A groundbreaking investigation of the Caribbean as both an idyll in the American imagination and a dark laboratory of Western experimentation, revealing secrets to racial and environmental progress that impact how we live today.

“Dark Laboratory is a gargantuan, soulful work. It obliterates most of what I thought I knew about the Caribbean’s utility to Western Wealth.”
—Kiese Laymon, New York Times bestselling author of Heavy

In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory, Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.

Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray.

Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.

From the bestselling author of Salt, Fat, Acid, Heat—and one of America’s most beloved chefs and teachers—125 meticulously tested, flavor-forward, soul-nourishing recipes that bring joy and a sense of communion

With all the generosity of spirit that has endeared her to millions of fans, Samin Nosrat offers more than 125 of her favorite recipes—simply put, the things she most loves to cook for herself and for friends—and infuses them with all the beauty and care you would expect from the person Alice Waters called “America’s next great cooking teacher.” As Samin says, "Recipes, like rituals, endure because they’re passed down to us—whether by ancestors, neighbors, friends, strangers on the internet, or me to you. A written recipe is just a shimmering decoy for the true inheritance: the thread of connection that cooking it will unspool."

Good Things is an essential, joyful guide to cooking and living, whether you’re looking for a comforting tomato soup to console a struggling friend, seeking a deeper sense of connection in your life, or hosting a dinner for ten in your too-small dining room. Here you’ll find go-to recipes for ricotta custard pancakes, a showstopping roast chicken burnished with saffron, a crunchy, tingly Calabrian chili crisp, super-chewy sky-high focaccia, and a decades-in-the-making, childhood-evoking yellow cake with chocolate frosting. Along the way, you’ll also find plenty of tips, techniques, and lessons, from how to buy olive oil (check the harvest date) to when to splurge (salad dressing is where you want to use your best ingredients) to the best uses for your pressure cooker (chicken stock and dulce de leche, naturally).

Good Things captures, with Samin’s trademark blend of warmth, creativity, and precision, what has made cooking such an important source of delight and comfort in her life.

In over a dozen interviews, Conversations with Kiese Laymon provides an in-depth look at author Kiese Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within these pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, this volume provides an unfiltered look at the prolific Southern writer in his own words.

From Agatha and Edgar Award nominated author Valerie Burns, influencer-turned-bakery-owner Maddy Montgomery has sold plenty of wedding cakes before, but before she turns one out for her and her fiancé’s wedding, she’ll have to solve a little case of murder first…

Aunt Octavia would be so proud! Maddy has turned Baby Cakes Bakery—named for her 250-pound English Mastiff, Baby—into a runaway success, and she’s marrying the love of her life, veterinarian Michael Portman. #DreamWedding! Plus the timing couldn’t be better: the country’s biggest bridal expo has come to New Bison, Michigan, and Maddy has secured a spot for Baby Cakes to showcase their cakes. She’s also entered a contest for an all-expenses-paid wedding extravaganza offered by world-renowned wedding planner Serafina.

Unfortunately, supremely nasty Serafina truly takes the cake—she makes the worst bridezilla seem like a shy flower girl. But there’s one thing the wedding planner didn’t plan on—being impaled by one of the skewers Baby Cakes uses on their tiered wedding cakes.

While Maid of Honor Sheriff April Johnson rounds up suspects at the expo, Maddy and her aunt’s friends, the Baker Street Irregulars, and even Baby join forces to unveil a killer hiding in plain sight . . . before wedding bells start to chime.

When life lassoes Josie and Shawn back together three years after their dreamy first date, their second chance at love is anything but easy. A big-hearted rodeo romance set in Houston, Texas, by the critically acclaimed Liara Tamani, author of What She Missed, All The Things We Never Knew, and Calling My Name. This bold first-love story is for fans of Nothing Like the Movies and Highly Suspicious and Unfairly Cute.

