In the summer of 1970, in the small town of Lowell, Mississippi, ten-year-old Bailey Connor lives in constant fear of his abusive father, Otis. His mother, Annie, dreams of an escape and accepts a job working for Jim Cunningham, a wealthy white plantation owner. But when Jim is found brutally stabbed to death, Annie, a Black woman in a town still deeply segregated, is quickly accused of the crime. Since the Connors have no money for a lawyer and the nearly all-white jury is poised to convict, Annie's fate seems sealed-the electric chair waits in the shadows.

While visiting Lowell, Jonathan Streeter, a prominent Black attorney with a troubled past, reluctantly agrees to take on Annie's case. With Bailey's world thrown further into turmoil, he desperately tries to help Jonathan free his mother.

As the trial gains national attention, Jonathan uncovers a tangled web of lies, corruption, and deep-seated racial hatred woven into the very fabric of Lowell, all tied to Jim's murder. While violence escalates and interference from the local KKK grows, Jonathan and Bailey become trapped in a life-and-death struggle against those determined to bury the truth... and the two of them along with it.

In the small, bayou-whispered town of Opelousas Octavia, a vibrant young women, and Ms.Aladyse, a wise Creole elder, share a deep spiritual connection that transcend time. As they bond, it becomes clear that Octavia is not just a reflection of Ms. Aladyse's past, but perhaps a reincarnation of a soul long cherished. Together, they uncover a profound link that goes beyond coincidence, intertwining their destines in a journey of love, wisdom and spiritual reunions.

"Alright, here's the game plan. I go out, stop some petty criminals, take out a gang or two, find the person or people that are kidnapping people, take out all those gross shadow things, and maybe, just maybe, get the world to like me. Yeah. Yeah that sounds like a good plan!"

Really, I wish I had lesser expectations of myself, but with this city's stupid high crime rate, a string of missing people, and these strange black creatures trying to tear down anything in their path? I feel like I have more than my work cut out for myself. However, I can't just sit down and do nothing with these powers I gained. This place needs a hero and I'm not gonna stop protecting this place till I save everyone. I just hope I can get all of this done before my mother and father ground me into the dirt.

Now available in paperback, this exciting book charts Jean-Michel Basquiat's groundbreaking career.

Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO©. From there he went on to work with others on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. This book places his collaborations in a wider art historical context and looks at his career through the lens of performance. Six thematic chapters offer compelling research, with essays from poet Christian Campbell on SAMO©; curator Carlo McCormick on New York/New Wave; writer Glenn O'Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat's relationship to film and television; and music scholar Francesco Martinelli on Basquiat's obsession with jazz. This insightful survey also features rare archival material and extensive illustrations, demonstrating how Basquiat's legacy remains more powerful and relevant than ever today.

How do you rebuild yourself when your whole world changes overnight?

Thrust onto the public stage at fifteen years old after the Taliban’s brutal attack on her life, Malala Yousafzai quickly became an international icon known for bravery and resilience. But away from the cameras and crowds, she spent years struggling to find her place in an unfamiliar world. Now, for the first time ever, Malala takes us beyond the headlines in Finding My Way—a vulnerable, surprising memoir that buzzes with authenticity, sharp humor, and tenderness.

Finding My Way is a story of friendship and first love, of anxiety and self-discovery, of trying to stay true to yourself when everyone wants to tell you who you are. In it, Malala traces her path from high school loner to reckless college student to a young woman at peace with her past. Through candid, often messy moments like nearly failing exams, getting ghosted and meeting the love of her life, Malala reminds us that real role models aren’t perfect—they’re human.

In this astonishing memoir, Malala reintroduces herself to the world, sharing how she navigated life as someone whose darkest moments threatened to define her—while seeking the freedom to find out who she truly is. Finding My Way is an intimate look at the life of a young woman taking charge of her destiny—and a deeply personal testament to the strength it takes to be unapologetically yourself.

*Use discount code: SALE at check out for 30% off*

A new edition of the first book of poems from the Pulitzer Prize winner Carl Phillips, with a new afterword.

