He’s a newly single father with a demanding job as a firefighter.
She’s a newly unemployed daycare worker in need of new job.
Tripp believes it’s fate when his station house is called to a fire at the daycare Brylee works at. It becomes harder to manage being a full time father to a newborn and the hours his job demands so when he sees an opportunity to hire Brylee as an inhouse nanny he doesn’t hesitate.
The situation with his daughter’s mom is sticky, he’s trying to fight his feelings for Brylee, but Tripp learns it’s hard to ignore someone who checks all his boxes so perfectly.

Piggy is in a bind, and Khyro has the cure for her problem. The only issue is that Khyro is married to Piggy’s cousin Tabitha. With her back against the wall, Piggy must use Fat Ma to get herself ahead. In this erotic tale, find out just how nasty and sticky the situation will become.

The TOMONOSHi Way: A Philosophy for a More Playful Life.

The TOMONOSHi Way is a path for the seekers, the wonderers, and the adventurers—those who have never felt fully at home within the expected, and instead carve their own way forward.

This philosophy invites those who color outside the lines, not in rebellion, but in the belief that life can be shaped into something more joyful, more curious, and more expansive.

It is for the doers, the makers, the ones who see light even in the darkest corners—the individuals who weave beauty into existence, who find wonder in simplicity, who bring laughter to moments when only silence was expected.

The TOMONOSHi Way is about embracing curiosity, exploring without hesitation, and daring to unearth meaning where others may not search.

It is for those who create with their own hands—not waiting for the world to offer them what they seek, but choosing to build it themselves.

This philosophy does not dictate what to think, but offers a more playful, expansive way to engage with life.

It is not a rigid structure, but a perspective—one that sees possibility where others see limitation, one that welcomes adventure, one that embraces betterment not as an achievement, but as a way of moving through the world.

If you’ve ever wondered about yourself—your place, your purpose, your journey—then The TOMONOSHi Way is already yours.

This is the Way.

"There's a Unicorn in My Backyard" is a celebration of creativity and the belief that anything is possible. Dive into a story where a curious mind and a daring heart fuel incredible invention—and magical discoveries. Follow Carolina Blue, the clever and determined protagonist, as she transforms everyday objects into extraordinary creations in her quest to capture the unicorn that dances just beyond reach.

This is a tale of wild imagination, bold innovation, and design thinking in action. Vibrant illustrations and playful storytelling combine to inspire kids to dream big, think critically, and turn their ideas into reality. "There's a Unicorn in My Backyard" is not just a book—it’s an invitation to reimagine the world around us, one creative solution at a time.

Build. Dream. Discover. Let the magic unfold!

Adventure Awaits…

The black experience in America--starting from its origins in western Africa up to 1961--is examined in this seminal study from a prominent African American figure. The entire historical timeline of African Americans is addressed, from the Colonial period through the civil rights upheavals of the late 1950s to 1961, the time of publication. "Before the Mayflower" grew out of a series of articles Bennett published in Ebony magazine regarding "the trials and triumphs of a group of Americans whose roots in the American soil are deeper than the roots of the Puritans who arrived on the celebrated Mayflower a year after a 'Dutch man of war' deposited twenty Negroes at Jamestown." Bennett's history is infused with a desire to set the record straight about black contributions to the Americas and about the powerful Africans of antiquity. While not a fresh history, it provides a solid synthesis of current historical research and a lively writing style that makes it accessible and engaging reading.

After discussing the contributions of Africans to the ancient world, "Before the Mayflower" tells the history of "the other Americans," how they came to America, and what happened to them when they got here. The book is comprehensive and detailed, providing little-known and often overlooked facts about the lives of black folks through slavery, Reconstruction, America's wars, the Great Depression, and the civil rights movement. The book includes a useful time line and some fascinating archival images.

It’s Nikki Maxwell’s birthday!! Will it be a blast or a bust? Find out in Nikki’s newest diary, the thirteenth installment in the #1 New York Times blockbuster bestselling Dork Diaries series!

