Following the tradition of Nikky Finney, Krista Franklin, and Morgan Parker, Good Dress documents the extravagant beauty of Black relationships, language, and community.

In her debut poetry collection, Brittany Rogers explores the audacity of Black Detroit, Black womanhood, class, luxury and materialism, and matrilineage. A nontraditional coming-of-age, Good Dress witnesses a speaker coming into her own autonomy and selfhood as a young adult, reflecting on formative experiences.

With care and incandescent energy, the poems engage with memory, time, interiority, and community. The collection also nudges tenderly toward curiosity: What does it mean to belong to a person, to a city? Can intimacy and romance be found outside the heteronormative confines of partnership? And in what ways can the pursuit of pleasure be an anchor that returns us to ourselves?

Sex is for sale in more ways than ever. It can be bought and sold online, in sex clubs, on the street, and around the world. As with many industries, discrimination, exploitation, and inequality persist in sex work. Yet it also offers autonomy, job satisfaction, and even pleasurable experiences for those involved. Sex Work Today explores these contradictions, offering an intimate look at the benefits and challenges of sex work across geographic contexts.

Featuring thirty-one original essays by sex workers, advocates, researchers, and activists, Sex Work Today is the first compilation of research on new forms of digital sex such as camming, sugar dating, and AI sex dolls. Providing a lens to understand contemporary labor dynamics and the nature of sex work itself, this collection captures formerly ignored aspects of the sex industry including: fatphobia and disability; transmasculine and nonbinary sex workers; racialized emotional labor in the digital sex industry; high job satisfaction among professional dominatrixes; and sex worker scholars.

With federal policies ostensibly aimed at combating sex trafficking–affecting all sex workers–understanding this industry is more vital than ever. Decentering Western, white, cisgender voices, Sex Work Today underscores the global repercussions of these misaligned policies, which make sex work more challenging and less safe, and provides valuable insights for those seeking to shape policies, challenge prejudices, and foster a safer and more equitable world for all.

Portrayals of James Baldwin and others in his circle highlight the iconic writer’s activism

The American writer and activist James Baldwin (1924–87) considered himself a “witness” as he challenged perspectives on America and its history through his work. He was often recognized for speaking out against injustice when other like-minded artists, collaborators and organizers were overshadowed or silenced. By bringing together artworks that feature James Baldwin alongside portraits of other key figures who had an impact on his life, This Morning, This Evening, So Soon situates Baldwin among a pantheon of culture bearers who were instrumental in shaping his life and legacy, particularly in relationship to his advocacy for gay rights. The book accompanies an exhibition at the National Portrait Gallery in Washington, DC, curated by the National Portrait Gallery's Director of Curatorial Affairs, Rhea L. Combs, in consultation with Pulitzer Prize–winning author Hilton Als. Well-known portraits by Beauford Delaney and Bernard Gotfryd are shown alongside paintings, photographs and films representing key figures in Baldwin’s circle. By viewing Baldwin in this context of community, readers will come to understand how Baldwin’s sexuality and faith, artistic curiosities and notions of masculinity―coupled with his involvement in the civil rights movement―helped shape his writing and long-lasting legacy.
The book relies on portraiture to explore the interwoven lives of Baldwin, Lorraine Hansberry (writer and activist), Barbara Jordan (lawyer, educator and politician), Bayard Rustin (leader in social movements), Lyle Ashton Harris (artist), Essex Hemphill (poet and activist), Marlon Riggs (filmmaker, poet and activist) and Nina Simone (singer-songwriter, pianist and activist), among others.
Artists include: Richard Avedon, Glenn Ligon, Donald Moffett, Beauford Delaney, Bernard Gotfryd, Faith Ringgold, Lorna Simpson, Jack Whitten.

An incisive and sympathetic examination of the case for ending the practice of imprisonment

Despite its omnipresence and long history, imprisonment is a deeply troubling practice. In the United States and elsewhere, prison conditions are inhumane, prisoners are treated without dignity, and sentences are extremely harsh. Mass incarceration and its devastating impact on black communities have been widely condemned as neoslavery or “the new Jim Crow.” Can the practice of imprisonment be reformed, or does justice require it to be ended altogether? In The Idea of Prison Abolition, Tommie Shelby examines the abolitionist case against prisons and its formidable challenge to would-be prison reformers.

Philosophers have long theorized punishment and its justifications, but they haven’t paid enough attention to incarceration or its related problems in societies structured by racial and economic injustice. Taking up this urgent topic, Shelby argues that prisons, once reformed and under the right circumstances, can be legitimate and effective tools of crime control. Yet he draws on insights from black radicals and leading prison abolitionists, especially Angela Davis, to argue that we should dramatically decrease imprisonment and think beyond bars when responding to the problem of crime.

While a world without prisons might be utopian, The Idea of Prison Abolition makes the case that we can make meaningful progress toward this ideal by abolishing the structural injustices that too often lead to crime and its harmful consequences.

