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Birthing Liberation presents reproductive justice as the pathway to equity and the birthplace of liberation.

Sabia C. Wade, renowned radical doula and educator, speaks to the intersections of systemic issues—such as access to health care, house transportation, and nutrition—and personal trauma work that, if healed, have the power to lead us to collective liberation in all facets of life.

Collective liberation rests on the idea that in order for us all to have equity in this world—from the safety of childbirth, to the ability to bring a baby home to a safe community, to having access to resources, safety, and opportunities over the long term—we must all become liberated individuals.

Birthing Liberation creates a path to social and systemic change, starting within the birthing world and expanding far beyond.

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Decolonizing the Body explores the traumatic physical and emotional effects of colonization and systemic racism on the body and mind. Written by a woman of color for women of color, it offers body-centered somatic practices to free women from internalized oppression, so they can reclaim confidence, dignity, and self-worth.

Powerful, body-based practices to help you reclaim confidence, dignity, and self-worth.

As a woman of color, you are more likely to experience oppression, discrimination, and physical or sexual violence in your lifetime. In addition, your family may have experienced generational trauma and systemic racism going back for centuries. This old and new trauma can manifest in both the mind and body. However, there are ways you can free yourself from this trauma, build confidence in yourself and your abilities, and restore your powerful sense of self.

Written by a woman of color for women of color, Decolonizing the Body offers proven-effective somatic, body-centered practices to help you heal from systemic oppression, trust the profound wisdom of your own body, and reconnect with your true self. And by slowing down, cultivating a daily ritual, and setting strong boundaries, you can reclaim your inherent dignity and worth—as well as those aspects of yourself that you may have cast aside in an effort to survive.

With this empowering guide, you’ll discover:

• How bodies are colonized through systems of oppression
• Why slowing down is essential for healing
• How to listen to what your body needs
• How to create a space for ritual in your daily life
• How to strengthen feelings of capability
• How to cultivate community—starting with yourself

To decolonize the body is to become whole again, and to come home again. Let this book be your guide on this crucial journey.

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An invigorating exploration of impactful feminist movements and strategies for replicating their success

In The Everyday Feminist: The Key to Sustainable Social Impact-Driving Movements We Need Now More than Ever, accomplished feminist activist and executive Latanya Mapp Frett delivers a powerful and practical exploration of the factors that make a feminist social movement impactful in its place and time. In the book, you'll discover popular and not-so-popular social movements and the leaders, art, research, and narratives that drove them.

The author explains what made these social movements so effective and explains the steps that organizations, nonprofits, and social impact professionals can take to replicate that success on the ground and in the present.

The book also includes:

• Discussions of the importance of feminist funds in bankrolling critical feminist movements
• Explanations of the roles played by men and boys in building a feminist future
• Actionable and straightforward advice applicable to everyone trying to make a difference for women around the world

An essential text for feminist advocates who find themselves in an increasingly challenging political and social environment, The Everyday Feminist is the practical blueprint to social change that lawmakers, activists, entrepreneurs, and non-profit professionals have been waiting for.

A gritty, down-to-earth guide for real-life couples 

Conflict is a natural part of any intimate relationship. Yet most couples either avoid it or try to smooth over their differences. This often results in at least one partner compromising their integrity—and stunting their own growth.

Monsters in Love challenges the idea that conflict between partners is unhealthy or something to avoid. Instead, it encourages both people to stand by what they need and who they are—but to do so with compassion rather than competitiveness or vengefulness. 

This book is about the reality of committed, intimate relationships, which are designed to inspire both people to grow up. It challenges some common misperceptions about what makes for a successful partnership. It also rocks the boat of psychotherapy, calling out therapists who don't bring their best to their clients. 

Instead of comforting fantasies or false promises, Monsters in Love offers you and your partner a chance to make your relationship—and your lives—much bigger and more emergent. 