This ain’t Josie’s first rodeo. Her parents own several fancy restaurants in Houston, and they just opened a new one right outside the stadium. Josie is expected to stay inside the restaurant and help, and maybe take over their growing empire one day, but that isn’t what Josie wants. She’d rather be at the rodeo itself than in a high-end restaurant next to it. Or eating funnel cakes and Texas-sized corn dogs at the carnival on the grounds. Or better yet, riding her horse at her grandparents’ ranch, the very place her mom wants to sell.

It ain’t Shawn’s first rodeo either. He’s been riding bulls since his mom died, doing everything he can to live up to his rodeo-champion stepfather’s sky-high expectations. But as Shawn’s stardom rises, so do tensions in their relationship. His stepfather’s drinking and gambling problems sure don’t help.

After one unforgettable night leaves Josie and Shawn wanting nothing but each other, their lives become entwined in increasingly complex ways. Can they save Josie’s family land? Or will Shawn’s stepfather and his shady plan be the ranch’s ruin? Will one wrong move cost them everything? Rodeo after rodeo, year after year, can Josie and Shawn keep their hearts open through the secrets, twists, and turns?

This Ain’t Our First Rodeo is a contemporary western love story full of bulls, brawls, and horses. It’s a tender second chance cowboy romance about family, friendship, mistakes, and the blessings of choosing to love anyway. Black cowboys and cowgirls like Josie and Shawn have long helped shape the American West—a legacy that shines in Liara Tamani’s storytelling. Her writing is quick-witted, swoony, and authentic, with characters who are easy to love and hard to forget.

Get grooving, moving, and learning with Gracie’s Corner!

Gracie and friends say good morning and get ready for the day! Inspired by the megapopular “Good Morning Song,” kids will love following along with Gracie as she brushes her teeth, fluffs her hair, and starts her day with a BIIIG smile on her face! The perfect get-ready anthem for any—and every—day.

Features a helpful Good Morning guide in the back to break morning routines down into easy-to-follow steps!

* Upbeat and inspirational, this is the perfect picture book to get kids excited for their mornings and to start their days on a positive note!
* First of its kind Gracie’s Corner picture book adaptation is perfect to read (or sing!) along with your child’s favorite Gracie’s Corner YouTube video!  
* Turn everyday routines—like teeth brushing, hair combing, and more!—into fun for kids with this bright and colorful picture book.
* Created by family team Graceyn, Javoris, and Arlene Hollingsworth,Gracie’s Corner focuses on centering children of color in the edutainment industry and making learning a fun, positive experience.

An Audacious Book Club Pick

The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a new poetry collection that transforms the Black female speaker from object, artistic muse, and victim, to subject, critic, and master of her story

Resting Bitch Face is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.

From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop-culture works as The Joker, WandaVision, and Last Tango in Paris.

Ultimately, while watching lies at the crux of this collection’s poetic concerns, the goal of the speaker is to query her own self, rendering these poems as invitations for readers to question their own.

Slices of Black American Life is a raw, electrifying yet polished articulation of Black America—its past, present, and future woven through Blaxploitation-inspired poetry and storytelling with cinematic flair.

It possesses a jazz rhythm in tone, MR. TOMONOSHi!’s words tap dance across the page—each syllable hitting like a beat, each line swinging with improvised brilliance.

Each piece offers a window into the fantastical worlds of Black American life, where reality and imagination collide—the characters breathe, move, speak, inviting you in, pulling you close, immersing you deep into the roots of the Black American experience.

A whimsical realness pulsates throughout its entirety.

This collection is more than homage—it’s an ode to the brilliance of Blaxploitation, capturing its bold aesthetics, fearless spirit, and unfiltered truth. Every poem, every story, cuts deep, speaks loud, and refuses to be forgotten.

The TOMONOSHi Way: A Philosophy for a More Playful Life.

The TOMONOSHi Way is a path for the seekers, the wonderers, and the adventurers—those who have never felt fully at home within the expected, and instead carve their own way forward.

This philosophy invites those who color outside the lines, not in rebellion, but in the belief that life can be shaped into something more joyful, more curious, and more expansive.

It is for the doers, the makers, the ones who see light even in the darkest corners—the individuals who weave beauty into existence, who find wonder in simplicity, who bring laughter to moments when only silence was expected.

