Nara Aziza Smith (@naraaziza), the best-dressed culinary creator in digital media, brings her signature style to 80 delicious, homemade family-friendly recipes in her debut cookbook.

You may think you know Nara Smith—the glamorous outfits, the soothing ASMR voice, the beautiful family, the seemingly effortless approach to making food from scratch—but behind it all is a working mom with a relatable goal: preparing nourishing whole foods for herself and her family.

Nara grew up in Germany inspired by her grandmother’s cooking and the intention behind it—everything from freshly baked bread to her mother’s home remedies for mild ailments, like garlic soaked in honey. While working as a model, she soon met and married supermodel Lucky Blue Smith and started a family. When she was diagnosed with an autoimmune disease and eczema, she found that she could manage her symptoms by cutting out most processed foods. She turned her scratch-cooking expertise in a new curated direction while sharing her cooking online with compelling and elevated content. A self-taught home cook, Nara found joy in the ethos of slowing down and cooking with intention at home.

Now, millions of followers later, Nara has made home cooking look incredibly chic while preparing delicious and thoughtful meals her family loves. In her eagerly awaited and beautifully photographed first cookbook, Nara shares recipes from simple to complex, such as:

* Softest White Potato Sandwich Bread, English Muffins, and Handmade Cheese Crackers, a few of the doughs that keep Nara’s hands busy
* Cinnamon Toast Squares, a quick breakfast beloved by Nara’s toddlers and better than anything you can find in stores
* Baked Fall Vegetable Salad with Miso-Sherry Dressing, a gorgeous salad that fuels Nara for long workdays
* Soy-Glazed Flank Steak with Plum Herb Salad, a beautiful, nourishing meal made from whole ingredients
* One Pasta Dough for all shapes and sizes, with sauces, including stunning edible floral lasagna sheets.
* Pork Schnitzel, a comfort food that brings Nara back to her childhood in Germany
* Lucky’s Oat Chocolate Chip Cookies, Nara’s husband’s recipe for the best American classic
* A chapter on Bits & Bobs, including everything from homemade mozzarella to flavored butters to chocolate-hazelnut spread, showing the simplicity and magic of cooking from whole ingredients

In Homemade, Nara brings ease and elegance to the creation of homemade food—inspiring readers to elevate their own reality, in the kitchen and beyond in their daily life.

Selected by Kirkus for "Best of 2021: Our Favorite Nonfiction"

It is impossible to imagine New Orleans, and by extension American history, without the vibrant and singular Creole culture. In the face of an oppressive white society, members of the Société d’Economie et d’Assistance Mutuelle built a community and held it together through the era of slavery, the Civil War, Reconstruction, and Jim Crow terrorism. Economy Hall: The Hidden History of a Free Black Brotherhood follows Ludger Boguille, his family, and friends through landmark events―from the Haitian Revolution to the birth of jazz―that shaped New Orleans and the United States.

The story begins with the author’s father rescuing a century’s worth of handwritten journals, in French, from a trash hauler’s pickup truck. From the journals’ pages emerged one of the most important multiethnic, intellectual communities in the US South: educators, world-traveling merchants, soldiers, tradesmen, and poets. Although Louisiana law classified them as men of color, Negroes, and Blacks, the Economie brothers rejected racism and colorism to fight for suffrage and education rights for all.

A descendant of the Economie’s community, author Fatima Shaik has constructed a meticulously detailed nonfiction narrative that reads like an epic novel.

A NEW YORK TIMES NOTABLE BOOK · A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE · 2022 LAMBDA LITERARY PRIZE FOR GAY FICTION FINALIST

The debut novel from television WRITER/PRODUCER OF THE CHI, NARCOS, and BEL-AIR tells a fierce and riveting queer coming-of-age story following the personal and political awakening of a young, gay, Black man in 1980s New York City.

"Consistently engrossing." ―New York Times Book Review

“Full of joy and righteous anger, sex and straight talk, brilliant storytelling and humor... A spectacularly researched Dickensian tale with vibrant characters and dozens of famous cameos, it is precisely the book we’ve needed for a long time.” ―Andrew Sean Greer, Pulitzer Prize-winning author of Less

Earl "Trey" Singleton III arrives in New York City with only a few dollars in his pocket. Born into a wealthy Black Indianapolis family, at 17, he is ready to leave his overbearing parents and their expectations behind.

