Discover the 20th Anniversary edition of Edwidge Danticat’s unforgettable National Book Award Finalist story collection—complete with a new story.

Arriving one year after the Haitian-American's first novel (Breath, Eyes, Memory) alerted critics to her compelling voice, these 10 stories, some of which have appeared in small literary journals, confirm Danticat's reputation as a remarkably gifted writer.

Examining the lives of ordinary Haitians, particularly those struggling to survive under the brutal Duvalier regime, Danticat illuminates the distance between people's desires and the stifling reality of their lives. A profound mix of Catholicism and voodoo spirituality informs the tales, bestowing a mythic importance on people described in the opening story, "Children of the Sea," as those "in this world whose names don't matter to anyone but themselves." The ceaseless grip of dictatorship often leads men to emotionally abandon their families, like the husband in "A Wall of Fire Rising," who dreams of escaping in a neighbor's hot-air balloon. The women exhibit more resilience, largely because of their insistence on finding meaning and solidarity through storytelling; but Danticat portrays these bonds with an honesty that shows that sisterhood, too, has its power plays. In the book's final piece, "Epilogue: Women Like Us," she writes: "Are there women who both cook and write? Kitchen poets, they call them. They slip phrases into their stew and wrap meaning around their pork before frying it. They make narrative dumplings and stuff their daughter's mouths so they say nothing more."

These stories inform and enrich one another, as the female characters reveal a common ancestry and ties to the fictional Ville Rose. In addition to the power of Danticat's themes, the book is enhanced by an element of suspense—we're never certain, for example, if a rickety boat packed with refugees introduced in the first tale will reach the Florida coast. Spare, elegant and moving, these stories cohere into a superb collection.

THE NEW YORK TIMES BESTSELLER

In Ejaculate Responsibly, Gabrielle Blair offers a provocative reframing of the abortion issue in post-Roe America.

In a series of 28 brief arguments, Blair deftly makes the case for moving the abortion debate away from controlling and legislating women’s bodies and instead directs the focus on men’s lack of accountability in preventing unwanted pregnancies.

Highly readable, accessible, funny, and unflinching, Blair builds her argument by walking readers through the basics of fertility (men are 50 times more fertile than women), the unfair burden placed on women when it comes to preventing pregnancy (90% of the birth control market is for women), the wrongheaded stigmas around birth control for men (condoms make sex less pleasurable, vasectomies are scary and emasculating), and the counterintuitive reality that men, who are fertile 100% of the time, take little to no responsibility for preventing pregnancy. 

The result is a compelling and convincing case for placing the responsibility—and burden—of preventing unwanted pregnancies away from women and onto men.

Nikki Maxwell is starting eighth grade at a new school—and her very first diary is packed with hilarious stories and art in this SUPER SQUEE updated edition of the first book in the #1 New York Times bestselling Dork Diaries series!

Nikki confesses all in her first diary ever: her epic battle with her mom for an iPhone, meeting her new soon-to-be BFFs Chloe and Zoey, falling for adorably sweet crush Brandon, dealing with her zany little sister Brianna’s antics—and the immediate clashes with mean girl MacKenzie, who becomes Nikki’s rival in a school-wide art competition.

Nearly 30 million books in print worldwide!

A Committee of One: How Faith + Action = A PurposeFULL Life is an inspirational memoir/self-help book from the Grandmother of Juneteenth that will be a testament to the transformative power of resilience, faith, and love.

In 2016, then-90-year-old Opal Lee began her Opal Walks 2 DC campaign where she endeavored to walk 1,400 miles from Fort Worth, Texas to Washington, DC to bring awareness to the cause of making Juneteenth a federally recognized holiday. She was convinced that the country needed and wanted the unity that celebrating the abolition of slavery can bring. That it was bigger than Texas. Thankfully, on June 17, 2021, President Joseph Biden passed the bill making Juneteenth a National holiday and Ms. Opal stood alongside the president during this historic occasion, receiving the pen he used to sign off on the law.