• An exploration of ecological grief and its impacts

• Information for working with subtle body energy

• Tools for observing, identifying, foraging, and cultivating plants

• Methods for creating infusions, honeys, vinegars, and oils

• More than 80 seasonal and 40 plant monographs

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A wildly original, incendiary story about race, redemption, the dangerous imbalances that continue to destabilize society, and speaking out for what’s right.

One could argue the story begins the night Allegra Douglass is awarded Distinguished Chair in Philosophy at her top-tier university in New York—the same night her grandmother dies—or before that: the day Allie left Birmingham and never looked back. Or even before that: the day her mother disappeared. But for our purposes Allie’s story begins at the end, when she is finally ready to tell her version of what happened with a white supremacist named Matthew Strong.
        From the beginning, Allie had the clues: in a spate of possibly connected disappearances of other young Black women; in a series of recently restored plantation homes; in letters outlining an uprising; in maps of slave trade routes and old estates; in hidden caves and buried tunnels; and finally, in a confessional that should never have existed. They just have to make a case strong enough for the FBI and police to listen. This is when Allie herself disappears.
        Allie is a survivor. She survived the newly post-Jim Crow south, she survived cancer, and she will survive being stalked and kidnapped by Matthew Strong, who seeks to ignite a revolution. The surprise in this doesn’t lie in the question of will she be taken; it lies in how she and her community outsmart a tactical madman.

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This intimate picture book debut captures the joys—and occasional struggles—of being a stay-at-home parent.

Rollicking rhyme and playful illustrations record a day in the life of two rambunctious children and their stay-at-home mother. As fun as it is being a kid, it can be hard work being a mom. When Dad heads to his job, the joyful chaos of getting ready for the day begins. To the children, that day is a happy blur of school and playdates, singing and dancing, supermarket walks and library stops, bath time, story time, bedtime. But Mommy’s time is filled with a whole lot more—sweeping, laundry, stinky diapers—tiring work achieved with love in her eyes and care in her smiles. An authentic catalog of precious moments in the life of an ordinary family, this warm, revealing story builds a bridge of empathy between parent and child and celebrates the value of “Mommy time.”

In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company’s most iconic shoes. With their project The Ten—which reimagined icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others—they reinvigorated sneaker culture.

Virgil Abloh’s designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh played with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzed what makes each shoe iconic and deconstructed it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.

ICONS traces Abloh’s investigative, creative process through documentation of the prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a look behind the scenes and witness Abloh’s DIY approach, which gave each model in the Off-WhiteTM c/o Nike collection its own unique touch. His deconstructive vocabulary is reflected in the Swiss binding, which showcases an open spine and discloses the production of the book.

The book documents Abloh’s cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed London-based design studio Zak Group. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a visual culture of sneakers while a lexicon in the second part defines the key people, places, objects, ideas, materials, and scenes from which the project grew. Texts by Nike’s Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A foreword by Hiroshi Fujiwara places the project within the historical continuum of Nike collaborators.

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Nine days after getting married, Noenka leaves her abusive husband, shocking her family and community. As a queer Black woman striking out on her own, her path to freedom is constricted by the unwritten laws of tropical Suriname—and lined with hidden beasts and delicate flowers.

A classic of queer literature that’s as electrifying today as it was when it originally appeared in 1982, On a Woman’s Madness tells the story of Noenka, a courageous Black woman trying to live a life of her choosing. When her abusive husband of just nine days refuses her request for divorce, Noenka flees her hometown in Suriname, on South America's tropical northeastern coast, for the capital city of Paramaribo. Unsettled and unsupported, her life in this new place is illuminated by the passionate romances of the present but haunted by society’s expectations and her ancestral past.

Translated into sensuous English for the first time by Lucy Scott, Astrid Roemer’s intimate novel—with its tales of plantation-dwelling snakes, rare orchids, and star-crossed lovers—is a blistering meditation on the cruelties we inflict on those who disobey. Roemer, the first Surinamese winner of the prestigious Dutch Literature Prize, carves out postcolonial Suriname in barbed, resonant fragments. Who is Noenka? Roemer asks us. “I’m Noenka,” she responds resolutely, “which means Never Again.”