I am no mystic. I know
nothing rises that doesn’t
know how to already.
In my ears, only the clubbed
foot of routine, no voices, no

clatter of dreams: but I saw
what I saw

Even in his first book of poems, the deep contradictions in Carl Phillips’s work are already pronounced. Here is a subtle poet, attuned to the simple honesty of everyday speech, and yet steeped in classical allusion. Life here is quiet, yet burning with anger and unavoidable desire. Offering intimate statements of passion and yet retaining a private withholding, these poems take as their primary subject the body―growing, aging, loving―and spirit that fills the flesh.

When In the Blood was selected for the 1992 Morse Poetry Prize, Carl Phillips was a high-school Latin teacher. Thirty years later, he has written seventeen books of poetry, has received the Pulitzer Prize, and is one of the most prominent voices in contemporary poetry.

An arrestingly beautiful, award-winning novel about separation, migration, and love left behind.

Alone and adrift in Barcelona, an unnamed narrator is haunted by the death of her teenage brother, Diego. Diego, the little boy she helped raise in Mexico while their mother struggled to make a living in Spain. Diego, who loved Vampire Weekend and dreamed of becoming a pilot. Diego, who hated Madrid as much as she did.

Now, his ashes in hand, she must return to Mexico. Plagued by memories, she recounts their young lives leading up to tragedy in blistering detail: the acute loneliness that accompanied their emigration; the siblings’ first separation, when she left for Barcelona to make her own way in the world; her activism against labor abuses, which is threatened by her tumultuous relationship with an entitled lover; and the final, heavyhearted confrontation with her brother. Caught between rage and heartbreak over the loss of Diego, she pieces together a story of alienation, but also of surprising courage and hope.

Masterfully translated by Megan McDowell, and shot through with flashes of dark humor, Eating Ashes boldly confronts both the intimate and systemic struggles faced by migrants striving to build a life worth living. Already an international sensation across Europe, this novel cements Brenda Navarro as a breathtakingly unique and vital voice in literature.

A gripping, richly imagined fantasy set in an alternate ancient African world in which a Black girl finds her power and saves her people from evil, by the Coretta Scott King/John Steptoe New Talent Award-winning author of Black Panther: The Young Prince. 

In the land of Alkebulan, twelve-year-old Asha is an orphan, raised by Madame S, the proprietor of a traveling carnival. When Madame S is attacked by ghoulish creatures, she manages to tell Asha before she dies, “Seek the Underground Kingdom, where the black flowers bloom.”

Asha doesn’t understand the mysterious words, but they launch her onto a page-turning quest to protect her people and stop an ancient evil. Along the way, she uncovers shocking secrets about the family she never knew and begins to find her place in the world as she discovers her own untapped powers.

This powerful biography follows Judge Ketanji Brown Jackson’s road to the Supreme Court as the first Black woman to be confirmed, for middle grade readers from New York Times bestselling author Garen Thomas and The Washington Post reporter Lori Rozsa. This inspiring story features key childhood moments and all those who influenced and encouraged her along the way.

Before becoming the first black woman on the Supreme Court Ketanji Brown Jackson was a bright and happy kid with big dreams and determination. Guided by her parents, whose own stories influenced her, and who helped her navigate the obstacles she might face as a Black child, Ketanji’s spirit, drive, and belief in herself blossomed. She was popular in school and excelled in academics, debate, and theater, but it wasn’t always smooth sailing. Over the decades, she’d run up against a backdrop of people and Supreme Court rulings that sometimes opened doors for her . . . and sometimes shut them. By remaining true to herself and fighting for what’s right, Ketanji became an inspiration to children everywhere, accomplishing her lifelong goals and ascending to the nation’s highest court, where she now helps decide the direction of our country.

From New York Times bestselling author Garen Thomas and Washington Post reporter Lori Rozsa comes this empowering biography that proves that with perseverance, dreams can come true!

Inspired by journalists Christiane Amanpour and Sylvia Poggioli, Midnight, at the War is a novel about a reporter chasing the biggest story of her career as she contends with a tense newsroom, a dangerous global conflict, and all the problems she’s running away from at home, by the acclaimed novelist that Megha Majumdar calls “a gem of a writer.”

Foreign correspondent Rita Das has left New York for the war-torn Middle East, a reassignment she asks for after she learns she is pregnant and is uncertain whether the father is her husband or her lover. As she strives to shed light on the fallouts of the war, Rita finds herself embroiled in her own conflicts with her interpreter and her news editor, her sources and her colleagues. She is unable to accept the loss of her mother and deal with her guilt for not being at her side when she died.

