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The author of the Booker Prize finalist Real Life and the bestselling Filthy Animals returns with a deeply involving new novel of young men and women at a crossroads

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. At the group’s center are Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicates her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These three are buffeted by a cast of poets, artists, landlords, meat-packing workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of Iowa City, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.

A novel of intimacy and precarity, friendship and chosen family, The Late Americans is Brandon Taylor’s richest and most involving work of fiction to date, confirming his position as one of our most perceptive chroniclers of contemporary life. 

Discover the fascinating history of Black mixology and its enduring influence on American cocktail culture through 70 rediscovered, modernized, or celebrated recipes, by the James Beard Award–winning author of Jubilee.

Juke Joints, Jazz Clubs, and Juice spotlights the creativity, hospitality, and excellence of Black drinking culture, with classic and modern recipes inspired by formulas found in two centuries’ worth of Black cookbooks. From traditional tipples, such as the Absinthe Frappe or the Clover Leaf Cocktail, to new favorites, like the Jerk-Spiced Bloody Mary and the Gin and Juice 3.0, Toni Tipton-Martin shares a variety of recipes that shine a light on her influences, including underheralded early-twentieth-century icons, like Tom Bullock, Julian Anderson, and Atholene Peyton, and modern superstars, such as Snoop Dogg and T-Pain.

Drawing on her expertise, research in historic cookbooks, and personal collection of texts and letters, Toni Tipton-Martin shows how these drinks have evolved over time and shares the stories of how Black mixology came to be—a culmination of generations of practice, skill, intelligence, and taste.

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Is this jug really magical? In Mexican American comedian Jesús Trejo’s debut picture book, little Jesús makes a big, funny mistake as he works alongside his landscaper papá, but father and son find a heartwarming solution.

Little Jesús is excited to spend a Saturday with his landscaper Papá at the “family business.” He loves Papá’s cool truck and all the tools he gets to use. Papá even puts him in charge of the magical water jug, which is also a clock! When it's empty, Papá explains, the workday will be done. It’s a big job, and Jesús wants to do it right. But he just can’t help giving water to an array of thirsty animals—a dog in a sweater, some very old cats, and a flock of peacocks. Before he knows it, the magical water jug is empty —but the workday’s not over yet! Will Jesús be fired?! Or is the jug not really magical after all? This mischievous tale of a very young comedian’s life lesson will warm hearts and have class clowns, practical jokers, and all high-spirited kids nodding in sympathy.

Langston Collin Wilkins returns to the city where he grew up to illuminate the complex relationship between place, identity, and music in Houston’s hip hop culture. Interviews with local rap artists, producers, and managers inform an exploration of how artists, audiences, music, and place interact to create a heritage that musicians negotiate in a variety of ways. Street-based musicians, avant-garde underground rappers, and Christian artists offer candid views of the scene while Wilkins delves into related aspects like slab, the area’s hip hop-related car culture. What emerges is a portrait of a dynamic reciprocal process where an artist, having identified with and embodied a social space, reproduces that space in a performance even as the performance reconstructs the social space.

A vivid journey through a southern hip hop bastion, Welcome 2 Houston offers readers an inside look at a unique musical culture.

From Jesmyn Ward—the two-time National Book Award winner, youngest winner of the Library of Congress Prize for Fiction, and MacArthur Fellow—comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War.

“‘Let us descend,’ the poet now began, ‘and enter this blind world.’” —Inferno, Dante Alighieri

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.

Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.

From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.

A gritty, intense novel set on Detroit’s mean streets, featuring a much-feared deaf killer known as “The Silent Assassin,” who’s fresh out of prison and on a mission to avenge the murder of the man who taught him to survive. Perfect for readers of K’wan and Ashley & JaQuavis.

The man called Silence never let being deaf stop him from becoming Detroit’s most feared thug. Now he’s tearing up the city’s meanest hood to avenge the murder of his mentor. But there’s a brutal truth even he won't see coming . . .

Deaf since childhood, Silence can read body language like a book. His mentor, Doc, who acted as his voice, taught him to navigate the streets. Silence put those skills together to become the Motor City’s most lethal killer. But now he’s home after twelve years in lockdown—and primed for revenge. His city is crumbling, and Doc has been shot dead, his empire divvied up between Silence’s former friends—and no one is talking. . . Until Silence starts rattling cages, from the town’s hottest strip joints to its icy centers of political power.