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A new voice in the tradition of Lauren Beukes, Ian McDonald, and Nnedi Okorafor comes a fantastic, boundary-challenging tale, set in a South African locale both familiar and yet utterly new, which braids elements of science fiction, fantasy, horror, and dark humor

In South Africa, the future looks promising. Personal robots are making life easier for the working class. The government is harnessing renewable energy to provide infrastructure for the poor. And in the bustling coastal town of Port Elizabeth, the economy is booming thanks to the genetic engineering industry which has found a welcome home there. Yes—the days to come are looking very good for South Africans. That is, if they can survive the present challenges:

A new hallucinogenic drug sweeping the country . . .

An emerging AI uprising . . .

And an ancient demigoddess hellbent on regaining her former status by preying on the blood and sweat (but mostly blood) of every human she encounters.

It’s up to a young Zulu girl powerful enough to destroy her entire township, a queer teen plagued with the ability to control minds, a pop diva with serious daddy issues, and a politician with even more serious mommy issues to band together to ensure there’s a future left to worry about.

Fun and fantastic, Nicky Drayden takes her brilliance as a short story writer and weaves together an elaborate tale that will capture your heart, even as one particular demigoddess threatens to rip it out.

From New York Times bestselling author J. Elle comes a modern-day YA romantic fantasy series opener about a glamorous magical world of social elites, forbidden love, and a dark magic that could destroy it all.

BURY YOUR SECRET OR DIE FOR IT.

17 year-old Quell has lived her entire life on the run. She and her mother have fled from city to city, in order to hide the deadly magic that flows through Quell’s veins. 

Until someone discovers her dark secret.

To hide from the assassin hunting her, and keep her mother out of harm’s way, Quell reluctantly inducts into a debutante society of magical social elites called the Order that she never knew existed. If she can pass their three rites of membership, mastering their proper form of magic, she’ll be able to secretly bury her forbidden magic forever. 

If caught, she will be killed.

But becoming the perfect debutante is a lot harder than Quell imagined, especially when there’s more than tutoring happening with Jordan, her brooding mentor and— assassin in training. 

When Quell uncovers the deadly lengths the Order will go to defend its wealth and power, she’s forced to choose: embrace the dark magic she’s been running from her entire life or risk losing everything, and everyone, she’s grown to love.

Still, she fears the most formidable monster she’ll have to face is the one inside.

Brimming with ballgowns and betrayal, magic and mystery, decadence and darkness, House of Marionne is perfect for readers who crave morally gray characters, irresistible romance, dark academia, and a deeply intoxicating and original world.

From the bestselling, award-winning author of Memorial and Lot, an irresistible, intimate novel about two young men, once best friends, whose lives collide again after a loss.

Cam is living in Los Angeles and falling apart after the love of his life has died. Kai's ghost won't leave Cam alone; his spectral visits wild, tender, and unexpected. When Cam returns to his hometown of Houston, he crashes back into the orbit of his former best friend, TJ, and TJ's family bakery. TJ's not sure how to navigate this changed Cam, impenetrably cool and self-destructing, or their charged estrangement. Can they find a way past all that has been said - and left unsaid - to save each other? Could they find a way back to being okay again, or maybe for the first time?

When secrets and wounds become so insurmountable that they devour us from within, hope and sustenance and friendship can come from the most unlikely source. Spanning Los Angeles, Houston, and Osaka, Family Meal is a story about how the people who know us the longest can hurt us the most, but how they also set the standard for love. With his signature generosity and eye for food, sex, love, and the moments that make us the most human, Bryan Washington returns with a brilliant new novel.

Ba’s densely textured paintings intertwine African and European histories to explore the corrupting effects of wealth and power and their impacts on communities

This is the first monograph on Dakar- and New York–based mixed-media painter Omar Ba (born 1977), whose surreal scenes of violence and fantasy draw from a wide and often dark portfolio of themes: despotic warlords of the present, traditional folklore, colonial oppression and the pharaohs of ancient Egypt. His most abiding theme is the experiences of Black communities, both within America and across the globe. Ba articulates all these narrative threads through a densely textured visual language, applying oil, gouache, crayon and India ink onto rough, readymade surfaces such as corrugated cardboard. After preparing uniform backgrounds rendered in black paint, Ba populates the scenes with an abundance of fantastical beings—part human, part animal or plant.