The landmark work of comics journalism by Joe Sacco, in a new hardcover edition with a new afterword by Israeli journalist Amira Hass and an introduction by Palestinian American author and critic Edward W. Said.

Joe Sacco's breakthrough work of graphic journalism ― a now-established genre almost single handedly invented by Sacco ― won the American Book Award upon its initial release in 1996, and has remained a perennial, essential work for understanding the Palestinian Israeli conflict in the Middle East. This new hardcover edition includes a new afterword by Israeli journalist Amira Hass and also features Palestinian academic and critic Edward W. Said’s timeless 2001 introduction to the work.

Based on several years of research and an extended visit to the West Bank and Gaza Strip in the early 1990s, where he conducted over 100 interviews with Palestinians and Jews, Palestine was the first major comics work of political and historical nonfiction by Sacco, whose name has since become synonymous with this graphic form of New Journalism. Like Safe Area Gorazde, Palestine has been favorably compared to Art Spiegelman's Pulitzer Prize-winning Maus for its ability to brilliantly navigate such socially and politically sensitive subject matter through the immersive lens of the comic book medium. Sacco has often been called the first comic book journalist, and he is certainly the best.

Black-and-white illustrations throughout

In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.

Pennsylvania State Senator Nikil Saval tells the story of an unlikely partnership between June Jordan and R. Buckminster Fuller, and their attempt to reimagine Harlem in the wake of the 1964 riots.

In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan’s “Skyrise for Harlem” project offered a Futuristic vision for Harlem that argued for environmental redesign: “it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience.”
 
Jordan was not an architect in the conventional sense, Saval says. “But in the understanding of someone who sought to propose and build interventions in public space, she was.”

Black Mirror meets Get Out in this gripping story collection reminiscent of the work of Octavia E. Butler, which deftly blends science fiction, horror, and fantasy to examine issues of race, class, and prejudice—an electrifying, oftentimes heartbreaking debut from an extraordinary new voice.

Justin C. Key has long been obsessed with monsters. Reading R. L. Stine’s Goosebumps as a kid, he imagined himself battling monsters and mayhem to a triumphant end. But when watching Scream 2, in which the movie’s only Black couple is promptly killed off, he realized that the Black and Brown characters in his favorite genre were almost always the victim or villain—if they were portrayed at all.

In The World Wasn’t Ready for You, Key expands and subverts the horror genre to expertly explore issues of race, class, prejudice, love, exclusion, loneliness, and what it means to be a person in the world, while revealing the horrifying nature inherent in all of us. In the opening story, “The Perfection of Theresa Watkins,” a sci-fi love story turned nightmare, a husband uses new technology to download the consciousness of his recently deceased Black wife into the body of a white woman. In “Spider King,” an inmate agrees to participate in an experimental medical study offered to Black prisoners in exchange for early release, only to find his body reacting with disturbing symptoms. And in the title story, a father tries to protect his son, teaching him how to navigate a prejudiced world that does not understand him and sees him as a threat.

The World Wasn’t Ready for You is a gripping, provocative, and distinctly original collection that demonstrates Key’s remarkable literary gifts—a skill at crafting science fiction stories equaled by an ability to sculpt characters and narrative—as well as his utterly fresh take on how genre can be used to delight, awe, frighten, and ultimately challenge our perceptions. Wildly imaginative and powerfully resonant, it introduces an unforgettable new voice in fiction.

Perfect for fans of Angie Thomas and Jason Reynolds, this highly anticipated sequel to Lambda Literary Award finalist Pritty finds Jay and Leroy togetha again as they fight to save not only their home but themselves from the powerful Bainbridge family’s treacherous endgame to retake Savannah for themselves, no matter the cost.

After finally reuniting, Jay and Leroy have never been in more danger. Caught in the crosshairs of the affluent Bainbridge family, who they’ve learned is determined to reshape Savannah in their own image, the duo has only just survived a series of near-death experiences before reaching the safety of the Black Diamonds. But the BDs’ ability to protect the Black neighborhoods of their city is slipping….

Missing the key piece of evidence that could have broken the Bainbridges’ hold over Savannah, everyone is scrambling for options. But when one of their own is kidnapped, Jay and Leroy realize they can’t rely on anyone but themselves to save them. Recruiting old friends, former enemies, and their most risky ally, Jay’s once-upon-a-time crush, Will, they set out to do the impossible: find the evidence they lost in order to finally expose the Bainbridges’ corruption to the world, by any means necessary.

But even as their plans bring them closer to revealing the Bainbridges’ treacherous endgame, Jay and Leroy’s own secrets from each other threaten to pull their love apart, just as old feelings between Jay and Will begin to blossom again. And as the battle for a brighter future boils over into the streets, to save their homes—and everyone they love—Jay, Leroy, and Will must decide: When the cost of justice might be each of their happiness, will they be able to make the sacrifice togetha?