The TOMONOSHi Way is about embracing curiosity, exploring without hesitation, and daring to unearth meaning where others may not search.

It is for those who create with their own hands—not waiting for the world to offer them what they seek, but choosing to build it themselves.

This philosophy does not dictate what to think, but offers a more playful, expansive way to engage with life.

It is not a rigid structure, but a perspective—one that sees possibility where others see limitation, one that welcomes adventure, one that embraces betterment not as an achievement, but as a way of moving through the world.

If you’ve ever wondered about yourself—your place, your purpose, your journey—then The TOMONOSHi Way is already yours.

This is the Way.

"There's a Unicorn in My Backyard" is a celebration of creativity and the belief that anything is possible. Dive into a story where a curious mind and a daring heart fuel incredible invention—and magical discoveries. Follow Carolina Blue, the clever and determined protagonist, as she transforms everyday objects into extraordinary creations in her quest to capture the unicorn that dances just beyond reach.

This is a tale of wild imagination, bold innovation, and design thinking in action. Vibrant illustrations and playful storytelling combine to inspire kids to dream big, think critically, and turn their ideas into reality. "There's a Unicorn in My Backyard" is not just a book—it’s an invitation to reimagine the world around us, one creative solution at a time.

Build. Dream. Discover. Let the magic unfold!

Adventure Awaits…

Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers—many of whom are performers—demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson's performance in the documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as discussion of a project that re-creates seminal hip-hop album covers through tableaux vivants. Whether deliberating on the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory.

Contributors. Melissa Blanco Borelli, Daphne A. Brooks, Soyica Diggs Colbert, Thomas F. DeFrantz, Nadine George-Graves, Anita Gonzalez, Rickerby Hinds, Jason King, D. Soyini Madison, Koritha Mitchell, Tavia Nyong'o, Carl Paris, Anna B. Scott, Wendy S. Walters, Hershini Bhana Young

The King of Rejectors

The Collective took from me…

Demetrius Cannon had everything to lose and nothing to gain if he allowed the society to walk all over him. He was determined to eliminate every threat to his family’s bloodline, even if it meant going up against a group more powerful than he could ever be.

…and it was time I took it all back.

The Broker of Assassins

I bled for the Collective…

Forever James had the world at her fingertips, but couldn’t fathom what real freedom looked like. She was determined to break away from the society her family had been loyal to for generations, even if it meant she died trying.

…and it was time I made them bleed for me.

Blue Basin Island is the final resting spot of formerly enslaved Africans whose souls have flown from Earth—not to heaven or purgatory but toward freedom and a new life. Lucille, the island’s seamstress, takes two forms. She lives among the inhabitants in human form and, along with the evil-repelling blue of the houses, her divine form protects people from the violence of the their former lives. Yet, even there, outside of time, the souls are not totally insulated from the world in which they were enslaved. Each time a Black person anywhere is harmed, a piece of Blue Basin disintegrates: an earthquake leaves hundreds of thousands dead, and bricks crumble on the island; when police kill a Black child asleep in her bed, the blue paint on homes throughout the island drips and then runs from the walls. Lucille must hold the island together, but she struggles to juggle the responsibility of ensuring everyone’s safety while also seeking and losing her own private love. Grounding the story in African folklore and dipping into the rich literary tradition around African people with the power of flight, Zoë Gadegbeku visualizes the destination at the end of the flight and the new life that awaits them.

A heartwarming and unforgettable collection of love stories set at Historically Black Colleges and Universities, exploring hope, endurance, and what it means to leave a legacy, from some of today’s most prominent Black writers and edited by the acclaimed author of Love Radio

Love can be messy, painful, and heartbreaking, but it can also be revolutionary, profound, and hopeful. For Celine, a forbidden crush on a professor evolves into a second chance at romance years later. Myra’s focus on a coveted audition for the Fisk Jubilee Singers is challenged by the handsome music major determined to help her. Kiese investigates the darker side to academia, love, and identity. Like most blessings, love emerges in the most unexpected places—in a training cockpit for new pilots, during a Mardi Gras celebration, or while gathering signatures to start the first-ever LGBTQ+ student organization officially recognized at an HBCU.