An Indie bookstore owner finds herself in a love triangle when she meets the author she's had a crush on for years...and his best friend.

Zora has committed every inch of her life to establishing her thriving DC bookstore, making it into a pillar of the community, and she just hasn’t had time for romance. But when a mystery author she’s been crushing on for years agrees to have an event at her store, she starts to rethink her priorities. Lawrence is every bit as charming as she imagined, even if his understanding of his own books seems just a bit shallow. When he asks her out after his reading, she’s almost elated enough to forget about the grumpy guy who sat next to her making snide comments all evening. Apparently the grouch is Lawrence’s best friend, Reid, but she can’t imagine what kind of friendship that must be. They couldn’t be more different.

But as she starts seeing Lawrence, and spending more and more time with Reid, Zora finds first impressions can be deceiving. Reid is smart and thoughtful. And interested. After years of avoiding dating, she suddenly has two handsome men competing for her affection. But even as she struggles to choose between them, she can’t shake the feeling that they’re both hiding something. A mystery she’s determined to solve before she can find her HEA.

A poignant debut for readers of Jesmyn Ward and Jamel Brinkley, We Are a Haunting follows three generations of a working class family and their inherited ghosts: a story of hope and transformation. 

In 1980’s Brooklyn, Key is enchanted with her world, glowing with her dreams. A charming and tender doula serving the Black women of her East New York neighborhood, she lives, like her mother, among the departed and learns to speak to and for them. Her untimely death leaves behind her mother Audrey, who is on the verge of losing the public housing apartment they once shared. Colly, Key’s grieving son, soon learns that he too has inherited this sacred gift and begins to slip into the liminal space between the living and the dead on his journey to self-realization.

In the present, an expulsion from school forces Colly across town where, feeling increasingly detached and disenchanted with the condition of his community, he begins to realize that he must, ultimately, be accountable to the place he is from. After college, having forged an understanding of friendship, kinship, community, and how to foster love in places where it seems impossible, Colly returns to East New York to work toward addressing structural neglect and the crumbling blocks of New York City public housing he was born to; discovering a collective path forward from the wreckages of the past. A supernatural family saga, a searing social critique, and a lyrical and potent account of displaced lives, We Are a Haunting unravels the threads connecting the past, present, and future, and depicts the palpable, breathing essence of the neglected corridors of a pulsing city with pathos and poise.

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A debut illustrated manifesto by Rinny Perkins (@RinnyRiot) about what she's learned as a queer Black woman through the art of self-validation.

In this graphic collection of mini essays, comedian Rinny Perkins illustrates her experiences as the owner of a popular online shop while she figures out antidepressant prescriptions and the seemingly never-ending dating-app cycle.
 
Rinny shares what she's learned across topics like mental health, work, sex and dating, and family and friends. Featuring funny, real reflections from experiences in her hometown of (Third Ward!) Houston, Texas to Los Angeles — the author traces her journey to understanding that whether through a friendship break-up or saving up for a Telfar bag, the only person who can truly validate us is ourselves.
 
With 1970s-inspired graphics like a "When To Quit Your Job" checklist and Microaggressions Bingo, Not Everyone's Going to Like You is a long DM of affirmations from Rinny to herself on how to get through life. Her advice? Stop ignoring your intuition, ignore perfection, and leave them on read.