Fiercely independent and ambitious (and in her journalism, deeply humane), Rita is also in denial about her need for intimate human relationships. As she goes into the field to report on the war, she grapples with the physical and emotional tolls of her pregnant body and a turbulent region where the numbing repetition of war slides suddenly into horror. When her news editor delivers urgent orders for her to return to New York, Rita is faced with a choice about how she wants to live her life as a journalist and a soon-to-be mother.

Set in the years immediately after 9/11, and drawn from Devi Laskar’s own experience as a government reporter in the 1990s and early aughts, Midnight, at the War is an exploration of love and grief, of moral ambiguity and forgiveness, of modern war and the wars we wage within ourselves.

This volume is the powerful final book by Dr. Martin Luther King and his reflections after a decade of civil rights struggles—part of Dr. King’s archives published exclusively by HarperCollins.

In 1967 during a turning point in the Civil Rights Movement, Dr. Martin Luther King, Jr., sought new perspectives while on a respite in Jamaica, where he labored over his final manuscript.

Here, in this poetic call to change the world, King addresses internal tensions within the movement and external resistance to racial justice, urging unity through collaboration and a shared vision. He emphasizes the importance of driving change, offers guidance on wielding rage constructively, and calls for a commitment to justice, peace, and humanity.

With a universal message of hope that continues to resonate, King’s words will inspire readers to make the important choice between destruction through chaos or peace through community.

A richly illustrated account tracing the full arc of contemporary painter Suzanne Jackson’s life and multifaceted artistic vision

First and foremost a painter, Suzanne Jackson has worked for six decades in a dizzying array of genres, including drawing, printmaking, poetry, dance, and theater design. Suzanne Jackson: What Is Love reveals Jackson’s achievements as a leading and influential artist who has been in dialogue with her contemporaries, from Betye Saar and Emory Douglas to Senga Nengudi and Mary Lovelace O’Neal.

This wide-ranging book illuminates Jackson’s work and its connections to nature, environmentalism, performance, feminism, and Black and Native traditions. It explores the way her innovative hanging acrylic works break the canvas; the role of dance and set design in Jackson’s practice; and her trailblazing Los Angeles art space Gallery 32, which she ran from 1968 to 1970, and which became a focus for a circle of fellow emerging artists. The book also features artist dialogues between Jackson and Nengudi, Saar, Fred Eversley, and Richard Mayhew, as well as a conversation between Jackson and SFMOMA painting conservator Jennifer Hickey.

Exhibition Schedule
SFMOMA, San Francisco
September 27, 2025–March 1, 2026

Walker Art Center, Minneapolis
May 14, 2026–August 23, 2026

Museum of Fine Arts, Boston
September 26, 2026–February 7, 2027

Law in Light is a groundbreaking book on the resurgence and transformation of Akan path spiritual communities in the United States and Ghana. Drawing on extensive collaborative ethnographic research, the book offers powerful portraits of priestesses, priests, and others on their spiritual journeys, in their ancestral reconnections, and in their everyday lives. The book spotlights a queen mother, shrine elders, priests, and priestesses of a prominent shrine house in Maryland, as well as leaders at a legendary Asuo Gyebi source shrine in Ghana. In exploring worlds of healing, empowerment, and justice, Lauren Coyle Rosen argues for the importance of two novel theoretical concepts, which she calls copresent jurisdictions and constellations of subjectivity. The book urges a broader retheorization of alternative spiritual orders within contemporary theopolitical, cosmopolitical, and postjuristocratic debates.

Paperback Release Date: May 26, 2026

Long-listed for the Booker Prize

A radiant, intimate novel of the longing that blooms between two boys over the course of one summer―about family, desire, and what we inherit.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once-flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought.

Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

Out in the fields, and on the streets into town, the charge between the boys intensifies. Inside the house, the other family members begin to confront their own secrets and regrets. Jack is a professor at a struggling local college whose failures might have begun when he married his student, Sui Ching. Sui Ching does her best to keep the family together, though she too wonders what her life could have been. And Fong, the manager, refuses to look at what is: at Chuan, at the land, at the global forces that threaten to render his whole life obsolete.