Under pressure from a ruthless cop, Silence soon finds that the loyalty and friendship he valued, the truths he lived by—even the man he looked up to—might just be deadly illusions. And when someone goes after his adopted family, Silence is on the clock to unravel a lethal conspiracy—and stake his life on one last impossible play . . .

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In a deliciously twisty tale of seduction, betrayal, and obsession from New York Times and USA Today bestselling author Shanora Williams, a scorned wife isn’t the only one looking for answers—at any price . . . Perfect for fans of Tarryn Fisher, Lisa Jewell, and Alyssa Cole!

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There’s nothing a dad won’t do for his favorite boy.

Told in upbeat rhyming verse, Boy Dad is a picture book that celebrates fathers who raise, love, and uplift little men. A companion to Girl Dad, this keepsake will make a fun read aloud and gift for the special dad in your life.

A novel about the extraordinary partnership between First Lady Eleanor Roosevelt and civil rights activist Mary McLeod Bethune—an unlikely friendship that changed the world, from the New York Times bestselling authors of the Good Morning America Book Club pick The Personal Librarian.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance. Initially drawn together because of their shared belief in women’s rights and the power of education, Mary and Eleanor become fast friends confiding their secrets, hopes and dreams—and holding each other’s hands through tragedy and triumph.

When Franklin Delano Roosevelt is elected president, the two women begin to collaborate more closely, particularly as Eleanor moves toward her own agenda separate from FDR, a consequence of the devastating discovery of her husband’s secret love affair. Eleanor becomes a controversial First Lady for her outspokenness, particularly on civil rights. And when she receives threats because of her strong ties to Mary, it only fuels the women’s desire to fight together for justice and equality.

This is the story of two different, yet equally formidable, passionate, and committed women, and the way in which their singular friendship helped form the foundation for the modern civil rights movement.

Story Locale: Washington, D.C., Mid-20th Century - A novel about the extraordinary partnership between First Lady Eleanor Roosevelt and civil rights activist Mary McLeod Bethune—an unlikely friendship that changed the world, from the New York Times bestselling authors of the Good Morning America Book Club pick The Personal Librarian.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance. Initially drawn together because of their shared belief in women’s rights and the power of education, Mary and Eleanor become fast friends confiding their secrets, hopes and dreams—and holding each other’s hands through tragedy and triumph.

When Franklin Delano Roosevelt is elected president, the two women begin to collaborate more closely, particularly as Eleanor moves toward her own agenda separate from FDR, a consequence of the devastating discovery of her husband’s secret love affair. Eleanor becomes a controversial First Lady for her outspokenness, particularly on civil rights. And when she receives threats because of her strong ties to Mary, it only fuels the women’s desire to fight together for justice and equality.

This is the story of two different, yet equally formidable, passionate, and committed women, and the way in which their singular friendship helped form the foundation for the modern civil rights movement.

This ferociously fun read-aloud--perfect for bedtime or anytime--begins with a can't-settle-down boy who spends his naptime with wild animals that have leapt off the pages of his favorite book, and ends with a sleepy boy all played out!

Sam is not ready for naptime. Momma says he has ants in his pants and that he must calm down, but Sam says "NOOOOOO!" and flies off to his bedroom. He flips open his favorite book--African Wildlife--and out jumps a herd of gazelles...followed by a pride of lions...and then a zeal of zebras. And that's just the beginning! How can Sam ever be expected to take a nap?!

Amidst all the jumping and stalking and striding and prowling comes a sound louder than any other-- GRROOWWL! It's Sam's tummy, and it scares those ants right out of his pants. It must be time for a snack. But after such a wild day, how can Sam ever be expected to stay awake?!

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Funmi, Enitan, and Zainab first meet at university in Nigeria and become friends for life despite their differences. Funmi is beautiful, brash, and determined; Enitan is homely and eager, seeking escape from her single mother's smothering and needy love; Zainab is elegant and reserved, raised by her father's first two wives after her mother's death in childbirth. Their friendship is complicated but enduring, and over the course of the novel, the reader learns about their loves and losses.
 
