A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising

The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means “nothing” in Tagalog, and Kitu is Swahili for “nothing.”) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he’ll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.

With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill’s desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, “Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it’s time we gave nothing back.”

Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn’t to say that it’s not about anything. In fact, it’s about villains. Bond villains. And that’s not nothing.

*ships in 7-10 business days

Award-winning journalist Reni Eddo-Lodge was frustrated with the way that discussions of race and racism are so often led by those blind to it, by those willfully ignorant of its legacy. Her response, Why I’m No Longer Talking to White People About Race, has transformed the conversation both in Britain and around the world. Examining everything from eradicated black history to the political purpose of white dominance, from whitewashed feminism to the inextricable link between class and race, Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge, and counter racism. Including a new afterword by the author, this is a searing, illuminating, absolutely necessary exploration of what it is to be a person of color in Britain today, and an essential handbook for anyone looking to understand how structural racism works.

*ships in 7-10 business days*

Learn to establish healthy boundaries and prioritize your own needs

Many women struggle with setting boundaries—saying no, speaking up, and believing their own needs are as important as everyone else’s. This journal helps readers figure out where they need stronger boundaries, and gives them the inspiration and encouragement they need to set and maintain them, encouraging and empowering happier, healthier lives.

*ships in 7-10 business days

Sixteen-year-old Deka lives in fear and anticipation of the blood ceremony that will determine whether she will become a member of her village. Already different from everyone else because of her unnatural intuition, Deka prays for red blood so she can finally feel like she belongs.

But on the day of the ceremony, her blood runs gold, the color of impurity–and Deka knows she will face a consequence worse than death.

Then a mysterious woman comes to her with a choice: stay in the village and submit to her fate, or leave to fight for the emperor in an army of girls just like her. They are called alaki–near-immortals with rare gifts. And they are the only ones who can stop the empire's greatest threat.

Knowing the dangers that lie ahead yet yearning for acceptance, Deka decides to leave the only life she's ever known. But as she journeys to the capital to train for the biggest battle of her life, she will discover that the great walled city holds many surprises. Nothing and no one are quite what they seem to be–not even Deka herself.

*ships in 7-10 business days

Banished by her grandfather at the age of eighteen, Spring Lee has survived scandal to claim her own little slice of Paradise, Wyoming. She’s proud of working her ranch alone and unwilling to share it with a stranger—especially one like Garrett McCray, who makes her second-guess her resolve to avoid men. 

Garrett escaped slavery years ago and is now a reporter in Washington. He’s traveled west to interview Dr. Colton Lee for an article, yet it’s Lee’s fearless sister, Spring, who captures his interest. Clad in denim and buckskins instead of dresses, she’s the most fascinating woman he’s ever met. And he’s certain she also feels the connection that sizzles between them. 

But when a shadow from Spring’s past returns, all is on the line: her ranch, her safety—and this wild, fierce love.

*This item will ship or be ready for pick up in 7-10 business days

A vibrant collection of love stories from a debut author, retelling myths, folktales, and histories from around the world.

A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen.

A young businesswoman attempts a great leap in her company, and an even greater one in her love life.

A powerful Ghanaian spokeswoman is forced to decide whether she should uphold her family’s politics or be true to her heart.

In her debut collection, internationally acclaimed writer Bolu Babalola retells the most beautiful love stories from history and mythology with incredible new detail and vivacity. Focusing on the magical folktales of West Africa, Babalola also reimagines Greek myths, ancient legends from the Middle East, and stories from long-erased places.

With an eye towards decolonizing tropes inherent in our favorite tales of love, Babalola has created captivating stories that traverse across perspectives, continents, and genres.

Love in Color is a celebration of romance in all its many splendid forms.

*Ships in 7-10 business days*

Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.
 
This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.

In a rhythmic celebration of sport and play, four-time Grand Slam champion and tennis superstar Naomi Osaka shares key steps to becoming a true champ, including being kind, working as a team, doing your best, and most importantly, having fun.

At Play Academy,

We love to move.