At once sweeping and compressed, Tash Aw’s The South is a family novel of change and desire―a story of what happens when public and private lives collide, told with uncommon grace and beauty.

The death of a Jamaican man’s father raises questions about the father’s political endeavors, and about the plight of 1980s Jamaica.

“Few other novels encapsulate Jamaica’s political upheavals so well. Protagonist Ferron Morgan agonizes over his father’s death, maybe from a doctor’s mistake, maybe from a radical rival’s hands. Meanwhile, he’s running from everything, including his own emotions about his fiancée―with sad results. Bivouac is not an easy or light book, but the immediacy Dawes creates is worth it.” ―Literary Hub, included in 5 Books You May Have Missed in April

“An examination of grief and politics in a deftly written novel set in 1980s Jamaica . . . Astonishing prose.” ―Kirkus Reviews

When Ferron Morgan’s father dies in suspicious circumstances, his trauma is exacerbated by the conflict within his family and among his father’s friends over whether the death was the result of medical negligence or if it was a political assassination. Ferron grew up in awe of his father’s radical political endeavors, but in later years he watched as the resurgence of the political right in the Caribbean in the 1980s robbed the man of his faith.

Ferron’s response to the death is further complicated by guilt, particularly over his failure to protect his fiancée from a brutal assault. He begins to investigate the direction of his life with great intensity, in particular his instinct to keep moving on and running from trouble.

This is a sharply focused portrayal of Jamaica at a tipping point in its recent past, in which the private grief and trauma condenses a whole society’s scarcely understood sense of temporariness and dislocation.

Camille has worked her way up from the Guadeluopean lakou where she was born and raised to the heights of Orlando, where she is a successful motivational speaker. Her assistant, Evelyn, is struggling as a single mother, especially since she has been keeping the existence of her son a secret from her family in Jamaica. As Camille relates the story of her life to Evelyn, she urges Evelyn to see her difficult life as one of great fortune—“My girl, a woman falls, but she never despairs”—and to fully share her joys and successes with her loved ones.

Camille’s Lakou tells the story of Camille, a young Caribbean girl living with her single‑parent mother in a 1960s urbanized zone at the edge of Pointe‑à‑Pitre, Guadeloupe, following her through her adult life as a Caribbean migrant in Florida. Author Marie Léticée explores neocolonial culture clash and identity conflict themes that will be familiar to readers of the Francophone Caribbean coming‑of‑age novel and its revisions by women writers such as Capécia, Lacrosil, Manicom, Schwarz‑Bart, Condé, Pineau, and others. Léticée makes it her own by fleshing out a time and place not well‑represented in Guadeloupean literature. While previous bildungsromane from the writers mentioned here typically focus on rural peasant or urban bourgeois settings, Camille’s Lakou shifts location to an impoverished urban environment. “Lakou” is translated as “courtyard” or, more colloquially, “yard.” The author explores the culture and politics of lakou society while raising the issue of how this social dynamic is transformed through the impact of globalization and dispersal into a diasporic experience outside the island milieu of Camille’s childhood.

In a collaborative translation effort between the author and Kevin Meehan, Camille’s Lakou will bring the realities and joys of Léticée’s Guadeloupe to an English audience for the first time.

Finalist: PROSE Awards for Excellence in Humanities 2023 - Biography and Autobiography

“A fascinating biography of a fascinating woman.” - Booklist, starred review
“This definitive look at a remarkable figure delivers the goods.” - Publishers Weekly, starred review
"A brilliant analysis." - Jericho Brown, Pulitzer Prize winner
Featured in Ms. Magazine's "Most Anticipated Reads for the Rest of Us 2022" (books by or about historically excluded groups)

Born in New Orleans in 1875 to a mother who was formerly enslaved and a father of questionable identity, Alice Dunbar-Nelson was a pioneering activist, writer, suffragist, and educator. Until now, Dunbar-Nelson has largely been viewed only in relation to her abusive ex-husband, the poet Paul Laurence Dunbar. This is the first book-length look at this major figure in Black women's history, covering her life from the post-reconstruction era through the Harlem Renaissance.