Nikki and her BFFs Chloe and Zoey have been planning a birthday party of epic proportions! There’s just one problem—Nikki’s mom says no way to the budget they need to make it happen. Nikki’s ready to call the whole thing off, but some surprising twists might take that decision out of her hands, and help comes from the person Nikki would least expect. One way or another, this will be a birthday that Nikki will never forget!

"Solitaria is a gem.” —Saidiya Hartman, author of Wayward Lives, Beautiful Experiments

For fans of Fernanda Melchor and Tove Ditlevsen, a raw, propulsive novel by an award-winning Afro-Brazillian novelist about a Black mother and daughter who work as live-in maids for a rich family in an unnamed Brazilian city, and the tragedy to which they unwittingly bear witness.

Mabel has been staying in the Golden Plate—the most expensive building on the block, in an unnamed city in Brazil—for almost her entire life. Yet her presence there is merely tolerated: she inhabits a miniscule room with her mother, Eunice, who alongside Mabel provides round-the-clock attention and care for the wealthy family who lives there. As Mabel grows up, her dissatisfaction with the forced smallness of her life becomes difficult to bear, and she is driven to work toward new possibilities for herself.

Eunice does the best that she can—uneducated, and with a daughter and ailing mother both depending solely on her, her life is a series of limitations. She moves through the rooms of the penthouse suite in silent servitude, and though Mabel is ashamed of this invisibility act they've both perfected, the era of slavery is still fresh in the country's consciousness, and Eunice thinks it best not to dwell too hard on such things. But when tragedy strikes, and a little boy dies, Eunice must decide if she can face the indifference and injustices of the ruling class she has spent so long orbiting.

Told through direct, agile and evocative prose, Solitaria is a liberation novel of the most rousing order. Through the book's awareness of space and whose presence is permissible, the world of the Golden Plate unfurls, and an unflinching portrait emerges of modern-day Brazil, its legacies of colonial violence haunting rooms across the country, both big and small.

A clever and hilarious new mystery about a mother who thinks she has to do it all—even solve a murder—from the author of It's Elementary

After rage quitting her job, Mavis finally has time to get all the rest she’s been putting off. Or she should have the time. Hypothetically. Except she’s taken on a new role: Supermom. Her hours are filled with chauffeuring her daughter, Pearl, around to her extracurricular activities, somehow ending up class mom, and…investigating another mystery?

When Coach Cole, the director of the kids’ soccer program, drops dead on a sunny Saturday morning, no one suspects foul play. However, the police soon discover something suspicious left on the field, making it clear that someone had it in for the coach. But who? Sure, parents got mad when he made their precious star athletes sit on the bench, but not that mad.

Mavis is determined to find out, even if it takes her into the dark, dangerous underbelly of gentle parents and MLM girlbosses. Plus, it’s an easy distraction from everything else going on. Like the panic attacks she keeps brushing off. Or the fact that she’s unemployed and totally lost as to what her purpose and path in life should be. And then there’s her ex-husband who’s back in town and doing everything she’s ever wanted, just as she’s beginning a new relationship. Mavis knows a murder investigation probably isn’t the self-care she needs right now. But how exactly are you supposed to take care of yourself when you don’t even know who you are anymore?

PRE-ORDER: ON SALE DATE: September 30, 2025 

Featuring colored endpapers and a designed case!

New York Times bestselling author Kalynn Bayron puts a modern twist on Frankenstein in her haunting new novel about the lengths we'd go for the people we love.

Meka has always lived her life surrounded by death. As a newly certified mortician's assistant at her parents' funeral home, her days are not for the faint of heart. Luckily her boyfriend Noah isn't squeamish, and their closeness has Meka finally feeling ready to say the three little words that have been on her mind.

But then tragedy strikes, and Meka's world is torn apart. Nothing makes sense, especially when strange things start happening. Strangers following her. Mysterious items left at her door. Ravens circling her home. And the dead don't seem to be staying dead.

