Austin Watkins, 35 and a single father, finds himself in a precarious situation. Currently locked up in Chicago's Cook County Jail, he knows that Fredquisha, the trifling mother of his only daughter, is a despicable, careless and reckless THOT who is the antithesis of caring, loving black motherhood.Wanting to see her son gain full redemption from his current situation, Delores Watkins, better known as Mrs. Watkins, is also hellbent on rescuing Austin’s six-year-old daughter, Myyah, from the clutches of relentless psychological, emotional and physical abuse she suffers at the hands of Fredquisha. Hoping her son works hard to change the course of his life for the betterment of his daughter, Mrs. Watkins explores the possibility of challenging Fredquisha’s custody of Myyah. But as she navigates the complex, red-tape filled bureaucracy of child welfare services, Mrs. Watkins decides to take things in her own hand and is willing to put her life on the line for the salvation of her granddaughter. Fredquisha Pierce, a native of the dangerous Englewood, Chicago, could give a two sh!ts about the welfare of her daughter. Her mission in life is simple. Get money, smoke good weed and ride bomb d--k. Nothing more, nothing less. After meeting a potential new bae, Fredquisha needs to make some lifestyle changes so she can upgrade her section 8 squalor living situation. However, a looming pregnancy threatens to unravel her plans for a big come up.This book is another episodic chronicle born out of the dark, gritty, social drama storytelling talent of urban fiction mastermind QUAN MILLZ. THIS HOE GOT ROACHES IN HER CRIB will deliver a gut-punching blow to those who don't understand the many trials and tribulations single fathers go through to rescue their children from manipulative ratchet women who use the family court system to their advantage.-This is a work of satirical fiction that could be described as a dark comedy combined with social commentary. In no way do the descriptions of the characters reflect my personal feelings or beliefs in regards to those of African descent, particularly Black women. The stereotypes employed in the book are deliberate in that I attempt to cast a light on the state of contemporary urban pulp fiction.

Friendship is the love story you can count on.

Remy is lucky. Her debut novel, based on her three best friends, became an instant bestseller when it was released, and her agent and publisher are clamoring for a follow-up. But just as Remy’s creative inspiration seems to leave her, so too do her friends: one moves to New York, one gets pregnant, and one gets back together with her (awful) boyfriend. After an ill-advised one-night stand complicates matters further, Remy is left deeply alone―and unable to find her next book idea.

Simone is successful. A Kindergarten teacher with a passion for kids, and a well-paying side hustle that affords her all the material comforts she desires, Simone doesn't have time for a robust social life. All she needs is her close-knit family―but after the true nature of her work is revealed, they cut her off, and she realizes for the first time just how isolated she is.

When Simone and Remy bump into each other (literally) in a bookstore, it isn’t exactly soulmates at first sight. Simone is guarded and prickly, Remy is insecure and heartbroken, and each woman is harboring a secret. And yet they might just be the missing piece the other has been searching for―if only they can let each other in.

Can Simone help Remy make one of the most important decisions of her life―and can Remy help Simone recover all that she’s lost? In Jessica George’s heartwarming, funny, and soulful second novel, she explores the restorative nature of female friendship and the life-changing power of platonic love.

A concise history that uncovers the roots of this most pernicious American divide and makes an urgent call for reparations.

Why has the racial wealth gap between the median white households and median Black households remained stagnant over the past century, never narrowing below six to one? Leading expert on race and financial equality Mehrsa Baradaran attempts to answer this question in this sweeping yet accessible history. She shows how decades of the laws rooted in white supremacy―from slavery and the broken Reconstruction-era promise of “40 acres and a mule,” to the racist policies of the Jim Crow and New Deal eras―have restricted Black access to capital, credit, homeownership, and other mechanisms of wealth creation while subsidizing the rising economic fortunes of white families.

