of Black American visual culture, as recast by Theaster Gates

This book features essays and other reflections commissioned in response to the Facsimile Cabinet of Women Origin Stories, a monumental participatory work by Theaster Gates (born 1973). The Cabinet includes nearly 3,000 framed images of women from the Johnson Publishing Company archive, and highlights from the collection appear in this edited volume.
Founded in 1942, Chicago-based Johnson Publishing chronicled the lives of Black Americans for more than seven decades through the magazines Ebony and Jet. Composed from arguably the most important archive of American Black visual culture in the 20th century, Gates’ work centers the essential and too often unsung role of women in this history.
When the Cabinet was exhibited at the Colby College Museum of Art, 12 women from a wide range of disciplines (including archivists, legal scholars, anthropologists and librarians, as well as curators, visual artists, filmmakers, writers and art historians) were invited to reflect on a work that brings a sisterhood of images to light.

"Art as Social Action . . . is an essential guide to deepening social art practices and teaching them to students." —Laura Raicovich, president and executive director, Queens Museum

Art as Social Action is both a general introduction to and an illustrated, practical textbook for the field of social practice, an art medium that has been gaining popularity in the public sphere. With content arranged thematically around such topics as direct action, alternative organizing, urban imaginaries, anti-bias work, and collective learning, among others, Art as Social Action is a comprehensive manual for teachers about how to teach art as social practice.

Along with a series of introductions by leading social practice artists in the field, valuable lesson plans offer examples of pedagogical projects for instructors at both college and high school levels with contributions written by prominent social practice artists, teachers, and thinkers, including:

• Mary Jane Jacob
• Maureen Connor
• Brian Rosa
• Pablo Helguera
• Jen de los Reyes
• Jeanne van Heeswick
• Jaishri Abichandani
• Loraine Leeson
• Ala Plastica
• Daniel Tucker
• Fiona Whelan
• Bo Zheng
• Dipti Desai
• Noah Fischer

Lesson plans also reflect the ongoing pedagogical and art action work of Social Practice Queens (SPQ), a unique partnership between Queens College CUNY and the Queens Museum.

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Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces.
Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors

Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces.

Drawing on a variety of sources from film, literature, and popular culture, and analyzing different historical moments, including the establishment of the Wilderness Act in 1964 and the aftermath of Hurricane Katrina, Finney reveals the perceived and real ways in which nature and the environment are racialized in America. Looking toward the future, she also highlights the work of African Americans who are opening doors to greater participation in environmental and conservation concerns.

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In May 1967, internationally renowned activist Fannie Lou Hamer purchased forty acres of land in the Mississippi Delta, launching the Freedom Farms Cooperative (FFC). A community-based rural and economic development project, FFC would grow to over 600 acres, offering a means for local sharecroppers, tenant farmers, and domestic workers to pursue community wellness, self-reliance, and political resistance. Life on the cooperative farm presented an alternative to the second wave of northern migration by African Americans--an opportunity to stay in the South, live off the land, and create a healthy community based upon building an alternative food system as a cooperative and collective effort.

Freedom Farmers expands the historical narrative of the black freedom struggle to embrace the work, roles, and contributions of southern Black farmers and the organizations they formed. Whereas existing scholarship generally views agriculture as a site of oppression and exploitation of black people, this book reveals agriculture as a site of resistance and provides a historical foundation that adds meaning and context to current conversations around the resurgence of food justice/sovereignty movements in urban spaces like Detroit, Chicago, Milwaukee, New York City, and New Orleans.

Fleeing persecution in 1960s America, a Black couple seeks asylum in Ghana, but fresh dangers and old secrets threaten their newfound freedom in this hypnotic debut novel.

December 26, 1965, Alabama, the fateful night that triggers an avalanche of events that turn newly engaged couple, Melvin and Bernadette, into fugitives. A pitstop in the wrong part of town ends with blood on their hands, and Melvin decides they must flee the country in order to survive. Bernadette, who’s hiding a secret from her fiancé, reluctantly agrees. With a persistent F.B.I. agent on their trail, they travel to Ghana to seek the help of Melvin’s old college friend, who happens to be the country's embattled president, Kwame Nkrumah.
 
The couple’s chance encounter with Ghana’s most beloved Highlife musician, Kwesi Kwayson, who’s on his way to perform for the president, sparks a journey full of suspense, lust, magic, and danger as Nkrumah’s regime crumbles around them. What was meant to be a fresh start quickly spirals into chaos. Kwesi and Bernadette's undeniable attraction and otherwordly bond cascades during their three-day trek, and so does Melvin's intense jealousy. All three must confront each other and their secrets, setting off a series of cataclysmic events.
 
Steeped in the history and mythologies of West Africa, at the intersection of the civil rights movement in the United States, The Scent of Burnt Flowers merges political intrigue, magical encounters, and forbidden romance in an epic collision of love, morality, and power.

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The author of the award-winning Sally Hemings now brings to life Hannah Elias, one of the richest black women in America in the early 1900s, in this mesmerizing novel swirling with atmosphere and steeped in history.