The first ever book on Ellison's lifelong photography practice, from New York scenes to domestic vignettes

Ralph Ellison is a leading figure in American literature, hailed for his seminal novel Invisible Man (1952), a breakthrough representation of the American experience and Black everyday life. Lesser known, however, is his lifelong engagement with photography. Photographer is the first book dedicated to Ellison’s extensive work in the medium, which spans the 1930s to the ’90s.
Throughout his life, photography played multiple roles for Ellison: a hobby, a source of income, a notetaking tool and an artistic outlet. During his formative years in New York City in the 1940s, he keenly photographed his surroundings—at times alongside fellow photographer Gordon Parks—with many images serving as field notes for his writing. In the last decades of his life, as he grappled with his much-anticipated second novel, Ellison turned inward, and he studied his private universe at home with a Polaroid camera. At all times his photography reveals an artist steeped in modernist thinking who embraced experimentation to interpret the world around him, particularly Black life in America. In a 1956 letter to fellow writer Albert Murray, Ellison underscored photography’s importance to his creative process: “You know me, I have to have something between me and reality when I’m dealing with it most intensely.” Accompanying the photographs in this book are several essays situating Ellison’s work within his broader career as a writer, as well an excerpt from his 1977 essay “The Little Man at Chehaw Station: The American Artist and His Audience.”
Ralph Ellison was born in Oklahoma City in 1913. His love of music led him to enroll at Booker T. Washington’s Tuskegee Institute in Macon County, Alabama, as a music major. In 1936 he visited New York City, where he befriended established authors and intellectuals who encouraged him to pursue a career in writing. He joined the Federal Writers’ Project and began contributing essays and short stories for publications such as New Masses, The Negro Quarterly, New Republic and Saturday Review. By 1945 he had signed a contract to write what was to become Invisible Man (1952); it won the National Book Award in 1953 but remained his only novel published during his lifetime. He published two subsequent collections of essays, Shadow and Act (1964) and Going to the Territory (1986). For many years Ellison worked on a second novel, which he never completed; its central narrative was published posthumously as Three Days Before the Shooting... (2010). Ellison died in 1994.

“That is the archaeology I am unearthing: the specter of police violence and state control over the bodies of young Black and brown people all over the world.” –Kehinde Wiley

Kehinde Wiley: An Archaeology of Silence features a new body of paintings and sculptures by American artist Kehinde Wiley confronting the legacies of colonialism through the visual language of the fallen figure. It expands on a subject the artist first explored in his 2008 series Down—a group of large-scale portraits of young Black men inspired by Wiley’s encounter with Hans Holbein the Younger’s The Dead Christ in the Tomb (1521–22) at the Kunstmuseum Basel. Holbein’s painting triggered an ongoing investigation into the iconography of death and sacrifice in Western art that Wiley traced across religious, mythological and historical subjects. An Archaeology of Silence extends these considerations to include men and women around the world whose senseless deaths, often unacknowledged or silenced, are transformed into a powerful elegy of global resistance against state-sanctioned violence. The resulting paintings of Black bodies struck down, wounded or dead, all referencing iconic historical paintings of slain heroes, martyrs or saints, offer a haunting meditation on the violence against Black and brown bodies through the lens of European art history.
Kehinde Wiley (born 1977) is a world-renowned visual artist. Working in the mediums of painting, sculpture and video, Wiley is best known for his vibrant portrayals of contemporary African American and African-diasporic individuals that subvert the hierarchies and conventions of European and American portraiture. Wiley became the first African American artist to paint an official US Presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide. He lives and works in Beijing, Dakar and New York.

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A warm and inviting picture-book portrait of African American culinary legend Edna Lewis, who brought Southern cooking to the masses

Edna loved to cook. Growing up on a farm in Freetown, Virginia, she learned the value of fresh, local, seasonal food from her Mama Daisy, how to measure ingredients for biscuits using coins, and to listen closely to her cakes to know when they were done. Edna carried these traditions with her all the way to New York, where she became a celebrated chef, who could even turn traditional French food into her signature Southern style. The author of several cookbooks and the recipient of numerous awards, Chef Edna introduced the world to the flavors of her home.

