Photo albums from the archives of the iconic chronicler of New York's 1980s rap, hip-hop and Black culture

The influential Brooklyn-based photographer Jamel Shabazz has been making portraits of New Yorkers for more than 40 years, creating an archive of cultural shifts and struggles across the city. His portraits of different communities underscore the street as a space for self-presentation, whether through fashion or pose. In every instance Shabazz aims, in his words, to represent individuals and communities with “honor and dignity.” This book—awarded the Gordon Parks Foundation/Steidl Book Prize—presents, for the first time, Shabazz’s work from the 1970s to ’90s as it exists in his archive: small prints thematically grouped and sequenced in traditional family photo albums that function as portable portfolios.
Shabazz began making portraits in the mid-1970s in Brooklyn, Queens, the West Village and Harlem. His camera was also at his side while working as an officer at Rikers Island in the 1980s, where he took portraits of inmates. This book features selections from over a dozen albums, many previously unseen, and includes his earliest photographs as well as images taken inside Rikers Island, all accompanied by essays that situate Shabazz’s work within the broader history of photography.
Born and raised in Brooklyn, Jamel Shabazz (born 1960) picked up his first camera at the age of 15 and began documenting his communities, inspired by photographers such as Leonard Freed, James Van Der Zee and Gordon Parks. His work has been featured in numerous solo and group exhibitions, including those at the Brooklyn Museum, the Studio Museum in Harlem, the J. Paul Getty Museum and the Victoria and Albert Museum. Shabazz is the author of Back in the Days (2001) and Sights in the City (2017).

A new book by the Pulitzer Prize–winning writer about the twenty-first-century Latino experience and identity.

"Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation.

Investigating topics that include the US-Mexico border "wall," Frida Kahlo, urban segregation, gangs, queer Latino utopias, and the emergence of the cartel genre in TV and film, Tobar journeys across the country to expose something truer about the meaning of "Latino" in the twenty-first century.

Over the past two decades, Simone Leigh has created artwork that situates questions of Black femme-identified subjectivity at the center of contemporary art discourse. Her sculpture, video, installation and social practice explore ideas of race, beauty and community in visual and material culture. Leigh’s art addresses a wide swath of historical periods, geographies and traditions, with specific references to materials across the African diaspora, as well as forms traditionally associated with African art and architecture.This publication includes substantial new scholarship addressing Leigh’s work across mediums and topics. The volume, timed with the artist's first museum survey and national tour, includes contributions by her longtime collaborators, new scholars who add diverse insights and perspectives, and a conversation highlighting Leigh’s voice. Additionally, generous and lushly illustrated plates feature her critically acclaimed work for the 59th Venice Biennale and works made throughout her 20-year career. A special section featuring Leigh's research images gives access to Leigh’s research methodologies and encourages readers to fully engage with all aspects of Leigh’s work. This monograph provides a timely opportunity to gain a holistic understanding of the complex and profoundly moving work of this groundbreaking artist.

Born in Chicago in 1967, Simone Leigh received a BA in fine art with a minor in philosophy from Earlham College, Richmond, Indiana, in 1990. In 2022, Leigh represented the United States at the 59th Venice Biennale with her critically acclaimed exhibition Sovereignty. She has had solo presentations at the Kitchen, New York (2012); Creative Time, New York (2014); New Museum of Contemporary Art, New York (2016); Hammer Museum, Los Angeles (2016); and the High Line, New York (2019); among other venues. Leigh lives and works in Brooklyn.

Rapper Bun B lends his street cred and occasionally his face to the creative, hilarious, and just flat-out fun imaginings of Shea Serrano in Bun B’s Rap Coloring and Activity Book. Described by the Washington Post as “what every hip-hop head wishes they had as a child,” this imaginative work started as a series of printable rap-related coloring and activity images. The 48-page, fully interactive book of coloring pages, unbelievably clever activities, and smart plays on rap culture brings these stars and their music right into your living room.Featured rappers include:

Bun B
Queen Latifah
Drake
Talib Kweli
Ice-T
Common
Wiz Khalifa
Ludacris
LL COOL J
Big Boi
Childish Gambino
Questlove
B.o.B
Mac Miller

And many, many more!