In The Racial Wealth Gap, Baradaran outlines two tectonic forces that have driven apart the economic fortunes of white and Black families: wealth creation for white Americans, who have been systematically receiving financial subsidies in the century and a half since emancipation, and wealth destruction for Black Americans―either by vigilante violence or by official means, such as allowing Black banks to collapse or building highways through segregated Black communities. These forces, combined with the racist notion that Black communities fail to rise because of their own moral, intellectual, or economic shortcomings, have kept Black families behind their white counterparts, despite decades of civil rights activism and national economic growth―a deep injustice that can only be achieved through reparations.

An infuriating and compelling read, The Racial Wealth Gap offers a devastating analysis of one of America’s most pressing systemic issues.

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From the author of the acclaimed The World Wasn’t Ready for You comes a thrilling first novel, set in a near future where artificial intelligence runs the world, involving a young medical student who must unravel family secrets to uncover the truth of his father’s mysterious death.

In a time not so far from our own, society is run by a global AI system controlled by an all powerful corporation. The Shepherd Organization oversees every medical school in the country save one in New Orleans, the renegade Hippocrates which still insists on human-led medicine. It is the last choice school for an ambitious young New Yorker named Pok. But after his father—himself a physician—dies under mysterious circumstance that seems connected to “the shepherds” and their megalomaniacal young CEO, Pok finds himself on a quest for answers that leads right to Hippocrates. Once enrolled, he stumbles upon a further mystery: a strange illness is plaguing newcomers to New Orleans who grew up under shepherd rule. What is causing this fatal anomaly?  And how does it relate to the mystery of Pok’s father’s death and his own mysterious past?

The author of It’s Me They Follow chronicles the improbable true story of how she left an abusive past to build a bookshop that survived the Covid pandemic and become an international sensation.

Jeannine Cook always thought she’d open a bookshop in her old age. Raised by a blind librarian, books were integral to her life, and she expected she would eventually write one as well. Instead, Jeannine found herself a burnt-out workaholic with three jobs and no time to read or write, feeling like she hadn't fulfilled her purpose.

In her journal, Jeannine began an imaginary dialogue with Harriet Tubman, “Q&As” she dubbed Conversations with Harriett. Jeannine wondered how Harriet became a “wade through waist-high water in the winter: type of woman—and how she could become one too.

On February 1, 2020, Jeannine fulfilled her dream and opened a bookstore in Philadelphia which she named after her hero and inspiration, Harriet Tubman. Harriett’s Bookshop would be a place to celebrate women authors, artists, and activists. While the name was ironic—Harriet could neither read nor write—it was also fitting. The City of Brotherly love was one of Harriet's first stops to freedom on the Underground Railroad. But in only six weeks, Jeannine would be forced to shut the shop’s doors when Covid turned the world upside down—not knowing whether her dream would survive.

Five years later, this small independent bookshop is thriving, with satellite stores in unconventional places, from movie theaters to horse trailers. Despite global death and destruction, book bans, the downward spiral in readership, the lack of physical customers, AI, and more, Jeannine's shops have survived. Shut Up & Read is her story—the story of the little bookseller who could, and of the woman who has been the driving force behind it all.

From acclaimed author Terah Shelton Harris comes a poignant story of survival and redemption that questions what it means to stop existing and start living.

Leigh is the last of the Wildes. She knows this because she watched them all die.

Grief never truly fades and even as the tragedy haunts her, Leigh carries on, because survival is in her blood. So, when the transport bus taking her to prison careens off the road, killing everyone onboard except her, she does what's in her nature. She survives. 

While searching for a place to hide, Leigh stumbles upon an unexpected sanctuary: a flower farm in rural Alabama tucked away from the world. What Leigh doesn't expect is the found family there who have built something from the wreckage of their own lives. Especially Jackson, the farm's owner, who sees through Leigh's defenses, offers her small moments of tenderness, encourages her to face her own tragedies. Slowly, Leigh finds peace with the hard pace and soft nature of the farm, taking comfort in the life blooming around her. Maybe she's not beyond redemption, not too broken for something good. And maybe, just maybe, Leigh starts to heal.

But the past isn't so easily buried.

No matter how far she runs, the truth of who she is and the ghosts of the Wildes follow. And when those secrets catch up to her, threatening everything she's come to love, Leigh will have to truly face what she can survive.