Now, some thirty years later, the three women are reunited for the first time, in Lagos. The occasion: Funmi’s daughter, Destiny, is getting married. Enitan brings her American daughter, Remi. Zainab travels by bus, nervously leaving her ailing husband in the care of their son. Funmi, hosting the weekend with her wealthy husband, wants everything to go perfectly. But as the big day approaches, it becomes clear that something is not right. As the novel builds powerfully, the complexities of the mothers’ friendship—and the private wisdom each has earned—come to bear on a riveting, heartrending moment of decision. Dele Weds Destiny is a sensational debut from a dazzling new voice in contemporary fiction.

Harlem’s gay ball subculture of the late 1980s is superbly documented in this trove of previously unseen photographs.

In 1989, Malcolm McLaren had his only number one hit with a single called "Deep in Vogue." Early the next year, Madonna had one of the biggest hits of her career, with the single "Vogue," and when Jennie Livingston's film Paris Is Burning arrived in cinemas the same year, winning the Grand Jury Prize at the Sundance Film Festival, the mainstream got hip to New York City's extraordinary ball culture, from which the film and McLaren and Madonna's songs had arisen. Paris Is Burning documented a gay ballroom scene that emerged in Harlem in the mid-1980s, which drew African American and Latino gay and transgender communities to compete against one another for their dancing skills, the verisimilitude of their drag and their ability to walk on the runway. Photographer Chantal Regnault spent many years recording this scene, from which the dance style known as voguing arose. A visual riot of fashion, polysexuality and subversive style, Voguing and the Ballroom Scene of New York 1989–1992 is also an extraordinary document on sexuality and race. The wild years of voguing are vividly captured in hundreds of Regnault's amazing, previously unpublished photographs. The book also features interviews with key figures from the movement, essays, flyers and ephemera.
Photographer and documentarist Chantal Regnault was born in France. She left Paris after the 1968 uprisings and lived in New York for the next 15 years. At the end of the 1980s she became immersed in Harlem's voguing scene. Also around this time, Regnault developed an interest in Haitian voodoo culture and began to divide her time between Haiti and New York. Her widely published photographs have appeared in major magazines and newspapers, including Vanity Fair and the New York Times.

An inspirational trove of film posters and ephemera, photographs, artwork and more from the collection of Spike Lee

For nearly four decades, Spike Lee has made movies that demand our attention. His extensive filmography reflects an unflinching critique of race relations in the United States, from the Student Academy Award®–winning short Joe's Bed-Stuy Barbershop: We Cut Heads and the ever-relevant Do the Right Thing to the more recent Oscar®-winning BlacKkKlansman and Da 5 Bloods. A lifelong cinephile and film scholar, Lee draws inspiration from other artists working across a range of eras, genres and global cinemas. He has also devoted much of his career to teaching the next generation of filmmakers.
Spike Lee: Director’s Inspiration presents Lee’s personal collection of original film posters and objects, photographs, artworks and more—many of these inscribed to Lee personally by filmmakers, stars, athletes, activists, musicians and others who have inspired his work in specific ways.
Straight from the walls of Lee’s 40 Acres and a Mule production studio in Brooklyn, his faculty office at NYU and his Martha’s Vineyard home, these objects offer a glimpse into what shapes Lee’s signature filmmaking approach. Spike Lee: Director’s Inspiration also includes a conversation between Lee and Shaka King (Judas and the Black Messiah) and brief texts by some of the many artists Lee himself has inspired.
Spike Lee (born 1957) is a director, writer, actor, producer, author and artistic director of the graduate film program at NYU’s Tisch School of the Arts, where he has taught since 1993.

The overlooked yet vibrant history of Black participation in American film, from the beginning of cinema through the civil rights movement

From the dawn of the medium onward, Black filmmakers have helped define American cinema. Black performers, producers and directors—Bert Williams, Oscar Micheaux, Herb Jeffries, Lena Horne, Dorothy Dandridge, Ruby Dee and William Greaves, to name just a few—had a vast and resounding impact. Black film artists not only developed an enduring independent tradition but also transformed mainstream Hollywood, fueled and reflected sociopolitical movements, captured Black experience in all its robust complexity, and influenced generations to come. As harrowing as it is beautiful, this history of Black cinema and its legacy is often overlooked.
Regeneration accompanies a first-of-its-kind exhibition at the Academy Museum of Motion Pictures exploring seven decades of Black participation in American cinema. Amplifying this underrepresented history in colorful and striking detail, the book features an in-depth curatorial essay and scholarly case-study texts on topics such as early Black independent filmmaking, Black spectatorship during the Jim Crow era and home movies as an essential form of Black self-representation. The volume also makes meaningful connections to the present through interviews with award-winning contemporary Black filmmakers Charles Burnett, Julie Dash, Ava DuVernay, Barry Jenkins and Dawn Porter. An extensive filmography and chronology offer an essential resource for anyone interested in Black cinema, while images of contemporary visual artworks further illustrate the volume throughout.