From John Hope Franklin, America's foremost African American historian, comes this groundbreaking analysis of slave resistance and escape. A sweeping panorama of plantation life before the Civil War, this book reveals that slaves frequently rebelled against their masters and ran away from their plantations whenever they could.

For generations, important aspects about slave life on the plantations of the American South have remained shrouded. Historians thought, for instance, that slaves were generally pliant and resigned to their roles as human chattel, and that racial violence on the plantation was an aberration. In this precedent setting book, John Hope Franklin and Loren Schweninger demonstrate that, contrary to popular belief, significant numbers of slaves did in fact frequently rebel against their masters and struggled to attain their freedom. By surveying a wealth of documents, such as planters' records, petitions to county courts and state legislatures, and local newspapers, this book shows how slaves resisted, when, where, and how they escaped, where they fled to, how long they remained in hiding, and how they survived away from the plantation. Of equal importance, it examines the reactions of the white slaveholding class, revealing how they marshaled considerable effort to prevent runaways,
meted out severe punishments, and established patrols to hunt down escaped slaves.

Reflecting a lifetime of thought by our leading authority in African American history, this book provides the key to truly understanding the relationship between slaveholders and the runaways who challenged the system--illuminating as never before the true nature of the South's "most peculiar institution."

Rediscover the sensational 1967 literary thriller that captures the bitter struggles of postwar Black intellectuals and artists

With a foreword by Ishmael Reed and a new introduction by Merve Emre about how this explosive novel laid bare America's racial fault lines

Max Reddick, a novelist, journalist, and presidential speechwriter, has spent his career struggling against the riptide of race in America. Now terminally ill, he has nothing left to lose. An expat for many years, Max returns to Europe one last time to settle an old debt with his estranged Dutch wife, Margrit, and to attend the Paris funeral of his friend, rival, and mentor Harry Ames, a character loosely modelled on Richard Wright.

In Amsterdam, among Harry’s papers, Max uncovers explosive secret government documents outlining “King Alfred,” a plan to be implemented in the event of widespread racial unrest and aiming “to terminate, once and for all, the Minority threat to the whole of the American society.” Realizing that Harry has been assassinated, Max must risk everything to get the documents to the one man who can help.

Greeted as a masterpiece when it was published in 1967, The Man Who Cried I Am stakes out a range of experience rarely seen in American fiction: from the life of a Black GI to the ferment of postcolonial Africa to an insider’s view of Washington politics in the era of segregation and the Civil Rights Movement, including fictionalized portraits of Martin Luther King, Jr., and Malcolm X. John A. Williams and his lost classic are overdue for rediscovery.

Few novels have so deliberately blurred the boundaries between fiction and reality as The Man Who Cried I Am (1967), and many of its early readers assumed the King Alfred plan was real. In her introduction, Merve Emre examines the gonzo marketing plan behind the novel that fueled this confusion and prompted an FBI investigation. This deluxe paperback also includes a new foreword by novelist Ishmael Reed.

It is Brown Sugar Baby's first Christmas! When the three Aunties swirl in, full of love and sweetness, Baby is the center of family joy and new traditions. Award-winning Kevin Lewis does it again, writing another lyrical and relatable celebration of unconditional love. This African American family is full of warmth and celebration, and reminds us of the true meaning of Christmas. Perfect keepsake gift for baby's first Christmas. Grandparents will make memories with their grandchildren, too!

• Relatable, lyrical story for parents and their little girls and boys to read together on Christmas. 
• Beautiful illustrations, featuring an African American family, will keep kids engaged throughout the story.
• Sturdy board book pages are easy to grasp, great for children practicing fine motor skills.
• Poetic rhythm and rhymes encourage language patterns and development amongst toddlers.
• Glitter cover and every page throughout provide tactile learning for kids of young ages as they touch the bumpy pages. The more senses you use as you read together, the better children can concentrate on their learning experience.

Do aliens exist? Are UFOs real? The race is on to discover alien life in the universe!

This book will sort myth from fact to bring you the real science behind the search for alien lifeforms. Space expert Joalda Morancy will take readers on a tour of the solar system (and beyond), onboard new NASA missions searching for the most likely alien hiding places—from icy moons of Jupiter to the clouds of Venus. Along the way kids will find out about:

• The robots sent to Mars to look for Martians
• What really goes on at Area 51
• Ways to spot an advanced alien civilization (hint—look for dim stars)

They may seem as fanciful as wizards and monsters, but this book will show that scientists not only believe that aliens exist—but that it’s only a matter of time before we find them.