These are just a few of the heart-searing, tender, and transporting love stories collected in You’ve Got a Place Here, Too—a true celebration of Black love and the profound impact of HBCUs on the community.

Featuring stories by Elizabeth Acevedo, Jasmine Bell, Carla Bruce, Aaron Foley, Kai Harris, Ebony LaDelle, Kiese Laymon, Christine Platt, Farrah Rochon, Kennedy Ryan, Dawnie Walton, and Nicola Yoon.

A collection of essays about language and its constructive role in national culture, history, and identity, that advocates for linguistic decolonization.

'The language of literature', Ngũgĩ writes, 'cannot be discussed meaningfully outside the context of those social forces which have made it both an issue demanding our attention, and a problem calling for a resolution.' First published in 1986, Decolonising the Mind is one of Ngũgĩ's best-known and most-cited non-fiction publications, helping to cement him as a pre-eminent voice theorizing the 'language debate' in postcolonial studies.

Ngũgĩ wrote his first novels and plays in English but was determined, even before his detention without trial in 1978, to move to writing in Gikuyu. He describes the book as 'a summary of some of the issues in which I have been passionately involved for the last twenty years of my practice in fiction, theatre, criticism, and in teaching of literature...'. Split into four essays - 'The Language of African Literature', 'The Language of African Theatre', 'The Language of African Fiction', and 'The Quest for Relevance' - the book offers an anti-imperialist perspective on the destiny of Africa and the role of languages in combatting and perpetrating imperialism and neo-colonialism in African nations.

A sweeping narrative of the unique beauty and trials of Black matriarchy in America that weaves a sharp, tender examination of three single Black mothers—the author's grandmother, mother, and the author herself—with stories of influential Black women in our culture

"Bonét tells the whole history of this country through the relationships of and between Black mothers and daughters."—Imani Perry, National Book Award-winning author of South to America

“Bonét dances on our hearts in this classic creation of will and wit. Electrifying... Wow.”—Kiese Laymon, author of Heavy: An American Memoir

Betty Jean, the author’s grandmother, had a house along a bayou in Texas, a home paid for and run without a man by her side. This home served as the center of Bonét’s family’s universe, the one place that was a constant through all of life’s changes.

Mama Connie, one of Betty Jean’s eleven children, vowed that her life would be different. And in many ways it was: she got married, lived in suburbia, and built a life resembling the American dream. But when it came to raising children of her own, she was more like Betty Jean than she cared to admit. But, like her mother before her, Connie’s sweat was the founding salt of her own universe.

Today, Sasha Bonét navigates all aspects of being a mother—escape, promise, burden, assent, and rebellion—not just for the women in her family who came before her, but for Black women with whom society is acquainted, too: figures like Nina Simone, Betty Davis, and Darnella Frazier, who filmed the murder of George Floyd.

Generations of Black women have borne children, borne the burdens of events untold, and borne witness to unspeakable trials. The Waterbearers carries this history, its fierce eloquence capturing a masterpiece of life written by an author who is intimately acquainted with how Black women have passed down knowledge and culture. Sasha Bonét doesn’t just present genealogical lineages but illuminates the cultural and societal connections of strong Black women who have built legacies and changed the world, sometimes in the most mundane of moments. The fierce eloquence of this story confirms Sasha Bonét as a voice we all now need to hear.

The 10th anniversary hardcover edition of the galvanizing New York Times bestseller The Year of Yes by Shonda Rhimes—executive producer of Grey’s Anatomy, Scandal, Bridgerton, Queen Charlotte, and more—features updates and exclusive new chapters that show how saying YES (and continuing to say YES) can transform your life.