From the acclaimed author of The Kindest Lie, a propulsive novel about a mother and daughter each seeking justice and following their dreams during moments of social reckoning—1960s Nashville and 1992 Chicago; perfect for readers of Brit Bennett and Tayari Jones.

"People of Means left me breathless! A beautifully crafted story...profound and sharp."—Sadeqa Johnson New York Times bestselling author of The House of Eve

Two women. Two pivotal moments. One dream for justice and equality.

In the fall of 1959, Freda Gilroy arrives on the campus of Fisk University full of hope, carrying a suitcase and the voice of her father telling her she’s part of a family legacy of greatness. Soon, the ugliness of the Jim Crow South intrudes, and she’s thrust into a movement for social change. Freda is reluctant to get involved, torn between a soon-to-be doctor her parents approve of and an audacious young man willing to risk it all in the name of justice. Freda finds herself caught between two worlds, and two loves, and must decide how much she’s willing to sacrifice for the advancement of her people.

In 1992 Chicago, Freda’s daughter Tulip is an ambitious PR professional on track for an exciting career, if workplace politics and racial microaggressions don’t get in her way. But with the ruling in the Rodney King trial weighing heavily on her, Tulip feels called to action. When she makes an irreversible professional misstep as she seeks to uplift her community, she must decide, just like her mother had three decades prior, what she’s willing to risk in the name of justice and equality.

Insightful, evocative, and richly imagined with stories of hidden history, People of Means is an emotional tour de force that offers a glimpse into the quest for racial equality, the pursuit of personal and communal success, and the power of love and family ties.

"A memorable story of mothers and daughters, family dynamics, the complicated meaning of success, the pull of love, and the fight for racial equality, People of Means is a timely look at who we are as a nation—and who we can become, if only we have the courage to follow our hearts." —Kristin Harmel, New York Times bestselling author of The Paris Daughter

This book isn’t just for one kind of entrepreneur—it’s for every kind. Whether you're thriving with purpose or struggling to grow your business and battle self-doubt, No One is Self-Made offers solutions and encouragement you need to push forward with the right community. From the visionary behind the groundbreaking Village Market, a direct pipeline connecting Black businesses to engaged consumers, this inspirational guide dares to dismantle the myth of individualism and reveals how collective support can shatter systemic barriers to success. It’s a bold roadmap for entrepreneurs and leaders determined to rewrite the rules of business.

Support is a verb.

Dr. Lakeysha Hallmon keeps this mantra pinned to her wall as a reminder of the undeniable impact of community. When she was pursuing her entrepreneurial dreams, she quickly saw the racial disparities and systemic issues affecting Black small businesses. She began meeting many brilliant entrepreneurs and small business owners, recognizing their potential to soar if backed by invested supporters. 

In response, Dr. Hallmon founded the Village Market and challenged people to put the “Support is a Verb” mantra to action by rallying around businesses within their own communities. As a result, The Village Market funneled millions of dollars into local businesses, attacking the wealth gap and spiriting economic prosperity. This replicable model has inspired others nationwide to adopt a similar approach and economic strategy. She found that her beliefs were true: that by rooting our lives, businesses, and work in community–we find resources to create and support economic mobility from within.

No One Is Self-Made is an inspirational narrative weaving together themes of community, purposeful businesses, and collective economics. This book debunks the myth of being self-made and empowers readers to abandon the notion and lean into community on their pathway to success. Entrepreneurs at any stage of growth will appreciate Dr. Hallmon’s story—with all the ups and downs of founding the Village Market—and the road-tested advice she dispenses for those trying to find success in business, career, and life. She explains economic and social factors, missteps that can derail goals, and the tools necessary to create their own thriving village. Along the way, it becomes clear why working within a collective is a more effective path to success than going it alone.

An introduction to traditional and modern Nigerian home cooking featuring 100 delicious recipes by food explorer, culinary anthropologist, and Nigerian native of @kitchenbutterfly fame, Ozoz Sokoh.
 
In Nigeria, the word “chop” is all about food and feasting and “chop chop” a nickname given to someone who loves to eat. And it's no surprise Nigeria has an entire vocabulary dedicated to eating—with more than 50 nationally recognized languages and over 250 ethnicities, Nigeria's food is as rich and diverse as its people. Despite the foodway's incredibly flavorful complexity, ingredients and recipes from all six regions have not been gathered and showcased in a highly photographic cookbook. 