Tara T. Green builds on Black feminist, sexuality, historical and cultural studies to create a literary biography that examines Dunbar-Nelson's life and legacy as a respectable activist – a woman who navigated complex challenges associated with resisting racism and sexism, and who defined her sexual identity and sexual agency within the confines of respectability politics. It's a book about the past, but it's also a book about the present that nods to the future.

A haunting, unforgettable novel of obsession, pride, and forgiveness, exploring the friendship and rivalry between two gifted boys in harrowing circumstances, from the acclaimed writer of The Removed

Milton Muleborn has envied Matthew Echota, a talented Cherokee artist, ever since they were locked up together in a dangerous juvenile detention center in the late 1980s. Until Matthew escaped, that is.

A novel within a novel, we read here Milton’s dark, sometimes comic, and possibly unreliable account of the story of their childhood even as, years later, he remains jealous of Matthew’s extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of incarceration and pride.

Filled with Brandon Hobson’s swirling yet visceral writing, and punctuated with original artwork, The Devil Is a Southpaw is an ambitious, elegant, and propulsive novel in the spirit of Vladimir Nabokov and Gabriel García Márquez.

PRE-ORDER: ON SALE DATE: September 1, 2026

The definitive photographic celebration of John Coltrane's life and music, featuring exclusive contributions written by Ravi Coltrane, Wayne Coyne, Dev Hynes, Phil Lesh, Julie Mehretu, Carlos Santana, and Patti Smith.

John Coltrane's impact on music and culture endures far beyond his prolific career and untimely death in 1967 at age forty. His masterful saxophone style and groundbreaking jazz compositions had a profound effect on the evolution of music through the decades, and it continues to resonate across styles and genres to this day.

This beautiful photography book offers an intimate and in-depth look at his life with over one hundred expertly curated images taken by renowned photographers such as Francis Wolff and Chuck Stewart. The selection includes outtakes from the album cover photoshoot for Ascension, in-studio candid shots taken during the recording of Blue Train, a glimpse backstage with Alice Coltrane before their first performance together, and more. Coltrane is a visual celebration of John Coltrane's musical legacy, complete with an introduction by his son and fellow musician Ravi Coltrane, along with personal stories from other musicians, artists, and writers who have been moved by his work.

In-Depth, intense, insightful.

For more than a decade, radical science fiction author and activist journalist Terry Bisson interviewed some of the most provocative and outspoken authors of the twentieth and twenty-first centuries. Anarchism, sexuality, creativity, and the future of humanity itself—no topic was taboo. Bisson's prankster spirit also shone through as he quizzed his subjects about what cars they drove, played free association games, and created an atmosphere of two old friends having intimate late-night chats. Collected from PM Press's award-winning Outspoken Authors Series for the first time, The Outspoken and the Incendiary showcases insightful and long-form explorations into the lives and minds of some of today’s most politically charged fiction writers.

“PM's Outspoken Authors Series looks almost like a science fiction Who’s Who or Hall of Fame, except that I included myself. Because I could.” —Terry Bisson

Words and Thoughts By: Eleanor Arnason, Terry Bisson, Michael Blumlein, John Crowley, Samuel R. Delany, Cory Doctorow, Meg Elison, Karen Joy Fowler, Eileen Gunn, Elizabeth Hand, Cara Hoffman, Nalo Hopkinson, James Patrick Kelly, John Kessel, Paul Krassner, Joe R. Lansdale, Jonathan Lethem, Ursula K. Le Guin, Ken Macleod, Nick Mamatas, Michael Moorcock, Paul Park, Gary Phillips, Marge Piercy, Rachel Pollack, Rudy Rucker, Kim Stanley Robinson, Carter Scholz, Nisi Shawl, John Shirley, Vandana Singh, and Norman Spinrad, with additional new contributions by Nalo Hopkinson, Jonathan Lethem, Nisi Shawl, Peter Coyote, and Rudy Rucker.

Five female Afghan poets wield language to combat the loneliness, absurdity, and claustrophobia of life in a war-torn country and its diaspora. There are “hypnotic, long beards” tangled with mass extinctions; hateful men burning grapevines; black blindfolds; jinn in chadors; and condoms advertised every eight minutes on TV. Interspersing these are tender moments: one poet describes brushing her daughter’s hair, while another imagines a tree growing at the center of a room, undisturbed by the bombs outside. In the wake of the Taliban’s escalating war on Afghan women’s rights, Hair on Fire is a blazing tribute to a group of exceptional poetesses and a reminder of what we lose when voices are silenced.