In 2015, Shonda Rhimes, the trailblazing creative force behind some of television’s most beloved series, took on a challenge that would change her life forever. She challenged herself to say “yes” to everything for a year, and the results were nothing short of transformative. Hailed as “honest, raw, and revelatory” (The Washington Post) and “as fun to read as Rhimes’s TV series are to watch” (Los Angeles Times), Year of Yes quickly became a New York Times bestseller, captivating thousands with its candid and compelling narrative.

Now, in the 10th anniversary edition of Year of Yes, Shonda revisits this pivotal year with fresh insights and exclusive new material, including a new introduction and a bonus chapter.

With humor and honesty, Shonda’s story encourages readers to step out of their own comfort zones and embrace new opportunities. A self-proclaimed introvert who often said “no,” Shonda’s year of yes was transformational—and yet entirely relatable. This wildly candid and compulsively readable book reveals how the mega-talented Shonda Rhimes achieved badassery worthy of a Shondaland character. And how you can, too.

The end of my marriage was the beginning of my happily ever after.

What happens when you hear your husband putting dents in your mattress with another woman?

Leave and never look back!

Easier said than done when you're a stay-at-home mom, share two kids with the no-good cheater, and have a savings account that laughs in your face on the daily.

I want out and agree to an outrageous separation agreement to avoid a showdown in court with a man standing on his wallet, waiting for me to fall. The mission is next to impossible, but I would rather attempt a full split on a hibachi grill after a Brazilian wax than stay in a marriage I should've ended years ago.

Morgan, my best friend, offers a gorgeous townhouse her family owns to get me back on my feet. Eight months rent-free equals one step closer to Divorced AF.

I didn't expect moms gone wild at my divorce party, but one fruity cocktail led to me staying out past my bedtime and the steamiest dream with a man straight from fantasies.

Every kiss, every caress, made me feel worshipped. Adored.

When Morgan offered this Georgetown home, she failed to mention it belongs to her younger brother, one of DC's most eligible bachelors. He's very fine, not a dream, and back early from time away in London.

Now, we're staring at each other, dumbfounded and turned on.

Ella Gets the D is a standalone divorce romantic comedy perfect for lovers of cinnamon roll heroes, a tired mom getting her groove back, tacos, and lots of spice (we kick the door wide open). This isn't your fluffy rom-com. Somebody might catch a case.

A debut collection of stories set across the American South, featuring characters who struggle to find love and belonging in the wake of painful histories. How can you love where you come from, even when home doesn’t love you back?

In eleven stories that span Florida marshes, North Carolina mountains, and Southern metropolitan cities, Make Your Way Home follows Black men and women who grapple with the homes that have eluded them. A preteen pregnant alongside her mother refuses to let convention dictate who she names as the father of her child. Centuries after slavery separated his ancestors, a native Texan tries to win over the love of his life, despite the grip of a family curse. A young deaconess, who falls for a new church member, wonders what it means when God stops speaking to her. And at the very end of the South as we know it, two sisters seek to escape North to freedom, to promises of a more stable climate.

Artfully and precisely drawn, and steeped in place and history as it explores themes of belonging, inheritance, and deep intimacy, Carrie R. Moore’s debut collection announces an extraordinary new talent in American fiction, inviting us all to examine how the past shapes our present—and how our present choices will echo for years to come.

Journey through the vibrant world of the African Diaspora with this captivating exploration of movement and culture. With each letter, uncover fascinating stories of legendary dancers, iconic styles, and the powerful cultural expressions that unite us all. Perfect for young readers, educators, and dance enthusiasts, this book is a joyful celebration of movement, history, and the enduring legacy of African diasporic traditions. Get ready to step, spin, and soar through the alphabet-one dance at a time!

The beloved characters from The Best Man movies and hit television series reunite for a sexy and soulful, heartbreaking and hilarious reckoning of love.

Recently divorced and fresh off a Pulitzer Prize win, Harper Stewart is in a new era. He’s working on a movie and living the ultimate bachelor life in his Brooklyn penthouse. But still, something is missing. What else explains the stubborn creative block? The carousel of women? And seventh-wheel status with his friends?

