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Spice trader Cinnamon’s quiet life is turned upside down when she ends up on a quest with a fiery demon, in this irreverently quirky rom-com fantasy that is sweet, steamy, and funny as hell.
 
All she wanted to do was live her life in peace—maybe get a cat, expand the family spice farm. Really, anything that didn’t involve going on an adventure where an orc might rip her face off. But they say the goddess has favorites, and if so, Cin is clearly not one of them.
 
After Cin saves the demon Fallon in a wine-drunk stupor, Fallon reveals that all he really wants to do is kill an evil witch enslaving his people. And who can blame him? But now he’s dragging Cinnamon along for the ride whether she like it or not. On the bright side, at least he keeps burning off his shirt.…

In this expansive collection of history, meet ten real-life kings, queens, inventors, scholars, and visionaries who lived in Africa thousands of years ago and changed the world.

Black history begins thousands of years ago with the many cultures and people of the African continent. Through portraits of ten heroic figures, bestselling author Tracey Baptiste takes readers on an empowering, energetic journey through time to meet some of the great leaders and thinkers whose vision built nations and shaped the course of history:

• Menes: Creator of Dynasties
• Merneith: A Queen Erased
• Imhotep: From Peasant to God
• Aesop: The Wisest Man in the Ancient World
• Hannibal Barca: Unparalleled Military Strategist
• Terence: North African Playwright
• Amanirenas: Warrior, Diplomat, Queen
• Tin Hinan: Founder of a City on the Dunes
• Mansa Musa: The Richest Man of All Time
• Queen Idia: Kingmaker

Illustrator Hillary D. Wilson's brilliant portraits accompany each profile, along with vivid, information-filled landscapes, maps, and graphics for readers to pore over and return to again and again. This rich and thrilling work, which celebrates Black excellence and provides an essential correction to Eurocentric tellings of history, will enthrall readers of all ages.

“In African Icons, Baptiste engages in the hard work of unveiling the myths about the African continent to young readers . . . This is a great beginner’s guide to pre-colonial Africa.” —Ibram X. Kendi, National Book Award-winning author of Stamped from the Beginning and How to Be an Antiracist  

From the bestselling author of We the Animals, Blackouts mines lost histories—personal and collective.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book—Sex Variants: A Study of Homosexual Patterns—and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling—its legacies, dangers, delights, and potential for change—and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made—a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

Baldwin’s life and legacy as remembered by a pantheon of artists and writers: from Jamaica Kincaid and Barry Jenkins to Richard Avedon and Alice Neel

When author James Baldwin died in 1987, he left behind an extraordinary body of work: novels, poems, film scripts and, perhaps most indelibly, essays. A friend and supporter of Martin Luther King Jr., Malcolm X and Medgar Evers, Baldwin was a critical voice in the civil rights movement. After reaching acclaim in his early career as a writer, he struggled to retain the author’s “I,” while taking on the “we” of the people.
Edited by Pulitzer Prize–winning author Hilton Als and growing out of his landmark exhibition at David Zwirner in 2019, God Made My Face brings together an impressive assembly of contributors, ranging from Baldwin biographer David Leeming to novelist Jamaica Kincaid and Moonlight director Barry Jenkins, to create a memorial mosaic: one that not only mirrors Baldwin’s various tones but also closely examines his singular contributions to cinema, theater, the essay and Black American critical studies. These essays are illustrated by artwork from modern and contemporary artists who were either personal contemporaries of Baldwin or directly inspired by his work. In each piece assembled here, the authors speak from a personal, informed perspective, illuminating Baldwin’s deeply anguished and enlightened voice and his belief that, ultimately—because we are human—we share the potential to love, connect and live together in all our glory.
Artists include: Diane Arbus, Eugène Atget, Richard Avedon, Don Bachardy, Alvin Baltrop, Anthony Barboza, Njideka Akunyili Crosby, Beauford Delaney, Marlene Dumas, Glenn Ligon, George McCalman, Alice Neel, Elle Pérez, Cameron Rowland, Kara Walker, James Welling, Larry Wolhandler.
Authors include:Stephen Best, Daphne A. Brooks, Teju Cole, Marianne Jean-Baptiste, Barry Jenkins, Jamaica Kincaid, David Leeming, Darryl Pinckney.