Perfect for kids aged 4-8 comes a stunning picture book about persistence, being creative in the garden, and adapting to a new place.

When Amina moves from the Caribbean to a new snowy home, she misses growing her favorite foods. There are no coconut trees to climb, no gardens full of sweet potatoes and callaloo—only ice and snow. As Amina looks out her frosted window, she sings a traditional children’s song from back home, adding her own twist: “There’s a brown girl in the snow, tra la la la la, where none of her plants will grow.”

Determined to find a way to make her favorite plants grow in a new climate, she comes across a possible solution after discovering a library book about gardening and greenhouses. Perhaps there is a way to grow sweet potatoes, after all!

This stunning picture book written by a Guyanese-born author features:

* An introduction to gardening and greenhouses
* A note from the author about the inspiration behind the story

With gorgeous images by Marianne Ferrer, and moving text by Yolanda T. Marshall, Brown Girl in the Snow is inspired by a traditional Caribbean children’s song and captures a child’s unwavering persistence and passion, as she grows into her new home.

A brilliant and compelling debut, Ravishing shines a light on the dark enticements of the beauty industry and how it capitalizes on our desire to be someone we are not

A provocative, darkly surreal novel of two Indian American siblings caught in the clutches of a beauty tech company, Ravishing is a searing portrait of the beauty industry’s dangerous ability to change people’s relationship to their bodies and the cult-like grip it has on youth.

For teenage Kashmira, it’s painful to look in the mirror; she has her father’s face, and every feature is a reminder of his abandonment. When a friend introduces her to Evolvoir, a beauty product that changes users’ features, Kashmira is quickly hooked on how it allows her to erase the triggers of her grief. Meanwhile, at Evolvoir’s corporate offices, Kashmira’s estranged brother Nikhil first sees the product as an opportunity to make a difference and a name for himself, but is quickly mired in corporate complicity as reports surface of the product causing severe pain and persistent symptoms in some users. As chaos ensues, Kashmira is hospitalized and must negotiate the constraints of her new reality, while Nikhil uncovers a vicious truth that will force him to decide where his loyalties lie.

Perfect for readers of Gold Diggers and You Too Can Have a Body Like Mine, Ravishing is a visceral, yet immensely tender, coming-of-age story of two Indian American siblings caught in the clutches of a predatory beauty tech company, providing an illuminating portrait of the complexities of growing up brown, chronic illness, and our relationship to ourselves.

From the author of Hugo and NAACP Image Award finalist Riot Baby, an original memoir in essays that interrogates how identities are shaped and informed in online spaces and how the relationship between race and the Internet has changed in his three decades online

When Tochi Onyebuchi realized that his acclaimed science fiction and fantasy storytelling career had been centrally preoccupied with race, it prompted him to consider his responsibilities as a Black writer in the Internet age. Excavating the Internet of the late 1990s and early 2000s, Racebook explores how the writer and public intellectual Onyebuchi is today, was formed in that crucible.

Beginning with the current moment when everything, including personal identity, is a matter of dispute, and tracing his online persona in reverse chronological order back to Web 1.0’s promises of greater equality and a bright digital future, Onyebuchi deftly examines the evolution of internet culture and the ways that culture has shifted in the ensuing decades. From the ever-changing nature of personal writing and free expression, to gaming, manga, fandom, and virtual reality—Onyebuchi examines the internet alongside works of literature both classic and new, and asks if our vision for what is possible has really broadened. And given the inequities Black people are still subject to, on and off the page, does the Internet only amplify our failures of imagination?

A new, compelling investigation of race through the lens of the modern Internet age, and a profound intellectual journey in pursuit of community online, Onyebuchi argues for a liberation of the individual behind the code, ultimately asking “Is this a race book or is it not? Is it either-or? Can it be both-and? Can I?”

Focusing on Black Americans' participation in world’s fairs, Emancipation expositions, and early Black grassroots museums, Negro Building traces the evolution of Black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W. E. B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton, and Margaret Burroughs. Originally published in 2012, the book reveals why the Black cities of Chicago and Detroit became the sites of major Black historical museums rather than the nation's capital, which would eventually become home for the Smithsonian's National Museum of African American History and Culture, which opened in 2016.