When a shocking family secret is revealed, Meka must unravel the truth to save herself and her family--and what she finds defies everything she's always believed about life and death.

Discover how a love of books can foster community, understanding, and personal growth.

Bibliotherapy in The Bronx by Emely Rumble, LCSW, is a groundbreaking exploration of the healing power of literature in the lives of marginalized communities. Drawing from her personal and professional experiences, Rumble masterfully intertwines storytelling with therapeutic insights to reveal how reading can be a potent tool for self-discovery, emotional transformation, and social change.

In this transformative work, Rumble offers readers an intimate glimpse into her journey as a psychotherapist in the Bronx, where she has spent over 14 years using books to help clients navigate complex emotions, heal from trauma, and find their voices. Through vivid anecdotes and real-world case studies, she demonstrates how literature can serve as a bridge between personal pain and collective healing.

Rich with practical tips, reflective exercises, and book recommendations, Bibliotherapy in The Bronx is a valuable resource for anyone interested in the power of words to change lives. Whether you're a therapist, educator, bibliophile, or simply someone seeking deeper understanding and growth, this book offers a compassionate, culturally affirming guide to the transformative potential of storytelling.

Rumble's work is a testament to the enduring power of books to heal, empower, and liberate. In a time when the world feels increasingly divided, Bibliotherapy in The Bronx reminds us that the stories we tell—and the stories we read—can unite us in our shared humanity.

Be bold. Get seen. Be Heard.

For seventeen-year-old Denver, music is everything. Writing, performing, and her ultimate goal: escaping her very small, very white hometown.

So Denver is more than ready on the day she and her best friends Dali and Shak sing their way into the orbit of the biggest R&B star in the world, Sean "Mercury" Ellis. Merc gives them everything: parties, perks, wild nights -- plus hours and hours in the recording studio. Even the painful sacrifices and the lies the girls have to tell are all worth it.

Until they're not.

Denver begins to realize that she's trapped in Merc's world, struggling to hold on to her own voice. As the dream turns into a nightmare, she must make a choice: lose her big break, or get broken.

Inspired by true events, Muted is a fearless exploration of the dark side of the music industry, the business of exploitation, how a girl's dreams can be used against her -- and what it takes to fight back.

Lawrence's landmark series on African American migration in context

In 1941, Jacob Lawrence, then just 23 years old, made a series of 60 small tempera paintings on the Great Migration, the decades-long mass movement of black Americans from the rural South to the urban North that began in 1915–16. The child of migrant parents, Lawrence worked partly from his own experience and partly from long research in his neighborhood library. The result was an epic narrative of the collective history of his people. Moving from scenes of terror and violence to images of great intimacy, and drawing on film, photography, political cartoons and other sources in popular culture, Lawrence created an innovative format of sequential panels, each image accompanied by a descriptive caption. Within months of its completion, the series entered the collections of The Museum of Modern Art, New York, and the Phillips Memorial Gallery (today The Phillips Collection), Washington, DC, each institution acquiring 30 panels.

The Migration Series is now a landmark in the history of modern art. Jacob Lawrence: The Migration Series, now in paperback, grounds Lawrence’s work in the cultural and political debates that shaped his art and demonstrates its relevance for artists and writers today. The series is reproduced in full; short texts accompanying each panel relate them to the history of the Migration and explore Lawrence’s technique and approach. Alongside scholarly essays, the book also includes 11 newly commissioned poems, by Rita Dove, Nikky Finney, Terrance Hayes, Tyehimba Jess, Yusef Komunyakaa, Patricia Spears Jones, Natasha Trethewey, Lyrae Van Clief-Stefanon, Crystal Williams and Kevin Young, that respond directly to the series. The distinguished poet Elizabeth Alexander edited and introduces the section.

Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world

What exactly is Blackness and what does it mean to be Black?
Is Blackness a matter of biology or consciousness?
Who determines who is Black and who is not?
Who’s Black, who’s not, and who cares?