This groundbreaking body of comics journalism collects Anderson's entire biography of the renowned civil rights leader Rev. Martin Luther King, Jr. Over a decade in the making, the saga has been praised for its vivid recreation of one of the most tumultuous periods in U.S. history and for its accuracy in depicting the personal and public lives of King, from his birth to his assassination. King probes the life story of one of America's greatest public figures with an unflinchingly critical eye, casting King as an ambitious, dichotomous figure deserving of his place in history but not above moral sacrifice to get there. Anderson's expressionistic visual style is wrought with dramatic energy; panels evoke a painterly attention to detail but juxtapose with one another in such a way as to propel King's story with cinematic momentum. Anderson's successful use of the graphic novel to tell a major work of nonfiction has drawn favorable comparisons to Art Spiegelman's Maus: A Survivor's Tale, Joe Sacco's Palestine, and Osamu Tezuka's Adolph.

King not only recreates the major events in King's public life, but chronicles the daily, rough-and-tumble, behind-the-scenes political maneuverings and strategic compromises that were required to mobilize millions of people toward a common goal. His internal debates with Ralph Abernathy and Jesse Jackson and his hardball negotiations with John F. Kennedy and Lyndon Johnson are dramatized. Anderson's achievement is not merely a political biography filled with names and dates, but a fully rounded portrait of a fallible human engaged in a superhuman effort his fears, his doubts, his relationship with his wife Coretta King, and his children are compassionately and truthfully rendered.

Anderson's visual approach includes the use of photographs, realistic portraiture, and expressionistic imagery alternating between stark black and white chiaroscuro and painterly full color. The dialogue is unflinchingly naturalistic and accurately reflects the moral urgency and labyrinthine political and practical complexities that King was navigating, from his deeply felt, personal commitment to a public cause to the wider political eruptions the country was experiencing. This is a respectful, unsparing, truthful biography of a man and his times that captures the moral and political gravitas of the cause as well as its human dimension. A major work of comics, depicting a major work of history.

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From award-winning author-illustrator duo Karina N. Gonzálezand Krystal Quiles comes Churro Stand, a heartwarming picture book celebrating love, community, and the POP, SIZZLE, and CRUNCH of a perfect churro—inspired by the author’s relationship with her own mother.
 
Everybody loves churros!
 
On a hot summer’s day, Lucía and her brother accompany their mother to sell delicious, sugary churros on the bustling streets of New York City. But when a thunderstorm rolls in, and the customers are chased away, Lucía’s mother must improvise with a little bit of magic and lots of amor.

Perfect for fans of The Day You Begin and Evelyn Del Rey Is Moving Away, author Jamilah Thompkins-Bigelow and illustrator Shahrzad Maydani’s Sister Friend is a heartwarming new picture book celebrating the unique joy of cultivating friendships within your cultural community.
 
Ameena feels invisible. It’s been that way since she started at her new school. But now there is another new girl in class. Ameena sees her brownness and her hijab, even though the other kids do not.
 
Ameena wants to be her friend, but she can’t seem to find the right words or do the right things. Until one day, they find them together: “Assalamu Alaikum, Sister. Welcome.”

Sami Ellis’s Dead Girls Walking is a shocking, spine-chilling YA horror slasher about a girl searching for her dead mother’s body at the summer camp that was once her serial killer father’s home—perfect for fans of Friday the 13th and White Smoke.
 
