The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads, Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

In an awesome meeting of minds, cultural theorists Stuart Hall and bell hooks met for a series of wide-ranging conversations on what Hall sums up as "life, love, death, sex." From the trivial to the profound, across boundaries of age, sexualities and genders, hooks and Hall dissect topics and themes of continual contemporary relevance, including feminism, home and homecoming, class, black masculinity, family, politics, relationships, and teaching. In their fluid and honest dialogue they push and pull each other as well as the reader, and the result is a book that speaks to the power of conversation as a place of critical pedagogy.

"After reading Teaching to Transgress I am once again struck by bell hooks's never-ending, unquiet intellectual energy, an energy that makes her radical and loving." -- Paulo Freire

In Teaching to Transgress,bell hooks--writer, teacher, and insurgent black intellectual--writes about a new kind of education, education as the practice of freedom. Teaching students to "transgress" against racial, sexual, and class boundaries in order to achieve the gift of freedom is, for hooks, the teacher's most important goal.

bell hooks speaks to the heart of education today: how can we rethink teaching practices in the age of multiculturalism? What do we do about teachers who do not want to teach, and students who do not want to learn? How should we deal with racism and sexism in the classroom?

Full of passion and politics, Teaching to Transgress combines a practical knowledge of the classroom with a deeply felt connection to the world of emotions and feelings. This is the rare book about teachers and students that dares to raise questions about eros and rage, grief and reconciliation, and the future of teaching itself.

"To educate is the practice of freedom," writes bell hooks, "is a way of teaching anyone can learn." Teaching to Transgress is therecord of one gifted teacher's struggle to make classrooms work.

Ten years ago, bell hooks astonished readers with Teaching to Transgress: Education as the Practice of Freedom. Now comes Teaching Community: A Pedagogy of Hope - a powerful, visionary work that will enrich our teaching and our lives. Combining critical thinking about education with autobiographical narratives, hooks invites readers to extend the discourse of race, gender, class and nationality beyond the classroom into everyday situations of learning. bell hooks writes candidly about her own experiences. Teaching, she explains, can happen anywhere, any time - not just in college classrooms but in churches, in bookstores, in homes where people get together to share ideas that affect their daily lives.

In Teaching Community bell hooks seeks to theorize from the place of the positive, looking at what works. Writing about struggles to end racism and white supremacy, she makes the useful point that "No one is born a racist. Everyone makes a choice." Teaching Community tells us how we can choose to end racism and create a beloved community. hooks looks at many issues-among them, spirituality in the classroom, white people looking to end racism, and erotic relationships between professors and students. Spirit, struggle, service, love, the ideals of shared knowledge and shared learning - these values motivate progressive social change.

Teachers of vision know that democratic education can never be confined to a classroom. Teaching - so often undervalued in our society -- can be a joyous and inclusive activity. bell hooks shows the way. "When teachers teach with love, combining care, commitment, knowledge, responsibility, respect, and trust, we are often able to enter the classroom and go straight to the heart of the matter, which is knowing what to do on any given day to create the best climate for learning."

In Teaching Critical Thinking, renowned cultural critic and progressive educator bell hooks addresses some of the most compelling issues facing teachers in and out of the classroom today.

In a series of short, accessible, and enlightening essays, hooks explores the confounding and sometimes controversial topics that teachers and students have urged her to address since the publication of the previous best-selling volumes in her Teaching series, Teaching to Transgress and Teaching Community. The issues are varied and broad, from whether meaningful teaching can take place in a large classroom setting to confronting issues of self-esteem. One professor, for example, asked how black female professors can maintain positive authority in a classroom without being seen through the lens of negative racist, sexist stereotypes. One teacher asked how to handle tears in the classroom, while another wanted to know how to use humor as a tool for learning.

Addressing questions of race, gender, and class in this work, hooks discusses the complex balance that allows us to teach, value, and learn from works written by racist and sexist authors. Highlighting the importance of reading, she insists on the primacy of free speech, a democratic education of literacy. Throughout these essays, she celebrates the transformative power of critical thinking. This is provocative, powerful, and joyful intellectual work. It is a must read for anyone who is at all interested in education today.