In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later?

One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.

A fast-paced suspense novel about a young Black woman whose internship experience at the fashion house of her dreams is cut short after overhearing the owner's daughter plotting to kill him; when he actually turns up dead, she's framed for his murder and must race to seek justice for herself before it's too late, for fans of THE OTHER BLACK GIRL, SUCH A FUN AGE, and WHEN NO ONE IS WATCHING.

"A dark and riveting page-turner with an intelligent twist." —Nadine Matheson, author of The Jigsaw Man

SOMEONE HAD TO MAKE HIM PAY. SOMEONE HAD TO TAKE HER DOWN.

Brandi Maxwell is living the dream as an intern at prestigious New York fashion house Simon Van Doren. Except “living the dream” looks more like scrubbing puke from couture dresses worn by hard-partying models and putting up with microaggressions from her white colleagues. Still, she can’t help but fangirl over Simon’s it-girl daughter, Taylor. Until one night, at a glamorous Van Doren party, when Brandi overhears something she shouldn’t have, and her fate becomes dangerously intertwined Taylor’s.
 
Model and influencer Taylor Van Doren has everything…and is this close to losing it all. Her fashion mogul father will donate her inheritance to charity if she fails her next drug test, and he’s about to marry someone nearly as young as Taylor, further threatening her stake in the family fortune. But Taylor deserves the money that’s rightfully hers. And she’ll go to any lengths to get it, even if that means sacrificing her famous father in the process.
 
All she needs is the perfect person to take the fall…

On Alexandre’s politically nuanced painting cycle affirming Black iconicity

Published for his first North American solo exhibition, this catalog presents Brazilian artist Maxwell Alexandre’s (born 1990) ongoing series Pardo é Papel. Suspended from the ceiling, Alexandre’s large-scale paintings portray striking scenes of communal leisure interspersed with religious and art-historical imagery. Pop-cultural symbols appear alongside these images, including depictions of Black cultural icons such as Beyoncé, Nina Simone and Elza Soares, and commercial products from his childhood such as popular plastic blue Capri pools, Danone yogurt and the chocolate drink Toddynho. Alexandre paints his Black subjects on brown craft paper—pardo, in Portuguese. Although the main series title translates directly as “brown is paper” to reference the pardo paper itself, historically the term holds double significance as an ambiguous racial category in Brazil. Alexandre uses pardo paper to affirm and empower Blackness.

Black Boy is a classic of American autobiography, a subtly crafted narrative of Richard Wright’s journey from innocence to experience in the Jim Crow South. An enduring story of one young man’s coming of age during a particular time and place, Black Boy remains a seminal text in our history about what it means to be a man, black, and Southern in America.

When Black Boy was first published in 1945, it soared to the top of the bestseller lists, became a Book-of-the-Month Club selection, and Ralph Ellison discerned it belonged to the tradition of the blues, an elegant gesture of testifying, “both to the agony of life and the possibility of conquering it through sheer toughness of spirit.” Sixty years later and now a classic, Black Boy is an eloquent and deeply moving document of a young boy’s struggle for survival.

Cancel culture addresses real harm...and sometimes causes more. It’s time to think this through.

“Cancel” or “call-out” culture is a source of much tension and debate in American society. The infamous "Harper’s Letter,” signed by public intellectuals of both the left and right, sought to settle the matter and only caused greater division. Originating as a way for marginalized and disempowered people to address harm and take down powerful abusers, often with the help of social media, call outs are seen by some as having gone too far. But what is “too far” when you’re talking about imbalances of power and patterns of harm? And what happens when people in social justice movements direct their righteous anger inward at one another?