*Use discount code: SALE at check out for 30% off*

THE CURATORS OF CULTURE: Celebrate Black digital art in this essay collection revealing how Black artists have shaped everything from TikTok dances to viral memes

Steven Underwood digs into the current Black digital arts movement that has shaped popular culture for the last decade. He connects this current space to historical influences, speaking to a “legacy of audacity and daring that presented us with the opportunity to redirect the conversations on Blackness back on its center. Back to Black people.” Written as a collection of thought-provoking essays pulling in social commentary, interviews, popular culture, and deep research, Underwood taps into a topic that is incredibly relevant but often unknown.

The nature of the internet is so ephemeral that sometimes we forget when we do something worth celebrating. For Black people particularly, that’s unforgiveable. Digital Black art has become increasingly more outspoken, introspective, and genre-defining. But it’s also vulnerable. Original phrases, tweets, dances, songs, and other content are often taken from a Black artist and attributed to a white influencer. And Black creators are paid less for their work, though their engagement is often higher than that of their white peers. There is also the added risk of backlash and hate that comes with publicly existing online. As an award-winning writer with a popular online presence, Underwood is no stranger to the experiences of Black digital artists. Using his own personal stories, he highlights the beauty, vulnerability, and innovation of the Black digital arts movement.

Shining a light on the curators of our culture, Forever for the Culture narratively follows the construction of a new Black art movement and how creators have defined a community when that community does not have a physical space.

Using traditional techniques such as direct carving and lost-wax casting, Mosley's early works in wood and later works in bronze enter into a dance between the organic and manmade

Born in 1926 in New Castle, Pennsylvania, Thaddeus Mosley has made sculptures from wood for over six and a half decades from his home in Pittsburgh. Using only a chisel and gauge to maintain the integrity of the original log, Mosley reworks salvaged timber into monumental abstractions. Through a process of direct carving, the artist's marks respond to and rearticulate the natural gradations of the material's surface. With influences ranging from Isamu Noguchi to Constantin Brâncusi, from Scandinavian design to West African sculpture--Mosley's "sculptural improvisations," as he calls them, also take cues from the modernist traditions of jazz. Weight in Space is the most comprehensive monograph on the artist's oeuvre to date. In addition to a detailed chronology, this volume features new scholarship by Fred Moten and Catharina Manchanda, a conversation between Mosley and Hans Ulrich Obrist, and excerpts from an extensive oral history interview conducted by Bridget R. Cooks and Amanda Tewes.

PRE-ORDER: On Sale: May 26, 2026

A gorgeous illustrated meditation on the homes of iconic Southern women, from Nina Simone to Carson McCullers

In These Long Shadows, writer Monica Nelson excavates the domestic narratives and mythologies contained within the publicly preserved homes of some of the American South's leading cultural figures.
In Virginia, readers are drawn into the garden and home of Harlem Renaissance poet Anne Spencer and encounter modernist architect Amaza Lee Meredith's International Style residence, Azurest South. Journeying south, they encounter the North Carolinian childhood homes of both influential civil rights activist Anna "Pauli" Murray, and revolutionary singer-songwriter Nina Simone. In Atlanta, readers wander into the apartment of incendiary Southern author Margaret Mitchell. In Louisiana, they gaze upon the quietly profound folk art paintings of Clementine Hunter at Melrose Plantation, and take a pilgrimage to writers' homes from the Southern Renaissance, including Flannery O'Connor, William Faulkner, Zora Neale Hurston and Carson McCullers.
These Long Shadows assembles a constellation of new visions, narratives and readings with which to examine the nation's ever-metamorphosing historical landscape. Nelson's book constitutes the third volume of The Illustrated America, Atelier Editions' ongoing anthropological survey of eclectic chapters drawn from 20th-century America's cultural past.
Monica Nelson is a writer and graphic designer based in New York and Savannah. She has developed strategic visual narratives for publications, cultural institutions and brands, working with over 100 photographers. She was the founding creative and photo director of Wilder Quarterly, which fostered a floral-drenched view of the natural world, and the author of Edible Flowers (Monacelli Press, 2021).