A Contemporary Classics hardcover omnibus of the complete fiction of one of the most gifted writers of the Harlem Renaissance, including her most famous novel, Passing

Throughout her short but brilliant literary career, Nella Larsen wrote piercing dramas about the Black middle class that featured sensitive, spirited heroines struggling to find a place where they belonged. Passing, Larsen’s best-known work, is a disturbing story about the unraveling lives of two childhood friends, one of whom turns her back on her past and marries a white racist. Just as disquieting is the portrait in Quicksand of biracial Helga Crane, who is unable to escape her loneliness no matter where and with whom she lives. Race and marriage offer few securities here or in the other stories in this compulsively readable collection, rich in psychological complexity and imbued with a vibrant sense of place.

Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

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A gripping page-turner from the celebrated author of book club favorite The Violin Conspiracy: Music professor Bern Hendricks discovers a shocking secret about the most famous American composer of all time—his music may have been stolen from a Black Jazz Age prodigy named Josephine Reed. Determined to uncover the truth that a powerful organization wants to keep hidden, Bern will stop at nothing to right history's wrongs and give Josephine the recognition she deserves.

Bern Hendricks has just received the call of a lifetime. As one of the world’s preeminent experts on the famed twentieth-century composer Frederick Delaney, Bern knows everything there is to know about the man behind the music. When Mallory Roberts, a board member of the distinguished Delaney Foundation and direct descendant of the man himself, asks for Bern’s help authenticating a newly discovered piece, which may be his famous lost opera, RED, he jumps at the chance. With the help of his tech-savvy acquaintance Eboni, Bern soon discovers that the truth is far more complicated than history would have them believe.

In 1920s Manhattan, Josephine Reed is living on the streets and frequenting jazz clubs when she meets the struggling musician Fred Delaney. But where young Delaney struggles, Josephine soars. She’s a natural prodigy who hears beautiful music in the sounds of the world around her. With Josephine as his silent partner, Delaney’s career takes off—but who is the real genius here?

In the present day, Bern and Eboni begin to uncover more clues that indicate Delaney may have had help in composing his most successful work. Armed with more questions than answers and caught in the crosshairs of a powerful organization who will stop at nothing to keep their secret hidden, Bern and Eboni will move heaven and earth in their dogged quest to right history’s wrongs.

 *All pre-orders are signed/personalized and come with exclusive art and bookmarks.*

 From Joya Goffney, author of Excuse Me While I Ugly Cry, comes her third stunning YA novel, a stirring coming-of-age, best friends-to-lovers romance about a girl named Nikki who plans to run away from small-town Texas but ultimately finds that her oldest friend, Mal, just might be the one who’s been there for her all along. Filled with Joya’s signature heart and humor, this book captures complex family dynamics, friendship, and love. For fans of I Wanna Be Where You Are by Kristina Forest and Counting Down with You by Tashie Bhuiyan.

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Crackling with energy and intelligence, this debut is the "smart, subversive, funny, heartbreaking" (Kamila Shamsie) story of an exceptional teenager coming of age in the shadow of colonialism and communal violence in Nigeria.

Andrew Aziza is an unusually smart fifteen-year-old in Kontagora, Nigeria. He lives with his fiercely protective mother, Gloria, and fantasizes obsessively about white girls-especially blondes. When he's not in church, at school, or hanging about town with his droogs wishing to become one of “Africa's first superheroes,” he's contemplating the larger questions with his teacher Zahrah and his equally brilliant friend Fatima, a Hausa-Fulani girl who has feelings for him. Together they discuss mathematical theorems, Black power, and what Andy has deemed the Curse of Africa.

Sure enough, the reluctantly nicknamed Andy Africa soon falls hopelessly and inappropriately in love with the first white girl he lays eyes on: Eileen. But at the church party held to celebrate her arrival, multiple crises loom. An unfamiliar man there claims, despite his mother's denials, to be Andy's father, and an anti-Christian mob has gathered, headed for the church. In the ensuing havoc and its aftermath, Andy is forced to reckon with his identity and desires and determine how to live on the so-called Cursed Continent.

The Five Sorrowful Mysteries of Andy Africa announces a dazzlingly unique literary voice. Crackling with energy, this tragicomic novel provides a stunning lens into contemporary African life, the complicity of the West, and the impossible challenges of growing up in a turbulent world.