In the city, Trey meets up with a cast of characters that changes his life forever. He volunteers at a renegade home hospice for AIDS patients, and after being put to the test by gay rights activists, becomes a member of the AIDS Coalition to Unleash Power (ACT UP). Along the way Trey attempts to navigate past traumas and searches for ways to maintain familial relationships―all while seeking the meaning of life amid so much death.

Vibrant, humorous, and fraught with entanglements, Rasheed Newson’s My Government Means to Kill Me is an exhilarating, fast-paced coming-of-age story that lends itself to a larger discussion about what it means for a young gay Black man in the mid-1980s to come to terms with his role in the midst of a political and social reckoning.

From the introduction of animated film in the early 1900s to the 1950s, ethnic humor was a staple of American-made cartoons. Yet as Christopher Lehman shows in this revealing study, the depiction of African Americans in particular became so inextricably linked to the cartoon medium as to influence its evolution through those five decades. He argues that what is in many ways most distinctive about American animation reflects white animators' visual interpretations of African American cultural expression. 

The first American animators drew on popular black representations, many of which were caricatures rooted in the culture of southern slavery. During the 1920s, the advent of the sound-synchronized cartoon inspired animators to blend antebellum-era black stereotypes with the modern black cultural expressions of jazz musicians and Hollywood actors. When the film industry set out to desexualize movies through the imposition of the Hays Code in the early 1930s, it regulated the portrayal of African Americans largely by segregating black characters from others, especially white females. At the same time, animators found new ways to exploit the popularity of African American culture by creating animal characters like Bugs Bunny who exhibited characteristics associated with African Americans without being identifiably black. 

By the 1950s, protests from civil rights activists and the growing popularity of white cartoon characters led animators away from much of the black representation on which they had built the medium. Even so, animated films today continue to portray African American characters and culture, and not necessarily in a favorable light. 

Drawing on a wide range of sources, including interviews with former animators, archived scripts for cartoons, and the films themselves, Lehman illustrates the intimate and unmistakable connection between African Americans and animation.

"WOROFILA Worofila Street: Building African Architecture" "The first book by Senegalese practice Worofila, bringing together their research processes and projects to suggest an approach to making in architecture in contemporary Africa This collection of critical texts and project presentations reflects on the legacy of colonialism in building practices in West Africa, and explores local pre-colonial histories to forge a contemporary bioclimatic and ecological architectural language Worofila are a celebrated emerging practice based in Dakar and headed by principals Nzinga B. Mboup and Nicolas Rondet, whose work has been widely exhibited and discussed" "This irst book by celebrated Senegalese practice Woroila addresses the challenge facing the African city of today: to build in a way that is adapted to the lives of cur- rent inhabitants without compromising those of future generations. Drawing on abundant but often ignored pre-colonial methods and models of building, Woroila create bioclimatic architecture based around local, non-polluting materials, ances- tral knowledge, and democratic systems of construction and maintenance. Their work moves beyond the legacy of colonial-era architecture, imposed from other cultures and climates and frequently ill-suited, to recover and develop a sustainable African architectural language that reflects the continent's climate, ecology, and identity. Worofila Street: Building African Architecture offers an overview of Woroila's proliic work to date, with detailed explorations of the research, ideas, and tech- niques that structure it. Texts on the histories of building in Senegal and the pre- and post-colonial conditions of architecture on the African continent are accompanied by presentations of projects spanning housing, public buildings, infrastructure, landscapes, and experiments with materials. Together these propose a new typol- ogy of building in Senegal and inspire approaches to develop local and sustainable architectures across the world." "WOROFILA are a Dakar-based architectural practice founded in 2019 and headed by Nzinga B. Mboup and Nicolas Rondet. Woroila specialises in bioclimatic architecture and construction using local materials such as raw earth and typha, with the aim of promoting an architecture that is durable and in harmony with the climate."

Artist and filmmaker Steve McQueen continues his exploration of colonial history and its legacies in this new book comprised of meditative photographs of Grenada’s flora. Taken on a trip to the island in the summer of 2024, these images reckon with the connections between landscape and historical trauma, studying Grenada’s plant life as permanent markers of beauty in a land ravaged by exploitation. Rendered in vivid colour, the images reflect the complex interlocking of history, heritage, and survival contained in the simplicity of the island flora. Taking as his touchpoint the late Saint Lucian poet Derek Walcott’s elegy to his mother, ‘The Bounty’, McQueen’s project adopts a similarly poetic sensibility, attuned to the resilience of the island’s landscape and the dualities of the word ‘bounty’, which alludes to both the generosity of nature and the sum paid to slave catchers. Grounded in a deep reverence for the sublime natural world, Bounty invites a visceral engagement with the silent endurance of nature despite the grim realities of human history.