An accessible and popular introduction to African photography and film from the mid-twentieth century to the present day

Drawing from archival imagery and documents, interviews with the photographers and filmmakers (in some cases family members and/ or close associates), and with contributions from writers, scholars, and curators, The African Gaze is a mapping of and an introduction to the postcolonial African moving and still image.

In The African Gaze, based on the university course of the same title, author Amy Sall looks at ways in which artistic expression in photography and cinema engendered discourses concerning identity, power, and self-determination.

Colonial photography deprived Africans of agency, rendered them voiceless, and classified them as subaltern. In colonial photography, African people were subjected to a physical positioning and gaze which took away their autonomy and allowed western viewers to perceive them as primitive. African photographers and filmmakers from just before independence and onward (and in some cases even earlier), were able to reclaim this power and allow their communities to see themselves as they were, and explore their social, economic, and political conditions from their own perspective.

This is a timely publication as engagement with Black and African histories is stronger than ever before (and long overdue). The major names of African photography, such as Malick Sidibé, Sanlé Sory, and Seydou Keita have become highly collectible in the art market and African cinema, pioneered by Ousmane Sembene in 1960s Senegal, is now recognized for its creative innovation and storytelling.

Never-before-seen unpublished works by award-winning American literary icon Ntozake Shange, featuring essays, plays, and poems from the archives of the seminal Black feminist writer who stands alongside giants like Toni Morrison and Alice Walker, curated by National Book Award winner Imani Perry with a foreword by New York Times bestselling author Tarana Burke.
 
            In the late ’60s, Ntozake Shange was a student at Barnard College discovering her budding talent as a writer, publishing in her school’s literary journal, and finding her unique voice. By the time she left us in 2018,  Shange had scorched blazing trails across countless pages and stages, redefining genre and form as we know them, each verse, dance, and song a love letter to Black women and girls, and the community at large.
            Sing a Black Girl’s Song is a new posthumous collection of Shange’s unpublished poems, essays, and plays from throughout the life of the seminal Black feminist writer. In these pages we meet young Shange, learn the moments that inspired for colored girls who have considered suicide/when the rainbow is enuf…, travel with an eclectic family of musicians, sit on “The Couch” opposite Shange’s therapist, and discover plays written after for colored girls’ international success. Sing a Black Girl’s Song houses, in their original form, the literary rebel’s politically charged verses from the Black Arts Movement era alongside her signature tender rhythm and cadence  that capture the minutia and nuance of Black life. Sing a Black Girl’s Song is the continuation of a literary tradition that has bolstered generations of writers and a long-lasting gift from one of the fiercest and most highly celebrated artists of our time.  

Original stories of Black family life in Louisville, Kentucky, for readers of Dantiel Moniz (Milk Blood Heat) and Kai Harris (What the Fireflies Knew).

The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers’ drug addictions.

JayLynn heads to college intent on gaining distance from her depressed mother, only to learn that her mother’s illness has reached a terrifying peak. She fears the chaos and instability of her extended family will prove too much for her boyfriend, whose idyllic family feels worlds, not miles, apart from her own. When bats invade Zaria’s new home, she is forced to determine how much she is willing to sacrifice to be a good mother. Angel rebels on Derby night, risking her safety to connect with her absent mother and the wild ways that consumed her.

Mama Said separates from stereotypes of Black families, presenting instead the joy, humor, and love that coexist with the trauma of drug abuse within communities. Kristen Gentry’s stories showcase the wide-reaching repercussions of addiction and the ties that forever bind daughters to their mothers, flaws and all.

A new edition of the groundbreaking classic essay collection from the Pulitzer Prize-winning author of The Color Purple in which she coins the term “womanist” as she speaks out as a Black woman, a writer, a mother, and a feminist on topics ranging from the personal to the political

“When I graduated from college as an undergraduate, my father gave me Alice Walker’s In Search of Our Mothers’ Gardens. It was a beaten-up paperback in 1999, and it’s even more battered now.” —Jesmyn Ward, in the New York Times Book Review

“Womanist is to feminist as purple is to lavender.”