Temple Baker knows that evil runs in her blood. Her father is the North Point Killer, an infamous serial killer known for how he marked each of his victims with a brand. He was convicted for murdering 20 people and was the talk of countless true crime blogs for years. Some say he was possessed by a demon. Some say that they never found all his victims. Some say that even though he’s now behind bars, people are still dying in the woods. Despite everything though, Temple never believed that her dad killed her mom. But when he confesses to that crime while on death row, she has no choice but to return to his old hunting grounds to try see if she can find a body and prove it.
 
Turns out, the farm that was once her father’s hunting grounds and her home has been turned into an overnight camp for queer, horror-obsessed girls. So Temple poses as a camp counselor to go digging in the woods. While she’s not used to hanging out with girls her own age and feels ambivalent at best about these true crime enthusiasts, she tries her best to fit in and keep her true identity hidden.
 
But when a girl turns up dead in the woods, she fears that one of her father’s “fans” might be mimicking his crimes. As Temple tries to uncover the truth and keep the campers safe, she comes to realize that there may be something stranger and more sinister at work—and that her father may not have been the only monster in these woods.

In this horror graphic novel from award-winning writer Jazmine Joyner and illustrator Anthony Pugh, American Gods meets Get Out in a dark retelling of the West African legend of Anansi the Spider.
 
In the Deep South, something evil waits in the darkness . . .
 
Devour tells the story of the Turner family, who move to Alabama to care for their ailing matriarch, Vassie, when she begins suffering from dementia. But Vassie isn’t just any old lady; she’s the last of a line of powerful root women who have been caring for the community since her ancestors were first captured and enslaved by white plantation owners. Patsy, the eldest daughter in the family, is immediately suspicious; the locals’ fear and superstition of her grandmother leads Patsy to take a closer look at the Turner family home, and what she finds is beyond her wildest nightmares.
 
In a magical room beneath the house, Patsy discovers the source of her family’s legendary skills: the Ghanaian spider god Anansi. Driven mad by the suffering of the enslaved Africans who worshipped him, Anansi was eventually captured and contained by Patsy’s ancestors. As Patsy learns about her family’s culture and dark past, she also realizes what’s really happening to Vassie; Anansi is eating Vassie’s memories. With their legacy and the god’s imprisonment in the balance, Patsy and her brother, Demetrius, will have to take up their grandmother’s mantle—while she can still remember who they are.
 
Devour is a terrifying new fable that delivers thrills and chills in equal measure.

Perfect for fans of Ivy & Bean and Stella Diaz, Marya Khan and the Spectacular Fall Festival is the third adventure in Saadia Faruqi and Ani Bushry’s illustrated chapter book series about a Pakistani American third-grader whose ambition sometimes gets away from her.
 
Marya loves fall. Every year, her family goes to the town’s pumpkin patch and picks out the best pumpkin. But this year, after she sees her frenemy Alexa winning a big, cool pumpkin-shaped trophy, Marya knows she’s got to win a trophy for something.
 
It just so happens that her school is going to hold a fall festival, with games and food and even a hayride. All the ticket sales will go to an animal shelter, and the person who sells the most tickets will win a prize. Cue Operation Sell Tickets! But when Marya is so focused on winning, is she losing sight of what really matters?
 
Includes a Pumpkin-Based Recipe to Make and Enjoy
 
Marya Khan series
Marya Khan and the Incredible Henna Party (#1)
Marya Khan and the Fabulous Jasmine Garden (#2)
Marya Khan and the Spectacular Fall Festival (#3)
Marya Khan and the Awesome Adventure Park (#4)

A young girl and her father share an early morning horseback ride around their city in My Daddy Is a Cowboy, a picture book celebration of “just-us time,” perfect for fans of My Papi Has a Motocycle.
 
Tall. High as the clouds.
Strong as a horse’s back.
Like a cowboy.
 
In the early hours before dawn, a young girl and her father greet their horses and ride together through the waking city streets. As they trot along, Daddy tells cowboy stories filled with fun and community, friendship, discovery, and pride. Seeing her city from a new vantage point and feeling seen in a new way, the child discovers that she too is a cowboy—strong and confident in who she is.
 