The instant New York Times bestseller and companion book to the PBS series.

“Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again

“Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review

From the New York Times bestselling author of Stony the Road and The Black Box,and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America.

For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues.

In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion.

But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.

Hip, hip, hooray! It's Hairiette's Birthday!

With her glowy hair done and the perfect dress picked out, Hairiette is ready for her special seventh birthday present. But on the big day, there is no bike in sight! All she gets is a stinking barrette and comb. It looks like it isn't going to be a hip hip hooray day after all…until a class unit on imagination changes everything!

i + magi + nation = My Magic Nation!

Using the power of her imagination, Hairiette turns her boring birthday gifts into charmed objects that whisk her off to an enchanted place called Magic Nation where she can have hip hip hooray days every day! All she needs is a little creativity and the magic words, "Razzle, Dazzle, Diddly, Do!" and soon the adventures begin!

In over a dozen interviews, Conversations with Kiese Laymon provides an in-depth look at author Kiese Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within these pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, this volume provides an unfiltered look at the prolific Southern writer in his own words.

From the New York Times bestselling author of The Sweetness of Water comes a gripping story about a brother and sister, emancipated from slavery but still searching for true freedom, and their odyssey across the deserts of Mexico to escape a former master still intent on their bondage.

New Orleans, 1866. The Civil War might be over, but formerly enslaved Coleman and June have yet to find the freedom they’ve been promised. Two years ago, the siblings were separated when their old master, Mr. Harper, took June away to Mexico, where he hoped to escape the new reality of the postbellum South. Coleman stayed behind in Louisiana to serve the Harper family, clinging to the hope that one day June would return.
 
When an unexpected letter from Mr. Harper arrives, summoning Coleman to Mexico, Coleman thinks that finally his prayers have been answered. What Coleman cannot know is the tangled truth of June’s tribulations under Mr. Harper out on the frontier. And when disaster strikes Coleman’s journey, he is forced on the run with Mr. Harper's daughter, Florence. Together, they venture into the Mexican desert to find June, all the while evading two crooked brothers who'll stop at nothing to capture Coleman and Florence and collect the money they're owed. As Coleman and June separately navigate a perilous, parched landscape, the siblings learn quickly that freedom isn't always given—sometimes, it must be taken by force.
 
As in his New York Times bestselling debut The Sweetness of Water, Nathan Harris delves into the critical years of the Civil War’s aftermath to deliver an intimate and epic tale of what freedom means in a society still determined to return its Black citizens to bondage. Populated with unforgettable characters, Amity is a vital addition to the literature of emancipation.

Rising star Shauna J. Grant makes her Graphix Chapters debut with this humorous and wholesome series.

Get drawn into reading with Graphix Chapters!

Graphix Chapters are ideal books for beginning and newly independent readers aged 6-8. With approachable page counts, easy-to-follow paneling, and artwork that supports text comprehension, these engaging stories with unforgettable characters help children become lifelong readers.

Meet Mimi. She's charming! She's cheerful! She's cute!

But that's not all! She's also a loyal friend and fun playmate, who has the best adventures with Penelope, her magical toy dog. But when Mimi notices people treating her like she's too cute, can she show them that she's much more than meets the eye? Or will she be stuck in this cute-astrophe?

A collection of the year’s best science fiction and fantasy short fiction selected by award-winning author of Death of the Author and the Binti Trilogy, Nnedi Okorafor, and series editor John Joseph Adams.

The Best American series, launched in 1915, is the premier annual showcase for the country’s finest short fiction and nonfiction, and it is the most respected—and most popular—of its kind.

Nnedi Okrafor selects twenty pieces that represent the best examples of the form published the previous year and explores the ever-expanding and changing world of science fiction and fantasy today.

The acclaimed poetic force celebrates the practice of poetry as healing and prayer in this vital, life-affirming collection about surviving the void and touching the divine—the second book in a creative collaboration between Amistad and Moore Black Press.