Originally published forty years ago, Alice Walker’s first collection of nonfiction is a dazzling compendium that remains both timely and relevant. In these thirty-six essays, Walker contemplates her own work and that of other writers, considers the civil rights movement of the 1960s and the anti-nuclear movement of the 1980s, and writes vividly and courageously about a scarring childhood injury. Throughout, Walker explores the theories and practices of feminists and feminism, incorporating what she calls the “womanist” tradition of black women—insights that are vital to understanding our lives and society today.

First published in 1974 and even more relevant today, a natural and whole foods guide the voice of black consciousness, cultural icon Dick Gregory, the incomparable satirist, human rights and environmental activist, health advocate, social justice champion, and author of the NAACP Image Award–winning Defining Moments in Black History: Reading Between the Lies and the classic bestseller Nigger: An Autobiography.

Written with Dick Gregory’s irreverent wit and informed by his deep intelligence, Dick Gregory’s Natural Diet for Folks Who Eat is for real people who are concerned about their health and wellness. Gregory offers an enlightening introduction to natural foods, and offers a wickedly amusing and informative assessment of how our modern diet damages the human digestive tract, and raises our consciousness about the political power of food.

Gregory argues that how you treat yourself and your body reflects how you treat others. He discusses various fasts and the ones he’s done for both political and health reasons, hunger in America, navy beans, and how Americans are changing the way they eat—the beginning of a movement in the 1970s that is still felt today. He offers suggestions on diets to help you gain or lose pounds and offers advice on natural substitutes for favorite alcoholic drinks. You are what you eat—with Dick Gregory’s Natural Diet for Folks Who Eat you can laugh your way to better health. 

A breathtaking poetry collection on hope, heart, and heritage from the most prominent and promising Black poets and writers of our time, edited by #1 New York Times bestselling author Kwame Alexander.

Set over 24 hours, meet rattlesnakes, vipers, and black mambas in this kids’ nonfiction book by TikTok star and snake expert Christian Cave. Journey around the world to follow the lives of these cold-blooded reptiles as they hunt, hide, and fight their way through their day. Biologist and conservationist Christian Cave tells the story of the world’s most amazing venomous snakes in the style of a nature documentary, including gentle science explanations of topics such as camouflage and skin shedding that are perfect for future biologists. Witness incredible moments including: • A paradise flying snake soaring through the air to escape a predator • A king cobra defending her eggs from a mongoose • A spider-tailed viper using its tail to catch birds! Beautifully illustrated by Rebecca Mills and packed with animal facts, Snakes (A Day in the Life) encourages kids to look at the roles these incredible legless predators play in ecosystems across the globe, and why it’s important we protect them.

Featuring A Rage in Harlem, The Real Cool Killers, The Crazy Kill, & Cotton Comes To Harlem

A one-volume selection of four novels in a legendary detective series—blistering, groundbreaking capers set in Harlem's criminal underworld—by master crime writer Chester Himes A friend and contemporary of Richard Wright and James Baldwin—and every bit their equal—Chester Himes is the acclaimed author of literary novels, stories, and essays, as well as the classic crime fiction series for which he is best known, featuring detectives Coffin Ed Johnson and Grave Digger Jones. Himes authored nine novels in the Harlem Detectives series, and in these four popular, accomplished installments, his cold, wisecracking sleuths are thrown into a brutal, murderous world, full of conniving con men, gun-toting gangsters, and opium-smoking preachers. Himes's vision of Harlem's criminal underground is both riotous entertainment, enriched by his deftly plotted mysteries and scintillating dialogue, and a penetrating look into the fraught tensions of race in postwar America. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

A national bestseller in Canada, hailed by The New York Times as an “intimate expression of self-acceptance and forgiveness, tenderly written to fellow trans women and others.”

“Required reading.”—Glennon Doyle, #1 bestselling author of Untamed

A THEM AND AUTOSTRADDLE BEST BOOK OF THE YEAR

What happens when we imagine loving the people—and the parts of ourselves—that we do not believe are worthy of love?

Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she’s always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred.

But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she’d built her life around: justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith: she wrote. Whether prayers or spells or poems—and whether there’s a difference—she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.

A bold, innovative biography that offers a new understanding of the life, work, and enduring impact of Audre Lorde.