A Committee of One takes readers on a profound journey through Ms. Opal Lee's life by sharing stories that will reveal a life marked by resilience, faith, and unwavering determination. Drawing parallels to the beloved narrative style of Tuesdays with Morrie, A Committee of One will weave together personal anecdotes with timely wisdom and offer every reader inspiring nuggets for reflection.

From the opening chapters, her narrative unfolds with the kind of raw honesty Ms. Opal is known for. She shares the challenges she's experienced (including the destruction of her childhood home by a white mob when she was twelve and the failure of her first marriage) as well as how those devastations allowed her the room to grow and become the woman she is today. All these stories are a testament to the indomitable human spirit, the fearlessness of our fortitude. The bottom-line goal in every chapter is to impart one significant and invaluable lesson: Adversity, though inevitable, need not define one's destiny.

The heart of the story is Ms. Opal's steadfast commitment to hard work and perseverance. From balancing the demands of motherhood and education to securing career advancements to the activism that led her to be named “The Grandmother of Juneteenth,” she's always tried to embody the transformative power of being steadfast. Because of this, A Committee of One is a powerful reminder that success is not measured by the absence of trials but by the willingness to confront and overcome them.

A dark contemporary fantasy featuring witchcraft, tarot, death, and a bit of romance that's perfect for fans of Immortal Dark and Cinderella Is Dead.

The paperback edition features stunning stenciled edges!

On an ordinary Monday morning, eighteen-year-old Mikaela Broussard receives the shock of her life. During a customer’s tarot reading at her family’s occult shop, she turns over the Death card and envisions the beautiful stranger stabbing her in the heart.

In order to determine why the girl, Joelle, wants to kill her, she’ll have to keep her close. But the more time Mikaela spends with her soon-to-be murderer, the more irresistible she finds her.

As if imminent death isn’t worrisome enough, witches are turning up with their magic stolen. And it’s clear some very dark magic is at work. Mikaela, as the next Witch Queen of her coven, is tasked with figuring out who’s behind the horrific acts—a mystery that will put her and her power to the test.

Death Card is a dark, pacy, and romantic fantasy about one witch’s journey to find the strength to fight for herself, her future, and her beloved community.

*Ships in 7-10 business days*

Two women embark on a unforgettable quest that draws them into a world of dark gods and ancient magic in this sweeping fantasy debut inspired by the history and folklore of colonial South America. 

Reina is desperate.

Stuck on the edges of society, Reina’s only hope lies in an invitation from a grandmother she’s never met. But the journey to her is dangerous, and prayer can’t always avert disaster.

Attacked by creatures that stalk the mountains, Reina is on the verge of death until her grandmother, a dark sorceress, intervenes. Now dependent on the Doña’s magic for her life, Reina will do anything to earn—and keep—her favor. Even the bidding of an ancient god who whispers to her at night.
 
Eva Kesaré is unwanted.

Illegitimate and of mixed heritage, Eva is her family’s shame. She tries to be the perfect daughter, but Eva is hiding a secret: Magic calls to her. 

Eva knows she should fight the temptation. Magic is the sign of the dark god, and using it is punishable by death. Yet it’s hard to ignore power when it has always been denied you. Eva is walking a dangerous path. And in the end, she’ll become something she never imagined.

Dear Black Girl
You teach the world
The power of creativity
Just by being yourself

Celebrate the creativity, bravery, dreams, and laughter of Black girls with this purposeful, powerful text from poet and author Mahogany L. Browne. With lush, bright illustrations from artist Sawyer Cloud, this picture book is perfect for honoring big milestones and finding joy in everyday moments―a heartwarming and jubilant love letter to Black girls everywhere.

Be at home in yourself and recreate your living space as a cozy sanctuary of peace and calm during stressful times with this mindfulness meditation book by Zen Master Thich Nhat Hanh.