What are the conditions needed for our nation to bridge cultural and racial divides? By "writing beyond race," noted cultural critic bell hooks models the constructive ways scholars, activists, and readers can challenge and change systems of domination.

In the spirit of previous classics like Outlaw Culture and Reel to Real, this new collection of compelling essays interrogates contemporary cultural notions of race, gender, and class. From the films Precious and Crash to recent biographies of Malcolm X and Henrietta Lacks, hooks offers provocative insights into the way race is being talked about in this "post-racial" era.

What is feminism? In this short, accessible primer, bell hooks explores the nature of feminism and its positive promise to eliminate sexism, sexist exploitation, and oppression. With her characteristic clarity and directness, hooks encourages readers to see how feminism can touch and change their lives―to see that feminism is for everybody.

When Feminist Theory: From Margin to Center was first published in 1984, it was welcomed and praised by feminist thinkers who wanted a new vision. Even so, individual readers frequently found the theory "unsettling" or "provocative." Today, the blueprint for feminist movement presented in the book remains as provocative and relevant as ever. Written in hooks's characteristic direct style, Feminist Theory embodies the hope that feminists can find a common language to spread the word and create a mass, global feminist movement.

A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

For bell hooks, the best cultural criticism sees no need to separate politics from the pleasure of reading. Yearning collects together some of hooks's classic and early pieces of cultural criticism from the '80s. Addressing topics like pedagogy, postmodernism, and politics, hooks examines a variety of cultural artifacts, from Spike Lee's film Do the Right Thing and Wim Wenders's film Wings of Desire to the writings of Zora Neale Hurston and Toni Morrison. The result is a poignant collection of essays which, like all of hooks's work, is above all else concerned with transforming oppressive structures of domination.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship―in particular, the way blackness and black people are experienced in literature, music, television, and especially film―and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert." As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that's exactly what these pieces do.

In childhood, bell hooks was taught that "talking back" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.

Explodes the myth that self-hatred is the dominant theme in Black identity. This book, using a thorough review of social scientific literature on Negro identity conducted between 1936 and 1967, demonstrates that important themes of mental health and adaptive strength have been frequently overlooked by scholars, both Black and White.

NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD FINALIST • A “stunning” (America Ferrera) YA novel about a teenager coming to terms with losing her sister and finding herself amid the pressures, expectations, and stereotypes of growing up in a Mexican American home—from the author of Crying in the Bathroom

“Alive and crackling—a gritty tale wrapped in a page-turner. ”—The New York Times

Perfect Mexican daughters do not go away to college. And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family.

But Julia is not your perfect Mexican daughter. That was Olga’s role.

Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.

But it’s not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister’s story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

From the acclaimed author of Vagabonds!: an audacious and eye-opening exploration of cross-generational queer life in Nigeria.

What makes a family? How is it defined and by whom? Is freedom for everyone?

In Necessary Fiction, Eloghosa Osunde poses these provocative questions and many more while exploring the paths and dreams, hopes and fears of more than two dozen characters who are staking out lives for themselves in contemporary Nigeria. 

Across Lagos, one of Africa's largest urban areas and one of the world's most dynamic cities, Osunde’s characters seek out love for self and their chosen partners, even as they risk ruining relationships with parents, spouses, family, and friends. As the novel unfolds, a rolling cast emerges: vibrantly active, stubbornly alive, brazenly flawed. These characters grapple with desire, fear, time, death, and God, forming and breaking unexpected connections; in the process unveiling how they know each other, have loved each other, and had their hearts broken in that pursuit. 

As they work to establish themselves in the city's lively worlds of art, music, entertainment, and creative commerce, we meet their collective and individual attempts to reckon with the necessary fiction they carry for survival.

Get out your shovels and fossil brushes for this delightful Step 2 reader following a family's search for fossils!

Ava loves rocks! But what she really really loves are fossils! Ava and her family are on a mission to dig up some fossils. They dig in their backyard, in the park, and by the creek but still no fossils. But Ava will not give up! The family head out to the beach for one more fossil hunting adventure! Will Ava finally be able to dig up her very own fossil?