I Will Keep You in Good Company brings together pages and fragments from over twenty of Ghanaian-Russian artist Liz Johnson Artur’s personal workbooks – handmade volumes she has kept since the early 1990s. Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself. Each page is a tactile surface, combining photographic prints on canvas, tracing paper, faxes, and photo stock with screen-prints, handwriting, and clipped texts. The result is a sensorial, intimate archive of moments lived and witnessed – of friends, family, strangers, lovers – held with care and attention. ‘I like to be right next to it, in the middle of it, to take it home’, Johnson Artur writes. ‘To keep them close is a way of giving importance and appreciation.’ These workbooks are acts of presence – visual thinking made physical – and the foundation for her celebrated Black Balloon Archive, a project that honours communities across the African diaspora. I Will Keep You in Good Company is a candid, generous record of a photographer learning not only how to look, but how to stay close.

Passports 2012–2025 presents an intimate body of work by Keisha Scarville taken from an ongoing series centered around her father’s earliest passport photograph. The artist has reinterpreted the photograph over three hundred times to date, each iteration reworked and collaged with varying materials and found imagery – paints, beads, photograph fragments of Black bodies, gold leaf, glitter – to form a deeply textured act of photomontage. Interwoven with the passport works are archival images taken between the 1960s and 1980s in Guyana and New York City, where her father settled in the US, his self-portraits, Scarville’s own photographs of him and of Guyana’s striking landscape, and short transcripts of their conversations. Together these works excavate untold histories and disrupt the false neutrality of the passport image in an interrogation of citizenship and personhood, absence and materiality. Drawing on all these strands, the book examines and reimagines diaspora, bureaucratic images, and the archive, asking what it means to understand a person, especially a loved one, through an image. With a new text by Tina M. Campt, Professor of Humanities at Princeton University

A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities.

From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories.

For leaders and practitioners in design institutions and communities, Dori Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.

Grace Robertson wasn't looking for love. She was looking for peace.

Her marriage ended years ago. Her dating life has been a series of lessons in what she doesn't want. So, when her friends present her with a matchmaker, Grace accepts. Maybe it's time to let someone else handle the vetting process.

Then she meets him.

Lucien Sloane is everything a matchmaker might have found for her—accomplished, attentive, genuinely interested in building something meaningful. Their chemistry is undeniable, but more than that, he makes her feel seen. Understood. Like the version of herself she's worked hard to become is exactly who he wants to know.

Grace knows she should slow down. She knows she should be cautious. But for once, she lets herself trust the connection.

That trust will be tested when she discovers Luke is keeping his own secrets. And Grace will have to decide if what they have is strong enough to survive the truth—or if she's been fooling herself all along.

The Match Game is about the complexity of building love when you're old enough to know better, brave enough to try anyway, and wise enough to demand honesty even when it hurts.

“This series offers solid glimpses of faraway places, more poetry than a tour guide . . . evocative and inviting” – School Library Journal

Mbote! Betuabu! Jambo! Let's explore DR Congo! Count the fish at the market, watch the cheeky bonobos, and finish the day with a story. Even learn words in Lingala, Tshiluba, and Swahili with pronunciation guides throughout the story.
* Part of the Barefoot Books Our World series
* Written by Congolese author Mel Nyoko and illustrated by Joelle Avelino
* Endmatter provides more insights into life in DR Congo

“In the Our World series, this book shows vibrant scenes from Brazil, then simple sentences in both English and Portuguese, plus a smattering of phonetics . . . Armchair traveling for the youngest, or a way for them to learn about faraway relatives and new words” – School Library Journal

Let's spend a day in Brazil! Ride the ônibus to the beach, drink sugar cane juice at the feira and play capoeira. Even learn words in Brazilian Portuguese with pronunciation guides throughout the story.