At age fifteen, Barbara Fant tragically lost her mother, and her world was suddenly upended. “I became an angry teenager. I was mad at the world.,” she recalls. “I even stopped praying, but I began to write. Poetry became my way of communication, my way of processing . . . it became my way to pray.”

Rebirth, renewal, and healing are the heart of Joy in the Belly of a Riot. Fant’s monumental collection is a continuation of her lifelong project of using poetry as prayer; this is healing-informed poetry to restore herself, her community, and the world. Exquisitely lyrical and boldly resonant, Fant’s poems excavate the nightmares of a childhood marked by poverty, violence, racism, and the loss of countless loved ones. Suffering seemed endemic to neighborhoods like hers, and yet, in Fant’s own words, “I keep trying to write about the trauma, but the joy won’t let me.”

Steeped in a rich Black Christian tradition and drawing on Scripture for artistic inspiration, Fant’s verse offers solace and guidance for all, from the devout to the skeptical. In these poems Fant demands that we see her, and her community, throug more than our grief. As she closes this profound collection, Fant gently preaches that we choose life and reminds us that “wholeness is our birthright.”

Joy in the Belly of a Riot is a healing balm in times of sustained uncertainty and a rock upon which we can build and sustain a foundation of joy. Fant’s essential message demands to be heard, now more than ever.

From Whiting Award–winner Rickey Laurentiis, a mythic, lyric, decade-in-the-making new collection of masterful poems that probe the meanings of trans/formation and re-creation, a new classic about gender and love

When Rickey Laurentiis debuted in 2015 with Boy with Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lives. This staggering, irreverent, gentle, and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’s poetics—from Greek odes and early Black Spirituals to the work of Whitman and Dickinson and the mid-century cinematic icon The Lady Chablis.

Then, brick by brick, she builds them anew and makes them her own. She maps a path onto the contradictions, precarity, and revelry of her hometown, “New Orleans / As that modern text, witnessed, and revised, by the light as radically / As by the water, which is history, which slip / Thru your hands. This city is a ghost for hire.” With this as her frame, Laurentiis meditates on what it means to be trans and Black in this nation and in her own body, when both demarcations are often excuses for violence. She goes further, examining pleasure and deep-felt pain, in a rhythmic, wild embrace of life, an act of spirit work and self-grace. “You see something in me,” she writes, “something grand, / Your very cowardice yearns for; you / Who would want to own it, wear it, be by it adorned, / It is so rare a thing, so fine as I am, and seemingly / Fragile, creole, and easily decadent: it is like a tree, then.”

In a world where what one is, and how one looks, or even just the idea of a person can get one killed, this is transformative work. This collection does not stump for its humanity, nor does it compromise its art in order to speak in its own voice. Sprung to its own sound, celebratory without apology, this is a book which reclaims the act of poetry itself, too, for the way it can reshape the writer, the mind, the body, the story we choose, and the images the world can imprint on us. (Can poetry do that?) Approaching from every angle and expanding in every direction as we read, Death of the First Idea probes every aspect of transformation. Celebratory, interrogatory, reclamatory, full of rage and range, these are poems for the storms of our time.

A searing critique of medical racism and a powerful call for health-care professionals to make real change in their field, written by a leading activist and doctor

Unequal access to care. Misdiagnosis. Mistreatment. Medical gaslighting. An increasing number of studies show the profound impacts racism has on communities of color—particularly Black Americans. But these disparities in health care and wellbeing are not the result of a handful of uninformed or malicious doctors: racism in the medical system is institutional, woven into the very fabric of diagnostic criteria and even hospital infrastructure. Medicine denies fair treatment to Black patients not in error…but by design.

Drawing from extensive research, in-depth interviews with medical students and resident physicians, and over twenty-five years of experience as a medical doctor, Dr. Vanessa Grubbs argues that the reason racism in medicine continues to go unchecked is because it is in fact the standard of care. Any attempts to dismantle medical racism through “placebo” efforts such as forming diversity committees or releasing statements condemning racism will fail, she says, because they don’t address the reality of how the institution of Medicine has been, and continues to be, negligent when it comes to the treatment of Black people.