Thoughtfully and lyrically written by debut author Stephanie Seales, with vibrant illustrations from award-winning artist C. G. Esperanza, this beautiful picture book is a celebration of Black joy, outdoor play, and quality time spent between child and parent.

Saint-Seducing Gold is the second book in Brittany N. Williams’s stunning YA historical fantasy trilogy—the Forge & Fracture Saga—that New York Times bestselling author Ayana Gray called “nothing short of spectacular”.
 
There’s danger in the court of James I. Magical metal-worker Joan Sands must reforge the Pact between humanity and the Fae to stop the looming war. As violence erupts across London and the murderous spymaster Robert Cecil closes in, the Fae queen Titanea coerces Joan into joining the royal court while holding her godfather prisoner in the infamous Tower of London. Now Joan will have to survive deadly machinations both magical and mortal all while balancing the magnetic pull of her two loves—Rose and Nick—before the world as she knows it is destroyed forever.

(The Forge & Fracture Saga, Book 2)

Now in paperback, a stunning YA fantasy debut, perfect for fans of Holly Black and Justina Ireland, about a Black girl (and sword expert) fighting a Fae uprising in Shakespearean London

Sixteen-year-old Joan Sands is a gifted craftswoman who creates and upkeeps the stage blades for William Shakespeare’s acting company, The King’s Men. Joan’s skill with her blades comes from a magical ability to control metal—an ability gifted by her Head Orisha, Ogun. Because her whole family is Orisha-blessed, the Sands family have always kept tabs on the Fae presence in London. Usually that doesn’t involve much except noting the faint glow around a Fae’s body as they try to blend in with London society, but lately, there has been an uptick in brutal Fae attacks. After Joan wounds a powerful Fae and saves the son of a cruel Lord, she is drawn into political intrigue in the human and Fae worlds.

Swashbuckling, romantic, and full of the sights and sounds of Shakespeare’s London, this series starter delivers an unforgettable story—and a heroine unlike any other.

(The Forge & Fracture Saga, Book 1)

In Peaches, a hopeful multigenerational story of love and healing from author Gabriele Davis and illustrator Kim Holt, a girl holds her mother’s memory close while carrying on an important family tradition: making peach cobbler together.
 
Summer Sundays begin with picking.
Rosy-ripe peaches dipping low to the ground,
Sun-warmed and soft like Grandma’s lap.
 
Side by side with Daddy and Grandma, a young girl is determined to take part in her family’s tradition of baking the perfect peach cobbler—just like her mama used to. From picking fruit to stirring and mixing to kneading the dough, it’s a little bit messy. But with sure hands to guide the girl step-by-step—and her mother’s memory hanging sweet in the air—she has the recipe for making Mama proud.
 
This warmhearted and ultimately hopeful picture book shows that with a house full of love, everything can feel peach-perfect.

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With new forewords and an afterword by Martin Luther King III, Dr. Bernice A. King, and Dexter Scott King

A beautiful collectible edition celebrating the 60th anniversary of Dr. Martin Luther King Jr’s legendary speech at the March on Washington, part of Dr. King’s archives published exclusively by HarperCollins.

On August 28, 1963, Dr. Martin Luther King Jr. stood before thousands of Americans who had gathered at the Lincoln Memorial in Washington, D.C. in the name of civil rights. Including the immortal words, “I have a dream,” Dr. King’s keynote speech would energize a movement and change the course of history.

With references to the Gettysburg Address, the Emancipation Proclamation, the Declaration of Independence, the U.S. Constitution, Shakespeare, and the Bible, Dr. King’s March on Washington address has long been hailed as one of the greatest pieces of writing and oration in history. Profound and deeply moving, it is as relevant today as it was sixty years earlier.

This beautifully designed edition presents Dr. King’s speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality. 