* Part of the Barefoot Books Our World series
* Written by Brazilian author and illustrator Ana Siquiera and Ana Matsusaki
* Endmatter offers a further glimpse into life in Brazil

Information on Black scientists and inventors is becoming more readily available to the general public and this is a welcome development. However, information specifically on the scientific and technological contributions of the Ancient Egyptians is not as readily available as one might think. Great books and essays have been written on the topic but many authors have pitched their works above the level of the ordinary reader. Other papers are in difficult-to-find journals and collections. Some writers, in an attempt to bring greater prestige to twentieth century European and European American science, dismiss all ancient science as superstition and error. They emphasize what the Ancient Egyptians did not know as opposed to what they did know. In this book, Blacks and Science Volume One, I bring the information together in one place. I write positively about what the Ancient Egyptians achieved and do not waste ink on what they did not achieve. Finally I present the information in as straightforward and accessible a way as possible. Should you read this book and learn the information: * You will gain a greater mastery over Black or African History * Your knowledge will be the envy of your friends and family * Learning your historical contributions will skyrocket your confidence and esteem * Your interest in all areas of human culture will dramatically increase * You will have a vast reserve of information to pass on to your children This book is largely a synthesis of my previously published Kindle e-books Ancient Egyptian Contributions to Science and Technology combined with The Mysterious Sciences of the Great Pyramid. The feedback I received from these e-books was positive, but many people asked me if was possible to turn these lecture essays into physical books. After all, not everybody possesses a Kindle! My response was to produce this book Blacks and Science Volume One. Very shortly, other volumes in this series will be issued. The first part of this book is a general introduction to the role played by the Ancient Egyptians in the origin and evolution of Mathematics, Astronomy, Medicine & Surgery, Navigation & Cartography, Architecture, Construction and other areas that are more controversial. The second part of the book focuses on one monument--the Great Pyramid of Giza. In this section, I review the discussions and speculations of what the Ancient Egyptians probably knew about pi, phi, the Dimensions of the Earth, etcetera. Robin Walker

In the groundbreaking tradition of his award-winning Monster and Bad Boy: A Memoir, Walter Dean Myers fashions a highly readable, powerful novel about the rules for success for young men, especially those navigating coming of age while Black.

Jimmy and Kevin could use a guide to life. When each of the boys gets in the kind of trouble that almost lands them in juvenile detention, their neighbor Duke steps in and offers them jobs in his Harlem barbershop.

The regulars at the barbershop seriously get on Jimmy’s nerves. Duke, Cap, and Mister M all seem determined to give the two boys a hard time. Still, it seems like everyone who walks through the door and sits in Duke’s chair has a story and a philosophy—whether they know it or not—and Jimmy is listening.

It drives Jimmy nuts when the adults in his life assume he doesn’t know anything—and he’s got a lot of anger to go around. But it might turn out that listening to the conversations in Duke’s shop could be the education on living that Jimmy needs. 

In his introduction to Handbook for Boys, Walter Dean Myers wrote: "I know as a troubled teenager I would have loved to have a neighborhood barbershop to sit in and a group of worldly and knowledgeable men to counsel me. Thinking about this was my motivation in writing this book, hoping it will be, in the least, a jumping-off point for many interesting conversations about success."

When a guarded divorcée and a love-weary mogul cross paths on a singles cruise, a pact to keep things platonic sets sail toward a second chance neither of them is ready for.

Aquila Richards-Oliver has the life many envy: a high-profile husband, two beautiful sons, and a seemingly perfect role as wife, mother, and big sister. But perfection comes at a steep price. When her marriage to a world-renowned chef unravels under the weight of betrayal and long-buried truths, Aquila chooses herself—for the first time in years—and begins the hard work of rebuilding her life on her own terms.

Roman Patterson has built everything but a family. At thirty-five, the successful entrepreneur has more wealth than time and more regrets than romance. Convinced love has passed him by, he reluctantly agrees to a singles cruise, expecting nothing more than cocktails and casual distractions.
What neither Roman nor Aquila expects is to find each other—on a boat in the middle of paradise.

They make a pact to enjoy the cruise as friends, but their connection is instant, and the chemistry is undeniable. As sparks fly and emotions deepen, they’re forced to face the realities waiting back on land: exes, children, broken trust, and wounds that still sting.

Can Aquila let down her guard and believe in love again? Can Roman prove he’s more than a fleeting escape? Or will the past sink the promise of something real?

Not everyone wants to start over and for Journey Young that is the last thing she wants to do. But when her former track coach turns creepy, It leads her to the pristine campus of Glendale prep with two goals in mind. Win Championships and forget the past.