Dr. Grubbs skillfully unpacks the three core problems of how our health-care system currently considers the race of patients, which she identifies as being “race based,” “race disregarded,” and “race denied.”

* When medical diagnoses and trainings are race based, they lead doctors to make different treatment decisions for Black patients, and create a dangerous disadvantage.

* At the same time, medical textbooks and trainings may inappropriately disregard race in cases when it does matter, like failing to include pictures of how rashes may appear differently on light and dark skin—leading to misdiagnosis and death.

* And finally, many medical institutions still deny the extent to which racism is an issue at all, resulting in fewer Black physicians and disastrous outcomes for Black patients.

Calling on her medical colleagues to join her in working against the negligence of American medicine, Dr. Grubbs lays out a pathway to true equity and inclusion in health care: getting to the root of the underlying fears and insecurities that have led to racist medical negligence; recruiting and retaining a diverse physician workforce; and forcing Medicine to commit to the cultural humility necessary to rebuild, not just replaster, a broken institution.

A high school student whose promising basketball career is in jeopardy discovers the triumphs and hardships of Kareem Abdul-Jabbar's life as a social justice advocate in this stunningly illustrated graphic novel.

Monk Travers is the star basketball player on his high school team. Confident about his future as an NBA player, he doesn’t see the point in caring much about school, let alone his community. But his world is about to change—big time!

After getting caught graffitiing his team's rival school, Monk comes to the awful realization that his actions have put his place on the team—and his future—in jeopardy. Fearing the worst, he’s taken by surprise when his coach offers him an unorthodox way to atone: completing a report on the life of Kareem Abdul-Jabbar.

Monk is ecstatic. He knows all Kareem’s records and stats. He smugly announces that the project will be a snap, but his excitement is short-lived when coach tells him that the project is not about Kareem’s basketball career—it’s about his life as an advocate for change.

As Monk grudgingly begins his research, he discovers a history of struggles, conflicts, frustrations, and violence that he’d never been aware of, awakening a passion for social justice that rivals Kareem’s own.

The first major publication on Baltimore-based painter Jerrell Gibbs, whose contemplative portraits of Black sitters thrum with a vivid sense of place and reflect the complexity and emotional depth of everyday Black life.

This book captures a prolific period of self-examination and observation for contemporary artist Jerrell Gibbs (b. 1988). Known for his luminously rendered, expressionistic oil paintings, Gibbs uses the figure as a dynamic and recurring motif to explore themes of Black masculinity, fatherhood, legacy, and remembrance.

Drawing from archival family photographs, Gibbs emphasizes placement, size, and proportion, blending intimate mark-making with bold painterly gestures. By complicating and subverting visual stereotypes, Gibbs engages deeply with the materiality of painting, offering tender, emotionally evocative portrayals of Black men as husbands, fathers, brothers, and sons. These allegorical and autobiographical works underscore quiet moments of joy, sorrow, and beauty as vital components of Black life. Additionally, commissioned portraits of such figures as Elijah Cummings and August Wilson are juxtaposed with allegorical figures from Gibbs’s dreams, reflecting his growth as an artist and individual. Gibbs’s work offers a fresh approach to painting the human form, following in the footsteps of other Black figurative painters Kerry James Marshall, Henry Taylor, and Amy Sherald.

Palestinian women are an essential—often silenced—part of global struggles for freedom. They are at the forefront of the anti-colonial struggle against Israel’s occupation of their lands, as well as being comrades in intersecting movements worldwide.

This series of interviews with Palestinian women living across Palestine and in the diaspora include a journalist on the front line of resistance against settlers and the Israeli army in the West Bank, a BDS activist, a doctor exposing Israel’s deliberate targeting of medical infrastructure as part of its genocidal assault on Gaza, an organiser who critiques the Palestinian Authority’s repression of social media and those making their voices heard in the diaspora, and others.

Everything We Thought Was Beautiful: Interviews with Radical Palestinian Women broadcasts these women’s struggles in their own words and on all fronts—against colonialism, white supremacy, conservatism, patriarchy, state control—and Israel’s occupation. They discuss their politics, the fight for freedom, and their hope for the future.