In Chop Chop, author, culinary anthropologist, and Nigerian native Ozoz Sokoh celebrates classic and traditional Nigerian cuisine to underscore the ingredients, flavors, and textures that make it not only beloved, but delicious and easy for the home cook. Featuring:
* A COLLECTION OF CLASSIC AND MODERN NIGERIAN RECIPES: Think smoky spicy beef suya skewers, egusi soup with greens, restorative pepper soup, jollof rice studded with tomatoes, soft puff puff dough bites, and sweet-tart hibiscus drinks, and more from across the country.
* LEXICON OF NIGERIAN CUISINE: Learn how to shop and cook like a Nigerian as well as the ingredients integral to Nigerian cuisine and how they come together in the form of hearty soups and stews, steamed puddings, salads, rice dishes, fritters, and more.
* ILLUMINATING CULTURAL AND HISTORICAL EXPLORATIONS: With headnotes and sidebars that give important cultural and historical context, including how Nigerian cuisine travelled the globe leaving its mark, you will learn the roots behind each dish.
* STUNNING PHOTOGRAPHY: With gorgeous photos from Nigeria’s landscapes, food markets, and people, as well as beautiful photography of ingredients and finished dishes, Chop Chop is a cookbook to behold.

Written through the lens of Ozoz's deep connection to the region, Chop Chop will bring Nigeria's food-loving spirit to home kitchens everywhere, so you can travel, by plate.

Featuring artists ranging from Miles Davis to Kendrick Lamar, dive into this stunningly illustrated celebration of the history of Black music in America by the award-winning author of The Undefeated.

Listen to the sound of survival, courage, and democracy—the soundtrack of America. Hear Billie Holiday's raspy, mournful voice, and tap your foot to Louis Armstrong's trumpet. Scream with James Brown and bop your head to Grandmaster Flash and the Furious Five. Can you spot the 80+ references to artists like Robert Johnson, Ella Fitzgerald, Jimi Hendrix, Whitney Houston, Lauryn Hill, and Beyonce? 

Come dance to Kwame Alexander’s melodious narrative of the history of Black music in America, accompanied by the vibrant illustrations of Charly Palmer. 

The book includes extensive back matter, providing even more context and history about the music and musicians.

From an MSNBC Political Analyst, a riveting account of the legendary party hosted by Diahann Carroll for Shirley Chisholm's 1972 presidential campaign, which changed the playing field for Black women in politics.

In 1972, New York Representative Shirley Chisholm broke the ice in American politics when she became the first Black woman to run for president of the United States. Chisholm left behind a coalition-building model personified by a once-in-an-era Hollywood party hosted by legendary actress and singer Diahann Carroll, and attended by the likes of Huey P. Newton, Barbara Lee, Berry Gordy, David Frost, Flip Wilson, Goldie Hawn and others. In A More Perfect Party, MSNBC political analyst Juanita Tolliver presents a path to people-centered politics through the lens of this soiree, with surprising parallels to our current electoral reality.

Chisholm worked the crowd of movie stars, media moguls, music executives and activists gathered at Carroll's opulent Beverly Hills home, forging relationships with laughter as she urged guests to unify behind her campaign. With the feminist movement on the rise and eighteen- to twenty-year-olds voting for the first time in American history, the Democratic Party and the nation were on the cusp of long-overdue change.

Zooming in on one party attendee per chapter, A More Perfect Party brings this whimsical event out of the margins of history to demonstrate that there is an opportunity for all of us to fight for a better nation and return power to the people.

Perfect for fans of Raybearer and Fourth Wing, this astonishing sequel to the bestselling novel So Let Them Burn doesn't hold back. After all, there are no easy endings in war—especially when sisters are forced to fight on opposite sides.
 
Faron Vincent was once the saint of San Irie. Now, she’s done the unthinkable: betrayed her country. Alone, disgraced, and kidnapped, Faron is forced to help Iya grow his bloody empire. With her soul bonded to a ruthless killer, Faron has become an enemy to her people… and she fears they might be right.
 
Elara Vincent—the new Empyrean—must undo the damage her sister has caused. San Irie has been brought back to the brink of war as Iya proclaims no nation will be safe from his brutal invasion. But how can Elara save her sister, her best friend, her country, and her world when she’s already cracking under the pressure?
 
This heart-pounding conclusion to the Divine Traitors duology pushes these unforgettable heroines to their breaking point and beyond. Because when the lines between hero and villain are blurred, deadly sacrifices must be made.

"Both a brilliant sequel and an epic finale, This Ends in Embers is a gut punch of a novel that will stay with you long after its ending. Cole balances breathtakingly high stakes with poignant character moments to craft a narrative so passionate it will burn a path straight to your heart." —Chelsea Abdullah, award-winning author of The Stardust Thief

She needs a divorce from her husband—but a hurricane threatens to dredge up their stormy, passionate past in this sizzling romance from the bestselling author of Say You’ll Be Mine.

“The most amazing rollercoaster of big feels and humor and heart.”—Hannah Bonam-Young, author of Out on a Limb

“The second-chance, accidental-marriage novel fans of classic romcoms like Sweet Home Alabama and What Happens in Vegas are dying for.”—Danica Nava, author of The Truth According to Ember

It's been years since Meena separated from her husband, Nikhil . . . years since they first laid eyes on each other in their home state of Texas, years since they spontaneously wed in Las Vegas and she felt true happiness. Now a high-powered lawyer on Capitol Hill and ready to move on (at least, she thinks so) with another successful lawyer, Shake, Meena has returned to Texas. This time, finally to obtain a divorce.