A murder and a case of mistaken identity brings the police to Hannah Elias’ glitzy, five-story, twenty-room mansion on Central Park West. This is the beginning of an odyssey that moves back and forth in time and reveals the dangerous secrets of a mysterious woman, the fortune she built, and her precipitous fall.

Born in Philadelphia in the late 1800s, Hannah Elias has done things she’s not proud of to survive. Shedding her past, Hannah slips on a new identity before relocating to New York City to become as rich as a robber baron. Hannah quietly invests in the stock market, growing her fortune with the help of businessmen. As the money pours in, Hannah hides her millions across 29 banks. Finally attaining the life she’s always dreamed, she buys a mansion on the Upper West Side and decorates it in gold and first-rate décor, inspired by her idol Cleopatra.

The unsolved murder turns Hannah’s world upside-down and threatens to destroy everything she’s built. When the truth of her identity is uncovered, thousands of protestors gather in front of her stately home. Hounded by the salacious press, the very private Mrs. Elias finds herself alone, ensnared in a scandalous trial, and accused of stealing her fortune from whites.

Packed with glamour, suspense, and drama, populated with real-life luminaries from the period, The Great Mrs. Elias brings a fascinating woman and the age she embodied to glorious, tragic life.

A sharply funny and incredibly moving YA debut about a queer Mexican American girl navigating Catholic school and familial expectations while falling in love and learning to celebrate her full, true self.  

Sixteen-year-old Yamilet Flores prefers to be known for her killer eyeliner, not for being one of the only Mexican kids at her new, mostly white, very rich Catholic school. But at least here no one knows she’s gay, and Yami intends to keep it that way. 

After being outed by her crush and ex-best friend before transferring to Slayton Catholic, Yami has new priorities: Keep her brother out of trouble, make her mom proud, and most importantly, don’t fall in love. Granted, she’s never been great at any of those things, but that’s a problem for Future Yami. 

The thing is, it’s hard to fake being straight when Bo, the only openly queer girl at school, is so annoyingly perfect. And smart. And talented. And cute. So cute. Either way, Yami isn’t going to make the same mistake again. If word got back to her mom, she could face a lot worse than rejection. So she’ll have to start asking, WWSGD: What would a straight girl do? 

Told in a captivating voice that is by turns hilarious, vulnerable, and searingly honest, The Lesbiana’s Guide to Catholic School explores the joys and heartaches of living your full truth out loud.

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Music is magic in this vibrant and imaginative debut novel set in a fantastical version of New Orleans where a battle for the city's soul brews between two young mages, a vengeful wraith, and one powerful song.

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Dark magic awaits in the eagerly anticipated sequel to bestselling author Kalynn Bayron’s This Poison Heart.

Briseis’s mother is dead, but there is one chance to bring her back: find the last piece of the deadly Absyrtus Heart. If she is to locate the missing piece she must turn to the blood relatives she’s never known, learn about their secret powers and take her place in their ancient lineage. But Briseis is not the only one who wants the Heart, and her enemies will try to use her in any way they can …
Kalynn Bayron, bestselling author of Cinderella is Dead and This Poison Heart, returns with the second book in this empowering and inclusive fantasy duology perfect for fans of Legendborn and Lore.

Part cookbook. Part manifesto. Created with big Bronx energy, Black Power Kitchen combines 75 mostly plant-based, layered-with-flavor recipes with immersive storytelling, diverse voices, and striking images and photographs that celebrate Black food and Black culture, and inspire larger conversations about race, history, food inequality, and how eating well can be a pathway to personal freedom and self-empowerment.

Ghetto Gastro Presents Black Power Kitchen is the first book from the Bronx-based culinary collective, and it does for the cookbook what Ghetto Gastro has been doing for the food world in general—disrupt, expand, reinvent, and stamp it with their unique point of view. Ghetto Gastro sits at the intersection of food, music, fashion, visual arts, and social activism. They’ve partnered with Nike and Beats by Dre, designed cookware sold through Williams-Sonoma and Target, and won a Future of Gastronomy award from the World’s 50 Best.

Now they bring their multidisciplinary approach to a cookbook, with nourishing recipes that are layered with waves of crunch, heat, flavor, and umami. They are born of the authors’ cultural heritage and travels—from riffs on family dishes like Strong Back Stew and memories of Uptown with Red Velvet Cake to neighborhood icons like Triboro Tres Leches and Chopped Stease (their take on the classic bodega chopped cheese) to recipes redolent of the African diaspora like Banana Leaf Fish and King Jaffe Jollof. All made with a sense of swag.

In How We Heal, bestselling author Alexandra Elle offers a life-changing invitation to heal yourself and reclaim your peace. In these pages, readers will discover essential techniques for self-healing, including journaling rituals to cultivate innate strength, accessible tools for processing difficult emotions, and restorative meditations to ease the mind.

Alex Elle elegantly weaves together themes like self-healing, mindfulness, inner child work, and boundary setting and presents the reader with easy-to-follow practices that have changed her life and the lives of the thousands of people she has taught. Her 4-part framework for healing will appeal to anyone who wants a clear process, while the compelling personal stories leave the reader feeling connected and ready to begin again.