Jordan Armstrong had to flee New York. First, to give herself distance from Harper and, second, to escape the corporate grind. In her beachfront Malibu property, the façade of a “healed” Jordan flourishes. Yet she finds herself unmoored. Despite the physical distance, she still feels Harper’s magnetic pull.

Meanwhile, in Ghana, Robyn has gone full bohemian restaurateur. She has finally found peace and won’t let another man ruin it—that is, until a handsome local entrepreneur commands her attention. But it’s all too much change for her daughter, Mia, and when she secretly calls Harper with an emergency Robyn would rather hide, their world is shaken and relationships are tested once more.

Book one of The Best Man trilogy follows Harper, Jordan, and Robyn as they try to establish lives away from the hurts of the past and come to realize that some love is impossible to break. With support from their close-knit crew of chosen family—Quentin, Shelby, Lance, Murch, and Candace—they fight for a future that proves one’s second act can be the extended chapter worth it all.

The Racial Contract puts classic Western social contract theory, deadpan, to extraordinary radical use. With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence. The Racial Contract argues that the society we live in is a continuing white supremacist state.

As this 25th anniversary edition—featuring a foreword by Tommy Shelbie and a new preface by the author—makes clear, the still-urgent The Racial Contract continues to inspire, provoke, and influence thinking about the intersection of the racist underpinnings of political philosophy.

"[A]ccessible and intellectually rich…Essential reading to understand the economic state of the nation." ―Kirkus Reviews (starred review)

The celebrated legal scholar and author of The Color of Money reveals how neoliberals rigged American law, creating widespread distrust, inequality, and injustice.

With the nation lurching from one crisis to the next, many Americans believe that something fundamental has gone wrong. Why aren’t college graduates able to achieve financial security? Why is government completely inept in the face of natural disasters? And why do pundits tell us that the economy is strong even though the majority of Americans can barely make ends meet? In The Quiet Coup, Mehrsa Baradaran, one of our leading public intellectuals, argues that the system is in fact rigged toward the powerful, though it wasn’t the work of evil puppet masters behind the curtain. Rather, the rigging was carried out by hundreds of (mostly) law-abiding lawyers, judges, regulators, policy makers, and lobbyists. Adherents of a market-centered doctrine called neoliberalism, these individuals, over the course of decades, worked to transform the nation―and succeeded.

They did so by changing the law in unseen ways. Tracing this largely unknown history from the late 1960s to the present, Baradaran demonstrates that far from yielding fewer laws and regulations, neoliberalism has in fact always meant more―and more complex―laws. Those laws have uniformly benefited the wealthy. From the work of a young Alan Greenspan in creating "Black Capitalism," to Supreme Court Justice Lewis Powell’s efforts to unshackle big money donors, to the establishment of the "Law and Economics" approach to legal interpretation―in which judges render opinions based on the principles of right-wing economics―Baradaran narrates the key moments in the slow-moving coup that was, and is, neoliberalism. Shifting our focus away from presidents and national policy, she tells the story of how this nation’s laws came to favor the few against the many, threatening the integrity of the market and the state.

Some have claimed that the neoliberal era is behind us. Baradaran shows that such thinking is misguided. Neoliberalism is a failed economic idea―it doesn’t, in fact, create more wealth or more freedom. But it has been successful nevertheless, by seizing the courts and enabling our age of crypto fraud, financial instability, and accelerating inequality. An original account of the forces that have brought us to this dangerous moment in American history, The Quiet Coup reshapes our understanding of the recent past and lights a path toward a better future.

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In his debut collection Fantasia for the Man in Blue, Tommye Blount orchestrates a chorus of distinct, unforgettable voices that speak to the experience of the black, queer body as a site of desire and violence. A black man’s late-night encounter with a police officer—the titular “man in blue”—becomes an extended meditation on a dangerous erotic fantasy. The late Luther Vandross, resurrected here in a suite of poems, addresses the contradiction between his public persona and a life spent largely in the closet: “It’s a calling, this hunger / to sing for a love I’m too ashamed to want for myself.” In “Aaron McKinney Cleans His Magnum,” the convicted killer imagines the barrel of the gun he used to bludgeon Matthew Shepard as an “infant’s small mouth” as well as the “sad calculator” that was “built to subtract from and divide a town.” In these and other poems, Blount viscerally captures the experience of the “other” and locates us squarely within these personae.