This special, totally singular, nearly uncomp-able book is a LITERARY *and* VISUAL love letter to the role of joy in Black life — giving a full, 360-degree picture of how Black people resist oppression and thrive.

(The book is to be savored in the read and in the aesthetics.)

“Unlike happiness, joy is a lasting state that can be sustained even when everything is not the way we want it to be.” — bell hooks

Black Joy is everywhere. From the bustling streets of Lagos to hip-hop blasting through apartment windows in the Bronx. From the wide-open coastal desert of Namibia to the lush slopes of the Blue Mountains of Jamaica. From the thriving tradition of Candomblé in Bahia to the innovative and trendsetting styles of Soweto, and beyond, Black Joy is present in every place that Black people exist. 

Too often, though, Blackness gets represented with pain, suffering and violence. Yet what is always in the mix—what is always constant, no matter the historical atrocity or systemic injustice—is Black Joy. Amplifying Black Joy is not about dismissing or creating an “alternative” narrative that ignores the realities of collective hurt. Rather, it is about holding the hurt, in tension with the joy, because that is how Black people around the world actually live. Joy deserves more credit for the self-preservation and survival of Black communities than it tends to get.

Enter The Black Joy Project.

Created by educator and activist Kleaver Cruz, The Black Joy Project is a digital and real-world affirmation that Black Joy is a source of healing, resistance, and regeneration, for Black people of all backgrounds and identities. The book expands on a simple question at the root of the project: “What does Black Joy mean to you?” Cruz’s powerful treatise on the subject, combined with stunning, vibrant images of Black Joy in everyday life, present a necessary, perspective-shifting work. Each page of The Black Joy Project is a reprieve for the spirit and, in capturing life across the diaspora, offers an opportunity to do what Black Joy does best: reimagine new ways of being.

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In 1967, Dr. Martin Luther King, Jr., isolated himself from the demands of the civil rights movement, rented a house in Jamaica with no telephone, and labored over his final manuscript. In this prophetic work, which has been unavailable for more than ten years, he lays out his thoughts, plans, and dreams for America's future, including the need for better jobs, higher wages, decent housing, and quality education. With a universal message of hope that continues to resonate, King demanded an end to global suffering, asserting that humankind-for the first time-has the resources and technology to eradicate poverty.

This rich and magisterial work traces Palestine's millennia-old heritage, uncovering cultures and societies of astounding depth and complexity that stretch back to the very beginnings of recorded history.

Starting with the earliest references in Egyptian and Assyrian texts, Nur Masalha explores how Palestine and its Palestinian identity have evolved over thousands of years, from the Bronze Age to the present day. Drawing on a rich body of sources and the latest archaeological evidence, Masalha shows how Palestine’s multicultural past has been distorted and mythologised by Biblical lore and the Israel–Palestinian conflict.

In the process, Masalha reveals that the concept of Palestine, contrary to accepted belief, is not a modern invention or one constructed in opposition to Israel, but rooted firmly in ancient past. Palestine represents the authoritative account of the country's history.

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The conclusion to the deeply romantic, emotionally complex love story in the All the King's Men duology from beloved award-winning author Kennedy Ryan. Lennix Hunter has lost everything with Maxim's betrayal and she's determined not to give him the upper hand again, but the connection between them is undeniable and if she wants the world, she'll need Maxim's help.

Raised to resist. Bred to fight. Survival is in their blood, and surrender is never an option.

Though surrender is what Maxim Cade demanded of Lennix Hunter’s body and heart, she had other plans. They were fast-burning fascination and combustible chemistry, the son of an oil baron and the Apache daughter at war with his family, but she trusted him, and he turned out to be a thief who stole her love.

Still, if what they had was a lie, why had it felt so real?

Now, the man she swore to hate is about to have it all, and he wants Lennix at his side. But when the two of them are forced to face the unthinkable, their rocky foundation is tested, as is the invisible thread that seems to wind their fates together. As they navigate a treacherous political landscape in their quest for justice, Maxim and Lennix soon learn that power is a game, and they are merely the pawns and players. Facing insurmountable odds, will they win the world, or will they lose it all?