Sumptuous and tender portraits of an empowered Black queer experience

Eric Hart Jr.’s black-and-white photo series presents more than 70 portraits focusing on the notion of power as it relates to the Black queer experience. Begun in 2019, When I Think About Power investigates and expands the contemporary reimagining of men through themed chapters. “I'm fascinated with the intersectionality and the layers of what it means to be Black in the modern day,” he has said. “From masculinity, queerness, to dress, I strive to utilize image-making in a way that displays people like myself in all of their power and all of their beauty.” Hart's approach stems from his own journey toward self-acceptance growing up in Macon, Georgia. By visually exploring the differences and similarities between himself and the men who surround him, studying the words of Black queer icons and researching the visibility of power in eras such as the Ming dynasty or ancient Egypt, Hart has created an iconography of a power that so many queer individuals seek.
The work of Brooklyn-based photographer Eric Hart Jr. (born 1999) has been published in Rolling Stone, the Washington Post, the New York Times and i-D magazine, and has been praised by artists such as Beyoncé and Spike Lee. Hart is a two-time Gordon Parks scholar, a 2022 Forbes 30 under 30 Art & Style choice, and in 2020 was named one of Men's Health magazine's “20-year-old mavericks changing America.”

Perfect for fans of All Out and Black Enough, Transmogrify! is a YA anthology of fantasy stories by and about trans and nonbinary people that celebrates the magic of being queer.

A spell gone wrong

A righteous quest for revenge

A mirror that only shows the truth

The hidden power of a name

Transness is as varied and colorful as magic can be. In Transmogrify! you’ll embark on fourteen different adventures alongside unforgettable characters who embody many different genders and expressions and experiences—because magic is for everyone, and that is cause for celebration.

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To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon.

Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada.

Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcourt, Tanya Tagaq, and Jesse Thistle. The IVAs also promote the works of unpublished writers, helping to launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. 

This anthology gathers together a selection of the finalists over the past five years, highlighting some of the most pathbreaking Indigenous writing across poetry, prose, and theatre in English, French, and Indigenous languages. Curated by award-winning and critically acclaimed writers Jordan Abel (Nisga’a) and Carleigh Baker (Métis), and scholar Madeleine Reddon (Métis), this anthology is a celebration of Indigenous storytelling that both introduces readers to emerging luminaries and returns them to treasured favourites.

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From an award-winning writer at the New York Times Magazine and a contributor to the 1619 Project comes a landmark book that tells the full story of racial health disparities in America, revealing the toll racism takes on individuals and the health of our nation.

In 2018, Linda Villarosa's New York Times Magazine article on maternal and infant mortality among black mothers and babies in America caused an awakening. Hundreds of studies had previously established a link between racial discrimination and the health of Black Americans, with little progress toward solutions. But Villarosa's article exposing that a Black woman with a college education is as likely to die or nearly die in childbirth as a white woman with an eighth grade education made racial disparities in health care impossible to ignore.

Now, in Under the Skin, Linda Villarosa lays bare the forces in the American health-care system and in American society that cause Black people to “live sicker and die quicker” compared to their white counterparts. Today's medical texts and instruments still carry fallacious slavery-era assumptions that Black bodies are fundamentally different from white bodies. Study after study of medical settings show worse treatment and outcomes for Black patients. Black people live in dirtier, more polluted communities due to environmental racism and neglect from all levels of government. And, most powerfully, Villarosa describes the new understanding that coping with the daily scourge of racism ages Black people prematurely. Anchored by unforgettable human stories and offering incontrovertible proof, Under the Skin is dramatic, tragic, and necessary reading.

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Andi Oliver’s deeply personal exploration of Caribbean food showcasing both traditional and new recipes, cherished ingredients, and vibrant flavors from across the region

The ingredients we use in Caribbean cookery tell a story—and it’s a huge, swirling tale …

The Pepperpot Diaries is Andi Oliver’s long-awaited first cookbook. Showcasing both traditional and new recipes, cherished ingredients and vibrant flavors from across the Caribbean, let Andi Oliver take you on an exploration of identity and heritage as she shows you how to create simple yet sensational dishes that will bring the unbeatable flavors of Caribbean cooking to your table.