Hailed by TIME magazine as "the monk who taught the world mindfulness," Thich Nhat Hanh developed practices for people to be able to feel at home in themselves and in the world, especially during times of transition and change.

Designed to be both inspiration and guidebook for those new to mindfulness practice, Making Space offers easy-to-follow instructions for:

* Setting up an area in your home for mindfulness practice—a literal breathing space
* Listening to a mindfulness bell to bring you home to yourself
* Breathing and sitting meditations
* The "cake in the refrigerator" practice for households to consciously steer their conversations in a harmonious direction
* Walking meditation
* Cooking and eating a meal in mindfulness

Whether you live alone or with your partner or a family, this beautifully illustrated book can help you create a sense of retreat and sanctuary in yourself and at home.

An addictive, enemies-to-lovers romance about fame, power, and two people fighting to stay in control, even as they fall madly, recklessly in love.

Kensie Garrett turned her worst heartbreak into a bestselling brand. As a social-media influencer and author of a hit self-help book teaching women how to find love without losing themselves, she’s built a career on staying in command. But one reckless night threatens everything she’s created when she gives in to the magnetic pull of Canaan Jackson, the infuriating race car driver she’s despised since college.

When a private video from that night leaks, Kensie’s credibility and Canaan’s shot at racing glory are suddenly on the line. To save them both, he does the unthinkable: announces their engagement during a live press conference. What begins as damage control quickly spirals into a dangerous chemistry neither can contain.

Thrown together under the scorching Miami sun in the months leading up to his first Formula One race, Kensie and Canaan must outmaneuver paparazzi, past betrayals, and a passion that refuses to stay off camera. But as lies blur into truth and old wounds resurface, Kensie has to decide whether protecting her image is worth losing her heart to the one man who may know her better than she knows herself.

Langston Hughes's debut novel, a moving portrait of African American family life in 1930s Kansas, newly reissued for Union Square & Co.’s Herald Classics line.

Originally published in 1930, Not Without Laughter follows Sandy Rogers as a boy living in rural Kansas to his arrival in Chicago as a young man, set against a backdrop of poverty, racial segregation, and the onset of World War I. Orbiting Sandy are a host of vividly realized family members, including his mother Annjee, a housekeeper for a wealthy white family; his irresponsible father Jimboy, who plays guitar and is constantly in search of work; his aunts, blues-singing Aunt Harriet and social-climbing Aunt Tempy; and his pious, strong-willed grandmother Hager, who holds the generations together.

Partly inspired by Langston Hughes’s early life in the Midwest, Not Without Laughter is the debut novel of the literary giant, a sweeping and elegiac family drama that traces Black life in the early twentieth century, an important setting in the history of a racially divided America.

From Philadelphia Eagles quarterback Jalen Hurts comes an empowering story about friendship, the power of teamwork, and achieving goals together.

Jalen is so excited for the new school year because this is the year he’ll finally get to try out for the football team! But when he arrives at school, he learns the unthinkable—that the football team has been cut. He and his friends are devastated. But Jalen isn’t ready to give up, and with some advice from some friends, maybe—just maybe—they can save the day.

Better than a Touchdown is a love letter to the power of community, being there for one another, and how a piece of good advice can change the course of a day. Told with Jalen’s signature wisdom and gorgeous art by Nneka Myers, Better than a Touchdown carries a message we can all learn from: that by working together, there’s nothing we can’t accomplish.

The gripping fourth book in the #1 New York Times bestselling Supernatural Investigations series that began with Amari and the Night Brothers! 

Perfect for fans of Tristan Strong Punches a Hole in the Sky, Percy Jackson and the Olympians, and Nevermoor.

In the wake of the extreme losses to the Bureau during the war with Dylan Van Helsing and the magicians, Amari has stepped back from being a Junior Agent to spend the school year as a normal kid. But as she prepares to graduate eighth grade, she's faced with a decision: Return to the Bureau and join the elite new Junior Special Agent Program, or retire for good—which would mean safety, but also losing her memories of the supernatural world.