A deeply romantic, emotionally complex love story from beloved award-winning author Kennedy Ryan. Maxim Cade is determined to step out from behind his father's shadow and build an empire he can be proud of, but his love for Lennix Hunter could cost him everything.

Raised to rule, bred to lead, and weaned on a diet of ruthless ambition.

In a world of haves and have-nots, Maxim Cade’s family and their oil empire have it all…and he wants nothing to do with it. At odds with his mogul father, he’s determined to build his own empire, even if it means traveling far from home, painted as the black sheep.

Lennix Hunter is the exception to every one of Maxim’s rules. At a protest for the oil pipeline that threatens to mar her ancestral land forever, they meet in a flurry of stars and sparks, and that one moment changes everything. But Maxim’s family is the one stealing from hers, and his father is the man she hates most. He has to lie in order to have her once, and despite the truth, he’ll do anything to keep her.

Even though Lennix tries to hate Maxim, too, their hearts are pointed in the same direction. The inexorable pull between them, across miles and years, will not be denied.

And neither will Maxim.

Undoubtedly the most influential black intellectual of the twentieth century and one of America's finest historians, W.E.B. DuBois knew that the liberation of the African American people required liberal education and not vocational training. He saw education as a process of teaching certain timeless values: moderation, an avoidance of luxury, a concern for courtesy, a capacity to endure, a nurturing love for beauty. At the same time, DuBois saw education as fundamentally subversive. This was as much a function of the well-established role of educationfrom Plato forwardas the realities of the social order under which he lived. He insistently calls for great energy and initiative; for African Americans controlling their own lives and for continued experimentation and innovation, while keeping education's fundamentally radical nature in view.

Though containing speeches written nearly one-hundred years ago, and on a subject that has seen more stormy debate and demagoguery than almost any other in recent history, The Education of Black People approaches education with a timelessness and timeliness, at once rooted in classical thought that reflects a remarkably fresh and contemporary relevance.

A collection of prayers, poems, and spiritual practices centering Black interior lives, from the New York Times bestselling author of This Here Flesh and creator of Black Liturgies

For years, Cole Arthur Riley was desperate for a spirituality she could trust. Amid ongoing national racial violence, the isolation of the pandemic, and a surge of anti-Black rhetoric in many Christian spaces, she began dreaming of a more human, more liberating expression of faith. She went on to create Black Liturgies, a digital project that connects spiritual practice with Black emotion, Black memory, and the Black body.

In this book, she brings together hundreds of new prayers, along with letters, poems, meditation questions, breath practices, scripture, and the writings of Black literary ancestors to offer forty-three liturgies that can be practiced individually or as a community. Inviting readers to reflect on their shared experiences of wonder, rest, rage, and repair, and creating rituals for holidays like Lent and Juneteenth, Arthur Riley writes with a poet’s touch and a sensitivity that has made her one of the most important spiritual voices at work today.

For anyone healing from communities that were more violent than loving; for anyone who has escaped the trauma of white Christian nationalism, religious homophobia, or transphobia; for anyone asking what it means to be human in a world of both beauty and terror, Black Liturgies is a work of healing and empowerment, and a vision for what might be.