The story of food captured in this book will take readers on a journey around the melting pot of cultural influences, history, and heritage that has uniquely shaped traditional and contemporary Caribbean cuisine. Through her travels in Antigua, Andi shares her deeply personal journey on reconnecting with the food she grew up eating—the flavors and ingredients that run through her heart and soul—and what the future might hold for Caribbean cooking. This book explores who we were, who we are, and where we’re going—all through the food we eat and the people we meet along the way.

The #1 New York Times bestselling author of While Justice Sleeps returns with another riveting and intricately plotted thriller, in which a blackmailed federal judge, a secret court and a brazen murder may lead to an unprecedented national crisis.

"A thoroughly compelling take on the machinations of Washington and those covetous of power." —New York Magazine

Supreme Court clerk Avery Keene is back, trying to get her feet on solid ground after unraveling an international conspiracy in While Justice Sleeps. But as the sparks of Congressional hearings and political skirmishes swirl around her, Avery is approached at a legal conference by Preston Davies, an unassuming young man and fellow law clerk to a federal judge in Idaho. Davies believes his boss, Judge Francesca Whitner, was being blackmailed in the days before she died. Desperate to understand what happened, he gives Avery a file, a burner phone, and a fearful warning that there are highly dangerous people involved. 

Another shocking murder leads Avery to a list of names – all federal judges – and, alarmingly, all judges on the FISA Court (the United States Foreign Intelligence Surveillance Court), also known as America’s "secret court." It is this body which grants permission to the government to wiretap Americans or spy on corporations suspected of terrorism. As Avery digs deeper, she begins to see a frightening pattern – and she worries that something far more sinister may be unfolding inside the nation’s third branch of government. With lives at stake, Avery must race the clock and an unexpected enemy to find the answer.

Drawn from today’s headlines and woven with her unique insider perspective, Stacey Abrams combines twisting plotlines, wry wit, and clever puzzles to create another immensely entertaining suspense novel.

An award-winning historian illuminates the adversities and joys of the Black working class in America through a stunning narrative centered on her forebears.

There have been countless books, articles, and televised reports in recent years about the almost mythic “white working class,” a tide of commentary that has obscured the labor, and even the very existence, of entire groups of working people, including everyday Black workers. In this brilliant corrective, Black Folk, acclaimed historian Blair LM Kelley restores the Black working class to the center of the American story.

Spanning two hundred years—from one of Kelley’s earliest known ancestors, an enslaved blacksmith, to the essential workers of the Covid-19 pandemic—Black Folk highlights the lives of the laundresses, Pullman porters, domestic maids, and postal workers who established the Black working class as a force in the late nineteenth and early twentieth centuries. Taking jobs white people didn’t want and confined to segregated neighborhoods, Black workers found community in intimate spaces, from stoops on city streets to the backyards of washerwomen, where multiple generations labored from dawn to dusk, talking and laughing in a space free of white supervision and largely beyond white knowledge. As millions of Black people left the violence of the American South for the promise of a better life in the North and West, these networks of resistance and joy sustained early arrivals and newcomers alike and laid the groundwork for organizing for better jobs, better pay, and equal rights.

As her narrative moves from Georgia to Philadelphia, Florida to Chicago, Texas to Oakland, Kelley treats Black workers not just as laborers, or members of a class, or activists, but as people whose daily experiences mattered—to themselves, to their communities, and to a nation that denied that basic fact. Through affecting portraits of her great-grandfather, a sharecropper named Solicitor, and her grandmother, Brunell, who worked for more than a decade as a domestic maid, Kelley captures, in intimate detail, how generation after generation of labor was required to improve, and at times maintain, her family’s status. Yet her family, like so many others, was always animated by a vision of a better future. The church yards, factory floors, railcars, and postal sorting facilities where Black people worked were sites of possibility, and, as Kelley suggests, Amazon package processing centers, supermarkets, and nursing homes can be the same today. With the resurgence of labor activism in our own time, Black Folk presents a stirring history of our possible future.

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A dynamic, moving hybrid work that celebrates Black youth, often too fleeting, and examines Black lives lost to police violence. 