That’s why we play.

We are champs and we play all day!

Inspired by Osaka’s game-changing program Play Academy, which instills confidence in and provides resources to young girls through sports, The Way Champs Play is an exciting and inspiring anthem for all kids in and out of the classroom who want to PLAY ALL DAY!

Use this book to:

• Discuss different types of sports.
• Talk with children about good sports(wo)manship.
• Encourage kids to engage in sport and play for their overall health and happiness.

And more!

Get inspired, get active, and go play with this unique anthem, perfect for classrooms and story time anytime!

*Ships/ready for pick up in 5-8 business days*

This celebration of Black resistance, from protests to art to sermons to joy, offers a blueprint for the fight for freedom and justice -- and ideas for how each of us can contribute

Many of us are facing unprecedented attacks on our democracy, our privacy, and our hard-won civil rights. If you're Black in the US, this is not new. As Colorlines editors Akiba Solomon and Kenrya Rankin show, Black Americans subvert and resist life-threatening forces as a matter of course. In these pages, leading organizers, artists, journalists, comedians, and filmmakers offer wisdom on how they fight White supremacy. It's a must-read for anyone new to resistance work, and for the next generation of leaders building a better future.

Featuring contributions from:

• Ta-Nehisi Coates
• Tarana Burke
• Harry Belafonte
• Adrienne Maree brown
• Alicia Garza
• Patrisse Khan-Cullors
• Reverend Dr. Valerie Bridgeman
• Kiese Laymon
• Jamilah Lemieux
• Robin DG Kelley
• Damon Young
• Michael Arceneaux
• Hanif Abdurraqib
  
• Dr. Yaba Blay
  
• Diamond Stingily
  
• Amanda Seales
• Imani Perry
  
• Denene Millner
  
• Kierna Mayo
  
• John Jennings
  
• Dr. Joy Harden Bradford
  
• Tongo Eisen-Martin

A celebration of Juneteenth for babies and toddlers!

Let's Celebrate Juneteenth Board Book from Mudpuppy is a wonderful introduction to Juneteenth, a federal holiday in the United States on June 19th commemorating the emancipation of enslaved African Americans. Colorful illustrations show various ways people celebrate the anniversary of freedom for all!

• Celebratory Message – This book introduces young children to this important commemorative holiday and opens the door to understanding that not everyone was or is free.
• Bright and Bold Artwork – Bright and colorful illustrations on 26 pages will make this a happy and rewarding experience for toddlers to experience and understand inclusion.
• Perfect Size - Small 7” x 7” board book is just the size for little hands.
• Great Gift Idea – This board book makes a wonderful gift for birthdays and special occasions all year through.

*Ships in 7-10 business days*

When Ikemefuna is put on a plane from Lagos, Nigeria to Sugar Land, Texas, she anticipates her newly arranged All-American life: a handsome husband, a beautiful red-brick mansion, pizza parlors, and dance classes.

Desperate to please, she'll happily cater to her family's needs. But Ikemefuna soon discovers what it actually means to live with her in-laws. Demands for a grandson grow urgent as her every move comes under scrutiny. As Ikemefuna finds there’s no way out, her new husband grapples with the influence of his parents against his own increasing affection for her.

As family secrets boil to the surface, Ikemefuna must decide how to scrape herself out of an impossibly sticky situation: a marriage succumbing to generational cycles of pain and silence. In the end, she may be carrying the greatest secret of all. 

An unforgettably delicious thriller, House Woman is about a woman trapped in a dangerous web of conflicting desires, melting in the Texas heat. 

We Are Owed. is the debut poetry collection of Ariana Brown, exploring Black relationality in Mexican and Mexican American spaces. Through poems about the author's childhood in Texas and a trip to Mexico as an adult, Brown interrogates the accepted origin stories of Mexican identity. We Are Owed asks the reader to develop a Black consciousness by rejecting U.S., Chicano, and Mexican nationalism and confronting anti-Black erasure and empire-building. As Brown searches for other Black kin in the same spaces through which she moves, her experiences of Blackness are placed in conversation with the histories of formerly enslaved Africans in Texas and Mexico. Esteban Dorantes, Gaspar Yanga, and the author's Black family members and friends populate the book as a protective and guiding force, building the "we" evoked in the title and linking Brown to all other African-descended peoples living in what Saidiya Hartman calls "the afterlife of slavery.