We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde’s teachings on “the creative power of difference” may be missing something fundamental about her life and work, and what they can mean for us today.

Lorde’s understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde’s quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive―to live the ethics that a Black feminist lesbian warrior poetics demands.

In Survival Is a Promise, Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde’s manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.

Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith’s powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures.

Smith brings a startling urgency to these poems, their questions demanding a new language, a deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to “anti poetica” and “ars america” to implicate poetry’s collusions with unchecked capitalism. A photographic collage accrues across a sequence to make clear the consequences of America's acceptance of mass shootings. A brilliant long poem―part map, part annotation, part visual argument―offers the history of Saint Paul’s vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it.

Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love―those given and made―are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

A short introduction to Black Humanism: its history, its present, and the rich cultural sensibilities that infuse it

In the United States, to be a Black American is to be a Black Christian. And there’s something to this assumption in that the vast majority of African Americans are Christian. However, in recent years a growing number of African Americans have said they claim no particular religious affiliation—they are Black "nones." And of these Black "nones," the most public and vocal are those who claim to be humanists.

What does it mean to be a Black humanist? What do Black humanist believe, and what do they do? This slim volume answers these questions. Animated by six central principles, and discussed in terms of its history, practices, formations, and community rituals, this book argues that Black humanism can be understood as a religious movement. Pinn makes a distinction between theism and religion—which is simply a tool for examining, naming, and finding the meaning in human experience. Black humanism, based on this definition isn’t theistic but it is a religious system used to explore human experience and foster life meaning. It infuses humanism with rich cultural sensibilities drawn from Black experience. As shown in these pages, thinking about Black humanism this way frees readers from making unfounded assumptions and enables them to better appreciate the secular “beliefs,” ritual structures, and community formation constituted by Black humanists.

Economists regularly promote Capitalism as the greatest system ever to grace the planet. With the same breath, they implore us to leave the job of understanding the magical powers of the market to the “experts.”

Despite the efforts of these mainstream commentators to convince us otherwise, many of us have begun to question why this system has produced such vast inequality and wanton disregard for its own environmental destruction. This book offers answers to exactly these questions on their own terms: in the form of a radical economic theory.

In this debut picture book from Taraji P. Henson, quirky, stylish and a bit off-the-cuff Lil TJ is ready for her first day of school. But when she gets there, TJ finds that everything she does is a little different than everyone else and she’s standing out in all the wrong ways. Once TJ’s classmate Beau notices, he relentlessly teases her. TJ is filled with anxiety and doubt until she recalls some important words of wisdom from her Grandma Patsy. When she looks inside to her own creativity and personality, she figures out how to help herself make new friends! —and helps someone else too!

You Can Be a Good Friend (No Matter What!) is the perfect read for:

• Easing back-to-school jitters and setting a course for the new school year
• Helping children ages 4-8 to overcome anxieties and embrace what makes them unique
• Classroom and library story time, as well as bedtime reading
• Promoting mental wellness and learning socialization skills, embracing the importance of standing in their own uniqueness, and promoting friendship over bullying.

 The boy who always felt like mine is now the man I can't have...

Dig a little and you'll find photos of me in the bathtub with Ezra Stern.

Get your mind out of the gutter. We were six months old.

Pry and one of us might confess we saved our first kiss for each other. The most clumsy, wet, sloppy . . . spectacular thirty seconds of my adolescence.

Get into our business and you'll see two families, closer than blood, torn apart in an instant.

Twenty years later, my "awkward duckling" best friend from childhood, the boy no one noticed, is a man no one can ignore.

Finer. Fiercer. Smarter.

Taken.

Tell me it's wrong.

Tell me the boy who always felt like mine is now the man I can't have.

When we find each other again, everything stands in our way--secrets, lies, promises.

But we didn't come this far to give up now.

And I know just the move to make if I want to make him mine.

A young Black girl overcomes self-doubt and embraces her unique superhero princess identity in this energetic and empowering book from the author of I Will Swim Next Time.

Halima can't decide who to dress up as for her friend's birthday party. Should she be a princess like Elsa, or a sort-of superhero like Pippi Longstocking? "You can't be either," her friends tell her, "because you don't look like them."