But soon she finds that she may not have a choice. A deadly new curse is threatening both the supernatural and mortal worlds as, beneath their skin, people are slowly becoming machines—and losing their very humanity. And it's somehow related to the First Magician.

Hundreds of cases have been cropping up, with no cure in sight. And when the curse hits someone close to Amari, it's up to her to get to the bottom of this deadly mystery—even if it means trusting an old enemy.

From spiritual guide and teacher Aycee Brown, a warm and inviting handbook to discovering wholeness by embodying your truth and embracing your power.

When Aycee Brown was a child, her connection to spirit made her feel like an outcast, until her grandmother helped her see this burden as a gift. Now, Aycee helps readers—as well as clients and “Is My Aura on Straight?” podcast listeners—map their journey from trauma to wholeness.
Rather than relying on a one-size-fits-all approach, Aycee teaches us which healing modality to use, when. Embarking on a soul journey, readers will explore different parts of themselves and step into their own story by exploring the canyon, or shadow self, through the following modalities:

* Knowing Your Story—The Embodiment of Validation
* Psychic Channeling—The Embodiment of Anger
* Astrology—The Embodiment of Self
* Numerology—The Embodiment of Alignment
* Mediumship—The Embodiment of Truth
* Metaphysics—The Embodiment of Choice
* Human Design for Liberation—The Embodiment of Change
* I Am—The Embodiment of Destiny (Internal Family Systems therapy)

As readers engage with these practices, their intuition grows stronger and paths are revealed. With Aycee holding our hand, we can connect to our truth and realize our wildest dreams. We become more capable of having healthy relationships, finding joy in our lives, and maintaining loving connections with those we have lost.
Embody Your Magic invites the conversations you’ve been waiting to have and reveals the psychic magic within you.

The first volume in a major new series offering a compelling glimpse into the transformative and revolutionary world of HBCUs, that reveals the complex stories that their collections tell us.

This book, featuring objects from the museums and archives at five HBCUs—Jackson State, Tuskegee, Florida A&M, Clark Atlanta, and Texas Southern Universities—attests to the aesthetic value of African American cultural production on university campuses, the persistent development and expansion of HBCU academic programs, and the impact of student-led activism on campuses and throughout surrounding communities. Organized into four main sections, focusing on the partner institutions, arts, academics, and activism, this remarkable assembly of images will inspire readers to engage with, reflect on, and examine the unforgettable stories they represent.

The museums and archives at the five HBCUs featured tell unique stories, from detailed community histories and accounts of civil-rights era activism to premiere collections of African American art. Together, these institutions paint a powerful and multifaceted picture of African American academia and beyond.

This multi-volume series of publications stemming from the work of NMAAHC’s HBCU History and Culture Access Consortium (HCAC), is a companion publication to the exhibition that will travel to each participating institution from September 2025.

The success of John Henrik Clarke's American Negro Short Stories, first published in 1966, affirmed the vitality and importance of black fiction. Now this expanded edition of that best-selling book, with a new title, offers the reader thirty-one stories included in the original―from Charles W. Chesnutt and Paul Laurence Dunbar in the late nineteenth century to the rich and productive work of the Harlem Renaissance: writers like Zora Neale Hurston, Langston Hughes, and Richard Wright; the World War II accomplishments of Chester Himes, Frank Yerby, and many others; and the later fiction of James Baldwin, Paule Marshall, and LeRoi Jones (Imamu Amiri Baraka). Seven additional contributions round out a century of great stories with the work of Maya Angelou, Toni Cade Bambara, Eugenia Collier, Jennifer Jordan, James Allan McPherson, Rosemarie Robotham, and Alice Walker. Dr. Clarke has included a new introduction to this 1993 edition, and a short biography of each contributor.

Alexandre Dumas’s epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment—nominated as one of America’s best-loved novels by PBS’s The Great American Read

Thrown in prison for a crime he has not committed, Edmond Dantes is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo, and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration.