Step 2 Readers use basic vocabulary and short sentences to tell simple stories, for children who recognize familiar words and can sound out new words with help. Rhyme and rhythmic text paired with picture clues help children decode the story.

Scripps National Spelling Bee champ, New York Times bestselling author, and Sports Illustrated Sports Kid of the Year Zaila Avant-garde shares her love of sports in this level 1 Step Into Reading book. Perfect for children just beginning to read.

Be a soccer star. Kick, kick, score! Bounce a basketball. Bounce, bounce, soar!

New readers will find playful encouragement in this easy reader that sings out about the joy of playing sports. Wth ample rhyme and helpful repetition, Zaila Avante-garde takes readers on a boisterous romp through the wide world of sports, showing cheerful scenes of baseball, swimming, running, gymnastics, and more.

Step 1 Readers feature big type and easy words for children who know the alphabet and are eager to begin reading. Rhyme and rhythmic text paired with picture clues help children decode the story.

A college history professor must solve her superstar colleague's murder before she becomes the next target in this funny, romantic debut mystery, perfect for readers of Janet Evanovich, Kellye Garrett, and Ali Hazelwood.

As a newly minted junior professor, Daphne Ouverture spends her days giving lectures on French colonialism, working on her next academic book, and going on atrocious dates. Her small world suits her just fine. Until Sam Taylor dies.

The rising star of Harrison University’s anthropology department was never one of Daphne’s favorites, despite his popularity. But that doesn’t prevent Sam’s killer from believing Daphne has something that belonged to Sam—something the killer will stop at nothing to get.

Between grading papers and navigating her disastrous love life, Daphne embarks on her own investigation to find out what connects her to Sam’s murder. With the help of an alluring former-detective-turned-bookseller, she unravels a deadly cover-up on campus.

This well-crafted, voice-driven mystery introduces an unforgettable crime fiction heroine.

A dedicated journalist unearths a generations-old family secret—and a connection to a string of missing girls that hits way too close to home—in this gripping debut novel.

In the wake of her grandmother's passing, Sydney Singleton finds a hidden photograph of a little girl who looks more like Sydney than her own sister or mother. She soon discovers the mystery girl in the photograph is her aunt, Carol, who was one of six North Carolina Black girls to go missing in the 1960s. For the last several decades, not a soul has talked about Carol or what really happened to her. But now, with her grandmother gone and Sydney looking to start a family of her own, she is determined to unravel the truth behind her long-lost aunt’s disappearance, and the sinister silence that surrounds her.

Unfortunately, this is familiar territory for Sydney: Years earlier, while she worked the crime beat as a journalist, her obsession with the case of another missing girl led to a psychotic break. And now, in the suffocating grip of fertility treatments and a marriage that's beginning to crumble, Sydney’s relentless pursuit for answers might just lead her down the same path of self-destruction. As she delves deeper into Carol's fate, her own troubled past reemerges, clawing its way to the surface with a vengeance. The web of secrets and lies entangling her family leaves Sydney questioning everything—her fixation on the missing girls, her future as a mom, and her trust in those she knows and loves.

Delving into family, community, secrets, and motherhood, We Don’t Talk About Carol is a gripping and deeply emotional story about overcoming the rot at the roots of our family trees—and what we’ll do for those we love.

Welcome to “the mommune.”

From New York Times bestselling author Domenica Ruta comes a heartfelt, hilarious novel about a single mom reimagining what the perfect family can look like.

“A delight, a romp, a tale of redemption; sexy and relatable, heartwarming and true . . . This story will resound as a rallying cry for mothers everywhere for generations to come.”—Chelsea Bieker, author of Madwoman

Sandy thought she was making her greatest mistake yet when she got unexpectedly pregnant in her mid-thirties by a dating-app flop. Now, her baby Rosie is the love of her life, but trying to co-parent with her daughter’s dad, a wannabe rock star, is a challenge—and seems to be veering into catastrophe territory when Sandy finds out through social media that her daughter has a half-sibling Sandy doesn’t know anything about.