In We Will Not Cancel Us, movement mediator adrienne maree brown reframes the discussion for us, in a way that points to possible paths beyond this impasse. Most critiques of cancel culture come from outside the milieus that produce it, sometimes even from from its targets. However, brown explores the question from a Black, queer, and feminist viewpoint that gently asks, how well does this practice serve us? Does it prefigure the sort of world we want to live in? And, if it doesn’t, how do we seek accountability and redress for harm in ways that reflect our values?

With an Afterword by Malkia Devich-Cyril.

An exploration of how emergent strategies can help us meet this moment, survive what is to come, and shape safer and more just futures.

Practicing New Worlds explores how principles of emergence, adaptation, iteration, resilience, transformation, interdependence, decentralization and fractalization can shape organizing toward a world without the violence of surveillance, police, prisons, jails, or cages of any kind, in which we collectively have everything we need to survive and thrive.

Drawing on decades of experience as an abolitionist organizer, policy advocate, and litigator in movements for racial, gender, economic, and environmental justice and the principles articulated by adrienne maree brown in Emergent Strategy: Shaping Change, Changing Worlds, Ritchie invites us to think beyond traditional legislative and policy change to create more possibilities for survival and resistance in the midst of the ongoing catastrophes of racial capitalism—and the cataclysms to come. Rooted in analysis of current abolitionist practices and interviews with on-the-ground organizers resisting state violence, building networks to support people in need of abortion care, and nurturing organizations and convergences that can grow transformative cities and movements, Practicing New Worlds takes readers on a journey of learning, unlearning, experimentation, and imagination to dream the worlds we long for into being. 

An uplifting and empowering anthology of joyful contributions from 52 contemporary Black voices, including chess grandmaster Maurice Ashley, scientist Dr. Raven the Science Maven, and award-winning author Patrice Lawrence

Curated by award-winning author Jamia Wilson, A Year of Black Joy celebrates the joy, talent, and contributions of 52 Black people from around the world. By sharing the many layers and dimensions of Black life and contributions that exist outside of trauma, readers of all backgrounds will be empowered to share their joy too. Each contributor is an expert in their own field, and the book covers a multitude of topics, from astrology and astronomy to beekeeping and baking. The collection includes an entry for every week of the year, and each contribution is tied to a particular season, event, or celebration. An illustrated, nonfiction component to each entry—such as a guide to healing plants or a tour of the night sky—lets readers dive further into the activity. Presented in a beautiful hardcover format and featuring stunning full-color illustrations from Jade Orlando, this is a book to be treasured for years to come.

A powerful, timely, dazzling new collection of poems from the National Book Award–winning author of Lighthead

The three sections of Terrance Hayes’ seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. In “Watch Your Mouth,” a tree frog sings to overcome its fear of birds; in “Watch Your Step: The Kafka Virus,” a talking cat tells jokes in the Jim Crow South; in “Watch Your Head,“ green beans bling in the mouth of Lil Wayne, and Bob Ross paints your portrait. On the one hand, these fabulous fables, American sonnets, quarantine quatrains, and ekphrastic do-it-yourself sestinas animate what Toni Morrison called “the writerly imagination of a black author who is at some level always conscious of representing one’s own race.” On the other hand, these urgent, personal poems contemplate fatherhood, history, and longing with remarkable openness and humanity. So To Speak is the mature, restless work of one of contemporary poetry’s leading voices.

Johnson looks at various sites of performed blackness, including Marlon Riggs’s influential documentary Black Is . . . Black Ain’t and comedic routines by Eddie Murphy, David Alan Grier, and Damon Wayans. He analyzes nationalist writings by Amiri Baraka and Eldridge Cleaver, the vernacular of black gay culture, an oral history of his grandmother’s experience as a domestic worker in the South, gospel music as performed by a white Australian choir, and pedagogy in a performance studies classroom. By exploring the divergent aims and effects of these performances—ranging from resisting racism, sexism, and homophobia to excluding sexual dissidents from the black community—Johnson deftly analyzes the multiple significations of blackness and their myriad political implications. His reflexive account considers his own complicity, as ethnographer and teacher, in authenticating narratives of blackness.