Robin Buss’s lively translation is complete and unabridged, and remains faithful to the style of Dumas’s original. This edition includes an introduction, explanatory notes, and suggestions for further reading.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A bestseller in Korea, a biting, fast-paced vampire murder mystery exploring queer love and the consequences of loneliness.

When four isolated elderly people die back-to-back at the same hospital by jumping out of the sixth-floor window, Su-Yeon doesn't understand why she's the only one at her precinct that seems to care. But her colleagues at the police force dismiss the case as a series of unfortunate suicides due to the patients' loneliness. But Su-Yeon doesn't have the privilege of looking away: her dearest friend, Grandma Eun-Shim, lives on the sixth floor, and Su-Yeon is terrified that something will happen to her next.

As Su-Yeon begins her investigation alone, she runs into a mysterious woman named Violette at the crime scene. Violette claims to be a vampire hunter, searching for her ex-lover, Lily, and is insistent that a vampire is behind the mysterious deaths. Su-Yeon is skeptical at first, but when a fifth victim jumps from the window, her investigation reveals the body was completely drained of blood. Desperate to discover the cause of the deaths, Su-Yeon considers Violette's explanation-that something supernatural is involved.

The Midnight Shift is a gripping mystery, overflowing with commentary about societal isolation and loneliness, the sharp knife of grief, and the effects of marginalization, perfect for readers of Cursed Bunny; Woman, Eating; and A Certain Hunger.

In this stunning reimagining of Greek myth for fans of Circe and Lore, Nikita Gill showcases the underworld and its chthonic deities in all their glory, weaving a gripping story about the young goddess coming of age within their midst.

Hekate sings the story of its eponymous heroine. Born into a world on fire and at war, she and her mother are left behind by the menfolk of their Titan family as the battle against the new Gods–the Olympians–begins. Soon, Hekate and her mother are forced to flee their home as the Olympians overpower and enslave the Titans, including Hekate’s father, Perses, and gain dominion over the universe. In a bid to protect Hekate from the clutches of Zeus and Poseidon, her mother leaves her in the underworld with the goddess Styx and king of the underworld, Hades, where she must make a life for herself and discover her divine purpose.
 
Here begins Nikita Gill’s beautiful and propulsive reimagining of Hekate’s myth which unfolds into a coming-of-age adventure story and quest in which our young protagonist – not yet a goddess – sets out to discover what has happened to her parents, heal from the trauma of her separation from them, make a new home for herself in the underworld, and, eventually, step into her true power as a woman and goddess, before it’s too late.

The definitive early-career survey of one of the most compelling photographers of his generation.

Tyler Mitchell’s photography is animated by dreams of paradise and joy against the backdrop of history. Since his rise to prominence in the worlds of art and fashion, Mitchell has created images of beauty, utopia, and the American landscape that expand the imaginary of Blackness in the twenty-first century. Wish This Was Real is the definitive early-career survey of Mitchell’s work, offering a comprehensive look into the subjects driving his artistic practice, from his genre-bending portraits made in the United States, Europe, and West Africa to his photographs printed on diaphanous fabrics and sculptures that reference Black intellectual heritage. Presenting new perspectives by leading writers on his long-standing themes of self-determination and the extraordinary radiance of the everyday, Wish This Was Real shows how photography can be rooted in a collective past while evoking imagined futures.

A "provocative, insightful, and urgent" (Peniel E. Joseph) new examination of Malcolm X that shows how the iconic figure was always dedicated to a global movement for Black liberation  

Malcolm X is one of the most iconic figures of the twentieth century. Across countless films, documentaries, and books, we have come to know him as a violent and tragic figure, who, when considered next to Martin Luther King Jr. and the civil rights movement, was ultimately and perhaps dangerously misguided. But in the wake of continued police brutality and the rise of white supremacy, it’s time to revisit Malcolm X and ask: What do we really know about what he believed, and what can we do with that political philosophy today? 
 