From Mariame Kaba, New York Times-bestselling author of We Do This ‘Til We Free Us, and social worker Jane Ball comes a powerful book showing the harm that prisons cause and exploring alternatives, gorgeously illustrated by Olly Costello.

Prisons, they do no good.
They do not help. 
They do not teach.

On a moonlit road, tucked away from prying eyes, a child sees a prison complex―cinder blocks, watch towers, barbed wire. Page by page, we come to see the prison as a child sees it. 

Prisons hurt people and leave them lonely, without loved ones to comfort them or lend a listening ear.

As dandelion stars float up in the air, this dreamscape becomes a hope-scape, where love transcends the prison walls. All the families and friends of the people in the prison march and protest in beautiful song, march together to a new way and a new dawn―in this case a cooperative housing and community center, next to a neighborhood greenhouse for restoration and healing. A new world, where connection and repair are fundamental, and even tangible, as people around a table quilt messages, “I hear you. I’m sorry for what I did. How can I make it better?”

In Prisons Must Fall, Mariame Kaba, a longtime activist, together with co-author Jane Ball, present solutions that do not involve incarceration, such as meeting people’s basic needs, restorative justice, and community support―seeds for a safe world. Illustrator Olly Costello provides textured images of a global majority community and a grey, monotone backdrop that is overtaken by joyful colors. A gentle but effective addition to all social justice bookshelves and libraries. Discussion questions included.

Perfect for:

* Parents, teachers, and librarians looking for books on the prison industrial complex and prison reform
* Kids who are interested in fairness and social justice
* Readers who love exceptional and sophisticated illustration

This deluxe edition is printed with stenciled edges!

In this Southern gothic horror novel, four unlikely allies in a small town investigate a local teen's disappearance, and what they discover festering at the core of their community is far more sinister and ancient than they could’ve ever imagined. For fans of She is a Haunting, True Detective, Mexican Gothic, and Midsommar.

When Dawson Sumter goes missing, all he leaves behind is a smattering of blood in room 4 of the debt-ridden motel owned by Neera Singh's family. Disappearances like this aren't uncommon in the rural Georgia town of Carrion, especially every thirteen years when a periodical cicada brood returns from underground, shrieking their deafening screams.

For Neera, Dawson is another reminder that in this corner of the South, the rich only get richer, and the poor―well, nothing good comes their way.

Neera sets out to investigate Dawson’s whereabouts―if he even still lives―along with three other teens: Isaiah, son of a prominent judge and clandestine true crime podcaster; Reid, son of the wealthiest man in the region; and Sam, estranged daughter of the local hitman. As they find themselves entangled in a messy web of secrets and lies, they discover the riches of the adjacent Lake Clearwater community may have a terrifying source of power dating back to the town’s founding and an ancient urban legend about three devils, each more sinister than the next. How deep does the rot go, and can they find a way to escape its reach?

Raised in the steamy bayous of New Orleans in the early 1900s, LeRoi "King" Tremain, caught up in his family's ongoing feud with the rival DuMont family, learns to fight. But when the teenage King mistakenly kills two white deputies during a botched raid on the DuMonts, the Tremains' fear of reprisal forces King to flee Louisiana.

King thus embarks on an adventure that first takes him to France, where he fights in World War I as a member of the segregated 369th Battalion—in the bigoted army he finds himself locked in combat with American soldiers as well as with Germans. When he returns to America, he battles the Mob in Jazz Age Harlem, the KKK in Louisiana, and crooked politicians trying to destroy a black township in Oklahoma.

King Tremain is driven by two principal forces: He wants to be treated with respect, and he wants to create a family dynasty much like the one he left behind in Louisiana. This is a stunning debut by novelist Guy Johnson that provides a true depiction of the lives of African-Americans in the early decades of the twentieth century.