Dedicated to Gilliam's late-career sewn and collaged fabric works, this colorful catalog embraces the artist's restless creativity and visionary approach to abstraction

A pioneering artist who redefined the boundaries of painting, Sam Gilliam (1933–2022) transformed the medium with his radical approach to color, material and space. Sewing Fields focuses on a lesser-known yet crucial period in Gilliam's later career: that of his sewn and collaged works. His residency at the Ballinglen Arts Foundation in 1993 reshaped his artistic practice. Far from his Washington, DC, studio, Gilliam embraced new materials, working with pre-stained fabrics that he shipped to Ireland, cutting and layering them into sculptural compositions. A collaboration with a local dressmaker further expanded his process, reinforcing his innovative fusion of painting and textile techniques. Sewing Fields brings these groundbreaking works back to the Irish Museum of Modern Art, nearly 50 years after Gilliam's first Dublin exhibition, positioning him within a broader transatlantic dialogue on abstraction.

Fiery, funny, inviting and digressive, Sonny Simmons' memoir is a long overdue celebration of the famed New York free jazz pioneer

Though his years in the New York free-jazz scene of the sixties cemented his reputation as "one of the most forceful and convincing composers and soloists in his field," saxophonist Sonny Simmons (1933–2021) was nearly forgotten by the '80s, which found him broke, heavily dependent on drugs and alcohol, and separated from his wife and kids. "I played on the streets from 1980 to 1994, 365 days a year," Simmons tells jazz historian and biographer Marc Chaloin. "I would go to North Beach, and I'd sleep in the park. The word got around town that Sonny is a junkie, really strung out."
The resurrection of Simmons' career―upon the release of his critically acclaimed Ancient Ritual (Qwest Records) in 1994―has become a modern legend of the genre. In the last two decades of his musical career, Simmons broke through to a new echelon of recognition, joining the pantheon of great innovators and masters of the music. But to this day he remains an undersung figure. Here, in the first ever book dedicated to his life, Simmons recounts his childhood in the backwoods of Louisiana, his adolescence in the burgeoning Bay Area jazz scene and his star-studded life in New York playing alongside the greats.

In this companion to Bravo!, Margarita Engle's beautiful poetry introduces young readers to lesser-known Latinos from varied backgrounds who have all shown tremendous resilience.

Prepare to be inspired by this empowering collection of poetry that tells a larger story about fortitude and community across Hispanic history. From environmental activists such as Christina Figueres to record breaking athletes like Pelé, each role model featured is a legend in their own right. There’s no better time to champion the accomplishments of this remarkable group of unsung heroes from all across Latin America!

Those profiled in this collection include Anacaona, Martín de la Cruz and Juan Badiano, Sor Juana Inés de la Cruz, Micaela Bastidas Puyucahua, Simón Bolívar, Mariana Grajales Cuello, Ana Roqué de Duprey, Julio Garavito Armero, Ramón Fonst Segundo, Christiana Figueres, Juano Hernández, Gabriela Mistral, Martín Chambi de Coaza, Marina Núñez del Prado, Noé Canjura, Nicolás García Uriburu, Pelé, and Rigoberta Menchú Tum.

Michael Jackson’s closest sister pulls back the curtain to reveal the inner workings of the Jackson family, Michael’s tortured soul, and her own love for her brother in this intimate portrait of a beloved, yet troubled, pop legend.

In this shocking New York Times bestselling memoir, La Toya Jackson pays heartfelt tribute to her legendary brother Michael’s tortured soul and offers unprecedented insight into the troubled entertainer’s tragic destruction.

La Toya Jackson was always closer to Michael than anyone knew. Now, she sheds light on the intimate moments she shared with the beloved pop legend and unveils the disturbing behind-the-scenes dealings that she believes foretold his death. Like Michael, La Toya experienced an upbringing that made her vulnerable to exploitation, and her own journey led to hell and back at the hands of her former manager and husband. Here, in vivid and candid detail, she reveals the most painful episodes of her deeply personal story and explores how anyone—regardless of fame, fortune, or status—can be trapped in a cycle of abuse. La Toya ultimately found the courage to break free, rebuild her life and career, and reconcile with her close-knit family. Her unforgettable story will touch the hearts of millions of fans and inspire anyone who feels as if there’s nowhere to go that it is possible to truly start over...