But there’s one thing Meena didn’t account for: a hurricane forming in the Gulf, veering right toward them and giving them no choice but to hunker down in the home they had built together. Suddenly, she finds herself trapped amid gale-force winds and pelting rain with the man she once loved.

As they spend more time together, Meena begins to remember everything that drew her to Nikhil: his small-town charm, his thoughtful nature . . . his absurdly good looks. But being with Shake makes sense to her. He’s steady, ambitious, and wants exactly what she wants. So she’ll stick to her plan, come hell or high water. But will her windswept heart make the right choice, once the eye passes over and the storm settles?

With sharp observations about second chances at love, ambition and Indian American identity, and with characters who share an undeniable chemistry, Flirting with Disaster is a modern romance with the sensibility of a classic.

A vibrant collection of 100 postcards featuring affirmations on self-love, inner peace, and healing, from WE THE URBAN founder Willie Greene.

A platform that celebrates self-love, inclusivity, and empowerment, WE THE URBAN shares signature affirmations that have resonated with millions of people, many of whom share posts with friends on social media and use them to guide their personal journeys.

Now, fans can share WE THE URBAN’s magic with this collection of 100 postcards that bring to life the powerful quotes the platform is famous for. Exploring inner peace, self-love, healing, growth, and more, these colorful postcards feature 50 original affirmations, each repeating once, that capture and validate our shared humanity. Whether you’re mailing a postcard to lift the spirits of a loved one or framing one for a daily dose of empowerment, these postcards offer 100 vibrant opportunities to share joy and positivity with someone who needs it.

A deluxe hardcover edition of one of James Baldwin’s most admired works, exploring what it means to be Black in America and his own search for identity

Part of the Beacon Classics series

Originally published in 1955, James Baldwin's timeless and moving essays on life in Harlem, the protest novel, movies, and African Americans abroad inaugurated him as one of the leading interpreters of the dramatic social changes erupting in the United States in the 20th century. Through a mix of autobiographical and analytical essays, Baldwin delivers honest and raw revelations about what it means to be Black in America, specifically pre-Civil Rights Movement, and how, he himself, came to understand the nation.

Writing as an artist, activist, and social critic, Baldwin examines everything from the significance of the protest novel to the motives and circumstances of the many Black expatriates of the time, from his home in “The Harlem Ghetto” to a sobering “Journey to Atlanta.” He was one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against Black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses.

For fans of Baldwin's well-known works or those new to Baldwin altogether, this celebrated essay collection showcases his extraordinary writing, revolutionary analyses, and prophetic insight into American culture and politics.

From regarded mental health expert Nicole Russell-Wharton, a guide to disrupt family patterns and heal from inherited trauma so you can break the cycle of silence for generations to come

What if one conversation was able to redirect a person’s life and create a ripple effect of healing that spans generations? It took a near-death experience for mental health expert Nicole Russell-Wharton to realize that after 35 years, she didn't know the body she was living in. After being diagnosed with a rare life-altering genetic condition that others in her family had, Nicole couldn't understand how everyone remained silent. “I’ve suffered through many things in silence over the years,” says Russell-Wharton. “It wasn’t until I started collecting data on generational issues like poverty and trauma that I had this awakening: our healing challenges are rooted in our families’ silence and psychological pathology.”

It's the silence that's harming us.

“Generational silence” is a term applied to families who have experienced suppressed thoughts or repressed emotions for at least two generations. In this book, Nicole speaks from personal experience about how slavery left an intergenerational impact on her family’s emotional and physical health, and it invites readers to explore the legacy of their own family history. This book will help you explore:

• The cycle and impact of issues like substance abuse, religion, racism, education inequality, and parenting
• Research, practical tools, and exercises to begin to explore your family history and open up conversations
• The root of silence in your own life, so you can break the cycle for generations to come

Breaking Generational Silence will help you begin to break the cycle of silence, find the courage to face your family challenges, and become your own best advocate.

Coral is the first person to discover the body of her brother, Jay, in the wake of his suicide. There’s no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother.

Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reck­less determination, she doubles―and triples―down on posing as her brother, risking not only her sanity but also her relationship with her precocious niece, Khadija. As Coral’s swirl of lies closes in on her, the quirky and mysterious alien world of Wildfire becomes entangled with her own reality, in the pro­cess pushing long-buried memories, traumas, and secrets dangerously into the present.

A form-shifting and soul-crunching chronicle of grief and crisis, Venita Blackburn’s debut novel, Dead in Long Beach, California, is a fleet-footed marvel of self-discovery and storytelling that explores the depths of humankind’s capacity for harm and healing. With the daring, often hilarious imagination that made her an acclaimed short-fiction innovator, Blackburn crafts a layered, page-turning reckoning with what it means to be alive, dead, and somewhere in between.