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In this final installment in the acclaimed Black Girls Must Die Exhausted trilogy, Tabitha is juggling work, relationships, and a newborn baby—but will she find the happy ending she’s always wanted?

After a whirlwind year, Tabitha Walker’s carefully organized plan to achieve the life she wanted—perfect job, dream husband, and stylish home—has gone off the rails. Her checklist now consists of diapers changed (infinite), showers taken (zero), tears cried (buckets), and hours of sleep (what’s that?).

Don't get her wrong, Tabby loves her new bundle of joy and motherhood is perhaps the only thing that's consistent for her these days. When the news station announces that they will be hiring outside competitors for the new anchor position, Tabby throws herself into her work. But it’s not just maintaining her position as the station’s weekend anchor that has her worried. All of her relationships seem to be shifting out of their regular orbits. Best friend Alexis can’t manage to strike the right balance in her “refurbished” marriage with Rob, and Laila’s gone from being a consistent ride-or-die to a newly minted entrepreneur trying to raise capital for her growing business. And when Marc presents her with an ultimatum about their relationship, coupled with an extended “visit” from his mother, Tabby is forced to take stock of her life and make a new plan for the future.

Consumed by work, motherhood, and love, Tabby finds herself isolated from her friends and family just when she needs them most. But help is always there when you ask for it, and Tabby’s village will once again rally around her as she comes to terms with her new life and faces her biggest challenge yet—choosing herself.

A sweet sibling story all about making family traditions your own—perfect for fans of Alma and How She Got Her Name and Welcome to the Party

Today’s the day! It’s Baby Sister’s naming ceremony, and big sister Amira could not be more excited. She has the perfect name picked out . . . or, at least, she hopes it’s the perfect name.

One by one, friends and family arrive. As Amira greets them, she asks what name they have brought to give to Baby Sister. Each is more beautiful than the last—Shakira, Akahana, Uhwe. And each has its own special meaning—thankful, red flower, moonlight. Amira knows that Baby Sister will love these names. But will she love the name Amira has chosen? Is it special enough?

A story about rich traditions and the unique bond between sisters, Naming Ceremony celebrates multigenerational family and Black joy.

A powerful work of Afro-magic realism that interrogates the legacy of slavery and roots of poverty, witnesses the beauty and power in survival, and asks whether belief, magic, and intention can forge new realities

Blue’s daughter, Tsitra, is dying a horrific death. Thousands of miles away, Blue feels time slowing and hears voices, followed by an 18-month stillness. More than a century before, Blue’s grandparents, Amanda and Palmer, attend a salon party in New Orleans. It’s a veritable array of who’s-who within pre–Civil War social circles. Conversations get heated quickly as Ismay, the hostess who hails from French royalty, antagonizes Palmer, a landowner whose parents had been sold into American slavery and who’s there to seek revenge, and Amanda, a shapeshifter and puzzlemaker who had been enslaved until this very gathering. At this party, Amanda learns of a plot that will doom a line of her—and Palmer’s—family to poverty. She devises her own counter-plot to undo the damage.

Meanwhile, Blue comes out of her stillness, broke and devoid of inspiration. In profound grief and consumed by guilt, Blue travels to The Ranch where the voices grow louder and she has visions of two women from the distant past. As time collapses and Blue and Amanda meet in the space of possibility, Blue feels the spark of a power and creative energy she has only glimpsed. A novel of invention but grounded in the real, The Blue Is Where God Lives is a dual-timeline, time-bending novel of undeniable beauty, magic, and possibility.

A multidisciplinary illustrated reader unpacking imperialist representations of Africa by promoting dialogue, memory and everyday practice, and reimagining cultural institutions and the arts—from museums to academia, from architecture to art.

In 2017, curator and art historian Anita N. Bateman and architect and professor Emanuel Admassu initiated research on the traditional positioning and mispositioning of the arts across the African continent. Where Is Africa has been an extended set of exchanges with contemporary artists, curators, designers and academics who are actively engaged in representing the continent—both within and outside its geographic boundaries. By examining artist collectives, new currents in art history and the rise of contemporary art festivals in and about Africa from the past 10 years, the project unpacks the imperialist foundations of cultural institutions and their anthropological fascination with African objects, people and places.