Roman Taylor has everything he could want. A full ride to Glendale Prep, a pretty girlfriend, and being best wide receiver in all of Gelco. But there's only two things he wants more than anything, his dad's support and D1 scouts to look his way.

With both of them on two different paths Journey and Roman didn't expect to reconnect their long lost friendship at Glendale Prep, neither did they expect it to turn into anything more. Both with championships on the line, the last thing on Journey's mind is to fall in love to throw her off her game but for Roman he will do whatever it takes to win the game and her heart.

If love is war, Cassia James is the mushroom cloud.

Three years ago, Cassia "Cass" James went nuclear on a Hollywood red carpet, exposing her cheating fiancé and backstabbing best friend in front of the world. The fallout? A career in shambles, a reputation in ruins, and a yearly resurgence of memes that make February feel like a cruel joke.

Now, with a podcast feature promising her one last shot at reclaiming her image, Cass is ready to stage the performance of a lifetime at her annual Love Me Not anti-Valentine's Day party. There's just one problem: she needs a date to sell the charade.

Enter Malik-the tattoo artist who's been quietly holding her together for three long years and the only person Cass trusts enough to ask for help.

But Malik isn't just another prop in Cass's chaotic narrative. He's the steady presence who's seen her at her lowest, the one who challenges her razor-sharp defenses without flinching. And as they continue to fool the world, Cass begins to realize something terrifying: Maybe it's not so fake after all.

Cass must face the truth she's been running from: you can't rewrite your story until you stop hiding from it.

Love is messy. Love is hard. But love might just be worth the risk.

"Love Me Not" is a sharp, witty, and emotionally raw contemporary romance about second chances, emotional vulnerability, and the love we find when we're not too scared to fight for it.

The eloquent story of Eileen Harris Norton's collection and its pivotal role in championing the work of women artists, artists of color, and changing narratives of contemporary art.

Since she acquired her very first artwork from Los Angeles printmaker Ruth Waddy in 1976, Eileen Harris Norton's collection has bloomed into a beautiful reflection of her interest in the practices of women and artists of color, and work made in California. Alongside the eponymous exhibition Hauser & Wirth Los Angeles, Destiny Is a Rose celebrates fifty years of Harris Norton's remarkable collection, taking its title from a painting in the collection by Kerry James Marshall and featuring numerous iconic works of contemporary art by Mark Bradford, Felix Gonzalez-Torres, David Hammons, Glenn Ligon, Yoshimoto Nara, Adrian Piper, Betye Saar, Lorna Simpson, Carrie Mae Weems, and more. Texts by art historian Kellie Jones and curator Ingrid Schaffner delve into the critical role that education and philanthropy, representation and identity, and personal relationships with artists and curators have played in shaping Harris Norton's visionary collecting practice. Offering deep insight into the act and impact of collecting, Destiny Is a Rose is a tribute to Harris Norton's ongoing role as a vital agent of change and growth within the contemporary art world.

"McMillian endows simple objects with affecting political resonances...There is anger in them, but there is hope too." ―Frieze

Published with Columbia Museum of Art.

Multimedia artist Rodney McMillian (born 1969) conjoins political texts, found domestic materials and archival footage into assemblages that confront the complex histories of class, race, landscape and region that inform American identity. In A Son of the Soil, McMillian trains his eye on the history of landscape representation in the South. Through large-scale abstract expanses painted on old bedding, sculptures constructed from post-consumer objects and archival film footage, McMillian evokes the land's tillage and spoilage, histories of ownership and the charged relationship between land and the body. A Son of the Soil presents a bevy of scholarly essays that examine McMillian's oeuvre, focusing on the artist's interplay between urban industrialism and domestic space, his visual culture and art historical sources and, more broadly, the relationship between a region and a nation.

A vital critical resource on the artist who helped transform the landscape of the Bay Area with her public artworks

Published with Oakland Museum of California.

The American artist Mildred Howard (born 1945) is best known for her mixed-media assemblages and sculptural installations that engage with memory, place, identity and the Black experience. Her work has been associated with the Black Arts Movement and distinctly Californian aesthetics such as Bay Area expressionism, West Coast conceptual art and San Francisco funk. In recent decades, Howard has produced numerous large-scale public artworks both within the Bay Area and throughout the country. These installations vary from site-specific outdoor environments, to architecturally integrated surface treatments, to stand-alone sculptural objects and structures.
This compendium covers the entire scope of Howard's multifaceted, politically engaged practice, featuring a selection of works that represent different aspects of her oeuvre alongside essays and an interview with the artist. Poetics of Memory also includes photographs of Howard's archive and studio commissioned specifically for the volume.