In the highly anticipated follow-up to the award-winning Glory Be, Glory Broussard finds herself enmeshed in the mystery of her ex-husband's death . . . with an unlikely ally at her side.

After her life was turned upside down by solving the murder of her best friend, Sister Amity Gay, all Glory Broussard wanted was a little peace and quiet. That included getting back to her Sunday morning routine as a bookie in a coffee shop, and planning the annual Mardi Gras gala for her church. But there’s no rest for Glory once the woman who broke up her marriage walks in to CC's Coffee House and asks for help finding her missing husband. It doesn’t take long before Glory finds him . . . with a knife impaled in his chest.

No one knew the man—and his dark side—better than Glory Broussard, who would rather let the local authorities take the lead. But Glory’s daughter, still reeling from problems of her own, insists on her involvement. Glory’s search for the murderer takes her deep inside the seedy world of Louisiana casinos and racetracks, from their high roller VIP rooms with chatty dealers to stables filled with thoroughbred horses and shady dealings.

As if solving a murder and sparring with the woman who had an affair with her ex-husband isn’t enough, Glory has to get to the bottom of her daughter’s secrets, and there are a few members of her church group who would love to see her fail in her Mardi Gras responsibilities. Walloped with one revelation after another, Glory’s no-nonsense, tellit-like-it-is attitude and strength is tested like never before. But it’s going to take more than that to keep her down in this charming and gripping new novel in the award-winning and critically acclaimed Glory Broussard mystery series.

In this lyrical and stirring companion to the “spellbinding” (Harper’s Bazaar) Shallow Waters, Oya—the Yoruban deity of the weather—is brought to life during 1870s America. Perfect for fans of Children of Blood and Bone and Black Sun.

Born in Cuba after her mother Yemaya’s adventures in the New World, Oya has inherited otherworldly powers from her Yoruba Orisha lineage. While Yemaya is known for her healing abilities, Oya’s influence over the storm proves to be destructive, posing a threat to her mother and the island’s safety.

Sent to New Orleans to study under Marie Laveau, the Queen of Voodoo, Oya begins a journey across the still young America, encountering a myriad of historical figures, including Mary Ellen Pleasant, Jesse James, Lew Hing, and more.

As Oya navigates the landscapes of racism, colorism, and classism, she grapples with her own identity and powers, striving to find her place in a fraught and complex society. A moving, vivid exploration of resilience, heritage, and the enduring spirit of a young woman coming into her own, The Wind on Her Tongue transports you to a world where magic and reality intertwine.

One of America’s most celebrated poets challenges us with this powerful and deeply personal collection of verse that speaks to the injustices of society while illuminating the depths of her own heart.

For more than fifty years, Nikki Giovanni’s poetry has dazzled and inspired readers. As sharp and outspoken as ever, she returns with this profound book of poetry in which she continues to call attention to injustice and racism, celebrate Black culture and Black lives, and give readers an unfiltered look into her own experiences.

In Make Me Rain, she celebrates her loved ones and unapologetically declares her pride in her Black heritage, while exploring the enduring impact of the twin sins of racism and white nationalism. Giovanni reaffirms her place as a uniquely vibrant and relevant American voice with poems such as “I Come from Athletes” and “Rainy Days”—calling out segregation and Donald Trump; as well as “Unloved (for Aunt Cleota)” and “When I Could No Longer”—her personal elegy for the relatives who saved her from an abusive home life.

Stirring, provocative, and resonant, the poems in Make Me Rain pierce the heart and nourish the soul. 

For fans of Jordan Peele’s movies, The Other Black Girl, and Stranger Things, Listen to Your Sister is a laugh-out-loud, deeply terrifying, big-hearted horror novel from knockout debut talent Neena Viel.

Twenty-five year old Calla Williams is struggling since becoming guardian to her brother, Jamie. Calla is overwhelmed and tired of being the one who makes sacrifices to keep the family together. Jamie, full of good-natured sixteen-year-old recklessness, is usually off fighting for what matters to him or getting into mischief, often at the same time. Dre, their brother, promised he would help raise Jamie–but now the ink is dry on the paperwork and in classic middle-child fashion, he’s off doing his own thing. And through it all, The Nightmare never stops haunting Calla: recurring images of her brothers dying that she is powerless to stop.

When Jamie’s actions at a protest spiral out of control, the siblings must go on the run. Taking refuge in a remote cabin that looks like it belongs on a slasher movie poster rather than an AirBNB, the siblings now face a new threat where their lives–and reality–hang in the balance. Their sister always warned them about her nightmares. They should have listened.