In Nobody Can Give You Freedom, Kehinde Andrews draws on the speeches and writings of Malcolm X to upend the conventional understanding of Malcolm—from his alleged misogyny to his putative proclivity for violence. Instead, Andrews argues that Malcolm X embraced equality across genders and foresaw a more inclusive approach to Black liberation that relied on grassroots efforts and community building.  
 
Far from a doomed ideologue, Malcolm X was in fact one of the most important, and misunderstood, intellectuals of the twentieth century, whose lessons on how to fight white supremacy are more important than ever.

A late bloomer thought a visit to a sex club might jump start her love life, but instead makes an instant connection that turns her whole world upside down, in this adult debut from author Zakiya N. Jamal.

When Stella Renee Johnson's roommate invites her to a sex club party but bails at the last minute, Stella decides to use the opportunity to finally cash in her V-card. But just when things are heating up between Stella and a sexy stranger, they realize they don’t have protection and Stella, taking it as a sign this wasn't meant to be, flees.

Frustrated in more ways than one, Stella is shocked to learn that the digital media website where she works is partnering with an AI company. She's even more shocked when the alluring man from the previous night walks in. Max Williams is the CEO's brother and the creator of the AI program now threatening her job.

Despite the conflict of interest, Stella and Max can't resist their magnetic attraction toward each other, and agree to keep their personal lives separate from what’s happening at work. But the more similarities they discover at home—both Black, book smart, and bisexual—the more they butt heads at work. Stella and Max must decide whether to think with their heads and walk away from their budding relationship, or follow their hearts and take a chance on love, no matter the cost.

*Paperback Release Date - 10/6/2026*

Named one of the Most Anticipated Books of 2025 by Foreign Policy

“Howard French’s The Second Emancipation stands the second half of the last century on its geopolitical head.” ―David Levering Lewis, winner of the Pulitzer Prize

From the acclaimed author of Born in Blackness comes an extraordinary account of Africa’s liberation from colonial oppression, a work that fundamentally reshapes our understanding of modern history.

A work of epic dimension that recasts the liberation of twentieth-century Africa through the lens of revolutionary leader Kwame Nkrumah.

The Second Emancipation, the second work in a trilogy from best-selling author Howard W. French about Africa’s pivotal role in shaping world history, underscores Adam Hochschild’s contention that French is a “modern-day Copernicus.” The title―referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom―positions this liberation at the center of a “movement of global Blackness,” with one charismatic leader, Kwame Nkrumah (1909–1972), at its head.

That so few people today know about Nkrumah is an omission that French demonstrates is “typical of our deliberate neglect of Africa’s enormous role in the birth of the modern world.” Determined to re-create Nkrumah’s life as “an epic twentieth-century story,” The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana’s Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French’s consummate style more vivid than in Nkrumah’s early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu―including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him “one of the greatest political leaders of our century”―and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.

Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana’s first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah’s radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.

In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history.

16 pages of illustrations; 3 maps

A clever and hilarious new mystery about a mother who thinks she has to do it all—even solve a murder—from the author of It's Elementary

After rage quitting her job, Mavis finally has time to get all the rest she’s been putting off. Or she should have the time. Hypothetically. Except she’s taken on a new role: Supermom. Her hours are filled with chauffeuring her daughter, Pearl, around to her extracurricular activities, somehow ending up class mom, and…investigating another mystery?

When Coach Cole, the director of the kids’ soccer program, drops dead on a sunny Saturday morning, no one suspects foul play. However, the police soon discover something suspicious left on the field, making it clear that someone had it in for the coach. But who? Sure, parents got mad when he made their precious star athletes sit on the bench, but not that mad.

Mavis is determined to find out, even if it takes her into the dark, dangerous underbelly of gentle parents and MLM girlbosses. Plus, it’s an easy distraction from everything else going on. Like the panic attacks she keeps brushing off. Or the fact that she’s unemployed and totally lost as to what her purpose and path in life should be. And then there’s her ex-husband who’s back in town and doing everything she’s ever wanted, just as she’s beginning a new relationship. Mavis knows a murder investigation probably isn’t the self-care she needs right now. But how exactly are you supposed to take care of yourself when you don’t even know who you are anymore?