The first monograph on Vietnam veteran, Black Panther Party member and griot Akinsanya Kambon, whose paintings and sculptures sing with revolutionary history

Published with Hammer Museum.

Born Mark Teemer in Sacramento in 1946, Akinsaya Kambon has led a radical, revolutionary and artistic life. Drafted into the Marine Corps as a combat illustrator, he served in Vietnam, and upon his return joined the Sacramento chapter of the Black Panther Party. Enrolled at Sacramento City College, he learned the raku ceramic firing process and thus formally began his artistic practice. After nine years of travel and study in Africa, he was given the Yoruba name Akinsaya Kambon, meaning "the hero avenges." This first book on the artist surveys his painting and sculptural practice that centers narratives of the Black diaspora, including African histories and mythologies, as well as stories of violence and revolution from Africa and the Americas. With his art and community work, Kambon seeks not only to provide in-depth history lessons on Black and Brown communities in the United States, but also to chart new visions for the future.

A love lost is hard, especially when that loss appears in your face weekly, reminding you of what once was. Anissa Dent is experiencing heartbreak like none she’s ever felt. Her husband of nearly twenty years has fallen victim to crack cocaine after a devastating loss. All her efforts to help him have failed, and to protect herself and her sons, she divorces him and has him removed from their home. That doesn’t stop him from popping in and out of their lives with promises of getting clean. Anissa desperately wants to move on in her life, but her love for what once was is holding her back. However, attending a family barbeque with her son proves to be the restart she desperately needs. The host penetrates her exterior and has her questioning why she’s been single for the last fifteen years with someone like him available.

Grief can be a hard thing to overcome. Sheldon Berotte has been grieving the loss of his wife for nearly twenty-five years, not giving another relationship a second thought. When she dies during childbirth, he is left to raise their five children, all under the age of ten, alone. His in-laws all live out of town, so help was minimal. However, he stepped up to the plate and devoted his life to his children. Now that they are grown, they are worried about him. He has lost his ability to even entertain other people, nearly becoming a recluse. The only thing that gives him purpose is volunteering as security at one of the local high schools. Allowing his children to convince him into having a family barbeque and them inviting some of their friends and their families, is the moment his life changes forever.

Anissa and Sheldon have immediate chemistry that he tries to fight. The feeling of guilt consumes him and threatens to destroy their future before they can even have a present. Can Sheldon let go of the torment guilt is putting him through and embrace the budding relationship between him and Anissa or will he allow her to slip from his fingertips?

“An amazing book…all the iconic photographs that people took of The Champ.” —Barack ObamaGREATEST OF ALL TIME: A TRIBUTE TO MUHAMMAD ALI is a book with the power, courage, depth, creativity, and dazzling energy of its extraordinary subject. Slimmed down from the heavyweight Collector’s Edition, this bantamweight edition is smaller in size, but pulls no punches on its expertise, passion, and insight on The Champ.

With thousands of images, including photography, art, and memorabilia and two gatefold sequences, the book pays vivid tribute to The Greatest both in and outside of the ring. Original essays and five decades’ worth of interviews and writing explore the courage, convictions, and extraordinary image-building that made Ali one of the most recognizable and inspirational individuals on the planet, an icon not only as an extraordinary athlete, but also as an impassioned advocate of social justice, interfaith understanding, and peace.

You Are Not Alone: A Gentle Companion for Enduring, Grieving, and Healing from Pregnancy and Infant Loss

“We, too, are postpartum after pregnancy and infant loss,” says Eileen Santos Rosete. “And we deserve the same care all who give birth need, with an added sensitivity to our grief and our trauma.”

Pregnancy loss. Infant loss. Womb loss. Such losses are as valid as any other, yet these experiences and the individuals who endure them remain largely unrecognized and unsupported. To Tend and To Hold honors survivors and the depth of what they’ve gone through with a reverence that has, until now, been missing.