Razor-sharp, wildly imaginative, breathlessly harrowing, and utterly unforgettable, Listen to Your Sister is a hilarious and terrifying speculative tale of the nightmares that haunt us, and the deep, powerful love that can tie family together.

A daughter’s investigation into her family history threatens to destroy their legacy in a gripping novel about power, money, and secrets by the author of Token Black Girl.

On their Martha’s Vineyard estate, the Carter family prepares to celebrate. But when the billionaire patriarch dies right before his seventieth birthday, the media is quick to question the future of the multi-industry conglomerate that makes the Carters living legends. Amid the succession crisis, his daughter, Kennedy, is questioning her father’s past.

Kennedy is an aspiring filmmaker, and the documentary she’d planned to present at her father’s party begins an inquest into the life of a man she never really knew. A thoughtful outlier in an elite and fiercely guarded dynasty, she’s not interested in keeping up the appearances that define her impeccably poised mother or in the capitalist games her ruthless brother plays. Kennedy wants only to understand the origins of their empire, and the lethally ambitious man behind it. That understanding comes at a cost.

As a twisted history emerges, the fault lines in the family grow. Torn between morality and the promise of maintaining wealth, Kennedy must decide what’s most important―the Carter legacy or exposing the shocking truth of how it was built.

An astounding multigenerational saga, Red Clay chronicles the interwoven lives of an enslaved Black family and their white owners as the Civil War ends and Reconstruction begins.

In 1943, when a frail old white woman shows up in Red Clay, Alabama, at the home of a Black former slave--on the morning following his funeral--his family hardly knows what to expect after she utters the words "... a lifetime ago, my family owned yours." Adelaide Parker has a story to tell--one of ambition, betrayal, violence, and redemption--that shaped both the fate of her family and that of the late Felix H. Parker.

But there are gaps in her knowledge, and she's come to Red Clay seeking answers from a family with whom she shares a name and a history that neither knows in full. In an epic saga that takes us from Red Clay to Paris, to the Côte d'Azur and New Orleans, human frailties are pushed to their limits as secrets are exposed and the line between good and evil becomes ever more difficult to discern. Red Clay is a tale that deftly lays bare the ugliness of slavery, the uncertainty of the final months of the Civil War, the optimism of Reconstruction, and the pain and frustration of Jim Crow.

With a vivid sense of place and a cast of memorable characters, Charles B. Fancher draws upon his own family history to weave a riveting tale of triumph over adversity, set against a backdrop of societal change and racial animus that reverberates in contemporary America. Through seasons of joy and unspeakable pain, Fancher delivers rich moments as allies become enemies, and enemies--to their great surprise--find new respect for each other.

From the author of Book of the Little Axe, nominated for the Hurston/Wright Legacy Award, and the critically acclaimed 'Til the Well Runs Dry, a riveting literary novel with the sharp edges of a thriller about the abuses of history and the costs of revenge, set between Washington, D.C., and Johannesburg, South Africa

Prudence Wright seems to have it all: a loving husband, Davis; a spacious home in Washington, D.C.; and the former glories of a successful career at McKinsey, which now enables her to dedicate her days to her autistic son, Roland. When she and Davis head out for dinner with one of Davis’s new colleagues on a stormy summer evening filled with startling and unwelcome interruptions, Prudence has little reason to think that certain details of her history might arise sometime between cocktails and the appetizer course.

Yet when Davis’s colleague turns out to be Matshediso, a man from Prudence’s past, she is transported back to the formative months she spent as a law student in South Africa in 1996. As an intern at a Johannesburg law firm, Prudence attended sessions of the Truth and Reconciliation hearings that uncovered the many horrors and human rights abuses of the Apartheid state, and which fundamentally shaped her sense of righteousness and justice. Prudence experienced personal horrors in South Africa as well, long hidden and now at risk of coming to light. When Matshediso finally reveals the real reason behind his sudden reappearance, he will force Prudence to examine her most deeply held beliefs and to excavate inner reserves of resilience and strength.

Lauren Francis-Sharma’s previous two novels have established her as a deft chronicler of history and its intersections with flawed humans struggling to find peace in unjust circumstances. With keen insight and gripping tension, Casualties of Truth explosively mines questions of whether we are ever truly able to remove the stains of our past and how we may attempt to reconcile with unquestionable wrongs.

This stunning children’s book from the photographer behind the Instagram sensation Brown Girls Do Ballet, combines irresistible photos of young ballerinas of color with inspirational text that empowers all children to express their true selves through movement and music.

When TaKiyah Wallace-McMillian went to enroll her three-year-old daughter into her first ballet class, she immediately noticed the lack of diversity of backgrounds and abilities among the students pictured on the school's website. In response, TaKiyah, a photographer, began taking pictures of young dancers of color and launched an Instagram called Brown Girls Do Ballet. The Instagram was an instant sensation, drawing a community of dancers of all ages. A nonprofit organization, that provides resources, mentoring, and inspiration worldwide followed soon after.