Complied by Shoal Collective, a co-operative of independent writers and researchers writing for social justice and a world beyond capitalism, the voices include Ayah Al-Ghazzawi, Lina Nabulsy, Samah Fadil, Diana Khwaelid, Shahd Abusalama, Sireen Khudairy, Lama Suleiman, Shrouq Aila, Rana Abu Rahmah, Shatha Abu Srour, Ghada Hamdan, Mona Al-Farra, and Faiza Abu Shamsiyah with a Foreword by Huwaida Arraf.

The second of two steamy and entertaining romance novels, published under the beloved and distinguished author’s real name for the first time

Three years have passed since four friends—Geneva, Chevy, Crystal, and Noah—had a steamy summer of secrets and sleeping around. As another summer is fast approaching, they’ve sworn off any extracurricular activities, but as the temperature rises in the city, the friends find themselves in hot water again.

Geneva is busy taking care of her daughter and trying not to get too involved with her son’s young business manager. Chevy gets a once-in-a-lifetime opportunity to assist a diva who might want more than what’s in the employment contract. Crystal has promised to save herself for Mr. Right (instead of jumping into bed with another Mr. Right Now), but her commitment is tested when an old acquaintance reenters her life. And while Noah is getting very cozy with his new neighbors in London, he’s still everyone’s favorite (and only) confidant who can’t stop himself from meddling in other people’s business.

But secrets don’t stay secrets for long among these friends, and with sexual tensions high on both side of the pond, everyone is sure to catch the fever. . . .

Philosopher Kwame Anthony Appiah explores how early social scientists developed our modern understandings of society through their theories of religion
 
The foundations of modern social science were built on the study of religion, the acclaimed thinker Kwame Anthony Appiah argues. Delving into the intellectual currents of the nineteenth and early twentieth centuries, he investigates how formative thinkers—notably Edward Burnett Tylor, Émile Durkheim, Georg Simmel, and Max Weber—grappled with the concepts of society and religion as interdependent categories. Appiah shows how their efforts to define religion, or evade the task, mark the power and limitations of social thought in ways that persist among theorists today. Religion was not merely an object of study but a framework through which early social scientists established sociology as a discipline.
 
Appiah also examines more recent work in both interpretive sociology and evolutionary and cognitive psychology about the mechanisms through which communities form beliefs and values—while underscoring the enduring significance of these earlier debates for contemporary social thought. Throughout, he intertwines storytelling, historical analysis, and philosophical reflection to show how our ideas about society and culture have been, and continue to be, forged in dialogue with religious questions.

Piggy is in a bind, and Khyro has the cure for her problem. The only issue is that Khyro is married to Piggy’s cousin Tabitha. With her back against the wall, Piggy must use Fat Ma to get herself ahead. In this erotic tale, find out just how nasty and sticky the situation will become.

A major hardcover compendium of poetry and fiction by the legendary Black American poet of the Harlem Renaissance

One of the most important writers to emerge from the Harlem Renaissance, Langston Hughes may be best known as a poet, but he was also a brilliant storyteller, blending elements of blues and jazz, speech and song, into a triumphant and wholly original idiom. Perhaps more than any other writer, Langston Hughes made the white America of the 1920s and 1930s aware of the Black culture thriving in its midst. Hughes's poetry and fiction works are messages from that America, sharply etched vignettes of its daily life, cruelly accurate portrayals of Black and white collisions.

This Everyman's Library compendium comprises Hughes's debut poetry collection, The Weary Blues, which catapulted him into literary stardom at just twenty-four years old; his award-winning debut novel, Not Without Laughter, published in 1930 to critical raves; and his 1933 collection of short stories The Ways of White Folks, currently only available in Vintage Classics trade paperback.

Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

Model and mother to twin boys, Porsche Thomas presents this Step 2 leveled reader about sibling differences and the importance of unconditional love. Perfect for children recognizing familiar words while sounding out new ones with help.

All twins look and act the same, right?

WRONG!