Mama assures Halima can be whoever she wants to be, and together they discover more strong, brave women to look up to. Can Halima find the confidence to become her own unique superhero princess?

Heartfelt and uplifting, Halima's story encourages pride and self-expression in young readers, and introduces them to inspiring women of colour from around the world. African-diaspora mother Emily Joof is the author of I Will Swim Next Time. Åsa Gilland's vibrant and lively illustrations are full of fun.

A panoramic history of Puerto Rico from pre-Columbian times to today

Puerto Rico is a Spanish-speaking territory of the United States with a history shaped by conquest and resistance. For centuries, Puerto Ricans have crafted and negotiated complex ideas about nationhood. Jorell Melndez-Badillo provides a new history of Puerto Rico that gives voice to the archipelago's people while offering a lens through which to understand the political, economic, and social challenges confronting them today.

In this masterful work of scholarship, Melndez-Badillo sheds light on the vibrant cultures of the archipelago in the centuries before the arrival of Columbus and captures the full sweep of Puerto Rico's turbulent history in the centuries that followed, from the first indigenous insurrection against colonial rule in 1511-led by the powerful chieftain Ageyban II-to the establishment of the Commonwealth in 1952. He deftly portrays the contemporary period and the intertwined though unequal histories of the archipelago and the continental United States.

Puerto Rico is an engaging, sometimes personal, and consistently surprising history of colonialism, revolt, and the creation of a national identity, offering new perspectives not only on Puerto Rico and the Caribbean but on the United States and the Atlantic world more broadly.

Available in Spanish from our partners at Grupo Planeta

You have within you infinite promise. How big will YOU dream? This striking companion to I Am My Ancestors' Wildest Dreams celebrates Black female achievement and is perfect for fans of I Am Enough, Little Leaders, and She Persisted.

"Magnificently compelling....Lets Black girls know each time they turn the page that all of their dreams are possible." ―Angela Bassett, Award-winning Actress and Producer

I AM dope!

My crown shines bright

in all its glory.

When I dream big,

I can do anything!

In this inspiring tribute to Black girl pride and excellence, a young child discovers her place in a radiant heritage. As she meets twelve extraordinary Black women―historic and contemporary heroines who have blazed a trail for her own future success―she internalizes their strength and sets out to change the world in her own way.

Just like them, she can reach her dreams. And readers will discover that they can reach theirs too.

A debut collection of lyric poems interrogating the generational implications of the Great Migration to Northern California. 

Ankle-Deep in Pacific Water, a debut collection by E. Hughes, marries personal narrative with historical excavation to articulate the intricacies of Black familial love, life, and pain. Tracing the experiences of a southern Black family, their migration to the San Francisco Bay area, and the persistent anti-Blackness there (despite the state’s insistence that it is/was not involved in the US’ projects of imperialism or chattel slavery), Hughes illuminates the intersections of history, grief, and violence.

At the book’s heart is “The Accounts of Mammy Pleasant,” a persona poem written from the perspective of the formerly enslaved abolitionist and financier Mary Ellen Pleasant who is thought to have helped fund John Brown’s raid on Harpers Ferry. Alongside this historical account, Hughes deftly weaves in the story of a contemporary Black family navigating the generational trauma resulting from the Great Migration: domestic violence and racialized violence, familial love and loyalty, the work of parenting, and the work of being a child. Ankle-Deep in Pacific Water reveals in its pages that, while many things have changed over time, ultimately the question of what “freedom” meant and looked like for Black people in the early 20th century retains the same murkiness and contradictions for Black people today.

In The Four Agreements, don Miguel Ruiz revealed how the process of our education, or "domestication," can make us forget the wisdom we were born with. Throughout our lives, we make many agreements that go against ourselves and create needless suffering. The Four Agreements help us to break these self-limiting agreements and replace them with agreements that bring us personal freedom, happiness, and love.

In The Fifth Agreement, don Miguel Ruiz joins his son, don Jose Ruiz, to offer a fresh perspective on The Four Agreements, and a powerful new agreement for transforming our lives into our personal heaven. The Fifth Agreement takes us to a deeper level of awareness of the power of the Self, and returns us to the authenticity we were born with. In this compelling sequel to the book that has changed the lives of millions of people around the world, we are reminded of the greatest gift we can give ourselves: the freedom to be who we really are.