Tasha Jenkins has tried—and failed—to leave her abusive husband. But a chance encounter with a white woman fleeing her own angry husband entangles the lives of two strangers from very different worlds.

Tasha and Madison want to help each other out of their marriages. But they have very different ideas of what that means . . .

The women are on a collision course that will end in the case files of the DC homicide unit. Unraveling the truth may be impossible . . . but what has the truth ever done for women like Tasha and Madison?

An exploration of how emergent strategies can help us meet this moment, survive what is to come, and shape safer and more just futures.

Practicing New Worlds explores how principles of emergence, adaptation, iteration, resilience, transformation, interdependence, decentralization and fractalization can shape organizing toward a world without the violence of surveillance, police, prisons, jails, or cages of any kind, in which we collectively have everything we need to survive and thrive.

Drawing on decades of experience as an abolitionist organizer, policy advocate, and litigator in movements for racial, gender, economic, and environmental justice and the principles articulated by adrienne maree brown in Emergent Strategy: Shaping Change, Changing Worlds, Ritchie invites us to think beyond traditional legislative and policy change to create more possibilities for survival and resistance in the midst of the ongoing catastrophes of racial capitalism—and the cataclysms to come. Rooted in analysis of current abolitionist practices and interviews with on-the-ground organizers resisting state violence, building networks to support people in need of abortion care, and nurturing organizations and convergences that can grow transformative cities and movements, Practicing New Worlds takes readers on a journey of learning, unlearning, experimentation, and imagination to dream the worlds we long for into being. 

An updated edition combining two classic works of Chicana and queer literatures, with a new introduction by renowned writer and luminary, Cherríe Moraga.

In celebration of the 40th anniversary of its original publication, this updated edition of Loving in the War Years combines Moraga’s classic memoir with The Last Generation: Poetry and Prose, originally published in 1993, along with additional writings from the late 1990s,  The result is a synergy of signature works crucial to the development of the intersectional politics we know today.

Cherríe Moraga’s powerful memoir remains as urgent as ever. She explores the contradictions and complexities of her Chicana and lesbian identities, moving gracefully between poetry and prose, Spanish and English, personal narratives and political theory. Moraga recounts navigating the world largely as an outsider in her early years, circling the interconnected societies around her from a distant yet observant perspective. Ultimately, however, her writing serves as a bridge between her cultures, languages, family, and herself, enabling her to look inward to forge connections from what had heretofore been inaccessible parts of her interior world. A touchstone for artists and activists, the works combine to show how deep self-awareness and compassionate engagement with one’s radically changing surroundings are key to building global solidarity among people and political movements. 

Over the course of these poems, the Black, queer protagonist begins to erase violent structures and fill the white spaces with her hard-won wisdom and love. I am the Most Dangerous Thing doesn't just use poetry to comment on life and history. The book is a comment on writing itself. What have words done? When does writing become a form of disengagement, or worse, violence?

The book is an exercise in paring the state down to its true logic of violence and imagining what can happen next. There are many contradictions—Although the protagonist teaches the same science that was used to justify enslavement and a racial caste system, she knows she will die at the hands of science and denies the state the last word by penning her own death certificate. As an educator and knowledge worker, she is an overseer of the same racist, misogynistic, and homophobic systems that terrorize her. Yet, she musters the courage to kill Kurtz, a primordial vision of white terror. She is Black and queer and fat and angry and chill and witty and joyful and depressed and lovely and flawed and an (im)perfect dagger to the heart of white supremacist capitalism.

With a powerful introduction by Ross Gay and a moving afterword by Sidney Clifton, this special anniversary edition of The Book of Light offers new meditations and insights on one of the most beloved voices of the 20th century.