Scripps National Spelling Bee champ Zaila Avant-garde shares her love of words with new readers in this level 1 Step Into Reading book. Words are magic! Have you heard? Pick a letter. Make a word! New readers will find joyful encouragement in this level 1 easy reader that sings out about the magic of words. Encouraging kids to mix words, match words, shout and rap words, Scripps National Spelling champ Zaila Avante-garde takes readers along on a noisy and boisterous celebration of letters, sounds, and reading. It's the perfect first step for new readers, full of fun and energy, from one of America's most exciting and unique young voices. Step 1 Readers feature big type and easy words for children who know the alphabet and are eager to begin reading. Rhyme and rhythmic text paired with picture clues help children decode the story. Also available by Zaila Avant-garde: Words of Wonder from Z to A It's Not Bragging If It's True

A love letter to the hustle, the bustle, the joy, and the grit of city life by debut author and Bronx native, Janelle Harper, and two-time Coretta Scott King Illustrator Award winner, Frank Morrison. "My block looks like a collision of cultures a melting pot of cool a burst of life my favorite groove . . .No matter what happens I’ve seen it for myself my block looks like the coolest place I’ve ever been." A lyrical and proud picture book that recognizes the beauty of the bodegas, subways, and playgrounds that characterize everyday life in the Bronx and pays homage to the ways that its residents have shaped pop culture through music, visual art, and dance. Perfect for fans of I Am Every Good Thing and Last Stop on Market Street , My Block Looks Like offers kids a reaffirming message to celebrate and uplift their communities in an energetic text that begs to be read aloud.

The most comprehensive publication to date on widely celebrated artist Rashid Johnson

‘Johnson is a leading voice of his generation.’ – New York Times

The most comprehensive publication to date on widely celebrated artist Rashid Johnson

Working with a variety of media that includes painting, sculpture, photography, video, and performance, Rashid Johnson has created a nuanced and iconographic body of work that connects literature, music, and art. Personal references and pervasive cultural narratives are interweaved with the legacy of modernist abstraction, producing what critics have labelled ‘conceptual post-black art’. A precocious talent (his work was included in the seminal ‘Freestyle’ exhibition in New York in 2001), Johnson received the High Museum of Art’s David C. Driskell Prize, which honours contributions in the field of African-American art.

Weems’ writings, lectures and conversations, published here for the first time, “beautify the mess of a messy world”

Widely considered to be one of the most influential living American artists, New York-based photographer and multimedia artist Carrie Mae Weems (born 1953) has developed a practice celebrated for her exploration of cultural identity, power dynamics, intimacy and social justice through a body of work that challenges prevailing representations of race, gender and class. Defined by the use of photography, installation, film and performance, her remarkably diverse and radical oeuvre questions dominant ideologies and historical narratives disseminated within mass media. Published in the context of her solo exhibitions at Barbican Art Gallery London and Kunstmuseum Basel, this book brings together a selection of Weems’ own writings, lectures and conversations for the first time, providing her personal insights into themes such as the consequences of power, artistic appropriation and history-making.

Winner, James Beard Foundation Book Award, 2016
Art of Eating Prize, 2015
BCALA Outstanding Contribution to Publishing Citation, Black Caucus of the American Library Association, 2016

Women of African descent have contributed to America’s food culture for centuries, but their rich and varied involvement is still overshadowed by the demeaning stereotype of an illiterate “Aunt Jemima” who cooked mostly by natural instinct. To discover the true role of black women in the creation of American, and especially southern, cuisine, Toni Tipton-Martin has spent years amassing one of the world’s largest private collections of cookbooks published by African American authors, looking for evidence of their impact on American food, families, and communities and for ways we might use that knowledge to inspire community wellness of every kind.

The Jemima Code presents more than 150 black cookbooks that range from a rare 1827 house servant’s manual, the first book published by an African American in the trade, to modern classics by authors such as Edna Lewis and Vertamae Grosvenor. The books are arranged chronologically and illustrated with photos of their covers; many also display selected interior pages, including recipes. Tipton-Martin provides notes on the authors and their contributions and the significance of each book, while her chapter introductions summarize the cultural history reflected in the books that follow. These cookbooks offer firsthand evidence that African Americans cooked creative masterpieces from meager provisions, educated young chefs, operated food businesses, and nourished the African American community through the long struggle for human rights. The Jemima Code transforms America’s most maligned kitchen servant into an inspirational and powerful model of culinary wisdom and cultural authority.