Takiyah’s first children’s book is full of gorgeous photographs of irresistible young BIPOC ballerinas of all levels -- from beginners to more experienced dancers. Writer JaNay Brown-Wood's poetic text, inspired by the dancer's graceful poses and powerful leaps, encourages young readers be proud of who they are and empowers them to take center stage. Brown Girls Do Ballet will inspire all readers to pursue their dreams no matter what barriers are put in front of them.

What does the politics of solidarity look like in practice, and how can left-wing organizations grow—in numbers and power—while remaining accountable to the broader movements of which they are a part?

Against enormous odds and in the face of fierce pushback, the Palestine solidarity movement has succeeded in transforming the landscape of American politics. The movement has catapulted Palestine from being an untouchable topic in even liberal political circles to a central rallying cry in grassroots progressive organizing, one that is championed by some of the highest profile and beloved members of Congress.

In the fall and winter of 2023, with the attention of the world focused on Israel’s unprecedented aggression against the people of Gaza, millions across the globe mobilized in solidarity with Palestinians and their struggle for liberation. Jewish progressives in the US played a highly visible role in denouncing Israel’s actions and US complicity in them: leading mobilizations and disruptions from the US Capitol to Grand Central Station.

In this book, two key leaders and former staff of Jewish Voice for Peace (JVP) —Rebecca Vilkomerson and Rabbi Alissa Wise—focus on the important role of anti-Zionist Jewish organizing within the broader Palestine solidarity movement, reflecting on their decade of leadership of JVP and drawing lessons especially relevant to those organizing from a position of solidarity.

Against the backdrop of rapid and often devastating political developments, they explore how JVP grew larger as the organization shifted to the left and helped to alter the public narrative about Palestinian liberation, while also navigating the tensions of organization-building and creating a space for Judaism liberated from Zionism. Their insights help contextualize the intense suppression of activism for Palestinian freedom, while illuminating the roots of today’s flourishing Jewish solidarity with Palestinians worldwide.

In addressing their shortcomings and failures no less than their inspiring successes, Vilkomerson and Wise deliver an account of JVP’s organizing during the 2010s that offers crucial strategic lessons for anyone engaging in the collective work of building organizations and fighting for justice as our movements evolve over time.

Turn the traditional generational groupings on their head through this examination of Black life, culture, and the struggle for racial justice in the United States.

The Shaping of Black Identities explores the generations of African Americans who have lived in the twentieth and early twenty-first centuries and the impact that living in the United States has had on them. Jimmie R. Hawkins examines how identity is formed and shaped by internal and external forces. He investigates collective memory and the stories told to each succeeding generation about the lives of the preceding generations. But most of all, this book is about belonging.

Using the generational time frames established by the Pew Research Center, Hawkins proposes six new generational categories rooted in the Black experience: the New Negro, Motown, Black Power, Hip-Hop, #BlackLivesMatter, and Obama generations. He emphasizes the need for reexamination in distinguishing generational uniqueness with attention to disparate, nondominant groups. Given the history of racial and cultural discrimination against Blacks in the United States, such an examination of the ways in which Black life has taken its own unique shape among generations offers new ways to understand the transition in identity adopted by Blacks. Hawkins examines the historical contexts that shaped each generation and the general attitudes and perceptions of each generation as influenced by the cultural, political, and racial environment of the nation. Throughout, there is a unique focus on Black protest. With its attention to each generation of Blacks, The Shaping of Black Identities speaks to this active, liberative, and distinct historical attempt to define the self in the pivotal and ongoing search for meaning.

A 50th-anniversary tribute to one of America’s first racially integrated exhibitions

In August 1971 Peter Bradley mounted the landmark exhibition The De Luxe Show at the legendary DeLUXE theater in Houston's Fifth Ward. The De Luxe Show was a milestone in civil rights history, as one of the first racially integrated shows in the United States. Curated by Bradley with the backing of collector and philanthropist John de Menil, the exhibition featured emerging and established abstract modern painters and sculptors of the time, including Darby Bannard, Peter Bradley, Anthony Caro, Dan Christensen, Ed Clark, Frank Davis, Sam Gilliam, Robert Gordon, Richard Hunt, Virginia Jaramillo, Daniel Johnson, Craig Kauffman, Alvin Loving, Kenneth Noland, Jules Olitski, Larry Poons, Michael Steiner, William T. Williams and James Wolfe.

In August 2021, for its 50th anniversary, Karma and Parker Gallery staged a contemporary bicoastal tribute to The De Luxe Show. The tribute honors the long, pioneering legacies of the artists of The De Luxe Show, and continues the dialogue between these innovators in the field of abstraction that began 50 years ago. This fully illustrated catalog includes texts and installation images from the original 1971 catalog, as well as a newly commissioned text by Amber Jamilla Musser and a text by Bridget R. Cooks that expands upon her 2013 essay in Gulf Coast.