Complementing the practices are powerful insights from Alex Elle's own journey of self-discovery using writing to heal, plus remarkable stories of healing from a range of luminary voices, including Nedra Tawwab, Morgan Harper Nichols, Dr. Thema Bryant, Barb Schmidt, and many more.

Brimming with encouragement and delivered with Alex Elle's signature warmth and candor, How We Heal is a must-have companion for anyone that wants to unlock their inner wisdom and confidence to heal on their own.

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It's been six months since Deka freed the goddesses in the ancient kingdom of Otera and discovered who she really is... but war is waging across the kingdom, and the real battle has only just begun. For there is a dark force growing in Otera—a merciless power that Deka and her army must stop.
 
Yet hidden secrets threaten to destroy everything Deka has known. And with her own gifts changing, Deka must discover if she holds the key to saving Otera... or if she might be its greatest threat.
 
The Merciless Ones is the second thrilling installment of the epic fantasy series in which a young heroine fights against a world that would dare tame her.

This fresh, voice-driven feminist anthology reimagines Helen Gurley Brown’s seminal work Sex and the Single Girl in time for its 60th anniversary, featuring twenty-four essays from acclaimed and bestselling authors, including Kristen Arnett, Morgan Parker, Evette Dionne, and Melissa Febos.

In May 1962, Helen Gurley Brown's Sex and the Single Girl sent shockwaves through the United States, selling more than two million copies in three weeks. The future Cosmopolitan Editor-in-Chief’s book promoted the message that a woman’s needs, ambition, and success during her single years could actually take precedence over the search for a husband.  

While much of Brown’s advice is outdated and even offensive by today’s standards, her central message remains relevant. In this exceptional anthology, Eliza Smith and Haley Swanson bring together insights from many of today’s leading feminist thinkers and writers to pay homage to Brown’s original work and reinterpret it for a new generation. These contributors provide a much-needed reckoning while addressing today’s central issues, from contraception and abortion (topics the publisher banned from the original) to queer and trans womanhood, racial double standards, dating with disabilities, sexual consent, singlehood by choice, single parenting, and more. 

Written for today’s women, this revisionist anthology honors Brown’s irreverent spirit just as it celebrates and validates women’s sexual lives and individual eras of singlehood, encouraging us all to reclaim joy where it’s so often been denied.

Rival Chicago photographers are forced to collaborate on a body-positive lingerie campaign, but they might have to readjust their focus when sparks fly.

Photographer Cassie Harris loves her job—her company Buxom Boudoir makes people look beautiful and feel empowered with her modern twist on classic pinup photography. Cassie’s best friend, Dana, is about to launch her own dangerously dreamy lingerie line and wants Cassie to shoot and direct the career-changing national campaign. But company politics and Dana’s complicated pregnancy interfere, and Cassie finds herself—a proud plus size Black woman—not behind the camera but in front of it.

Though she’s never modeled herself, Cassie’s pretty sure she can handle the sheer underwear and caution tape bralettes. She’s not sure she can work so intimately with the chosen photographer, her long-time competitor in the Chicago photography scene, Reid Montgomery. Their chemistry is undeniable on set, however, and feelings can develop faster than film…

After years away from home, Summer Graves is back in Austin, Texas, to accept a new teaching position. Of all the changes to the old neighborhood, the most dispiriting one is the slated demolition of the high school her grandmother founded. There’s no way she can let developers destroy her memories and her family legacy. But the challenge stirs memories of another kind.

On the architectural team revitalizing the neighborhood, hometown girl Aiko Holt is all about progress. Then she sees Summer again. Some things never change.

Neither can forget the kiss they shared at their senior-year dance. Neither can back down from her unwavering beliefs about what’s right for the neighborhood.

For now, the only thing Summer and Aiko are willing to give in to is a heat that still burns. But can two women with so much passion—for what once was and what could be—agree to disagree long enough to fall in love?

Breakout author Bolu Babalola pens her vibrant debut novel, full of passion, humor, and heart, that centers on a young Black British woman who has no interest in love and unexpectedly finds herself caught up in a fake relationship with the man she warned her girls about.

Sharp-tongued (and secretly soft-hearted) Kiki Banjo has just made a huge mistake. An expert in relationship-evasion and the host of the popular student radio show, Brown Sugar, she’s made it her mission to make sure the women of the Afro-Caribbean Society at Whitewell University do not fall into the mess of “situationships”, players, and heartbreak. But when the Queen of the Unbothered kisses Malakai Korede, the guy she just publicly denounced as “The Wastemen of Whitewell” in front of every Blackwellian on campus, she finds her show and her reputation on the brink.

They’re soon embroiled in a fake relationship to try and salvage their reputations and save their futures. Kiki has never surrendered her heart before and a player like Malakai, no matter how charming he is or how incredible their connection is, won’t be the one to change that.

After surprisingly entertaining study sessions and intimate late-night talks at old-fashioned diners force Kiki to look beyond her own presumptions, is she ready to open herself up to something deeper?

A side-splittingly funny and sparkling debut novel, Honey and Spice is full of delicious tension and romantic intrigue that will make you weak at the knees.