Winner of the John Boswell Prize from the American Historical Association 2018
Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018
Winner of an American Library Association Stonewall Honor 2018
Winner of Lambda Literary Award for Transgender Nonfiction 2018
Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies

The story of Christine Jorgensen, America’s first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.

Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible.

Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

A mother and daughter with a shared talent for healing—and for the conjuring of curses—are at the heart of this dazzling first novel
 
WINNER OF THE SOCIETY OF AMERICAN HISTORIANS PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • NPR • Parade • Book Riot • PopMatters

“Lush, irresistible . . . It took me into the hearts of women I could otherwise never know. I was transported.”—Amy Bloom, New York Times bestselling author of White Houses and Away

Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother’s footsteps as a midwife; and their master’s daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom.
 
Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love.

A vibrant collection of personal and lyric essays in conversation with archival objects of Black history and memory.

What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere.

Erin Sharkey considers Benjamin Banneker’s 1795 almanac, as she follows the passing of seasons in an urban garden in Buffalo. Naima Penniman reflects on a statue of Haitian revolutionary François Makandal, within her own pursuit of environmental justice. Ama Codjoe meditates on rain, hair, protest, and freedom via a photo of a young woman during a civil rights demonstration in Alabama. And so on—with wide-ranging contributions from Carolyn Finney, Ronald Greer II, Alexis Pauline Gumbs, Sean Hill, Michael Kleber-Diggs, Glynn Pogue, Katie Robinson, and Lauret Savoy—unearthing evidence of the ways Black people’s relationship to the natural world has persevered through colonialism, slavery, state-sponsored violence, and structurally racist policies like Jim Crow and redlining.

A scrapbook, a family chest, a quilt—and an astounding work of historical engagement and literary accomplishment—A Darker Wilderness is a collection brimming with abundan

A multidisciplinary illustrated reader unpacking imperialist representations of Africa by promoting dialogue, memory and everyday practice, and reimagining cultural institutions and the arts—from museums to academia, from architecture to art.

In 2017, curator and art historian Anita N. Bateman and architect and professor Emanuel Admassu initiated research on the traditional positioning and mispositioning of the arts across the African continent. Where Is Africa has been an extended set of exchanges with contemporary artists, curators, designers and academics who are actively engaged in representing the continent—both within and outside its geographic boundaries. By examining artist collectives, new currents in art history and the rise of contemporary art festivals in and about Africa from the past 10 years, the project unpacks the imperialist foundations of cultural institutions and their anthropological fascination with African objects, people and places.

The interviews in Where Is Africa examine African and African-diasporic identities and spaces through questions of positionality in relation to specific disciplinary, cultural and political contexts. The texts address Afro-diasporic aesthetic practices and the curatorial, museological and artistic matrices that confront epistemologies of dominance and exclusion. The commissioned essays and images offer concise methodologies that expand or complicate issues addressed by the interviewees.

Where Is Africa is a conceptual project that accompanies a conceptual place, driven by the desire to dislodge Africa from categorical fixity and the representational logics of nation-states. Africa can never be fully enclosed by the residue of colonial violence or the totalitarian gaze of neoliberalism; instead, it creates infinite malleability, where place and concept are untethered from each other.

Contributors include: Mikael Awake, Salome Asega, Tau Tavengwa, Anthony Bogues, Jay Simple, Eric Gottesman, Rebecca Corey, Aida Mulkozi, Rakeb Sile, Mesai Haileleul, Mpho Matsipa, Naiama Safia Sandy, Adama Delphine Fawundu, Rehema Chachage, Robel Temesgen, Valerie Amani, Meskerem Assegued, Elias Sime, Olalekan Jeyifous, Amanda Williams, Germane Barnes and Mario Gooden.