Enter her ex’s ex, Stephanie, the other mother. Sandy is prepared to hate her but when the two women meet, they are shocked to learn how much they have in common beyond the deadbeat father their children share. Now Sandy needs to figure out what her and Rosie’s family looks like with all these new additions. Could life in a “mommune” be the answer to her prayers, or just a new brand of chaos?

In this winning story of family both born and chosen, Sandy is about to discover that when nothing goes as planned, the best things become possible.

Virgil Abloh's iconic rise to the top of the fashion industry embodied a groundbreaking transformation of the relationship between who we are and what we wear.

Abloh's appointment as head of menswear for Louis Vuitton in 2018 shocked the fashion inudstry, as he became the first Black designer to serve as artistic director in the brand's 164-year history. But as Pulitzer Prize–winning culture critic Robin Givhan reveals, Abloh's story encompasses so much more than his own journey.

Using Abloh's surprising path to the top of the luxury establishment, Givhan unfolds the larger story of how the cloistered, exclusive fashion world faced a revolution from below in the form of streetwear and designers unafraid to storm the gates—how their notions of what was luxury simultaneously anticipated and upended consumer preferences, and how a simple T-shirt held as much cultural power as a haute couture gown. As Givhan relays, Abloh rose during a time of existential angst for a fashion inudstry trying to make sense of its responsibilities to a diverse audience and the challenges of selling status to a generation of consumers who fetishized sneakers and prioritized comfort. How that moment came to be—how someone like Abloh, who had no formal training in patternmaking or tailoring, could come to symbolize and embody the industry's way forward—is the story at the heart of this book.

Make It Ours is at once a remarkable biography of a singular creative force and a powerful meditation on fashion and race, taste and exclusivity, genius and luxury. With access to Abloh's family, friends, collaborators, and contemporaries, and featuring a cast of fascinating characters ranging from visionary Black designers like Ozwald Boateng to Abloh's mercurial but critical employer and mentor Kanye West, Givhan weaves a spellbinding tale of a young man's rise amid a cultural moment that would upend a century's worth of ideas about luxury and taste.

A marriage on the rocks, a missing friend, and a tangle of shocking lies converge at a peaceful North Carolina lakefront cottage in this irresistibly twisty new psychological thriller from New York Times and USA Today bestselling author Shanora Williams – perfect for readers of Liv Constantine, Tarryn Fisher, Kellye Garrett, and Caroline Kepnes.

Investigative reporter Rose Howard is exhausted from trying to manage her seemingly perfect life. With her marriage to the man she thought was her one true love collapsing, she desperately needs for one thing to go right.

While striving for a promotion to senior reporter, her efforts are interrupted when she learns her former best friend and travel vlogger, Eve Castillo, isn't responding to attempts to contact her at the North Carolina cottage she's reviewing. Rose knows Eve can be flaky and irresponsible. And after Eve breaks the ultimate ethical friendship code and crosses boundaries to the point of no return, Rose wants nothing to do with her. Still, Rose heads to the tranquil small town of Sage Hill . . .

Rose soon discovers that Eve has vanished without her purse and passport—even after booking a trip abroad. The personable cabin owners’ accounts of Eve's stay just don’t add up . . . and most of the town's initially hospitable inhabitants become increasingly less helpful . . .

Rose's instincts tell her the solution lies somewhere in Eve's—and Sage Hill's—past. To get answers, she’ll have to ask inconvenient questions, stumble onto shocking truths, and face vicious attempts on her life. But some truths are best left alone. And secrets Rose never saw coming could easily sink her, and her future, without a
trace . . .

When two best friends' hobby of crashing weddings takes a deadly turn, they’re forced to embark on a road trip of survival in this addictive thriller.

How well do we really know our friends?

As the only Black women at an antebellum-themed wedding, Kayla and Zorie should’ve known this heist was doomed from the start. They should never have come, but when their financial situation became dire, they agreed to hit one last wedding.

Jaded and cynical Kayla has spent the last decade trying to fix her life since an angsty teen prank led to her arrest. Now, with her housekeeping job at a subpar hotel and her disappointing, Cinderella-esque relationship with her dad and obnoxious stepsister, she hates the life she’s built. Her only bright spots are her best friend, Zorie, and their favorite weekend pastime of crashing weddings to steal the money and pawn the gifts. But what started as a lark has evolved into a greedy obsession, making each wedding haul riskier than the last.