August and Berlin are twins but they couldn't be more different. From their personalities, to their heights, to the way they like to play, these twins are definitely not the same. So, they never get along, right?

WRONG AGAIN!

For all their differences, they're a lot alike, too. Most importantly, they know that no matter how much they do or don't have in common, they make a perfect pair.

Twin mom, model, and actress Porsche Thomas tells a story from the heart that's inspired by her own experience watching two twin boys grow up.

Step 2 readers use basic vocabulary and short sentences to tell simple stories. They are perfect for children who recognize familiar words and can sound out new words with help.

Jordan Peele and Jeff Vandermeer meet The Overstory in comedy writer Allison Mick’s darkly humorous debut eco-horror novel, as a Black woman returns home to the redwood forests of northern California, only to unearth the monsters that lurk among the trees…

Jasmine Bay is a nurse for an Oakland mental health facility, battling her own demons, caught in a spiral of suicidal despair. Estranged from her brother James and his wife Tilly, who was once her best friend, Jas has chosen self-isolation to protect herself—even if it means denying herself a hopeful future with co-worker and potential love interest Henry Lewis.

When her godmother dies, Jas returns to Redceder for the funeral, a logging town where her grandfather William Whipple made a living deforesting the countryside, ripping and raping apart nature’s very foundations for corporate profits. As trees fell to axes and chainsaws, so did dozens of lumberjacks, falling prey to the dangers of their job—and to the ecoterrorism of Jas’s grandfather who was lynched for his crimes.

And buried in the haunted woods are even more dark secrets perpetrated by Jas’s family. Unnatural acts giving birth to entities made of human flesh and petrified bark, seeking to avenge the devastation that ravaged their land. It is an inheritance that threatens to consume the remnants of Jas’s family, and her very sanity. . .

Celebrated comedy writer Allison Mick’s Humboldt Cut exposes the traumatic costs of environmental destruction in an energetic, darkly humorous horror adventure that combines the botanical terrors of VanderMeer’s Annihilation and the psychological horror of The Only Good Indians by Stephen Graham Jones with a dash of Jordan Peele.

The TOMONOSHi Way: A Philosophy for a More Playful Life.

The TOMONOSHi Way is a path for the seekers, the wonderers, and the adventurers—those who have never felt fully at home within the expected, and instead carve their own way forward.

This philosophy invites those who color outside the lines, not in rebellion, but in the belief that life can be shaped into something more joyful, more curious, and more expansive.

It is for the doers, the makers, the ones who see light even in the darkest corners—the individuals who weave beauty into existence, who find wonder in simplicity, who bring laughter to moments when only silence was expected.

The TOMONOSHi Way is about embracing curiosity, exploring without hesitation, and daring to unearth meaning where others may not search.

It is for those who create with their own hands—not waiting for the world to offer them what they seek, but choosing to build it themselves.

This philosophy does not dictate what to think, but offers a more playful, expansive way to engage with life.

It is not a rigid structure, but a perspective—one that sees possibility where others see limitation, one that welcomes adventure, one that embraces betterment not as an achievement, but as a way of moving through the world.

If you’ve ever wondered about yourself—your place, your purpose, your journey—then The TOMONOSHi Way is already yours.

This is the Way.

One determined party planner + one grumpy pumpkin farmer = a fall to remember…

Given the chance to plan her bestie’s 30th birthday bash, Wren Southwick is determined to create an experience so big and so bold that the name of her party planning business spreads beyond the confines of her own small town.

The key to her plan? The Finch family’s Goldleaf Pumpkin Farm. It’s not just the perfect venue but also the perfect supply partner for the autumnal-themed bash Wren envisions. But to get what she wants – and needs – she’ll have to get gorgeous grouch August Finch on board.

The table is set, and the battle is about to begin … but who will fall first?

Full of color, attitude, and heart, this picture book is a perfect read aloud for all the dancers, move-busters, and boogie-downers in the family! A must-have for Father's Day!