In this astonishing volume of poems and lyric prose, Whiting Award–winner A. Van Jordan draws comparisons to Black characters in Shakespearean plays—Caliban and Sycorax from?The Tempest, Aaron the Moor from?Titus Andronicus, and the eponymous antihero of?Othello—to mourn the deaths of Black people, particularly Black children, at the hands of police officers. What do these characters, and the ways they are defined by the white figures who surround them, have in common with Tamir Rice, Trayvon Martin, and other Black people killed in the twenty-first century?

Balancing anger and grief with celebration, Jordan employs an elastic variety of poetic forms, including ekphrastic sestinas inspired by the photography of Malick Sidibé, fictional dialogues, and his signature definition poems that break down the insidious power of words like “fair,” “suspect,” and “juvenile.” He invents a new form of window poems, based on a characterization exercise, to see Shakespeare’s Black characters in three dimensions, and finds contemporary parallels in the way these characters are othered, rendered at once undesirable and hypersexualized, a threat and a joke.

At once a stunning inquiry into the roots of racist violence and a moving recognition of the joy of Black youth before the world takes hold, When I Waked, I Cried to Dream Again expresses the preciousness and precarity of life.

An offering to be with, and to turn toward, the feelings from which we instinctively recoil.

We have learned how to suppress our pain and deny its presence, but when we fight against our internal turmoil, glimmers of peace are short-lived. Rejecting our suffering is not a sustainable solution because trauma is held in the body. In this book, Nityda Gessel invites readers on a journey toward lasting freedom, with insights and experiential practices that marry the wisdom of Buddhist psychology, yogic teachings, and Indigenous understanding with somatic psychotherapy and neuroscience.

When we heal, our actions and attitudes are not hijacked by our nervous systems as easily. We begin to feel more comfortable in our bodies; more at peace, awake, and free. With Gessel’s invitation, readers will learn to look out into the world, and see more than their own trauma reflected back.

A call to action for therapists to politicize their practice through an emotional decolonial lens.

An essential work that centers colonial and historical trauma in a framework for healing, Decolonizing Therapy illuminates that all therapy is—and always has been— inherently political. To better understand the mental health oppression and institutional violence that exists today, we must become familiar with the root of disembodiment from our histories, homelands, and healing practices. Only then will readers see how colonial, historical, and intergenerational legacies have always played a role in the treatment of mental health.

This book is the emotional companion and guide to decolonization. It is an invitation for Eurocentrically trained clinicians to acknowledge privileged and oppressed parts while relearning what we thought we knew. Ignoring collective global trauma makes delivering effective therapy impossible; not knowing how to interrogate privilege (as a therapist, client, or both) makes healing elusive; and shying away from understanding how we as professionals may be participating in oppression is irresponsible.

Kanzi, the immigrant girl of Aya Khalil and Anait Semirdzhyan’s bestselling picture book The Arabic Quilt, has come to feel welcome in her American school—that is, until an entire shelf of books about immigrant kids and kids of color suddenly disappears from the school library.

Upon learning that the books with kids who look like her have been banned by her school district, Kanzi descends into fear and helplessness. But her classmates support her, and together—with their teacher’s help—they hatch a plan to hold a bake sale and use the proceeds to buy diverse books to donate to libraries. The event is a big success; the entire school participates, and the local TV station covers it in the evening news. Prodded by her classmates to read the poem she has written, Kanzi starts softly but finds her voice. “You have banned important books, but you can’t ban my words,” she reads. “Books are for everyone.” The crowd chants, “No banned books! No banned books!” and the next week, the ban is reversed.

Aya Khalil appends a note about how The Arabic Quilt was briefly banned from the York, Pennsylvania school system, and the backmatter also includes a recipe for baklawa, the Egyptian pastry that Kanzi prepares for the bake sale.

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Ty makes his I Can Read! Comics debut! Join Ty on his imaginative camping adventures in Ty’s Travels: Camp Out, a Geisel Honor–winning series with rhythmic text by Kelly Starling Lyons and joyful art by Niña Mata.

Rain, rain go away!

When wet weather cancels his family camp out, Ty uses his big imagination! They pitch a tent, go fishing, look at the stars, and roast s’mores. Yum! Camping in is so much fun.

Join Ty on his camping adventure in this Level One I Can Read! Comic, perfect for shared reading.