While trying to avoid the angry bride and groom, Kayla and Zorie's getaway takes a gruesome turn and suddenly the “Wedding Crasher Killers” are national news. The best friends are forced to hit the road to dodge the authorities, but their escape plan leaves behind a bloody trail of destruction from Georgia all the way to the bayou. As past grudges resurface, Kayla realizes that the best friend she thought she knew is more dangerous than she could ever have realized.

Sharp, unpredictable, and madcap from start to finish, Love You to Death is the most fun—and deadly—road trip you’ll ever take.

The first book in a funny supernatural graphic novel series for early readers about an eight-year-old boy who solves mysteries with the ghost of his former class pet.

Mr. Pebbles is dead, and everyone thinks it’s Carter’s fault!

When Carter’s third-grade class accuses him of killing the class pet, a naked mole rat named Mr. Pebbles who shivers a lot and smells a little funny, can Carter clear his name . . . with the help of Mr. Pebbles's ghost?

An amateur online sleuth must enlist the help of a jaded PI to clear her name while taking down a shady tech start-up in this exhilarating romantic suspense novel.

Fiona Addai is ready to set her plan in motion. To honor the anniversary of her brother’s death, she’s going to steal back his brilliant invention from the ruthless corporation that stole and claimed it as their own. As a famed Reddit detective known as @Princess_PI, Fiona has used her online connections and sleuthing skills to time every step down to the minute. But with one disastrous misstep, instead of getting justice, Fiona finds herself accused of murder.

Maurice Bennett is no stranger to insomnia. These days, he’s not losing sleep over the cases he’s solving—but running from the one he couldn’t. Instead, he’s been settling for small-time scandals that don’t stir up the guilt he’s buried. But when he spots Fiona Addai at the center of a murder investigation, something clicks. And for the first time in a long while, Maurice feels that old spark of intrigue.

However, Fiona is not the helpless damsel she appears to be. Sure, she needs Maurice’s help to clear her name, but she’s got conditions of her own: she wants a crash course in real-world detective work. Maurice isn’t exactly thrilled. With every late-night stakeout and tension-filled interrogation, their partnership, rife with tension and unexpected chemistry, unravels a dangerous web of corporate crime and familial secrets. To bring the real killer to light, they'll need to trust each other and that might be the most dangerous gamble of all.

“The Emperor of Gladness is a poetic, dramatic and vivid story. Epic in its sweep, the novel also handles intimacy and love with delicacy and deep originality. Hai and Grazina are taken from the margins of American life by Ocean Vuong and, by dint of great sympathy and imaginative genius, placed at the very center of our world.” —Colm Tóibín, author of Long Island and Brooklyn

“A masterwork.” —Bryan Washington, author of Palaver and Family Meal

Ocean Vuong returns with a bighearted novel about chosen family, unexpected friendship, and the stories we tell ourselves in order to survive

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to transform Hai’s relationship to himself, his family, and a community on the brink.

Following the cycles of history, memory, and time, The Emperor of Gladness shows the profound ways in which love, labor, and loneliness form the bedrock of American life. At its heart is a brave epic about what it means to exist on the fringes of society and to reckon with the wounds that haunt our collective soul. Hallmarks of Ocean Vuong’s writing—formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness—are on full display in this story of loss, hope, and how far we would go to possess one of life’s most fleeting mercies: a second chance.

In this poignant retelling of The Great Gatsby, set amongst L.A.’s Black elite, a young veteran finds his way post-war, pulled into a new world of tantalizing possibilities—and explosive tensions.

In 1945, Charlie Trammell steps off a cross-country train into the vibrant tapestry of Los Angeles. Lured by his cousin Marguerite’s invitation to the esteemed West Adams Heights, Charlie is immediately captivated by the Black opulence of L.A.’s newly rechristened “Sugar Hill.”