At last, the day of daddy-daughter dance is finally here! To get ready for their special night out, Mona and Daddy transform their entire day into a special dance routine. They boogie, shuffle, and slide to the hair salon, the nail place, and the dress store. Even when Daddy trips, he reminds his baby girl that the groove inside us never stops. But when they arrive, the dance has been cancelled! How will Mona, Daddy, and the other families get their chance to get down?

Create your own Dork Diary with this special, interactive addition to the #1 New York Times bestselling Dork Diaries series!

Nikki Maxwell can’t believe it when one morning she can’t find her diary! The hunt is on, and while she looks, Nikki can’t help putting together a list of important diary-keeping lessons to remember in case of missing diary emergencies like this one.

How to Dork Your Diary is chock-full of tips from Nikki on fun things to write about in your diary, with lots of space for readers to write and draw their own entries.

Discover how a love of books can foster community, understanding, and personal growth.

Bibliotherapy in The Bronx by Emely Rumble, LCSW, is a groundbreaking exploration of the healing power of literature in the lives of marginalized communities. Drawing from her personal and professional experiences, Rumble masterfully intertwines storytelling with therapeutic insights to reveal how reading can be a potent tool for self-discovery, emotional transformation, and social change.

In this transformative work, Rumble offers readers an intimate glimpse into her journey as a psychotherapist in the Bronx, where she has spent over 14 years using books to help clients navigate complex emotions, heal from trauma, and find their voices. Through vivid anecdotes and real-world case studies, she demonstrates how literature can serve as a bridge between personal pain and collective healing.

Rich with practical tips, reflective exercises, and book recommendations, Bibliotherapy in The Bronx is a valuable resource for anyone interested in the power of words to change lives. Whether you're a therapist, educator, bibliophile, or simply someone seeking deeper understanding and growth, this book offers a compassionate, culturally affirming guide to the transformative potential of storytelling.

Rumble's work is a testament to the enduring power of books to heal, empower, and liberate. In a time when the world feels increasingly divided, Bibliotherapy in The Bronx reminds us that the stories we tell—and the stories we read—can unite us in our shared humanity.

Exploring new black literature, following the success of Black Sci-Fi and First Peoples Shared Stories.

The National Museum of African American History and Culture characterises Afrofuturism (as distinct from Africanfuturism) as expressing "notions of Black identity, agency and freedom through art, creative works and activism that envision liberated futures for Black life." This new book offers new stories from open submissions and by invitation, as well as classic stories, and a new introduction, all exploring the many angles of this theme. It follows the success of Black Sci-Fi (2021) of which Scientific American said "contains a thrilling group of memorable, moving tales that often examine the intersections of race, gender, grief, tech and the fantastical." and Publishers Weekly, in a Starred Review "With topics ranging from slavery to space travel, the impressive breadth of this anthology makes for a well-rounded survey. Readers, writers, and scholars alike will find great value here."

The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

The compelling memoir that explores race, cultural representation, Black media’s legacy, privilege, and identity from VIBE’s founding fashion editor and CNN correspondent Michaela Angela Davis.

As VIBE’s founding fashion editor and a CNN correspondent, Michaela Angela Davis has been at the forefront of cultural shifts, working alongside iconic figures like Diana Ross, Prince, and Beyoncé. Her memoir is a celebration of Black media’s vibrant history and a critical examination of its challenges and erasure in mainstream narratives.

In Tenderheaded, Davis journeys back through her career as both a celebration and an interrogation of Black media, exploring the difficult truth of how historically Black media titles and brands have had such mighty, culture-shifting starts, then disappeared or limped along in mainstream obscurity. Her story is one of self-discovery and liberation, as she navigates the complexities of identity politics, sexism, and racism within the media industry. Her career has been a tapestry of glamorous adventures from the bustling streets of 1980s New York City to the exotic markets of Morocco, all while styling some of the most influential figures in music and culture. Yet, beneath the surface of this dazzling world lies a poignant narrative of struggle and resilience.

Tenderheaded is not just a memoir; it is a cultural manifesto that questions the legacy of Black media and the stories of Black women that remain untold. Davis’s narrative is both a romance and a tragedy, reflecting her American life and the broader story of American media.