Within this carefully crafted resource, Rosete emerges as a warm confidante, helping us articulate our experiences, understand our options, and tend to our unique needs as both postpartum and bereaved, helping you:

• Center Your Needs: Listen to what your body is calling for and honor what feels supportive in the moment
• Use Your Voice: Articulate your experiences with words that resonate and comfort
• Understand Your Journey: Gain insights that put your feelings and experiences into context
• Access Healing Tools: Utilize simple grief and trauma-informed practices tailored to meet your needs

Woven with threads of wisdom from a trusted collective of health and healing arts practitioners, comforting stories, nourishing postpartum recipes, and grounding embodiment practices, To Tend and To Hold is a heartfelt, holistic source of solace for all who bear loss.

“Read Between the Lies is a dark, delicious takedown of cancel culture and the publishing industry―I read it in two sittings because I had to stop midway and go google my own name. Highly recommend.” ―Mindy Kaling

In this claustrophobic psychological suspense from USA Today bestselling author Jesse Q. Sutanto, the line between victim and villain blurs with every chapter. Because in the end, everyone has their own version of the truth―but only one will make it onto the page.

Fern’s dream of becoming a published author is finally coming true. After years of rejection, her debut novel has sold, and she’s ready to join the supportive online community of fellow debuts. But when she discovers her high school bully, Haven, has landed a major book deal and will be debuting alongside her, old wounds reopen.

As the pandemic forces everyone online, tensions escalate in their writing community. While Haven seems to succeed effortlessly, Fern watches her own career crumble. Yet beneath their polished personas lies a darker truth about their shared past―one involving a lost friend, Dani, and secrets neither wants revealed.

Fern isn’t the same person Haven bullied all those years ago. She’s learned that the best revenge stories aren’t written―they’re lived. And she’s been plotting this one for years.

What begins as online rivalry escalates into dangerous obsession. Because neither woman is telling the whole truth about what really happened to Dani…or about who’s the real victim in this story.

"The most promising debut I've read in decades." --Gary Shteyngart, New York Times bestselling author of Our Country Friends

From brilliant new voice in fiction Bindu Bansinath, a darkly funny and moving story about death, life, and community in a South Asian suburban enclave of New Jersey.

When Matthew Pillai is found dead, slumped over the wheel of his BMW, the women of Willow Road are roped into the investigation of their friend's death.

At the center of the case are the Sharmas--Anita, a widow whose husband introduced Matthew to the neighborhood, and her boundary-pushing daughter, Leila, who called him Uncle. To Anita, who has been in freefall since her arrival in America as a young woman, Matthew's presence offered hope, including a promise of betterment for Leila. The truth, however, is far stranger.

In this darkly funny debut, the women of Willow Road find that despite their internecine quarrels, casual backstabbing, and generational feuds, in the end, there is no one to turn to but each other.

A pointed satire about a Nigerian on vacation in Europe, into the heart of whiteness

Four years ago, a young man named Furo Wariboko woke up one morning in Lagos to find that he had transformed into a white man. Except for his ass. Now well established with a good job, going by Frank Whyte and living in a nicely appointed house in the capital city of Abuja, he is ready to set off on a real vacation―his first trip outside Nigeria.

As Frank travels to Amsterdam, Oslo, and Milan, he finds himself, for the first time in years . . . blending in. His skin is not in the least remarkable. In Amsterdam he befriends his well-meaning but occasionally misguided Airbnb host. There he also meets a Nigerian expat living in America whom he is both delighted to see but who vexes him for reasons he can’t initially identify. In Oslo, he intervenes when a charismatic Kenyan writer is the victim of a racist taxi driver. In Milan he comes upon a woman who might be a distant relative who has survived a treacherous journey of migration. He quickly realizes that he feels most Nigerian when he is outside of Nigeria, and he begins to wonder what it might take to be treated, simply, as human.

Hilarious, sharp-witted, and moving, each in turn and often all at once, A. Igoni Barrett’s Whyteface confronts the absurdities of Europe and the West’s ideas about the global south―both its xenophobic fear as well as its supposedly beneficent charity. It is a heady and absorbing new novel by the writer Teju Cole called “a major talent.”

"Bring It On", but with murder, this heart-pounding YA thriller follows Jonty, a star cheerleader forced to track down a killer and achieve her dream―before it's too late.

With competition this fierce, bodies are bound to hit the mat...

All Jonty has ever wanted is to lead her cheerleading team, The Exalted Ones, to win a NCA championship. Cheer is not just a sport, it’s her legacy. Her mother cheered for T.E.O. before she died, and Jonty would do anything to snatch the crown and honor her mother’s memory. This year she has a real shot, finally beating her rival Tommie and becoming the team captain.