Settling in at a local actress’s energetic boarding house, Charlie discovers a different way of life—one brimming with opportunity—from a promising career at a Black-owned insurance firm, the absence of Jim Crow, to the potential of an unforgettable romance. But nothing dazzles quite like James “Reaper” Mann.
 
Reaper’s extravagant parties, attended by luminaries like Lena Horne and Hattie McDaniel, draw Charlie in, bringing the milieu of wealth and excess within his reach. But as Charlie’s unusual bond with Reaper deepens, so does the tension in the neighborhood as white neighbors, frustrated by their own dwindling fortunes, ignite a landmark court case that threatens the community’s well-being with promises of retribution.

Told from the unique perspective of a young man who has just returned from a grueling, segregated war, The Great Mann weaves a compelling narrative of wealth and class, illuminating the complexities of Black identity and education in post-war America.

A groundbreaking look at how Black visionaries—from Wall Street to Lagos and beyond—are reimagining capitalism to benefit the needs of Black people and, ultimately, everyone.

“Black Capitalists is a dive into the history of how money is made and our attitudes about wealth. A must read.”—Vanessa Williams, singer, actress, author, producer, and former Miss America

To many, the term “Black Capitalists” is oxymoronic. Black people were the labor force that built the infrastructure of American capitalism through the violent enforcement of legalized slavery, so they cannot, and should not, aspire to be the beneficiaries of it. But Wall Street professional and Yale-educated anthropologist Dr. Rachel Laryea poses a provocative question: What if there was a way to thrive within capitalism without diminishing someone else’s life chances through exploitative practices? There is—and Black Capitalists are showing us how.

Told through Dr. Laryea's own compelling narrative—growing up the child of a single mother who immigrated to the United States from Ghana and rose to the Ivy League and on Wall Street—with original on-the-ground reporting and rigorous historical analysis, Black Capitalists challenges readers to reconsider who gets to be the beneficiary of capitalism and reckons with the responsibility that comes with using the tools of our imperfect economic system to advance social good.

Dr. Laryea reveals in detail how race profoundly shapes the way we participate in capitalism—and how understanding these differences can guide us toward a more inclusive and equitable future. From newly minted undergraduates who find themselves working twenty-hour days to prove their worth on Wall Street to Nigerian startup founders working to build global credit scores, spanning the streets of Accra to the boardrooms of Goldman Sachs, Black Capitalists’ stories and analysis of innovators who are as ambitious as they are altruistic demonstrate the resilience, creativity, and ingenuity of Black people who have long been excluded from the full benefits of the American economic system. At its core, Black Capitalists shows a more productive, and more inclusive, way forward.

A guide to the art of journaling—and a meditation on the central questions of life—by the bestselling author of Between Two Kingdoms, with contributions from Hanif Abdurraqib, Jon Batiste, Salman Rushdie, Gloria Steinem, George Saunders, and many more

“The Book of Alchemy proves on every page that a creative response can be found in every moment of life—regardless of what is happening in the world.”—Elizabeth Gilbert, author of Eat Pray Love

From the time she was young, Suleika Jaouad has kept a journal. She’s used it to mark life's biggest occasions and to weather its most ferocious storms. Journaling has buoyed her through illness, heartbreak, and the deepest uncertainty. And she is not alone: for so many people, keeping a journal is an essential tool for navigating both the personal peaks and valleys and the collective challenges of modern life. More than ever, we need a space for puzzling through.

In The Book of Alchemy, Suleika explores the art of journaling and shares everything she's learned about how this life-altering practice can help us tap into that mystical trait that exists in every human: creativity. She has gathered wisdom from one hundred writers, artists, and thinkers in the form of essays and writing prompts.Their insights invite us to inhabit a more inspired life.

A companion through challenging times, The Book of Alchemy is broken into themes ranging from new beginnings to love, loss, and rebuilding. Whether you’re a lifelong journaler or new to the practice, this book gives you the tools, direction, and encouragement to engage with discomfort, ask questions, peel back the layers, dream daringly, uncover your truest self—and in doing so, to learn to hold the unbearably brutal and astonishingly beautiful facts of life in the same palm.