Though The Book of Light opens with thirty-nine names for light, we soon learn the most meaningful name is Lucille—daughter, mother, proud Black woman. Known for her ability to convey multitudes in few words, Clifton writes into the shadows—her father’s violations, a Black neighborhood bombed, death, loss—all while illuminating the full spectrum of human emotion: grief and celebration, anger and joy, empowerment and so much grace. 

*ships in 7-10 business days

In her first new book in seven years, Tananarive Due further cements her status as a leading innovator in Black horror and Afrofuturism

“Tananarive Due is the master of Black horror, even teaching a class where Jordan Peele guest-lectured. So her new collection, The Wishing Pool, out in mid-April, is a major treat, full of major scares. Due excels at twist endings but also brilliantly creates an atmosphere of creeping dread in which you know something terrible is coming. The Wishing Pool is helpfully divided into four sections, and each feels like a movement in a symphony. There are classic tales of horror, then a series of stories set in a Florida town where the swamp tends to swallow people up; the final two sections shift to science fiction about post-apocalyptic futures. (These last sections include pandemic stories, written before 2020, which hit harder now.) Due shows just how much territory she can cover in one short book and just how versatile terrifying tales can be.”
—Washington Post

American Book Award–winning author Tananarive Due’s second collection of stories includes offerings of horror, science fiction, and suspense—all genres she wields masterfully. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due’s stories all share a sense of dread and fear balanced with heart and hope.

In some of these stories, the monster is racism itself; others address the monster within, each set against the supernatural or surreal. All are written with Due’s trademark attention to detail and deeply drawn characters.

In addition to previously published work, this collection contains brand-new stories, including “Rumpus Room,” a supernatural horror novelette set in Florida about a woman’s struggle against both outer and inner demons.

Cancel culture addresses real harm...and sometimes causes more. It’s time to think this through.

“Cancel” or “call-out” culture is a source of much tension and debate in American society. The infamous "Harper’s Letter,” signed by public intellectuals of both the left and right, sought to settle the matter and only caused greater division. Originating as a way for marginalized and disempowered people to address harm and take down powerful abusers, often with the help of social media, call outs are seen by some as having gone too far. But what is “too far” when you’re talking about imbalances of power and patterns of harm? And what happens when people in social justice movements direct their righteous anger inward at one another?

In We Will Not Cancel Us, movement mediator adrienne maree brown reframes the discussion for us, in a way that points to possible paths beyond this impasse. Most critiques of cancel culture come from outside the milieus that produce it, sometimes even from from its targets. However, brown explores the question from a Black, queer, and feminist viewpoint that gently asks, how well does this practice serve us? Does it prefigure the sort of world we want to live in? And, if it doesn’t, how do we seek accountability and redress for harm in ways that reflect our values?

With an Afterword by Malkia Devich-Cyril.

A collection of essays, fiction, journalism, folklore, and autobiography, preserving the legacy of one of the Harlem Renaissance’s greatest writers.

The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison).

During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press. 

I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston as an intellectual leader for future generations of black writers. A testament to the power and breadth of Hurston's oeuvre, this edition—newly reissued for the Feminist Press's fiftieth anniversary—features a new preface by Walker.

"Through Hurston, the soul of the black South gained one of its most articulate interpreters." —The New York Times

Ships in 7-10 business days

In this disarming and candid memoir, cultural critic Clarkisha Kent unpacks the kind of compounded problems you face when you’re a fat, Black, queer woman in a society obsessed with heteronormativity.

There was no easy way for Kent to navigate personal discovery and self-love. As a dark-skinned, first-generation American facing a myriad of mental health issues and intergenerational trauma, at times Kent’s body felt like a cosmic punishment. In the face of body dysmorphia, homophobia, anti-Blackness, and respectability politics, the pursuit of “high self-esteem” seemed oxymoronic. 