But Jonty’s perfect season is shattered when Tommie shows up dead on the first day of practice. Now the team is down a flyer and everyone is convinced that Jonty killed her. Everyone except Adam, her co-captain, who was with her the night that Tommie died.

As the season progresses, girls keep dropping like flies, and one thing becomes clear: Someone is sabotaging The Exalted Ones, and they're willing to commit murder to get their way. But with the police still convinced it’s her, will Jonty be able to save herself, her team, and her perfect season?

Tense and full of twists, Too Perfect to Die is perfect for readers who love:
• True Crime
• Competitive Cheerleading
• Scream Queens
• Holly Jackson Books
• Karen M. McManus Books

Sizzling, seductive fiction from the bestselling author of The Idea of You, which was adapted to become Amazon Studios’ hit movie starring Anne Hathaway and Nicholas Galitzine

When Cecilia Chen finds herself in an accident shortly after a move to Los Angeles, she’s shocked to recognize the swan-necked beauty in the other car as the Anouk Ferrand. It’s been twenty years since she last encountered the enigmatic model on a photo shoot in Mexico. And it’s this chance second meeting that will upend Cecilia’s life.

In a complicated marriage to a French film director whose career―once seemingly so allied with Cecilia’s as a photographer―has catapulted beyond hers, and raising her children on the westside of Los Angeles, a toxic playground of privilege and power, Cecilia is forced to take stock of her emotional history. From an early love―a Connecticut establishment foil to Cecilia’s Jamaican immigrant upbringing―that she’d thought was true, to the many stages of life with her husband François, Cecilia questions where she truly fits in. Can the intensity of her explosive physical and emotional entanglement with Anouk finally give her the answer?

Sexy and emotionally involving, Crash Into Me is propulsive fiction from a writer who layers elegant prose, sharp emotional observations, and intense high stakes plotlines into her stories.

Winner of a Shirley Jackson Award

For fans of “The Lottery” and The Hunger Games, this novel set in a small town with a sinister tradition is chilling in the best possible way.

“Curdle Creek is a thoughtful, sinister tour-de-force.”
―Tananarive Due, L.A. Times Book Prize-winning author of The Reformatory

Welcome to Curdle Creek, a place just dying to make you feel at home.

Osira, a forty-five-year-old widow, is an obedient follower of the strict conventions of the remote all-Black town that’s stuck in the past and governed by ominous rituals including a one in, one out population policy. Though she’s always been considered blessed, her luck changes when her grown children run off to parts unknown, she comes in second to last in the Running of the Widows, and her father flees after his name is called in the annual Moving On ceremony.

Forced to jump into a well in a test of allegiance, Osira finds herself transported first back in time, and then into another realm where she must answer for crimes committed by Curdle Creek. Exile forces her to jump realms again, landing Osira even farther away from home, in rural England. Safe there as long as she sticks to the rules, she quickly learns there are consequences for every kindness. Each jump could lead Osira anywhere, but will she ever find a place to call home?

Curdle Creek is an American Gothic in the tradition of Shirley Jackson that offers a mash-up of the surreal and literary horror that will appeal to fans of Ring Shout, The Salt Grows Heavy, and Lovecraft Country. Yvonne Battle-Felton’s propulsive tale is layered and eerie and quite unlike anything else.

Welcome to My Table

Welcome to My Table is not just a cookbook — it is a philosophy of living.

Written by physician-turned-lifestyle authority Jeannie Jacobs, Welcome to My Table invites readers to slow down and rediscover the beauty of everyday moments through food, home, and intentional hospitality.

Rooted in presence rather than performance, this book is designed for women who love beauty but no longer want to feel overwhelmed by it. The recipes are approachable, repeatable, and meant to be enjoyed often — not saved for special occasions that never arrive.

Interwoven throughout are personal stories drawn from family, tradition, and the quiet rituals that shaped the author long before she had language for why they mattered.

More than a collection of recipes, Welcome to My Table is an immersive lifestyle experience. Interactive QR codes guide readers to short videos, tablescape inspiration, playlists, and visual tutorials — extending the page into modern, multi-sensory living.

At a time when hosting has become intimidating and cooking has become content, this book offers a quieter, more grounded alternative:
warm gatherings, lived-in homes, and meaningful moments — without striving for perfection.

Welcome to My Table is for anyone who believes the most beautiful lives are built not through excess, but through intention — one meal, one gathering, one moment at a time.