Also includes essays from: Martha Beck • Nadia Bolz-Weber • Alain de Botton • Susan Cheever • Lena Dunham • Melissa Febos • Liana Finck • John Green • Marie Howe • Pico Iyer • Oliver Jeffers • Quintin Jones • Michael Koryta • Hanif Kureishi • Kiese Laymon • Cleyvis Natera • Ann Patchett • Esther Perel • Adrienne Raphel • Jenny Rosenstrach • Sarah Ruhl • Sharon Salzberg • Dani Shapiro • Mavis Staples • Linda Sue Park • Nafissa Thompson-Spires • Jia Tolentino • Lindy West • Lidia Yuknavitch • And many others

Retired nurse, avid gardener, and renowned cake maker Miss Hortense has lived in Bigglesweigh, a quiet suburb of Birmingham, England, since she emigrated from Jamaica in 1960. She takes great pride in her home, starching her lace curtains bright white, and she can tell if she’s being shortchanged on turmeric before she’s taken her first bite of a beef patty. A career in nursing has also left her afraid of nobody, whether an interfering priest or a local drug dealer, and she’s an expert in deciphering other people’s secrets with just a glance.

Miss Hortense once used her skills to benefit the Pardner network—a local group of Black investors that she helped found. Until, that is, she was unceremoniously ousted from its ranks, severing her ties to the majority of her friends and community. That was thirty years ago. Now, as a new millennium dawns, an unidentified man has been found dead in the home of one of the Pardner members, a Bible quote written on a note beside his body. Suddenly, Miss Hortense finds her long-buried past rushing back, bringing memories of the worst moment of her life—and secrets behind an unsolved crime that has haunted her for decades.

It is finally time for Miss Hortense to solve a mystery that will see her and the com-munity she loves pushed to their limits. The first novel from a bold, brilliant new voice, A Murder for Miss Hortense introduces a fear-less sleuth whom readers will never forget.

A practical guide to transforming work culture for nonprofits and social-justice organizations, using principles of collective governance and participatory democracy

Those working in the social-justice nonprofit sector work tirelessly for liberation out in the world, yet often find themselves stressed, burnt out, and exploited within their own organizations. This book is a powerful call for nonprofits and movement organizations to rethink their internal systems and processes, and to bring workplace culture and management in line with their liberatory missions and political values.

Drawing on two decades of experience in community organizing and nonprofit work, Niloufar Khonsari guides us in transforming our workplaces by decentralizing power and implementing collective governance structures, centering principles of transparency, equity, and mutual care.

Khonsari demystifies collective management for fellow activists, nonprofit workers, and community leaders, providing real-world examples of successful organizational shifts. Khonsari shares practical tools for transitioning to a shared leadership model; implementing equity-based pay scales; co-creating work expectations; nurturing both individual autonomy and collective responsibility; setting and respecting boundaries; and fostering a culture of learning, trust, accountability, and humility.

They also address how to communicate these workplace changes to funding bodies—and why being clear with funders about how and why you are transforming your organization is an essential part of the larger movement work you’re doing. Crucially, Khonsari also looks at how to handle toxic workplace dynamics, everyday conflicts, and job terminations, using a transformative-justice approach. They call for nonprofit and movement leaders to embrace conflict resolution as a generative practice that builds and strengthens us, and show how healthy feedback models within collective organizations can prevent larger issues from building up.

This book is not a one-size-fits-all plan; instead, readers are encouraged to draw from its rich collection of case studies, sample workplace policies, tools developed by activist collectives, and personal reflections of movement leaders to explore what works best for their organization at its current stage of growth and evolution. Inspiring and hopeful, this book will help nonprofit workers, activists, and community leaders work toward a workplace that truly models the kind of relational systems we want to see in the world.

Acclaimed authors Zadie Smith and Nick Laird are back with a brand-new picture book about conquering new experiences and enjoying the great outdoors!

Maud—the judo-suit-wearing guinea pig and proud oddball—is off into the wild, as is Kit, her owner. Both are slightly nervous about what they’ll find in the great outdoors, but with a pinch of bravery—and a few Signature Moves—they’ll make new friends and explore new worlds . . .

A warm and endearing story celebrating the quiet power of being yourself.