Fat Off, Fat On: A Big Bitch Manifesto is a humorous, at times tragic, memoir that follows Kent on her journey to realizing that her body is a gift to be grown into, that sometimes family doesn’t always mean home, and how even ill-fated bisexual romances could free her from gender essentialism. Perfect for readers of Keah Brown’s The Pretty One, Alida Nugent’s You Don’t Have to Like Me, and Stephanie Yeboah’s Fattily Ever After, Kent’s debut explores her own lived experiences to illuminate how fatphobia intertwines with other oppressions. It stresses the importance of addressing the violence scored upon our minds and our bodies, and how we might begin the difficult—but joyful—work of setting ourselves free.

Explore under the sea and beyond with Ariel in the new picture book retelling of Disney's live action The Little Mermaid!

Ariel is a curious mermaid who has always wanted to explore the human world! After saving a prince named Eric from a dangerous shipwreck, Ariel makes a deal with the Sea Witch, Ursula, so she can meet him and learn more about what life is like beyond her ocean home. But Ursula is full of tricks, and it will take all of Ariel’s courage to save the human world and the ocean from the Sea Witch’s devious plans.

If you like this book, you may also want to consider adding these Disney books to your collection: 

• The Little Mermaid: Adventures on Land
• World of Reading: The Little Mermaid: Meet Ariel
• The Little Mermaid: Guide to Merfolk

A riveting memoir by the former CEO of Black Entertainment Television (BET), about the glamorous and ugly moments of being a high-powered Black woman executive in the entertainment industry.

As an incredible glass-ceiling breaker and the woman who brought timeless television shows like The Game and Being Mary Jane to cable, Debra Lee has been the visionary responsible for elevating Black images and storytelling for decades. Now she’s telling her own story, in an intimate and eye-opening tale about the triumphant and tricky moments of a career in entertainment.

I Am Debra Lee is a page-turner, filled with deeply personal revelations, juicy celebrity intel, and electrifying behind-the-scenes stories that reveal how she went from a girl raised in the segregated South to leading the first Black company traded on the New York Stock Exchange and how she juggled social responsibility while managing a company targeted toward the Black community. In a rousing narrative, Lee writes: “I don’t just love Black culture—the magic in our hair, the swagger in our steps, the particular way we can say ‘alright now’ to fit our changing moods—Black culture saved me.” In her exciting debut, she answers all of our questions about building an unapologetically Black enterprise as a Black woman. What to do when you’re forced to attend a board meeting eight weeks after a C-section. How to manage a team of men when you’re the first female CEO at the company. How she learned the hard way to say no to those in power when their vision didn’t align with her purpose.

I Am Debra Lee tackles lessons that women CEOs rarely dare to. She addresses her personal struggles with motherhood and “having it all,” navigating reproductive choice, fertility, and #MeToo while achieving great professional success. Being Black and a woman in corporate life isn’t easy for anyone. But Lee shows how she evolved from a shy girl who dreaded public speaking to becoming a force to be reckoned with as she helped build the leading entertainment company for Black audiences and consumers of Black culture globally.

*ships in 7-10 business days*

In the second installment of C.L. Clark's Magic of the Lost trilogy, soldier Touraine and princess Luca must return to Balladaire to reclaim Luca's throne and to face the consequences of dismantling an empire.

The rebels have won, and the empire is withdrawing from Qazal. But undoing the tangled web that binds the two nations will not be easy, and Touraine and Luca will face their greatest challenge yet.

Luca needs to oust her uncle from the Balladairan throne once and for all and take her rightful place as Queen. But he won't let go of power so easily. When he calls for a "Trial of Competence" and Luca's allies start disappearing from her side, she will need to find a way to prove her might. And she knows someone who can help...

Touraine has found a home in the newly free country of Qazal. But she soon realizes that leading a country and leading a revolution are two very different tasks. And, even more importantly, if Luca's uncle doesn't ratify the treaty, the Qazali could end up right back where they started. 

Together, the two women will have to come overcome their enemies, their history, and their heartbreak in order to find a way to secure Luca's power and Touraine's freedom.