The interviews in Where Is Africa examine African and African-diasporic identities and spaces through questions of positionality in relation to specific disciplinary, cultural and political contexts. The texts address Afro-diasporic aesthetic practices and the curatorial, museological and artistic matrices that confront epistemologies of dominance and exclusion. The commissioned essays and images offer concise methodologies that expand or complicate issues addressed by the interviewees.

Where Is Africa is a conceptual project that accompanies a conceptual place, driven by the desire to dislodge Africa from categorical fixity and the representational logics of nation-states. Africa can never be fully enclosed by the residue of colonial violence or the totalitarian gaze of neoliberalism; instead, it creates infinite malleability, where place and concept are untethered from each other.

Contributors include: Mikael Awake, Salome Asega, Tau Tavengwa, Anthony Bogues, Jay Simple, Eric Gottesman, Rebecca Corey, Aida Mulkozi, Rakeb Sile, Mesai Haileleul, Mpho Matsipa, Naiama Safia Sandy, Adama Delphine Fawundu, Rehema Chachage, Robel Temesgen, Valerie Amani, Meskerem Assegued, Elias Sime, Olalekan Jeyifous, Amanda Williams, Germane Barnes and Mario Gooden.

*Ships in 7-10 Business Days*

In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure.

If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong’o posits queerness as “angular sociality,” drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life.

Newbery Award–winning graphic novelist Jerry Craft sends Jordan, Drew, and a small group of students from Riverdale Academy on a school trip to Paris in this full-color contemporary graphic novel about friendship, growing up, uncomfortable but necessary conversations, and navigating the world.  A companion to New Kid and Class Act!

Jordan, Drew, Liam, and a group of other students from Riverdale Academy Day School are finally heading out on their long-awaited school trip to Paris. As an aspiring artist himself, Jordan can’t wait to see all the amazing art in the famous city of lights.

When their trusted faculty guides are replaced at the last minute, the school trip takes an unexpected—and hilarious—turn. But trying to find their way around a foreign city ends up being almost as tricky as navigating the same friendships, fears, and differences that they struggle with at home.

Will Jordan and his friends embrace being exposed to a new language, unfamiliar food, and a different culture? Or will they all end up feeling like the “new kid”?

Return To Source invites Black people around the world to reconnect with their lost heritage and find healing, self-love and transformation.

This book is an empowering call to journey home to a new way of looking after yourself. A new way that is, in fact, the old way.

Globally, Africans and Diasporans are rediscovering that, even while navigating an oppressive and often unsafe world, we are called to make space for healing, not just for ourselves but also for loved ones, Ancestors and descendants. Our path to liberation includes a commitment to nurturing our personal and community growth by making wellness a priority. In this powerful book, Araba Ofori-Acquah will help you to:

• embark on a spiritual, emotional and – for some – physical journey back to the Motherland, back to your heritage, back to yourself, back to source

• unlock your potential with the power of an African-centred approach to wellness

• incorporate the three seeds of African wellness – music and movement, Mother Earth and magick – into your routine

Based on the viral poem by Coretta Scott King honoree Junauda Petrus, this picture book debut imagines a radically positive future where police aren’t in charge of public safety and community well-being.

Petrus first published and performed this poem after the shooting of Michael Brown in Ferguson, Missouri in 2014. With every subsequent police shooting, it has taken on new urgency, culminating in the 2020 murder of George Floyd by a Minneapolis police officer, blocks from Junauda's home.

In its picture book incarnation, Can We Please Give the Police Department to the Grandmothers? is a joyously radical vision of community-based safety and mutual aid. It is optimistic, provocative, and ultimately centered in fierce love. Debut picture book artist Kristen Uroda has turned Junauda's vision for a city without precincts into a vibrant and flourishing urban landscape filled with wise and loving grandmothers of all sorts.